Pantera’s Rex Brown talks about his book "Official Truth" and new album with Kill Devil Hill

Rex Brown is the former bassist for the Grammy nominated, platinum selling heavy metal band Pantera. After the groups break up in 2003 Brown went on to play with groups such as Down and more recently Kill Devil Hill which features Vinny Appice on drums. Browns memoir titled “Official Truth” has just been released and is a gritty in your face tale from the man who lived it. Media Mikes had the pleasure of talking with Rex recently to discuss his work on the book and to get an update on the second album from Kill Devil Hill.

Adam Lawton: What made now the right time to release this book?
Rex Brown: A friend of mine who runs Bass player magazine in the UK mentioned that he was friends with a guy who writes books and that I should get in to it. At the time it was something I was not interested in at all. I figured I wasn’t dead yet so why write a book now? After thinking about it for awhile I figured it really did make sense to put this out now and then move on down the line. The thing that happened to Dime really fucked me up. I mean he was murdered. This was my best friend who was the best man at my wedding. I lived out of a brown bottle for a long time and doing crazy shit not knowing at the very that that’s not the way to go. I got in touch with my author and started talking about how we wanted to do this thing. I read all of the Rock and Roll books that come out as it’s my passion. That’s what I want to be doing. One thing just led to another and he started writing things down and then submitting them to me. He really had to develop my slang when he put it to print as I don’t line up in ques. I wanted to tell my side of the story, my experiences, and my truths of what went on and it is all true.  My author also brought me the idea of have friends and family write various passages to help fill in some gaps. I have short term memory but my memory of the past is pretty fucking vivid. There’s collaboration and corroborating. It’s all true and that what I wanted the book to about. My author really wanted me to dig and that’s what I did.

AL: What was it difficult looking back on some of these stories and hearing perspectives from other people involved?
RB: When I first read them yes. When I got to know a little more about what they were trying to say no. So it’s a yes and no type answer. My sister is in this book a lot so I called her the other day to tell her that when this thing comes out it’s not a cook book or a kid’s book. I told her she probably wouldn’t want to put this out to all her friends. She is 17 years older than me and didn’t lead the hippy life style like I have. The book is different than most books but it’s real. As real as it is it’s the truth. That was something I had to explain to my 13 year old twins. I told them they may get a little flack over this but not to worry about it because everything is going to be all right. This is just dad’s previous life. What I did then is definitely not what I am doing now. I have come full circle and we all grow and mature.

AL: Being that the book is so truthful are you worried in any way about the backlash it may receive from fans or those mentioned in the book?
RB: I don’t give a fuck! Go write your own book fucking book. This is my truth and my experience. This is the best way I knew how to tell things. I wanted to come honest and clean. I am tight with both Philip and Rita but I don’t talk to Vinnie. You have to read this book as a whole not just take a chapter here or there. You have to go from the very beginning to the very end. The ending tells its own story and there are some really fun parts to this book. I am proud of this book and I wouldn’t have put it out if I wasn’t. Of course somewhere in my mind there is maybe 10% of me that is concerned about some dickhead behind a computer that’s going to blast on me. I am certainly not worried about it though. I was put in the middle of so many situations during the bands career and I never said a word to the press about it. I just did what I had to do to keep things going. It’s now time for me to tell me story. There is always the good, the bad and the ugly and this book is not about ribbing one person more than another. It’s about making a band work and making it go through what we went through. That’s why the book is called “Official Truth”. I could have given you some bullshit book but I didn’t. I gave everyone the fucking truth.

AL: What was the most rewarding part of the writing process for you?
RB: Just telling the truth and being able to open myself up. That was something I had never done before. I am a guy that’s all about the jam and getting up on stage every night. I don’t care about all of the other parts. For me to do something like this and open up took a lot of balls. I am not patting myself on the back or anything like that but this stuff had to come out.

AL: Can you give us a head ups on the second Kill Devil Hill record?
RB: If you like the first album this second one blows it completely away as far as I am concerned. Musically it is more of a collaborative and collective effort between all of us. Everyone is doing their own swing but at the same time from doing so many dates together we know each other really well. I know Vinny like the back of my hand. I watched him every night for 7 months on the Heaven and Hell tour. We have always just been really good friends. He is the baddist mother fucking drummer on the planet. You just don’t screw something like that up. The other two guys in the band Mark Zavon and Dewey Bragg are just as badass as we are but they never made it out of town. Mark is a brilliant writer and a hell of a guitar player. Dewey is on the verge of stardom with the stuff he is coming up with. It is really just amazing. Things have almost come full circle between me and these guys. I took a chance by leaving Down and joining these guys. I could have stayed with Down as Phillip and I had been together for 24 years which is a long time. We don’t talk about each other’s music but we are still great friends. Well I hope so after this book. (Laughs) This stuff in there is all public knowledge anyway. This thing has just given me the hunger to want to play again. I can’t tell you how much stronger my life is. It really couldn’t be better and life is too short to sweat the small stuff. Hopefully people will enjoy the book and the new album when it comes out.

Be sure to check out the Media Mikes review of “Official Truth”, here.

John de Lancie talks about his roles in "Star Trek: The Next Generation" and "My Little Pony: Friendship Is Magic"

John de Lancie is known for his role of Q in “Star Trek: The Next Generation”. Recently John was introduced to the world of “My Little Pony: Friendship Is Magic” voicing character Discord. Since then he teamed up with Michael Brockhof in order to make “Bronies: The Extremely Unexpected Adult Fans of My Little Pony” to showcase this unbelievable fan base behind this show. Media Mikes had a chance to chat with John to look back on “Star Trek: The Next Generation” and also his work with “My Little Pony”.

Mike Gencarelli: Looking back on “Star Trek: The Next Generation”, what was your favorite part of playing such a great character like “Q”?
John de Lancie: I guess mostly the reaction. Everybody liked him a lot. It has been a long time but he wasn’t iconic when I started but he was iconic when I left. The reaction was more intense than the actual doing of it.

MG: Are you surprised that it is still so well-received and respected all these years later?
JDL: Yes it is phenomenal. “Star Trek” is a phenomenon. I don’t know of any other shows that keeps on giving like this one has over the years. A lot of people feel that I sort of came on full blown and that other characters slowly developed over the years. Maybe that is the case to the extend that I was used to playing characters that were like that. You didn’t have a very long time to establish who you were, so you had to come on strong.

MG: Do you have any experiences that stand-out from working on the show?
JDL: I don’t have one favorite moment…I have many favorite moments. But what was fun about this show was that you knew that you were on the set making cultural history or if nothing else TV history. It was a show that was really culturally important. People referred to it and it became a way to talk about anything futuristic – it would be “Star Trek-like”. So it was great.

MG: “Q” was always one of my favorites. He was bad but also threw you for a loop occasionally.
JDL: Well that is what I intended. He is very naughty and somewhat dangerous. You were left never quite knowing what would happen. But it was a lot of fun. He is the one person you would invite to the dinner party but really make sure that the guests can handle him [laughs].

MG: You are hitting the convention scene this year, what do you enjoy most about meeting fans?
JDL: I love meeting fans. I find myself talking to kids, who see me at the age of their fathers…if not older. Some of them are even third generation fans. Which is actually is pretty amazing and honestly really unheard of.
MG: I am a second generation, my father got me into it and now I have a daughter that is 9-months old and she already has a “Star Trek” jumper.
JDL: That is what I am talking about and it is really amazing.

MG: On the complete other side of the spectrum, tell us about voicing Discord on “My Little Pony: Friendship Is Magic”?
JDL: It started with me being asked to do a voice over for “My Little Pony: Friendship Is Magic” and I said sure. So I read the script and have never heard of it before. But I thought it was well-written and fun. I have done characters like this before but I didn’t know that they wanted a Q-like character. I didn’t think of it as that at first and I just did it as it was written. Then about three months later, I was on the computer and I thought I got spammed. I had about 300-400 emails and they all had the subject of “My Little Pony”. So, I reach a bunch of them and then asked my wife what she knew about “My Little Pony”. She reminded me I did a voice for it about three months ago, which I totally forgot about. She told me it was a cartoon for little girls. But let me tell you these emails were not from little girls [laughs]. So that was the beginning of it.

MG: How did you get involved with “Bronies: The Extremely Unexpected Adult Fans of My Little Pony”?
JDL: It just so happened that Michael Brockhoff came over my house the night I got those emails and I told him about the story. He laughed and I agreed I didn’t get it either. Why would 20 year old guys be interested in “My Little Pony”? He asked me if I would want to do a documentary about it and I say “Oh my God, no way”. So that weekend, I had to go up to Vancouver on a job and some kids came up to me and asked me to sign pictures of Discord. I say kids, I mean 20 year olds. They are the typical geeky fans that I recognize from “Star Trek”. So, I asked them all a lot of questions and still I didn’t quite get it. But as they explained me to more and more what the show was about, it started to click. The show has the elements of harmony, being kind, generous, loyal and tolerant. I thought what is the problem with that? So now I had a face to put to what a Brony was. Mike sent me a link the following week for a Fox News, whom I am not a fan of, piece of this trend. It trashed the idea of Bronies calling them “a bunch of homosexuals, living at home on food stamps and disability watching cartoons in their parents at day in their parents basement”. That made me upset because it is not true. This is typical of Fox News. Have we really gotten to the place in our society that we are so threatened by everyone, that if we have 20 year old guys watching cartoons intended for girls, which is about being kind, loyal, generous and tolerant that we are going to demonize them and turn them into something that they are not. So that is when I called Mike back and said “I’m on board with the documentary, let’s do it”.

MG: Tell us about how you ended up with the Kickstarter campaign?
JDL: I asked Mike how was he going to fund this projects and he said through Kickstarter. I asked him how much he needed and he said about $60,000. He asked me if I could get myself into one of the conventions for BronyCon and I said “Yes”. The deal was that we were going to shoot for two days with two cameras, edit for about six weeks and that would be it. So yeah, instead of $60K, we got $322K. At that point, I was blown away. We’ve shown this film to people in the business and they just go “Wow, you’ve put a lot into this” and that was out intent. So when you see this film, I think you will be impressed.

Audrina Patridge talks about Maxim’s Beach Party & "Scary Movie 5"

Television personality Audrina Patridge is probably best known from the hit reality series “The Hills” where she was one four original cast members. Since the show has ended Audrina has appeared in her own reality series as well as several movies such as “Sorority Row” and “Into the Blue 2”. Media Mikes had the chance to talk with Audrina recently about her appearance at this year’s Maxim Beach Party and her upcoming role in “Scary Movie 5”.

Adam Lawton:  Can you tell us about the Maxim Spring Break event?
Audrina Patridge: This is my second year doing the event in Panama City Beach Florida. I am the grand ambassador for Curve Appeal perfume and cologne. Maxim Magazine and Curve teamed up to put on this Spring Break party. The event features a giant stage built right on the sand next to the ocean. It is really beautiful. There is going to be a bunch of different contests held throughout the break such as hula hooping, push-up contests and of course the booty shake contest. This was one I judged last year and a guy was actually the winner. It is so much fun to see everyone out there having fun. You get to see people of all ages out there. There are also lots of Curve models walking around handing out samples so that not only do the guys and girls on break look good but they smell good as well.

AL: How did you become involved with Curve?
AP: I have always been really big on fragrance as I think it’s important to leave a lasting impression. I get a lot of compliments on the smell of the fragrances and am a really big fan myself. It’s great that we have been able to partner up.

AL: What do you like most about going to Spring Break each year?
AP: I love traveling and have had so many great opportunities to do so. I like getting to meet all the different people as well. I am 27 now and I think everyone deserves a Spring Break no matter how old you are. Fortunately I get to be a part of this and it is just so much fun. Being down here takes me back to my early twenties. It’s just a fun time.

AL: Will you be doing any promotion while you’re down there for “Scary Movie 5”?
AP: I am just there for the Spring Break Party but “Scary Movie 5” comes out April 12th. I did a cameo in the film which was a lot of fun. We filmed my piece in Georgia at this huge, beautiful mansion that was really old. I can’t wait to see how things turned out.

AL: Do you have any other projects coming out that we can be watching for?
AP: Nothing that I can talk about just yet. Everyone has to make sure they get some Curve Appeal and go see “Scary Movie 5” on April 15th.

Hynden Walch talks about voicing Princess Bubblegum in "Adventure Time" & Starfire/Blackfire in "Teen Titans"

Hynden Walch is know best for her voice work including Princess Bubblegum in “Adventure Time” & Starfire/Blackfire in “Teen Titans”. She also voiced Penny Sanchez on the Nickelodeon show “ChalkZone” and Elsie on the Disney Channel show “Stanley”. Hynden took out some time to chat with Media Mikes about the fandom craze behind “Adventure Time” and her return of Starfire in “Teen Titans Go!”.

Mike Gencarelli: How did you get involved with doing voice work?
Hynden Walch: I always knew I was going to be an actress my whole life. I have been doing professional theater since I was 11. So the natural progression to that was to go on and do film and television, which I did. But I always loved the idea of doing voice over for animation, a lot! But I was never in the right city for it. I lived in Chicago and there is no animation work there at all. Then I lived in New York, there was a tiny bit of work but I think I got my first animation job in that city the day I was moving to Los Angeles. So I didn’t end up doing. So finally, I ended up in LA and I had built up my resume and told my agent and manager out here that I wanted to do animation voice over. They said I would be perfect for it but it would be very hard to get into. They were not kidding about that. I got an voice over agent quickly but then came the very slow process of auditioning for roles. Literally it took years. It is such a tight knit group of people that do every voice. After a while, I felt like my auditions were going into a black hole. So I went out for the weirdest role I could and I ended up getting it. This was Penny for “ChalkZone”. The craziest voice ever came out of me when I went to the call back at Nickelodeon. I also started getting cast at the same time for the animated movies at MGM like “The Secret of NIMH 2” and “Tom Sawyer”. So that was how it all started.

MG: What do you enjoy most about voicing Princess Bubblegum in “Adventure Time”?
HW: This came about the same way. It is nice when you get offered roles but almost always for new series they want to have you audition. So I went to Cartoon Network for a call-back and I really wanted this role. I knew “Adventure Time” from the YoutTube shorts and though it was BRILLANT! I loved the whole idea of the show. It was dangerous since I went it really wanting to get the role. I tried to give them the most put together yet out there princess that would fit into their world. So I am very happy that I got the role and I love playing her.

MG: Can you reflect on the popularity of your character and the show with fans?
HW: I am not surprised honestly. When we first started recorded, I knew it was going to be HUGE! As it was! So I am not surprised at all. I think “Adventure Time” is written in such a new, visionary and incredible way. Not to mention that the artwork is just gorgeous. The colors and the design are amazing. Pen (Ward) is such a creative guy. I am so excited to be able to work with him on his vision. I can’t wait to see what he comes up with next. It is rare that you get a project when you just feel so damn proud to be apart of it. If I wasn’t I would be a huge fan of it anyway. So to get to get add my own imprint to it is really fun. With animation the characters do become us.

MG: How does “Adventure Time” compare to your other roles like Starfire/Blackfire in “Teen Titans”?
HW: “Teen Titans” that was a show of love. It was a real joining of people that really loved each other. It was such a great show. So with “Teen Titans” and “Adventure Time”, I feel that the key for their success is that the appeal crosses every age. You don’t have to be a 9 year old boy to love this. You can be a 37 year old woman [laughs].
MG: Or a 30 year old man, hint hint.
HW: Totally! Both shows have really massive appeal. “Teen Titans” was very dramatic. I got to really feel like an actor. All of the other Titans are such great actors and we got to play off each other. There is also “Teen Titans Go!” that is coming out.

MG: I was going to ask you, what can we expect for the new reboot “Teen Titans Go!”?
HW: It is broad comedy. It is hilarious I worry a little bit about the hardcore fan base from the first show. But here is the think, they are going to be very angry for one week and then they are going to love it beyond all reason. That is what happened to me. The shows are so well-written and hilarious They also give us a lot of room for improvisation So we, who know the characters like our ownself are really contribution to the content of the show. It will be the same characters that everyone knows and loves from the first series but being very funny and on their day off. We are not fighting villains, we are fighting about laundry or stuff like that. Some of the episodes have been so outrageous, so I can’t wait.

 

Related Content

Charles Fleischer reflects on 25th Anniversary of "Who Framed Roger Rabbit" and talks about Moleeds

Charles Fleischer is known best as the man who gave the voice to Roger Rabbit” in the film “Who Framed Roger Rabbit”, which is celebrating its 25th Anniversary this year. The film is also debuting on Blu-ray for the first time on March 12th. Besides voice acting, Charles is also a stand-up comedian and also has two patents including a device to measure the golden ratio He has also invented and patented a Toy Egg. Fleischer is also the author of “The Moleeds,” a book of his own mathematical theories. In 2010, Charles spoke at the TED conference and discussed about his unique theory of everything called “Moleeds”, read more on that below. Media Mikes had a chance to chat with Charles to reflect about his role in “Who Framed Roger Rabbit” and also get to find out his love for science.

Mike Gencarelli: What do you think it is about “Who Framed Roger Rabbit” that makes it so unique and holds up over the last 25 years?
Charles Fleischer: It all goes back to good storytelling. It links to the job of the director and that was Bob Zemeckis. He is a genius director and a master storyteller. You combine that with the animation skills of Richard Williams and the script by (Peter) Seaman and (Jeffrey) Price and then on top of that your introducing a new cartoon character. Certain films are just classics and hold up through time and I will certainly say that “Who Framed Roger Rabbit” is one of those.

MG: We spoke with Christopher Lloyd a few years back, read here, and he said that you voiced the role off screen, was that a difficult task?
CF: It wasn’t necessarily difficult but it was slightly different. We rehearsed face to face and I even had them make a full costume. Then I would be off-camera and I would watch exactly was (Bob) Hoskins was doing. If he reached out and grabbed Roger, I would have to reach like I was being grabbed while performing. It was a kind of performance I named “T.P.A.”, which is Trans Projectional Acting. Where you are there but you are projecting your performance from another space.

MG: Since we are going back 25 years, let’s go all the way back. What was your audition process like for this film and the creation of that wonderful voice?
CF: I was originally called in to help them find the Eddie Valiant character. They needed someone to read Roger off-camera when they did the screen-tests. After doing several of those Bob Zemeckis asked me if I wanted to do the character for the film and I said “Gladly”. So once I got it, I got to read the whole script, got to see some animation tests and I was able to find tune the voice into something that would be appropriate.

MG: How does it compare to your various other voice roles including “Rango” and “The Polar Express”?
CF: Nothing compares to “Roger Rabbit” [laughs]. That pretty much also goes for any role that I have played from “Zodiac” to “Night Shift”. The essence of Roger Rabbit is the closest to who I am. I am a stand-up comedian, I make people laugh and that is what I love to do. I felt this certain kinship with the elemental aspects of Roger Rabbit, which made it more important to me. On another note, his wife was Jessica Rabbit and my youngest daughter is named Jessica. One of my favorite scenes in the movie is when Roger is in the Alley sitting on a trash can and he is brokenhearted about Jessica playing patty cake. Just the fact that the name Jessica had an emotional sympathy within me that created this resonance that added to the whole projection of my acting dynamic.

MG: I always thought that you must have had no voice after shooting this film with all the screaming.
CF: Well it is a cartoon scream, so it doesn’t hurt you.
MG: Oh ok, I didn’t know that.
CF: Me neither. I just made it up [laughs].
MG: You got me man! [laughs]

MG: Word was released last month about “The Stooge” with Mickey Mouse & Roger Rabbit, have you been approached to reprise?
CF: I think that was a lot puffery. I do not think that there is any substance to that. I think that is the strategy that they were trying to use by putting it out there and see what people think and if they want it. I would suspect that any subsequent Roger Rabbit film would have some like Robert Zemeckis involved.

MG: Speaking of that, I have heard about talks of “Who Framed Roger Rabbit 2” for as long as I can remember, what do you think is the reason why this never happened?
CF: I think there are a number of reasons. I think one of the main reasons is that at the time it was co-produced by Disney and Amblin Entertainment. So to get both parties on board would be a challenge. It is all speculation. I can only say that eventually I hope they get around to making it because I believe there is a market.

MG: Off-topic, but can you talk a little about your unique theory of everything called “Moleeds”?
CF: You just touched my heart now we can talk now [laughs]. This is very important to me. Moleeds is something that I have been working on for over 30 years. It is a mathematical discovery that deals with prime numbers and creates patterns and relationships that I believe have some significance with the DNA of the universe. I did a talk on TED, check it out below. A mathematican in Vienna saw that and I started corresponding with him. He created these programs for me which allowed me to visualize moleeds on higher levels. The prior work that I had done was just on a calculator and making graphs on the computer. He was able to create these formulas based on my research that allowed you to plug in any prime number and see the symmetrical system that would be generated by moleeds.

CF: Since we are on science, I have another discovery which has to do with gamma ray bursts. I wrote a scientific paper, which was published on the Cornell University’s website. In order to be published there you need to be endorsed by a published scientist. Gamma ray bursts are the largest display of energy in the universe. I found patterns that indicate that they are not random, which if I am correct will change science!

Ryan Johnson talks about tagging Great White Sharks and his work with Ocearch

Ryan Johnson grew up in the island nation of New Zealand and has always been drawn to the sea. Having dreamed being a marine biologist, he moved to Southern Africa in 1998, where he began to work with the ocean’s greatest predator—the great white shark. Ryan joined up with the research group Ocearch as their Chief Scientist and was involved with the television series “Shark Wrangers” last year on History. Ryan took out some time to chat with Media Mikes about working with sharks and the importance of tagging them.

Mike Gencarelli: How long have you been working with sharks? What was your draw?
Ryan Johnson: I have been working with sharks since 1998, when I started my M.Sc thesis looking at the impact of white shark cage diving on the behaviour of white sharks, and marine ecology, in the Gansbaai area. My draw was adventure, passion and the chance to learn about an incredibly charismatic animal in my chosen field as a marine biologist.

MG: What drew you to join the Ocearch as Chief Scientist in 2012?
RJ: Ocearch NGO approached me a couple of years prior to them arriving in South Africa. Chris Fischer then suggested his ideas and the research potential that his organization could offer the South Africa scientific community. Being a shark biologist from South Africa, I am mandated to produce knowledge to enable the informed management and conservation of sharks in our region. The most powerful tool currently available to produce this data is satellite telemetry work that enables the description of home ranges, critical habitats, and migratory patterns. This knowledge is essential to empower managers and conservationists to guide their action in an effective manner. As a developing country South Africa does not frequently have sufficient resources to dedicate the required logistics and finances to research that will answer these crucial questions. Ocearch producing these resources for the South African shark academic community to use and fulfill our research mandate was what attracted to the opportunity. In addition, on review, the practical skills of the Ocearch team made them a perfect partner to conduct this research with.

MG: Tell us about Ocearch is planning for Expedition Jacksonville?
RJ: The Ocearch model is to work with local scientists that will carry on the work once the mother vessel and Ocearch has left. As such, I am not involved with the Jacksonville Expedition, nor am I privy to the planning. My focus is to have the data from the South African expedition processed and published.

MG: How many sharks have been tagged by the Ocearch?
RJ: During the South African Expedition, a total of 47 sharks were tagged with various combinations of transmitters consisting of one/some or all of (a) SPOT satellite tags, (b) acoustic transmitters and (c) PAT satellite tags. This included six ragged tooth sharks in addition to the white sharks. Over the years I am unsure of how many sharks in total Ocearch have tagged.

MG: Tell us about why is it important to tag sharks?
RJ: Tracking the movements of sharks enable scientists to identify critical habitats, the home range, migratory pathways, reproduction related movements. With this knowledge you can guide management and conservation plans, essentially you empower people to design plans that will enable the effective conservation of the population. For instance, the Oceach program illustrated a that the population range of white shark stock of South Africa extends extensively into the exclusive economic zone of Mozambique. As white sharks are not protected in Mozambique, our national conservation plan is ineffective in its objective to conserve the population. The knowledge produced provides concrete evidence for South Africa’s legislators to take to Mozambique and use as leverage to ensure that Mozambique’s management of white sharks does not compromise our shared resource.

MG: What have your learned so far from the data collected?
RJ: That white sharks residing in South Africa spend a large percentage of time outside of out EEZ and in waters where they can legally be fished. Thus giving a possible explanation as to why there has been no population level recovery despite 22 years of national protection.

MG: Any close calls with the sharks while performing the internal tagging surgery?
RJ: My only concern is to perform the surgery as quickly and professionally as possible and thereby minimize the stress on the shark. Naturally when sharks have become active on the platform during surgery you can get hit and knocked hard. But following this I need to get back to the surgery, regain my composure and complete it successfully. Afterwards you feel and rub the knocks.

MG: Have you had the opportunity to name any of the sharks?
RJ: I named one shark ‘Princess Fi’ after my wife Fiona Ayerst a well known shark conservationists and underwater photographer. After coming up with such a silly name, I was not given too many more chances.

MG: Can you tell us a little bit about Ocearch Global Shark Tracker – Powered by CAT?
RJ: The Ocearch Global Tracker is one of the most revolutionary communication tools ever used by the scientific community to include and inform the wider public about a research project and the results of the research. Essentially it gives everyone instant access to the movements of the sharks tagged and enables them to mine the data to gain a personal knowledge on the behaviour of great white sharks around the world. This level of communication and inclusion is a massive education tool for the public to see past the white shark as a one dimensional man eater.

MG: Can we expect more episodes of “Shark Wrangers” on History this year?
RJ: I am not sure, Chris Fischer negotiates the television deals and would be best to field this question.

MG: How is was it blending the reality aspect of the show with your work?
RJ: I had a lot of respect for the filming and production crew in how they handled the filming. Sure there were elements of sensationalism and building up tension amongst the crew and scientists, however, when it came to the operation with the shark, the production took a total ‘fly on the wall’ approach and did not interfere at all.

MG: What are you doing when you are not playing with sharks?
RJ: I am following my second passion of producing and filming wildlife documentaries. It gets me outside and into wild places, and that is where I love to be.

Five Finger Death Punch’s Jason Hook talks about new album and his signature M-4 Sherman guitar

Jason Hook is the guitarist for the heavy metal group Five Finger Death Punch who in the coming months will be releasing their 4th as yet untitled studio album.  More recently at this year’s NAMM convention held in Anaheim, California Gibson Guitars unveiled the Jason Hook signature M-4 Sherman guitar which is the first guitar to bear Jason’s name. Media Mikes was able to talk with Jason recently about the creation of the guitar and several of its aspects.

Adam Lawton: What was your first exposure to Gibson guitars?
Jason Hook: I remember reading the back of the Kiss “Destroyer” album where it said that Kiss uses Pearl drums and Gibson guitars because they want the best. I think that was in 1976. At the time I think the whole band was using Gibsons. I didn’t get my own Gibson until I was in my late 20’s. I bought it in Canada sight unseen. I think I paid about $900 for a used custom. I didn’t know anything about the guitar before I got it. I probably should have held on to that one.

AL: How did the opportunity come about to do your own signature model Gibson?
JH: I know several people who work at the company so I would periodically check in with them. I play explorers which not a lot of people play. I thought that this would be a good lead in to help push this through. It took me a little while to get that point to the right person. Everyone wants something from Gibson so they are very selective about what they give away and who they help out. I had to be patient.

AL: What was it that drew you to the Explorer model?
JH: I own several Les Paul models and they are great guitars however I developed a nerve issue with my right arm. On the Les Paul model there is a hard binding that comes across and falls under that right arm. This was causing my arm to burn while I was playing and really bummed me out. Idecided to try the Explorer and it was perfect.

AL: How much of the design process were you allowed to be a part of?
JH: Surprisingly they wanted to do exactly what I wanted to do. I started off asking them if I could do certain and things and they told me it was my guitar I could do what I wanted. They didn’t resist any of my crazy ideas.

AL: Can you give us the specs on the guitar?
JH: Everything is based off the stock Explorer. I changed the rosewood fret board to a granadillo fret board as it is a very hard and dense wood with not a lot of grain. I wanted a lower profile fret that was also wide. I looked all through the factory but couldn’t find what I wanted. After asking if they had anything else they showed me the wire that’s used on the Zakk Wylde Les Paul’s which was perfect. I literally stole the fret wire out Zakk’s material stash. (Laughs) We are using locking mini Grover tuners which is something different. We also did a bevel on the upper wing of the body as well as

scooping out a portion of the lower wing which allows the player access the higher frets. For pickups we are using a Seymour Duncan JB in the bridge and a Duncan 59 in the neck. Other than the special paint scheme the last thing we did was this special wiring harness. This idea came out of when I was still painting guitars in my garage. I would take the pick guards off to paint the bodies and there is  this channel that the wires sat in. I looked pretty gnarly the way it was so I started looking around and found some plastic conduit that I got at Home Depot to wrap around the wires.

AL: When you showed them the wiring what did they think?
JH: They told me that I didn’t have to have that in there as they could route the guitar differently so there would be no channel. I wanted to make it interesting. I think the more bizarre something looks cause people to take notice. I am a big fan of Eddie Van Halen and the stuff he did in the eighties. He was using these pieces of shit guitars that he was making in his garage but, he still played better than everyone else. (Laughs) That I thought was really unique and I said that if I ever got to operate on a professional level I was going to do something similar. My explorer was supposed to be the most unique, ugliest, beat up thing I could create.

AL: Can you give us an update where you are at with the new album?
JH: We are about 65% done. We are shooting for a deadline that is at the end of April, early May. We are working hard every day on this thing. I am at the phase now where I am laying down solos here at my home studio. Generally the first portion of the recording process I am writing and working on rhythm stuff. It’s not till the last quarter that I switch over to doing the other stuff.

Jon Secada talks about his passion for music and new single "I'm Never Too Far Away"

Jon Secada is a three-time Grammy Award winner with one hell of an amazing career over the last 20 years, selling over 20 million records worldwide, touring the world and releasing 18 studio albums including both English and Spanish language versions. He recently released his latest single, “I’m Never Too Far Away”, which is a must-listen for fans. Jon took out some time to talk to Media Mikes about the single, his passion for music and education and also plans for his next album.

Jennifer Kish: With a career spanning over two decades, two Grammy Awards, 20 million albums sold, tell us about this new single “I’m Never Too Far Away” and it’s story/inspiration?
Jon Secada: This marks the first time that I am releasing and promoting a song that I didn’t write myself. The song is written by my dear friend and producer Rudy Perez. I have known him for a long time and the minute he played that song I fell in love with it. I told him I wanted to use it and promote it as a single. For me as a singer/songwriter, I love that when you hear a great song that is all that matters. It really feels like it fits me. That is what it is all about especially after all these years to connect with a song that hopefully people will like.

JK: You’ve had so many amazing accomplishments throughout your career – from starting out performing with Gloria Estefan, becoming a tremendous success as a solo performer, penning songs for other artists such as Ricky Martin and Jennifer Lopez, performing a duet with Frank Sinatra – even starring on Broadway! – Are there any unique projects that you’re currently working on that will surprise and amaze fans – and if not currently is there something you’d like to eventually do?
JS: At this point I am enjoying this cycle of things that I have developed over the last 20 years. I’ve got my songwriting career; I’ve done some theater and the fact that in the last five years I have also done some television, especially being a judge from in a reality based talent show for the Spanish market. At this point if I can keep doing what I am doing I will just keep the cycle going for all things that I enjoy. I have had some great opportunities and I just want to keep doing shows, concerts and singing my songs.

JK: You’re obviously in fantastic physical shape! How do you manage to fit an exercise regimen into your busy schedule of touring and other things?
JS: I have decided about five or six years ago to make it a part of my life. I want to see if that by the time I was 50 that I could be in the best shape of my life. And I feel that I am right now. It is a commitment all around and I just make time for it. I find time to be able to go to the gym and to eat well and all those things to stay in shape. I will just continue to keep doing that.

JK: I know you’ve been very involved with music education in public schools. Tell us about this passion?
JS: Education always has been and always will be a very big part of my career. It is the reason I have a career and it started with me going to college. I will always be connected especially if I am asked by the institutions to lend a hand in terms of supporting education. Thanks to education, I have been successful with my career, with singing, with music and everything that I have been able to do over the last 20+ years and I want to keep doing that. Through television, on “Latin American Idol”, for me it is the connection and a privilege to recognize and discover new talent and to encourage them to always keep educating themselves and never stop learning. I do not think I have ever stopped learning since I started getting into music. So I am always willing to help anything that helps supports the arts. I also love teaching and doing seminars and talking with these kids. Teaching for me was a big part of my career early on. So I will always be a big supporter and do what I can to help others.

JK: I know you have a personal connection with the organization “Tune in to Hep C”, can you tell us about that?
JS: That started for me with the American Liver Foundation, the company that I worked with to create an awareness campaign for Hepatitis C. My father passed away from complications from Hepatitis C about a year and a half ago. So I learned a lot about what Hepatitis C means and what it represents. There are over 4 million people infected in the US alone. Being involved with the American Liver Foundation, I was honored to be a part of the campaign and I continue to be a supporter and a spokesperson for them.

JK: So you’ve given us a taste of some new music with your hit single, when can we expect the new album?
JS: I am working with Rudy Perez right now with what would be a bilingual record. Of course starting with the song “I’m Never Too Far Away”. There is also a Spanish version of that song as well. We are in the process of completing the rest of the project that I have in mind in both English and Spanish. I grew up bilingual living in Miami and South Florida. Everything that I have done has been in both languages, so I love that fact that I can do that with Rudy. I would say it should be completed in the next three or fours months.

(C) Gio Alma

JK: What really drives you to keep performing and touring after all these years?
JS: I think I just really love what I do. I am still very passionate about it. Every time I get to the shows, I just love it even more. I love that I still have the energy to entertain. I am very lucky and I hope I can just keep doing it.

JK: Lastly, tell us your upcoming tour schedule?
JS: I am doing some stuff right now in Latin America. Right now I am getting ready to leave for Argentina and Chile for some shows and promotions since I just put out a CD there. So very soon after that I will be putting something together to do some more shows in the US. So stay tuned!

JK: Any plans to return to Walt Disney World’s Epcot during the Food and Wine Festival?
JS: We love doing that! I did the Food and Wine Festival for many years and I would love to come back. So maybe this year we will!

As I Lay Dying’s Tim Lambesis talks about Austrian Death Machine’s third album "Triple Brutal"

Tim Lambesis is the vocalist for the metalcore group As I Lay Dying. The group released their 6th studio album titled “Awakened” in September of 2012 after spending the summer performing on the Rockstar Mayhem Festival. Tim’s side project Austrian Death Machine is set to release their third album titled “Triple Brutal” and with the help of indiegogo.com the group is offering fans once in a life time chances to help make the new album a reality. Media Mikes spoke with Tim recently about the upcoming release and found out just how dedicated he is to this record and the fans.

Adam Lawton: How did Austrian Death Machine originally come together?
Tim Lambesis: I wanted to do something that would be light and fun. There are all these great Arnold Schwarzenegger one liners from movies I grew up watching as a kid that I thought would make great song lyrics. The project really started out as more of a joke. I started writing the music and things just began coming together. We have this sort of cult following now which is pretty cool.

AL: In the past you have been responsible for the majority of lyrics and instrumentation. Was this still the case for the new album?
TL: With this being our third release now I kind of wanted to mix things up. I wanted to bring in friends and have them work on various songs. Most of the songs on the new album have been co-written which I think gives the record a more diverse feeling. There are a couple of tracks on there where I did things the old way which had me playing all the instruments and doing most of the vocals. Having those different people come in I think has made this release the best.

AL: I assume things were a little less stressful then for you this time around?
TL: It was. The thing is that even though I wasn’t doing as much song writing I was doing a ton of coordinating. Getting everyone together took some work. We actually are still working on the solos as we speak. Once those are completed we will be able to start the mixing process. I sort of traded one stress for another.

AL: Did the recent resurgence of Arnold Schwarzenegger in films influence the new album at all?
TL: That was definitely one of the motivating factors. We kind of let the project sit for awhile after putting out 2 records. Fans of those records were always asking me when new material was going to be coming out. That is what made me decide to get things up and running again.

AL: Can you explain your involvement with indiegogo.com?
TL: One of the reps for the site had gotten in touch with me and asked if I would be interested in doing something with them as Austrian Death Machine hadn’t done a new album in awhile. Fans of this band are real diehard fans and I thought doing something like this would give those fans more of a direct connection with the group. We have come up with some really special perks that probably wouldn’t happen when working on a normal record.

AL: Can you tell us about some of the unique packages that are available?
TL: We threw a bunch of stuff out jokingly and we actually ended up using some it. It’s one of those things that will get people talking and keep things interesting.  We did have to limit some of the packages like the one where if you pledge $5,000 I will tattoo your name on my ass. That one is limited to two. One on each side will be the maximum. I came up with about 20 initial ideas and brought them to the guy at indiegogo.com I am working with. We narrowed it down to the best ones  and then we fine
tuned them.

AL: Are there plans to tour in support of the release?
TL: That sort of depends on a couple things. First we have to see how the pledging campaign goes. We still have quite a few days left on that. If there are funds and the means to do a tour we will definitely be out there. The shows in the past have always been a fun time and the guys who play with me on those dates are always asking if we can do more shows. It’s one of those things where it’s hard to put together shows when I am gone so long with As I Lay Dying. If the opportunity becomes available I would love to do it.

AL: Has As I Lay Dying confirmed any dates for the coming Spring/Summer?
TL: We are getting ready to release the info for a tour that is going to be really cool. That I think starts in May sometime. After that most of our summer will be spent over in Europe doing festivals.

To help support Austrian Death Machines new album “Triple Brutal” and get your hands on some really cool limited edition stuff head over to http://www.indiegogo.com/projects/336354/ and pledge now!

Niki Yang talks about voicing Beemo and Lady Rainicorn on "Adventure Time"

Niki Yang is known for your work voicing the characters Beemo and Lady Rainicorn on “Adventure Time”. Niki has also work as a writer and storyboard artist on the show. She also works as a storyboard artists and voices Candy Chiu on “Gravity Falls”. Media Mikes had a chance to chat Niki about her voice work and the fandom behind “Adventure Time”.

Mike Gencarelli: How did you end up voicing Beemo and Lady Rainicorn on “Adventure Time”?
Niki Yang: I went to school with Pen Ward (the creator of the show) and we got closer when we were doing shorts with Frederator/Nickelodeon. Frederator is the one who made this short program possible (“Random Cartoons”). He was right next to my office and we got to hang out and stuff. Later on, he asked me if I wanted to do storyboards for him. At the same time, they were looking for a Korean speaking girl for one of the roles, which I happen to speak. So he asked me to voice Lady Rainicorn first. They also had some problems finding a voice actor for Beemo after auditioning professional actors but Pen really didn’t like them. So he asked me again to also do the voice of Beemo [laughs]. So that is what happened.

MG: Was is it about this show that draws its audience in?
NY: It is great. Not just visually, the story appeals to a wide range of people from young kids to adults. You are just able to connect with its so easily. There are stories about friendship. I love the animation style as well. It is so different and unique. Pen actually went out and found artists after reading their comics. He asked them to come on the show and that is very unusual in this industry.

MG: How can you reflect on the show’s success and popularity of your characters?
NY: Whenever I watch the show, I feel like my voice and acting pops out maybe since it is so unprofessional [laughs]. But people seem to like it, so I am flattered and happy about it. Especially a lot of Korean American kids write me a lot about it and that is really cool to me.

MG: I don’t know a thing that Lady Rainicorn is saying but I still love her [laughs].
[laughs] It is so amazing.  You still just hear her dialogue and it is so charming. I think a lot of fans of the show though are translating what she is saying and putting it on the web [laughs].

MG: Besides voicing the characters tell us about your role as storyboard artist and writer?
NY: Some people have natural talent to tell jokes while writing the story. I grew up in Korea and came to the U.S. to go to school. So I didn’t grow up with the same culture. So it was harder for me writing jokes due to the cultural differences. But I still really enjoyed it. “Adventure Time”, especially, it was my first writing gig. I have been doing storyboards prior but it was the first time writing. It was challenging but at the same time very fun. After that I got another gig to write and I have since gotten used to it.

MG: How does this show compare to your work on “Gravity Falls”? Oh [laughs], that is a bit different. NY: Cartoon Network is a pretty casual company compared to Disney. I like to work for both though but they are different. With Disney the executives are very hands on. It is a little more straight. I love Alex Hirsch’s show and the writing is just amazing. The art is also extraordinary. I really enjoy it. “‘Gravity Falls”‘ is a script driven show. My job is following the script and help the story telling with visual components. No writing involved. Although, Alex always encourage us to add any writings or gags, if we want to.  I have learned a lot from “Gravity Falls” like doing different shots and it has made me more crafty. Compared to “Adventure Time” which is more free which allows us to write. The technical side of the boards is the second concerns. The priority of the writing driven shows (such as “Adventure Time”) is writing. So they are both different but also both fun.

MG: Being an animator, what is the most challenging aspect of working on television?
NY: For me it is time consuming. Production companies are asking more and more these days of artists. So we are doing many peoples jobs all at the same time. The schedules are pretty tight and if I would want to play around with the writing and different shots but we usually don’t have the time. So, that is my biggest challenge working on TV.

Jessica DiCicco talks about voicing Flame Princess on "Adventure Time" and directing Kovas' music video for "Ice Cream"

Jessica DiCicco is a voice actress best for voicing Flame Princess on “Adventure Time”.  She also various characters like Patches on “Pound Puppies”. She recently stepped behind the character directing Kovas’ latest music video for his song “Ice Cream”.  Media Mikes had a chance to chat with Jessica to chat about her voice work, her love for directing and her plans for visiting fan conventions.

Mike Gencarelli: Tell us about how you ended up voicing Flame Princess on “Adventure Time”?
Jessica DiCicco: It happened like they all do, which is through auditioning. It’s a way of life in this business, you try out for different projects everyday. The funny is that I had a feeling about the Flame Princess audition right away when I first got the email. I had heard of “Adventure Time” but I didn’t know what it was really about. So I did a little research and I watched some YouTube clips. Immediately, I knew this was a show I wanted to be on. I sent the audition and I was very happy when I found out I had booked the role. From the very first script that came in, I thought the show was just so amazing and well written. I knew that I was in for something great.

MG: What do you enjoy most about voicing that character?
JD: I love that she has such a range of emotion. She can go from super sweet to insane and crazy at the drop of a dime. It is so fun to play a character like that.

MG: Can you reflect on the fandom surrounding your character and the show itself?
JD: I have never been a part of such a big show. It has been such an amazing experience. It is very reminiscent for me of “Simpsons Mania”. I remember when “The Simpsons” had just come out, there was so much energy surrounding the show, it truly struck a cord with its audience. I was a huge fan of “The Simpsons” when I was a kid, I would wear my Simpson’s denim jacket, talk on my Bart phone, then go to sleep draped in my Simpson’s bed sheets. The insanity and excitement surrounding “Adventure Time” is reminiscent of that. I was actually at the Annie Awards this year and was presenting with Lucas Grabeel, and Matt Groening also was there. I got the chance to talk to him and it turns out his son is a big fan of “Adventure Time” and even was an intern on the show. I ran my theory by him about how “Adventure Time Mania” is reminiscent of “Simpsons Mania” and he said that he couldn’t agree more. Right from the creator’s mouth! So glad that I ran that by him, it was a very cool moment for me.

MG: How does your work on “Adventure Time” differ from Patches on “Pound Puppies”?
JD: I feel lucky that I get to voice so many different types of characters. It satisfies my desire to act and be creative. Patches is so much fun, he is so cute, fun and playful- he’s a puppy! I love dogs, so I put my love for my own dog, Kody, into that character. The head writer is Bart (Jennett) and he is incredibly talented. The episodes of “Pound Puppies” are so well written, they have so many layers, twists and turns throughout. It is always very fun to work on this show.

MG: How did you get involved directing Kovas’ music video for his song “Ice Cream”?
JD: Directing the video for “Ice Cream” was blast and easily one of my favorite experiences to date. I met Kovas, he is an incredibly talented music producer and also has a solo artist career, and we became quick friends. I listened to his mix tape while it was in the works and that song just inspired me. I am also friends with Jessie Heiman, the “nerd” from the GoDaddy Super Bowl XLVII commercial, he’s the one who made out with Bar Rafaeli [laughs]. We have been friends and have always wanted to work together. I thought it would be so funny to have Jesse be the main thug in a rap video [laughs]. That is what actually inspired the entire “Ice Cream” concept.

MG: What was your biggest challenge directing your first music video?
JD: I am very hard on myself and I like everything to be as good as it can possibly be. Even with my voice-overs, I really try to focus on my characters and have a deep connection with them. So I wanted to apply this to directing. I wanted the characters to be very solid and consistent throughout the entire video. One of the most fun parts of this video was casting it. As soon as it was cast with these incredibly talented people, a lot of it was setting up the scenes and it was such a joy to watch it all unfold. I was also fortunate to work with the best editor of all time, Steve Forner. It was such a great experience. I didn’t realize how truly happy directing makes me and I can’t wait to try this again.

MG: Do you see yourself pursuing more directing gigs in the near future? Film or TV?
JD: I’m actually directing another music video next week! I was actually offered this next video based on my work from “Ice Cream,” which I did just for fun! I’m excited to let this new-found love for directing unfold organically. I am going project by project. But I would like to challenge myself and try and tackle a short film in the near future. So that would happen within the next year hopefully. At this point, it is just a matter of finding an incredible script that inspires me.

MG: Tell us about “Sheriff Callie’s Wild West” coming out on Disney Junior starring Mandy Moore, Lucas Grabeel and yourself?
JD: I am very excited about this show. It’s the first Western musical for preschoolers, and it has been fantastic working with Mandy Moore and Lucas Grabeel. I play a 7-year-old boy cactus named Toby. The songs we sing get stuck in our heads for days, hopefully the kids love it, that way I don’t feel silly for liking it so much [laughs]. It has such a stellar cast in addition to Mandy and Lucas. It also includes Kevin Michael Richardson, Mo Williams, Cree Summer, Carlos Alazraqui, and Gary Anthony Williams.

MG: I know you can’t talk about it but you also have a few video game roles in the works also right?
JD: I wish I could tell you about them at this very moment! I’m so excited about these new roles. Voicing characters in a video game satisfies a whole other part of my creativity. It is very natural acting, very cinematic. So it challenges me in a very different way which is very fun for me.

Fan art by rorpie

MG: Tell us about how you got started with your girl DJ duo called Kittypillaz?
JD: I just started making appearances at conventions and anime cons. I didn’t realize how much fun they were. I went recently with a fellow voice actress, and we decided to also DJ at the con. She is big in the anime world. The first one we just did was Ichibancon, this past January in Charlotte, NC. We just figured to get out there play some good music and have fun with our fans. It was such an amazing experience, I look forward to doing it again!

MG: What else do you have going on that you would like to talk about?
JD: Fans can reach out to me on Facebook and Twitter. Also I love friendship bracelets. So when I make appearances at conventions, I am offering exclusive friendship bracelets for each con, that will only be available at that specific con. Also I am going to have a contest on deviantART for artists to submit the best Flame Princess fan art for the postcard my next exclusive friendship bracelet will come with. I am a huge fan of art and I love all the fan art that people do for “Adventure Time” and any of my characters. I am very excited to incorporate fan art into this project.

Rich Moore talks about directing Disney's "Wreck-It Ralph"

Rich Moore is the director of Disney’s “Wreck-It Ralph”. He is best known for working on TV shows like “The Simpsons” and “Futurama”. “Wreck-It Ralph” has been nominated for both Golden Globes and Academy Award for Best Animated Film. It is set to be released on Blu-ray and DVD on March 5th. Media Mikes had the pleasure to chat with Rich to discuss the film and hopes for a sequel.

Mike Gencarelli: Just wanted to tell you how much I loved this film and that Media Mikes had voted “Wreck it Ralph” the best animated film of the year.
Rich Moore: Thanks. Wow, it was a great year so that is a huge compliment. Thank you that means so much.

MG: With “Wreck-It Ralph” being your feature directorial debut; how does this experience compare from your television work including “Futurama” and “The Simpsons”?
RM: It is different but the same. You know? With “Futurama” and “The Simpsons”, those were amazing projects to work with. Some of the people I worked with on those projects are some of the funniest and most talented people in that medium. My jobs on them were very much like the job I have on “Wreck-It Ralph”. I am telling the best story I can with heart, emotion and humor, while also having characters that we care about and make sure that the audience invests in and identifies with. In that regard “The Simpsons” and “Wreck-It Ralph” feel very similar. I feel like I am right in my element. On the hand, the machine itself here at Disney is big. In order to make these feature films it takes an army of artists to put them together over a long period of time. I feel like a kid in candy shop. It’s like going from having a toy train to running a real train [laughs]. It is fun and really great. It is just wild also just being at the studio during this process.

MG: Have you always wanted to be in this position?
RM: When I was a kid, the first film I saw in the theater was “The Jungle Book”. I was five years old at the time and it really got its hooks into me. It affected me in a way that really early on that I wanted to be involved with animation…or as much as a five year old could express that. So to find myself here at this point in my career at Disney Animation, at the place that put the bug in me, and adding my contribution to Disney movies is a spectacular feeling. It really goes down pretty deep.

MG: The cameos in the film are jam-packed but not overwhelming; what was the process for choosing which iconic characters to use?
RM: Well we always wanted to use the ones that felt appropriate to the scene. We definitely went for the ones that we loved as kids and now as adults. Early on in the production, I put up a big bulletin board in the break room with a sign asking what characters needed to be in the movie. We filled up that board quickly and kept that on hand and used it as a reference throughout. We didn’t just choose them all willy-nilly. It was based on characters that we loved and would need to see in the movie.

MG: You voiced Sour Bill and Zangief of Street Fighter in the film, which are two of my favorites. How did that come about?
RM: Thank You. What is funny about that was that those two performances started out as temporary dialogue – scratch dialogue. When it came time to cast actors in those roles, I was talking with John Lasseter about it, our executive producer, and I told him what I was thinking for Sour Bill and he asked me “Why do you want to change Sour Bill, it perfect?”. I told him it was just scratch dialogue but he told me to keep it in and that it was great. He also said the same thing for Zangief. So I am a reluctant actor.

MG: Well you know “Who else would crush man’s skull like sparrow’s egg…”
[laughs] That’s right [In Zangief’s voice] “like sparrow’s egg between my thighs” [laughs].

MG: When this film came out, I asked my mom if she was going to see it and she asked “I don’t know much about games, would I enjoy”; how can you address this concern for the non-gamers?
RM: Sure, that was something that I was very concerned about in the beginning. I didn’t want it to be so inside video games that only gamers would get it and enjoy it. It was very important to me that even if you just heard of video games but never played that you could watch the movie and enjoy it as much as a hardcore gamer. I was always checking this aspect as we were developing the story. I had a little core group of people. Some were hardcore gamers, casual gamers and some that didn’t play at all. I used them as a balancing stick to make sure if they were all equally enjoying it and able to relate. Once all those three points lined up, I knew that we got it in a good spot where everyone would be able to enjoy it. It was very important to me that that aspect was front and center.

MG: Well since then she has seen it twice and loves quoting it, especially the Oreo chant [laughs].
RM: It is funny that you can still make a joke about a movie that is over 70 years old and cookie that is over a hundred years old…and it still feels new.

MG: I also liked how you have little fun cameos like Devil Dogs, which are now not being made any more. So it is cool to see them get put in a piece of history.
RM: My experience on “The Simpsons”, Matt Groening would always remind us that the show is not for children, not for teenagers, or adults – it is for everybody. If we are making it too childish then we are losing a big part of our audience. If we are making it too adult then we are losing another part. The stuff that I love working on is the projects that don’t talk down to kids and doesn’t insult the intelligence of the adults. I think that the Pixar movies do that so well, as does the shows like “Futurama” and “The Simpsons”. These can play across and be a true family film or a piece of entertainment and that is my favorite kind of stuff.

MG: Is “Wreck-It Ralph 2” in the cards for you? What can we expect?
RM: The creative team would jump at it in a New York minute. The actors, the animators and myself – we all had such a great time making this movie and working together. We became like a family. It was such a cool experience. We really love these characters. There has been some talk about doing it and I am sure there will be some more talk about it. But we are all keeping out fingers crossed and hoping we get to go back there.

William Forsythe talks about roles in "Happy in the Valley" and "Boardwalk Empire"

After several successful years appearing in various television (“Fame,” “Hill Street Blues”) and film (“King of the Mountain,” “The Lightship”) William Forsythe made an impact on filmgoers everywhere as escaped convict Evelle Snoats in the Coen Brothers comedy “Raising Arizona.” This led to featured roles in films like “Weeds,” “Dick Tracy,” “Out for Justice” and “American Me,” in which he gives one of my favorite performances – that of JD, a Caucasian gang member who acts Chicano. He continued to find success with roles in films like “The Waterdance,” “The Rock,” “Blue Streak” and “The Librarians,” which he also wrote. He also had a memorable turn as Al Capone in the television series “The Untouchables.” He recently completed a stint on the acclaimed HBO series “Boardwalk Empire” and will soon be seen as former boxer Jake LaMotta in the “Raging Bull” follow-up entitled “The Bronx Bull.” While promoting his current film, “Happy in the Valley,” Mr. Forsythe took some time to answer some questions. We traded blizzard stories (I was in the middle of one when we spoke and he had just dug himself out of one the week before) for a few moments before he talked about his new film, “Boardwalk Empire” and what could be next for him behind the camera.

Mike Smith: Introduce us to your character in “Happy in the Valley,” photographer Stewart Fox.
William Forsythe: What kind of introduction would you like? He’s pretty “balls to the wall!” What I think is amazing about Stewart as a character is that he’s a guy that has basically lived on the very bottom of the Hollywood scene. He worked his way up and rose to the top of his profession. He’s now fallen back down.

MS: What about the character drew you to the project?
WF: What drew me to the project is that this guy has seen it all in the course of his life and he’s been at the top of his game. And now, at this point of his life, he’s back at the very bottom. He’s become bitter. He has a drinking problem. He has a drug problem. And what really drew me to this picture is that you have this world that is really seedy and ugly as the backdrop. It’s really a story about his epiphany. One of the main things is that this guy, who has been everywhere, really learns that he needs to go back to the beginning…to where it all began. It’s such an uplifting story, especially for a film that’s set in the porn business.

MS: Stewart is described as “The World’s Greatest Erotic Photographer.” What exactly does that entail?
WF: I think it entails different things that occur during his life and career. In the beginning he was touted as one of the great photographers. He did very classy shoots…very classy and erotic shoots. But at this point in the game…as the porn world goes from film to digital….it’s like boxing is being replaced by crazy cage fighting…this world that he once knew has changed. In order to support himself he has to take himself to the bottom of the industry. He makes money but the amount of dignity he can take home with him is literally none.

MS: You’ve had such great success in both film and television projects. Do you have a preferred medium to work in?
WF: I love to make movies. Movies are my favorite. I love to take a story and tell the whole story from beginning to end. I enjoy television too but basically every week you get handed new pages and you don’t have a lot of control about where the story is going. And there are so many types of films. I’ve done my share of big studio pictures. But when you take on a beautiful independent film like “Happy in the Valley” you can see the magic happen…it’s the closest thing to the old feeling I used to get on stage. It reminded me of going off and doing summer stock.

MS: Speaking of getting pages and finding out you’re no longer on the show, do you miss the experience of working on “Boardwalk Empire?”
WF: I had a great time working on that show and I miss all of the people involved. The one thing about “Boardwalk Empire” – to the man and woman – is that people were dedicated to putting out something special. And that is not as common as it used to be. And that aspect of it I miss. But I knew….when I entered “Boardwalk Empire” everything was rolling along fine…but I knew the minute that I killed those two girls that I had a thunderbolt hanging over my head. And it’s true. You do find out on the day. They hand you your pages and you’re dead!

MS: You wrote the film “The Librarians” and you’ve produced several projects. Do you ever see yourself sitting in the director’s chair? WF: I do. I’ve had a couple offers and I certainly have a lot of scripts that I’ve written. So yes, I do.

MS: Any word on when “The Bronx Bull” will be released?
WF: I’m not sure on the exact date. The last time I spoke to the producers they were shooting for late spring. They’re hoping for an initial theatrical release of 20-25 cities but they haven’t set a release date yet.

MS: Thank you again for your time this morning.
WF: Thank you. And stay strong in that blizzard, buddy!

Ted Nugent talks about "Rock N Roll Express" tour with REO Speedwagon and Styx

The Motor City Mad Man Ted Nugent is prepping to hit the road again as part of “The Midwest Rock ‘N Roll Express”. His notable tracks include “Stranglehold”, “Cat Scratch Fever”, “Wango Tango”, and “Great White Buffalo”. After the tours successful summer run Nugent, Styx and Reo Speedwagon are back together again to bring their legendary sounds to the masses. Media Mikes had a chance to talk with “The Nuge” about the upcoming tour and the possibility of a new Damn Yankee’s album.

Adam Lawton: What was it that first interested you being a part of the “Rock N Roll Express” Tour?
Ted Nugent: When you are fortunate to be blessed with a band of such gifted, passionate, gungho musicians like Mick Brown, Greg Smith & Derek St Holmes, you just know that the musical joy & adventure that is guaranteed every night is what dreams are made of. Magnify this with the accumulated energy, spirit & attitude of the REO & Styx boys, and how could anyone possibly turn it down.

AL: What are you personally most looking forward to about the second run of shows?
TN: What my band delivers every song, every concert, every night is the highest of highs. The raw animal celebration of our audiences creates a powerful force to reckon with, so every concert has a life of its own. Such forces drive me into uncharted territory on the guitar each night that is absolutely compelling and inspiring.

AL: Do you have anything different planned for the set this time out?
TN: We are still performing as many classics as we can squeeze in every night, but we are also reaching back for some deeper and more recent songs like QUEEN OF THE FOREST, CRAVE, TOOTH FANG & CLAW and FRED BEAR that are a riot to perform. Plus we are trying very hard to figure how we can get Mick to drive a golfcart onto the stage each night. That is so much fun.

AL: With all the recent legislation directed towards firearms and such will you be bringing the bow and arrow on stage for this run?
TN: Yes. My assault bow is such an interesting and always controversial topic of discussion and we know it to be a fascinating and always funny stage maneuver.

AL: Are there any new “Uncle Ted” projects in the works? Maybe something with Damn Yankees or a new solo album?
TN: I am creating wonderful fun pieces of music all the time, but the damn calendar is so constricting! You never know.

Donald Trump, Bret Michaels and La Toya Jackson talk about NBC’s "All-Star Celebrity Apprentice"

Donald Trump returns with the first ever “All-Star Celebrity Apprentice” on Sunday, March 3, 2013. This is the sixth installment of “The Celebrity Apprentice” and the thirteenth season of “The Apprentice” series. This season, fourteen of your favorite business-savvy celebrity contestants return for a second chance to raise money and awareness for their charity of choice. The last person standing will be chosen as the Celebrity Apprentice and have the honor of delivering a $250,000 bonus check to their designated charity. The show’s executive producer and star Donald J. Trump along with entertainment icon La Toya Jackson, Poison front man Bret Michaels, also winner of the third season of Celebrity Apprentice took out some time to chat with Media Mikes about this season, their charities and what we can expect.

We all know that drama sells in this TV reality. Is this the most dramatic season yet?
Donald Trump: Well I’ll speak first. I think it’s certainly one of the most dramatic seasons. We have tremendous interest in the season and including Bret and La Toya, we have brought back some of the people that everybody really likes because it’s an All Star season. And I think yes, it’s a very dramatic season, amazing things happen. La Toya and Bret, go ahead.
La Toya Jackson: You have no idea, it’s very dramatic, it’s very exciting. There is so much going on. And you will see a lot of confrontations. It’s going to be a blast, you’ll love it. You will simply love it, everyone will.
Bret Michaels: I have found that as being there the first time it was something I really wanted to do. I had an absolutely great time and coming back obviously it is extremely dramatic and you’ll just have to watch because it will keep you riveted.

Bret, after winning Celebrity Apprentice in season three, did you feel like you had an advantage going into this one? What was your approach?
BM: The truth is here is the absolute truth. I actually felt like I had probably a major disadvantage because I feel like it’s like you want to call it the Super Bowl Syndrome — when a team comes back that has won it everyone is gunning for them. But I loved everyone who was on it and listen, as a lifelong diabetic, it’s a great opportunity for charity. I wanted to do it. But no doubt when you’re coming back they’re going to firing for you and you’ve just got to be strong and do the best you can.

Mr. Trump, What do you find so appealing about still doing the show?
DT: Well more than anything – yes I think more than anything else it’s the success of the show. It has just been amazing, you know, how well it has done and it took people by storm. As you know it became the number one show in many evenings over the years and it has been just a great success and it continues to be a phenomenal success for NBC and for me and for us. It has been an amazing success and I think maybe that’s why I keep doing it. It’s just that old thing. I could talk about many, many other shows that have tried to copy The Apprentice and they failed. They failed very quickly and miserably. And, you know, 15 of them now and I think more than anything else it’s really the success of the show. I enjoy doing it. As long as it continues to be successful I enjoy it.

After your experience on the show, what did you learn and plan for this season?
LTJ: Well first of all it’s such a fascinating show and I love the fact that he has given us this opportunity to promote our networks and what we’re doing as far as our charities are concerned. But I think I learned that personalities are individuals and you have to really be strong and steadfast no matter what happens, what you go through, stand by what you truly believe in and don’t let anyone deviate and you go into that road of deviation.

Were you expecting more out of the contestants since they have been through the show before? Were you a bit tougher on them?
DT: No I think they became a lot smarter, they understand the system better. We have a couple that did very, very well that frankly I wasn’t expecting as much from and I think they have learned the system a little bit. So it wasn’t that I was expecting more, I think they have become much smarter. I actually think that it made for an exciting show, very exciting show. I think it’s almost every one of them really have learned so much and it has become very, very exciting. It’s really a strong show, amazing show.

Bret and La Toya, did you have any hesitation about going back on the show or did you immediately think yes, I want to do this again.
LTJ: Well, I wanted to do it in the very beginning but the second time around I was a bit hesitant because I knew what I was faced with the first time. And I said you know what, you never give up, you always have to keep believing, you have to believe that you’re going to be the winner, you’re going to come through this really straightforward and strong. And I went for it, I went for it. Because if I have learned anything I have learned what Trump has taught us all that we need to put our best foot forward and don’t let anybody, anybody block us from anything that we wish to do or want to do. I felt it was very, very important to bring awareness as well to my charity which was National Network to End Domestic Violence. Because this show is so big and so wonderful, he has given us this opportunity to bring this awareness to our charities where everybody sees it and that interest goes there and then they start giving to the charity which is incredible. And it’s wonderful all the people who need it.
BM: No hesitation on my part at all. I was excited to do it, I wanted to do it the first time I did it and again I wasn’t – when I actually did it the first time I wasn’t at the peak of my best health. So this time getting the opportunity with All Stars and with La Toya and everyone that was there and Trace and Penn. I mean, these guys are all of them successful at what they do. There is a reason Mr. Trump and his show is a success. He’s a success in real life, in life life. And to be able to learn from that, I went in with no hesitation and realizing that the competition was going to be fierce. We all know each other, we all know the way each other plays, and for me I just went in headstrong and had a great time going there, zero hesitation. I would do it again.

Mr. Trump, why do you think the time was right to do the current All Stars edition?
DT: Well it just seemed good. You know, we’ve had so many people that have done so well on the show. They didn’t win but they did really well and they were really liked by the audience because ultimately it is about them being liked by the audience. And, you know, we have Trace Adkins coming back, we have so many people that did so well and just really were liked. I have such respect for Bret, you know, going on the show and because he could have sat to my side and it wouldn’t have been the same risk. But I really – I think you’ll see that Bret comes out amazingly, he comes out amazingly. But there was so much like and love for some of these contestants that we wanted to do an All Star version and bring back some of the, you know, whether it’s Gary Busey or Dennis Rodman, we have some – just some great people coming back.

Bret and La Toya, who do you guys think is your biggest competitor on the show and who surprised you the most?
LTJ: I think that in the beginning of the show I thought the biggest competitor, I knew it would be probably Penn. I just felt that. I don’t know why but I did of course and Trace of course. However, I felt that I would have a lot of problems with Omarosa and that was just a feeling. Because you can tell in the beginning when you see the people sort of sizing you out and saying little things to you but you’re still polite to them at the same time you’re going oh my God, it’s going to be war at some point. And you know it’s going to happen, you know it’s going to come. And yes of course it’s going to be an interesting season, let’s put it that way.
BM: Yes and I can add to this. There are – I look at everybody as massive competition on that show because everyone wants to win. They didn’t go there to lose. And, you know, you’ve got to just bring what is your game and pray that it works and bring your A game and pray that it works. And no doubt, La Toya said it best, everybody is competitive. And some of them are — I won’t mention any names — are pretty good TV professional villains. And as much as I think I’ve got nerves of steel they can rattle you, they can rattle you no doubt.
LTJ: And Bret you were a threat because as we all know Bret has already won so at this point you’re thinking oh no, Bret’s here, what are we going to do. So yes, it’s very competitive. And that’s one thing that you have to really, really mentally get yourself prepared for because people will do anything, and I do mean anything as Bret knows to win.
DT: And I’ll speak for Bret. He is very tough and he’s very, very smart.

Lastly, since you are playing for charity I’d like to give you the opportunity to tell us what is the name of your charity, what does it do, and why is that charity important to you personally?
LTJ: Well my charity that I was playing for was National Network to End Domestic Violence and that basically is a charity, as you all know domestic violence occurs all over the world and as we’re speaking now there are women and of course men that are just going through abuse at this very single moment. And they have no shelter, they feel that they have no lobby, they have nowhere to go. So I’m here to let them know that we are doing something about it and there are shelters, there is an 800 number that’s right there for you to call and get help. But this year – this charity that I’m playing for, National Network to End Domestic Violence was actually formed by the people themselves. So they went out and they got together and said we need a charity, we need a place to stay, something to do and have people come and donate for us. I thought that was very commendable of these little kids and women who were basically really suffering to get together and do something and say this is what our charity is going to be about and this is what it is. And it needs awareness. And people are just watching and just donating and I’m so happy. You can never, ever, ever have enough. And I truly believe that no one charity is better than the other but just bringing awareness to it is what I’m here for and I am very proud and pleased to be happy working with Mr. Trump to bring that awareness to it.
BM: My charity is simply called Life Rocks Foundation and I’ve had it for a really long time and it is – being a lifelong diabetic myself obviously a big part of it goes to diabetes. A big huge part of it which works also with ETF is St. Jude’s and childhood cancer and in Wounded Warriors and pet adoption. It’s got a variety of different things that we work. But it’s called Life Rocks Foundation Faces and Places and you just go to bretmichaels.com and you see the thousands of faces and the money every penny has been donated over the years.