Starring: Amy Schumer, Bill Hader and Lebron James
Directed by: Judd Apatow
Rated: R
Running time: 2 hrs 5 mins
Universal

Our Score: 2.5 out of 5 stars

I sometimes wonder who decides on the titles of films. When the film “Wind” came out I’m sure there was more than one critic who summed up the film by saying, “WIND Blows!” So if you’re going to call a film “Trainwreck”…. I think you get the picture.

We meet nine-year old Amy (Devin Fabry) and her little sister, Kim (Carla Oudin) as their father (Colin Quinn) is explaining to them why he and their mother are getting a divorce. He doesn’t make a lot of sense to the girls but Amy does take to heart one piece of wisdom from her dad: “Monogamy isn’t realistic.” Now in her early 30’s, Amy (Schumer) is still following her dad’s advice, hopping from relationship to relationship with no thought of the other person. She has convinced herself she will never fall in love. And then she meets Dr. Connor (Hader).

A hit and miss comedy that at times hits and at others misses badly, “Trainwreck” isn’t one, but it teeters in that direction. The ads proclaim that it’s “from the guy who brought you Bridesmaids,” (which Apatow produced) but unfortunately it’s not from the gal that wrote “Bridesmaids.” Star Amy Schumer wrote the script here, and while the film is funny in parts, sometimes the raunch factor is so over the top that you wonder how a skilled comic mind like Judd Apatow let some of the “jokes” slip by. And this is coming from someone that loves a good dirty joke.

The film’s saving grace is its cast. Bill Hader is so damn likeable that you can’t help but wish he had chosen a better film. Schumer also credits herself well here, though you wish she had a better writer. Tilda Swinton is unrecognizable as Schumer’s magazine editor-boss and delivers many of the laughs. But I have to give a special shout-out to Lebron James and WWE star John Cena, both of who prove themselves very funny people indeed. Would love to see the two of them teamed up in a film, like Van Damme was with Dennis Rodman in “Double Team.” That would be a collision I’d welcome seeing.

Starring: Paul Rudd, Michael Douglas and Corey Stoll
Directed By: Peyton Reed
Rated: PG-13
Running Time: 117 minutes
Walt Disney Studios Motion Pictures

Our Score: 4.5 out of 5 stars

In the hearts and minds of many, Robert Downey Jr. will always be Iron Man, Chris Evans will always be Captain America, and Hugh Jackman will always be the Wolverine. This isn’t a bad thing because these are all beloved characters that have now been etched into movie history. Of course some people, like Ben Affleck, will always be remembered for the abysmal “Daredevil” movie. So with that said, Paul Rudd, you are Ant-Man, and damn good at it.

It’s a difficult job to be the Marvel movie that follows up the box office success, “Age of Ultron,” but “Ant-Man” is not only a sufficient follow-up, but better than the epic spectacle earlier this summer. While “Ant-Man” may not have the budget, the explosive scenes, and the plethora of characters building around its hyperbolic villain, it’s still grand. Its pint sized hero does everything wonderfully on a much smaller scale, but with a lot more heart.

Scott Lang (Rudd) is a cat burglar who constantly reminds everyone that his robberies were not violent. He’s recently been let out of jail and is staying with his buddy Luis (Michael Pena). Scott wants to do right. He has the smarts and drive, but as his wife says, he leaves when things get tough. So after some unsuccessful attempts at getting a decent job, including a shameless product placement, Scott quickly resorts back to a life of crime.

Luis has the scoop on a home with a massive safe in the basement. Scott breaks in, and his first foe is an impressive metal door with a thumb print key lock. He disposes of this quickly, seemingly ready to meet the illegal challenge. But it isn’t gold bars, jewelry, the Ark of the Covenant, or any treasure like that inside this mystery vault. Instead it’s a suit, and as the cliché goes, it comes with a great power. Scott may not be ready for the power, but the creator of the suit, Hank Pym (Douglas), is ready to teach him.

Like most origin stories, it does deal with the obligatory training scenes and exposition that we’ve become accustomed to in many of these superhero movies. “Ant-Man” reminds me a lot of “Iron Man” in that the training sequences are coupled with personal growth in our hero. It isn’t simply bulking up, learning fighting tactics, and growing into a suit, but it’s also about growing as a person. We don’t need the end of the world to be impressed with superhero movies, but we’ll certainly have a lot more admiration for someone who’s just as human as me or you. With Paul Rudd’s acting and the clever writing, “Ant-Man” becomes one of the best Marvel movies.

“Ant-Man” is enjoyable, fun, exciting, and filled with humor. It knows when to be emotional and it knows when to laugh at itself. A lot of that is thanks to the script penned by Edgar Wright. While three others were attached to it, Wright’s mark has been left. Peyton Reed, who is far from being known for directing action movies, does an OK job replicating Wright’s style of direction. The blueprints were there, but there is this faint feeling that it could have been perfect if Wright was behind the camera.

Ant-Man joins a very crowded field of superheroes, and sure to become even more crowded with Captain Marvel, Black Panther, Doctor Strange, and others on the horizon. While I’m sure Marvel will handle all of these characters like it has in the past, with grace, heart, and comedy, but as of right now, Ant-Man’s short stature has left the biggest mark on the Marvel universe. Good things do come in small packages.

THE FUTURE IS NOW!

BACK TO THE FUTURE 30th ANNIVERSARY TRILOGY

Traveling to Blu-ray™ and DVD on October 20, 2015 along with Back to the Future: The Complete Animated Series & Back to the Future: The Complete Adventures

Starring: Kevin James, Raini Rodriguez, Neal McDonough, Shirley Knight, Eduardo Verástegui, D.B. Woodside
Director: Andy Fickman
Rated: PG (Parental Guidance Suggested)
Studio: Sony Pictures Home Entertainment
Release Date: July 14, 2015

Film: 1.5 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 2.5 out of 5 stars

There is no denying that Kevin James is talented. He has his moments where he is quite funny. “Paul Blart: Mall Cop” was a decent film at best but it never warranted a sequel. Even though I love Vegas, this film was a complete waste of time and really unnecessary. Just like “Grown Ups 2,” another film that James was in that wasn’t needed. Still though, if you liked the first film you might, stress might, enjoy this film.

Official Premise: In this sequel, in which Kevin James reprises the role of Paul Blart, the security guard is headed to Las Vegas to attend a Security Guard Expo with his teenage daughter Maya (Raini Rodriguez) before she departs for college. While at the convention, he inadvertently discovers a heist – and it’s up to Blart to apprehend the criminals.

The Blu-ray comes with a combo pack with a Blu-ray + DVD + UltraViolet copy included. The 1080p transfer is sharp, courtesy of Sony who consistently delivers impressive releases. Even though not a film needed to be mastered in 4K, Sony definitely takes pride in their Blu-ray transfers. The DTS-HD Master Audio 5.1 track sounds good and works well even with the cheesy action.

The special features are nothing special but include a gag reel, some deleted scenes, and a few very short features. The first is “Security Force: The Cast of Paul Blart 2” has cast chatting about the sequel. “Back in the Saddle” discusses the use of the Segway back in this film. “How to Make a Movie” is a chat with the director Andy Fickman. “Le Reve” introduces the Vegas location into the mix. “No Animals Were Harmed” looks into the bird fight scene. Lastly there is a photo gallery included and trailers.

3

3Ryan Reynolds stars this week in Gramercy Pictures’ new sci-fi thriller Self/Less from director Tarsem Singh (The Cell). Self/Less revolves around a dying billionaire named Damian who’s initially played by Sir Ben Kingsley before he undergoes a groundbreaking procedure to place his mind inside a younger, healthier body. Ryan Reynolds’s body to be precise. Secretive underground sci-fi operations generally not being on the up and up, Damian finds himself fighting to find out the origins of this new body while on the run from people behind the shady organization. Assuring us that he was himself and not Sir Ben, the future Deadpool star sat down in New York to discuss the film as well as some other acting aspirations (hint: let’s let the man be evil for a change!)

What attracted you to this film?
Ryan Reynolds: As I’ve gotten older–and I guess I can say that now–I kind of, it’s about working with people you want to work with. And Ben Kingsley had signed on before I was involved. And Tarsem, I remember being so taken with Tarsem’s The Cell. A film which I thought was incredible and of course, Sir Ben and basically everything he’s ever done so…I was just kind of excited to get in the sandbox with those guys.

How familiar are you with the actual research that people are doing regarding this concept?
Reynolds: A little bit, I read some stuff on it–there’s actually some compelling science that would suggest that this is something that we could actually achieve…I find it disturbing, actually. I find the whole concept of it disturbing to so abuse this first life and privilege that we have that we would be as arrogant to ask for a second one. It raises all kinds of questions. For some people it raises a theological argument, for some people it’s just a moral issue, for some people it just sounds awesome. So you know, it just depends. I remember when we were scouting for locations for the movie, we met a couple of billionaires here in New York because we were interested in borrowing their penthouse for Ben Kingsley’s character you know, because he’s a billionaire. And every one of them said “is that possible?” [laughs] You know and you just think ‘wow, you really, you would do that, wouldn’t you?’

Did you meet with Ben Kingsley, since you’re playing the young version of the same character even though you don’t share scenes together?
Reynolds: Yeah I met him. Yeah. I actually spent a lot of time with him. It wasn’t so much that we were shooting together, we had one scene together, but he was around quite a bit. And you know, I would just hang out with him, we had lunch a couple of times. He’s amazing. He’s just an amazing person. I really think he’s kind of like a skin covered nuclear reactor. I mean I’ve never seen a guy with that kind of intensity. He’s got something blowing through him that’s otherworldly.

Lauren Damon: How was it playing against Matthew Goode who’s really playing one of those Archetypal British Villains?
Reynolds: Well, he British. It helps. [laughter] But yeah the Brits are to me, you know, they embody great dry comedy. But certainly there’s a perception that villainous behavior goes in tandem with being British…Yeah, he brought a great screen villain into the mix for us…He is really remarkable. It’s also great because he’s kind of a leading man type of guy and you know, that’s important. I always think–my dream role is to play a villain. I still, to this day, I haven’t had the chance to play like a proper you know, on screen villain. The Voices [2014] I play sort of a nefarious bad guy, but he doesn’t believe he’s a bad guy so I can’t wait to do that some day. Because that’s just, I love villains because villains never ever ever ever feel like villains to me. I would love to do a villain role because I would play every line like he’s the hero. Because in real life that’s what villains are. Villains are just people with opposing convictions, not necessarily people that wake up in the morning and go ‘I need to kill someone.’

Why do you think you’ve not been asked to play a villain?
Reynolds: I don’t know. That’s a good question. I don’t know. I also just think that Hollywood tends to cast villains–they tend to cast people that seem like villains…And I don’t know why they do that. I think like–I would prefer that they take somebody who doesn’t necessarily strike you as a villain and make them the greatest onscreen villain to ever happen. So I don’t know. I would love that opportunity though. I mean I look for them, I always look for them. But typically it’s in the writing–you read them and you’re like ‘oh well he’s written like a villain’ that’s why I don’t want to do it…You know, he’s talking like a ‘bad guy.’ I don’t think villains are like that. I think that villains talk like they’re the hero. You know, if you look back throughout history and you think of some of the greatest, you know, most awful human beings and the people that truly did the most damage, they believed in what they were doing. And that’s why they did the most damage. So like that to me is interesting.

LD: Shooting this and then also being Deadpool, a basically unkillable character, did you find yourself giving more thought to the concept of immortality, whether you saw it as a good or bad thing?
Ryan Reynolds: I don’t know who would want to–to live forever, I feel like that’d just be a sentence. It would be kind of awful. I would not want to, I wouldn’t want to do that. But yeah, as a theme, it’s kind of been around lately for me…I think for a lot of people that’s wish fulfillment and in this film, I think Self/less they kind of tackle it in an interesting way. There’s a real moral argument there. There’s something, it’s a lot to with a class system. There’s a guy who uses his influence, power and money to acquire something that no other human being could really acquire. And to use it in such a way that is not necessarily altruistic but kind of disgusting, that’s the moral journey that he’s on and I think that that is what also derails him. And I found that to be kind of interesting.

LD: Are you going with Deadpool to Comic Con? And do you think you would brave the show floor whether in disguise or not?
Reynolds: Oh yeah, we will have a presence at Comic Con for sure. Yeah, I’d love to go on the floor…

LD: Deadpool’s really covered, you could do it.
Reynolds: Yeah I could! But if I wear the actual Deadpool suit from ten miles away, you’ll know it’s me. Because it’s the actual Deadpool suit, which I think is a feat of engineering. No cosplay looks that good. So I don’t know, maybe I’ll go in a Hulk mask or something.

Self/Less opens Friday July 10th
Deadpool is scheduled for release February 16th 2016

Starring the Voices of: Pierre Coffin, Sandra Bullock, and Jon Hamm
Directed By: Pierre Coffin and Kyle Balda
Rated: PG
Running Time: 91 minutes
Universal Pictures

Our Score: 3 out of 5 stars

Minions have the lovability of a puppy dog, the comedy stylings of a group of rambunctious Kindergarteners, and they’ve now gotten their own movie. A lot can go wrong when you give the side characters of your main movie their own big picture. When it works, like “Puss in Boots,” it works, but it’s not a very memorable entry. The creators of “Minions” have surprisingly avoided the potential spin-off pitfalls by realizing the best way to handle their yellow pill shaped creations, is by simply allowing them to be silly.

The plot in this movie is paper thin, but it doesn’t need the emotional heft we’ve seen in the previous “Despicable Me” movies. Sure our pint sized pals have their own characteristics, but they don’t have the depth of Gru or the deep characteristics of any of the other humans inhabiting this world. “Minions” mainly follows the three yellow creatures named Kevin, Stuart, and Bob. Their journey begins after a brief and funny backstory on how the minions have become servants. The brave trio is about to go out into the world to find a deviant master. They’ve spent years huddled in the cold ice chambers of Arctic after centuries of accidentally killing or shaming all their previous rulers.

The three arrive in the states and find their way to a villain convention where they become enamored by Scarlet Overkill (Bullock). Unlike Gru, she’s very selfish in her ambitions, which aren’t necessarily made clear. The majority of the movie moves at a disorganized pace that only serves one purpose, to make you laugh and to entertain. And honestly, that’s all I really want out of a movie about the minions.

Despite my enjoyment of all the visual gags and slapstick humor, I wish the story wouldn’t have plodded around so much. The weakness comes when Kevin, Stuart, and Bob are on their own. They communicate through their own gobbledygook language and it doesn’t feel as fast paced as a skit when the minions act more like a collective brain than in an individual manner. Kevin, Stuart, and Bob manage to create their own identity by the end of the movie, but it’s not a very strong one or one that helps differentiate themselves that much from the others in the minion collective. Kevin is the leader of the three, Bob is the most playful and childlike of the group and Kevin is….Kevin.

Just like in the previous movies, “Minions” work best when they react to a situation. Overkill is the deepest character in the movie, but she’s the developed character that populates the “Despicable Me” universe. But if she was created to simply be a piece for the minions to react to, then her purpose has been served. It just feels like a waste when you bring on a big name like Sandra Bullock to voice As for the other voice actors, they’re very good, especially Jon Hamm who plays Scarlet’s lover/accomplice. He almost sounds like Bill Hader, who I highly regard as an amazing voice actor. Not that Hamm is in his post-“Mad Men,” he should consider more voice-acting roles.

It isn’t the best children’s movie of the year, but that’s certainly hard to do nearly a full month after Pixar released its shoe-in for the best animated feature film of the year Oscar. While Pixar has the awards, “Minions” will certainly be raking in the money, but that’s because at the end of the day, the minions are still loveable. “Minions” is fan-service and playful entertainment, plain and simple. If you want more story and plot, maybe you should wait until “Despicable Me 3”.

Starring: Daryl Hannah, Edward Furlong and Vinnie Jones
Directed By: Mark Atkins
Rated: R
Studio: ARC Entertainment
Running Time: 89 minutes

Our Score: 2.5 out of 5 stars

Just looking at the cover of “Awaken” induces nostalgia. Names like Vinnie Jones, Edward Furlong, and Jason London conjure memories of many cheesy action movies, some of them classics. So is “Awaken” the who’s who of action movies? No. It’s more like “Repo Men”, “Cube”, and “Surviving the Game”, got together for a story idea, got drunk, and went off the notes they scribbled down in a drunken stupor. While the creators may not have been in the most sober state of mind while writing this story, a couple of beers could help you enjoy this movie more if you plan on checking it out.

Imagine waking up in the thick jungle woods of an island. Your immediate instinct is to figure out where you are, but a mysterious group of paramilitary men are hunting you down. Before you can even wake from the daze or having the surrounding features set-in, burly killing machines are giving chase to you. That’s the nightmare that Billie (Natalie Burn) finds herself in. She comes across a group of survivors, who’ve been on the island for a while, but they offer no help to her predicament, in terms of an escape route or what is they’re actually doing there.

In some movies, like “Predators”, this notion is exciting because we as an audience have some kind of inkling about what’s going on, but “Awaken” certainly takes its sweet time to reveal the seedy reasons they’re on this island. But when a movie takes its sweet time, it can be engaging if the mystery is intriguing enough. Maybe the mystery in “Awaken” would have been more mesmerizing if I didn’t read the synopsis which made the “twist” a dead giveaway. There’s a lot that “Awaken” does wrong, that’s very obvious from the first half of the movie, but this disjointed hodgepodge has a campy charm.

It’s not necessarily good acting, but when you have Robert Davi arrive and sell every moment he’s on screen, it’s entertaining. A veteran actor can make do with what they have and many in this movie know how to sell the cheese. Daryl Hannah, who shows up later in the movie, may have needed a reality check about what kind of movie she was filming; although it should have been obvious to her in one scene where she’s awaiting the results of surgery by playing with a monkey doll surrounded by stock bad guy goons. Outside of that miscast, everyone is well aware how to react.

I’ve certainly watched better action movies, but I’ve certainly been subjugated to dull ones. “Awaken” smartly casts Natalie Burn as the leading lady. Not a well-known name and certainly not a name I know off the top of my head. But the ballet performing actress certainly has a knack for action. “Awaken” ultimately falls into the category of enjoyable, but forgettable. It would have done well in the 80’s where cheeseball action movies with outlandish concepts thrived.

There are some actors who, when you first see them, they stick with you. The first time I saw David Keith on screen was when he played the young Army PFC that spends some time with Bette Midler in “The Rose.” Next for me was his role as Robert Redford’s fellow prisoner (and eventual right hand man) in “Brubaker.” But it was his role as Naval Pilot Candidate Sid Worley in “An Officer and a Gentleman” that made not only earned him two Golden Globe nominations but stardom.

Since then he has had high profile roles in both film (“Firestarter,” “Heartbreak Hotel,” “Major League II”) and television (“Flesh and Blood,” “High Incident,” “The Class”). I had the great opportunity to meet Mr. Keith in 1993 on the set of “Major League II” in Baltimore and a nicer, more down to earth person I’ve never met. Especially at 11:00 at night on a cold October evening at Camden Yards.

This week, Mr. Keith’s film, “Awaken, co-starring Daryl Hannah and Jason London, arrives on DVD. Mr. Keith recently spoke with me, with that soft Tennessee twang, about his latest role, his work preferences and feeling much better, thank you.

Mike Smith: Give us a brief introduction to “Walsh,” your character in “Awaken”
David Keith: He is a black market organ harvesting surgeon on an island where some bad people are kidnapping people, making them live in the jungle so they can clean out their systems and then harvest their organs for wealthy people who have loved ones who need an organ transplant but don’t want to wait in line for them.

MS: What, if anything, attracted you to the project?
DK: The producer and co-writer (Natalie Burns) is a friend of mine. She asked if I would come do a role for her. I said “yes” before I read the script.

MS: You seem to work equally between film and television. Do you have a preference?
DK: If I could be stuck in one job for the next ten years it would be in a situation-comedy. That is the best medium because it combines the best of theater and the best of film. When you do a play on Broadway you have to sign a two-year contract, but you get sick of it after about three months when you’re doing eight shows a week. When you do a movie, you never shoot anything in order. There’s no audience. There’s no real feeling of the project as one piece like there is in theater. In a sit-com it’s like doing a different play every week. You’re the same character but you’ve got new lines – new scenes – new things to do each week. And the hours are tremendous work – about four to six hours a day – five days a week, instead of fifteen hours a day, six days a week on a film. So sit-coms are my favorite medium. And “The Class” is my favorite sit-com that I’ve ever been on.

MS: You’ve directed in the past. Any intention of getting back behind the camera again?
DK: Yes, but only under my terms. Those were not great directing experiences – I didn’t have the control I needed. I did the best I could with what I had to work with. I have a script I hope to make. I had the money all in place years ago but then the guy who had signed the contract reneged on the contract. That script is still sitting in my drawer waiting for someone to come along and say, “let’s make this movie.” (laughs)

MS: What do you have coming up next?
DK: I don’t actually know what my next job is going to be. I had some medical issues – nothing serious, nothing to worry about – that kept me out of work for the last year. I haven’t worked in a year for the first time in my career.

MS: Everything is good now?
DK: Everything is good, yes. I’m healthy and ready to go. Now it’s up to my agents. I don’t live in L.A., I live in Tennessee. I don’t go to auditions. Somebody has to remember me and want me. (laughs)

Starring: Thomas Mann, Olivia Cooke and Ronald Cyler II
Directed By: Alfonso Gomez-Rejon
Rated: PG-13
Running Time: 105 minutes
Fox Searchlight Pictures

Our Score: 4.5 out of 5 stars

Depending on how well you pitch it, self-loathing can be quite comical. Pointing out your own faults to elicit a laugh can work out well. I do it all the time with people I know because it allows me to show to them that I’m human, that I understand my flaws, and that I’m comfortable with my shortcomings…kind of. Then of course, across the way, there’s that thin line of self-loathing. It’s not too far and if you cross it, you find yourself in actual self-loathing territory. It’s a self-loathing that spins off into depression and depressing other people. “Me and Earl and the Dying Girl” beautifully blends a coming-of-age story and the tricky subject of youthful enmity.

When we first meet Greg (Mann), he’s socially awkward, but has mastered the art of fading into the background. Despite this, he’s maintaining a stable acquaintanceship with everyone in his school. He divides the cliques like world leaders divide their countries. He has it in good with the people of each land, but he maintains his own invisible island that has a unique identity, but he conceals it. The only person, who knows his interests, likes and dislikes, is Earl (Cyler). Like a lot of best friend stories, their meeting as elementary school students isn’t spectacular, but being young and impressionable does help build a firm basis friendship.

That young susceptible brain of theirs falls prey to Greg’s father, played by Nick Offerman, who is perpetually stuck as the bizarre and sage father in indie movies. Through his father’s influence, the two find a love for trashy, poorly made movies. Through that mutual admiration, they create their own parody movies of well-known movies like “Apocalypse Now” and “A Clockwork Orange”. This is Greg’s basic existence. It doesn’t seem like he wants to be bothered to do more nor does he want to attempt to do more, but that’ll quickly change.

At the request of his parents, he visits a former childhood friend, Rachel (Cooke). Everyone views the hangout time as beneficial for Rachel because she needs someone in her time of need. Technically, like everyone, she does. But Rachel is also someone that seems to be confident in her own minimalistic self-preservation. She doesn’t want to burden other people with her upsetting diagnosis, much less tell that to Greg, whom she barely talks to. Despite his awkwardness and many in-poor taste jokes, she finds his goofiness charming and sees the kindness in his soul.

Throughout, we’re reminded that this isn’t a movie where the two inevitably fall in love and have a cliché passion scene. That, in itself, is absolutely refreshing. It would cheapen what’s happening if she were to fall in love with the first boy to acknowledge her illness and be there in her time of need. It would feel cheap if he made a move as she goes through chemotherapy. They both care about each other, but not like that. They don’t need to. The love they feel for each other is completely platonic, but still very heartfelt.

At an integral point in “Me and Earl and the Dying Girl”, the movie turns on a dime from a comedy into a drama. It’s a very smooth, but sudden transition. Up until that point, Greg has been adorkable, but at that point, his darkness is revealed. Despite the minutes, hours, and days of concern he’s shown, this selfishness blooms and takes over. The situation and the muddying of his perception and the audience’s perception are done elegantly.

Coming-of-age stories have the inevitable growth, or at the very least a melancholy ambiguity haze hanging over them, at the end, and “Me and Earl and the Dying Girl” isn’t any different. It’s the filming and editing style, as well as the realism in our characters that helps propel this one into the top tier of this genre. It’s also great to see to see leads that aren’t impervious to emotional flaws and growing pains.

Terry Dale Parks has appeared in numerous television series and films. Some of his work includes appearances on “Homeland” and “Prison Break” to “Thor” and “Olympus Has Fallen”. Terry recently just finished work on “Terminator Genisys” and “Maze Runner: The Scorch”. Media Mikes had the chance to speak with Terry recently about his work on the two films as well as some of his other upcoming work.

Adam Lawton: What can you tell us about your work on “Terminator Genisys”?
Terry Dale Parks: That started off kind of funny. I had started out thinking I was going to New Orleans to work as that’s where a lot of the film was shot however at the last minute I ended up going to San Francisco. I do some stunts in the film as well as playing a character. The role I play is actually that of a guy who is in charge of one of the cybernetic research facilities. This was such a great film to work on. The thing Director Alan Taylor wanted to do was to make this film feel like the original James Cameron “Terminator” films. The film is sort of picking up where the originals left off. Having Arnold back in the film and getting to work around him was really a treat for me.

AL: What was your take on the “Terminator” series prior to working on it and how do you feel it fits in with the previous films?
TDP: I grew up with “Terminator” and the first 3 movies are really what I consider to be it for me in the series. Growing up in the 80’s and with that classic “I’ll Be Back” phrase that’s really where I see this new film fitting in. It really goes back to the originals. There’s a lot of heart in this film and it’s not just constant CGI effects. That’s the thing I loved about the original films was that all the characters had these dynamic relationships. Genisys has some great surprises and I think people are really going to like the film.

AL: You also are going to be appearing in “Maze Runner: The Scorch”. What can you tell us about that project?
TDP: I had never really heard about the first film. I ended up going to see the film one day not knowing what to expect and ultimately I found the film to be really interesting. What I loved about it is was how the relationship between the kids in the film developed. As the film went on it felt like they were this little family. So literally the next day after seeing the first film I got a call from my agent asking if I would be interested in reading for the film. I actually read for several different roles when I went in. I ended up landing a role where I am in charge of a facility where the kids are taken. I can’t really say much more than that. “The Scorch” literally picks up where the first film ended and it’s almost like watching your favorite Sci-Fi series and this is the next episode. What I found with working on this project is that the kids in the film have such a great relationship off screen that it seems to carry over to on screen. They are all great kids and it was a real pleasure working with everyone.

AL: You have a pretty extensive television resume as well. Do you find it difficult to transition between television and film roles?
TDP: There are long hours and hard work that go into both.  Sometimes when you are working on a television show you might be working on 4 different scripts which are being shot on a couple different sets all in one day. With a film you’re working on one thing so you are only focusing on certain scenes each day. With the television stuff I have to spend a little bit more time making sure I have everything set and am on the right page so to speak for each shot as like I said before a lot of times were working on multiple episodes at one time.

AL: Since were on the topic of television can you tell us about working on “Astronaut Wives Club”?
TDP: That was such a great and fun cast to be around. The show is going to be a 10 part mini-series on ABC. I think people are going to find this show very appealing as I think it has something that appeals to all demographics. For the guys the astronaut angle I think will be very interesting. At times the show also has a “Desperate Housewives” feel to it as it showcases a lot of the drama that these guys went through. When the ten episodes are up I wouldn’t be surprised if they don’t order more. It’s based off of a series of books so there are more options if they choose to continue on with it.

AL: Are there any other projects you have in the works that you would like to mention?
TDP: I did a project with Kyra Sedgwick titled “Big Sky”. That’s should be an interesting film that I think people will like. It’s definitely a thriller and also stars Bella Thorne and Frank Grillo. I am very excited for that to come out.

Starring: Arnold Schwarzenegger, Emilia Clarke and Jai Courtney
Directed by: Alan Taylor
Rated: PG 13
Running time: 2 hrs 5 mins
Paramount

Our Score: 4 out of 5 stars

The year is 2029. Resistance leader John Connor is about to send his trusted lieutenant, Kyle Reese, back to the year 1984. His mission: protect the woman who will one day become John’s mother. Sound familiar?

An amazing twist on an old story, “Terminator Genisys” is a film bursting with action and surprises. Forget everything you think you know about the “Terminator” galaxy because director Taylor and his screenwriters have turned the story upside down. When Reese (Courtney) meets up with Sarah Connor (Emilia Clarke), he is surprised to find her with a Terminator of her own, who has been protecting her since she was nine. This is just one of the twists that come at you as fast and furious as the explosions on screen.

The cast is top-notch. I thought Courtney was a little over the top when he played Bruce Willis’ son in the last “Die Hard” film but here he brings a well of emotions that constantly rise up. Emilia Clarke is just as tough (and sexy) as Linda Hamilton was in the original films while Jason Clarke shows us a John Connor we never would have expected. And, of course, there is Schwarzenegger. Reprising the role that made him a star, he makes his re-programmed T-800 feel, dare I say it, almost human. He also has a great sense of humor. In the film it is learned that the outer skin on the Terminators is organic and that it ages just like the real thing, so when Arnold shows up with wrinkles and gray hair it’s explained.

The story moves fast, has plenty of action and just enough humor to keep you chuckling. Arnold promised he’d be back and he kept his word in spades!

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“A MusiCares Tribute to Carole King”
Rated: Unrated
Studio: Shout! Factory
Run Time: +/-60 min
Format: Blu-Ray and DVD

Our Score: 3 out of 5 stars

On January 24th, 2014 Carole King was honored as the 2014 MusiCares Person of the Year. During the event King along with a long list of super star guests performed some of Kings most celebrated songs from a career spanning decades. “A MusiCares Tribute to Carole King” is the film presentation of those performances which in include appearance by LeAnn Rimes, Gloria Estefan, James Taylor and Lady Gaga just to name a few. Proceeds from the sale of this disc will provide essential support for MusiCares, which ensures that music professionals have a place to turn in times of financial, medical and personal need.

“A MusiCares Tribute to Carole King” is the latest MusiCares release from Shout! Factory who has previously released tribute concerts dedicated to Paul McCartney, Barbara Streisand and Neil Young. Much like previous releases in the MusiCares series the concert is made up of a number of guest’s performances all paying tribute to the selected artist for that year. King is certainly more than deserving of the award and you can certainly tell the impact she has had on all music simply by looking at those who appear in her honor. Songs like “You’ve Got a Friend” performed by Lady Gaga and “Natural Woman” performed by Alicia Keys are definitely worth checking out as is my own personal favorite “Beautiful” performed by Sara Bareilles, Zac Brown, Jason Mraz and Raining Jane.

All in all a pretty entertaining release however if you’re looking for something a little bit more such as bonus content or interviews you won’t find it here. What you do get its 60 minutes worth of star studded entertainment which at times outweighs the lack of those missing special features.

Track Listing:
1.) Hi De Ho (That Old Sweet Roll-) LeAnn Rimes and Steven Tyler
2.) So Far Away- P!nk and Paul Mirkovich
3.) I Feel the Earth Move- Train
4.) Its Too Late- Gloria Estefan
5.) Love Makes the World/Where is the Love?- will.i.am and Leah McFall
6.) Beautiful- Sara Bareilles, Zac Brown, Jason Mraz and Raining Jane
7.) Way Over Yonder- Merry Clayton, Lisa Fischer, Judith Hill and Darlene Love
8.) Where You Lead- Jesse & Jay
9.) Crying in the Rain- Miguel and Kacey Musgraves
10.) Natural Woman- Alicia Keys
11.) Been to Canaan- Jennifer Nettles
12.) I’m Into Something Good- Amy Grant
13.) It Might As Well Rain Until September- Miranda Lambert
14.) One Fine Day- Martina McBride
15.) Up On the Roof- James Taylor
16.) Home Again- Carol King, Moez Dawad and Ahmad A. El Haggar
17.) Sweet Seasons- Carol King and James Taylor
18.) Hey Girl- Carol King and James Taylor
19.) Will You Love Me Tomorrow- Carole King and James Taylor
20.) Jazzman- Carole King and Tom Scott
21.) I Feel the Earth Move- Carol King and Cast Ensemble

“The Decline of Western Civilization Collection”
4 Disc Blu-Ray and DVD
Rated: Unrated
Studio: Shout! Factory

Our Score: 4 out of 5 stars

The highly-celebrated and long-awaited trilogy known as “The Decline of Western Civilization” is now for the first time available as a one complete collection. Available on both Blu-Ray and DVD the great people at Shout! Factory has compiled all three films from the series along with a 4th disc containing tons of bonus footage and interviews. And if that wasn’t enough accompanying the 4 disc collection is a 40 page booklet containing rare stills and an essay by rock historian Domenic Prioret.

Having grown up renting these films from the local video store I was instantly drawn back to the films when I heard they would be being released as a complete collection. Each of the films was just as I remembered. From the classic interviews with Black Flag which shows of their meager rehearsal/living quarters to Germs front man Darby Crash making breakfast and X’s mid tattoo trance like ramblings part 1 of the series had me again clamoring for more. Part 2 transports you back to the late 80’s L.A. metal scene, a scene that will go down in infamy as younger bands like Poison and Motley Crue mixed with long time rock staples like Kiss, Alice Cooper and Aerosmith. It’s all here just as I remembered from Ozzy Osbourne spilling his drink to W.A.S.P. guitarist Chris Holmes pouring Vodka on his head while barely floating in a swimming pool. Part 3 of the series was never released for home viewing however knowing the film existed I had seen bits and pieces over the years so to have the film available now was a personal highlight. The third film showcases performances by Final Conflict, Naked Aggression and The Resistance while shining a light on important topics such as youth homelessness, alienation and alcoholism.

Fans of both music and gritty documentaries will certainly want to check out this release. If not for the sheer nostalgia of past musical era’s but also for the importance that these films played to an internet-less generation who without these films maybe not have ever known that there were youth out there with similar trials, tribulations and ideas/goals. Though each of the films feature new 2k high-definition scans of the originals that though look sharp and crisp still retain the appeal of the originals. The only negative I found with the release was that often times the sound was quite unbalanced leaving interviews to be quite low while performances were quite loud. Even though this caused me to put some wear and tear on my remote/TV I enjoyed every minute of the 4 discs.

Back in 2012, I was contacted about a film called “Sushi Girl”, an indie revenge thriller with a knock out cast including Tony Todd, Noah Hathaway, James Duval, Andy Mackenzie, Mark Hamill, Cortney Palm and even the legendary Sonny Chiba. This film was one of my favorite films of 2012! Last week I received an email from a writer and producer of “Sushi Girl”, Destin Pfaff about his new film “The Unwanted” and I couldn’t be more excited about this film.

Inspired by gripping true events, “The Unwanted” is a frightening supernatural thriller that examines a haunted hotel years after a horrifying incident occurred. The film is currently crowd funding on Kickstarter, click here to view campaign. Horror fans unite! It is films like this that need our help. Check out video below and pitch in what you can to see this kick-ass film made and score some cool perks.

Starring: Mark Wahlberg, Seth McFarlane and Amanda Seyfried
Directed by: Seth McFarlane
Rated: R
Running time: 1 hour 55 mins
Universal

Our Score: 4.5 out of 5 stars

When we last left our furry pal, Ted, he had just been rescued from a demented bear-napper by his best friend John. As the credits rolled, the future looked bright for the two pals. Fast forward three years….

As we reunite with Ted (McFarlane), we join him as he is about to be married to his cashier girlfriend Tami Lynn (Jessica Barth). With a service presided by none other than Flash Gordon (Sam J. Jones) himself, things should be swinging. But sadly, John (Wahlberg) is down in the dumps, having married and divorced Mila Kunis between films. Life continues to go on until, after some very hilarious mishaps trying to artificially conceive a child, Ted and Tami Lynn decide to adopt. This brings Ted to the attention of the authorities who have, until now, not bothered with him. However, now that he wants to be a parent, the state announces that Ted is property, not human, making him unable to adopt. John convinces Ted to take his matter to court and they hire brand new attorney Samantha L. Jackson. What will the verdict be?

As funny as the first film, though a little slow towards the end, “Ted 2” is everything you were probably expecting and more. Starting with the film’s lush, Busby Berkley-style musical opening, the film delivers surprise after surprise. Wahlberg is once again sweet and charming as John while McFarlane makes Ted the most lovable bear to hit the big screen since Winnie the Pooh got his head stuck in the Honey Pot. The supporting cast, including Patrick Warburton and Michael Dorn, get to have plenty of fun as well, as do the many stars making cameo appearances, including Jimmy Kimmel, Jay Leno and a very disturbing Liam Neeson, who will make you look at breakfast cereal in a whole other light! And for NFL fans, there’s a very funny bit with Tom Brady who, ironically, is having his suspension appeal heard this week. At least the guy has a sense of humor.

The laughs come free and easy and McFarlane paces them well. Again, the film does drag a little in the last hour but by then you can probably use a break from all the laughing you’ve done.