Vincent D’Onofrio talks about new films “Chained” and “Sinister”

Vincent D’Onofrio  is known best for his roles in projects like “Men in Black”, “Full Metal Jacket” and TV’s “Law and Order: Criminal Intent”. Vincent recently directed an amazing horror film called “Don’t Go in the Woods”, starred in Jennifer Lynch’s “Chained”. Media Mikes had a chance to chat with Vincent about that role in “Chained” and if we can expect him to direct again soon.

Mike Gencarelli: How did you get involved with Jennifer Lynch’s disturbing “Chained”?
Vincent D’Onofrio: We had a mutual friend and she wanted me to read the script. I have known Jennifer for a longtime, even before she did “Boxing Helena”. So she sent it to me and I thought it would be a really good idea to do. I got in touch with her immediately and then we were off.

MG: How did you transform yourself into Bob for “Chained”?
VDO: It is all about telling the story correctly. You have to figure out a way to get away with the character that you are not going to overshadow the story but at the same time do it right. I brought this speech impediment into it to give notice that something is wrong with this guy and he has a past. His posture and that sort of stuff is in the story and is scripted well and a lot of that helps the character along. Mainly my job was to bring in this guy that can get away doing these horrific things.

MG:You have taken on so many unique character roles from “Men in Black” to “The Cell” to “Full Metal Jacket”; do you always aim for the most challenging roles or does it just end up working out for you?
VDO: I think it is a little bit of both. I worked on TV for almost ten years and it is nice to get back into playing different types of characters. I think that when you are a character actor you some great opportunities like the antagonist. I really enjoy it. If you pick the right ones, you can get lucky. I always look for a challenge and always try to pick different roles. I think sometimes I get asked and then sometimes I go after parts like that because I find them interesting.

MG:What do you enjoy most about working in the horror genre?
VDO: I love it. I just really do. It is a really fun genre to work in. I directed the horror film “Don’t Go in the Woods” and that was fun in one way and “Chained” was fun in another way. “Chained” is a very character driven piece and “Don’t Go in the Woods” is basically a horror/slasher musical. The idea of living in that world of horror, there is a lot that can be done creatively to make it different than something you have seen before. That is best thing about good horror films and why I watch them. The bad ones – the ones that are not as entertaining are the ones you’ve seen over and over. The ones that are the coolest are brand new and finds a way to re-tell the horror. Those are fun to watch.

MG:You are also working again with Jennifer Lynch on “A Fall From Grace” & “The Monster Next Door”; how those come about?
VDO: “A Fall From Grace” is definitely happening. I am will be working on that with her soon, once she gets the financing ready. So yeah, once she is ready…I am good to go.

MG:Tell us about your role in “Sinister”?
VDO: That is basically Ethan Hawke’s film. He is a good friend of mine. They asked me to cover over a help out with a character. I only worked on it for a couple of hours. I am only in the film a little bit as a favor but it is suppose to be really intense. The testing is amazing. I am looking forward to seeing it.

MG:I am a big fan of “Don’t Go in the Woods”, you plan on directing again soon?
VDO: Yeah I am doing to do it again. It is going to be completely different from that film. It is going to have to be something that I am committed to give a couple of years to. The next one will hopefully be a little bit bigger of a budget. We did “Woods” for only 100K and shot it in 12 days. So not too much bigger but I am working on this other thing currently. So keep an eye out.

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Filed Under: Film Interviews, Interviews Tagged With: chained, donofrio, films, sinister, talks, vincent, ...

Sean Stone talks about his new film “Greystone Park”

Sean Stone is the son of well-known director Oliver Stone. Sean is not only directing but also writing and starring in his film “Greystone Park”, read our review here. Media Mikes had a chance to find out what it was like working on the film, with his father and what we can expect next?

Mike Gencarelli: How did the concept for “Greystone Park” come about?
Sean Stone: Well, it was about the same way that you see in the movie. I met Alex Wraith in October 2009 with my father, since he worked on “Wall Street 2”. We all had dinner one night and found that that Alex had been breaking into Greystone for like three years prior to meeting me. He would bring a camera to record his experiences; otherwise he said no one would believe him. He had an idea for a movie based on these experiences. The whole idea was based around that location itself, which was just so perfect. When he told me about it, I thought it sounded cool and had always wanted to have a ghost hunting experience, so I checked it out. When we went the first time, wee did get end up getting lost for real like in the movie but luckily we got out after an hour or so, once we found a door that wasn’t locked. But we said what would happen if we got lost inside and couldn’t get out. Then we kept writing the rest of the story based on that. That became the basis for about 80% of the film.

MG: How was it not only directing but also writing and starring?
SS: Challenging [laughs]. It is a big challenge to really immerse yourself into that world. In one sense it is easier if you are doing a documentary. But if you are operating the camera, giving lines and acting at the same time, it starts getting complicated. The hardest part was that there were certain things that we had to have staged. We had to make sure the camera was in certain places to hit right at a specific moment. That was really the tricky part from the directing point-of-view. Luckily, I was able to trust my actors to use the camera as their eye, for example. Then I would be able to be in a scene acting and still be able to cue, let’s say, a footstep or a door closing. I would have to be able to be conscious in and out of the scene. It is like a magician, having a  hand out and trying to setup a distraction for the reveal.

MG:What do you feel that the film brings new to the found footage genre?
SS: Well, ours is based on a true story. We actually broke in, went to these places and had these experiences. I have never been a big fan of the found footage genre. It is one thing to tell a story based on real events. It is another thing to just concoct a story and pretend it is real. I feel that “The Blair Witch Project” was the worst offender is that regard. Even the “Blair Witch” itself, I thought there was a real witch myself [laughs]. That was the age before internet, you didn’t know that stuff. But with “Greystone”, I don’t think we belong bunched in with films like those. We broke in, actually had these experiences and this is our story.

MG: How did you get your father, Oliver Stone, involved in this project as well?
SS: That grew organically out of the fact that I was going to play myself. Originally when we wrote it, I was going to have my friend play my character and just focusing on directing. But then the producers, Alex and a few other people I trust pushed me to play myself in the film. They said it would be more interesting. What happened next was that I called my father, their already was a character written for the father, and just asked him. At first he was hesitant, since he was thinking that people would say its nepotism or be extra critical about it due to that. But we decided just to do it anyway and he went with it. I think that there is a reality TV quality to that and I find it very interesting.

MG: Having worked with your father directing on numerous projects, tell us about your director style?
SS: What is interesting that before we even started shooting and just had the script, one of the investors said he told this project felt like “Natural Born Killers” meets “One Flew Over the Cuckoo’s Nest”. At first I didn’t understand that until we shot it and cut it. It does look like “Natural Born Killers”.  It is uses a lot of cuts, a lot of edits and even some stock footage. We used a couple different cameras on the shoot also to get a different feel. The overall effect has this hallucinogenic quality. It was not intended that way. The one thing that I learned from my father would be to shift styles depending on what kind of movie you are trying to tell. He has always been able to do that by telling one story in a classical shooting fashion and then tell another with a different avant-garde post-modern way.

MG: What do you have planned next?
SS: I am working on a martial arts comedy. It will be an homage to 70/80’s action hero cinema. It is called “Enter The Fist”. We have a website (http://www.fistthemovie.com/) up currently, you can check it out.

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Veronika London talks about modeling and being an actress

Veronika London is a model and an actress. She has been called “The Megan Fox of Canada”. She recently co-stared in the film “Searching for Angels” with Vivica A. Fox. Media Mikes had a chance to chat with Veronika about her work and what we can expect next.

Mike Gencarelli: You have been called “The Megan Fox of Canada”, what do you enjoy most being known as a sex symbol?
Veronika London: I have to admit the attention is fun and I find it rather interesting how marketing and sex can rule the world if played right. If anything I’m just happy that I’m comfortable and confident enough to play by my rules and exploit my desires. If the bi product is being a sex symbol- then so be it- lol

MG: Going from modeling in magazines like FHM and Maxim to TV/film, how do you compare?
VL: Longer hours and more of a mental, physical and emotional challenge. The best scenes are those when you open a personal can of worms that was locked in the vault and leak the raw emotion of the specific moment on camera for the first few times through a script (someone else words but ur truth) . Now that’s magic-

MG: Tell us about your role in film “Searching for Angels” with Vivica A. Fox?
VL: I played Angel who was an amnesiac heroin addict. My performance was tabbed as being similar to Angelina Jolie’s in Gia which was a great compliment. I am a fan of her. SFA became a form of therapy- I love dark intense roles.

MG: How did you prepare for this very intense role?
VL: I watched alot of intervention and associated with people with addiction, memory loss and those that worked the red light district before production to really pick up the mannerisms.

MG: What do you have planned next?
VL: I have recently finished working on the feature film called “No One Will Notice.” I’m starring in it with Joseph Cannata and Erik Fellows from Days of Our Lives. It’s very Dexter but with a bigger twist. My character lives in a dark world. She’s very detached, empty and damaged. (The usual heavy dramatic role). Also a clothing like called VKN is in the early pipeline stages for which the tagline is “Desire Inspired Elegance.” In addition a collaboration with Visalus has come about. I was first introduced to the product when I broke my ankle as a way to stay in shape and did it ever work. I did simple movements, did the 69/31 eating lifestyle and was able to keep shooting during the months that I was in a cast.

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Vicious Brothers talks about their sequel to “Grave Encounters”

Colin Minihan and Stuart Ortiz make up the Vicious Brothers.  They are the Writers/Directors of “Grave Encounters” and Writers of “Grave Encounters 2”. The first film has already become a cult classic after a very short time.  “Grave Encounters” is an awesome found-footage horror film and the sequel is twice as good as he first one. Keep an eye out for these guys because they are going to be huge. The guys took out some time to chat with Media Mikes about their sequel and what we can expect next.

Mike Gencarelli: Where you guys get the name the Vicious Brothers from?
Stuart Ortiz: When we were close to being done with “Grave Encounters”, we figured we should come up with a directing handle. Since if you have just two dudes names it is too much information for the audience to take in.
Colin Minihan: Dude, just tell him the honest answer. He was coming out of a huge bender…
SO: [laughs]
CM: …and he woke up one morning had the name in his mind and just wouldn’t shut up about it. I just went along with it. [laughs]

MG: Are you surprised with the quick cult status the the first film has achieved?
CM: Yeah it has been really cool to see all the different countries take to it. We are very excited for them to see the sequel?

MG: Why did you step aside on this film and let John Poliquin take over directing?
SO: The main reason was that right when “Grave Encounters 2” became a reality and we were going to move forward. We are also at the same time finishing up another project that is a sort of proof-of-concept trailer that we made for a film we are trying to get off the ground right now. It would have been too much having to go into production on “Grave Encounters 2” and then finishing up the other project. We just didn’t want to be able to commit 100% to it. We have known JP along time. He is a great director and we were friends with him anyway. After one conversation with us, he totally got the material. It really seemed to make sense.

MG: Tell us about the production on “Grave Encounters 2” and how it compares to the first film?
CM: The production definitely differed a fair bit [laughs]. On the first one, Stu and I just were just constantly writing and make “Grave Encounters” almost out of necessity almost with no money. It was literally Stu and I running around a mental institution with the actors. It became a success and allowed us to do the things we wanted to do on the first film but didn’t have the manpower or visual effects budget. I think as a result we really crammed this movie with as much stuff as we could. We stretched this budget way further than we thought we could, while still staying sane and pulling it off. I am definitely glad we didn’t pussy out and make something safe. We really pushed the limit and made JP’s life challenging for sure.

MG: Shooting at the mental institution, any things creepy happen during production?
CM: I definitely below in ghosts and have had a few weird occurrences in my life for sure. I am one of these people that can walk into a house and if I am not paying attention I can pick up a vibe.
SO: Colin has a radar for that shit. Down to the point if we go something I would ask “Yo, you getting a haunted vibe?” He will look around, squint his eyes and say yes or no”. We were just in London a few weeks ago and he was just freaking out the whole time saying “This whole city is haunted man!” [laughs].
CM: As far as the building goes, when there is so much energy and people on set, in order to experience something you really need to be alone and in a quiet place. Otherwise, there is too much distraction.

MG: Tell us about the decision to bring back Lance Preston?
SO: We kept a tight relationship with the actor, Sean Rogerson. We would hang out all the time. Even from the very beginning, after we finished “Grave Encounters”, we knew from the get-go that no matter what we did, Sean was going to be in it.

MG: The ghosts in the film are super creepy, tell us about how they were conceived?
CM: I think when you are writing it you just try and do to a dark place and find out what is going to scare ourselves. We tried to visualize it with some sketches and then just put on the makeup and hoped that when you turn the lights off and hit the night vision that it is as effective as it is in your head.

MG: “Grave Encounters 2” takes a real clever approach to found-footage genre, what were you concerned about most that you wanted to accomplish when writing the sequel?
SO: There was a couple of different things. We didn’t want to retrace our foot steps and it was important for us to do something different. There was so many possibilities especially if you are talking about a found-footage or mockumentary approach. You can go even farther than a convention film. It seemed like a waste just to do the same thing again. First and foremost was just to do something fresh. They Colin came up with this idea to be set in the “real world”, where people know about the movie and there is this conspiracy. That was the #1 priority. The #2 was that one we were in the building was to actually how that the building is a character and has an agenda and purpose of its own.

MG:What do you two have planned next?
SO: We are keeping very tight lipped on it now. But we are waiting on financing to close by the end of the year. We have a sci-fi horror movie called “The Visitors” that Colin and I wrote and will co-direct again. It is a lot different than “Grave Encounters”, it is not found footage in full but does have a little bit of found footage for the most part it is a classically cinematic film. We are hoping to get that started next year.

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Ron Perlman talks about “3,2,1…Frankie Goes Boom”, “Sons of Anarchy” and Guillermo del Toro

Ron Perlman is known for his many unique roles like Hellboy or Vincent in “Beauty and the Beast”. He also plays bad-ass biker, Clay Morrow, in “Sons of Anarchy”, which just started it’s fifth season on FX. Ron tackles a completely different role in the new comedy “3,2,1…Frankie Goes Boom”.  He is playing the role of the transsexual ex-con, Phyllis. This film is a absolute riot and Perlman really steals the show. Media Mikes had the honor to chat with Ron about this new role, his recently “reset” character on “Sons of Anarchy” and his continuously growing resume working with  Guillermo del Toro.

Mike Gencarelli: What drew you to the role of Phyllis, the transsexual ex-con in “3,2,1…Frankie Goes Boom”?
Ron Perlman: It was not a childhood aspiration let me tell you [laughs]. However life its strange way of taking twists and turns that you never see coming. It turns out that Charlie Hunnam, my co-star on “Sons of Anarchy”, was going to to this film as his summer school pet-project. I get a call from him that the filmmaker would consider reading this script and play the role of Jack (this ended up being played by Chris Noth). I started reading it and I got to page 2 or 3 and I just said “Holy shit, this is really funny and I need to be in this movie. I started reading Jack’s part and I really loved Jack…but then I got to Phyllis. I get this mental image

of Jax Teller from “SOA” coming in and seeing Clay Morrow in a house dress, red nail polish, lipstick and being asked to kiss his hand. I said “Well, if that doesn’t get these fuckers nothing will” [laughs]. The more I read of Phyllis, the most I realized that this will be a really fun character to explore and unlike anything I have ever done before. I really admired the comedy in the writing. I called up and told them what I wanted to do and they said “It just so happens that you are the only person with the balls enough to ask to play Phyllis and by default you got the part”.

MG: Where did you get inspiration for the character?
RP: There was really no real inspiration from her that came from my life personally. Everything I used as a jumping off point as with what Jordon (Roberts) wrote. I just love the notion that Phyllis starts off as Phil, a guy who is an outlaw and is this computer hacker. He has this amazing ability to rip off Bank of America for $2 million bucks and that is how he ends up being Bruce’s (Chris O’Dowd) cellmate. He always had this notion of being a woman born in a man’s body and feels compelled to fix that. I said to myself “Jesus, if I can’t figure some interesting idiosyncrasies for the planning of this guy, then I should really turn in my Screen Actor’s Guild card.” [laughs]

MG: How was it going from working with Charlie Hunnam on “Sons of Anarchy” to this film?
RP: Some of the scenes that could have been very uncomfortable, and if fact where very uncomfortable, it helps that I had a bro on the set. I could say “Dude, it behooves us both to never get into the press as to how the filming of this actually looked and smelled like”. That fact that it was my bro that I was doing this with really helped a lot.

MG: Do you find that comedy comes natural for you?
Comedy was what started me off as an actor. I did some stand-up when I was really young, growing up in New York. Then I joined a troupe with a group of friends doing sketch comedy. So that was my first love. Hollywood does afford me to do a lot of comedy. So in order to find these opportunities, I have to go underground and find projects like “Frankie Goes Boom”. But when I am able to do it, it is a real pleasure.

MG: After five seasons, do you feel that that Clay Morrow has changed within your portrayal?
RP: In the first four years, he has this station in life and this stability and marriage with Gemme (played by Katey Sagal). Now in season five he has lost everything. He is on a reset now. No one knows where he ends up at the end of season five, including yours truly. But he is definitely on a journey where the sand is shifting under his feet and he is re-adapting himself. What an amazing opportunity that is

for me as an actor. You sign on to do a TV show, the conditions of which are highly well articulated and then all of the sudden five seasons in you are almost playing a new character. It is the same character but under completely new circumstances. Yeah, it is awesome and you don’t get to do that often on television. We all feel very blessed that this show is such an un-obvious exercise in storytelling. It sets a completely unpredictable set of circumstances and also while continuing to be very dynamic and violital. It is flood with very explosive violence and it is like a bad car accident…you can’t take your eyes off it.

MG: Are you and Charlie planning to work together on every project, after this you have “Pacific Rim” coming out?
RP: Yeah, for life man. This is it. Charlie Hunnam and I. We are the new Laurel and Hardy or Martin and Lewis or Abbott and Costello or probably Charlie McCarthy and Edgar Bergen. But I am not sure which one is the dummy.

MG: How was it working with Guillermo del Toro yet again on this film?
RP: Oh my God, this is number five for me and GDT! We felt like family members from the very first project, “Cronos” and on. We became really good friends. So to get to go through life together celebrating this friendship and doing it in such a way that we add-in these wonderful creative opportunities into the mix is great. I am watching him evolve as a filmmaker and he is watching me grow old as an actor. We are getting to do it in each other’s presence. That is in a category that I can only label as “Undescribable”. There are no words to describe how phenomenal that reality is. Now that we hit the number five [laughs], it is pretty clear to me that it is not a fluke. It is probably something we will continue to do until one of us drops, and I got a really good feeling I am going first.

MG: You got to get him to do another “Hellboy” film man!
RP: I am working on it. Trust me I am working on it.

MG: You’ve been successful in both film and television, do you have a preference?
RP: I really love working for the camera. I really love working on interesting material. I would have to say the opportunity I have on this particular television show is probably 500 percent better than any other television exercise that one could hope to be on. There are some really great TV shows out there now like “Newsroom”, “Breaking Bad” and “Boardwalk Empire”. There is a lot of great stuff now being done on television. But for the most part those are the exceptions to the rule. And I am on one of the most exciting shows to be a part of. It is almost like doing a movie since it is such a charged and intelligent setting. So yeah, I don’t have a preference as long as it answers to those edicts.

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Filed Under: Film Interviews, Interviews Tagged With: 321frankie, anarchy, boom, chats, del, guillermo, ...

Famke Janssen talks about directorial debut “Bringing Up Bobby” and “Taken 2”

Famke Janssen is known best for her role of Jean Grey in the “X-Men” series. She also has co-starred alongside Liam Neeson in the “Taken” and its recently successful sequel “Taken 2”. She is making her writing, producing and directing debut in the film “Bringing Up Bobby”, which stars Milla Jovovich in the lead. Media Mikes had a chance to chat with Famke about her first go at directing and also working with Liam Neeson.

Mike Gencarelli: You really went all in with “Bringing Up Bobby” writing, producing and directing; how did this come about?
Famke Janssen: Well it was inspired by my first visit to Oklahoma, where my boyfriend’s parent live. All of the sudden, I was taken back by how much of a foreigner I was, even after living in the United States for 20 years. I was living in New York for all those years. It reminded me, in the beginning, what it was like coming to the United States. I remembered coming to New York, looking around and just imagining that I was in a movie. Everything reminded me of the films that I had watched. As a European, we have a very specific idea of how the United States is like. Our perception is largely formed by film and media in general. So that visit to Oklahoma, I had this renewed feeling of being a complete outsider and that coupled with the fact that to me it was so reminiscent of “Bonnie and Cyde” movies, landscape-wise. I thought it would be a good idea for a movie and that is how the idea for “Bringing Up Bobby” came up initially. Then I turned it into a story and it took its own life overtime. I watch so many movies from the 1930’s, that is like my hobby and I started wondering why am I so obsessed with the 30’s but it was because the Golden Age for women in film. I coupled that obsession with my love for films from the 70’s. Hal Ashby is a major influence. Between these two time frames, the character of Olive is really somebody in essence imagining herself to be living in a movie. Her ideas about the United States were formed by films.

MG: Tell us about how Milla Jovovich was cast as Olive?
FJ: An interesting thing that I learned from being on the other side of the camera is that you really learn about the business aspect of it all that you don’t as an actor. In the business aspect, the list of people that were able to be cast for Olive was a short list of maybe five actors who were right for the part. Milla was on the top of that list, in my opinion. I had to have specific things that were really important to me. She has to be a foreigner. She had to really stand out in Oklahoma. She had to be a great actress. With an independent film, unless you are offering somebody a different type of role than they are used to playing, they are usual going to say no. They can get money for doing the same part in a bigger movie elsewhere. Then the challenge came of getting the script to her and having her read it. She ended up liking the script very much and after having a few meetings, she was on board. Then we still had to fit it into her extremely busy schedule. So there were many steps along the way.

MG: How long did this project take from beginning to release?
FJ: It took about five years from beginning to end. Three of which, I stopped acting all together, since I thought at various times we would be able to start production but it fell through many times. But I just kept writing screenplays and tried to get it started again. It was quite an interesting process.

MG: What was your biggest challenge on overall on the film?
FJ: I think the greatest challenge was believing in myself when no one did anymore. Except my boyfriend, he stood by me the whole time. when you are pushing a project like that up the hill for that long, a lot of people stop believing you along the way. The millionth time you mention that you are making that movie, and it is now year three and you still haven’t done it, most people will think to themselves that is not going to happen. I just kept trying and believing in myself and prove that I could do it.

MG: You got a busy month with “Taken 2” also coming out; how was it returning to that role?
FJ: It was really great. After a three-year break of not acting, it was fantastic. I absolutely adore Liam (Neeson). I think he is one of the nicest people in the world. And to get a chance to work with him again for a film that was so successful the first time around is just fantastic opportunity.

MG: You are no stranger to action after “X-Men” series, how do you prepare for a physical role like this?
FJ: [laughs] Well, the role wasn’t that physical. Someone was put upside down (and it wasn’t me) [laughs]. I get dragged around a little bit. Thankfully there were some great dramatic scenes that made it worth my wild. Then the action stuff was there but not too much physical for me, I was the one taken in this movie. Liam has all of the action.

MG: You have plans to write and direct again in the future?
FJ: Yes. To keep my sanity while trying to get “Bringing Up Bobby” off the ground, I keep writing. Most of those scripts, I have put on the back burner though. Since then, I have written a script called “Río Rojo”, which means red river and is what the Colorado River used to be called. I am working at the moment in Toronto till Christmas, so in my free time, I am  trying to setup get meetings in order to get things started. I will be directing it for sure and I definitely not giving up after the last experience. It was the most challenging and yet satisfying experience of my life. Can’t wait to do it again.

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Olivia Holt talks about Disney Channel Movie “Girl Vs. Monster and Disney XD’s “Kickin’ It”

Olivia Holt plays Kim on Disney XD’s “Kickin’ It”. Olivia is starring in the new Disney Channel Original film “Girl vs. Monster”, which premieres October 12th. Olivia took out some time to chat with Olivia about the film and what we can expect from her relationship with Jack on the season of “Kickin’ It”.

Mike Gencarelli: How was it going from martial arts in “Kickin’ It” to fighting monsters on “Girl vs. Monster”?
Olivia Holt: It was a really great experience. I had such a great time. It was really cool since in “Kickin’ It’ we do martial arts and in “Girl vs. Monster” my character does a bunch of stunts in the movie. So I got to bring a little bit of that athlete activity from the show into the the movie.

MG: Was it a big transition going from TV to feature film?
OH: They were two totally different things though. I always have such a great time with the cast on “Kickin’ It”. On “Girl vs. Monster” everyone in the cast got very close, which was really great as well. It was a little bit challenging though going from going a sitcom to a feature film. It was pretty interesting for me since I never did anything like that before. I met so many great people and had so many fantastic experiences.

MG: Tell us about your character in the film Skylar?
OH: Skylar is such a cool girl. She is confident, fearless and doesn’t care what everyone thinks. She has this great sense of style and is super athletic. What I like about her most though is that any girl can look up to her and want to be like Skylar. For me as well, I want to be like Skylar, she is such a great role model. I was so inspired to play her. In the beginning of the movie, she is fearless and mid-way through she learns fear. She has to learn how to overcome that fear. I think it is cool that the audience gets to watch her transition herself from being fearless to learning to overcome her fears.

MG: Tell us about the music in “Girl vs. Monster”?
OH: It says such amazing music. I had such a wonderful time recording the songs that we had in the movie. All the songs have such a great message. I had such a great time filming them as well. We all had really really fun.

MG: With Disney XD’s “Kickin’ It well into its second season, what would you say as been your highlight working on this show?
OH: This season is has so much heart in it. You really get to see the characters grow up. I think it is really cool that the audience gets to grow up with them. They get to change and learn more about themselves. I like the fact that my character Kim gets to find herself every day. She is a really cool character. She is growing up and learning how to express her feeling for Jack, who is played by Leo Howard.

MG: Anything sneak preview into the rest of the season?
OH: Yeah, there are a couple of episodes left. Towards the end of the season, you do get to see Kim and Jack’s relationship change into expressing their feelings for each other more. I think the audiences are looking forward to them finally admitting they like each other. You get to see how they react and I think it is going to be great. I am probably going to cry [laughs].

MG: You also have two CDs being released this Fall, “Disney Channel Holiday Playlist” and “Make Your Mark: Ultimate Playlist”; tell us about those?
OH: I am super pumped that I get to share my music with everyone. Music is really my passion and I am so inspired by it. Being able to share with everyone music that I love to sing and I am looking forward to that. I just hope everyone enjoys them as much as I did.

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Katherine McNamara talks about Disney Channel Movie “Girl Vs. Monster and Disney XD’s “Kickin’ It”

Katherine McNamara is co-starring in Disney Channel Movie of the week “Girl Vs. Monster”, which premieres on October 12th.  Katherine is also a recurring cast member on Disney XD’s “Kickin’ It”.  Media Mikes had a chance to chat with Katherine about her new roles and also what she has planned next like “Tom Sawyer and Huckleberry Finn” next year.

Mike Gencarelli: Tell us about making you Disney Channel Movie of the week debut in “Girl Vs. Monster”
Katherine McNamara: I am just so excited for this movie. Being on the Disney Channel has been a dream of mine. It is really thrilling for me, especially on a movie like this. It is your quintessential Halloween movie, in my opinion. There is action, adventure, Halloween spooks and scares, special effects, stunts, a little bit of romance and lots of great music that everyone is going to love. I got to work with such talented and wonderful people on this movie. I just feel so blessed and lucky to be able to work on such a great project.

MG: Give us some background on your character Myra?
KM: She is a really interesting character. I really get to play like three different characters in the movie since she goes through such a wide metamorphosis. The first she is the stereotypic mean high school girl. She is very conniving and narcissistic. She also has this huge rivalry with the main character Skylar Lewis (played by Olivia Holt). The next phase she gets possessed by a monster about half way through. That was really interesting because my character gets a complete makeover both physical and personality-wise. Towards the end of the movie, she realizes the error of her ways, if you will, and becomes a nice person and friend of the Skylar.

MG: What was the highlight of working on this film?
KM: There are so many wonderful things. I think it would have to be the music and the wonderful lifetime friendships I have made. Everyone on the film was just incredible, the cast and crew. We all got very close and spent literally every moment together. We just had the most phenomenal time together. Also music is such a passion of mine and I got to sing on a couple of the songs in the film. It is really wonderful. The music is really so great.

MG: Also tell us about playing Claire on Disney XD’s “Kickin’ It”?
KM: “Kickin’ It” is such a great show. One of my good friends, Dylan Snyder, is one the show. He introduced me to the cast, visit the set and hang out before Claire was even a distant thought in the minds of the writers. Eventually when this audition came up, I was so excited. Getting to work with your friends is better than anything. When I booked the role it was just a guest star but now it is recurring. It is a dream comes true. I love that show.

MG: You are playing Becky Thatcher in “Tom Sawyer and Huckleberry Finn” next year, tell us about that film?
KM: The Tom Sawyer and Huckleberry Finn story is very near and dear to my heart my whole life. I grew up in Missouri just a few hours from where the stories are set. So getting an opportunity to play such an iconic character is really an honor for me. Also to get to work with great talent like Joel Courtney and Jake T. Austin was just icing on the cake for me. We filmed it in Bulgaria, which is such an amazing and beautiful place. It was my first time out of the US and I loved every minute of it. I learned so much and it was so different. I got another lifelong friendship out of that film. Joel and I are completely inseparably.

MG: You are non-stop working, Flash forward to next summer you have “Contest”, can you tell us about that project?
KM: I just have to say, I feel so blessed being able to work so much. It is something I love doing. I just want to keep working, which is how I will learn and grow. “Contest” was such an amazing film. It is with Danny Flaherty from “Skins” and Kenton Duty from “Shake it Up”. It is about bullying and is a really great story that needs to be heard. Bullying has become such an epidemic and almost like the norm in school and kids to expect it. It is not acceptable. I have been through so much bullying in my life and I don’t think any kid should have to experience that. So, I am hoping that this movie will bring some awareness to this issue and its effects.

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The Devil Wear Prada’s Andy Trick talks Rockstar Mayhem Festival and recent live CD/DVD release

Andy Trick is the bassist for the metal-core band The Devil Wear Prada. Media Mikes had the chance to talk with Andy recently about playing on this year’s Rockstar Mayhem Festival and what other plans the band has for this year.

Cody Blencowe: How has the Rockstar Mayhem Festival compared to other tours/festivals you have been a part of?
Andy Trick: It has definitely been a little different. On this tour we have been touring with legendary metal bands like Slayer and Slipknot. That has really been a big difference. Aside from that the shows have been awesome. We are pretty accustom to playing outdoors in the summer time. The tour has a similar feel to the Vans Warped Tour but there are fewer bands so things seem to be more tight knit.

CB: Have there been any highlights from the tour thus far?
AT: We don’t really get in to anything crazy. There have been some great moments on stage. The Chicago and Detroit shows I think were two of the best so far.

CB: What can you tell us about the bands recent live CD/DVD release?
AT: The released is titled “Dead or Alive” and it was shot at the Palladium in Worchester, Mass. We have been wanting to do a live DVD and we were finally able to bring everything together.  We like to try and find new ways of gettting content out to the fans other than just CD after CD. The DVD format was an obvious choice. It was a great opportunity and the show we recorded is basically the same one we put on for fans every night of the tour.

CB: What are the bands plans for after Mayhem Festival?
AT: We have a bit of time off. We have been looking at going in to the studio and working on some new material. Aside from that not much is going on until the fall. Once the fall rolls around we will be heading over to Europe with August Burns Red and White Chapel.

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Filed Under: Music Interviews Tagged With: andy, cddvd, devil, festival, live, mayhem, ...

Jon Klassen talks about his books “I Want My Hat Back” & “This is Not My Hat”

Jon Klassen is the creator of the #1 New York Times bestseller I Want My Hat Back. The book was was named a Theodor Seuss Geisel Honor Book, an E. B. White Read-Aloud Award winner, a New York Times Book Review Best Illustrated Children’s Book of the Year, and a Publishers Weekly Best Children’s Book of the Year. He has done design work for DreamWorks Feature Animation as well as LAIKA Studios on their feature film “Coraline”. On the success of “I Want My Hat Back”, Candlewick Press is releasing his follow-up children’s book “This is Not My Hat”. Jon took out some time to chat with Media Mikes about his books and his inspiration.

Mike Gencarelli: Tell us about how “I Want My Hat Back” came to fruition?
Jon Klassen: “I Want My Hat Back” came from an idea about the cover – I liked a character not wearing a hat and the title being “I Want My Hat Back”. Around the same time I did some greeting card drawings with a bunch of animals wearing party hats but not looking too excited about it, and one of them was a bear and I thought, “well, he’s wearing a hat, lets try that.” The story itself came pretty quickly after I decided to do the whole thing in dialogue. I got very lucky to find a home for it at Candlewick – they totally got it and made it way better than I even pictured.

MG: How can you reflect on the success and internet reaction of “I Want My Hat Back” The internet meme stuff was a huge surprise. What was interesting is that they were based on photographs of the book that someone posted but they didn’t post the last few pages where you find out what happened to the rabbit, so I started getting emails from people that had found out the ending much later. I still have no idea why it got picked up and spread around like that, but I’m very happy it did.

MG: How did the story for “This is Not My Hat” comes about?
Very haphazardly, much the same way the first book did. I’d been trying some other stories with the animals from the first book and they weren’t working, so I tried a few with fish, and they didn’t involve hats, really, and then this one just came up one night and happened to involve a hat theft again! I was pretty surprised.

MG: Are you nervous about trying to achieve follow-up success with this next book?
JK: I was a little bit, but I tried to keep my head down to whatever the first book was doing out there while I was working on this second one. I knew, or at least I hoped, that some people who saw this book wouldn’t have seen the last one, and I wanted it to stand on its own as much as it could.

MG: What do you enjoy most about writing children’s books?
JK: I think I like best how clear and simple the wording has to be, even though the story can be more complex. Having the mandate of simple language is a really fun rule. I also like how it only has to be part of the story, since the pictures need a job to do, too. It takes the pressure off the actual writing part, though not off the get-a-good-idea part.

MG: Tell us about your experience working on the stop-motion film “Coraline”?
JK: On “Coraline” I did a lot of drawings for sets and props and just general concept pictures. I worked at the studio on it for a little under two years, and it was an amazing thing to be on. I would make a drawing of a little chair with some fabric on it, and then they would build it – way better than I had drawn it – with the little fabric and little fabric nails and wood details and come and show it to me. It was insane. Some of the sets were huge, too. You go and look at them being built and you just think “man, I hope I thought this through…”. I think it’s a great-looking film, though, and I’m really proud to have worked on it.

MG: What other projects do you have in the cards?
JK: I’m working on another book of my own for Candlewick and also illustrating another book that Mac Barnett wrote. Both are still in the early stages where it sounds like you’re keeping it secret but really they’re not figured out yet.

 

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Filed Under: Author Interviews, Interviews Tagged With: books, hat, jon, klassen, talks

John Dunsworth & Richard Donat talks about Season 3 of Syfy’s “Haven”

John Dunsworth & Richard Donat play brothers Dave Teagues & Vince Teagues in Syfy’s “Haven”. Vince is the artist and editor and Dave is photographer and editor of the Haven Herald…but there is much more to be told behind these two characters. Media Mikes had a chance to chat with John and Richard about season three and what we can expect.

Mike Gencarelli: What do you enjoy most about playing Vince Teagues on Syfy’s “Haven”?
Richard Donat: Vince, well I just love him since he is such a quirky guy. Partly because he has a lot of hidden aspects, which will hopefully be coming out as the show progresses.
John Dunsworth: Well I love working with Richard Donat. We have known each other for a while and we have done a bunch of great plays together. I was mostly a professional actor in the stage before “Haven” came around.  I love working in Nova Scotia.  Regardless of the part, the people that we work with are just a joy to be with on the set.

MG: The new season has really started to show some light behind what Vince and Dave really know; has that been fun to see that reveal?
RD: Oh yeah, it is great. Because of John, I feel that it really helps. We just have a great time together. We both live in Nova Scotia and I have known John for a long time.
JD: I would like to be more in the know. We confess sometimes that we don’t know what is going to happen and sometimes we are lying and then sometimes we really don’t know. It is hard to figure out when we are lying and telling the truth.

MG: Vince and Dave seem like they are disagreeing a bit more than usual, can we expect any rivalry this season?
RD: Well, we have been sort of at odds. But we always seem to get back together. In terms of the progress, I won’t able to say too much now but there is definitely a couple of things that happen.

MG:You two play great off each other; can you reflect on this collaboration?
JD: Well, I have to reflect on the writers. We don’t know what are story arc is. At the end of season three, which is my favorite season so far, we were throw some real curves. I thought I had it figured out…but it was the complete opposite. There are so many different possibilities.

MG: Most of the cast is from California, how does it feel to have the home turf advantage?
RD: Oh it is just fine. The whole cast is made up of some really great people. We all get along great. Thank God! When you work in those conditions, it is nice to be able to work well with people. There is no sort of LA thing, everyone is great.

MG: How does season three compare to you from the first two?
RD: Well, I think a lot more interesting things are happening between the characters. Then we get the introduction of Dwight is really fun story (played by Adam “Edge” Copeland”), who came in last season. It all starts to blend in. I think they seem to concentrate more on a centralized story line instead of individual episodes. I just can’t believe the reaction to the show.

MG: Do you find that you watch the show as it airs on TV?
JD: Last week, my wife and I finally watched season two. I don’t watch television or even get TV in our house. But I got the season as a present and I was blown away. I am so impressed with the three principals. On the set, the acting seems very subtle but it really comes across on the show. And Adam “Edge” (Copeland), he is just great.

MG: What would you say has been the highlight for you working on “Haven”?
RD: I think the highlight is actually getting to do the show. I have always lived here and then this show comes along and suddenly your life is changed. It is quite extraordinary really.
JD: Yep, the highlight is showing off Nova Scotia and living here. Right now, I can see the Grey Gull from my house. It takes me five minutes to get to the set some days. It has to be some kind of a blessing to be able to work in my own community on such a great project. I feel like I am the luckiest guy in the world.
RD: Yes, me too. I live about 45 minutes from the set and I am able to go home at night. So it is really great.

MG: John, how was it going from “Trailer Park Boys” to “Haven”; how does it compare for you?
JD: Last week, someone asked a person; “are a character actor of a lead actor?”. The right answer, of course, is a character actor. I like different roles. I like to play villains. So this has been nothing but a pleasure. We also just got the ratings in for the first episode of season three and I got a feeling that a fourth season is almost guaranteed! So I am on a very big high.

 

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Ashley Tisdale talks about her role in “Sons of Anarchy”

Ashley Tisdale us playing the role of Emma Jean on FX’s “Sons of Anarchy”, who is a high-earning escort at Diosa International. She is known best for her roles for Disney like “The Suite Life of Zack and Cody” and the “High School Musical” film series. Ashley also has a role in next year’s “Scary Movie 5”. Media Mikes had a chance to chat with Ashley about her role in “SOA” and what we can expect.

Adam Lawton: Could you tell me what fans can expect to see from Emma Jean?
Ashely Tisdale: With Emma Jean, first of all, I love Sons of Anarchy. I was so excited to be able to be on this show just because I personally watch it, and I felt like…of course I come from Disney and I have a lot of young fans, but I do have fans who have grown with me as well. I’m now twenty-seven, and I was just really excited to do something different for a change. I always want to grow as an actress and this was definitely out of my comfort zone, but I thought that was super exciting just to do something that I haven’t done, and to have people see me in a different light, and I had a great time doing it. With Emma Jean, she is a high-priced escort, but she just gets into the club and they blame a couple of things on her. She’s kind of in trouble, but she’s the high-priced escort for what she looks like. She’s definitely the young kind of high school looking girl. There’s nothing too crazy, though.

AL: What type of steps if any did you take to prepare for the physicality of it and just the overall mental portion of that role?
AT: I feel like it’s so funny because before Disney, I did tons of stuff; I did network shows, I had done Donnie Darko. I had done a bunch of stuff before I even came to Disney, and it’s so funny because while you’re doing something that I’m so grateful for what Disney gave me and the experiences that I got, at the end of the day, I can do so much more than what I did on that channel and what I did in those movies. It takes just one person to give you that chance, and for me it was better to give me the chance to know that I can do something different and when he asked me to do the show, I was just so excited. For me, I think this is the transition in my life for me as an actress. I always joke around that Sons of Anarchy took my acting virginity because I definitely have a scene in that show, but I’m doing a movie right now, “Scary Movie 5” where I’m doing a lot of stuff that’s completely out of my comfort zone, and I think that’s the key. I used to be where I wanted to make sure every step was thought out. With every project I did, I had to make sure I’m comfortable, but I think about when you’re growing, even as a person, you have to just do it and get out there and that’s the only way to grow, is to challenge yourself.

AL: Can you give us a little bit of a background on the fight preparation between you and Katey Sagal? Did they have you go through a lot of classes or training to do that scene? Granted, it wasn’t a long scene, but it was a pretty physical scene?
AT: No, they pretty much just threw us in there. We had a set choreographer, obviously, and they just went over exactly what we were going to do, and I have done that in the past obviously with … so it wasn’t to scary but I was really freaked out. I was like, oh my God, is she really going to hit me? But no, she’s the nicest person in the entire world and so it was just really funny; we had a great time doing it.

AL: Do you know how much the character was already laid out when they brought it to you and did you get to provide any of your own input with that role?
AT: Yes, Kurt had it, pretty much; it was like the episode was written so he had told me he had thought about me just because they wanted her look to be very, like she’s this young kind of Disneyesque girl like the young girl that you wouldn’t expect to be a high-priced escort, and he had thought of me. I kind of just went in there, and he met with me actually right before I started shooting just to talk about it and pretty much it was really straightforward… I think in every character, I just kind of bring something to the character that I could make my own, and I just felt like how I usually relate to a character is what I bring to it. I just felt like using the youngness to the advantage and kind of the flirtatious thing, and it was definitely different from anything that I’ve ever done and I was very nervous, but Kurt and everybody were just so cool about it.

AL: What could you tell us about Emma Jean’s relationship to Jax?
AT: Jax really comes through for her, but I think she still questions who—she’s just there to do her job. She’s just there. She’s a worker. She’s an earner, so she’s there just to do her job and get out of there. Because of what happened in the last episode, she’s now being obviously; we don’t know if what has happened with the club and who told on the club, and so she is definitely a candidate for obviously being one of the people who might have. I think with Jax, she still questions; she doesn’t trust everybody. However, he kind of comes through in a way for her.

AL: What was the most memorable part of working on the show?
AT: The most memorable part about working on the show? Every single moment I was there, I was just so excited to just be with a cast that they are extremely talented, extremely grounded, and so nice. I just learned so much from being around them with Ron Perlman, Katey Sagal, and Charlie Hunnam. They are also really a tight-knit group, which is so great just to see that they actually are like the boys; all the guys. I think they had gone camping that weekend, and I just thought that was so cool. I had the best time on the show. It was such a great experience.

AL: Can we expect more gritty, hardcore, so to speak, roles like the Sons of Anarchy maybe to come throughout your career?
AT: Yes, I definitely think that there is a part of me that, I did a pilot this year, but it didn’t go for CBS and there was a character that I played, and she was kind of this raunchy, edgy character, and I just loved showing that other side of me. I felt like Sons of Anarchy, I got to do that with and also with Scary Movie 5, I get to play kind of all the characters that I’ve created in the past and also to do new things with that. It is definitely where I’m headed. I like to do things that I think people don’t expect right now, and I want to keep obviously challenging myself, like I said.

AL: You mentioned being such a fan of the show and now being part of the show, what do you feel, in your opinion, is why the show resonates so well with viewers?
AT: I just think Kurt is just such a great writer, and I’ve watched the show and I just cannot turn it off half the time. I remember getting into it a couple of years ago. I actually had downloaded it on Apple TV, and then I had to download the rest of the season. I would just sit there and watch each episode, but I feel like the actors, like I said; they are so close-knit, and they are actually really these guys that actually hang out with each other, and I’ve always felt that when you have such a great cast like that it kind of reminds me of when I did High School Musical. We all hung out together, and we all are really good friends, and I think that definitely resonates, and you see that in the show. You see this biker gang, but you see that they are brothers pretty much and it really comes through.

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Filed Under: Interviews, TV Interviews Tagged With: anarchy, ashley, role, sons, talks, tisdale, ...

Kurt Sutter, Creator of FX series “Sons of Anarchy”, talks about Season 5

Kurt Sutter is the creator/writer and director of the hit FX series “Sons of Anarchy”. Now in its 5th season the series is showing no signs of slowing down. Media Mikes had the privilege to speak with Kurt recently about the death of main characters and what he looks for when casting roles on the show.

Adam Lawton: When a main character like Opie is killed or is going to be killed off the show does the actor or actress know ahead of time prior to getting the script?
Kurt Sutter: I like to let my actors know what’s going on. I don’t like to just hand them a script and let them read it for themselves. With Ryan Hurst who plays Opie we sat down and talked about how things were going to play out and how it all fit in to his characters story arc. Opie has been a character on the show since day 1 so I had to make sure everything leading up to and after his death was going to have the right flow. Though I wasn’t on set the day the scene was shot I know it was very emotional. Ryan had asked for everyone to be there so he could say good bye. This cast has a really solid bond with each other so this was the important for him to do that. When you see Opie looking at Jax through the window before he is killed he is in a sense saying goodbye to everyone.

AL: How did you go about choosing the Opie character as the one to die?
KS: From when we first see Opie in season one getting out of prison we notice his struggles to fit in. Not only is he trying to fit in with the club but he also is trying to do right by his family. After his wife is killed accidentally during a hit ordered by Clay is when you really start to see his decent. That arc was furthered by the death of Opie’s father Piney last season. Once Opie found out about all that went on and that Jax’s knew about it and didn’t tell him was when Opie was really tested. That family has endured so much that ultimately Opie chooses to stand up for the club and Jax by putting himself in the position to be the one to die per Pope’s request. Jax didn’t choose who was going to die and he probably never would. This was Opie’s way of doing right by everyone. Though that story arc comes to an end the lines between Jax and Pope are just beginning.

AL: Can you give us a little background on your use of brutality in this killing and a couple of others in the show?
KS: When I bring in an episode there are almost always some things that need to be cut out. The world we are showing is a brutal world where brutal things happen. In order for the stories to be told correctly a certain amount of those elements have to be present. The episode where Clay cuts a clowns scrotum off is a perfect example. During the shooting of that scene there was a shot that showed the scrotum lying on the floor as I felt it really sent a message. Did that make it in to the show? Obviously not, as it went too far. We had to cut that episode down to make the scene work while still including that brutal element. This was also the case with the killing of Opie. Sure I could have had Jax looking into the back of Opies caved in skull but I think that would have been too much and ultimately it was more dramatic the way you saw that scene. It’s funny because I actually have a sticker on my mirror now that says “You cannot show the clown scrotum”. (Laughs)

AL: The show has really great casting and each season it seems to get better and better. What do you look for when casting roles on the show?
KS: The first thing is I don’t want them to be dick! That really is the first piece of research I do. I like my set to stay a safe, creative and nurturing environment. I do my homework to ensure I’m not bringing a pre-Madonna into my world. Then it is really about the level of their work. This season with Jimmy Smits and Harold Perrineau they have a tremendous body of work that I am aware of. We try to make interesting casting choices. The obvious choice for the Damon Pope character would have been picking an actor that plays more hard or dangerous. We wanted to break that so we looked for a guy who could sort of compartmentalize that danger and hardness and tuck it into the pocket of his Prada suit. Harold was a wonderful choice for the role as he can go dark and scary but, for the most part there is something warm and almost vulnerable about him. These things make him a very interesting antagonist. As the season progresses you will start to see this weird mentorship type thing happen between Pope and Jax. When you think about it in terms of what Jax wants to do with the club Pope is the perfect guy for that. Pope is a guy who turned all of his dirty business in to very legitimate things. I couldn’t avoid that obvious circumstance. With Jimmy Smits I had the idea for his character but I didn’t know what world he was going to play in. I wanted him to be an outlaw but not another biker. I felt like we had the African-American dynamic with Pope and the Niner’s so I sort of wanted to stay away from that world. We landed in the Latino ethnicity on terms of there are a lot of Latino gangs in the Stockton area. That’s where the roots of that character began. With Jimmy it was one of those instances where I was able to start at the top and get the guy I wanted. This is not always the case. Not that you don’t ultimately end up on a great actor but I have had 2 or 3 circumstances in my career where I thought that this role needs to be this specific person and this was one of those times. The last time I think that happened in terms of guest stars was when Forrest Whitaker appeared on “The Shield”. I remember going in with the idea of getting him but knowing it probably would never happen. It was the same thing with Jimmy when I went to the network with it. We were able to sit down with Jimmy and get him excited about the role and wanting to come in and do it.

AL: You have stated that the season 7 will be the last season of the show. Is this still the case?
KS: I have said that quite a bit and talked in length on the subject. But as the show continues on with season after season budgets inevitably increase. After a certain amount of time there is just not enough left on the bone for the show to be economically viable. The people at FX have been very generous in allowing me to do what I do and I am sure that if I start to think that I can’t wrap up the story in 7 seasons they would probably allow me to make 7 or 8 more episodes to get it done. However looking at my giant story board I think I am going to be able to wrap things up in 7 seasons.

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Mira Sorvino talks about new film “Trade of Innocents” and Human Trafficking

Mira Sorvino is well known for her Academy Award winning performance in “Mighty Aphrodite”, as well as her role as Romy White in “Romy and Michele’s High School Reunion”. In her new film “Trade of Innocents”, it takes a more serious look into the epidemic of human trafficking. She co-stars in the film with Dermot Mulroney and John Billinsgley. She is also working again with Dermot Mulroney next year for “Space Warriors”. Mira really took out some time to chat about her role and her stand on the topic in the film and what people can do in order to get involved.

Mike Gencarelli: “Trade of Innocents” is such an intense film; especially your role. How did you prepare for Claire Becker?
Mira Sorvino: I have met many survivors of human trafficking through my volunteer work. I am UNODC Goodwill Ambassador to combat human trafficking. So I meet victims all the time, so I took those experiences since I am always deeply moved. You get confronted it with the horror of what people are put through from others for the love of a buck and just realize the first time I you were exposed to that. The character really understands human trafficking, or slavery as Obama rightly put recently, for the first time. There is nothing like meeting a survivor of human trafficking and hearing their stories. There is just nothing like it. You are moved by their incredible strength and ability to not only come back to live and thrive but to help others. They are very optimistic people. So there is that. Then there is the fact that I am also a mother myself. In the story, our characters are bereaved parents and that were not a stretch to imagine but obviously I would never want to go there. I love my own children so much.

MG: How did this role come about for you? Was it due to your work against human trafficking?
MS: I was offered the role. I am not sure if they were aware how involved I was with this. I remember having a conversation with the director, Christopher Bessette, and he told me about modern day slavery and I told him what I do. Then I think we realized that we had far more in common than we thought and then worked together to make the story even deeper. What I loved about the film is that it highlights a solution both on the law enforcement side, with the International Justice Mission and then there are volunteer facilities. These are such an important part about fighting slavery, since you can’t just arrest people.

MG: Do you feel that film will create awareness against this?
MS: That is our hope. We are showing it to a lot of political people. It is really helping to drive to the message and outreach at child sexual exploitation. The sad this is that it is such a huge problem in our own country. The film is about a foreign situation but honestly we have a big, if not, bigger issue of child trafficking here in the US as in anywhere else. John Billingsley plays a pedophile in the film and goes to Cambodia to by children. If he is caught there, our US Federal laws will get him and he might get 25 years and put on permanent sex offender registry. If someone like him is caught in America, in most cases he will be let go at the scene and not even brought into the police station. The child will be brought in and charged with the crime of prostitution. That is really true. Nothing will happen to the “John” in the US as long as he has paid for it. If your neighborhood pedophile has sex with a kid in his basement and doesn’t pay he is going to get the full ride of punishment. That is the outrage in our country.

MG: Let’s talks about John’s role in the film, it was very well done and extremely disturbing.
MS: It was incredibly disturbing. He played it in a very self-justified way. That is what great actors have to do; they have to justify the behavior of the character. He wasn’t apologetic for it in any means.

MG: Tell us filming on location in Bangkok, Thailand?
MS: That was an eye-opener for us as well. While I was there I worked with the local UNODC office for Southeast Asia. They gave me a true education on the situation there in terms of human trafficking. I also worked with some local NGA’s one of which was called Nightlight. One of the women there took me into the Bangkok red light district late at night. She goes on this nightly walk-about with her volunteer staff. They try and find under-age girls working in the sex bars. It was very crazy and not something that an ordinary American female will ever experience. It is not something you would see. It is such much about of their culture there and a lot of their economy is based on sex tourism.

MG: What can people do if they want to get involved?
MS: I have three recommendations for you. First is EPAT (End Child Prostitution and Trafficking). This is global network organizations that span the entire world. You can go to the website for your country and find out how to get involved. Then, there is a group called Polaris Project. This project is absolutely amazing. They run the National Human Trafficking Resource Center, which is a 24/7 hotline that has led to thousands identification and rescues of trafficked people in the US than law enforcement has. Also on their website, you can see how you state rates in terms of human trafficking. Some states are good but some have no responses. You can see how to put pressure on your legislators to pass these new laws. Lastly if you just have money and don’t have time you can donated to the UN Voluntary Trust Fund for Victim of Human-Trafficking, it is one of the only fund that grants money to NGO’s and people around the world to help people. That is a very big deal and even with a small amount of money. It all adds up and is very important.

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Filed Under: Film Interviews, Interviews Tagged With: film, human, innocents, mira, sorvino, talks, ...

Dermot Mulroney talks about new film “Trade of Innocents”

Dermot Mulroney is known best for his role in “My Best Friend’s Wedding”.  He also tore up TV in Fox’s “New Girl”.  Dermot is taking on a very serious role in “Trade of Innocents”, which deals with child sex trading.  Media Mikes had the chance to chat with Dermot on this amazing role and how he prepared for the role.

Mike Gencarelli: What drew you to work on “Trade of Innocents”?
Dermot Mulroney: It is interesting, I got with an offer on the role. I read the script and it was really the first time I ever encountered the issue of human trafficking or child sex slavery. Just reading the script was real eye-opener for me and that is what really intrigued me the most initially.

MG: Tell us about working with Mira Sorvino and John Billingsley?
What are the chances that you can work with an actress like Mira Sorvino, who already made such a huge different in her own life working through the United Nations and other organizations. So it was just great. John’s performances will really rattle you. That performances was really incredible in every way. Boy, what a challenge it would be to be asked to play a role like that. I really respect what he was able to do.

MG: The film’s content is quite intense dealing with sex slave trades of young children, how did you prepare for a role like this?
Well, I did a couple of things. After reading the script, I went online and started researching the issue. The first thing I learned how many people are affected by this. I mean on both sides of the issue as well. Since I am looking at it from the people that are trying to stop this problem. You learn numbers and fact but also learn how about many people are trying to help. I was impressed with the amount of resources that are out there. The group and associations are so admirable and plenty of them, as it turns out.

MG: Due to the content due to find that this is harder to portray?
The heart of the movie is really the relationship between this family. The couple had done through losing their own child. That part I have done before and I could really hook into that. So for me the unique part was the setting and the issue around that this simple family story drama works around.

MG: Tell us about filming on location for this project?
Yes, it was shot in Bangkok. I had never been to Asia, which was an eye-opener as well. Not shocking in any way just never been in a city quite like that. The people and the crew were incredible to work with. We worked through some really grueling conditions, as you see in the movie. Then you have to throw in another hundred people going through that heat and those conditions with me. A lot of people really put their heart and soul into making this movie. Bill Bolthouse, executive producer, and his family really this is a passing for them that comes to fruition this way. You don’t see it often that individuals can make such a visible difference.

MG: Where/when can people get a chance to see this film?
It is being released in New York on October 5, 2012 and then expanding each week after that in additional theaters. People are really coming from all different angles for the film like government, religious organizations, NGO’s (non-governmental organizations) like charities from all over the world. I think people will really take notice. It will also be available on Digital, DVD and VOD
on December 11, 2012.

MG: You go from an intense role like this to a hysterical role in TV’s “New Girl”; how do you compare?
[laughs] That is so interesting, I never thought about those roles being so different. I have always jumped around and done whatever I have been asked to do. Or at least tried, I am still trying to do it right out here…working hard. I had not idea what was coming with that role. It was literally coming out of their mouths while they were shooting the episodes. Then sent me a few episodes and said you “are you in or out”? They hadn’t cooked up yet where my character was going. So they just rolled with it and revealed the character to me on that fun level. Not to mention working with that wonderful cast…that was a funny room of people man!

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Filed Under: Film Interviews, Interviews Tagged With: dermot, film, innocents, mulroney, talks, trade, ...
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