Concert Review: Roger Waters: This is Not a Drill



Roger Waters: This is Not a Drill

T-mobile Center/Kansas City, MO

September 3, 2022




Near the ceiling of the T-Mobile Center, the electronic signs warned patrons not to use offensive language and advised reporting people who engaged in that sort of discourse to management.


Thankfully, Roger Waters missed that note before hitting the stage last Saturday night. There were enough F-bombs to flatten Moscow.


Throughout his 2½ hour set, the former Pink Floyd bassist, lyricist, singer and driving force made his views on politics explicit. When some Pink Floyd fans lament the activist bent in his more recent music, it’s tempting to wonder if they had simply been using the Floyd for chemical recreation and missed Waters’ agitation in the words for “Us and Them” and the entire George Orwell-inspired album Animals.


At 78, Waters may be campaigning for the release of Wikileaks founder Julian Assange during his performances, and his set seemed like a refutation of some of the themes he and his former bandmates explored in The Wall.


This was for the best.


Waters conceived The Wall because he was disturbed by how fame and massive area shows (like the one he was giving when I saw him) had separated Pink Floyd from their audience.


Nearly 4½ decades later, Waters seemed sociable. The slender Englishman bounced around the stage. He quoted Wilbert Harrison’s “Kansas City” and made a point of thanking fans who had held onto their tickets for two years. Covid ruined a lot of plans. He even left the T-Mobile Center marching through the crowd with the band. He repeatedly acknowledged that his shows were for the fans, and they clearly returned the love.


For a guy who has written tunes about grief, alienation and even the price of nuclear war, Water came off as contagiously giddy. Even when he briefly tripped over the words to one of his newer songs, Waters’ enthusiasm buoyed the entire night.


Opening with “Comfortably Numb,” the performance of the offering from The Wall missed David Gilmour’s soaring and then ominous guitars solos. Nonetheless, it still sounded captivatingly eerie.


That song came with unsettling images of bombed out rooftops and people mindlessly waking through lines as the walked through lines mindlessly. The screens would be raised and lowered at strategic moments and supplemented the newer songs to illustrate why Waters had written pointed tunes line “The Powers That Be” and “The Bravery of Being Out of Range.” He ran a slide show of unarmed people across the world who had died in police shootings. The list seemed even more urgent that night because it included Donnie Sanders, who had died here in Kansas City.


The screens also enabled Waters to add backstory to songs he was performing from Wish You Were Here. Waters still mourns original Pink Floyd leader Syd Barrett and slides of the band’s early lineup made the tunes even more poignant. Seamus Blake’s passionate sax solos on those tunes and on “Money” and “Us and Them” certainly helped. The rest of the band delivered a solid, tightly rehearsed set. Apart from “Comfortably Numb,” they followed Gilmour, Nick Mason and Richard Wright’s original playing on the Floyd songs.


The dancing animated pigs on “Money” made of up for any lack of spontaneity.


In addition, longtime fans were rewarded with the expected lasers, giant inflatable pigs and sheep and theatrics that recalled Alan Parker’s movie of The Wall.


When Waters broke into songs from Amused to Death or Is This the Life We Really Want, the crowd lost none of its enthusiasm. It probably helped that the enormous screens displayed a disclaimer letting anyone who objected to his takes on indigenous rights or police shootings to “f**k off to the bar.”


It’s a nod to his newer song “The Bar,” which deals with being able to freely discuss difficult topics. Waters clearly knows how to entertain (who doesn’t love giant, floating pigs?), and much of his outrage is sadly warranted. His songs may have launched a thousand bong hits, but if Bob Dylan, whom he cited in his show, can write “Blowin’ in the Wind,” Waters can warn us about the urgency of addressing nuclear war.


I attended the show as a guest of Kansas City Veterans for Peace, Chapter 97. I’m merely a former military contractor (a cubicle jockey) who doesn’t want troops being put into peril for a fool’s errand, and nuclear conflict certainly qualifies. Waters correctly cited Kansas’ Dwight D. Eisenhower, who repeatedly expressed many of the same concerns.


That said, I’d like to have a beer with him at a bar sometime. I’m not sure how we’d get along, or if alcohol would be conducive to the topics at hand. I have quibbles about Mr. Assange, but challenging subjects don’t get the attention they need when people simply shut up and sing.

Trafalgar Releasing Debuts Trailer for ‘Roger Waters Us + Them’ Film – in theaters worldwide Oct. 2 & 6



London, July 17: Trafalgar Releasing are excited to unveil the official film trailer for Roger Waters Us + Them, filmed in Amsterdam on the European leg of his highly successful and critically acclaimed 2017/2018 world tour, US + THEM. The film will be screened in 2500+ cinemas across 60+ countries around the world on October 2 and 6 only. Tickets to see the film are on sale now from

Roger Waters, co-founder and creative force behind Pink Floyd, with visionary director, Sean Evans, brings to the screen the live story of Us + Them to inspire you with its powerful music and message of human rights, liberty and love.

The film features songs from Waters legendary Pink Floyd albums, The Dark Side of the Moon, The Wall, Animals, Wish You Were Here, as well as his last album, Is This The Life We Really Want?

The tour saw Waters perform a total of 156 shows to 2.3M people throughout North America, Australia & New Zealand, Europe, Russia, Latin America and Mexico.

“I’m so looking forward to the launch of the movie in October. US + THEM is not standard rock and roll fare, some in the audience may ‘yee haaaa!!!’ Which is ok, but many will weep. That is what I hope for. US + THEM is a call to action. Homo Sapiens stand at a crossroads, we can either pool our love, develop our capacity to empathise with others and act collectively for the good of our planet, or we can remain Comfortably Numb, and continue, like blind lemmings, on our current omnicidal death march towards extinction. US + THEM is a vote for love and life.”
Roger Waters, 11th July 2019

Director, Sean Evans added: “This is a great film – an amazing performance delivered with care, emotion and meaning. Didn’t think it was possible, but I believe we’ve outdone The Wall…”

The event will be screened in cinemas around the world on Wednesday, October 2 and Sunday, October 6 (in Dolby Atmos where available). More information can be found at, where fans


Related Content

Roger Daltrey Announces New Studio Album ‘As Long As I Have You’



Brand new album featuring Pete Townshend
Produced by Dave Eringa

Pre-Order from

The single ‘As Long As I Have You’ Available Now
Listen Now –

“This is a return to the very beginning, to the time before Pete started writing our songs, to a time when we were a teenage band playing soul music to small crowds in church halls”
Roger Daltrey 2018

“It shows Roger at the height of his powers as a vocalist”
Pete Townshend 2018

Polydor/Republic Records are proud to announce that legendary Who frontman, the ‘rock vocalist’s rock vocalist’ Roger Daltrey is returning on June 1st with a brand new studio album ‘As Long As I Have You’.

Daltrey has sold over 100 million records including 9 US & 10 UK top ten albums and 14 UK top ten singles. He’s played over well over 2000 gigs in a career spanning over 50 years including venues such as Woodstock, Monterey Pop, Glastonbury (twice), Hyde Park (four times), The Isle Of Wight (three times), Desert Trip, Shea Stadium, The Superbowl half time show and Live Aid to name but a very few.

Roger has raised tens of millions of pounds for charity all over the world and was awarded a CBE for his work with The Teenage Cancer Trust and is in the Rock And Roll Hall Of Fame, the UK Music Hall Of Fame and has lifetime achievement awards from The Brits and from The Grammys

‘As Long As I Have You’ was produced by Dave Eringa, best known for his work with the Manic Street Preachers and on Roger and Wilko Johnson’s album ‘Going Back Home’ and features Pete Townshend’s inimitable guitar on seven tracks as well as guest performances from Mick Talbot on keyboards (Dexys, The Style Council) and Sean Genockey on lead guitar who has worked with Suede, Shame and The Proclaimers).

Work on ‘As Long As I Have You’ was started shortly after the top 5 gold selling ‘Going Back Home’ was released and continued during breaks on The Who’s record breaking 50th anniversary tour ‘The Who Hits 50’.

The album is a mixture of self-penned tracks such as Certified Rose and the soulful ballad ‘Always Heading Home’ along with songs that have inspired Daltrey over the years including Nick Cave’s ‘Into My Arms’, ‘You Haven’t Done Nothing’ by Stevie Wonder, Stephen Stills’ ‘How Far’ and the title track originally recorded by Garnet Mimms in 1964; the year that Daltrey, Townshend, Entwistle and Moon changed their name from The High Numbers and became The Who.

Roger Daltrey on ‘As Long As I Have You’ “This is a return to the very beginning, to the time before Pete [Townshend] started writing our songs, to a time when we were a teenage band playing soul music to small crowds in church halls. That’s what we were, a soul band. And now, I can sing soul with all the experience you need to sing it. Life puts the soul in. I’ve always sung from the heart but when you’re 19, you haven’t had the life experience with all its emotional trials and traumas that you have by the time you get to my age. You carry all the emotional bruises of life and when you sing these songs, those emotions are in your voice. You feel the pain of a lost love. You feel it and you sing it and that’s soul. For a long time, I’ve wanted to return to the simplicity of these songs, to show people my voice, a voice they won’t have heard before. It felt like the right time. It’s where I am, looking back to that time, looking across all those years but also being here, now, in the soulful moment”

Roger will be headlining the Royal Albert Hall on March 22nd in aid of The Teenage Cancer Trust.


As Long As I Have You
How Far
Where Is A Man To Go?
Get On Out Of The Rain
I’ve Got Your Love
Into My Arms
You Haven’t Done Nothing
Out Of Sight, Out Of Mind
Certified Rose
The Love You Save
Always Heading Home

Blu-ray Review “Roger Corman’s Death Race 2050”

Actors: Manu Bennett, Malcolm McDowell, Marci Miller
Directors: G.J. Echternkamp
Rated: R
Studio: Universal Studios Home Entertainment
Release Date: January 17, 2017
Run Time: 93 minutes

Film: 3.5 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 3 out of 5 stars

“Death Race 2050” is produced by the king of cult classics, Roger Corman, creator of the original “Death Race 2000”, which introduced us to an actor known as Sylvester Stallone. “Death Race 2050” is an insane no-holds barred re-imagination of the original cult classic and stars Manu Bennett (“The Hobbit”) as Frankenstein and Malcolm McDowell (“A Clockwork Orange”) as the Chairman. This is a must see if you are looking for a wild ride and a great ode to the good ole cult classic genre.

Official Premise: Legendary filmmaking icon, Roger Corman, is back with his most outrageous film yet in this sensational, action-packed and darkly humorous reboot of the original Death Race 2000! It’s the year 2050 and America is controlled by an all-powerful corporate government ruled by The Chairman (Malcolm McDowell). The masses have been brainwashed with violent virtual-reality entertainment. The event of the year is the Death Race, in which a motley crew of violent drivers compete in a cross-country road race, scoring points for shamelessly running people over and driving each other off the road. The reigning champion and fan favorite, Frankenstein (Manu Bennett), who’s half-man half-machine, wants to take the crown, but his rebel spy co-pilot threatens his legacy.

universal is releasing “Death Rae 2050” as a combo pack with Blu-ray = DVD + Digital HD copy included. The 1080p transfer works perfectly with the visual overload of the film. The DTS-HD Master Audio 5.1 track nails with the action sequences. Great A/V combination! Special features are worth checking out for some cool featurettes. The first is “The Making of 2050”, which dives into this film behind-the-scenes with great detail from cast/crew. “Cars! Cars! Cars!” looks into the drivers and the stunts. Lastly “The Look of 2050” discusses the visual style of the film.


Related Content

Remembering Roger Ebert

Any time you undertake something you love you can usually cite a few people that influenced you in your endeavor. There are three people I often name as being my “hands on” mentors: Steve Otto, one time film critic of the Tampa Times Stephen Hunter, now a successful author and one time film critic of the Baltimore Sun and the Washington Post and Robert Butler, one time film critic of the Kansas City Star (in reading this over I can’t help but be saddened that all of these men no longer work for their respective newspapers, victims of 21st Century technology). If I had to name a fourth it would be Roger Ebert, long time film critic for the Chicago Sun Times who, with his cross-town rival Gene Siskel, brought the movies into our homes each week courtesy of their various television programs. Sadly, Mr. Ebert passed away this morning, a day after announcing he would be curtailing his work schedule because of a recurrence of the cancer he bravely battled for over a decade. He was 70.

Illinois born and bred, Ebert began his journalistic career as a features reporter for the Sun Times in 1966. After the paper’s film critic, Eleanor Keane, left the paper Ebert was given the position, one he filled proudly for almost five decades. In 1975 he became the first film critic to win the Pulitzer Prize for criticism (I’m proud to add that my friend Stephen Hunter became the second). That same year he and Siskel teamed up for a local television program entitled “Sneak Previews.” The show was a hit and in 1978 became syndicated via PBS. As a film nerd I watched the show religiously, as well as it’s later incarnations: “At the Movies with Gene Siskel and Roger Ebert” and “Siskel & Ebert & the Movies.” Week after week millions of film fans would watch the show to see which films were given a “thumbs up” or a “thumbs down.” In fact, Ebert and Siskel’s widow, Marlene, own the trademarked phrase “Two Thumbs Up.”

I never got to meet Roger Ebert in person but we shared a little bit of film history. In 1982, while reviewing the film “Six Weeks,” which starred Dudley Moore and Mary Tyler Moore, Ebert remarked how he wished he could burn the negative. I sent him the film’s 35 mm trailer, advising him that if he burned it that would be a good start. Many years later, after I contacted him via email about a project I was working on, I reminded him of my gift. He told me he had gotten it but never got around to burning it! I pray that they don’t show “Six Weeks” in Heaven.

Charles Fleischer reflects on 25th Anniversary of "Who Framed Roger Rabbit" and talks about Moleeds

Charles Fleischer is known best as the man who gave the voice to Roger Rabbit” in the film “Who Framed Roger Rabbit”, which is celebrating its 25th Anniversary this year. The film is also debuting on Blu-ray for the first time on March 12th. Besides voice acting, Charles is also a stand-up comedian and also has two patents including a device to measure the golden ratio He has also invented and patented a Toy Egg. Fleischer is also the author of “The Moleeds,” a book of his own mathematical theories. In 2010, Charles spoke at the TED conference and discussed about his unique theory of everything called “Moleeds”, read more on that below. Media Mikes had a chance to chat with Charles to reflect about his role in “Who Framed Roger Rabbit” and also get to find out his love for science.

Mike Gencarelli: What do you think it is about “Who Framed Roger Rabbit” that makes it so unique and holds up over the last 25 years?
Charles Fleischer: It all goes back to good storytelling. It links to the job of the director and that was Bob Zemeckis. He is a genius director and a master storyteller. You combine that with the animation skills of Richard Williams and the script by (Peter) Seaman and (Jeffrey) Price and then on top of that your introducing a new cartoon character. Certain films are just classics and hold up through time and I will certainly say that “Who Framed Roger Rabbit” is one of those.

MG: We spoke with Christopher Lloyd a few years back, read here, and he said that you voiced the role off screen, was that a difficult task?
CF: It wasn’t necessarily difficult but it was slightly different. We rehearsed face to face and I even had them make a full costume. Then I would be off-camera and I would watch exactly was (Bob) Hoskins was doing. If he reached out and grabbed Roger, I would have to reach like I was being grabbed while performing. It was a kind of performance I named “T.P.A.”, which is Trans Projectional Acting. Where you are there but you are projecting your performance from another space.

MG: Since we are going back 25 years, let’s go all the way back. What was your audition process like for this film and the creation of that wonderful voice?
CF: I was originally called in to help them find the Eddie Valiant character. They needed someone to read Roger off-camera when they did the screen-tests. After doing several of those Bob Zemeckis asked me if I wanted to do the character for the film and I said “Gladly”. So once I got it, I got to read the whole script, got to see some animation tests and I was able to find tune the voice into something that would be appropriate.

MG: How does it compare to your various other voice roles including “Rango” and “The Polar Express”?
CF: Nothing compares to “Roger Rabbit” [laughs]. That pretty much also goes for any role that I have played from “Zodiac” to “Night Shift”. The essence of Roger Rabbit is the closest to who I am. I am a stand-up comedian, I make people laugh and that is what I love to do. I felt this certain kinship with the elemental aspects of Roger Rabbit, which made it more important to me. On another note, his wife was Jessica Rabbit and my youngest daughter is named Jessica. One of my favorite scenes in the movie is when Roger is in the Alley sitting on a trash can and he is brokenhearted about Jessica playing patty cake. Just the fact that the name Jessica had an emotional sympathy within me that created this resonance that added to the whole projection of my acting dynamic.

MG: I always thought that you must have had no voice after shooting this film with all the screaming.
CF: Well it is a cartoon scream, so it doesn’t hurt you.
MG: Oh ok, I didn’t know that.
CF: Me neither. I just made it up [laughs].
MG: You got me man! [laughs]

MG: Word was released last month about “The Stooge” with Mickey Mouse & Roger Rabbit, have you been approached to reprise?
CF: I think that was a lot puffery. I do not think that there is any substance to that. I think that is the strategy that they were trying to use by putting it out there and see what people think and if they want it. I would suspect that any subsequent Roger Rabbit film would have some like Robert Zemeckis involved.

MG: Speaking of that, I have heard about talks of “Who Framed Roger Rabbit 2” for as long as I can remember, what do you think is the reason why this never happened?
CF: I think there are a number of reasons. I think one of the main reasons is that at the time it was co-produced by Disney and Amblin Entertainment. So to get both parties on board would be a challenge. It is all speculation. I can only say that eventually I hope they get around to making it because I believe there is a market.

MG: Off-topic, but can you talk a little about your unique theory of everything called “Moleeds”?
CF: You just touched my heart now we can talk now [laughs]. This is very important to me. Moleeds is something that I have been working on for over 30 years. It is a mathematical discovery that deals with prime numbers and creates patterns and relationships that I believe have some significance with the DNA of the universe. I did a talk on TED, check it out below. A mathematican in Vienna saw that and I started corresponding with him. He created these programs for me which allowed me to visualize moleeds on higher levels. The prior work that I had done was just on a calculator and making graphs on the computer. He was able to create these formulas based on my research that allowed you to plug in any prime number and see the symmetrical system that would be generated by moleeds.

CF: Since we are on science, I have another discovery which has to do with gamma ray bursts. I wrote a scientific paper, which was published on the Cornell University’s website. In order to be published there you need to be endorsed by a published scientist. Gamma ray bursts are the largest display of energy in the universe. I found patterns that indicate that they are not random, which if I am correct will change science!

Blu-ray Review "Who Framed Roger Rabbit: 25th Anniversary Edition"

Actors: Bob Hoskins, Charles Fleischer, Christopher Lloyd, David Lander, Wayne Allwine
Directors: Robert Zemeckis
Rated: PG (Parental Guidance Suggested)
Studio: Touchstone Home Entertainment
Release Date: March 12, 2013
Run Time: 104 minutes

Film: 5 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 3 out of 5 stars

Wow, 25 years already? I remember watching this film as a kid over and over and over. Now here we are 25 years later and I am watching it with my own daughter. “Who Framed Roger Rabbit” is such an amazing film.  It really brings you back to the day before everything was all CGI and perfect.  The film definitely has it flaws since it is very ambitious blending animation with live-action.  This is before the days of “The Smurfs” or “Garfield”.  This took some real talent people to make this film work…and still work today. Disney did a pretty good job restoring this film for Blu-ray, but this lacks any effort in the extras department.  I thought it was missing a certain magic touch but still looks and sounds amazing and much better than I ever remembered, but Blu-ray today comes with high standards. If you are a fan of this film like myself you will enjoy this high-def upgrade. I recommend checking this out for sure.

Official Synopsis: On Blu-ray for the first time ever, this digitally remastered edition of Who Framed Roger Rabbit practically jumps off the screen with its brilliant picture, rich sound – and dangerous curves. It’s 1947 Hollywood, and Eddie Valiant (Bob Hoskins), a down-on-his-luck detective, is hired to find proof that Marvin Acme, gag factory mogul and owner of Toontown, is playing hanky-panky with femme fatale Jessica Rabbit, wife of Maroon Cartoon superstar, Roger Rabbit. When Acme is found murdered, all fingers point to Roger, who begs the Toon-hating Valiant to find the real evildoer. Complete with hours of bonus features – including three digitally restored Roger Rabbit shorts, this multi Oscar winner (best film editing, best sound effects editing, best visual effects, special achievement in animation direction, 1988) is pure magic in hi-def Blu-ray.

I am not sure what I really expect with the Blu-ray’s 1080p transfer, I think I was expecting it to really pop more.  I really enjoyed watching it but I kept kind of sighing through certain scenes that still felt a little rough.  I will give it a little slack since the film is 25 years old. This new digital remaster still delivers a nice presentation. The DTS-HD Master Audio 5.1 audio track is quite impressive. You will be holding your ears for all of Roger’s screams and the constant toon-action. The dialogue is clear and the score flows quite well. Both the audio and video are major upgrades from the last DVD release.  The release comes in a combo pack also, so we can both a Blu-ray disc and a DVD of the film.

The special features are a decent but not really 25th anniversary material.  There is nothing new for this release just ports from the last DVD release. The only semi-upgrade is that “The Roger Rabbit Shorts” – “Tummy Trouble,” “Roller Coaster Rabbit” and “Trail Mix-Up” have been digitally restored and presented in high definition.  The rest of the ported special features are an audio commentary track from Director Robert Zemeckis, producer Frank Marshall, associate producer Steve Starkey, visual effects supervisor Ken Ralston and co-writers Jeffrey Price and Peter S. Seaman, which still holds up but I would have loved to see something new.  There is also two featurettes on the production, only in SD, “Who Made Roger Rabbit” and “Behind the Ears”, both worth checking out and have some good behind-the-scenes footage. There is one deleted scenes called “Pig Head Sequence,” with an introduction by the filmmakers. Then we have “Before and After”, which compare raw production footage with final live-action/animation shots. “Toon Stand-Ins” is a short feature on the rubber models used for stand-ins and “On Set!” which is a fly-on-the-wall look at the shoot. Good extras like I said but lacking the anniversary quality.

Robbie Wyckoff talks about touring with Roger Waters and "The Wall Live"

Robbie Wyckoff is Los Angeles based session vocalist and recording artist whose voice can be heard on numerous films, television shows, hit records and national jingles. Robbie has recorded and performed with artists like Diana Ross, Barbara Streisand, Celine Dion and Clint Black. He has been touring with Pink Floyd’s Roger Waters for the on-going “The Wall Live” tour since 2010 and starts up again this July. Media Mikes had a chance to chat with Robbie about touring with the legendary Roger Waters and what is planned next for the tour.

Mike Gencarelli: I know it is a typical question but I have to ask, what is it like working with a legend like Roger Waters?
Robbie Wyckoff: For me it is like a dream come true. Growing up I always listened to Pink Floyd, especially “Dark Side of the Moon” and “The Wall”. I am thrilled to think that I get to sing with Roger now, since I was and am such a fan. It is pretty amazing.

MG: Can you take us through your first meeting with him?
RW: First of all I have to give a big thank you to Jon Joyce referring me to Roger. But after round 2 of the auditioning process at James Guthrie’s studio, I got a call back from James and he said that “Roger really loves your vocals and wants you to fly to New York to meet him and record “Mother.”He was at one of the studios in NYC where they had been working on the visuals for the Wall projections. I walked into the studio and there he was working away. It was very surreal. I shook his hand and told him that it was an honor and a pleasure to meet him and thanked him for everything. Then he said “Let’s show Robbie what we have been working on.”

MG: After over 200 performances touring with “The Wall Live”, what drives you for each performance?
RW: Well first it is just the music – the songs, they just never get old. I have been in several bands and sometimes you have to sing certain songs and you dread it. With this the music is so timeless and classic and the melodies are so beautiful. For me it never gets old, it is a treat to be able to sing them. Also just being up on top of the wall and getting that wonderful 360 degree view is just spectacular. I would love to get a chance to film a little up there to show what it is like. It is just absolutely amazing.

MG: Having been touring with this show since 2010 pretty consistently, how does that weigh on you?
RW: Roger treats us very well. He makes it very comfortable. I have so many people says to me “You’ve been touring for the last two years, it must be so grueling…” and I just say “No, it is really not”. We stay in the best hotels and fly in private jets, so it is a really comfortable tour.

MG: You are taking over vocals for David Gilmour; do you consider that a daunting task?
RW: No not really, I am a big fan of Gilmour and I have a lot of respect for him and his talent. I feel like this is a custom fit gig for me because my vocal range is very similar to David’s. But when we found out that David was going to show up sometime during the first leg of the tour, it did make me a little nervous. He ended up coming to a couple of our London shows in 2010. The first night he watched the show and the second night he sat in with us and sang the chorus’ of “Comfortably Numb.” He also joined us on the final song “Outside The Wall,” along with Nick Mason who played tambourine. Man, it was such a thrill to be on stage that night standing next to the surviving members of Pink Floyd: Nick Mason, Roger Waters, and David Gilmour. After the show David paid me a nice complement and said “you sound great and I thought that was me up there singing.”

MG: I have always wanted to know when the wall goes up; what is like performing behind it?
RW: If people could only see what we are doing behind the wall, there is some pretty funny stuff going on. We have to put this safety net over the band, to protect the us from falling bricks at the end of the show when the wall comes down. The net is probably about 12 inches over my head. On this particular night there was some static electricity going on and little did I know that my hair was sticking straight up like a unicorn. So there I am totally focused on singing “Hey You” and the whole band is laughing around me and Roger is pointing at me laughing. [laughs] I thought I was doing something wrong. Finally someone took a photo and showed me what they were laughing at. Too funny! It’s stuff like that and maybe a few other practical jokes that the background singers are famous for. We have a blast at every concert.

MG: In July 2013, you start the wave of the tour in Europe. Where are you looking forward to going most?
RW: Just being back in Europe firstly and getting to hit some of the markets that we didn’t before. We’ll be going to Turkey, Rome, Vienna and several other European cities. You can check the tour schedule at I’m really looking forward to playing Wembley Stadium. That is going to be amazing! I have family in London so it will be good to see them.

MG: Can we expect a Blu-ray release of the concert in the near future?
RW: There have been talks of Roger doing a DVD release of “The Wall Live”. But I’m not sure when it will be released. When we were in Athens, Greece, we did three days of filming of the live shows and then three more days of close-ups. They hired a large movie crew and there were about 20 plus cameras. Not to mention that when we were in Buenos Aries, we sold out nine shows over there and they documented and filmed every aspect of those nine shows as well. From backstage to the show days and everything in between.

MG: Can you give a plug for your upcoming album, “Steppin Out”?
RW: My new album “Steppin’ Out” is a Big Band/Jazz Standards album and I’m very happy with it. I’ve always loved to sing that style of music and was just finishing it up before I got the tour with Roger Waters. I had all of the vocals recorded and all the tracks recorded but had to put it on hold until we finished our first U.S. tour. I just recently signed a co-publishing agreement for that album which I’m very excited about. It was produced by Willie Murillo and he also did several of the arrangements. I’m very privileged to have some of the world’s finest musicians playing on it and I’m very thankful to each and everyone of them. I have five original songs on the album. Three written by Tony Hayes and another one written by Jennifer Paige and one I wrote with Willie Murillo called “Kiss Me Again.” There are also some other great classic cover tunes by Frank Sinatra, Harry Connick Jr., Nat King Cole, Fred Astaire and others. Now that the deal is in place, we are working on a marketing plan and should have a release scheduled later this year.

All photos courtesy of Michael Becker, Todd Tyler, Robbie Wyckoff

Jena Sims talking about working with Roger Corman in the film “Attack of the 50ft Cheerleader”

Jena Sims plays Cassi Stratford in the upcoming Roger Corman film “Attack of the 50ft Cheerleader”. Media Mikes had the chance to talk with Jena about the role and what it was like working with Roger.

Adam Lawton: How did you first get connected with Roger Corman?
Jena Sims: I auditioned for the film just like any other audition.  I really had no idea and was just treating this like another audition. The call was held in Roger’s office however he was not there at the time. I met with the director and casting associate and almost immediately booked the job.  They asked me if I had any cheerleading experience which I had as I did cheerleading throughout school. I didn’t get to meet Roger until about half way through filming. He has a brief cameo in one of the scenes. Roger was very sweet and quiet. He was just so nice. I was and still am very glad to be a part of one of his movies.

AL: Can you give us some background on the film?
JS: The film is a younger version of the classic film “Attack of the 50ft Woman”.  The story starts out with my character Cassi being the “ugly duckling”. She desperately wants to be a cheerleader and part of a sorority but because of her looks she can’t. One day while messing around in the science lab with her friend Cassi is injected with a serum that makes her beautiful but at the same time makes her grow.

AL: What drew you to the project?
JS: I grew up watching the “Bring It On” films. Those movies actually made me want to be a cheerleader. I loved that this film had a cheerleading element to it but also that it was a Roger Corman film. Roger has worked with so many great people and I wanted to be a part of that roster.

AL: How did working on this film compare to some of your previous work?
JS: It was like night and day. Being an independent film with a lower budget I think allowed everyone working on the film more creative freedom. Things were so much more relaxed and we all could contribute ideas for lines and or scenes. We all had a tremendous amount of input. I picked out and wore a number of my own clothes in the film. A lot of films the procedure is very tight and things are done in a certain way. Working on this Corman film was like going to summer camp. It really was just so much fun.

AL: Can you tell us about your involvement with HBBQ?
JS: HBBQ is a non-profit organization that I started. The letters actually stand for “Has Been Beauty Queen”. I started the organization in 2006 as a pageant for kids with terminal cancer called “Pageant of Hope”. I competed in pageants as a kid and was Miss Georgia Teen 2008. I lost my Grandfather when I was younger to cancer so I was always very interested in fund raising for places like the American Cancer Society. When kids come in to be a part of the pageant we teach the pageant walk and do their hair and makeup. We really try to get to know the kids and help bring them out of their shells. At the end of the day we have the pageant and everyone is a winner. With these pageants we try and help take the kids minds of being sick and in the hospital. I have been able to travel all around the world putting on these pageants and it’s been great.

AL: What other projects do you have coming up?
JS: I just shot a found footage film the other day which has still yet to be titled. It was a really fun and cute roll. I have auditioning quite a bit as all the fall shows are beginning production. I also will be doing a pageant for my organization in my home town in September so I am really looking forward to that. It’s been a long time since I have held one of these in my home town.

SiriusXM’s Town Hall with Roger Waters to launch new Pink Floyd Channel

Tune in to SiriusXM’s Town Hall with Roger Waters LIVE on June 27 at 12pm ET for the launch of SiriusXM’s new Pink Floyd Channel (Sirius channel 142 and XM channel 43). The special will also air on Deep Tracks (channel 27). You’ll hear the founding member and principal songwriter of Pink Floyd sit down for a rare Q&A session with a select group of SiriusXM listeners at the SiriusXM studios in New York City. This exclusive Town Hall event coincides with Waters’ current tour, The Wall, which will visit Yankee Stadium on July 6 and 7.

The special will be moderated by SiriusXM host Jim Ladd and will feature the rock icon answering a variety of questions from the studio audience.

This event is part of SiriusXM’s “Town Hall” series, an intimate gathering with an iconic figure and an audience of SiriusXM listeners. Previous SiriusXM Town Hall specials have featured Bruce Springsteen, Tom Petty, Gregg Allman, Coldplay, Ringo Starr and the surviving members of Nirvana.

“The Pink Floyd Channel” will be available Wednesday, June 27 through Saturday, July 7 on Sirius channel 142 and XM channel 43. Additionally, “The Pink Floyd Channel” will also be available as a 24/7 channel online on channel 802 and through the SiriusXM Internet Radio App for smartphones and mobile devices beginning Thursday, June 28 for an extended period.

For more information on Roger Waters and The Wall tour, visit


Related Content

Interview with Robbie Tucker

Robbie Tucker is co-starring in Disney’s “Prom”, playing the character Charlie, a sweet kid brother that tries to play matchmaker and brings sincere tenderness to the comedy. Robbie also recently appeared in “Little Fockers”, working alongside Ben Stiller.  Movie Mikes had a chance to chat with Robbie about his new film “Prom” and how he loves acting.

Mike Gencarelli: Tell us how you got involved with “Prom”
Robbie Tucker: Well I auditioned with a lot of other kids.  They liked me and I booked it [laughs].

MG: Tell us about your role of Charlie?
RT: He is the little brother of the main character in the film.  I help my brother try and get a date for prom.

MG: Any cool stories from working on the film?
RT: It was just fun in general working on the film.  Everyone was so nice to me.

MG: Did you get any tips from the other actors?
RT: They told me just to be myself, which was really nice.

MG: What make you want to get into acting?
RT: My sister first started acting and when I saw her doing it and I thought it looked fun.  So I tried it out and I really liked it.

MG: When you worked on “Little Fockers”, did you get a chance to meet the whole cast?
RT: I got to meet Ben Stiller.  He was really fun to work with.

MG: How do you find working on “The Young and the Restless” differs from doing the film “Prom”?
RT: Filming on the show is more faster.  It changes pretty often during shooting.  They do a bunch of scenes everyday and that is different from a movie, which is spread over a longer time.

MG: What other projects do you have coming out?
RT: I just did a movie in Michigan called “Family Weekend”. It is about my older sister in the movie and how she kidnaps our parents for the weekend.  They are also too busy for the kids and never listen to them.  It is really funny.

Interview with Raymond J. Barry

Raymond J. Barry has not only appeared over 50 film but also more than 75 plays. He is known most for his role as Ron Kovic’s father in the “Born on the Fourth of July” and for playing Pa Cox in “Walk Hard”, and its well known quote from the film, “The wrong kid died!” Movie Mikes had a chance to chat with Raymond about his role in this years film festival favorite “Hamill” and his current play in New York.

Mike Gencarelli: Tell us how you became involved with the film “Hamill”?
Raymond J. Barry: I was asked to do the project by my agent. She showed me the script. I read it and that is how it happened. I like what I read and decided to do it. There was another factor involved though…my son was being recruiting for basketball by the University of Rochester. We shot in that area and I wanted to go check out the college [laughs].

MG: Where you familiar with the UFC fighter, Matt Hamill prior to coming on board?
RB: No I wasn’t. I don’t watch that stuff is it too violent. Mind you, I am not a pussy [laughs] but I don’t just like it. I find professionally wrestling boring. I don’t mean to be a snooty guy, but I like college wrestling though. Professional wrestling looks fake to me, even though I know they get hurt…but it just looks fake.

MG: How was it working with Russell Harvard in the film?
RB: It was great working with him because he is absolutely and totally 100% real. When you are working with somebody with a handicap, they can’t fake it. There is something amazing with the behavior and the means of communication. I really liked working with him, it was great.

RB: What did you think about me in the wrestling outfit?
MG: [laughs] Listen you pulled it off and you got him pinned in that scene [laughs].
RB: You know when I was in high school I wrestled, so I knew a little about it. I thought that was a really funny shot.

MG: Your work has ranged from comedies like “Walk Hard” to dramas like “Born on the 4th of July”, any genre you enjoy to work in more?
RB: It doesn’t matter to me. I can work in either one but actually comedy does come easier for me. I am a lot funnier than people think. I am usually hired to be a tragic figure or a hard guy, something like that. I am pretty funny though [laughs]. People always come up to me in the shopping malls and say “The wrong kid died” [laughs] from “Walk Hard”. It has become a memorable line.

MG: Tell us about working on the hit show “Justified” and tell us about your character?
RB: It is a great character. He is a little crazy, if he is pissed off he will hit you over the head with a baseball bat. He is also charming and people seem to like him. I did a movie up in Spokane, WA and a woman came up to me and said “Are you my favorite father?” I wondered who the hell she was talking about. She said “I watch “Justified” all the time”. So I guess people really like him.  I have been shot twice and I had a heart attack and I am still alive. They keep shooting me but they don’t kill me.

MG: You are a stage veteran, tell us about your new show “Awake in a World that Encourages Sleep”?
RB: I also wrote that play. I am doing it at the Theater for the New City in Manhattan. The play was promopted by a book I read called ‘Confessions of an Economic Hit Man’ by John Perkins. Specifically what that book is about is a guy who worked for an organization connected with the CIA. What they do is they engaged in lending, where they will give large sums of money to a country like Panama or Ecuador. They will build a dam and demand it is built by American companies, so money does back into the American economy. The guy in the book got sick of it, quite his job and  he wrote this book and. I read it and it just blew my mind. So I pretended I was him walking through a park on the day he quit his job. He comes upon a woman, turns out she works for a corporation. Then the husband comes, who turns out to be his boss. Meanwhile the woman is attracted to me. You have this threesome going with a backdrop of politics. I think I have gotten something really good. I am doing it in NY until April 24th at which then I will bring it back to Los Angeles.

MG: Anything else you want to throw in?
RB: I got a two year old, a eleven year old, a nineteen year old and a thirty nine year old. I was the New York State High Jumping Champion in 1957 and I am 72. Those are the interesting facts of my life [laughs].

I find

Interview with Steven R. Monroe

Steven R. Monroe is known best for recently directing the 2010 remake of “I Spit on Your Grave”. Steven has also directed a number of films for Syfy Channel i.e. “Ice Twisters” and “Mongolian Death Worth”. Movie Mikes had a chance to chat with Steven to ask him a few questions about his latest work as well and his past films.

Mike Gencarelli: What was the most difficult task in directing “I Spit on Your Grave” remake?
Steven R. Monroe: During the production the most difficult task was making the sure the film was dark, disturbing, raw, upsetting and bleak as it should be for the fans of the original.  Then also trying to address possible new fans, trying to make sure both sides of the audience that would see this film would get what they wanted and then some.  Lastly also trying to be sure I was delivering the film the producers and distributors needed and wanted. Once the film was finished and people were seeing it, the most difficult thing was dealing with people that didn’t get the film at all and probably should never have seen it in the first place and then listening to them making judgments on me personally because they were offended. I don’t care if people take issue with what I have done as a filmmaker, I’ve been at it a long time and you get thick skin, but when people make personal attacks when they know nothing about me or who I am, it can be pretty aggravating and more difficult to just brush off.

MG: Did you feel any pressure to live up to the original?
SR: Yes, absolutely. There are very passionate fans out there of the original and it was my responsibility to do everything I could to be sure they got what they were hoping for or not hoping for. The original stirred up a lot of emotion and a lot of anger, it’s a handful, but a welcome one to try and deliver something that lives up to all that. It’s both a blessing and a curse.

MG: What was your process for casting the lead of Jennifer?
SR: I just wanted someone that was not a name first and foremost. And I wanted someone with a natural beauty, a bit of naivety, a bit of strength. I wanted certain resemblance’s to Camille Keaton in our new Jennifer. As an actress she needed to be fearless and to understand the magnitude of what we were doing and be able to handle what would come at her down the road. Sarah Butler had all of those. She was perfect no matter what anyone says about her, I know the right choice was made to cast her.

MG: Tell us about your film “Complacent”, which you wrote, produced and directed?
SR: “Complacent” is very close to me not only because it is the only film out of 15 that I have directed that I directed, wrote, and produced but also because there are many elements of that film that were inspired by both my life and my wife’s. The film is a study of my perspectives of different events of our lives some that happened together and many that happened to me before we met. A lot of it is very close to her and a lot is very close to me and I wanted to put it all in a dark, sad, funny at times somewhat satirical bag and shake it up together. Most people that have seen it have said to me that they saw part of themselves in the film within at least one of the characters. The cast was amazing and brought all these suburban white Americans to life big time for me. We did the film for literally no money and it was all passion that got it done. I am indebted to everyone that worked on that project.

MG: You have worked with Cerina Vincent on three films now, how did this relationship start?
SR: Cerina is now a very dear friend. My wife and I love her very much. We first met about seven years ago when I was directing a horror film for Stephen J. Cannell and we were trying to cast the lead. He came in the office and said, how about Cerina Vincent from “Cabin Fever”… Without thinking I said “yes”. We hit it off on that shoot, became friends and then she did a Syfy film for me “Devil On The Mountain” (which Syfy changed the title to “Sasquatch Mountain”) then we did “Complacent together”. She is a very underestimated actor, drama or comedy, horror or action or thriller she can do it all.

MG: You have worked with Syfy Channel on quite a few films now i.e. “Ice Twisters” and “Mongolian Death Worth”, tell us about working on those films?
SR: The TV movie world is very different than feature films. For the most part people do not understand that in television directors do not have a whole lot of say in a whole lot of things. Even though I am seriously poked fun at all over the internet for doing TV movies and then “I Spit On Your Grave”, I don’t care because I am actually very fortunate to be able to jump formats like that and shooting a Syfy movie is like being eight years old again and making my sci fi and action films with my super 8 camera. You have creatures, stunts, guns, blood… Come on, it’s a blast. Funny thing with internet critique is that if the people that were goofing on me for the TV movies I did before “I Spit” actually did a moment of research they would see that I have also done six other feature films.