Film Review: “CATS”

CATS
Starring:  Idris Elba, Rebel Wilson and Judi Dench
Directed by: Tom Hooper
Rated:  PG
Running time:  1 hr 50 mins
Universal

I lived on the east coast for many years – from 1982 through 1995.  I was a frequent visitor to New York City and, every time I would walk by the Winter Garden Theater I would see the words “Now and Forever.”  These words were very true when it came to the show playing at the Winter Garden: the musical “CATS,” as it ran on Broadway for a then-record 18 years!  This week, 37-years after it opened on Broadway, “CATS” has finally come to the big screen.

We open on a London street where we see a car pull into an alley.  A woman takes a bag out of the car and casually throws it towards the garbage bins.  The bag lands with a thud and begins to move.  As the woman drives off the bag is surrounded by a motley group of cats.  They open the bag to discover a young cat who is obviously frightened.  One by one the cats introduce themselves.  So begins the film adaptation of the Tony-award winning Best Musical, “CATS.”

How do I describe this film?  When the trailer first premiered many people, myself included, were confused by what the film was being portrayed as.  It seemed almost like a joke, the way the cat characters were jumping around on over-sized furniture.  But it wasn’t a joke.  Unlike the Broadway show, which takes place in a junkyard, director Tom Hooper has opened up the sets, allowing the feline characters to jump on beds, sing on library steps and even tap dance across a railroad tie.  Fun stuff, to be sure, but creepy as heck.  And while the cast gives its all, the show seems to almost come to a stop in between musical numbers.

The cast is phenomenal, featuring everyone from revered actors like Dame Judi Dench and Sir Ian McKellen to pop singer Taylor Swift.  Others spinning a yarn include Rebel Wilson, Jennifer Hudson and Ray Winstone.  Heck, even Idris Elba gets in on the action.  The actors are fine…they just don’t have shoulders enough to carry the film.

The high points here are the make-up, special effects and choreography.  Rather than follow in the footsteps of Broadway, where the cast wore unitards, here the very expressive faces of the cast are modified with whiskers and CGI.  Most of the makeup is fine, but Judi Dench comes off looking like Bert Lahr’s older sister from “The Wizard of Oz.”  The musical numbers, of course, are superb, which is a no brainer when you’re dealing with Andrew Lloyd Weber.  Sadly a few people in my screening fell asleep but those of us who stayed awake were treated to a very different way to tell a story.

If you’re a fan of the musical, or a member of the cast, then by all means go see “CATS.”  If you’re not a fan of musical theatre, go stand in line and see “Star Wars” again.

Film Review: “The Two Popes”

Starring: Jonathan Pryce, Anthony Hopkins, Juan Minujin
Directed By: Fernando Meirelles
Rated: PG-13
Running Time: 126mins
Netflix

In 2013, the Catholic church faced a prospect it had not dealt with in 600 years when Pope Benedict XVI decided to step down as head of the Catholic Church. Jorge Mario Bergoglio was named as his successor, taking the title of Pope Francis. The official reason Benedict gave was declining health but he also did so in the face of mounting progressive movements among the global congregation as well as the rampant allegations of sexual abuse from clergy. In Netflix’s new film, The Two Popes, writer Anthony McCarten (“Darkest Hour”) stages an imagined meeting of the minds between Benedict and Bergoglio before this changing of the guard. Each of the men having crises of faith and trying to convince the other to keep or take on the title, respectively. Fortunately for director Fernando Meirelles, acting legends Anthony Hopkins and Jonathan Pryce stepped in to play these two. Unfortunately for viewers, their discussions do not dominate the entire film as you might hope nor do those talks address the church scandals in a meaningful way. That Meirelles’s film manages to tread through such tonally rocky terrain without more of an issue is down to great performances from Pryce and Hopkins.

Meirelles’s film opens amidst the death of Pope John Paul II and the ensuing 2005 papal conclave. The highly secretive process requires a super majority of the cardinals convening in Rome to elect a new pope. Publicly it was a spectacle in which crowds gathered in St Peter’s Square in eager anticipation of seeing white smoke to signal that choice had been made. The interior specifics of this conclave were under official oaths of secrecy. The film brings this all to vivid life within a recreation of the Vatican and introduces Bergoglio (Pryce) and Ratzinger (Hopkins) as opposing roads for the church to take at this crucial moment in time. Ratzinger is the more conservative of the two and glad-hands the other attendees like a politician while Bergoglio downplays talk from his peers who insist he is also a favorite. Ratzinger, redubbed Benedict, wins the votes. 

Anthony McCarten’s script is based on his own stage play of this story and the best parts of this film felt like a stage production. The film easily moves from the spectacle of the conclave to the intimate summit between Hopkins and Pryce with Bergoglio seeking to tender his resignation from a Benedict who refuses to grant the request. Hopkins plays Benedict here with an air of mischief that lifts all their interactions. Bergoglio is pressing Benedict with his sincere desire to leave while Benedict brushes him off and inconveniences him at every turn. Their dialogue is also peppered with charming little old man moments. Bergoglio being the more “in touch” of the two brings both ABBA and the Beatles into the discussion for example. But once the gravity of Benedict wanting to leave takes priority–he speaks of losing touch with the voice of god–and Bergoglio’s reluctance has to be supported by how he got to where he is, the film drags. As interesting as it is and as capable an actor Juan Minujín is at playing the younger version of Pryce in war torn Argentina, it shifts the focus of the film down in taking it entirely through his past.

It’s also jarring to have the two old men watching the World Cup as though they’re in a set up from Michael Winterbottom’s The Trip while literally dropping out the audio of Benedict confessing regarding the abuse scandal later in the film. Such a jarring decision when we’ve already seen a lot of Bergoglio’s rough past, made me wonder if they knew acknowledging this darkness was a bridge too far in tone, your mileage may vary. Either way, I was grateful to see these two acting legends share the screen as much as they did.  

The Two Popes is now streaming on Netflix

Head to the Danger Zone: Top Gun Slots Review

Casinos have a vast selection of slot games with themes ranging from sports to cartoons, music to fantasy and everything in between. If you are new to the world of slots, you will be delighted to learn that you can try them without spending any money at online casinos which offer free spins with no deposit which we have found for you. You can sign up to the offers and get to play for free without having to make a deposit. Movie slots are popular and one of our most favourite games is a nod back to the 80’s and comes in the form of the Top Gun Slots.

Top Gun the Film

If you haven’t seen the film for a few years then here is a quick recap. Feckless hero Maverick, played by Hollywood hunk Tom Cruise, is on a mission to be the best of the best. Reckless and branded a danger, he doesn’t care who he hurts on the way to the top. Until the fateful day that his best friend Goose is hit and ends up smashing into the cockpit release glass, dying on impact. With Meg Ryan playing his grieving widow and Maverick’s girlfriend Charlie, played by Kelly McGillis, on his case the hero is prevented from ruining his career when he becomes wracked with guilt. The film is both action-packed for octane seekers and brimming with emotion for romance lovers.

Top Gun the Slots

As you might expect, there is plenty of imagery from the film in the Top Gun slots. It is now owned by software giants Playtech who acquired it from the original developers IGT. On the five reels, you will find most of the big stars from the movie featuring as symbols on the reels. Maverick is missing, this is thought to be an infringement issue, but the game is still packed full of everyone else that you love. With 243 different ways to win, it comes as no surprise that there are win triggers associated with almost every symbol including Charlie, Goose, Iceman, Jester and more. The reels also feature iconic symbols such as the bomber jacket, the Ray-Ban sunnies and the fighter jets which also fly in and create Dogfight Wilds. You can also trigger the Danger Zone Free Game, which gives you some extra chances to win big. This is a real adrenaline-charged adventure that fans of the movie will love.

Film Review: “Star Wars: The Rise of Skywalker”

STAR WARS:  THE RISE OF SKYWALKER
Starring:  Carrie Fisher, Daisy Ridley and Adam Driver
Directed by: J.J. Abrams
Rated:  PG 13
Running time:  2 hr 21 mins
Walt Disney

In 1977, theatre owners everywhere were excited about an upcoming film from 20th Century Fox that they were sure was going to fill their theatres for weeks.

That film was “The Other Side of Midnight.”  Based on a very popular best-selling book, the demand for the film was so great that the studio was able to do a little quid-pro-quo with the owners.  If you promise to play this little space movie we have coming out in May we will make sure you get “The Other Side of Midnight.”  That “little space movie” was, of course, “Star Wars.”  The punchline to this story is that “Star Wars” proved to be so popular that, when “The Other Side of Midnight” opened two weeks later, many theatres NEVER played it as they were still filling the house.  I’m pretty sure I can guarantee that the final installment in the original series will do the same.

Let me begin by saying this will be a spoiler-free review.  Not only because the studio asked critics not to give anything away but also because if, like me, you’ve got 40-plus years of your life invested in the saga you don’t want some pencil neck with a computer spoiling your fun.  The story begins with our heroes Rey (Ridley), Finn (John Boyega) and Poe Dameron  (Oscar Isaac) still trying to defeat the First Order, led by Kylo Ren (Driver).  While Rey continues her Jedi training, Kylo Ren is raging his way through the galaxy, hoping to confront the all-powerful Emperor, the leader of the evil Sith.  Things are getting bleak for the resistance and General Leia Organa (Fisher) is out of ideas.  Will the final pieces of the rebellion be destroyed?  Sorry, the studio won’t let me tell you!

Here’s what I can tell you.  Director J.J. Abrams, who co-wrote the screenplay with Oscar-winning screenwriter Chris Terrio (“Argo) has crafted a story that should satisfy every “Star Wars” fan in the galaxy.  Old friends return while new friends extend the story.  You would have to have a heart colder than a Wampa not to enjoy this movie.

The cast is top-notch, with the three principal actors having grown into their roles.  It is obvious they are much more comfortable here than they were in Episode VII (“The Force Awakens”).  Rey is certainly my grandchildren’s version of “Alien” crewmember Ellen Ripley, a strong, young woman that others can look up to and admire.  Fisher’s Princess Leia in the original trilogy was the same kind of character and Ms. Ridley gives her both an outer and inner toughness, though the goodness she possesses is also visible.  Both Boyega and Isaac have larger roles here.  Finn is much more decisive in his actions while it’s nice to see Poe NOT in a spaceship for the majority of the film.  The filmmakers were able to include Carrie Fisher in the story by reshaping scenes she filmed for “The Force Awakens” and it is a joy to see her on the big screen one last time.

Driver has also grown into the role.  To me he came off as a little wimpy when he was introduced in “The Force Awakens” but here he is downright terrifying.  The man has some serious anger (and family) issues and you don’t want to be near him when he snaps.  To counter the intensity of some scenes Abrams has also included some good, old fashioned humor and the jokes play well.

Visually, of course, the film is a masterpiece.  Battles between literally hundreds of ships take your breath away and the musical score, by the great John Williams, is a perfect accompaniment to the action on screen.

In the spring of 1977 some friends of mine and I wrote away to 20th Century Fox for some information on “Star Wars.”  We each received a beautiful full-color campaign book, which I still have.  I was 16 when “Star Wars” came out.  Like many people my friends and I went to the theatre not knowing what to expect and walked out hooked.  I enjoyed the films so much that half of my basement is crowded with “Star Wars” memorabilia.  I was even asked to moderate the 40th Anniversary Q&A event that was held in Kansas City.  “Star Wars” is, and has been, a very important and memorable part of my life and I must say that “Star Wars: The Rise of Skywalker” is the perfect ending to my childhood!

Concert Review: “Tid The Season” 2019, Buffalo, NY

“Tid The Season” 2019

Every Time I Die, Against Me, The Damned Things, Terror, Harms Way, All Get Out, Mercy Union

Friday, December 13th, 2019

Riverworks, Buffalo, NY

Our score 4 out of 5 stars

Buffalo’s favorite sons Every Time I Die kicked off their two day “Tid The Season” event on December 13th at the expansive Riverworks complex in Buffalo, NY. The annual event which this year was spread across two days features tons of great music, ice skating, curling, a bucking reindeer and on day two a full card of Pro Wrestling. With both nights of the event being sold out well in advance the venue quickly became packed with fans from all points of globe who were anxious to see what the ETID boys had in-store as a thank you to their rabid fan base.

With Riverworks now in its 3rd year of hosting the annual Christmas show the venue and crew operate a tight ship as the night’s first group Mercy Union started promptly at 5pm. The New Jersey based group performed a brief upbeat set which helped warm fans up as they patiently made their way in from the cold and on to the venues large corridor and balcony. Leaving little time for the energy to wane indie rockers All Get Out would perform next. The group wasted little time getting acquainted with the growing crowd as they blasted through songs from their “Northport Sessions” release which the audience seemed to enjoy. Harms Way would follow taking the evening into a much heavy direction as vocalist James Pligge and company laid down a thunderous dirge of homegrown Chicago hardcore which almost instantly whipped the crowd into a circular frenzy for nearly the entire set. Hardcore veterans Terror would take the stage next serving as the explosive catalyst that the capacity crowd had anxiously been waiting for. Helmed by Buffalo native Scott Vogel the band easily put down one of, if not the best performance of the night. As the band blasted through songs from their seven album catalog, countless bodies made their way over the heavily manned security gate seemingly fueling the bands ferocity. Later on in the set Vogel stoked the coals even further buy demanding the crowd put the security to work which in turn caused even more bodies to fly towards the stage nearly decimating the yellow shirt clad staff.

The collective group known as The Damn Things followed for what would be the groups second ever Buffalo performance. Consisting of Anthrax’s Scott Ian, Alkaline Trio’s Dan Andriano, Fall Out Boy’s Joe Trohman and Andy Hurley and fronted by Every Time I Die vocalist Keith Buckley the group put on a really impressive set for a group who doesn’t play together all that often. Songs like “Cells”, “Omen” and “We’ve Got a Situation Here” sounded great and showcased each of the member’s musicality outside of their natural habitats. Filling the slot normally labeled as “Direct Support” was the punk rock group Against Me! which on paper may have had some scratching their heads given the aggressive sound of the other bands on the bill however the staple four piece group quickly alleviated any doubts people had as they performed songs like “I Was A Teenage Anarchist”, “Dead Friend” and “Cliché Guevara” before closing out the sixty minute set with the song “Black Me Out” from the groups 2014 album “Transgender Dysphoria Blues”. 

Closing out the night were event hosts Every Time I Die. As the group came to the stage cloaked behind a giant curtain where a fire place was being projected while Christmas music blared over the PA you could feel the anticipation come to a boiling point. As the curtain dropped and several air cannons and sparklers erupted the moment everyone was waiting for had finally arrived. The band opened the set their song “Floater” before bridging into the songs “Pelican” and “Glitches”. Guitarist Jordan Buckley and Andy Williams along with bassist Steve Micciche dominated the stage from all angles while drummer Clayton “Goose” Holyoak and vocalist Keith Buckley handle business from their prospective perch’s. The band who has been touring off and on this year in between writing for a new record sounded great as always and in between numbers thanks fans for their continued support over the years. To further show their support the band treated the crowd to a new song they have been working on titled “Back Distance”. Like much of the bands previous work fans quickly showed their acceptance and appreciation for the song as they kicked, swung and flailed throughout signaling their approval.

Having attended this event for the last few years I always wonder how ETID will top the previous years show. With 2019’s show being split over two days I wasn’t sure how things were going to play out or if the band was going to really give their all on the first night knowing how big of a day Saturday generally is. Not only did ETID and the rest of the bands on the bill all turn in solid performance they all seemed to give just a little extra due to the magnitude and energy of the crowd. Yes it would have been great to see some killer pro wrestling on both days of the bill but there has to be room to grow. Given the successful sell out of both days and ETID’s uncanny ability to one up themselves time after time my hope is that they continue to build on making a really fun, fan friendly event for us die hard ETID-iots.  

Every Time I Die Set List:

1.) Floater

2.) Pelican of the Desert

3.) Glitches

4.) Wanderlust

5.) Underwater Bimbos From Outer Space

6.) Holy Book of Dilema

7.) She’s My Rushmore

8.) Decayin’ With the Boys

9.) Thirst

10.) No Son of Mine

11.) Godspeed Us to Sea

12.) The New Black

13.) White Void

14.) We’rewolf

15.) It Remembers

16.) The Coin Has a Say

17.) Ebolarama

18.) INRIhab

19.) Bored Stiff

20.) Cities and Years

21.) Map Change

22.) Two Summers

23.) Idiot

24.) Fear and Trembling

25.) Back Distance

26.) Indian Giver

Film Review: “Richard Jewell”

RICHARD JEWELL
Starring: Paul Walter Hauser, Sam Rockwell
Directed by: Clint Eastwood
Rated: Rated R
Running Time: 1 hr 59 mins
Warner Bros 

Richard Jewell. I cannot help but wonder how many Americans recognize the name and the heroic actions associated with it. Better yet, who can recall how Jewell’s heroism during the 1996 Olympic Games in Atlanta, Georgia was tragically stained by an assumption of guilt by the FBI and the news media, which subsequently caused millions to believe he was a domestic terrorist. Thankfully, someone in the form of iconic, Oscar-winning filmmaker Clint Eastwood did not forget and has now made a poignant drama that pays tribute to a simple man who saved dozens of lives one hot summer night. 

It’s 1986 in Atlanta where Richard Jewell (Paul Walter Hauser, “BlacKkKlansman”) has just started work as a mailroom employee at a law firm. Portrayed as respectful and observant with a dose of simple-mindedness, Jewell catches the eye of attorney Watson Bryant (Oscar-winner Sam Rockwell). A pivotal friendship develops between them with long-term consequences and when Jewell announces that he is leaving to become a security guard, a first step in what he dreams will become a career in law enforcement, Watson, a bit of crusader, warns him to not let the badge go to his head.

 Flash forward ten years later where Jewell, who lives with his doting mother, Bobi (Oscar-winner Kathy Bates), is fired from his job as a college campus security guard after a series of events that include him unlawfully pulling over students on the road as they return to school grounds. Having previously been dismissed as county sheriff’s deputy, it would seem likely that Jewell would have a hard time getting another security guard job. However, with the arrival of the Olympics in Atlanta, bodies are needed, so Jewell, almost delusional about being a member of law enforcement, gets another chance to patrol Centennial Park. 

No one takes Jewell seriously, that is until he finds a suspicious backpack filled with pipe bombs. Two people do perish as a result of the subsequent explosion and dozens are wounded, but it would have been much worse without his actions in a pre-9/11 world that wasn’t quite as vigilant. Jewell is hailed as a hero, but he is quickly labeled as a villain by fictional FBI agent Tom Shaw (Jon Hamm in a one-dimensional performance), a man desperate to get vengeance, and newspaper reporter Kathy Scruggs (played with over-the-top acting by Olivia Wilde), an unscrupulous and brash journalist willing to do anything to get a headline, even if it means destroying Jewell’s life in the process. 

One of the most sacred principles of our judicial system is the presumption of innocence. That all persons are presumed innocent until proven guilty. “Richard Jewell” reminds us all just how terribly wrong things can go when that fundamental adage can be so easily forgotten by a rush to judgment fueled by motives that are less than noble. Although Jewell was exonerated, his case remains a stain on our nation’s history. While Eastwood’s effort does not rise to the level of cinematic achievement as some of his other later works, such as “Gran Torino,” it is still a solid film that successfully plays the emotional heartstrings. Rockwell is a joy to watch, but the breakout star is Hauser. On the surface, his portrayal of Jewell appears too simplistic. However, as the film flows along, his performance reveals itself to be far more complex and impactful than what we first realize. By the end, his role makes you so invested in the story that it will stick with you long after the curtains close. 

Overall, Eastwood and Hauser are successful in accomplishing at least one thing – making us remember who real heroes are. 

Film Review: “Inside Game”

Starring: Will Sasso, Scott Wolf, Eric Mabius
Directed by: Randall Batinkoff
Rated: Rated R
Running time: 97 minutes

Inside Game is a rather new film directed by Randall Batinkoff and written by Andy Callahan. The movie revolves around the NBA’s gambling scandal when three men were able to nearly bankrupt multiple gambling operators by simply being in close proximity with NBA coaches and players as well.

Depending on the talks going on behind the curtains, three friends played expertly by Will Sasso, Scott Wolf and Eric Mabius managed to make a fortune which didn’t really last them that long.

The movie came out on November 1st, 2019 and has received quite a positive reply from the community. It currently has 29% rotten tomatoes, and a 5.6 IMDB rating, while 87% of Google users have said that they enjoyed the film very much.

What isn’t there to enjoy as well? The adventure of three friends, James “Baba” Battista, Tim Donaghy and Tomy Martino tackle a whole industry wich just their specialties is a marvel to look at.

The plot thickens

The plot itself is that Donaghy, who is a trainer himself will supply both Baba and Martino with valuable inside information from locker rooms and conversations with players themselves. This later allows Baba to apply the magic in his and many other sportsbooks considering he works in one, while Martino is like the “lay low” detector who tries to protect the group from being spotted.

Unfortunately, the trio becomes a bit too careless due to greed and is approached by the FBI which finds a lead on them through an unrelated case they were doing earlier.

All three men find themselves arrested and trialed in a courtroom, which is all too familiar for an average blockbuster, crime or drama fan.

The movie stands as a bastion of what greed and chasing alternative loyalties could do to childhood friendships, and that insider information and cheating can get men nothing but dozens of years in jail, rather than dozens of stacks of franklins.

Although the movie is not sensational in any way, it does stand on its own for a gambling/crime movie, to begin with.

The performance of the actors is more than adequate, especially the almost “effortless” amazing delivery from Sasso playing the serious yet exciting Baba.

Film Review: “This Is Our Home”

THIS IS OUR HOME

Starring: Simone Policano, Jeff Ayars, Drew Beckas
Directed by: Omri Dorani
Rated: Not Rated
Running time: 1 hr 13 mins
Uncork’d Entertainment

  We meet Reina (Simone Policano) and Cory (Jeff Ayars) in what could be one of the most memorable moments of their relationship. Reina eagerly fidgets while trying to share the news that she’s pregnant. The next scene is something most parents will find touching and familiar… our couple, intertwined, in a playful and intimate baby-naming brainstorming session. Things are going well and we’re optimistic for these people who seem like a nice team. The next scene shares a fleeting and incredibly terrifying and intimate moment where you begin to watch the process of mourning that child. This moment alone will decide what how the rest of this film is received depending on the audience’s personal experience.    

Reina and Cory head upstate to her family vacation home, secluded in the woods. A relaxing few days, of which we can only assume is intended to serve as a last-ditch effort relationship repair. Scene after scene they become more unbearable to observe together and then an unexpected third party joins them, a child who has seemingly emerged from the woods claiming to be their son. Drew Beckas, who portrays Zeke, brings a remarkable set of eccentricities to his new family unit. His arrival, received by his “parents” in violently varying ways, is agonizing to watch. His age, mannerisms, vocal cadence or the toddler-like prance that doesn’t match his adolescent body all make the second half of the film unsettling and strangely efficient.       

After their initial agreement to call the authorities about his arrival, Zeke separates the couple for one on one time, finding Reina submitting to her maternal instincts (and grief) and Cory growing increasingly more agitated and threatened. Both drawn into different corners of madness, the story commits to serving as a psychological thriller when layers of their relationship are peeled back and you start to question how much of what you’re viewing is actually happening, where it’s happening and why?

     “This is Our Home” is the equivalent to being a guest at a highly dysfunctional family dinner. You go home, glad you’re not related to these people but with a great story to discuss with others. It’s 73 minute run time falls just short of feeling complete. An early sequence involving the couple’s interaction with some backwoods-y motorists feels wedged in to an otherwise claustrophobic story. There’s additionally several unnecessary lingering shots that unnecessarily pad the film’s short runtime for style’s sake. Director Omri Dorani still makes a very worthwhile attempt at constructing a very horrific study of the demolition of a relationship. His storytelling commits to trusting his audience to piece together their own interpretation warranted a few days digestion and earned a second viewing dissection where it proved even more effective.  

DVD Review “Elf Pets: A Fox Cub’s Christmas Tale”

From the creators of The Elf on the Shelf comes their third special called “Elf Pets: A Fox Cub’s Christmas Tale“. The special was adapted from the new book, Elf Pets: An Arctic Fox Tradition and is easily the cutest yet. My daughter has her very own Elf on the Shelf named Zoe and we have loved the Elf Pets series as well. I think this specials are an amazing way to expand The Elf on the Shelf world. I hope these DVDs become a yearly tradition because they are cute and deliver good messages for kids.

Official Synopsis: A Fox Cub’s Christmas Tale gives an all-new glimpse into the magical world of Santa’s North Pole, and answers the universal question: How does Santa travel the whole world in one night? The special features “Newsey Noel,” the North Pole’s ace Scout Elf reporter, who is invited to ride along with Santa on Christmas Eve to learn first-hand how time pauses so Santa can deliver presents undetected and unheard.

Voiced by: Brad Hyland, Leslie Bellair, Tommas Oden, Joe Peery, Brody Rose and Carol Aebersold 

Elf Pets: A Fox Cubs Christmas Tale DVD will be available for purchase at retailers nationwide, and on shop.elfontheshelf.com website, for $9.95. The disc includes the 28-minute animated special as well as a bunch of extras including the trailer, a sing-along version and filmmaker’s commentary. The sing-along version is fun and once you watch it once it was our go-to version for future viewings. The commentary was also a nice gift for daddy to enjoy and get some solid detail about the production.  

Toy Review: Playmobil “Ecto-1A”

“Ghostbusters”

Ecto-1A

Playmobil

Our Score 4.5 out of 5 stars

There’s something strange in you neighborhood this holidays season as Playmobil has recently introduced a second version of the iconic “Ghostbusters” mobile into their play line. Ecto-1A is based off the vehicle seen in “Ghostbusters 2” and features all the same cool upgrades shown in the film including working lights, siren, updated paint scheme and lenticular marquees announcing that the “Ghostbusters” are back and ready to play! 

I am not sure who was more excited to get this toy, myself or my seven year old son Ian? Having just checked it out at this year’s New York Comic Con and being fans of the movies we were both anxious to get playing. Playmobil’s easy open packaging let us get right to it, well sort of. There is quite a bit of assembly that must be done before you can rid your house of any unwanted paranormal entities. Thankfully the package comes with four figures (Venkman, Spengler, Stantz and Zeddemore) complete with new uniforms, proton packs and slime shooters which can be quickly assembled to help keep the kids busy while you are constructing the heavily detailed vehicle.

Though the instructions could have used a little more detail we got through it with only a couple setbacks (a missing light post and a backwards roof tank). Parents make sure that you double check everything before pushing it completely together as we found it very difficult to make changes once things were together due to how tight the pieces fit. Aside from a small Phillips head screwdriver to install the batteries for the lights and siren no other tools are needed which is always a plus and it certainly helped speed things up.

Once Ian had Ecto-1A loaded up (by way of the removable roof) he was off and running with lights flashing and that famous siren blazing as they set out to conquer any unwanted visitors from the afterlife. Pairing the toys with the downloadable Playmobil App lets youngsters take their imagination even further as included with the vehicle and figures is a hologram pyramid which attaches to one of the included traps. When placed on a mobile device the “Playmogram” projects one of four selectable ghosts which with a touch of the screen be sucked down into the trap just like in the movies. Ian really loved this feature and spent quite a bit of time trapping the various ghosts and yelling quotes like “We got one” and “He Slimed Me”.

As with their previous “Ghostbusters” products Playmobil spared no expense with the Ecto 1-A package as it packed with tons of great details and features. Given what is included in the packaging for the $59.99 price tag (Vehicle, four figures, Multiple Accessories) and when paired with the downloadable bonus content you really can’t go wrong. So “Who You Gonna Call?” when it comes to finding that great holiday gift for that special loved one? We say Playmobil!

Film Review: “21 Bridges”

  • 21 BRIDGES
  • Starring: Chadwick Boseman, Sienna Miller
  • Directed by: Brian Kirk
  • Rated: Rated R
  • Running Time: 1 hr 39 mins
  • STX Entertainment 

Perhaps the greatest consequence of watching the crime drama “21 Bridges” is how much it makes you appreciate actual great movies. Some of the words that come to mind while reflecting upon 99 minutes of what were presumably good intentions to make a quality film are predictable, stereotypical and cliched. Despite having a bankable star in the form of Chadwick Bosman (“Black Panther”) in the lead role, Irish-born director Brian Kirk (“Game of Thrones,” “Boardwalk Empire”) fails to make much of an impression with his first foray into feature-length films. 

We meet Andre Davis (Bosman) when he is a little kid attending the funeral of his father, a NYPD officer who is described with such sappy, glowing prose that it is easy to feel like you are being hit over the head with a radioactive mallet. Unsurprisingly, when we fast forward 19 years, we see that Andre has grown up to become a driven NYPD detective with a history of fatally shooting his suspects. Some credit is due to Kirk because at least he tries to provide a glimmer of insight into Det. Andre’s motivations, but it is so fast-paced that neither he nor Bosman are able to turn the lead character into someone that is more than just a cliché cop. 

Kirk does grab our attention for a bit when two military veterans – Ray Jackson (Taylor Kitsch, “John Carter”) and Michael Trujillo (Stephan James, “Race”) – pull a late-night heist that goes completely sideways. It goes so wrong that eight NYPD officers are gunned down. Of course, who is the first person called in to lead the investigation? You guessed it, the most famous detective in all of New York City. Everyone believes he will track down the two thugs and shoot them dead without any questions being asked. However, Det. Andre has some questions of his own as he begins all-night investigation the requires all twenty-one bridges leading into Manhattan to be shut down, thereby preventing the two gunmen’s escape.

 Shockingly, Det. Andre doesn’t like having partners, but he is saddled with narcotics Det. Frankie Burns (a bland Sienna Miller) who often acts as a cheerleader as she roots for their prey to be shot down like dogs. The vice squeezes tighter on the cop killers as they try to figure out both a way out and how they ended up in the situation they are in. (We are left to wonder how they never seem to run out of bullets.) It all leads to a giant conspiracy that is so blatantly obvious that it would cause Sherlock Holmes to turn over in his grave, if such a thing is possible for a fictional character.

 Kirk is consistent as he maintains his swift storytelling from beginning to end, which does occasionally give an artificial sense of suspense. His lone bright spot is Bosman, whose presence is about the only thing that makes “21 Bridges” watchable. Bosman does the best he can with material that should have had a team of writers to rework to prevent it from being something less than satisfactory. Oh, and Oscar-winning actor J.K. Simmons is in it but his character in the Farmers Insurance commercials is far more multi-dimensional and interesting.

Film Review: “Animal Among Us”

ANIMAL AMONG US
Starring: Larisa Oleynik, Erin Daniels and Heather Tom
Directed by: John Woodruff
Not Rated
Running time: 1 hr 30 mins
Uncork’d Entertainment

“This is a movie about a monster.” Author Roland Baumgarner’s (Christian Oliver) first and only successful writing venture found him fame by exploiting the mysterious deaths of two young girls at the family owned Camp Merrymaker. His novel helped to simultaneously draw curious and fanatical Sasquatch hunters to the area and cause the camp to shut down. Years later, Roland is living his own personal blasé-suburban nightmare and, without a sophomore success to his name, has resigned himself to teaching creative writing to a group of uninspired young writers.

     When Roland receives a strange fan letter in the mail – inviting him to return to  Camp Merrymaker for it’s grand reopening – he jumps at the opportunity to use the event to get his creative juices flowing. However, upon his arrival, he quickly realizes the proprietors of the camp, sisters Anita and Poppy (Larisa Oleynik and Christine Donlon), shouldn’t rush to open their gates to guests just yet. As hidden agendas and bloodied Sasquatch investigators emerge from the depths of the woods, Roland finds himself spiraling into the kind of real life terror that, incidentally, would make for a great book.


      Director John Woodruff is a lifelong genre fan and has crafted his first feature film with his bleeding monster kid heart on his sleeve. It’s filled with loving nods to a variety of classic horror films with all the key players of a traditional summer camp slasher present: the foreboding, woodsy atmosphere, creative special effects, the short shorts, the badly behaved counselors and the looming ever-present threat of death but “Animal Among Us” finds its own unique and emotionally honest voice by weaving in themes of obsession and revenge. It’s never exploitative or gratuitous, explores marital relationships with refreshing albeit uncomfortable honesty and stands out by utilizing every minute of its ninety minute run time to expand a creature feature into a multi-layer monster movie that will really keep you guessing who you’re rooting for.

Film Review: “Frozen II”

FROZEN II
Starring:  Kristen Bell, Idina Menzel and Josh Gad
Directed by: Chris Buck and Jennifer Lee
Rated:  PG
Running time:  1 hr 43 mins
Walt Disney

Call me Nostradamus.  In 2015, in a book I published, I commented on the proliferation of sequels in today’s Hollywood.  I also noted that, as the original “Frozen” was such a big hit, you can rest assured there will be a “Frozen II.”  And now there is.  And it’s pretty darn good.

The film begins with a flashback of the two young princesses being told the story of how their kingdom was founded by their father.  It’s not a pretty tale and their mother calms them down with a lullaby.  Jump to the present.  We join our Princesses (Anna – voiced by Ms. Bell and Elsa – voiced by the Marvelous Ms. Menzel) as they enjoy a nice day outside with their snowman pal Olaf (Gad).  Apparently Olaf has been “permafrosted” so the sun no longer bothers him.  The story takes a turn when Elsa vanishes, having left to discover the secret behind her power (for the uninformed, she has the ability to conjure up snow and ice at will).  Adventure, and several songs, ensue.

“Frozen II” sticks to the Disney tradition of the sequel – familiar characters doing different things.  The story (and songs) aren’t as strong as the original, but it is enjoyable.  I may be unfair in doing this comparison, but the songs here are not as strong as in the first film.  “Let It Go” was a powerhouse of a song, deservedly earning the Academy Award for Best Original Song.  The best number here is “Into the Unknown,” which is delivered in full throat by Ms. Menzel.  As someone who would pay to hear Idina Menzel sing the phone book, her range and power on this tune is breathtaking.  Great for me, but it kind of takes the wind out of the sails of the other numbers.  The cast is in great form (and voice), with both Bell and Menzel giving life to their characters while Josh Gad is at his best comic timing as Olaf.

Visually, the film is perfect.  When I think back to the hand-drawn animation of my youth I can’t believe the progression that has been made up until today.  Directors Buck and Lee, who took home the Oscar for “Frozen,” return and keep the story moving, always a good thing when your target audience is youngsters.  They have delivered an early holiday present to princesses’ everywhere.

Toy Review: Playmobil “Dragons”

“Dragons”

Hiccup and Toothless w/ Baby Dragon & Light Fury w/ Baby Dragon and Children

Playmobil

Our Score 3.5 out of 5 stars

Just in time for the holiday season Playmobil has added several new figures to their “Dragons” line which is based on characters from the film “How To Train Your Dragon 3”. Children and Adults of all ages can now act out all of their favorite scenes from the movie and beyond with the help of newly added characters like “Light Fury”, “Hiccup” and “Deathgripper”. These highly detailed and fully articulate figures are sure to provide fun and enjoyment time and time again and feature solid construction which will hold up for years to come.

Having recently seen some of the “Dragons” toys at this year’s New York Comic Con our in house toy tester Ian was very anxious to get his hands on some of these really great looking figures. From a parents stand point I was pleasantly surprised by the easy to open packaging and minimal assembly that both of these sets required. The last thing any parent wants is an overzealous youngster repeatedly asking if they are done putting a toy together while also trying to manage multiple bags of pieces and highly detailed instructions. Aside from having to use a little extra muscle to get both Light Fury and Hiccup’s wings in place that’s really all there was to it with these sets. Hiccup does require a screwdriver for battery installation for the light up back fin. Aside from that no other tools are needed and you can get your youngster playing fairly quick. Ian really enjoyed the details of each of the dragons which include textured skin on both main figures (Hiccup/Light Fury) and some really cool and intricate paint work. This was a feature I also thought was very well done especially on the Light Fury and Toothless figures which are painted with an iridescent paint that gives off a shiny yellow glow when the light hits it.

Each set along with the main larger dragon comes with a handful of smaller toys as well. The Light Fury set includes a Baby Dragon and two children figures while the Hiccup set includes Toothless as well as its own Baby Dragon figure. Both larger dragon figures feature projectile shooting action which Ian also enjoyed (what kid doesn’t love shooting things at their sibling or parent). Thankfully Playmobil opted for less powerful springs as the smaller sized projectiles can quickly become lost if they went shooting too far. On that note parents of smaller children may want to take caution as most of the accessories are quite small and Playmobil does a solid job making buyers aware of this and with their recommendation of these being for ages 4 and up.

From price point to play Playmobil continues to do a solid job and their latest additions to the “Dragons” line are no different. Even after a couple of weeks of hard play each of the figures still look new and are working as they should. Yes some of the tiny pieces caused a bit of frustration when they inevitably went missing but, it only caused a momentary pause in the play and thankfully did not hurt any of the functions so If you have a youngster on your list this holiday season we definitely recommend checking out Playmobil’s “Dragons” line as they are sure to put a smile on that loved ones face Christmas morning.         

CD Review: Agnostic Front “Get Loud”

“Get Loud”

Agnostic Front

Nuclear Blast Records

Tracks: 14

Our Score: 4 out of 5 stars

Agnostic Front is back with a brand new studio album simply titled “Get Loud”. The album which is being released via Nuclear Blast Records features 14 gut crushing tracks that are nothing short of classic hardcore. Picking up where 2015’s “The American Dream Died” left off “Get Loud” comes in hard and fast leaving a giant sized boot print on your senses.

Written after the release of Ian McFarland’s 2017 Documentary “The God Fathers of Hardcore” which depicts members of the band recounting there nearly 40 year career. “Get Loud” could serve as the perfect soundtrack to that film by solidifying where the band is today in 2019. Tracks like “Spray Painted Walls”, “Dead Silence” and “In My Blood” showcase a more modern metal/hardcore sound while tracks like “Anti Social”, “Attention” and “Pull The Trigger” contain that classic hardcore sound which blasted out of places like CBGB’s and the A7 during the gritty pre-Giuliani era New York City. Easily my favorite track of the album is “I Remember” which details the bond between front-man Roger Miret and guitarist Vinnie Stigma. The band recently released a really cool video for this song as well that’s packed with lots a vintage footage and photos.  

Clocking in at a swift thirty minutes, “Get Loud” wastes no time getting in and out. From a performance stand point each member of Agnostic Front brings their A game which smacks you upside the head leaving a mark on your senses. “Get Loud” offers something for the old school and new school hardcore fans making for a solid edition to your music collection.

Track Listing:

1.) Spray Painted Walls

2.) Anti Social

3.) Get Loud

4.) Conquer And Divide

5.) I Remember

6.) Dead Silence

7.) AF Stomp

8.) Urban Decay

9.) Snitches Get Stitches

10.) Isolated

11.) In My Blood

12.) Attention

13.) Pull the Trigger

14.) Devastated