John de Lancie talks about his roles in "Star Trek: The Next Generation" and "My Little Pony: Friendship Is Magic"

John de Lancie is known for his role of Q in “Star Trek: The Next Generation”. Recently John was introduced to the world of “My Little Pony: Friendship Is Magic” voicing character Discord. Since then he teamed up with Michael Brockhof in order to make “Bronies: The Extremely Unexpected Adult Fans of My Little Pony” to showcase this unbelievable fan base behind this show. Media Mikes had a chance to chat with John to look back on “Star Trek: The Next Generation” and also his work with “My Little Pony”.

Mike Gencarelli: Looking back on “Star Trek: The Next Generation”, what was your favorite part of playing such a great character like “Q”?
John de Lancie: I guess mostly the reaction. Everybody liked him a lot. It has been a long time but he wasn’t iconic when I started but he was iconic when I left. The reaction was more intense than the actual doing of it.

MG: Are you surprised that it is still so well-received and respected all these years later?
JDL: Yes it is phenomenal. “Star Trek” is a phenomenon. I don’t know of any other shows that keeps on giving like this one has over the years. A lot of people feel that I sort of came on full blown and that other characters slowly developed over the years. Maybe that is the case to the extend that I was used to playing characters that were like that. You didn’t have a very long time to establish who you were, so you had to come on strong.

MG: Do you have any experiences that stand-out from working on the show?
JDL: I don’t have one favorite moment…I have many favorite moments. But what was fun about this show was that you knew that you were on the set making cultural history or if nothing else TV history. It was a show that was really culturally important. People referred to it and it became a way to talk about anything futuristic – it would be “Star Trek-like”. So it was great.

MG: “Q” was always one of my favorites. He was bad but also threw you for a loop occasionally.
JDL: Well that is what I intended. He is very naughty and somewhat dangerous. You were left never quite knowing what would happen. But it was a lot of fun. He is the one person you would invite to the dinner party but really make sure that the guests can handle him [laughs].

MG: You are hitting the convention scene this year, what do you enjoy most about meeting fans?
JDL: I love meeting fans. I find myself talking to kids, who see me at the age of their fathers…if not older. Some of them are even third generation fans. Which is actually is pretty amazing and honestly really unheard of.
MG: I am a second generation, my father got me into it and now I have a daughter that is 9-months old and she already has a “Star Trek” jumper.
JDL: That is what I am talking about and it is really amazing.

MG: On the complete other side of the spectrum, tell us about voicing Discord on “My Little Pony: Friendship Is Magic”?
JDL: It started with me being asked to do a voice over for “My Little Pony: Friendship Is Magic” and I said sure. So I read the script and have never heard of it before. But I thought it was well-written and fun. I have done characters like this before but I didn’t know that they wanted a Q-like character. I didn’t think of it as that at first and I just did it as it was written. Then about three months later, I was on the computer and I thought I got spammed. I had about 300-400 emails and they all had the subject of “My Little Pony”. So, I reach a bunch of them and then asked my wife what she knew about “My Little Pony”. She reminded me I did a voice for it about three months ago, which I totally forgot about. She told me it was a cartoon for little girls. But let me tell you these emails were not from little girls [laughs]. So that was the beginning of it.

MG: How did you get involved with “Bronies: The Extremely Unexpected Adult Fans of My Little Pony”?
JDL: It just so happened that Michael Brockhoff came over my house the night I got those emails and I told him about the story. He laughed and I agreed I didn’t get it either. Why would 20 year old guys be interested in “My Little Pony”? He asked me if I would want to do a documentary about it and I say “Oh my God, no way”. So that weekend, I had to go up to Vancouver on a job and some kids came up to me and asked me to sign pictures of Discord. I say kids, I mean 20 year olds. They are the typical geeky fans that I recognize from “Star Trek”. So, I asked them all a lot of questions and still I didn’t quite get it. But as they explained me to more and more what the show was about, it started to click. The show has the elements of harmony, being kind, generous, loyal and tolerant. I thought what is the problem with that? So now I had a face to put to what a Brony was. Mike sent me a link the following week for a Fox News, whom I am not a fan of, piece of this trend. It trashed the idea of Bronies calling them “a bunch of homosexuals, living at home on food stamps and disability watching cartoons in their parents at day in their parents basement”. That made me upset because it is not true. This is typical of Fox News. Have we really gotten to the place in our society that we are so threatened by everyone, that if we have 20 year old guys watching cartoons intended for girls, which is about being kind, loyal, generous and tolerant that we are going to demonize them and turn them into something that they are not. So that is when I called Mike back and said “I’m on board with the documentary, let’s do it”.

MG: Tell us about how you ended up with the Kickstarter campaign?
JDL: I asked Mike how was he going to fund this projects and he said through Kickstarter. I asked him how much he needed and he said about $60,000. He asked me if I could get myself into one of the conventions for BronyCon and I said “Yes”. The deal was that we were going to shoot for two days with two cameras, edit for about six weeks and that would be it. So yeah, instead of $60K, we got $322K. At that point, I was blown away. We’ve shown this film to people in the business and they just go “Wow, you’ve put a lot into this” and that was out intent. So when you see this film, I think you will be impressed.

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"Dark Feed" DVD Giveaway, from the Writers of "John Carpenter’s The Ward" [ENDED]

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To celebrate the release of “Dark Feed”, from the Writers of “John Carpenter’s The Ward”, Media Mikes would like to giveaway TWO copies of the film on DVD. If you would like to enter for your chance to win this great prize, please leave us a comment below or send us an email with your favorite horror film and why?. This giveaway will remain open until March 29th at Noon, Eastern Time. This is open to residents of the United States only. One entry per person, per household. All other entries will be considered invalid. Media Mikes will randomly select winners. Winners will be alerted via email.

A film crew moves to an abandoned psychiatric hospital with a shadowy past to shoot a low budget horror film. The late nights and lack of sleep begin to take a toll, and the longer this crew works, the more the leaky, wet building seems to be coming back to life, feeding off its new inhabitants. As the shoot wears on, members of the crew exhibit increasingly strange behavior leaving those still sane realizing they need to get out of this place before they too succumb to the building’s infectious hold. The only problem—the old hospital is not ready to let them go. Written, produced and directed by Michael Rasmussen & Shawn Rasmussen.

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John Hyams talks about directing "Universal Soldier: Day of Reckoning"

John Hyams is the writer and director of “Universal Soldier: Day of Reckoning”, officially the fourth film in the series. John breathed new life into this franchise with “Universal Soldier: Regeneration” also reuniting Dolph Lundgren and Jean-Claude Van Damme. Media Mikes had a chance to chat with John about this franchise and the latest film.

Mike Gencarelli: Tell us where “Universal Soldier: Day of Reckoning” fits in the franchise?
John Hyams: When I first became involved with the Universal Soldier franchise in 2009 (with Regeneration) the idea was to focus on the broad mythological themes while ignoring specific storylines from the previous films. Although it was an action movie, I immediately responded to the Frankenstein myth elements, which kept one foot firmly planted in the sci-fi and horror genres. I felt that a movie made 20 years after its predecessors should be a stand alone film, while at the same time pay respect to the mythology of the first movie. With Day of Reckoning, the idea was to embrace the very same challenge – to make a movie that picked up where Regeneration left off, from a mythological standpoint, but could also stand alone as a unique interpretation of the material. This time we focused more on the psychological horror elements. We aimed to create a subjective, often hallucinatory experience, punctuated by moments of explosive action and violence. So, to me it fits right next to Regeneration, where they both can stand together or alone.

MG: Tell us about working with and also reuniting Dolph Lundgren and Jean-Claude Van Damme?
JH: Regeneration served as a more formal reuniting of Dolph and Jean-Claude, since that movie pitted the two against each other, and allowed for a dramatic showdown more reminiscent of the scenario from the first movie. This time, their characters served a different function – as obstacles standing in between our protagonist, played by Scott Adkins, and his goals. As for working with them, I know them better this time around and we have a comfortable working relationship. I like them both as people and collaborators, but they’re very different from each other and present unique challenges. Jean Claude is emotional and leads with his heart, whereas Dolph is more analytical, and thinks in more technical terms. We all had a good time working on this one.

MG: What made take on the role of writer, as well, this time around?
JH: It’s always better to be involved with a story from the ground up. By coming up with the story and writing the script I could take part in the evolution of the mythology, and take it into directions I’d like to see it go. Ultimately, it leads to a much more interesting, challenging experience.

MG: After four films in the franchise, tell us about turning the hero Luc Deveraux into the villain?
JH: Regeneration ended with Luc Deveraux escaping. Day of Reckoning answers the question of what happened to him after he escaped. In order to facilitate this story, it was necessary that we introduce a new protagonist, whose journey was to find Luc Deveraux and, in this case, attempt to kill him. Therefore, Luc is the antagonist of the story… however, whether or not he is actually the villain is the central idea the film seeks to explore.

MG: Tell us about the decision to shoot “Universal Soldier: Day of Reckoning” in 3D and was it a challenge?
JH: It wasn’t my decision to shoot in 3D, the producers sold it that way oversees, so it was part of the deal. 3D is a huge challenge because, quite simply, it costs more money and takes longer. So, on a budget as low as ours, it leaves you with less shooting days and less hours each day to work with. Therefore, the fact that it was going to be shot in 3D directly affected the content of the story. In essence, the decision to focus on subjective, horror thriller elements instead of large scale spectacle was informed by our budgetary constraints, due in large part to working in 3D. From an aesthetic standpoint, we used 3D to create an immersive environment. Since the perspective of the movie is very subjective, we felt that 3D could help enhance that feeling of being in the room with the characters while they interact. Conversely, we avoided the ‘comin-at-ya’ gimmickry often associated with 3D. The goal was to make the film work just as well in 2D as 3D.

MG: How did the productions differ from “Regeneration” To “Day of Reckoning”?
JH: Regeneration was shot in 2D, had a bigger budget and was shot in Sofia, Bulgaria, whereas Day of Reckoning was shot in the US. Therefore, Regeneration had a shooting schedule of almost 47 days, vs Day of Reckoning, which was shot in 29. So, Regeneration was larger in scope, involved more group battles, and was more of a straight action movie. Day of Reckoning, because of it’s schedule, became a much more intimate movie, though in some ways I think we achieved some even better action this time around.

MG: With 2012 being 20 years from the first film, how do you feel this franchise has evolved?
JH: I feel like the first Universal Soldier film was a product of its time, when movies like Terminator and Robocop had inspired an interest in bio-mechanical ideas. That coupled with the tongue in cheek nature of action movies from the 80s and early 90s, led to an aesthetic that was very much of its time. It did not take itself too seriously, and, in fact, embraced the comedic aspects of the story. For Regeneration and Day of Reckoning I took my cues from films like Alien, Sorcerer, The Terminator, as well as films by John Carpenter, David Cronenberg, among others, to create an aesthetic that took the mythology seriously, and tried to create a believable aesthetic. That idea led to the dark, serious tone that ended up dominating the proceedings.

MG: How was it getting to bring this series back to theaters after going DTV?
JH: I feel a sense of accomplishment that we took a franchise that had long been forgotten and reintroduced it in a way that created renewed interest. From the discussions I’ve had with people, whether during interviews, film festivals or on Facebook, there seems to be an appreciative audience out there that Is pleased with the direction we’ve taken things.

MG: Now that you have life back to “Universal Soldier”, do you see yourself continuing with this franchise?
JH: I have been developing a concept with the producers that we imagine as a larger scale production. If we are able to raise the budget necessary to execute these ideas, than I’d be interested.

MG: Can’t wait to see what you have planned next, any ideas?
JH: In addition to Universal Soldier, I’m developing a potential action franchise with a renowned sci-fi writer, as well as finishing an original screenplay of my own. Other than that, reading scripts and meeting with producers. Truth be told, I’m itching to get back in the trenches. When I’m not making a movie I feel like Captain Willard — drunk, naked and bleeding in a Saigon hotel room, just waiting for a mission.

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CD Review: John Travolta & Olivia Newton-John “This Christmas”

John Travolta & Olivia Newton-John
“This Christmas”
Label: Universal Music Enterprises
Tracks: 13
Release Date: November 13, 2012
Running Time: 44 minutes

Our Score: 3.5 out of 5 stars

John Travolta & Olivia Newton-John are back.  It has been 35 years since their last duet “You’re The One That I Want” in “Grease”. The track in fact just became the best-selling duet in pop music history, so it is only right that they join forces again. “This Christmas” is a newly recorded album featuring some great Christmas favorites with guest appearances from amazing talent including Barbara Streisand, Tony Bennett, Kenny G and James Taylor! So is this reuniting as sharp and hot as it was in “Grease”? Not really, but it is Christmas, so I have to give this duet some points for at least sharing their Christmas spirit.  It is a little cheesy here and there but that is what Christmas is about and this album really captures it and aims to deliver a smile to everyone listening.

The CD includes twelve classic covers of Christmas songs and even a brand new original track titled “I Think You Might Like It”.  It is composed by John Farrar and set as a sequel to their famous smash hit. I got to tell you the track is worth the price of the CD alone. It is a really fun up-tempo pop track.  Olivia Newton-John’s voice sounds great still. John Travolta is not at his prime since “Grease” but still sounds decent, though I can’t help but smirk a little when he comes on.   Other great tracks are “Rockin’ Around The Christmas Tree” with Kenny G on horns. “Silent Night” is nicely paced and beautiful duet. Barbara Streisand joins in for the jazzy take on “I’ll Be Home For Christmas”. “Winter Wonderland” is a real gem and big-band feel with Tony Bennett and the Count Basie Orchestra and of course the best Christmas duet is “Baby It’s Cold Outside”, it is a great album opener.

So this might not be the best Christmas album ever, but it does what it is suppose to.  With Christmas right around the corner, it spreads some great Holiday cheer. I also love the reuniting of John Travolta & Olivia Newton-John, they are really cute together and seem to be having a lot of fun together. I have a feeling that this album will be a yearly revisit each year.  What makes this worth wild is that Travolta and Newton-John are donating the artist proceeds from the album equally to their respective charities, the Jett Travolta Foundation and the Olivia Newton-John Cancer and Wellness Centre in Melbourne, Australia. So not only is this a cheesy-yet fun collection of Christmas songs but it is also helping a good cause. I recommend this for sure!

Track Listing:
1. Baby It’s Cold Outside
2. Rockin’ Around The Christmas Tree
3. I’ll Be Home For Christmas
4. This Christmas
5. Silent Night
6. The Christmas Waltz
7. Have Yourself A Merry Little Christmas
8. Winter Wonderland
9. White Christmas
10. I Think You Might Like It
11. The Christmas Song
12. Deck The Halls
13. Auld Lang Syne/Christmas Time Is Here (Medley)

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John Dunsworth & Richard Donat talks about Season 3 of Syfy’s “Haven”

John Dunsworth & Richard Donat play brothers Dave Teagues & Vince Teagues in Syfy’s “Haven”. Vince is the artist and editor and Dave is photographer and editor of the Haven Herald…but there is much more to be told behind these two characters. Media Mikes had a chance to chat with John and Richard about season three and what we can expect.

Mike Gencarelli: What do you enjoy most about playing Vince Teagues on Syfy’s “Haven”?
Richard Donat: Vince, well I just love him since he is such a quirky guy. Partly because he has a lot of hidden aspects, which will hopefully be coming out as the show progresses.
John Dunsworth: Well I love working with Richard Donat. We have known each other for a while and we have done a bunch of great plays together. I was mostly a professional actor in the stage before “Haven” came around.  I love working in Nova Scotia.  Regardless of the part, the people that we work with are just a joy to be with on the set.

MG: The new season has really started to show some light behind what Vince and Dave really know; has that been fun to see that reveal?
RD: Oh yeah, it is great. Because of John, I feel that it really helps. We just have a great time together. We both live in Nova Scotia and I have known John for a long time.
JD: I would like to be more in the know. We confess sometimes that we don’t know what is going to happen and sometimes we are lying and then sometimes we really don’t know. It is hard to figure out when we are lying and telling the truth.

MG: Vince and Dave seem like they are disagreeing a bit more than usual, can we expect any rivalry this season?
RD: Well, we have been sort of at odds. But we always seem to get back together. In terms of the progress, I won’t able to say too much now but there is definitely a couple of things that happen.

MG:You two play great off each other; can you reflect on this collaboration?
JD: Well, I have to reflect on the writers. We don’t know what are story arc is. At the end of season three, which is my favorite season so far, we were throw some real curves. I thought I had it figured out…but it was the complete opposite. There are so many different possibilities.

MG: Most of the cast is from California, how does it feel to have the home turf advantage?
RD: Oh it is just fine. The whole cast is made up of some really great people. We all get along great. Thank God! When you work in those conditions, it is nice to be able to work well with people. There is no sort of LA thing, everyone is great.

MG: How does season three compare to you from the first two?
RD: Well, I think a lot more interesting things are happening between the characters. Then we get the introduction of Dwight is really fun story (played by Adam “Edge” Copeland”), who came in last season. It all starts to blend in. I think they seem to concentrate more on a centralized story line instead of individual episodes. I just can’t believe the reaction to the show.

MG: Do you find that you watch the show as it airs on TV?
JD: Last week, my wife and I finally watched season two. I don’t watch television or even get TV in our house. But I got the season as a present and I was blown away. I am so impressed with the three principals. On the set, the acting seems very subtle but it really comes across on the show. And Adam “Edge” (Copeland), he is just great.

MG: What would you say has been the highlight for you working on “Haven”?
RD: I think the highlight is actually getting to do the show. I have always lived here and then this show comes along and suddenly your life is changed. It is quite extraordinary really.
JD: Yep, the highlight is showing off Nova Scotia and living here. Right now, I can see the Grey Gull from my house. It takes me five minutes to get to the set some days. It has to be some kind of a blessing to be able to work in my own community on such a great project. I feel like I am the luckiest guy in the world.
RD: Yes, me too. I live about 45 minutes from the set and I am able to go home at night. So it is really great.

MG: John, how was it going from “Trailer Park Boys” to “Haven”; how does it compare for you?
JD: Last week, someone asked a person; “are a character actor of a lead actor?”. The right answer, of course, is a character actor. I like different roles. I like to play villains. So this has been nothing but a pleasure. We also just got the ratings in for the first episode of season three and I got a feeling that a fourth season is almost guaranteed! So I am on a very big high.

 

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John Billingsley talks about role in “Trade of Innocents” and reflects on “Star Trek: Enterprise”

John Billingsley is known best for his role of Doctor Phlox on “Star Trek: Enterprise”. He also co-stars in the recent “Trade of Innocents”, playing the sleazy Malcolm Eddery. Media Mikes had a chance to chat with John about his various roles and what has been his most rewarding role.

Mike Gencarelli: Tell us how you got involved with the film “Trade of Innocents”
John Billingsley: It was a pretty standard audition process. The scene I did was one that ended up not making it into the final cut of the film. When we were working on it I had a strange suspicion that the scene might not make it in to the film. After meeting with the directed I heard back about a month later that I had gotten the part.

MG: How did you prepare to play such a sleazy guy, Malcolm Eddery?
JB: I have played more than my share of creeps, child molesters and psychotics through the years. I hate to say it wasn’t an extraordinary stretch for me to play this role. Ultimately anytime you are playing a character that is bent you really aren’t doing anything much other than saying what their particular obsession or interest is. Everyone has an obsessive nature so all you have to do is stretch the envelope a little bit.

MG: The film was shot on location, tell us about your experience?
JB: That was great! I had never been to Bangkok before. It was a fascinating city that has this strange blend of first worldism and third worldism. There were high rise buildings mixed in with small run downhouses. My role gave me quite a bit of down time. I would generally shoot a day then have some time off. I had a chance to explore the entire city. I am a big fan of cities and getting to see how they work. They have a really interesting transportation system there that is also pretty cheap.

MG: How can you reflect looking back on your experience playing Doctor Phlox on “Star Trek: Enterprise” and how it compares to your following work?
JB: My role in “Star Trek” is probably the closest role I have had to myself. He was an even keeled person with a fair amount of philosophical attachment. Except for the rubber head in many respect that role was probably the most comfortable I have ever been. After playing that role for 4 years I wasn’t too bereft when it went off the air.

MG: How was it returning to “True Blood” this season as the Coroner?
JB: Surprising! The role was never particularly dimensional in any way but I did like the paycheck. They were nice people to work for. My character disappeared sometime in the 3rd season so I was pleasantly surprised when they contacted me. I was a little puzzled in a way as they brought me back but didn’t necessarily use me. I have a feeling that there may have been a back story there. I kind of thought my character was going to be the guy behind the Obama killings. When I went in for the first wardrobe fitting they wanted to fit me for camouflage gear. I asked them what it was about and they told me I was going to be involved with a terrorist group later in the year. Somewhere along the line they must have changed their mind. I was a little disappointed. I did get a death scene though.

MG: Looking at your career to date, what would you say has been your most rewarding role?
JB: The most fun/challenging role was probably one that no one ever saw. I did a play called “The Seagull” in Seattle which was great. Movie wise I did a film with Denzel Washington called “Out of Time” which was also great. I liked being on “The Nine” as well. The lady who played my wife on that show is actually my wife. Each thing you do offers its own particular reward. In the end I have to pick “Star Trek” as it lasted the longest. That role changed my life.

 

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“John Carter” Blu-ray/DVD Combo Pack Giveaway [ENDED]

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New On Disney Blu-ray™ Combo Pack, Blu-ray 3D™, HD Digital, DVD, and On-Demand June 5th.

To celebrate the Blu-Ray™ release of “John Carter”, Media Mikes would like to giveaway 10 copies of the 2-Disc Combo Pack (Blu-ray™ + DVD). If you would like to win one of these great prizes, please leave us a comment below or send us an email and let us know your favorite sci-fi film. This giveaway will be open until Friday June 22nd at Noon, Eastern Time and is only open to residents of the United States. Only one entry per person, per household; all other entries will be considered invalid. Once the giveaway ends, Media Mikes will randomly pick out winners and alert the winners via email.

Disney brings to life an iconic hero, John Carter, in a visually stunning new world with heart-pounding action. The heroic epic adventure “John Carter” arrives on Disney Blu-ray Combo Pack, Blu-ray 3D™, HD Digital, DVD and On-Demand June 5, 2012, just in time for Father’s Day!

As a warrior lost on Earth, John Carter is magically transported to Mars, where the fate of the planet and its people ultimately rest in his hands. With surprising new powers, and epic battles, he rises to become the man he is meant to be and the hero he truly is.

2-Disc Combo Pack (Blu-ray + DVD) includes:
Blu-ray bonus features:
– Disney Second Screen – Explore John Carter’s journal with this innovative in-world experience and uncover a trove of fascinating details that extend the mythology of the movie.
– 360 Degrees of John Carter – Experience every aspect of the filmmaking process on one of the movie’s biggest production days.
– Deleted Scenes with Optional Commentary by Director, Andrew Stanton
– Barsoom Bloopers
DVD bonus features:
– 100 Years In The Making – Follow the journey of Edgar Rice Burroughs’ story, from its origins as a pulp novel to its arrival onscreen.
– Audio Commentary with Filmmakers

 

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Book Review “The Art of John Carter: A Visual Journey”

Author: Josh Kushins
Hardcover: 160 pages
Publisher: Disney Editions
Release Date: March 6, 2012

Our Score: 4 out of 5 stars

The film “John Carter” is visually amazing…whether you like the film or not. I happened to really like it. I thought it was very entertaining and fun. This book really brings forward John Carter’s best qualities…it’s visual effects. There is also a great nod to “A Princess of Mars” author Edgar Rice Burroughs throughout. If you enjoyed this film, I would highly recommend this book as a perfect companion to the film.

Disney Editions never let me down on their “Art of” books. This book really delivers the whole film in a nice wrapping. If you haven’t seen this film and read this book it will definitely send you out to the store to pick up the Blu-ray for sure. The art presented in this book is the highest image quality and fantastic paper stock. I am a big fan of intros and afterwords and this book does not disappoint. Director of John Stanton delivers a great kick-off to this visual journey. Also art director of “John Carter”, Ryan Church, respectively closes the book and does a great wrap-up job.

“The Art of John Carter: A Visual Journey” covers every aspect of the film starting with the character of John Carter to Barsoom to the Tharks. The art that is showcased in this book ranges from sketches, paintings, 3D renders and film stills used for comparison. I am big proprietor of Disney Editions books and I was completely satisfied with this book and I would even say it made me like the film even more. Now I get to go back and watch it again with the knowledge from the book and just realize how much work has really gone into the creation of this film from the pages of a book to the screen.

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Dr. Paul Frommer talks about developing the languages for “John Carter” and “Avatar”

When writer/director James Cameron needed someone to create the native language of his Na’vi characters for the film “Avatar,” he turned to renowned linguist Paul Frommer. Impressed by his work the filmmakers behind the recent film “John Carter” asked Dr. Frommer to develop the Barsoomian language for that film as well. Dr. Frommer is Professor Emeritus of Clinical Management Communication at the University of Southern California’s Marshall School of Business. Prior to joining Marshall, he lived and taught in Malaysia and Iran and completed a doctorate in linguistics at USC. He followed that with a ten-year sojourn in the business world as vice president and strategic planner for a Los Angeles corporation. Returning to USC, he joined the faculty of Marshall’s Center for Management Communication, serving as Director of the Center from 2005 to 2008. His teaching at USC included courses in Advanced Writing for Business and Cross-cultural Business Communication for Non-native Speakers. Dr. Frommer is co-author, with Edward Finegan, of Looking at Languages: A Workbook in Elementary Linguistics, currently in its fifth edition. To celebrate the release of “John Carter” on DVD, Dr. Frommer took the time to speak with Media Mikes:

Mike Smith: For “John Carter” was it important to incorporate a lot of the Barsoomian words that Edgar Rice Burroughs had created for his series of novels?
Paul Frommer: Yes, it was extremely important. And that’s what made this assignment unique. In the series of eleven books he came up with around 420 words. There is a large fan base out there that regards those texts as sacred and I wanted to respect that. I wanted to incorporate everything that Edgar Rice Burroughs had done so that therewould be no inconsistencies. That being said there was still a lot of guess work that had to be done. Just because you see the written form of a word doesn’t mean you know the exact pronunciation. For example, he had used “ch” in a lot of the words. But what does it mean? It could be “cha” like “chair.” It could also be “ka” like in “chorus.” It could be “sha” like in “machine. Those were some of the decisions I had to make. When you have “th” is it “thh” as in “thin” or “thuh” as in “then?” They both have different sounds. And even though the words were there, there were still a lot of decisions to be made. In terms of grammar we used virtually nothing from the book…it’s just isolating words.

MS: When you’re creating a language for a film do the screenwriters and director contribute their ideas as to how the language should sound or how it should flow?
PF: Yes. In fact, Andrew Stanton (director of “John Carter”) had come up with a few words of his own and when I could I would incorporate those. I had come up with some possibilities as to how the language would sound when spoken and I past those on to Andrew for his approval. In the initial go ‘round there were certain things he liked and certain things he didn’t. So we played around with things until he was happy with how the language sounded.

MS: Using Klingon as an example, since Klingon’s are outwardly very rough…their language is very guttural. When you create a language do you base how it will soundon the character’s perceived on-screen appearance?
PF: For the Na’vi language in “Avatar” Jim Cameron wanted the language to sound appealing and beautiful but also to sound somewhat complicated. In terms of the Barsoomians, they’re kind of a rougher people and so maybe the language reflects that.

MS: Since you brought up “Avatar” are there any new species you’ll be creating languages for in “Avatar 2?”
PF: Well, I wish I could tell you but I’m as curious as anyone. All I can tell you is that the film has been announced and that it’s slated to come out in 2016.

MS: To close on a humorous note, have you ever had a bad experience at a restaurant where you’ve just lambasted the waiter in Barsoomian?
PF: I haven’t done that yet (laughs) but there are times when I’ve said some things to myself in Barsoomian or Na’vi but I haven’t pulled that on any people yet. I’m sure there are fans in the audience for both languages that have done it and I think that’s great!

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Filed Under: Film Interviews, Interviews Tagged With: avatar, carter, creating, dr, frommer, john, ...

3D Blu-ray Review “John Carter 3D”

Directed by: Andrew Stanton
Starring: Taylor Kitsch, Lynn Collins, Willem Dafoe
MPAA Rating: PG-13
Distributed by: Buena Vista
Release Date: June 5, 2012
Running Time: 132 minutes

Film: 4 out of 5 stars
Extras: 3.5 out of 5 stars

Alright, so I think that “John Carter” got a bad rep in theaters. The film is nowhere near as bad as people say. It is a fun sci-fi flick which looks visually amazing. Is it the best plot ever? No, it has it faults but if you are a sci-fi fan it is almost guaranteed to leave you satisfied and if you are like me seeing on the edge of your chair. The actually story of “John Carter” is adapted from “A Princess of Mars” by Edgar Rice Burroughs, which was written around 100 years ago. I think Disney and Andrew Stanton did a great job with this film and I really enjoyed it over all. The 3D also looks absolutely fantastic, especially on Blu-ray. It really assists in creating Mars and adds its depth. The 3D also plays really well off the insane action sequences in the film and wonderful visual effects.

Let’s get to the look and feel of the film. It is one of the sharpest Blu-rays that I own in my collection. The 1080p transfer is perfect, absolutely flawless. If that is not enough the audio is also out-of-the-world boasting Disney’s DTS-HD Master Audio 7.1 surround track. It is so impressive my couch felt like it was moving during the action scenes. This release not only came with the 3D Blu-ray but also a really 2D Blu-ray, a DVD and digital copy of the film. Disney really aims to please with this release and does not disappoint. Like I said this is one amazing Blu-ray, whether you like the film or not, this will blow you away!

The special features are definitely worth checking out especially if you enjoyed the film. There is an audio commentary from Director Andrew Stanton and producers Jim Morris and Lindsey Collins. It is a fun commentary track and covers a lot of ground on the film. You can enjoy “Disney Second Screen Interactive Experience” if you use your iPad, laptop, or sync the film with your device in order to explore John Carter’s journal. There are ten deleted scenes included with optional Director’s Commentary, running just short of twenty minutes. “100 Years in the Making” is a great feature but a little short, which goes into depth on Edgar Rice Burroughs’ life and the John Carter’s road from book to film. “360 Degrees of John Carter” is a thirty-five minute extensive production diary covering all aspects of the film’s production. Lastly there is are Barsoom Bloopers, which get a few good laughs off. Overall haters will hate but this is a decent movie.

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Filed Under: DVD/Blu-Ray Reviews Tagged With: 3d, bluray, carter, john, review

President of Edgar Rice Burroughs Inc, James J. Sullos Jr. & Archivist Cathy Wilbanks talk about the film “John Carter”

James J. Sullos Jr. is the President of Edgar Rice Burroughs, Inc. and Cathy Wilbanks is the Archivist of Edgar Rice Burroughs, Inc. They took out some time to chat with Media Mikes to discuss Edgar Rice Burroughs’ classic novel “A Princess of Mars” – the first novel in Burroughs’ Barsoom series and Disney’s film “John Carter”. Both James & Cathy also helped create the bonus feature on the “John Carter” Blu-ray called “100 Years In The Making.”

Mike Gencarelli: What`s the best part of working on Mr. Burroughs’s Legacy?
Jim Sullos: Mr. Burroughs wrote over 70 novels and 40 short stories. There is no end to the literary content that he created. I continually read material that has not been published for quite a few years and yet the storyline are still exciting. That why his legacy is never ending.
Cathy Wilbanks: I really enjoy working with the archives because every day is an opportunity to find treasures. The archives are filled with amazing artifacts from the past and I have the pleasure of discovering each and every one.

MG: What do you think Burroughs would have thought of this adaptation of “John Carter”?
JS: Burroughs would have been pleased that the movie accurately portrayed much of what was in his first novel “A Princess of Mars”. And he would have been amazed that current technology could finally do justice to his vivid imagination which was not possible until CGI was developed.

MG: What scene did you most enjoy in “John Carter”?
JS: It is very difficult to select just one scene that I most enjoyed because the whole movie was an incredible joy to see. Andrew Stanton was a genius in bringing visualization to the entire storyline that had never been seen before. As I watched the movie I could feel the passion he devoted to each segment of the film. Picking one scene would not be fair to so many successful portrayals of this timeless story.
CW: My favorite scene in the movie would have to be when John Carter saves Dejah during the marriage ceremony. My favorite character would have to be John Carter, but Woola is a close second!

MG: This big adaption of “John Carter” was 100 Years In The Making, what was the biggest challenge to get it right?
CW: The biggest challenge was finding an actor to portray Edgar Rice Burroughs. We were able to talk John Burroughs, ERB’s grandson, into taking on the part. When I saw the film for the first time, I was amazed to watch John interact in the background because he resembles ERB so much. It was like ERB was back with us again.

MG: How do you feel that the film “John Carter” interpreted the novel “A Princess of Mars?
JS: I think Andrew Stanton, the fabulous Director, who read all of the 11 Mars books as a youngster gave Dejah Thoris an added dimension as both a scientist and an accomplished fighter, greatly expanding her role with positive effects.

MG: What do you think makes the book “A Princess of Mars” so unique?
JS: At the time this book was written in 1911-1912, the scientific knowledge of planet Mars was limited and scientists had to guess as to the makeup of the surface of the planet. Mr. Burroughs novel gave a vivid description in detail of Mars that persisted for decades as the imaginary life that might exist on any planet in the universe.

MG: What were Burroughs’ sentiments toward filming his works in general?
CW: Edgar Rice Burroughs moved from Chicago to the San Fernando Valley in 1919 so he could be closer to the Hollywood scene. He was very excited and realized that he wanted to move in that direction. However, once filming started, he realized that he had to give up some of the control of how his characters were portrayed. Burroughs was mostly frustrated with the portrayal of Tarzan. He wanted his TARZAN to be portrayed as an intelligent, insightful heroand did not like the line “Me Tarzan, You Jane.”

MG: Can you give us some examples of the artifacts you worked with in the treasure trove of ERB material?
CW: The archives at Edgar Rice Burroughs, Inc. are filled with historical treasures. I have had the pleasure of holding in my hands many first edition books, a huge variety of comic books, toys, merchandise from around the world, movie props like a pterodactyl, and of course, original art. But some of the most meaningful artifacts include the handwritten TARZAN Of THE APES manuscript as well as the A PRINCESS OF MARS manuscript and personal letters signed by Edgar Rice Burroughs himself.

MG: Despite being a hundred years old, the characters of ‘John Carter’ and the Barsoom series are still relevant and don’t feel the least bit dated. Why do you think that is?
CW: Edgar Rice Burroughs wrote the story focusing on human conditions such as love and conflict. He understood that to have a successful story, he must include factors that would have a wide appeal. The ‘John Carter’ character was developed with characteristics like humor, intelligence, emotion and strength. John Carter (Taylor Kitch) is very ‘relate-able’ which makes the story current in today’s world.

MG: We wouldn’t have Star Wars if it wasn’t for Princess of Mars, do you think pop culture gives Burroughs the credit he deserves for being such an influence?
CW: No, I don’t believe pop culture gives Edgar Rice Burroughs enough credit. He was a gifted, prolific writer and unfortunately has not been recognized for his contributions.

MG: Do you think there should be a sequel to John Carter movie? If you had to choose another adaption of Burroughs to be made into a feature, which would it be?
JS: I definitely think a sequel should follow. First, I would hope that the planned sequels will be produced because they will show the path that John Carter took to become the “Warlord of Mars”. There are 11 ‘Mars’ books that can be drawn on to create several more exciting movies. But in addition Mr. Burroughs wrote many other science fiction novels and particularly intriguing is the Venus series which portrays the hero Carson Napier who planned to fly his spaceship to Mars but miscalibrated and ended up on Venus to discover an unknown world.

MG: Will there other movies on the books of Edgar Rice Burroughs?
JS: At the present time Warner Bros. has in development a Tarzan live-action. And Constantin films will release its first Tarzan 3D animated film in 2013. We are currently in discussion with several producers who are looking at other Burroughs novels for potential new films.

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Filed Under: Books, Film Interviews, Interviews Tagged With: archivist, burroughs, carter, cathy, edgar, film, ...

John 5 talks about Solo Album and Rob Zombie’s “Lords of Salem”

John 5 has played guitar for many notable acts in variety of music genres. He is probably best known for his work with Marilyn Manson and Rob Zombie. John 5 is set to release his 7th solo album titled “God Told Me To” in early May. Media Mikes was very fortunate to be able to talk with John 5 recently about his work on the new album as well as his work on the new Rob Zombie film “Lords of Salem”.

Adam Lawton: What can we expect from the new solo album “God Told Me To”?
John 5: What I wanted to do with this album was to make something a little different from my previous releases. I wanted to do a half electric and half acoustic album. I was really into doing some cool Spanish style acoustic songs. I also wanted to incorporate some rhythmic styles played on the body of the guitar. The idea was do something more than just your standard strumming techniques. I was really into that style of playing on the album. The other cool thing about this album is that it is going to come with a DVD as well. The DVD will have clips of me in the studio recording the songs as well as some footage from being on the road. It even will have its own horror host hosting the DVD. It’s really a cool CD/DVD package which is something I personally love. I am very excited for the album’s release.

AL: Are there any guest performers on the album?
J5: No. I did a lot of this while I was on the road or writing with other people. I didn’t really have a chance to do anything like that. I did everything on my own when I had some free time. Maybe for the next album I will do a bunch of guest appearance type things.

AL: Do you plan to make a guitar tablature book to accompany the CD?
J5: I don’t think so. I did put out a book recently titled “The Book of John” which shows a bunch of my techniques. I don’t think we will be doing that for this album because there is a lot of transposing which is a lot of work. We will have to see.

AL: What can you tell us about your work on “Lords of Salem”?
J5: I did the musical scoring for the film. I love challenges and scoring is definitely a challenge. You are dealing with music that sometimes does not have a time signature or even a certain key. You are also dealing with a variety of instruments and musical styles. It was so much fun. I actually just finished it and it turned out great. I am very proud of it. I saw some of the movie and it is going to blow people away.

AL: Did you provide all of the instrumentation on the score?
J5: I and Griffin Boyce did everything. It was just me and him. I did a lot of the stuff on guitar using an Ebow or a violin bow. It’s really cool.

AL: Do you see yourself doing more scoring in the future?
J5: I don’t know. I worked so hard on the project but it’s kind of just background music. There is a lot of work for that. I love Rob’s movies and I was very honored to be a part of the project. If Rob does another movie of course I will do it. I don’t know if I will venture off.

AL: How is it working with Rob in a band setting compared to a directorial setting?
J5: We have a great time just hanging out with each other. However when its business its business. He gives me clear ideas of what he wants and as long as that’s what I deliver we have no problems. I have always listened to talk about how certain people don’t listen to what he is saying. I have made sure to always listen. A lot of times when he is explaining something I will record the conversation and I will tell him that I am doing so. By doing that I will have exactly what he said and I will go from there. This has worked out amazingly for us. A lot of times you can forget what somebody says during conversation so this has really helped.

AL: Can you tell us about this summer’s tour?
J5: We are going to be touring this summer with Megadeth. I am really excited about this because they are a band I love. It’s great being on tour. It’s like heavy metal summer camp. There is nothing better to me than touring in the warm weather in the United States. I love it!

AL: What will the bands lineup be for the tour?
J5: It will be me on guitar, Piggy D on bass and then Ginger Fish from Marilyn Manson on drums. Ginger has a really great groove. I played with him for sometime in Marilyn Manson as well and we are really happy to have him on board.

AL: Do you have any other plans in the works?
J5: I wrote some music for the next Lynyrd Skynyrd album as well as for the next Rod Stewart album. We also will be starting the recording of a new Rob Zombie record in June after the tour ends.

AL: This will be the second time you have worked with Lynyrd Skynyrd. How did that all come about?
J5: I did 6 songs on the bands last album. I did “Storm”, “Gifted Hands”, “Skynyrd Nation”, “Floyd” and a bunch of other tracks.  I got involved with the band through my publisher who asked if I would be interested in writing some tunes. I love Skynyrd more than anything else in the world!  I am very educated in the bands catalog so writing with them was an honor and a treat.

For more information on John 5 be sure to check out his website at www.john-5.com

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Filed Under: Interviews, Music Interviews Tagged With: 5, album, john, lords, rob, salem, ...

Blu-ray Review “John Le Carré’s Tinker Tailor Soldier Spy”

Directed by: John Irvin
Starring: Alec Guinness, Michael Jayston, Anthony Bate, George Sewell, Bernard Hepton
MPAA Rating: Not Rated
Distributed by: Acorn Media
Release Date: April 24, 2012
Running Time: 324 minutes

Mini-Series: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

I was not a fan of 2011’s remake of “Tinker Tailor Soldier Spy” at all and thought it was completely confusing and boring. The original 1979 mini-series on the other hand is a lot more entertaining and stars the wonderful Alec Guinness (“Star Wars”) in the lead role. I think it was the fact that this complex and in-depth story was spread out over 5+ hours instead of being crammed into a 2+ hour movie. There is just something that is so classy about the PBS aired British series. In this American re-cut “Tinker Tailor Soldier Spy”, the series is spread out over six episodes.

The mini-series reveals that a mole has infiltrated the Circus, code name for the British Secret Intelligence Service. Agent George Smiley (Guinness) gets the job of find out who can be the mole and finds that it can only be one of four men who sit at the very highest level. Throughout this task of digging through the world of Cold War-era espionage and also his own past. Alec Guinness really nails the heart of John le Carré’s character and gives a new view to the definition of a spy.

This new HD transfer comes packed with sharp and bright 1080p transfer. The audio overall is decent but only boasts a Dolby Digital 2.0 track. Overall this Blu-ray release is not the best restoration ever but if you are a fan of the series, it is worth checking out and it definitely expands on the issues that the past DVD releases have had.

The special features are impressive including some new extras for this release. There is a very interesting exclusive interview with John le Carré, author of the book, who talks about the mini-series and his book. There is an all-new interview with Director John Irvin talking about the production and its cast. There are eleven of deleted scenes that were a part of the original series, which was cut down from seven episodes to six. It is also exclusive to this Blu-ray release. The production notes are included in text format and gives some interesting information about the series. There is a glossary of main characters and terms, which comes in very handy with this film, I would recommend printed them off the internet and keeping on you while watch. Lastly there are cast filmographies and John le Carré biography included.

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Interview with Adrenaline Mob’s John Moyer

John Moyer is the bassist for the platinum selling metal group Disturbed. John also is the bassist for the newly formed hard rock super group Adrenaline Mob. John took some time to talk with Media Mikes about joining the new group and his thoughts on the new album.

Adam Lawton: Can you tell us how you got asked to join Adrenaline Mob?
John Moyer: Disturbed are taking an extended hiatus and I really wanted to stay creative and keep playing. Word had gotten to Mike Portnoy that I was going to be possibly available. Mike gave me a call to talk about the project and he had also sent me a couple tracks. I thought they sounded great. I flew out to Philadelphia to jam with the band and I loved it.

AL: What were your first thoughts on the material when you were listening to it?
JM: I was very impressed with how much it was in line with my style of playing. I’m not a progressive rock player as my previous work with Disturbed and Union Underground is more of a rock/metal fusion. I grew up listening to bands like Metallica and Guns n’ Roses. You put those two bands together and that has always been my style. I didn’t know what the tracks were going to sound like but when I finally heard them they were right up my alley.

AL: How much were you involved with the actual recording of the “Omerta” album?
JM: I did absolutely nothing for the recording. (Laughs) The only people who played on the recording were Russell, Mike O. and Mike P. the bass lines I am playing are the ones there were laid down by Mike Orlando. It’s great though because he is a super talented musician’s with a great feel. Any time I learn someone else’s material I really learn a lot. It makes my own playing style grow. The thing that’s cool though is what Mike put down on the record is pretty in-line with what I would have done anyways. It has been fun learning the new material.

AL: Were you allowed to add any of your own style to the tracks since the initial recording?
JM: They haven’t told me anything. I had seen Mike Orlando a week or so prior to jamming and I took him aside to ask him about one of the bass riffs. He looked at me and told me to just play whatever I wanted. I am a bit of a stickler when it comes to playing. I think what you do in the studio matters. There is a reason a song is played a certain way. That’s something that I don’t want to take anything away from. I will surely end up playing it my own way a little bit as that’s something I can’t help but, I am going to do my best to preserve what they did.

AL: Have you noticed any similarities between this band and Disturbed?
JM: We are definitely in the same genre. The other guys in the band all come from bands that are a part of the progressive rock genre. That genre is a bit different than that of where bands like Disturbed and Godsmack come from. However Adrenaline Mob fits right in with Disturbed and the other bands in the rock/metal genre. What the other guys in the band bring to the table makes in quite a bit different than what Disturbed does. Those guys are bringing their own flavor to the rock/metal genre.

AL: What have you liked most about playing the group?
JM: There is a freshness that you get when a new group of individuals get together. You don’t know where things are going so everyone is feeling things out. Part of that process is exciting. I have always said “Life’s a journey not a destination”. I know that sounds cliché but its great. When I joined Disturbed they were a very established band but, I still was able to see the band grow over the 8 years I was there. I like being a part of something that you can build. We are at the ground floor of something new and fresh. Just being able to grow and build Adrenaline Mob is very exciting.

AL: Has there been any talks of when Disturbed will return from its hiatus?
JM: There haven’t been any talks or deadlines established for the groups return. Right now I am putting everything I have into Adrenaline Mob. I am hoping lightning will strike again and this band will be as big as our previous groups. I am very committed to this project.

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Filed Under: Music Interviews Tagged With: adrenaline, interview, john, mods, moyer

Film Review “John Carter”

Starring: Taylor Kitsch, Lynn Collins and Willem Dafoe
Directed by: Andrew Stanton
PG-13
Running time: 2 hours 12 mins
Walt Disney Company

Our Score: 2.5 out of 5 stars

New York City. 1881. A man silently makes his way through town, searching out the nearest telegraph shop. He is aware that he is being followed and quickly loses his tagalong. We are introduced to the recipient of that telegram, a young man named Edgar Rice Burroughs. Seems the man in question has shuffled off this mortal coil and has left everything to master Burroughs. Among the possessions is a journal with a most incredible journey.

Based on Burroughs first ever novel, “A Princess of Mars” (published about a year before his first “Tarzan” adventure), John Carter tells the story of a former Confederate soldier who finds himself in the middle of a civil war on Mars. There he meets all kinds of bizarre creatures with names like Dejah Thoris (Collins – the princess), Tars Tarkas (Dafoe) and Sab Than (Dominic West). Most of the inhabitants of Mars would make great basketball players as they’re about 13 feet tall and have not two but four arms. The story in a nutshell finds the city of Helium being threatened with destruction…a destruction that can be avoided if the Princess marries the suddenly powerful Sab Than, who recently was granted a powerful weapon by Matai Shang (Mark Strong). Confused yet?

Though visually beautiful in 3D, “John Carter” is flat in the story telling department. There really isn’t anything exciting happening on screen. Lots of yelling and fun shots of Carter bouncing around once he gets used to the lack of gravity on the red planet. This is truly a story I’d rather go to the library and read then watch again. Director Stanton has won two Academy Awards for his Pixar films “Finding Nemo” and “WALL-E.” However, in his live action feature debut he seems to forget that his actors are flesh and blood and not animated. They come across as bland rather than exciting. Which is a shame because there are some talented people in the cast. Besides Dafoe and West you get strong turns from Thomas Haden Church, Ciaran Hinds, Bryan Cranston and the aforementioned Mark Strong, who, after recent appearances in “Green Lantern,” “Kick-Ass,” “Robin Hood” and “Sherlock Holmes” must have it in his contract that he appear in every sci fi/fantasy film! As the title character Kitsch is serviceable. But, again, he’s not really given the room to emote. My favorite character was Woola, Mar’s version of man’s best friend. At least he had a personality.

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Filed Under: Film Reviews Tagged With: carter, film, john, review
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