Enter to Win Blu-ray “Reclaim” Starring John Cusack And Ryan Phillippe [ENDED]

To celebrate the release of “Reclaim”, starring John Cusack And Ryan Phillippe, hitting Blu-ray and DVD, we are happy to be giving a Blu-ray from the film. If you want to win one of these great prizes, please leave us a comment below or send us an email with your favorite John Cusack film. This giveaway will remain open until November 21th at Noon, Eastern Time. This is open to our readers in US and Canada only. One entry per person, per household. All other entries will be considered invalid. Media Mikes will randomly select winners. Winners will be alerted via email.

When the newly adopted daughter of American couple Steven (Phillippe) and Shannon (Lefevre) goes missing while the family is abroad, they quickly discover that all is not what it seems with the adoption agency – and find themselves in a fight for their lives when they encounter Benjamin (Cusack) and Reigert (Weaver), the culprits behind a high-stakes human-trafficking ring. To expose the truth and save their daughter, Steven and Shannon will have to risk everything…including their lives.

Film Review “John Wick”

Starring: Keanu Reeves, Michael Nyquist and Alfie Allen
Directed By: David Leitch and Chad Stahleski
Rated: R
Running Time: 101 minutes
Summit Entertainment

Our Score: 4 out of 5 stars

An east coast kingpin by the name of Viggo (Nyquist) is furious. He’s just learned that the owner of a body shop struck his only son in the face. He’s called the owner to fume. He inquires about why the lowly proprietor would even think about laying a hand on his son. The man quickly retorts, “Your son stole John Wick’s car and killed his dog.” Viggo’s face quickly turns from anger to one of ominous regret and he quietly says, “Oh…”

John Wick (Reeves) is an unstoppable, former assassin, whose reputation is known throughout every little nook and cranny of the criminal underworld. Thing is though, he retired from his position as a contract killer, to settle into a normal life. Sadly that’s just not his destiny. His wife has recently passed, but before she died, she left Wick a memento of their love, an adorable puppy. The somber Wick quickly takes a liking to the pup that licks at his face and jumps with joy at the very sight of him. Wick also has another love in his life, his muscle car. He’s a complex man with simple pleasures. Before attempting normalcy with the love of his life, he was known as the guy you hire to kill the Boogeyman. So you can see why Viggo is less than thrilled that his numbskull son would even think about laying a hand on Wick, much less kill the last thing he had to remember his wife.

“John Wick” is slick, cool and fun as hell. It’s such a crowd pleaser, you would have suspected that a shoot-em up that’s so self-aware about its own gimmick would have been released against more tame summer action movies like the “Expendables 3”. The plot is alert to the fact that Wick is a larger than life character whose life and exploits exceed the length of the movie. That’s why were given so many verbal and visual cues that he’s a relentless machine that doesn’t stop until all the necessary blood has been spilt.

Leitch and Stahleski have spent their whole life performing stunt work and that really helps add to the craft of filming some of the more intimate hand-to-hand combat scenes. Writer Kolstad would appear to be an avid comic book/video game fan since his script relies so heavily on very little plot and first person shooter invincibility for Wick. I mean, he does get injured, but no real human being could shrug off a gaping wound and continue to tumble around like an acrobat. If there’s any marks against Kolstad in his fairly young career, it’s that he has an inability to find a correct time to wrap things up and allowed couple of lulls in what was a brute force adrenaline fueled movie.

There’s so much blood and violence, that the Reeves affable qualities make the more gruesome scenes light hearted in its own regard. Wick isn’t really a hero, but any time some Russian thugs senselessly kill a puppy, you’re going to have a lot of audience members eagerly awaiting revenge. What makes Wick pleasant is that he also doesn’t appear to take any kind of joy from killing, but views it as a way to rectify a universal wrong. Instead of shooting carelessly into a crowd, he waits for a clear shot, as to not harm any innocents. He also doesn’t want to kill anyone he doesn’t have to. If you’re looking for a sick, but pleasurable viewing experience, “John Wick” is your best bet.

 

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John Waite discusses his new album “Best”

March 13, 1979. A group of friends and I are at the Lakeland (Florida) Civic Center to take in a concert by STYX. The opening band that night is The Baby’s, fronted by singer/songwriter John Waite. As the concert begins, I meet a young lady who surprisingly takes a keen interest in me. As a gentleman never reveals his secrets, I’ll just say that every time I hear the song “Every Time I Think of You”…I think of her.

I recount this story to John Waite as we meet up to talk about his long musical career and the new release of “BEST,” an 18-song collection of Waite’s favorite songs, both as a member of the Babys and Bad English as well as his successful solo career, which includes the huge #1 hit “Missing You.”

Mike Smith: Why did you feel that now was the right time to release a “Best of” collection?
John Waite: Last year I put out an amazing live album. It shook me at how amazingly true it was. It was one of my greatest wishes to be able to put out an album like that while I was still able to sing the way I sing. Having done that I became aware of what songs were included on the live album and wished there were more. To make a long story short, I went to a photography exhibition by Richard Avedon on accident at Christmas. I went and stared at this wall of photos and wondered what they would sound like with music. To see this collection of his favorite photos not only planted the seed…it kicked me up the ass! I went back to England for Christmas with my sketch book and just made notes over a two week period. And then I hit the ground running. I re-cut “Back on My Feet Again” because I thought I could sing it better. I had only written it three hours before I first sang it all those years ago. I wanted to do it “stripped down,” as most of my music is now. I wanted to do it very “spar.” And I’ve always wanted another crack at “Missing You,” because I think it’s a great song. And I think it really has a lot in it when it has “less” in it. It’s a true child of the 80’s for sure…it’s a “singles” mix.

MS: How long did it take you to decide what songs you wanted to include?
JW: I went into the project with 18 songs in mind. Well, 17 really. There is an acoustic song called “I’m Ready” which is just me playing the guitar. It’s a song about reincarnation and I was hesitant about putting it on. But it was so much “me” and so much about my roots. It’s a sweet song, really. And then there are songs like “Bluebird Café” that maybe got away from people. These are the songs I felt were my best. They were the ones that always stuck out to me like a sore thumb and they’re the ones that I like the best. I rang up a friend of mine who played bass and asked him “should I put on this song…should I put on that song” and he said “what are you asking me for…just put on your best!” That was the opinion I got and that was the opinion I took. It’s my life…this is who I am.

MS: Do you have a personal favorite among your own songs?
JW: I think “Bluebird Café” is great because it’s just me and a guitar, with a little violin in the back somewhere. It’s a story. And I like story songs. Those are my roots. I grew up with Western-songs (NOTE: rock and roll, blues – NOT country and western). A song like “Suicide Life” is dark. A really dark song. But it’s also a true story in some ways. It’s my take of being in the belly of Hollywood at night. It’s about the people that inhabit the streets…the ones behind the neon. The society of people that take over when no one is looking. I love singing that song too. All the songs I’ve put on there are ones I love singing the most. So in answering your question, maybe that’s why all 18 songs are on there. They’re the ones that are closest to my heart.

MS: I guess it’s almost like asking a parent which child is his favorite.
JW: Yeah, yeah…absolutely. These are the ones that I’ve put the most heart in to. I wanted to explain where I come from. And the live section features the band playing the living shit out of the songs (laughs). And then there is the duet (NOTE: Waite duets with Allison Krauss on a new version of “Missing You”) which I thought was a great way for the album to go out. I’m very happy with it…it was a very satisfying project. It’s left me looking at my work and knowing what it meant. And it makes me excited to start a new record. I’ve got enough new songs that I could go into the studio today. But I’m putting it off because this record is occupying my time now. I’m sure I could go in and knock it out in two weeks as most of it is going to be acoustic. It’s going to be a very interesting record.

MS: If the album is successful, can you find another 18 songs for a ‘BEST: PART 2”?
JW: No, I wouldn’t do that. These are the songs. I went and re-recorded the ones I felt needed to be re-recorded. I wanted to show off the band, playing live. That is something you’re not going to get, at a high degree, on a “greatest hits” record. There’s the duet…there are some current songs. It’s my take on ME. Like I said, I asked my friend the bass player and this is what I want. It’s like the Richard Avedon photo exhibition. Those were his favorites…his best. I think it would be a bit boring trying to do Volume 2.

MS: What do you have coming up? I know you said you hope to record again shortly. Are you touring this year?
JW: Yes, we’ve gotten a few gigs in this year and we’ve done quite well, actually. The response has been “5 star” caliber reviews. And I’m very pleased with that. Especially with playing the acoustic songs. We have 10 gigs on the book now and we should be done with them by the end of next month. And hopefully we’ll double that or triple that. I just want to keep playing. And then there’s the next album. I think now is the right time to begin it.

MS: Well I hope you make it here to the Midwest. I’ve seen you a few times over the years and you never disappoint.
JW: Thank you. Apparently I’m good luck for you. (laughs and then begins singing) “Every time I think of you…..”

MS: Exactly! When you’re 17 or 18, that’s a memory that stays with you for the rest of your life!
JW: 17 is a magical age. I think it was my favorite year. 17 was the big one!

John Schneider talks about his new horror/comedy “Smothered”

What is the first thing you think of when you hear the name John Schneider? People my age usually say “The Dukes of Hazzard.” Others remark on his country music career. Still others remember his as Pa Kent on “Smallville.” Well, as of today, you can add successful writer/director to your list.

Born in New York state 54 years ago, Schneider rocketed to stardom when he co-starred opposite Tom Wopat as Bo Duke on television’s “Dukes of Hazzard.” His star burned brighter with the release of his first album, “It’s Now or Never.” The title track hit #4 on the country charts and became the first of his ten Top-10 hits, including four that hit #1. But even fans of his music, as I was, were amazed when he took to the Broadway stage as Baron Felix Von Galgern in the Tony award winning musical “Grand Hotel.” I’ve been very fortunate to have seen many great performers in great shows, from Jerry Orbach in “42nd Street” to Michael Crawford in “The Phantom of the Opera” and I would put Schneider’s performance in “Grand Hotel” in my top 5 of greatest stage performances. Schneider’s old “Hazzards” partner, Tom Wopat, has also found success in musical theatre. May I be the first to suggest here a revival of “Guys and Dolls” starring the both of them!

Schneider’s latest project puts him behind the scenes. As writer/director of the new horror/comedy “Smothered” he puts another successful feather in his cap. Schneider took time out from promoting his latest film to not only answer some questions but to help me win a three decade old bet!

Mike Smith: What was your inspiration in creating the story?
John Schneider: Years ago a friend of mine said that he was sick and tired of all the movies where the big titted co-eds got killed by the sickos in the masks. He thought someone should make one where the guys ins the masks got killed by the big titted co-ed. I thought that was a cute idea but couldn’t see what device could possibly cause a group of “sickos in masks” to go on a camping trip together. That all changed in Dusseldorf when I realized I could get a Winnebago full of icons to go just about anywhere with me for a grand apiece because the show was not making them any money.

MS: You’ve pulled double duty on feature films before (“Collier and Company”) but this is your first foray into horror. What was it about that genre’ that intrigued you?
JS: I like movies that make me feel. By feel I mean scare me, make me jump, cry, shiver and anticipate stuff coming down the pike both good and bad. Horror movies are the best at manipulating these emotions because of the personal nature of what’s happening to the people and where it’s happening. Everyone has been in a dark basement… attic or..in a campground before… right?

MS: What is YOUR favorite horror film?
JS: There was a film in the early 70’s with Don Stroud called “The House By The Lake.” I haven’t seen it since I was a kid but remember it scaring the shit out of me. It made me feel very uncomfortable. I’d love to see it again but can’t find it on a list anywhere.

MS: You work consistently in both film and television. Do you have a preference?
JS: I prefer film because there is more time to get it done right. In film you shoot a script. In television you shoot a schedule.

MS: This year marks the 35th Anniversary of “The Dukes of Hazzard.” Are there any “reunion” plans in the works…not necessarily a television show but a convention appearance or two?
JS: Cathy Bach had a wonderful party at her house that many cast and crew attended. It was private and a blast. I think that was the best way to celebrate. When we do “events” non of the cast ever gets to hang out. After 35 years I believe it’s our turn.

MS: What else do you have coming up soon?
JS: We start shooting the 2nd film at the studio here soon. It’s called “Anderson Bench” and it is a very twisted love story.

MS: Finally, you can win me five dollars (or lose it) from a bet I made about 30 years ago. Can you put to rest the rumor that you have a brief role in the 1979 film “Hardcore,” starring George C. Scott. I say that, even though the young man resembles you, that it isn’t. Have you had this question before?
JS: Never. And nope… wasn’t me. William Katt maybe? Go collect your $5. (NOTE: The Internet Movie Data Base says the actor’s name is Will Walker, who appeared in a few things in the late 70s, with his work in “Hardcore” being his last performance. Time for me to get my money!)

Film Review “John Schneider’s Smothered”

Starring: Kane Hodder, Bill Moseley and Dane Rhodes
Directed by: John Schneider
Not Rated
Running time: 1 hour 34 mins
Fairlight Films

Our Score: 4 out of 5 stars

People of Louisiana get ready. Voo-Doo Con is coming and it’s bringing some of the biggest horror film names of all times with it. My advice: run.

The second feature film written and directed by actor John Schneider, “Smothered” is a tongue in cheek look at the world of fan-driven conventions conceived by a man who has been there and done that. The film tells the story of a group of horror film stars who, in order to make a few extra bucks, decide to spend their weekend at a local trailer….er, excuse me….RV Park at the request of the owner. The idea is that the special guests will scare the visitors and make the weekend extra special.

A few things really stand out in this film. First, the script has obviously been well researched and is well written. Full of “fan-speak,” Schneider has captured the dialogue of the movie geek like no one since Kevin Smith. And he has put those words in the mouths of some of the surprisingly funniest actors around. Kane Hodder, who is probably best known to film fans as fictional bad guy Jason Voorhees and real life killers Ed Gein and Dennis Rader, has an amazing talent for comedy. Hodder is joined by such horror film royalty as Bill Moseley, Michael Berryman and John Kassir.

The film is well paced, with the mood changing repeatedly….from slapstick silly to downright scary….without missing a beat. Schneider has clearly spent some time behind the camera (from the final episode of “Dukes of Hazzard” to “Smallville” to made for television films) and that experience and confidence, especially in a genre’ that’s fairly foreign to him, allows him a free eye (and hand) in his story telling. Hopefully it won’t be eight more years before his next film.

John Ottman Talks about editing and scoring “X-Men: Days of Future Past”

John Ottman is known best for his roles of editor and also composer on numerous films including “The Usual Suspects”, “X2”, “Jack and the Giant Slayer, “Superman Returns” and most recently “X-Men: Days of Future Past”. Media Mikes had a chance to chat with John again about working with Bryan Singer and returning to the “X-Men” franchise.

Mike Gencarelli: Having score “X2” and now “X-Men: Days of Future Past”; tell us about returning to the franchise and about your approach to this score?
John Ottman: “X2” was one of my first big movies that I got to tackle. I always look back at those times very fondly because that exhibits an exciting time in my life. It was also a film that went very smoothly for all of us involved. I looked forward to going back into the series, especially since musically I had themes that I always wanted to go back to but wasn’t able to because we didn’t stick around for the third film. In the score for “X2”, I wrote a lot of motifs that I had planned to put somewhere in the next movie. So it always irked me that I wasn’t able to complete what I started. So this film came me an opportunity to pick up where I left off with “X2”. Naturally, it is a different kind of story, a little more modern, and also eleven years later. So I was just really excited that I got to preserve my themes.

MG: Since the film takes place in the past and the future; what was it like combining those two different sounds into one cohesive score?
JO: That is the trick actually to make it all cohesive. But because there is such a vast difference between the past and the future, it wasn’t that difficult to work with because the score was actually set the difference between the two time periods. In the 70’s, I got to infuse some analog synthesizer sound, some electric piano and guitar and so forth. So, that was actually really fun for me to do.

MG: What was your biggest challenge on “”X-Men: Days of Future Past”?
JO: Time travel [laughs]. I have said this in a few interviews. When I look back at this movie, I think about a Whac-A-Mole game. With time travel, you Whac-A-Mole to solve one problem and then create another. We just kept whacking and whacking until the smallest mole comes up that we could live with. Since you can never solve every issue. Really my job was to build consensus and really fight for things I thought we needed to do in the movie. That is how I look back on my experience on the movie basically. There was a lot of passion pleases to do certain things [laughs]. It was a very complicated film. The main challenge was the keep the story clear given all the convolution of the various situations.

MG: This is your seventh film working with Bryan Singer; what keeps you guys coming back together?
JO: I guess good stories and scripts. He keeps telling me to edit his films otherwise he won’t let me score them [laughs]. It is the blackmail that keeps us together.

MG: Speaking of the editing, as with “X2” and many other films, you took on the role of editor as well as composer; tell us about this other aspect of working on the film?
JO: The short story is that when we did out first feature film way back, “Public Access”, which won the Sundance Film Festival. I came on as the editor on the film and also ended up writing the score as well. So when we put “The Usual Suspects” deal together, I said “I just want to write the score” and Bryan said “Hell no, you are going to edit the film as well”. He saw the symbiosis that occurs when you do both jobs. Basically the same story just continues through today. He prefers that I leave my scoring career and go into what I call “editing jail” for two years. Both tasks are telling the story and if they are both being done by the same person it can bring better clarity into the storytelling.

MG: What is your next project and what can we expect next?
JO: Life [laughs]. A life. I purposely did not line anything up after this. I didn’t want to jump right into another project. After “Jack and the Giant Slayer” and then “X-Men: Days of Future Past”, it was three solid years and I need to take a break. I am sure I will get itchy and start looking in a few months but then again maybe not [laughs].

 

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John Schneider talks about new film “Doonby”

John Schneider is best know for his roles like Bo Duke in the 1970s–1980s TV series “The Dukes of Hazzard” and Jonathan Kent in TV series “Smallville”. In the last few years, John has worked on several films including “Super Shark”, “October Baby” and his most recent “Doobny”. Media Mikes had a chance to ask John a few question about the film and what he has planned next.

Adam Lawton: What can you tell us about your new film “Doonby”?
John Schneider: Doonby is a movie that will keep you thinking from beginning to end. It is a puzzle with a high impact solution.

AL: What was it that interested you in the role?
JS: I was very impressed with Peter’s passion for the project. I also like the idea of the drifter who comes in to town and, even though he tries to do the right thing and make it a better place, he causes ripples in the community that have sever implications on the status quo. I also like the mysterious part of who Sam is.

AL: We’re you allowed to be pretty free with the character of Sam or did you stick more to the written script?
JS: Peter allowed the scenes to take their own shape. We stuck to the dialogue mostly, because it is really good dialogue, but the intent is where we got to play around a bit.

AL: How was it working with Ernie Hudson?
JS: I loved working with Ernie. He is a true professional and helped me to be more on my game while we were shooting.

AL: You have a bar scene with Scotti Hill of Skid Row? How did he become involved and what was it like filming that scene and the others where you get to sing and play guitar?
JS: Scotti was great. What a talented guitar player and performer. I believe he is Peter’s friend. Having toured with music for years in the 80’s it felt get to get back on stage with my guitar again.

AL: Do you have any other projects coming up that you would like to mention?
JS: We start another film in Baton Rouge in January in Louisiana called Useful People. My hope is to stack it full of wonderful older names like Dick Van Dyke and Ed Asner. It’s about a group of terminally ill poker players with a legitimate ax to grind against someone who took a loved one from them years ago and got away with it. The group of older gentlemen get together once a week and occasionally have one of the offenders taped to a chair in the closet. If you want to know what happens next you’ll have to come see the movie!

 

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John Jarratt talks about new film “Shiver”

Australian actor John Jarratt started his acting career in the mid 1970’s and has appeared in dozens of films and television series. One of John’s more recent roles is that of a crazed serial killer in the film “Shiver” which also stars Casper Van Dien and Danielle Harris. Media Mikes spoke with John recently about the film and what drew him to the role.

Adam Lawton: Can you tell us about your new film “Shiver”?
John Jarratt: It’s a horror genre film about an impotent nerdy, creepy, middle aged, middle American guy who has a love/hate relationship with women. He seems to love them more after he kills them. However, he comes across one who vehemently doesn’t want to die.

AL: What was it that interested you in the role?
JJ: There are three things that make a film worth doing, the script, the script and the script. Also, being an extraverted Australian, working class guy, I was excited to play this type of character. Having a go at an American accent was a great challenge which I thoroughly enjoyed.

AL: Being that this is a very creepy role what type of preparation or mindset did you have to get in to in order to play this character?
JJ: I tried to stay alone with it because there are a lot of lines. I would take very long walks on a regular basis and mumble lines to myself through the streets of Portland, staying in the zone. I had the script for a year or so before filming, so I had plenty of time to work on the character. I jutted my teeth out a little and tried to play him slightly buck toothed. I made the voice a little nasally and found a nerdy sound that suited Rude. I also I gave him a back story.

AL: For you what was the hardest part of the shoot?
JJ: The snow and the mud! Bloody Portland in winter, you can have it. “It’s beautiful in the summer”, was the catch cry.

AL: Do you have any upcoming projects that you would like to mention?
JJ: Yes, “Wolf Creek 2” is being released in Australia on February 20th and I am really looking forward to that. I am working on a film called “Defence” in November and another called “StalkHer” starting in January.

Blu-ray Review “John Carpenter’s Assault on Precinct 13”

Starring: Austin Stoker, Darwin Joston, Laurie Zimmer, Martin West, Tony Burton, Charles Cyphers
Director: John Carpenter
Rated: R (Restricted)
Studio: Shout! Factory
Release Date: November 19, 2013
Run Time: 91 minutes

Film: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

“Assault on Precinct 13” was never my favorite film from John Carpenter but it is still quite impressive and holds up with time. I mean, the director must be doing something right since his films keep getting remade like “Halloween”, “The Thing” and “Assault on Precinct 13”. Of course none of the remakes even come close to the originals. This film really shows the scale for John Carpenter and that he was able to really rock any genre not just horror. This film was action packed and super intense. This is not the film’s first go on Blu-ray as it was released back in 2008 from Image. So I would recommend this for hardcore Carpenter fans since the last release is still pretty solid.

Official Premise: John Carpenter directs this tense remake of the classic Howard Hawks western Rio Bravo. Set in modern-day Los Angeles, it concerns a mob of crazy guerilla gunmen who lay siege to a soon-to-be-closed police station, trapping a single cop (Austin Stoker) and a couple of secretaries (Laurie Zimmer and Nancy Loomis) inside. The gunmen unleash wave upon wave of attacks on the beleaguered station, but the cop proves himself a resourceful foe.

Shout! Factory released “John Carpenter’s Assault on Precinct 13” as a Collector’s Edition in a Blu-ray + DVD combo pack. The 1080p transfer is very sharp and looks great for a film nearly 40 years old. Especially since the film was low-budget, the colors are sharp and the overall presentation still holds up very well after all those years. The DTS-HD Master Audio 5.1 is the same one from the 2008 Image Blu-ray, which is a very solid track. Also included is the DTS-HD Master Audio Mono track.

The special features are the real draw of this new release. There is a new audio commentary track with Art Director and Sound Effects Editor Tommy Lee Wallace, There are two new interviews with actress Nancy Loomis Kyes and actor Austin Stoker. There also a ported audio commentary with writer/director John Carpenter and an interview also with with John Carpenter and Austin Stoker. Lastly there is a Theatrical Trailer, Radio Spots and Still Gallery included. One thing I noticed that I would have loved to see is the isolated score track which was included in the 2008 Image Blu-ray.

Blu-ray Review “John Carpenter Presents Body Bags”

Actors: Tobe Hooper, Robert Carradine, Stacy Keach, David Warner, Mark Hamill
Directors: John Carpenter, Tobe Hooper, Larry Sulkis
Rated: R (Restricted)
Studio: Shout! Factory
Release Date: November 12, 2013
Run Time: 95 minutes

Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars

“Body Bags” was a made-for-TV anthology that aired on Showtime. Originally it was planned to be a television series, similar to HBO’s “Tales from the Crypt” but never panned out. The film is jam-packed with great genre talent including Mark Hamill (“Star Wars”), Robert Carradine (“Revenge of the Nerds”), Tom Arnold (“True Lies”), Sam Raimi (“Evil Dead”), Stacy Keach (“Up In Smoke”), David Warner (“TRON”) Deborah Harry, Sheena Easton, Twiggy (Member of Marilyn Manson), David Naughton (“An American Werewolf In London”), John Agar (“Tarantula”) and great cameos by Wes Craven, Tobe Hooper and Roger Corman. Overall, this may not be the best anthology but it is still a blast to watch and a must have for any true horror buff.

Official Premise: Two Masters of Horror John Carpenter (“Halloween”, “The Thing”) and Tobe Hooper (“The Texas Chain Saw Massacre”, “Lifeforce”) come together to create a chilling anthology of terror. Alex Datcher (“Passenger 57”) stars as a woman working the late shift at The Gas Station while a killer is on the loose. Then, Stacy Keach (“Road Games”) can’t stand the thought of losing his Hair and he’ll do anything to keep it. And finally, Mark Hamill (“Star Wars”) portrays a baseball player that submits to an Eye transplant after he loses an eye in a car accident.

Shout! Factory delivered this film as a Blu-ray + DVD combo pack. The 1080p transfer looks decent for a made-for-TV film and the DTS-HD Master Audio track works with the film’s suspense and score. In terms of special features, there is some great content here for horror fans. There are three audio commentary tracks included, the first is with director John Carpenter and actor Robert Carradine on “The Gas Station”. The second is again with director John Carpenter and joined by actor Stacy Keach on “Hair”. The last with with producer Sandy King on “Eye” and is moderated by Justin Beahm. There are some some great new interviews with John Carpenter, Producer Sandy King and actors Stacy Keach and Robert Carradine. Lastly there is a trailer included as well.

Blu-ray Review “John Carpenter’s Prince of Darkness”

Actors: Donald Pleasence, Jameson Parker, Victor Wong
Directors: John Carpenter
Rated: R (Restricted)
Studio: Shout! Factory
Release Date: September 24, 2013
Run Time: 102 minutes

Film: 3.5 out of 5 stars
Extras: 4 out of 5 stars

I have to admit, the first time I saw “John Carpenter’s Prince of Darkness”, I was really blown away.  But over the years, I have developed quite the love for this film.  It is not the most recognized Carpenter film over others like “Halloween”, “The Thing” and even “They Live” but is definitely a great film. If you are a horror fan, Carpenter really delivers fan-favorites with Donald Pleasence (“Halloween”), Lisa Blount (“Needful Things”), rock icon Alice Cooper (“Roadie”) and Victor Wong and Dennis Dun (both from Carpenter’s “Big Trouble In Little China”), So the cast feels like a big reunion.  It has also been a few years since I have seen this film probably (don’t laugh on VHS), so I was really blown away with this Blu-ray release. The film still holds up today, delivers a very creepy ambiance and arrives perfect time for Halloween. So if you are a horrorhound like myself you will be thrilled to see this film finally get the love it deserves.  Did I also mention the new cover art totally rocks!?

Official Premise: Master of horror John Carpenter (“Halloween”, “The Thing”) directs this terrifying battle between mankind and the ultimate evil. A group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open it, they inadvertently unleash a strange liquid and an evil force on all of humanity. As the liquid turns their co-workers into zombies, the remaining members realize they have released the most unspeakable horror of them all. Terror mounts as the team must fight to save the world from a devilish fury that has been contained for over seven million years.

Scream Factory really scored with the film’s Blu-ray presentation. The 1080p transfer in 2.35:1 aspect ratio is quite amazing. Being a big Carpenter fan, I have to admit that this is actually one of the best transfers for one of his films, especially the make-up effects which look stunning. Of course that might all chance when Anchor Bay releases their anniversary edition of “Halloween” later this month. In terms of audio options, we get both a DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 tracks. The 5.1 score definitely the most ass and takes the win, especially with the amazing  score delivered by Carpenter and Alan Howarth.

In terms of special features, Scream Factory really delivers the goods for this Blu-ray. “Sympathy for the Devil: An Interview with John Carpenter” is a 10 minute interview with the master of horror discussing the film. “Alice at the Apocalypse: An Interview with Alice Cooper” is an awesome new interview with the rock icon to discuss his role. “The Messenger: All New Interview with Actor and Special Visual Effects Supervisor Robert Grasmere” looks into both his role in the film and special effects work. “Hell On Earth: A Look at the Film’s Score with Co-Composer Alan Howarth” is a feature on the score. There is an “Alternate Opening from TV Version”, which is worth checking out. “Horror’s Hallowed Ground” features Sean Clark giving a hosted look at the film’s locations. There is a Q&A from the “Prince of Darkness 25th Anniversary Screening” from 2012’s Screamfest. There is a great audio commentary with John Carpenter and Peter Jason. Lastly there are trailer, radio spots and still gallery included.

John 5 talks about “The Lords of Salem” and Rockstar Energy Mayhem Festival

John 5 has played guitar for many notable acts in variety of music genres. He is currently the guitarist for Rob Zombie who recently released his 5th solo studio album titled “Venomous Rat Regeneration Vendor”.  The band is set to headline the Rockstar Energy Mayhem Festival this summer and Media Mikes caught up with John during rehearsals to discuss the tour, the new album, scoring Rob’s latest film “The Lords of Salem” and if he has been able to recover any of his recently stolen guitars.

Adam Lawton: Can you tell us about the bands upcoming run on this year’s Mayhem Festival?
John 5: The summer time is my favorite time of the year to tour. I love playing in the states and getting to see all of my friends. Touring is hard at time but the way we do it is great! We can sleep till whenever we want, get up eat some breakfast, maybe go get a massage and play some guitar. I can go watch bands play and just hang out. Then we get to go out on stage and hear the people scream. It’s a blast and I can’t complain. It is something I don’t take for granted. Getting out there and meeting everyone is just really great. Mayhem is going to be a blast!

AL: Will you be unveiling a new stage show on this run?
J5: Everything is going to be brand new. We are really excited to have everything come together. This is something that I am excited to see as well. We also are going to be playing some tracks off the new album which is something I am definitely looking forward to. We love playing the hits also but
getting to play new material live is always fun. People will have to wait until the tours first show on June 29th to hear what we will be playing.

AL: What has it been like adapting the songs from the new album in to a live setting?
J5: I am a total perfectionist so what we do is we go to our drummer Ginger’s house and myself, Piggy .D and Ginger set up in the living room and we just play the new songs. It’s kind of like when Rocky goes to Russia and he’s training with logs and paint cans. (Laughs) We just are jamming in a living room. From there we take things to a big room. I think once we start getting together with Rob things are going to sound incredible. I am very excited.

AL: Have you and Rob been working on any special features for “The Lords of Salem” DVD release?
J5: Yes we have. Being a movie fan I love special features. Rob had started doing interviews with all of the actors talking about the behind scenes stuff and I got a call one day after he finished and he told me he had a film crew coming down to talk to me about my work on the score for the film. Griffin and I were filmed very last minute but we will be on there.

AL: What type of reactions have you gotten now that people have seen “Lords of Salem” and heard the soundtrack?
J5: I think when people hear things from me they are never surprised anymore as I do so many different styles of music. We have gotten so many great reviews on the score Griffin and I wrote. I am so thankful for that as I was very focused and did my best. Without Rob’s help it would have been difficult as he was able to steer me in the direction towards what he wanted. The score was a lot of fun and things came out really well.

AL: Being a guy who is always busy what else are you currently working on?
J5: I am always working on my instrumental stuff and am half way done with my next record. I am also always writing with other people as well. I wrote a song on the last Rod Stewart record which ended up being a number 1 record over in the UK and is also doing well here in the states. I don’t take anything for granted. I am really happy and lucky to have all these things happening. I appreciate all of the fans and their nice comments. I read them all and talk to every fan out there.

AL: Recently you had a bunch of gear stolen from your home. Have you been successful in retrieving any of those items?
J5: Actually I just got two guitars back. This guy had called my webmaster that lives in England who then sent me an email saying that she had talked with a guy that just bought two of my guitars. I guess he had recognized them from the internet and sure enough they were my guitars. The guy gave me the guitars back but the person he bought them from vanished. Maybe more will turn but I am very glad I got these two back. So much stuff was taken it was terrible.

John Krasinki & Greg Daniels talks about the series finale of NBC’s “The Office”

John Krasinki plays the role of Jim on the hit NBC series “The Office”. Greg Daniels is one of the show’s writers and developers. The series is set to end it eight year run this May with the last episode containing an extra 15 minutes of footage. Media Mikes had the chance to speak recently with John and Greg about their experiences and what they will miss most about working on the show.

Adam Lawton: What do you think you are going to miss most about playing Jim.
John Krasinski: You’re trying to get tears and I appreciate it. I’m saving my tears for Barbara Walters. There’s so much to miss. I was a waiter before this show, so what I miss most about this character is way too complexly entwined in my real life. So to me, this was a winning lottery ticket, except with a winning lottery ticket you just get money, and with this you get a whole change of your life. And everything about my life has changed and become better, and I feel so lucky to be where I am. So, it’s hard to separate the two, because I’m so sort of meshed in the experience. I will say, and I don’t know if this a good answer or a bad answer, but I think the thing I’ll miss most is playing a character that people believe in so much and attach themselves to in various degrees. There are some people who think they are Jim. There are some people who are looking for Jim. And, you know I think to me, and I know to Jenna playing the Jim/Pam relationship and realizing how important it became to so many people was such an incredible honor. I felt like I was given a tremendous responsibility and that responsibility I really will miss because it’s just so much fun to play a character that people are watching and rooting for and loving. I really appreciate that.

AL: Will Steve Carell be involved in the series finale at all?
Greg Daniels: I think that Steve felt, which I agree with that that Goodbye Michael episode was his goodbye, and that he didn’t want to overshadow the endings that the other characters deserved after all these years, you know, and so I think he made a good call. Obviously, it’d be wonderful to have him back, but you know.

AL: What has “The Office” fan base in general meant to you over the years?
JK: I think there’s a lot of shows that can say, they owe it all to their fans. But, we actually technically can say that we owe everything to the fans, because I for one think that, you know our show is so fan-driven in such a specific way, as evidenced by iTunes. I mean, I think that when we first came out the only reason, in my opinion, that we made it past just, you know these pickups that Greg and I were talking about is because people actually decided they liked the show so much, and it was such a small group at the beginning, that they would pay money to see the show, rather than just wait for it on Tuesday or Thursday, whatever time it was back then. I remember that was life-changing for me to see, because you know to be part of something like that was incredible. I was walking down the streets of New York and someone would just stop on their way to work and say, “Oh, my God, you’re on my iPod.” And I was like two things, “What’s an iPod? Also, what are you talking about?” And they just held up this thing. I also think that during the early speculation of what our show would be when people were, you know obviously being really hard on the show without seeing it, because everybody thought that it was going to be terrible because the English one was so good, as soon as that first – I remember Diversity Day hitting and just every other person on the street would come up to me and say, “The show is awesome. The show is awesome.” I think we owe absolutely everything to the fans.
GD: I completely agree with that.

AL: Can you describe for us what the last few days on set were like?
JK: I don’t think there were any tears. There was just a celebration that this thing was finally over, right Greg? I think for so many people this wasn’t just a job, and there’s no way it could be just a job. This was a huge incredibly emotional family and connection that we all had. I mean, to say it was emotional would be a complete understatement. I think that, you know knowing what that we’ll see these people still in our lives, and it was still that emotional, it says a lot about how much we are all defined by this show and how much we honor how defined we are by the show. I just think that we know that this will – I think no matter what any of us go on to do, I think that this show will probably be, you know what we’re most known for, and that’s incredible. And I think for people to feel so good about that and feel that they were a part of something so special, not only in the television world, but in their personal lives, was massive. I’ll never forget, we were all joking around. I was, as per usual, crying laughing as we exited the – I’m a crier laughter  which is a bummer, but I was crying laughing with Craig and we were all joking around waiting in the hall every time we exited. And then, one of the times we came back, instead of saying, “Going again,” Greg randomly appeared and just said, “Ladies and gentlemen, that’s the end of The Office.” And it was – it really was, I mean even talking about it now, it’s – you know it was a gut punch. It’s a life-changing event and there’s just no way to describe it. It’s not like ending college. It’s not like anything, really. It’s a part of your life that defined you, and to have it go away is so incredibly bittersweet. I think the only thing that helped us all is that we’re so proud of the work, and that we’re so proud that we got to have a Series Finale. You know, I think that we – you know that’s a very rare thing. And growing up I remember the “Cheers” Finale and, you know “M*A*S*H”, and all these amazing Finales, and I remember them being very, very important. For us to be a show that even got there is incredible, and I think that we’re just all so proud of the work. And that’s, I think, the only thing that prevented us all from just having a complete meltdown.
GD: Yeah, very special. There’s the lot that we shot it in is all by itself in Van Nuys, and we had lunch with each other every day and there was nobody here who didn’t work on the show on this little lot, and so we did get very close. One of the hard parts about the Finale, I think, is that, you know you have to be professional and you have to act and you have to, you know try and keep the tone a certain way when you’re on the set and everything, in terms of like writing and directing. It’s very difficult if it also means that, you know you’re going to say goodbye to everybody you’ve been hanging out with for eight years, and you’re – you know you’re going to have to find a different place to have an office in. And so, there is like a lot of weird overlap between the end of your personal work experience and, you know what’s going on on screen, so it was very sad.

AL: Do you have a favorite episode that sticks out for you?
JK: That’s a really hard question. To me, it’s like saying, what’s your favorite movie? You’ve got to have more of like a top ten. For me I have favorites for so many different reasons, again personally and professionally, I think that there’s so many important moments, some having to do with my characters and others not. I think the first moment that I can remember the most was shooting the first day of “Diversity Day”, because the pilot was pretty much word for word the British show, which I know we weren’t all super excited about, but we could understand why we had to do it to see how it stacked up against the other show. And then, our first sort of running at our own pace was “Diversity Day”. I actually remember people looking around the room at each other, you know as if you do when you saw something incredibly special and important. We all knew that something very, very special was happening, and that this show tonally and from a writing perspective was just really, really incredible. I remember that moment feeling like it set the tone for what this show is.Personally for me, two episodes that I’ll never forget is, “Casino Night”. I remember shooting that last scene and Greg had the set cleared and the lights were low and there was like an importance put on this, and you realize that it wasn’t an importance because of us, like you know that the actors needed it necessarily. It was more like, “We’ve got to get this right for the people that are watching.” People, like Greg was saying earlier, are so invested in a way that you never thought people would watch TV and be so invested that you can’t just at the end of the episode say, “I love you,” and kiss. It has to be very real and very special and exactly how they think the characters would do it, and that was amazing. That was an amazing night. And then, the other thing that I remember defining the show was “Booze Cruise”. That will always be one of my favorite episodes on many levels. I think it’s hilarious and one of my favorite episodes.
GD: I loved that episode too but I would also have to add that “The Job” and “Business School” were great episodes as well. There’s just so many. I mean the first season had all these very comical episodes, I thought, where we weren’t really too concerned with the likeability of anybody, but I kind of loved them just – for the comedy sake. And – you know, and then we had some very good mixes of touching episodes, I think. It was good. We had some good stuff.

 

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Don Coscarelli talks about “John Dies at the End” and “Bubba Ho-Tep” and “Phantasm” sequels

Don Coscarelli is one of my favorites directors in the business. He has directed films like the
“Phastasm” series, “The Beastmaster” and “Bubba Ho-Tep”. His films just seems to grab this cult following and only grow over the years. I worked as part of the street team going back to “Bubba Ho-Tep” and it was such a great experience. If you are a fan of his work then you have already seen or need to immediately see his latest film “John Dies at the End”, which arrived on Blu-ray and DVD on April 2nd. It is a fantastic film and a great return for Don. Media Mikes took out sometime to chat with Don about this film and also got some tips about the “Bubba Ho-Tep” and “Phantasm” sequels.

Mike Gencarelli: Tell us what attracted you to “John Dies at the End”?
Don Coscarelli: I am an avid reader and I always try to pick up books that are interesting. It’s not that easy to sit around and generate a completely new idea. I have done that a few times but it is a challenge. It is a lot easier when you find a nice piece of literature and turn it into a feature. True story, I got this email out of the blue in my inbox one day from a robot at Amazon.com. They told me that I would love “John Dies at the End”. I read the byline for it and thought that it would make a great movie. It is just an interesting testament to the power of these computer programs and algorithms that Amazon has in place to track our taste. I read the book and just loved the attitude and style, sense of humor, had some great characters and villains and I knew it was for me. So I tracked down the writer and bought the movie rights.

MG: The story is quite epic; where you ever concerned about the scale of the story before making it?
DC: Of course. For starters, I thought that the film would have been great for a major studio release. I might have been completely naive but I thought it would be a fresh new kind of horror with a little comedy mixed in. I went out and tried to get major studios to fund it and they just didn’t get it. Then ended up realizing that we would have to make it on a much smaller budget with the money I was able to raise myself and with investors. It was a very ambitious project going into and there were new challenges every day. It was a bit of an effort but it paid off for sure.

MG: There are quite a bit of visual effects used in the film; would you say this has been you-r most ambitious project yet?
DC: Yes absolutely. I think that part of it Mike is that I am a naturally optimistic person and I always put myself into these situations. In the first “Phantasm”, I had this pretty cool sequences written out with a flying sphere and goes into the persons head. I just thought, “Yeah, we’ll figure out how to make it fly and into his head later”. When we were out there in the mausoleum, we just sat there wondering how the hell we were going to pull this off. Thankfully using fishing line, paper clips and tape worked out for us. In this movie it was the same situation. We figured that we could find a way to make the meat monster and then send them to this other world as well and have this 80 foot long eye-ball creature. I just keep saying “We’ll figure out a way to make it work”. I get myself into trouble sometimes. I think the fact we were able to put some level of polished visual effects into the film and I am very happy with them.

MG: Tell us about the creature effects used in the film? Meat Monster?
DC: One of the benefits of having made some movies is that I have a lot of great friends out there. Robert Kurtzman helped us out on this film. He is also a great director as well and directed the film “Wishmaster” back in the day. He was one of the founding make-up effects artists with KNB EFX as well. Greg (Nicotero), Howard (Berger) and Bob have been so helpful with my career over the years. Bob created the Bubba Ho-Tep. Howard did the Bruce Campbell old age make-up. Greg was even an apprentice going all the way back to “Phantasm II”. So Bob has always offered to help out. He created the meat monster suit and it is a wonderful work of art. There is so much detail there that doesn’t even translate onto the screen. There is tons of stuff that you barely see like, a whole pineapple ham on one of the monsters hands. That was a totally old school sequence by the way. The entire shot was done with meat on fishing line. We choreographed it with all the meat on the floor. We even used some reverse motion and it was a lot of fun. There were some other great effects as well that Bob put together like the mustache bat. That was really cool. I was looking at it the other day in my office and it is this little mustache with the wing aperture on its back, like a bird. We filmed it on a green screen and then filled it in. There was a bunch of great old school stuff in this film.

MG: The flying mustache scene reminded me of the scene in “Bubba Ho-Tep”, when Elvis is fighting the Scarab in his room.
[Laughs] That’s funny Mike because when I read this book and I came across that sequence with the mustache, I thought to myself that this was sort of like “Bubba Ho-Tep”. There are other elements as well that are right out of “Phantasm”. It was my kind of stuff!

MG: David Wong (aka Jason Pargin) has written a sequel, “This Book Is Full of Spiders”; any interest in continuing the story?
DC: I would first like to say that the sequel is great. It is called “This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It”. It is just a very cool follow-up and I think it is brilliant in many ways. It is a little premature now to try and decide for it to be a sequel. We would need to see how this film does. If it came the time and it seemed viable, I would certainly take it on.

MG: Since the ends credits of “Bubba Ho-Tep”, over 10 years ago. we have been waiting for a sequel; is that still in the cards?
DC: It is always in the cards [laughs]. The cool thing about it is that I learned from when I was touring with “John Dies at the End” is how many people freaking love “Bubba Ho-Tep”. It’s so great. I think that maybe the delay we had is actually a good thing because it is developing this great cult following. I for sure want to do it and I know that Bruce Campbell still wants to do it. I think we just need to find a way to pull it all together.

MG: Next year is 35 years since the first “Phantasm”. Since Phantasm: Oblivion” was released, there were talks of a fifth sequel; why do you fans keeping asking and why does this series refuse to die?
DC: Look I would love to take all the credit for that [laughs], but look I think it has to do with the power of those performances. The weird thing about it is that when this first came out we were criticized for some of the acting in the movie. Yet with these performances by Michael Baldwin, Reggie Bannister and of course Angus Scrimm folks really love them. After the fourth film, I was hoping to wrap up the story since it was a bit open-ended in a “Phantasm” way. So fans have always been asking for a “Phantasm 5”. The good thing is though the actors are in great shape. Angus has a nice role in “John Dies at the End”; I thought he pulled it off beautifully. This is something that I will be looking into in the near future, since there is a definitely an audience out there.

Blu-ray Review “John Dies at the End”

Actors: Chase Williamson, Rob Mayes, Paul Giamatti, Clancy Brown, Glynn Turman
Directors: Don Coscarelli
Rated: R (Restricted)
Studio: Magnolia Home Entertainment
Release Date: April 2, 2013
Run Time: 99 minutes

Film: 4 out of 5 stars
Extras: 3.5 out of 5 stars

It has been over ten years since Don Coscarelli graced us with “Bubba Ho-Tep”, which starred Bruce Campbell. I worked on that film as a member of the street team handing out promotional material to assist in getting the word out. Over the years the film has become a very popular and loved cult classic. Don Coscarelli is also the genius behind the amazing “Phantasm” series. “John Dies at the End” is a fantastic comeback for him. It is unique, original and a shit load of fun. When I finished watching this film, I was left saying “WTF, just happened”. But I believe that was the goal of the film and what a pay off it had. I see this film becoming yet another cult classic for Coscarelli and I really hope that he doesn’t wait 10 years again to direct again. Horrorhounds, Do not miss this film!

The film itself is based off David Wong’s novel of the same title. It is genre crossing, focusing on horror but with comedy and also some sci-fi elements thrown in as well. There is no way that you will not leave this film with a smile and immediately wanting another viewing. I wasn’t too familiar with the leads Rob Mayes and Chase Williamson but they are a blast in the film. Also great supporting performances from Clancy Brown, Paul Giamatti and even Angus Scrimm pop in! BOYYYYYYYYYY!!

Official Premise: In “John Dies at the End”, it’s all about the Soy Sauce, a drug that promises an out-of-body experience with each hit. Users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John (Rob Mayes) and David (Chase Williamson), a pair of college dropouts who can barely hold down jobs. Adapted from David Wong’s audacious trans-genre horror novel, “John Dies at the End” with screenplay by and directed by Don Coscarelli (“Bubba Ho-Tep”) and also stars Clancy Brown, Glynn Turman and Paul Giamatti.

For a low-budget film, “John Dies at the End” looks stunning on Blu-ray. The film also feels like it is scaled way higher than its budget.  Don did a great job utilizing some impressive visual effects even including a meat monster.  Yes a meat monster…and he looks amazing in the film, kudos of Robert Kurtzman’s Creature Corps. Along with the fantastic 1080p transfer, this Blu-ray also come with a very impressive DTS-HD Master Audio 5.1 surround track.  It is clear, sharp and works perfectly with Brian Tyler’s (who also composed “Bubba Ho-Tep”) score.

The special features are pretty kick ass as well.  We start off we are fun commentary track with Director Don Coscarelli, Producer Brad Baruh, Chase Williamson and Rob Mayes.  Must listen for all fans of Coscarelli’s work.  There are nine deleted scenes, which were cool but well cut.  ”Getting Sauced: The Making of John Dies at the End” is a behind-the-scenes look at the production.  It is a little too short but me but there is some good footage. “Creature Corps: The Effects of Soy Sauce” is my favorite extras, which looks into the prop and monster design. There are Casting Sessions from the actors auditions. “Fangoria Interview with Paul Giamatti” is a great chat with the actor and his love for the genre.  Lastly there is a trailer included for the film and David Wong’s book “This Book is Full of Spiders”.