Ashley Bell talks about roles in "The Last Exorcism Part 2" and "The Marine 3: Homefront"

We last spoke with Ashley Bell for her first starring role in “The Last Exorcism”, read it here.  Since then Ashley has been taking over the action genre with strong female roles in films like “The Day” and recently in “The Marine 3: Homefront”.  Ashley is also returning to her role of Nell Sweetzer in “The Last Exorcism Part 2” this month.  Media Mikes had a chance to chat with Ashley again about her passion for these roles and how she enjoys performing her own stunts.

Mike Gencarelli: Did you get involved with “The Marine 3: Homefront” due to your connection with WWE Studios from “The Day”?
Ashley Bell: Yes very much so. Because WWE Studios acquired “The Day” from Toronto Film Festival, it put me on their radar. In talking with them after the release, they wanted to see if I would be interested in working on “The Marine 3: Homefront”. I read the script for the character of Lilly and the role really spoke to me.

MG: What was it about Lilly that drew you to the role?
AB: What I love about Lilly is that even though she is a hostage character she doesn’t give up…she fights. She is more of a wild card. Even if she is retrained with handcuffs, she is searching for the air holes  looking to get out and trying to fight back. I really like that determined spirit that she has. Also in reading Scott Wiper’s script, a lot my scenes are opposite Neal McDonough as well as Mike (‘The Miz’ Mizanin). But Neal is such an incredible actor. There is no one that plays a villain like Neal McDonough. Here is a terrorist but when you first hear him speak he almost makes sense…until he takes it over the top and then you know you are in trouble. I like the arguments that were being fought for – insurance and saving your home and family. So, yes I like the script for sure.

MG: You seem like an actor that isn’t afraid to get out there and get her hands dirty, am I right?
AB: Absolutely! That is when it gets fun for me! If I am not bruised or have some kind of a war wound…then I have not done my job [laughs].

MG: What do you enjoy about performing your own stunts in the action scenes?
AB: Coming from the first “The Last Exorcism”, which I did all my own physicality. Luckily, the roles I am doing now allow me to do my own stunts and going into action. That is really excited for me because I really love action movies! Like I mentioned with these strong female characters. I actually learned Muay Thai for “The Day” and I loved that training. It is just a wonderful form of exercise and I keep it up. Thank God, I did because it takes a lot of stamina in order to be on an action set, which for me is fun. n “The Marine 3”, you see this abandoned cruise ship which has been there for years and that is how it actually looked. It was all rust over and we were doing take after take running down the corridors, up and down the stairs, gun fire going off, explosions, cars are blowing up…and this was what I daydreamed off when I was a kid with my Nerf gun in my tree house.

MG: I got to tell you the the passion is literally coming right out of your mouth. It sounds like you had a blast.
AB: Well, I really did. I really hope I get to continue action since it is a lot of fun for me.

MG: Going from action packed to horror, tell us what we can expect from “The Last Exorcism Part 2”?
AB: This is the continuation of Nell’s story. Here is a girl that is completely shell-shocked from what happened to her. She doesn’t remember what happened at all, she is very vulnerable and shut out from the world. She is drawn out into New Orleans during Mardi Gras and she has to choose between good and evil. I agree do all my own physicality for this one as well. If you have seen the trailer, I do a levitating back bend and I have the stress fracture to prove it [laughs].

MG: After this film are you going to but a “no back-bend  clause in your contract [laughs]?
AB: [laughs] I know right. It is a stress fracture not trauma fracture. I was funny since I panicked when I heard this since I love working out. I love my Muay Thai lessons and taking ballet. So I was afraid I was going to have to stop working out. My doctor actually told me that the cure for something like this is to really build up your core muscles and to actually continue work out. So it hasn’t affected me at all.

MG: How was it for you returning to the character Nell this time around?
AB: It was very different actually. The character of Nell is completely broken. For this script, I was putting her back together and in doing so there was a lot of pieces missing and that is where the devil comes in! And that is where there are scares! Also there is also a different director on board, so it has a very, to be be redundant, different feel than the first one. It was a very new Nell.

MG: You’ve got action, horror – what do you have in the cards next?
AB: Well I am really happy to announce, I have also have a romantic comedy coming out. It is called “The Bounceback” and it is going to be premiering at SXSW 2013.

Genevieve Goings talks about Disney Junior’s Choo Choo Soul and new CD "Disney Favorites"

I have to admit, 9 months ago I did not know Genevieve Goings or the music of Choo Choo Soul.  But thanks to the birth of my daughter we discovered the wonderful thing known as Disney Junior, a 24 hour channel aimed at preschoolers. While watching this station, we heard the fun and exciting videos from Choo Choo Soul with Genevieve! These songs really captured the attention of my daughter from a very young age. Their take on the ABC’s brings a new and fun way to learning.  I have a feeling that as my daughter grows up these songs are going to be more and more helpful in learning. Choo Choo Soul recently released a new CD consisting of “Disney Favorites” with classics like “Hakuna Matata”, “Bare Necessities” and “When You Wish Upon A Star”, with a little extra soul added to them. I was lucky enough to be able to track down Genevieve in order to get the inside scoop on how Choo Choo Soul started and chat about the new album and their love of entertaining children.

Mike Gencarelli: Can you tell us about the birth of Choo Choo Soul and how you met Constantine “DC” Abramson?
Genevieve Goings: It is pretty crazy how things work out. DC and I were actually in a band together, which was this R&B/Soul sort of group. I was also doing a video game (“Toe Jam & Earl III”) voice over for a guy that has now become a good friend Greg Johnson, who also created the concept for Choo Choo Soul. We were doing this game and I was voicing these Gospel singers, except they weren’t singing they were just talking. I told Greg these characters should be singing their lines and getting down with some soul. So I ended up singing the lines and we had so much fun with that. He ended up writing like 10 pages of lines that had me singing and that sparked this little thing inside of him. He said he always had an idea for a children’s CD about trains [laughs]. So we did it and it ended up being “Choo Choo Soul”, our first album. It was great and caught on like wildfire. It is actually good funky music for kids. Our tagline was “Music for kids that will not drive parents crazy”.

MG: How did you then get involved with Disney?
GG: It worked out great. Disney Channel got a hold of it and liked it. They flew me out for a meeting, which actually ended up being an audition. We didn’t know this at the time, all we got an address to meet them and it turned out to be a classroom. There were these people in suits, cameras and 30 kids on the floor sitting Indian style. They just said “Alright go!” [laughs], but it worked out. DC and I both love what we do and we have been doing it for eight years, which is crazy. But we are still going strong.

MG: What is it that you enjoy most about entertaining children?
GG: They are just so genuine  I mean they will tell you like it is. If they don’t like it baby…they don’t like it [laughs]. If they love it…then they LOVE IT with their whole entire soul! It is just really amazing. I like to say they don’t care who I am dating, what I weight or who I am wearing [laughs], you know? It a polyester suit [laughs]. They are just so pure and to be able to entertain them at that young age is great. With the magic of Disney behind us, which is the greatest children company, it gives us this platform to succeed. It is just so amazing.

MG: Tell us about your latest CD “Disney Favorites”?
GG: That was actually brought to us by Disney. It was their idea to work with Disney Junior channel, which is 24 hours of programming for that young preschool age. I think the big point for them was to really marry the classic Disney with the new era and I think that is what the whole channel is doing. So having their fun little Choo Choo crew translate these old classics to the younger generation is what they were going for with that.

MG: I like how you guys take these wonderful songs and put your little twist on them, especially with “Hakuna Matata”! I love it.
GG: Thank you. We love that. Disney Records wanted us to put together these as a full album since we only had filmed eight of these songs as videos. They said “Gosh, we need to fill up a whole CD with more songs”. So that was a great day for us. We definitely had a blast with that.

MG: What is your all-time favorite Disney classic song?
GG: Oh…Oh my gosh! I would have to say “When You Wish Upon a Star”. I can’t even believe I got to do that song. It is just amazing and very special.

MG: Like you said you’ve been doing this for 8 years now, what has been your highlight?
GG: It is really the live interactions. DC and I are both live performers. Stage has always been our thing. So I think that ending up on television has been an added bonus for us, which of course is absolutely amazing. I mean getting to dress up like Cinderella and Prince Charming and dancing around was a great highlight [laughs]. The real peak for us though is live with actual kids, getting to meet and see them. Sometimes they come dressed as us, which is really fun. Plus we are using our actually names, it is not a character name. My name is really Genevieve. So when a parent tells their kids “There’s Genevieve” and I bend down to hug them…that is the best! I just am grateful to Disney since they really have embraced us. It is not like a lot of other kids music and I think that is why it is working.

MG: What in the cards next for Choo Choo Soul? Any touring?
GG: We are really hoping to come to the Disney parks but nothing is setup yet. We will be definitely touring this year. Disney will be posting our dates. We also have a Facebook page and we put up all of our stuff there and handle it personally. We love to keep in touch with our fans and see photos/videos. Right now we are working on getting feedback from our fans as which songs are their favorites. We are trying to build that into a tour which would be like a party-along and sing-along show. We are working on that for the Summer and Fall. So hopefully we will have some dates near everyone soon.

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Matthew Modine talks about joining Ralph Bakshi's "Last Days of Coney Island"

Matthew Modine is probably known best for playing Pvt. Joker in Stanley Kubrick’s “Full Metal Jacket” and Louden Swain in “Vision Quest”. He also recently appeared as Deputy Commissioner Peter Foley in “The Dark Knight Rises”. Matthew has a production company with partner Adam Rackoff called Cinco Dedos Peliculas and also has a deep love for animation. He recently signed on to produce and voice act in Ralph Bakshi’s latest film “Last Days of Coney Island”, which is currently trying to become funded via Kickstarter.

At the time of posting, there has been over 900 backers since it was launched and just over $140,000 dollars pledged of the $165,000 dollars goal. We are almost there but we need your help. Be sure to rush over to Kickstarter and help Matthew and Ralph on this project. Click here to join the fight and see “Last Days of Coney Island” get made and be sure to mention Media Mikes sent ya! The campaign ends on Sunday March 3rd around 12pm EST, so don’t miss out! Spread the word!

Check out our interview with writer/director Ralph Bakshi about the film as well, click here. Also be sure to check back next week to see the second half of our interview with Matthew about reflecting on his work on “Full Metal Jacket”, “The Dark Knight Rises”, his iPad app and also his upcoming role on the Steve Job’s biopic “jOBS”.

Mike Gencarelli: Tell us about how you got involved with Ralph Bakshi’s “Last Days of Coney Island”?
Matthew Modine: First of all you should know that my dad was a drive-in theater manager and I became hip to Ralph Bakshi when I was too young [laughs]. At an inappropriate age, I feel in love with “Fritz the Cat”. So that is how I found the work of Bakshi. So also this last year, I have been working with the animator Bill Plympton. We met at Tribeca Film Festival and became fast friends. He asked me if I would be interested in voicing the narrator, this sort-of Walter Winchell character, in an animated film he was making called “Santa, The Fascist Years”. It is a very funny short film. I also worked with him on a film he was restoring called “The Flying House”. My partner, Adam Rackoff and I have a production company called Cinco Dedos Peliculas, which means Five Finger Films. The reason we called it that is we thought it would be appropriate to have a production company that offered a hand to other filmmakers. We used Cinco Dedos to help Plympton get his money for restoring Winsor McCay’s film. So, it was through Bill Plympton that he told us about Ralph Bakshi. So I asked my producing partner what he thought about Ralph’s project “The Last Days of Coney Island” and he wanted to be an animator when he was a kid and just loves Ralph Bakshi’s work. We told him we wanted to help out with his Kickstarter program. I also told him that I would do a voice if it would be helpful to do the raise. He was very grateful and was excited about me voicing a character for the film.

MG: Tell us about the character you are going to play?
MM: It is really an awesome character named Shorty. He is described as a mafia guy who thinks he’s Elvis Presley and sings like Chet Baker. So it just sounds awesome to me. So I am very excited to be first helping him but ecstatic that he is giving me this opportunity to also voice one of his characters. It is just going to be a lot of  fun.

MG: Like you said you are no stranger to indie animation, what is it about the genre that draws you?
MM: I think it is from my childhood. I really go back to the original “Popeye” cartoons, the early ones, where they were beautifully drawn. As a boy, I also wanted to be an animator and was discouraged by the way that Hanna-Barbera did their animation, with shows like “The Flintstones” and “Scooby Doo”. It wasn’t that creative and felt like cheap animation. I didn’t want to be bothered with it at all, until I saw Bill Plympton’s animation in the 80’s when he was doing the MTV TV spots. Since then also the work that Pixar has done has brought a whole new life to animation in a way that is unimaginable. So I think that this is an exciting time for animation. The work that Ralph Bakshi does because it is so irreverent, original and beautifully hand-drawn. What he is planning first with “Coney Island” is only a chapter in a larger film of mixed media of video art and animation. I think it is going to be something that is extraordinary and very Bakshi.

MG: What is your favorite film that Ralph has directed?
MM: I think it would have to be the first one that I was exposed to, “Fritz the Cat”. I was also so excited when “The Lord of the Rings” came out and it is still an extraordinary film. The world that he created for people that really love the book – it exceeds the reality of even Peter Jackson’s “The Lord of the Rings”. “Wizards” is also amazing!

Ralph Bakshi talks about his Kickstarter campaign for "Last Days of Coney Island"

Ralph Bakshi is one of the last great animators in the business and also a good friend of mine.  He has created some really classics films like “Fritz the Cat”, “Wizards”, “The Lord of the Rings”, “American Pop” and many many more.  Ralph is trying to get his last his latest film, “Last Days of Coney Island”, started with the help of Kickstarter and his fans support. The film is planned to be “an animated cop, mafia, horror movie set in the 1960s in Coney Island, with political overtones both realistic and outrageous”. Sounds awesome right?

This is Ralph’s first and hopefully not last attempt at cr0wd-funding.  At the time of posting, there has been over 900 backers since it was launched and about $140,000 dollars pledged of the $165,000 dollars goal.  We are almost there but we need your help. Be sure to rush over to Kickstarter and help Ralph on this project and be sure to mention Media Mikes sent ya!. He is a man who fights for hand-drawn animation in an industry that is fighting against him. Click here to join the fight and see “Last Days of Coney Island” get made. The campaign ends on Sunday March 3rd around 12pm EST, so don’t miss out! Spread the word!

Check out our interview with Matthew Modine who recently joined on the film, click here.

Mike Gencarelli: Tell us about you decision to use Kickstarter for “Last Days of Coney Island”?
Ralph Bakshi: I am 74 years old and I didn’t want any trouble. I figured I would try and raise the money if I could and that way I would be able to do what I wanted. I am not looking for anything major. If it turns into something more like five shorts then I would be more than happy. But I have my freedom, as you can see and I am not bothering with anyone. I do not have to show around storyboards and scripts. It is really a great sense of freedom. We got a lot of push from fans, which is great. We even got a new large donation from a Formula One racer, since he said he grew up with my movies. I am amazed by that. I am really looking to the internet here. I would like to spark an audience reaction to find out what they think. I am not going to get big money online but I will still get to make the film I want.

MG: On the Kickstarter page, it lists the film as “Part One”. You mentioned there will be more?
RB: That is right. I will just keep going with the shorts. Also remember they are also pilots. If I get part one done, Hollywood will realize that this guy has a nice following and he is not dead, that is number one. Number two is that if I do something really cool, I can show it to somebody and have them finish it for me, like a promo real. That could always happen.

MG: Tell us about the involvement of Matthew Modine and how that came about?
RB: I just got this email from Matthew Modine. He loves animations and grew up with my films. He said he wants to come help me and came on as a producer. He will also be voicing a character called Shorty, who is very fun. Modine is great though and he has helped me out a lot. We got hundreds of news stories when Matthew Modine came on board. It has just been amazing. Kickstarter made people realize that I am not dead and it has helped quite a bit since we all know that Hollywood is all about hype.

MG: How do you feel your style of animation stands up in today’s times?
RB: My animation isn’t perfect and that is what companies like Disney they strive for…that perfection. I would love to do perfect animation but what that takes is money. So the perception in the industry is that my stuff isn’t good enough. Animation isn’t about perfect. Art isn’t about perfect. They take it too seriously. I am not perfect and they hold it against me. Uncle Walt wants perfect. I can’t. You can’t be perfect with $1 million dollars.

MG: What has been your biggest challenge that you faced with trying to get the word out?
RB: There has been a lot of support from fans, yes. But you look at the animation blogs, they are all taking to each other and no one has Bakshi on there. Let’s talk about Cartoon Brew, they have not mentioned a word about the Kickstarter for “Last Days of Coney Island”. They also never put up my last cartoon “Trickle Dickle Down” either. Now, I am a 74 year old animator who has been around for a while and has fought for animation over the years. Look, we are trying to do a lousy five minute cartoon. Yet they will not assist with us on this project. I am more shocked and upset out of amazement on this, but I am not bitter. If I succeed in “Last Days of Coney Island” doing hand-drawn R-rated film, which is possible not probably…but possible. If I get to make this into a feature and its makes big money like “Fritz the Cat”. All of Hollywood is going to say “Oh my God, hand-drawn and R-rated?” and everyone would be put back to work. So we may make it…we may not. It is very close.

MG: I have to ask what are your plans if funding does not meet your goal?
RB: I don’t have a backup plan. If I don’t reach the limit, then I don’t reach the limit. I would have had a good time. I am trying hard. But I am not going to go crazy. If the guys don’t support me then I won’t do it. If places like Cartoon Brew don’t want to mention that I am out here fighting for animation, especially since they are all for animation. Remember they get their ads from Pixar, Disney and Dreamworks and they realize that I am at it again doing stuff that those guys can’t do because of their family audience. So they don’t mention me. I just won’t do it then. I don’t want anyone to think I am angry. I am very proud. We raised a ton of money.

MG: Tell us about your team you’ve you have working with you right now?
RB: I have hired some great young animators. I got this Japanese guy from Brooklyn. He sent me his reel and they are very crude and very honest. I emailed him and gave him some work to do. I later found out that he was living on the streets in Brooklyn. He has all his drawing up on my Kickstarter page. His name is Tsukasa Kanayama. He is such an amazing guy. I also got this woman, Colleen Cox, who taught herself how to animate. What I am saying is that I love working with these young animators. I see the passion through their eyes and its reminds me about my own passion and what it is like to be young and have that drive. One of my animators JoJo Baptista is using Toon Boom Studio to work on the animation, which is 100% 2D. With this program, you can draw on paper and scan into the software. Toon Boom colors and does the in between. It works great. As the director, I want it to look like hand-drawn animation and they are and using this software to fill in the necessary in-betweens. Also My son Eddie Bakshi is producing and breaking his ass. He is taking on a lot of hard work and the Facebook stuff, which is beyond me. So we have a wonderful team and we are just waiting to see if this will work out.

Dolph Lundgren talks about new film "The Package", TV series "Rescue 3" and "The Expendables 3"

Dolph Lundgren has always been one of my favorite action stars. Whether he is kicking ass as Drago in “Rocky IV”, Andrew Scott in “Universal Soldier” series or most recently as Gunner Jensen in “The Expendables” series – where he goes the action follows.  His latest film is called “The Package”, which puts him head-to-head with wrestling legend Steve Austin.  Media Mikes had a chance to chat with him about this film as well as his upcoming TV series “Rescue 3” and plans for “The Expendables 3”.

Mike Gencarelli: Tell us about about how you got involved with “The Package”?
Dolph Lundgren: As usual you read the script and then talk with the director. I liked the script because the character they thought about for me was interesting. He was a little more colorful, kind of crazy and unpredictable.

MG: What is your technique for getting into a character like The German?
DL: A lot of it if you good script is usually done for you. They have explained in the script already that what he looks like, in this case, the fact that he is dying from a disease and is becoming desperate but at the same time he is becoming educated and has a way with words. So you just work with the material and put that into the different scenes. By working on the scenes then you come up with ideas like make-up and clothing ideas. When you are on the set also a lot of it comes from working with the other actors and the director while shooting. The more colorful the character is the better described he would be in the script and that would make it easier for an actor to fall into that role.

MG: How was it going head-to-head with Steve Austin?
DL: It is always fun to work with other actors who can fight. I have done it a few times now with Jean-Claude Van Damme, (Slyvester) Stallone and Randy Couture. So with Steve Austin it is the same. He is a guy that doesn’t need a stunt double. You get to do more on the film with the actual performer, so it is fun and also it looks better in the film.

MG: What do you enjoy most about being an action hero and how has that role evolved for you over the years?
DL: I think it stayed the same for quite a long time. “Rocky IV” was my first big movie. I didn’t really plan to be an action hero, I just wanted to learn about acting. I was doing some modeling also at the time and before that I was an athlete and studying engineering. So this kind of came out of left field. So after “Rocky IV”, I think it stayed the same for like 20 years. I also lived in Spain for about 10 years to bring up my kids away from Hollywood. I got divorced a few years back, so when I came back here in 2009, I got right back into the role and did “The Expendables” and then “The Expendables 2”. Now I am trying to find roles that are a little more interesting and fun to show different sides of myself. Let’s see how that goes. I am doing a action series now for television. It is more about rescuing people than killing then [laughs], so that would be new for me.

MG: What can you tell us about that show?
DL:  Sure, It is called “Rescue 3”. It is based on this elite multi-agency task force in California which saves people. I play get to play the leader of this unit. What is interesting is that you’ve got 20 episodes to develop the character instead of 90 minutes. It is going to be fun to see what kind of things I can pull out of that and how the audience will react to it. Also one of the producers is from “Baywatch”. I am not sure how much running on the beach I will do…but we will see…hopefully not too much [laughs].

MG: Playing such iconic character like Drago in “Rocky IV”, Andrew Scott in “Universal Soldier” series and now Gunner Jensen in “The Expendables”, what has been your most memorable role in your career?
DL: I always remember “Rocky IV” since it was my first film. It has a lot of memories attached to it. The same with “The Expendables” since it has such a great cast, its special. I am back with Stallone again. I think those are the two that really jump out and have been a big milestone in my career. Then I have done some small roles recently like “The Package” have been a lot of fun.

MG: Also last year you did a film called “One in the Chamber” that I enjoyed as well.
DL: Yeah, thank you! That is another one that I kind of took out the turns a little bit. I did another project that is a similar smaller part last year called “Rush” with Randy Couture. Now that I have this TV series coming up, I am trying to play more roles that are I would say are a little more “normal” and close to myself. Since that is what I am doing in the series, so I am trying to get used to that a little more.

MG: Speaking of playing different roles, I loved your character recently also in “Small Apartments”. You got to do more comedy because you were a riot.
DL: Thanks man! I actually have this reality series coming out this June called “Race to the Scene”. The show is based on actual movie locations and memorable movie scenes. It is going to air on Reelz. It is very comedic for me and is like one big skit. So we will see how that works out also.

MG: Any update on your next directorial effort “Skin Trade”?
DL: Yes, I am still working on that. It is something I wrote a few years back with a friend of mine. I am trying to work it into the schedule. This year is very busy with the series and then possibly another “The Expendables”. I am trying to find the right co-star. I wanted to direct it, so I wrote it to play the co-lead. But the lead, the main character I want to cast somebody. So that is the guy that I am looking for. I am sure it will work itself out soon and we will find somebody.

MG: You mentioned “The Expendables 3”, can you shed any light on it?
DL: Nobody has approached me but I have just heard little things like they were working on a script and aiming to shoot in the Fall. But I do not know any particulars right now. I think within two months or so it should be all settled since they have to prep by June the latest if they are looking to start shooting in September.

 

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Anthrax’s Charlie Benante talks about new EP "Anthems"

Charlie Benante is the drummer for the legendary thrash metal band Anthrax. The band is set to release a new EP titled “Anthems” in March. The EP will consist of six cover songs and one special remix of the Anthrax song “Crawl” and the album version also, which was originally released on the bands 2011 full-length release “Worship Music”. Media Mikes caught up with Charlie prior to the bands appearance on this year’s Metal Alliance tour to discuss the new EP.

Adam Lawton: Where did the idea to do a covers EP come from?
Charlie Benante: We have been doing cover songs here and there going back as far as our second record. We have always been open to do those things. Some of the covers we have done in the past sort of became hits for us. Originally there was talk of re-releasing our last album “Worship Music” with this covers disc as a bonus. We didn’t want to make our fans have to buy the album again so we decided to release it as its own EP. We were able to keep it inexpensive and to the core of what we are. That’s just 5 guys in the studio just having fun.

AL: Was it hard choosing which six songs to put on the release?
CB: There were a few songs that we didn’t quite get to as we were really concentrating on the six which are featured on the EP. These 5 were the ones that really hit us all so we spent the majority of our time working on those. We all had ideas of songs that we wanted to do. Rush has always been one of those bands that we all love. To tackle one of their songs was not an easy task. I was totally up for the challenge and it worked out good.

AL: Can you tell us about the re-mastering of the song “Crawl”?
CB: When we were working on “Worship Music” with Jay Ruston he and I had a talk about doing something similar a few remixes that were done to the song “Black Lodge” off the album “Sound of White Noise”. There were some really cool orchestral things that were done on those mixes so Jay took some time and found someone to do it. The song I think came out really good.

AL: Can you tell us about the bands upcoming tour?
CB: The Metal Alliance tour is mixture of bands that have been around for awhile and some that are a little newer. For us it gives us a chance to go out and play some songs that we haven’t played in forever. We will be doing songs mostly off the “Among the Living” album so that’s going to be the special thing about this tour.

AL: Can you tell us how things are going with Jon Donais of Shadows Fall filling in on guitar and how he was brought in to the lineup?
CB: Rob Caggiano I guess had talked with Jon about filling in for him. We had gotten wind of that and were like “ok”. (Laughs) I have known Jon for a long time and he is a great guitar player. Scott has been jamming with him out in Los Angeles and from what I hear everything is going great. It will probably take Jon a few shows for him to feel comfortable with everything.

AL: Has there been any talks of starting work on a new album after this tour wraps and how do you generally go about working together with member scattered across the U.S.?
CB: Yes. I am sure we will tackle that at some point. We have two or three songs left over from the last recording sessions that we want to work on again. We hope to work on stuff during the summer before hitting the festival circuit which starts in August. Usually when we start working on a new record we will meet up in Chicago. If not there I go out to either Los Angeles or New York. The last album was written in Chicago which was pretty helpful.

The Gallery’s Brendan and Ryan Cooney talks about their new album "Restless"

The Gallery is a four-piece indie rock band that originated from the eastern New England area of the United States. The band consisting of Dave Mozdzanowski, Ben Lozan and brother’s Brendan and Ryan Cooney have been making and performing music together all of the states now for almost 5 years. On February 26th the band will release its new full length album titled “Restless”. Media Mikes had the chance to talk recently with both Brendan and Ryan about the bands formation and the making on the band’s new album.

Adam Lawton: Can you give us some background on how you all met?
Brendan Cooney: Ryan and I are brothers, so we have known each-other quite some time now. (Laughs) Ryan and Dave started playing together in a band (under a different name) during high school, which I later joined. After a few member changes we became “The Gallery.” We stuck together through the college years by all transplanting to Florida, until we hit the road for our first national tour in 2009. Now fast forward to 2012. Our new guitarist, Ben, was attending Berkley College of Music when he responded to a Craigslist add we had posted, after recently losing our guitarist, Shea. He was very persistent in getting the opportunity to audition, so we figured there was nothing to lose. He showed up to practice having learned all of our current songs flawlessly. We were all really impressed, but most importantly his personality fit the dynamic of the group perfectly. Long story short, Ben dropped out of school and packed his bags for California. I don’t think he has any regrets as of yet.

AL: How does the new album differ from your previous EP release?
Ryan Cooney: I think one major difference is the addition of our new guitarist Ben. Naturally our sound changed a little bit because of his different influences, tendencies, etc. As a group we decided we wanted to pursue a “rockier” sound for this album while not straying too far from our roots.

AL: Can you tell us how you got involved with indie gogo?
BC: Our producer Warren Huart was encouraging us to get back in the studio, but finances were a concern. We were kind of on the fence of doing a fundraiser, because we felt it is was a lot to ask of our fans, friends, and family who have already done so much for us. But after looking more into it, we decided it wasn’t so bad of an option as long as the rewards were worth people’s donations. In the end we raised the funds needed and we couldn’t be more appreciative of all the support from those who donated. Without all those people this project wouldn’t have become a reality.

AL: What was your initial response to the fans donations?
RC: Well, we have had the opportunity to meet some amazing people over the years through this band. People encourage us with their words all the time, and it’s a whole other level when they trust you with their money to go in and make a record they haven’t heard. It’s crazy when you start to realize that people besides our moms like our music. We are honored to have the opportunity to make this record because of the generosity, and faith that our friends and fans have.
BC: At first we were worried we wouldn’t raise enough. In this economy it’s hard to let go of money for something that you may not reap the benefits for until months later. Our initial reaction to the generosity of our fans was shock. We couldn’t be more thankful that so many would invest their money into something that they haven’t even heard yet. Without that kind of faith, we would still be brainstorming how to fund this project.

AL: What was it like working with producer Warren Huart?
RC: It was great. Warren has such a great ear, and a real ability to translate ideas or a vision into a great sounding recording. We have a lot of fun doing pre-production for songs with him, and seeing them really come together as a team in the studio. He helped us out in so many ways over the last three years, and we wouldn’t be where we are now without the opportunities he’s given us. He has had some great experiences, working with Jack Doulas, Aerosmith, and some newer bands we love like Augustana and The Fray, so after hearing those records we knew he’d be great for the kind of record we wanted to make.

AL: Do you have plans to make a video and or tour in support of the release?
BC: Yeah we are currently brainstorming video ideas for a couple songs with film guru/ friend Mike Barone. Be on the lookout for those shortly after the release.
RC: As for touring, we hope to be on the road more than ever this year. We have 3 CD release shows booked for LA, West Palm Beach, FL, and Western Massachusetts, where we grew up to kick everything off. We can’t wait to play the record for everyone.

Jonathan Lipnicki talks about producing "Broken Roads"

At age seven, Jonathan Lipnicki was a bona fide star. As Ray Boyd, the precocious son of the title character’s love interest in “Jerry Maguire,” he stole more hearts from the audience then star Tom Cruise. Regular television roles on such series as “The Jeff Foxworthy Show” and “Meego” kept him in front of the camera, as did roles in films like “Stuart Little” and “The Little Vampire.” Though he’s still busy in front of the camera, Lipnicki has embarked on a new career, adding the title of Producer to his resume with the release of the film “Broken Roads.” While promoting the films upcoming NYC appearance Lipnicki spoke to Media Mikes about his new career and dealing with fame at such a young age.

Mike Smith: At age 22 you began a new career as a producer. How did this come about?
Jonathan Lipnicki: I always knew I would end up doing something behind the camera, but I didn’t know it would happen at this point in my career.

MS: How did you become involved with “Broken Roads?”
JL: I like to say I fell into it. I met the director, Justin Chambers, through a mutual friend, and we hit it off. He has this crazy charisma, which makes you want to be friends with him and support him. One day he asked me if I knew any actors who I thought would fit the roles he sent out breakdowns for. I sent him a few actors that I knew and he liked my choices. Not long after that he asked me if I wanted to get involved.

MS: You continue to act. Is this something you’re going to continue to pursue or do you see your career moving to more behind the scenes?
JL: Acting is my number one priority, but I would like to produce more in the future.

MS: You were a star at age 7 when “Jerry Maguire” was released. Does fame look different at that age as opposed to now when you can appreciate it more?
JL: Your perception changes about certain things like fame when you grow older, it definitely loses some of its innocence. That being said I look different so I live in anonymity, which is amazing.

MS: What do you have coming up next, either in front of or behind the camera?
JL: I currently have a web series from the Russo Brothers (“Arrested Development”) on YouTube, and I have two films in post production, “Edge of Salvation” and “TAG”.

Sally Kirkland talks about her new drama "Broken Roads"

With a career that began in 1960, Sally Kirkland has built an incredible resume’ of roles on both television and in film. After small roles on episodic television and the occasional film, she hit it big in 1973 by appearing in two of the year’s biggest hits, “The Way We Were” and the winner of the Academy Award for Best Picture, “The Sting.” While continuing to appear on some of the more popular television series of the decade (“Baretta,” “The Rookies,” “Kojack” among others) she continued on the big screen with roles in “Blazing Saddles,” “Bite the Bullet,” “A Star Is Born” (which was just released on Blu-ray) and “Private Benjamin.” In 1987 she won a Golden Globe and earned an Academy Award nomination for her role as a former Czech-star trying to make it in New York City in the film, “Anna.” She continues to work steadily, with notable roles in films like “The Best of the Best,” “JFK” and “Richard III.” She currently stars in Justin Chambers’ new drama “Broken Roads.” Ms. Kirkland recently sat down with Media Mikes to talk about her new film, what she has coming up next and what it’s like to be an Oscar nominee.

Mike Smith: Tell us about Mrs. Wallace, your character in “Broken Roads.”
Sally Kirkland: She is a strong, proud, and lonely survivor who when we find her has been lost since her husbands death. She never had a good relationship with her daughter. And when her grandson shows up at her door step angry over his mothers death she has an extraordinary opportunity to experience love again.

MS: What attracted you to the role?
SK: Because I’ve never been a physical mother or grandmother and it was an opportunity to experience that with her. I feel she is amazingly dramatic and funny, the best kind of role. Her vulnerability is breath taking. I love roles where I get to open peoples hearts. I was motivated by (writer/director) Justin Chambers passion and vision…as well as Aiden Bristow’s. (Ms. Kirkland’s co-star in the film).

MS: You’re also credited in “Broken Roads” as an associate producer. How did that come about?
SK: In this particular case it allowed me to bring in writers to help with the script and to have casting consultation and bring in music composers. It also gave me creative consultation in the look of the marketing and posters, etc.

MS: One of my favorite clips on Youtube is the Academy Awards ceremony when you were nominated for “Anna.” While most nominees, then and now, appear calm you were anything but. What was going through your mind in the few moments after you hear: “And the winner is……?”
SK: I think in my own mind. I thought I was going to win, and I’ve never been good at covering up my feelings or knowing how to lie. It was a huge humbling experience. Check out the video below to watch Ms. Kirkland at the Oscars.

MS: You’ve built an incredible body of work over six decades. How have you managed to sustain such a long and successful career?
SK: I’ve been very blessed to have worked with some of the greatest actors and directors in the world. Starting with “The Sting” and “The Way We Were” (directed, respectively, by George Roy Hill and Sydney Pollack and both starring, coincidentally, Robert Redford). They let me know there was no where to go but up. I’ve been passionate about acting since I was ten years old. Never was too interested in going to college or having a family. My whole life is my art and God. I experience the flow of God when I’m doing my best acting.

MS: What do you have coming up next?
SK: A film called, “Alice Stands Up”, written and directed by Brent Roske, who directed me in a short called “African Chelsea.” He’s written this film for me, which is extraordinary. We should begin shooting by spring.

Coach Bill Courtney talks about football and Academy Award Winning Documentary "Undefeated"

You may not know the name Bill Courtney but if you’re lucky you know, or knew, someone like him. Courtney was the volunteer head coach for the Manassas (Tennessee) High School football team for seven years. Even though he has his own business and a large family of his own, Courtney takes time out every day to make sure that the boys at Manassas that want to play football can. “Football doesn’t build character,” the coach believes, “it reveals it.” During what would be his final season at Manassas, the coach and his team were followed around by a camera crew highlighting O.C. Brown, a player who, reminiscent of the story of Michael Oher which was told in “The Blind Side,” was being helped along by a local family to ensure he studied hard so that he could go to college. But the camera captured much more. The resulting film, “Undefeated,” went on to win last year’s Academy Award as the year’s Best Documentary. While preparing for the film’s release this week on DVD, Coach Courtney took time out to talk with Media Mikes about football, his players and why people in Tennessee are so giving.

Mike Smith: I have to ask – The Touhy family took in Michael Oher. The Finley family took in Patrick Willis. (NOTE: Willis, from Bruceton, Tennessee, was taken in by his high school basketball coach and his family. What’s incredible about these stories is that earlier this year Oher and Willis squared off against each other in the Super Bowl). Yourself and your coaches at Manassas. Is there something in the water in Tennessee that gives people such great hearts?
Bill Courtney: (laughs) I’ve done about 100,000 interviews and that’s the first time that question has been asked. I don’t know! In the South we still teach civility and humility…love for your common man. Maybe that translates to this. I haven’t really thought about it. There are people all over this country that do wonderful things for kids in all kinds of communities. The truth is I think we just happened to have our stories told. I think we’re just representatives of a whole community of people from all over the country that do lots of things to help the neediest. We were just the lucky ones to have our stories told.

MS: What was the initial idea pitched to you from the filmmakers when they approached you about filming you and the team?
BC: The local Memphis newspaper, “The Commercial Appeal,” and their sportswriter, Jason Smith, wrote a story about one of our players, O.C. Brown, living with Mike Ray, one of our offensive line coaches, and his family and me driving him back and forth from school in order for him to get tutoring so that he could get qualified to go to college. The producer of the film read the story on line while he was surfing through some recruiting websites. He’s a big University of Tennessee fan and Tennessee was recruiting O.C.. When he saw the story he thought it might make an interesting, small documentary. He called me and we met so he could hear more about that story. When they got here they found out the greater story of Manassas…of the coaches and all the kids…and decided that there was a bigger story to tell. He told me he was going back to L.A. to get funding to make a movie. Of course, when he left we all thought that was the last time we’d see him but four weeks later, after closing up their apartments and selling off their belongings the filmmakers moved to Memphis on a shoe-string budget and started making a movie that nobody thought anybody would ever see. And lo and behold…here we are!

MS: How did the team react with the cameras constantly following them around? Was it an intrusion or did they get used to it?
BC: It would be pretty disingenuous to say that at first the kids and the coaches weren’t aware. But also, you just had two guys with two small cameras. There were no boom mikes…no lighting…no sound. It was two guys with what looked like camcorders. That’s what the entire movie was shot on. So it really wasn’t this big production, which made it less intrusive. I don’t know if I’d believe this if I hadn’t gone through the experience but, honestly, after three or four days…after a week…you kind of get used to it. They worked so hard to know the players and the coaches and the teachers that, when they weren’t around, people were more cognoscente of it. “Hey coach, where’s the film guys?” “I don’t know.” The days they didn’t show were stranger then the days they did because they were there almost every day for a year. You honestly eventually just get used to it.

MS: I see that O.C. transferred this year to Austin Peay. How is he doing, both as a student and as an athlete? (NOTE: At the end of “Undefeated” O.C. is admitted to Southern Mississippi University).
BC: I just saw him at Christmas break and talked to him last week. I still talk to all the guys regularly. O. C. had some struggles with his grades and Southern Miss had a coaching change. The coaches that were there were really fond of O.C. and worked with him really hard to keep him where he needed to be academically. But I think after the coaching change O.C. was uncomfortable. He transferred to Austin Peay and started nine games this season. He hurt his knee and missed the last two games and now he’ll be starting next year. I’ll have three former players starting on the offensive side of the ball at Austin Peay next year. I suspect I’ll be making some travels up to Clarksville to watch those guys play.

MS: When we announced we were going to interview you the question we were asked most to ask you was if you still keep in touch with Money and Chavis? And if so, how are they doing? (NOTE: Chavis Daniels and Montrail “Money” Brown are two of the young men whose stories feature prominently in the film)
BC: Absolutely! You have to remember I was a coach at Manassas for seven years. I’ve known most of these boys since they were in sixth or seventh grade. I’m still very, very fond of them and am probably still their biggest supporters. Chavis is doing well. He goes to Lane College in Jackson, Tennessee. He’s playing football – outside linebacker – and is still In school. He’s doing very well. Money…when O.C. left Southern Miss he left Southern Miss as well and is enrolled in community college here in Memphis. Most importantly he just got back from North Carolina where he was trained as a Young Life educator and is now setting up Young Life chapters in the inner-city schools all over Memphis to do devotionals and mentorships with inner city kids. I actually spoke to Money yesterday and he’s got as many as fifteen kids in different chapters in the Memphis city schools and he goes in the mornings and talks with them and helps mentor them. Money has found a calling to give back in the way he was helped and he’s still in school. The guys are doing really well. I couldn’t be more proud of them.

MS: When the film ends, you’ve left Manassas to coach your son’s team. Your first game was against Manassas. What did it feel like to be on the opposite sideline? BC: It was terrible. There was enormous trepidation leading up to that game personally, obviously. I mean those are like my sons over there, you know? I love them. And to have to go coach against them was really a very difficult thing for me. It was difficult for them as well. I was so glad when it was over with. It was tough. Very tough!

MS: Can I ask who won?
BC: We did.

MS: Thank you so much for your time, coach. I have to tell you, when I watched the film, it made me think back to my high school days. I owe a lot to my coaches for keeping me on the straight and narrow.
BC: I appreciate that. I honestly think that’s why so many people across all kinds of cultures and racial divides identify with this movie because they either remember a coach that did something for them that impacted their life in a positive way or are coaches doing that very thing. I think this film brings out the humanity in that. I appreciate you saying that…thanks for the kind words.

Sevendust’s Morgan Rose talks about new album "Black Out the Sun"

Morgan Rose is the drummer and a founding member of the heavy metal group Sevendust. The Atlanta, GA group formed in 1997 and have since released eight studio albums and toured the word over playing their own unique version of melody infused metal. The bands ninth studio titled “Black Out the Sun” will be released in March of this year and Media Mikes had the chance to talk with Morgan about the release and the bands touring plans.

Adam Lawton: What can we expect from the new album?
Morgan Rose: For me personally I think it is my favorite record. Usually when you finish a new record it tends to be your favorite. This was the first time we went in with no expectations and wrote from scratch. We wrote this as a band instead of people coming in chunks of material or fully written pieces. We weren’t going to be second guessing ourselves and we took our time. The record is pretty raw but at the same time the feedback I have gotten so far is that it sounds like old Sevendust.  We didn’t reinvent the wheel but we did semi-reinvent our band.

AL: Did you enjoy working as a group more so than everyone bringing in various pieces?
MR: I liked doing it that way. There have been times when Clint or someone brings in a riff and we would lay some sample beats on top of that. If I end up liking those 80% of my job is done. (Laughs) Other times if I am not completely sold on something I at least have the idea in my head and can go from there. I get excited working both ways. It just really depends on how things play out. We have done everything from me saying a drum part to having Clint show me how to program things as I am a Dinosaur when it comes to that stuff.

AL: With band taking a year off was it hard to get things going again?
MR: Not really. We did change the start date a few times of when we were going to start on the album. Things started off a little strange as we weren’t all ready at the same time. We all have our own lives and Sevendust is a priority but everyone was sort of moving on with other things. It took a little bit to get everyone to agree on a date. Once we did everything went perfect.  The year off did wonders for us. I don’t think anyone really enjoyed the idea of taking a year off but it ended up being a great decision.

AL: Have you guys thought about doing any videos for songs of the new album?
MR: We actually just did one. We shot a video for the song “Decay”. The gods were definitely not trying to let us do that video. I have no idea how we actually got it done. We had to cut our rehearsal schedule short, things cost more than expected, we had some really mysterious weather then there were delays at the airport among other things. Everything was pointing to us not doing the video but we pulled it off. I think it’s going to turn out amazing when it’s all done. We shot it in this 1800’s mansion that I am sure is haunted as shit! The video is sort of based around things that haunt each of the band members. Mine happened to be women. I enjoyed filming my portion of the video quite a bit.

AL: You and Clint did some of the producing on the album. What is the hardest part for you when producing your own band?
MR: There are many different facets to producing. I have dealt with so many things and liked little pieces of each one. There’s producers who get their hands dirty and help with songwriting and things and there are guys who help keep the peace when members get amped up. Then you have guys that are sonically amazing but they couldn’t tell you how they do it. The hardest part when we are doing it is your kind of the boss in a sense. You are putting your trust in someone to make a record according to what your vision is. We have been together for 20 years and we don’t have a boss in this band. People think we have a boss there is not. Everyone has certain roles they take on. When we get in a room together we all have a say but someone does have to take lead. At times things can get testy but we didn’t have any problems this time around.

AL: Can you tell us about the bands upcoming tour with Coal Chamber?
MR: Right now we are out on tour with Lacuna Coil and Avatar which has been great. Once we wrap up with that we hit the road with Lacuna Coil and Coal Chamber. That tour will start towards the end of March. We will be doing shows before then but that line up won’t start until late March. We had some shows in Australia with Devil Driver and Dez Fafara and I were hanging out and he mentioned that he was thinking of doing some Coal Chamber shows. He told me that if they are planning on doing shows in America then the right thing to do would be to do them together.  I was all for that! Things took a little while as Devil Driver tours really hard but this is going to be massive. I think a lot of people are going to be in to it. I think the tour is going to make people scratch their heads.

AL: Do you have any other projects going on right now that you can tell us about?
MR:  I produced an album for a band called Devise. I don’t know if they are going to stick with that name or not though. That project is going really well and I can’t wait to see the reaction of people when they hear it. Candlelight Red’s new stuff is almost done being mixed and their new single should be out very soon. I am really proud of that record. When I get a little bit of free time I am sure me and Clint will be doing some dates with Call Me No One. As we get older I don’t know how much longer we will continue touring. I don’t see us stopping anytime soon but I don’t think I am going to be 60 out here playing like this. I keep dabbling in stuff to see what I could do next. We are just going to be really busy this year.

Gia Mora talks about one-woman show "Einstein's Girl"

Nationally recognized actor and vocalist Gia Mora (a four-time Helen Hayes Award nominee) is starring in her new solo show, “Einstein’s Girl”, at Gardenia Resturant and Lounge in Hollywood. The show thrills and edifies sweethearts and singletons alike, combining original music, standards, stand-up comedy and a crash course in theoretical physics. Media Mikes had a chance to chat with Gia about the show and her craft.

Mike Gencarelli: Tell us how you came about doing a one-woman show “Einstein’s Girl”?
Gia Mora: I’ve always been drawn to the intersection of art and science, a sort of traditional liberal arts curriculum. In 2012 I read Lawrence Krauss’ A UNIVERSE FROM NOTHING, and I was struck by the similarities between the likelihood that universe would be born and the likelihood that two people would fall in love. The metaphor kept coming back to me, and as I started reading more theoretical physics, I noticed even more similarities. So I started writing. The music just sort of fell into place.

MG: Tell us about about your character and what you enjoy most about her?
GM: I play a fictionalized version of myself, but everything I say on stage is something that has actually happened, even if the timeline of my life doesn’t exactly match up with my stage persona. It’s sort of like how George Costanza would always come up with a great retort after the fact. Getting to do this show allows me a chance to say what I wish I could have said in the moment.

MG: What do you enjoy most about getting up on stage?
GM: John Lennon wrote, “When I cannot speak my mind I can only sing my heart,” and that’s certainly true for me. Singing is easier than speaking for me, so when I’m performing, I feel like I can finally express everything that’s inside of me.

MG: What are your biggest fear performing a one-woman show?
GM: I am lucky enough to have some serious science minds attending this performance. I’ve been meticulous in my research, but I’m afraid I’ve misunderstood some of the physics and that I’ll say something wrong. I fully expect helpful notes/re-actions from the experts to arrive before I get home.

MG: What are you doing when you are not singing or dancing?
GM: I’m usually cutting up with my sister while preparing vegetarian culinary delights. I tried my hand at chana masala last week to no avail, so if anyone has suggestions, I’m all ears.

MG: If I were to take your iPod, what would I find on it right now?
GM: Who has an iPod anymore? Seriously though, I’m an eclectic listener, so right now I’ve got Linda Ronstadt, Amy Lavere, George Gershwin, Mozart’s Requiem, and Ramsey Lewis shuffling on my phone.

The Machine's Tahrah Cohen talks about touring and performing Pink Floyd

Tahrah Cohen is co-founder and drummer for the Pink Floyd cover band, The Machine. The band is celebrating 25 years of performing and spreading the music of Pink Floyd. Media Mikes had a chance to chat with Tahrah about the music and what she loves most.

Mike Gencarelli: You and Joe Pascarell founded The Machine back in 1988. What has been the highlight of the past 25 years?
Tahrah Cohen: We have just been having a great time touring all over the world. We have been to so many wonderful places and just love spreading the music to them.

MG: Given that you guys play the entire Pink Floyd back catalog – from well-known classics like “Comfortably Numb” to obscurities like “Careful With That Axe, Eugene”, is it difficult swing back and forth through the songs?
TC: Everyone in the band really knows how to do their part really well. Whether they are playing a David Gilmour part or singing a Roger Waters part it is not a problem. We are really experts for these situations at this point.

MG: Pink Floyd was known for their elaborate stage shows that, over time, evolved into massive-scale light shows and stage sets that were really ideal for large venues like outdoor stadiums. In terms of The Machine’s live performance, how important is the visual part of the

show? Do you feel that if your audience doesn’t get to see the circular-screen film projections, lasers bouncing all over the place and pigs flying that they’ll come away disappointed?
TC: It is very important. We use the visuals as accentuations of the show. Our focus has always been the music. We do not neglect the visuals. We have the video and lasers with an elaborate light show. Our shows do come with the visual aspect but our focus is the music.

MG: Are there any Floyd songs that The Machine will not play and, if so, why?
TC: Some of the earlier music, when Pink Floyd was developing their own sound is a little amateur. It doesn’t really stand the test of time like most of the material will. Just like any musician. We stay away from certain era’s of their development but still play from their first album to their last.

MG: What are your personal favorites? And what is the one song that everybody in the band collectively enjoys playing most?
TC: Personally, I love playing “Shine On You Crazy Diamond”, the whole thing – all parts. I love it. We have probably played it 2500 times, easily. Every time it is on the set list, I am still excited to play it. The crowd always goes crazy for “Comfortably Numb” every time. We go crazy for anything on “Animals”. People that love Pink Floyd love it all.

MG: Over the course of the band’s career, how have the audiences that you play to changed?
TC: They have changed as we have changed. We’ve gotten older and they have gotten older. But their are also parts of our audience has have gotten younger, as well. There is a whole new generation of Pink Floyd fans under 20 years old and they are coming now to see us.

MG: What do you (and the other members) do when you’re not out there playing Floyd, both musically and non-musically?
TC: We all have other musical projects. We are all active with other bands and shows.

MG: Finally…which one’s Pink: Roger or David? 😉
TC: Ah…that is up to you to decide [laughs].

Joel Murray talks about working with Bobcat Goldthwait on "God Bless America" and Disney/Pixar’s "Monsters University"

Joel Murray is the youngest in his family of actors including Bill Murray and Brian-Doyle Murray. He is the star of Bobcat Goldthwait’s latest film “God Bless America” and he is voicing the character Don Carlson in Disney/Pixar’s upcoming “Monsters University”. Media Mikes had a chance to chat with Joel about growing up in the business and his work on the films above.

Mike Gencarelli: What did you think about “God Bless America” upon your first reading?
Joel Murray: You heard the story from Bobcat (Goldthwait), right? He was having back surgery, so I brought him over dinner and the first three seasons of “Mad Men”. Middle way through season two his wife said “You know, Joel could play Frank”. So he sent me the script but didn’t say a part or anything. I read it and told him it was great and I really liked it. I told him that I liked what he has to say and that it was time for a film like this. Then I asked him, “Who are you thinking about, you want me for the guy in the office?” He said “No Frank…the Guy!” I jumped at the thought of having the lead role in the movie, which doesn’t happen too often. Actually it has just happened once, really [laughs]. My first thought was hell ya! But then I had a couple of moments thinking that there could be some repercussions from this. I agree with about 95% about what he says in the movie. So I just thought “Why not?” My only fear was that seven Westboro Baptists would come visit me at my house. [laughs] But other than that I wasn’t too worried. What I love about his work is that all of his movies having something to say. So many comedies today are just like an extended shit joke.

MG: You’ve worked with Bobcat Goldthwait going back to “Shakes the Clown”; how was it with him behind the director’s chair again?
JM: When I worked with him on “Shakes”, it was his first movie and he was in clown makeup the whole time. You didn’t really think about him as an auteur, he was playing a drunken clown running around in make-up. On this film though, I was able to work hand-and-hand with him the whole time. I directed some stuff in the past and he was open to anything that I had to say and add. It was a fun relationship. It is awkward having your buddy give you a role that you didn’t audition for.  He didn’t give me a lot of notes or anything. All I kept getting from him was “Yeah, you really got this guy down!”

MG: How did you prepare for a character like Frank?
JM: I thought Bob has written it for himself. So I was kind of playing Bob in a way [laughs] but with his normal voice. I had a friend shoot himself in the mouth about 6-8 months before this came up. So when we started shooting, a couple of the scenes we did first was me with a gun in my mouth. That really takes you to a real interesting spot as an actor…a real depressing spot for that matter. So starting from there, I found a dark place to begin with and had a gradual upswing from there. His is never really that happy or excited though in the film. But starting from the darker corner was a good way to go as an actor.

MG: Was it challenging to blend the satirical comedy with the violent action?
JM: How do you blend it? Well, anyone that takes the violence in this film too seriously doesn’t get it. They also may be part of the problem that we are trying to kill. When you have a car montage in the middle of the film dancing around on the map of America, you know it is not taking itself that seriously. To do some serious acting on this, the comedy of it brought something to it. I grew up doing comedy and I have been fortunate enough to get into some serious roles as well in “Mad Men” and “Shameless”. So I’ve got to do some straight acting. It has been interesting to try and I have also learned a lot from my peers and my brothers. I watched my brother Billy (Murray) in “Broken Flowers” and I thought to myself “He’s seeing if he can do absolutely nothing and if it would work” [laughs]. Also in “Lost in Translation”, he was so introspective. So I just didn’t want to overplay it and keep it kind of close. I have a very expressive face, so I don’t need to be too over the top. But Bob was consistently giving me the thumbs up. So I guess it worked.

MG:  Speaking of your family, how was it growing up as the youngest in a family of actors? Do you feel that comedy comes easy?
JM: It was natural at home. Everyone was funny around the dining room table and that is where some of the comedy started in our house. You learn from them. I had some of the funniest people in America in my room growing up. There was also a high standard with them. I did plays throughout high school and college and when I got into improv, it wasn’t that easy but I had my background to draw from. I remember one of the first times my brother Billy came to see me at the Improv Olympic. I remember riding home with him and it was one heck of a quiet car ride, like I just struck out to win the World Series [laughs]. So they are a tough group to impress but we all created our own funny. There is stuff you saw on “Saturday Night Live” and from movies where you think that you grew up with that. I had more noogies on my head then anybody being the youngest [laughs].

MG:  Lastly, tell us about your role Don Carlson in “Monsters University”?
JM: The first trailers didn’t really show any new characters. In the new trailers, I am the guy with the mustache in the cloak that is evoking the initiation rites. Don Carlson is a student in his 40’s that has been laid off and decided to go back to college and learn the computers. So he is in this lame frat with the other guys but he is 20 years older than them all. He was a fun character. He is a little bit Minnesota-ent and sounds a little bit like my brother Brian-Doyle Murray but not exactly, I swear [laughs]. I didn’t go there!

 

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James Murray talks his role on truTV's "Impractical Jokers"

James Murray is star of truTV’s hit practical joke reality series “Impractical Jokers”. Better known as Murr, on the show he is with his best friends Joe Gatto, Sal Vulcano and
Brian “Q” Quinn. The show is just finishing its second successful season and building up a lot of steam behind the show. Media Mikes had a chance to chat with Murr about being a joker and his favorite moments on the show.

Mike Gencarelli: Let’s start with the origin of “Impractical Jokers”?
James Murray: The four of us all went to high school together, so we’ve been friends for over 20 years. We went to an all boys Catholic high school. So there wasn’t a way to be distracted besides playing pranks on each other. For as long as I can remember we have been doing that. I met Joe freshman year in religion class. Every time the teacher would walk down the aisle he would drop his nose on her without her realizing. We ended up doing that in the first season of the show also. A few years ago, we came together and decided to come up with an idea for a TV show. We have been performing together for years doing sketch comedy as The Tenderloins. We came up with the idea for an upside down prank show, where the jokes on us basically.

MG: Does it ever get too embarrassing for you to do what the guys tell you?
JM: I am sure. In the show we reject things all the time because it is too embarrassing. I think the fun of the show is seeing what our breaking points are and what we simply won’t do. My mother raised me to be a gentleman, there is just somethings I will not do or say [laughs]. And of course my best friends know every single one of the things that I won’t do or say.

MG: The show must be filled with outtakes, any cool off-camera moments?
JM: I will tell you, there are some challenges we film that never see the light of day, for reasons we cannot anticipate in advance. Sometimes things seem funnier on paper then reality. Perfect example, last year we were filming this challenge and the idea was funny. We had to go to a children’s park where kids are playing and parents are pushing kids around in stroller. You know how parents baby talk to their kids? The challenge is you have to go to a parent pushing a kid in a stroller and baby talk to the kid and then baby talk to the parent and get them to do the same back to you. Seems funny on paper…but guess what happens when four middle age men with no children on their own attempt this. It was funny, a S.W.A.T team descended on the park in minutes and told us to get out [laughs].

MG: What has been the highlight joke for you this season?
JM: I think my favorite/most embarrassing moment was when I was getting punished and they secretly took me back to our old high school. They called a general school assembly, which is like 600 students called into the auditorium. They then strapped me to a lie detector test and asked me questions you can only imagine. The first was “Is your name James Murra?y”. The second was “Do you get your back waxed?” Which I do since I am hairy Italian but I just don’t want America to know that I do [laughs]. But now they do.

MG: When you started with this did you ever see it being as popular as it is, especially with the truTV Impractical Jokers app?
JM: The app is pretty sweet. You can actually call us up directly. We were each given a phone and if we are available we will pick up and chat with a random fan. I think we always hoped it would be popular and do well. It is good to see that people like it and the word is spreading.

MG: How do you feel about all the International spin-offs of this show?
JM: We love that. I get to travel around and consult on the different versions. It is pretty sweet. It is amazing to think that the guys and myself have created something that is spreading around the world. So original productions of the show are on the air in the UK, Quebec, Brazil, Belgium, Holland, Finland, Norway, Sweden, Lebanon and a few more. It is just pretty damn cool.

MG: With season two ending this month, any world about a third season?
JM: We will see. I will leave that up to the networks to decide. The show is doing well and I feel that there is an appetite for more. So hopefully we will have the privilege and honor to give it to them.