On the heels of the current single “The Day I Tried To Live” moving up the radio charts, heavy metal legends Sevendust are announcing their 13th studio album Blood & Stone. The new album is scheduled for release on October 23rd via Rise Records (the second for the band on the label). The latest release also marks a return for the band with producer Michael “Elvis” Baskette, known for his work with Alter Bridge; Tremonti; Slash; and others. Blood & Stone is available for pre-order in various configurations at https://RiseRecords.lnk.to/BloodAndStone.
From the pulsating intro of album opener “Dying To Live” to the now popular album closer “The Day I Tried To Live,” Sevendust continue to push the sound they have made their own for more than 25 years. Tracks like “Love,” “Blood From A Stone,” “Kill Me” and “Against The World” showcases why the band has been adored by fans and critics alike. Lajon Witherspoon, Clint Lowery, John Connolly, Vince Hornsby and Morgan Rose have raised the bar with Blood & Stone. The new music fits perfectly alongside with the bands most seminal tracks that have become the cornerstone of the band’s live performances.
The track listing for Blood & Stone is: 1) Dying To Live 2) Love 3) Blood From A Stone 4) Feel Like Going On 5) What You’ve Become 6) Kill Me 7) Nothing Left To See Here Anymore 8) Desperation 9) Criminal 10) Against The World 11) Alone 12) Wish You Well 13) The Day I Tried To Live
Recently, Sevendust impacted rock radio and unveiled a lyric video for their cover of the Soundgarden classic “The Day I Tried To Live.” The song is currently moving up the charts and the reaction to the track has been overwhelmingly favorable to the unique interpretation the band put on the classic track. The lyric video for the song was created by Wayne Joyner (known for his work with Dream Theater). It features a lone figure walking down a road thinking about his life with clips of the band woven throughout.
In 1994, Sevendust first forged a familial tie amongst each other that translated into one of the most diehard audiences in the game. To this day, the connection between fans and the GRAMMY® Award-nominated gold-certified hard rock outfit only grows stronger. A trifecta of now-classic gold albums—Sevendust , Home , and Animosity — ignited their journey.
Known as an equally intense and unforgettable live force, they’ve consistently packed houses around the world and decimated stages everywhere from Rock on the Range and Woodstock to OZZfest and Shiprocked! 2015’s Kill The Flaw represented a high watermark. Bowing at #13 on the Billboard Top 200, it scored their highest debut on the respective chart since 2010 and marked their fifth consecutive Top 10 on the Top Rock Albums Chart and third straight Top 3 on the Hard Rock Albums Chart. Most impressively, the lead single “Thank You” garnered a nomination in the category of “Best Metal Performance” at the 2016 GRAMMY® Awards, a career first. All I See Is War continued the band’s success debuting at #28 on the Billboard 200 and has become a favorite among critics and fans alike thanks to singles like “Dirty,” “Medicated” and “Risen.”
The pioneers of wizard rock return with a double LP chronicling the all-too-relevant events of the seventh Harry Potter book, Harry Potter and the Deathly Hallows
“The Potters specialize in lo-fi indie rock, sung from the perspective of the protagonist, played by both [Paul] DeGeorge and his brother Joe. Musically, they take cues from the nerdy meanderings of They Might Be Giants and Magnetic Fields, adding on silly lyrics sourced from the books’ plot lines.”-Rolling Stone ” …a gimmick, a daydream, and a beautiful geeky power-fantasy all wrapped in one… they wrote music about what they adored, they had no fear, and along the way they fostered a beautiful thing.” VICE’s Noisey
On June 21st, wizard rock pioneers Harry and the Potters (Paul and Joe DeGeorge), will release their first full-length album since 2006: Lumos. Using the magic of rock and roll, it chronicles the events of the seventh and final Harry Potter book where J.K. Rowling’s teen wizard and his friends are on the run from a xenophobic, authoritarian regime and must work diligently to take down a dark wizard who capitalizes on fear and emboldens supremacist wizards. In other words, the subject matter of Lumos is extremely relevant. Harry and the Potters will embark on their first national tour of libraries since 2011 in support of the new album.
Lumos was first announced to Harry and the Potters’ fans with a Kickstarter campaign on April 23rd, doubling its funding goal within 24 hours of launch.
Lumos is an album for this political moment. For the parents raising a younger generation reading these books for the first time, it’s an opportunity to connect the dots: the systems facilitating oppression in the wizard world – state-run media, children being separated from their mixed-blood parents, surveillance systems, and pureblood supremacy – strongly echo the daily reality of creeping neo-fascism. For the generation of Harry Potter fans that has grown up into a world where cartoonish villains occupy the halls of power, it’s a reminder that there is a pathway forward. Now is the time for Dumbledore’s Army, for the Order of the Phoenix. We are being called upon to become the heroes that this moment necessitates.
Paul DeGeorge tells Rolling Stone, “we’re hoping that parents and their young kids might see us play at the library, hear a song explicitly critiquing pureblood supremacy and then later have a real discussion about white supremacy and how it manifests in their own lives.”
These are wizard fight songs, but there are also songs about riding dragons, magic pictures of cats, and using cool spells while camping. There is even a platonic friendship power ballad duet with Kimya Dawson, who makes a special guest appearance as Hermione Granger. Truly there is something here for the whole family – especially if the whole family is invested in defeating Voldemort.
2. You’re Not the Wizard
3. Good Riddance (Privet Drive)
4. The Trace
5. On the Importance of Media Literacy Under Authoritarian Rule
6. Hermione’s Army
7. What Happened to the Cat?
8. The Banality of Evil (Song for Albert Runcorn)
9. Gone Campin’
10. Where’s Ron? (featuring Kimya Dawson as Hermione Granger)
June 21 – Gloucester, MA – Sawyer Free Library June 22 – Buffalo, NY – Buffalo and Erie County Public Library June 23 – London, ON – The Rec Room June 24 – Toronto, ON – The Rec Room June 26 – Ann Arbor, MI – Ann Arbor District Downtown Library June 28 – Athens, OH – Athens Public Library June 29 – Louisville, KY – Louisville Free Public Library June 30 – Chicago, IL – Beat Kitchen July 1 – DeForest, WI – DeForest Area Public Library July 2 – Dubuque, IA – Eagle Point Park (rain location: Carnegie-Stout Public Library) July 3 – Minneapolis, MN – Cedar Cultural Center July 4 – Rapid City, SD – Memorial Park Bandshell July 5 – Steamboat Springs, CO – Strings Music Festival July 6 – Boulder, CO – Band Shell in Central Park July 7 – Denver, CO – Mercury Cafe July 8 – Provo, UT – Provo Library at Academy Square July 9 – Salt Lake City, UT – Kilby Court July 12 – Missoula, MT – Missoula Public Library July 13 – Calgary, AB – The Rec Room July 14 – Edmonton, AB – The Rec Room July 16 – Vancouver, BC – Vancouver Public Library July 17 – Anacortes, WA – Causland Park July 18 – Olympia, WA – Olympia Timberland Library July 19 – Seattle, WA – Seattle Public Library July 20 – Portland, OR – St. Johns Library July 20 – Portland, OR – Gresham Library July 21 – Eugene, OR – Downtown Eugene Public Library July 23 – Santa Clara, CA – Northside Branch Library July 24 – San Francisco, CA – Bottom of the Hill July 25 – Oakland, CA – Oakland Public Library Main Branch July 27 – Santa Barbara, CA – Santa Barbara Public Library July 30 – Los Angeles, CA – Troubadour July 31 – Huntington Beach, CA – Huntington Beach Public Library August 1 – Las Vegas, NV – Clark County Library August 2 – Phoenix, AZ – Burton Barr Central Library August 3 – Tucson, AZ – Flowing Wells Branch Library August 4 – El Paso, TX – El Paso Public Library August 5 – San Antonio, TX – The Magik Theater August 6 – Houston, TX – Houston Public Library – Barbara Bush Literacy Plaza August 7 – New Orleans, LA – New Orleans Public Library – Main Library August 8 – Ridgeland, MS – Ridgeland Public Library August 9 – Dallas, TX – LeakyCon August 11 – Dallas, TX – Renner Frankford Branch Library August 12 – Austin, TX – Mohawk August 14 – Shawnee, KS – Monticello Library August 15 – Tulsa, OK – Tulsa City County Library – Hardesty Regional Library August 16 – Springfield, MO – The Library Center August 18 – Greensboro, NC – Greensboro Public Library August 20 – Washington, DC – Woodridge Library August 21 – Lewes, DE – Lewes Public Library August 22 – Brooklyn, NY – Knitting Factory August 24 – Boston, MA – Boston Public Library (Dartmouth Street Steps)
Harry and the Potters are the first wizard rock band. They play songs exclusively about the Harry Potter books. The band consists of brothers Joe and Paul DeGeorge. They grew up in a suburban Boston house that has a cupboard under the stairs. Since 2002, Harry and the Potters have performed over 800 shows in libraries, rock clubs, art spaces, bookstores, basements, and all ages venues all over the world. Their high-energy live show has become legendary. Pitchfork placed the band in their Best Live Shows of 2005 list noting, “the greatest rock and roll tour of the year took place this past summer in public libraries across America… The Decemberists wish they could lit-rock like this.”
Inspired by equal parts Fugazi and They Might Be Giants, Bruce Springsteen and Negativland, the band continues to occupy a bizarre niche that brings their DIY punk ethos to the fandom of a mainstream cultural phenomena. Their commitment to playing all ages shows has meant extensive touring in unconventional spaces like libraries (where a large number of teens and pre-teens undoubtedly saw their first concert ever). As fandom and convention culture has gone mainstream – and in the process become increasingly corporatized – over the past decade, it feels refreshing to see a free Harry and the Potters show at the local library.
The band helped co-found the pioneering fan activist organization The Harry Potter Alliance and were profiled in the 2008 documentary We Are Wizards. With their annual Yule Balls (2005-present) and the Wizard Rock EP Club (which released albums from over 30 different wizard rock bands between 2007-2009), the band has raised over $100,000 for the Harry Potter Alliance and other literature-related charities.
In 2019, they will release Lumos, their first full-length album in over a decade, and will embark on an extensive summer tour of libraries across the United States.
FOR THE FIRST TIME EVER, A LANDMARK COLLECTION SHOWCASING THE LEGENDARY MONSTERS IN MOTION PICTURE HISTORY
UNIVERSAL CLASSIC MONSTERS: COMPLETE 30-FILM COLLECTION AVAILABLE ON BLU-RAY™ ON AUGUST 28, 2018 FROM UNIVERSAL PICTURES HOME ENTERTAINMENT
Universal City, California, August 22, 2018 – Thirty of the most iconic cinematic masterpieces starring the most famous monsters of horror movie history come together on Blu-ray™for the first time ever in the Universal Classic Monsters: Complete 30-Film Collection on August 28, 2018, from Universal Pictures Home Entertainment. Featuring unforgettable make-up, ground-breaking special effects and outstanding performances, the Universal Classic Monsters: Complete 30-Film Collection includes all Universal Pictures’ legendary monsters from the studio that pioneered the horror genre with imaginative and technically groundbreaking tales of terror in unforgettable films from the 1930s to late-1950s.
From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. The Universal Classic Monsters: Complete 30-Film Collection showcases all the original films featuring the most iconic monsters in motion picture history including Dracula, Frankenstein, The Mummy, The Invisible Man, The Bride of Frankenstein, The Wolf Man, Phantom of the Opera and Creature from the Black Lagoon. Starring some of the most legendary actors including Bela Lugosi, Boris Karloff, Lon Chaney Jr., Claude Rains and Elsa Lanchester in the roles that they made famous, these films set the standard for a new horror genre and showcase why these landmark movies that defined the horror genre are regarded as some of the most unforgettable ever to be filmed.
Universal Classic Monsters: Complete 30-Film Collectionincludes a 48-page collectible book filled with behind-the-scenes stories and rare production photographs and is accompanied by an array of bonus features including behind-the-scenes documentaries, the 1931 Spanish version of Dracula, Featurettes on Bela Lugosi, Boris Karloff, Lon Chaney Jr., and Jack Pierce, 13 expert feature commentaries, archival footage, production photographs, theatrical trailers and more. The perfect gift for any scary movie fan, the collection offers an opportunity to experience some of the most memorable horror films of our time.
The Universal Classic Monsters: Complete 30-Film Collection includes Dracula(1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Bride of Frankenstein (1935), Werewolf of London (1935), Dracula’s Daughter (1936), Son of Frankenstein (1939), The Invisible Man Returns (1940), The Invisible Woman (1940), The Mummy’s Hand (1940), The Wolf Man (1941), The Ghost of Frankenstein (1942), The Mummy’s Ghost (1942), The Mummy’s Tomb (1942),Invisible Agent (1942), Phantom of the Opera (1943), Frankenstein Meets the Wolf Man (1943), Son of Dracula (1943), House of Frankenstein (1944), The Mummy’s Curse (1944), The Invisible Man’s Revenge (1944), House of Dracula (1945), She-Wolf of London (1946), Abbott and Costello Meet Frankenstein (1948), Abbott and Costello Meet the Invisible Man (1951), Creature from the Black Lagoon (1954, and includes a 3D version), Abbott and Costello Meet the Mummy (1955), Revenge of the Creature (1955 and includes a 3D version) and The Creature Walks Among Us (1956).
3D Versions of Creature from the Black Lagoon and Revenge of the Creature
1931 Spanish Version of Dracula
Featurettes on Bela Lugosi, Boris Karloff, Lon Chaney Jr., and Jack Pierce
Rock is dead, they say? Hogwash. Don’t even bring up such an idea with the four-piece Cullman, Alabama-bred rockers Shallow Side, who have taken it to be their personal holy mission to spread the glory of modern rock & roll as far and as wide as they can to anyone who will listen. “The energy and excitement of rock & roll is missing nowadays, and we need it now more than ever,” believes Shallow Side’s frontman, vocalist Eric Boatright. “Our goal is that we want to revitalize that entire genre and remind the world how rock & roll can be such a strong force in everyone’s lives.”
The proof of Shallow Side’s pure rocking prowess can be found within the deep grooves of their new EP titled ONE, which is being released by Thermal Entertainment on January 13, 2017. ONE is one tight, ass-kicking affair from the get-go, from the wham-bam all-out jam of the opening track “We Roll” to the fist-waving defiance of “Rebel” to the put-up-or-shut-up manifesto of “Fight or Flight” to their all-guns-a-blazing modern-day take on a well-loved rock classic, Styx’s “Renegade.” (Oh, mama!)
Ultimately, Shallow Side is creating new music that fuses the best intentions of classic rock with modern crunch by planting their flag at the intersection of where Shinedown meets Styx and Journey meets Daughtry. One song Shallow Side fans will be grooving along with right from the start is the current single from ONE, “Fight or Flight,” which unifies the ideas set forth with the one-two punch of “Rebel” and “Renegade,” the EP’s initial radio hits songs. “That’s the heaviest song on this EP,” Boatright clarifies. “It tips the hat to the rock & roll market that exists today and also says, ‘If you guys want to run heavy, we’ll run heavy with you. We can do that — and we’re not scared of it, either. We’re very good at it.’”
Shallow Side’s main message is one of unity. “When we first started, rock & roll wasn’t for us,” Boatright concludes. “We wanted to go to a concert, enjoy the music, sing along, and be a part of the overall song and dance. We’re now looking to bridge that gap to bring the family together to where rock & roll was at one point. The mission since we began was to take the wheel and steer it back into a direction where everyone from all walks of life could enjoy a good rock show.”
Considering the band’s all-in philosophy, it appears that ONE is most definitely the best name for this raucous EP. Let’s all join together and revel in having Shallow Side show us the ONE true way to the future of great rock & roll.injuries while touring and it hasn’t slowed us down enough to lose momentum.”
The band just received their highest honor to date being selected Loudwire’s Best New Artist of the Year (past winners included Saint Asonia and Baby Metal).
The new 6 song EP is a prelude to a full length release to come out later this year.
Eat The Turnbuckle is a heavy metal band hailing from Philadelphia, PA. Despite being from “The City of Brotherly Love” the groups sound and stage show which features elements of extreme wrestling couldn’t be further from the cities well know moniker. The band recently released a new EP titled “The Great American Head Bash In” and Media Mikes had the chance to speak with the bands vocalist Jag 13 to discuss the new EP, the group’s intense stage shows and their plans for the remainder of 2016.
Adam Lawton: Is Eat the Turnbuckle a band who wrestles or, wrestler that play in a band?
Jag 13: It’s kind of both honestly. Some of the older guys in the band used to wrestle and Shlak one of our guitarists wrestles now for CZW. For me personally I have always been into both wrestling and music. Philadelphia has always been a great town for wrestling and when I was younger I remember the WWF coming through a lot. I got to see the whole ECW thing come into play as well. With music I think that’s something almost everyone gets in to at a young age so I have been in to both for as long as I can remember.
AL: What can you tell us about the bands most recent EP?
Jag 13: We did “The Great American Bash Your Head In” for our most recent tour. We try and have new material out each time we go on the road. If we know we are going to be heading out at a certain time we start writing and putting things together. This EP has 5 new songs which have been going over really well so far. We only did one show here in the states on this run with the rest of the dates being over in Europe. We did about 22 shows over there and wrapped things up with our performance at this year’s Gwar B-Q inn Virginia. We were actually supposed to do one other show however we had to cancel due to our drummer having a broken ankle. He actually broke it the second day of tour and finally went to the hospital on the fourth day of the tour. He had a cast on but didn’t miss one show. Like a dummy he took the cast off when we got back home and things got messed up even worse.(Laughs)
AL: Speaking of the Gwar B-Q. This was the second time you guys have been asked to play. How did this year’s event differ from the previous year you performed?
Jag 13: The first time we played they had us going on pretty early. Something happened with the doors and we ended up playing to a small group as a lot of people were stuck at the gates. I think the reception from those who saw was really good and the fact that a lot of people who wanted to see us couldn’t helped with us getting asked back this year. This year was off the hook! We played the Slutman Pavilion which was a lot of fun. I think I would prefer playing that stage over one of the bigger stages. We have sort of gotten used to playing on smaller stages but even if we were on the bigger stage things would have definitely spilled over. (Laughs) A bigger stage means we have to do bigger gimmicks!
AL: With your show incorporating extreme/hardcore wrestling elements and references what was the European reception like being that type of wrestling isn’t as common there?
Jag 13: I think those things were why we have caught on so well over there. They don’t have the hardcore and extreme matches in their wrestling shows so this is something new for them. We had people coming up to us after the shows who weren’t fans of the music but they came out to check out the wrestling. We played a lot of smaller countries over there and those people just ate it up. They loved watching the shows. We did a festival in the Czech Republic where they actually got a wring for us. Shlak ended up wrestling the Champ from the league there in a death match. It was in front of about five thousand people and it was just crazy. Both the guys needed to get stitched up afterwards.
AL: What type of planning goes into one of your shows being that not only are you performing musically but you are also including wrestling elements as well?
Jag 13: We argue a lot. (Laughs) Right before the show we sort of get the lay of the land and plan out what we are going to do. At the same time we have work with the venue to make sure we know what we can and can’t do. Like when we did the Gwar B-Q you can’t have any glass. Every show is a little different so we have to just go with the flow. People have been really accommodating. We have all been in bands that have crazy stage shows. That’s how we all came together. Philadelphia has a history of violent shows so we sort of just fit in to that. When things started to get a little more PC within the scene myself and Shlak started gathering guys who still wanted something crazy.
AL: Do you ever feel that the graphic nature of your shows limits your audience?
Jag 13: We have had shows cancelled due to people finding out about our shows and in turn not wanting anything to do with it. At this point I have become so used to that type of thing that it doesn’t bother me. If they don’t want us, they don’t want us. We have a pretty good booking agent who lets all the places know what type of show we put on. Some of the show we have done in the past we just showed up and started going at it. (Laughs) That tended not to work out real well for any one.
AL: With your drumming being laid up with an injury does that end the year for you or do you still have things plans?
Jag 13: We don’t have anything planned until October then after that we don’t anything planned until spring time of next year. We have some bids in on tours that we think will work well for us here in the states so we have our fingers crossed.
Starring: John Krasinski, James Badge Dale and Pablo Schreiber
Directed by: Michael Bay
Running time: 2 hrs 24 mins
Our Score: 4.5 out of 5 stars
There is a great sketch by Monty Python called “The Bookshop” where a man tries to buy books by authors with familiar names. But instead of Charles Dickens, he’s looking for Charles Dikkens (“Dickens with two k’s, the well-known Dutch author”). This sketch immediately came to mind as I watched “13 Hours: The Secret Soldiers of Benghazi,” which is credited as being directed by “Transformers” helmer Michael Bay. Surely, I thought, it must be Michael Baye (the well-known Dutch filmmaker).
Libya. Since the death of Dictator Muammar Gaddafi, the country has been in turmoil. Rival groups infiltrated and raided the various weapons warehouses that Gaddafi had well stocked and the country has become the 21st Century version of the Wild West. In the town of Benghazi there is a compound that holds 26 members of the C.I.A. They put their safety in the hands of a small group of men, contracted by the US government. Things start going crazy when it’s learned that the US Ambassador to Libya, Chris Stevens, will be visiting and staying at a nearby compound. The date is September 11, 2012.
Inspired by, and based on the stories of, several of the contractors that endured 13 hours of hell, “13 Hours” ranks with “Platoon” as a true depiction of what war really is. As the film begins we meet our heroes: Jack Silva (Krasinski), a real estate agent back for a much needed payday; Tyrone “Rone” Woods (Dale), a grizzled veteran of over a dozen missions hoping to make a better life for himself and Mark “Oz” Geist (Max Martini), a hulking man with a kind heart. With their fellow “brothers” they are prepared for anything and everything. Nothing is easy in Libya. Not going for a ride or taking a short walk. They share their duties with members of 17 Feb, an Islamist group that took up weapons after the fall of Gaddafi in hopes of saving their country. However, in a country where automatic weapons and rocket launchers have replaced vegetables at the outdoor market it’s hard to tell who your friend is and who your enemy is. Especially when your “friends” are “making $28.00 a day and have to bring their own bullets.”
Hats off to the cast. They were instructed by either their real-life counterparts or those that knew them and, like Bradley Cooper’s Chris Kyle in “American Sniper” or Mark Wahlberg’s Marcus Lutrell in “Lone Survivor,” they strive for realism in honoring the men they are playing. In fact one of the men, Glen “Bub” Doherty, was close friends with Brandon Webb, the sniper who trained both Kyle and Lutrell. There are no phony heroics here. War is scary as hell and the cast makes sure that mask of horror is front and center.
While the camaraderie of the men is the message of the film, it is the amazing 13-hour battle which is what you will remember. Each round of fighting, escalating and easing up, only to get steadily worse as the night goes on, is a nail-biting, edge-of-your-seat moment. And kudos to director Bay for not making this a typical “Michael Bay” film. There are no shots of men walking in slow motion through a cloud or fog. In fact, there is very little use of slow motion here at all. Only when he cribs the “money shot” from “Pearl Harbor”, following a mortar shell from the sky and all the way down until it hits its target, does he seem to be going for a little flash. Bay also leaves out a lot of the unnecessary politics that still surround this event. If there is fault to be assigned, there is plenty to go around, and Bay allows you to make up your own mind as to who to point your finger at.
FORT LAUDERDALE, FL – September 3, 2015 – The Museum of Discovery and Science announced today that it will host the Joe DiMaggio Children’s Hospital Kids Love & Family Expo for the second year in a row on September 12 from 10 a.m. to 5 p.m. and September 13, 2015 from noon to 5 p.m. It will be a fun-filled family-themed weekend event produced by Entercom South Florida 101.5 LITE-FM, Magic 102.7, 790 AM The Ticket and the new 104.3 FM The Shark.
The Kids Love & Family Expo is a celebrity-filled extravaganza with everything that KIDS LOVE! With over 75+ interactive activities and exhibits for kids, the Museum of Discovery and Science is already something that KIDS LOVE! And while the kids are having fun, parents will discover the latest and greatest in products and services to make their busy lives healthier, easier, and more enjoyable from more than 50 sponsors & exhibitors!!!
Visitors will get a chance to meet celebrities, such as TV’s Lea Black from the Real Housewives of Miami and Genevieve Goings from Choo-Choo Soul on Disney, Jr. Plus, a special appearance from Kid KJ “Lil’ Monster Truck Jam and Ride”. Take a ride in a real monster truck, watch Kid KJ demonstrate monster truck tricks, and get an up close look at the monster trucks in Kid KJ’s & The Mighty Monsters collection! Don’t forget to bring your camera as there will be appearances from favorite your storybook characters – Madeline, Curious George and Clifford the Big Red Dog – on the Joe DiMaggio Children’s Hospital Storytelling Stage throughout the Kids Love & Family Expo!
Museum President/CEO Kim Cavendish stated, “The Kids Love and Family Expo is truly a treat for the entire family. Costume characters, local exhibitors, dancing and prizes highlight this special two-day event. Plus, visitors will get to explore the hundreds of interactive exhibits that the Museum has to offer. Come one, come all.”
The mission of the Museum of Discovery and Science is to provide experiential pathways to lifelong learning in science for children and adults through exhibits, programs and films. Founded in 1976 as The Discovery Center, the nonprofit facility serves approximately 400,000 visitors annually. Major operational support for the Museum is provided through generous support by Leadership Guild members including: JM Family Enterprises, Inc., Broward Health, Sun Sentinel and Wells Fargo.
The Museum is open seven days a week, 365 days a year with extended IMAX® hours on most evenings. Exhibit only admission prices are $14 adults; $13 seniors; $12 children 2 to 12. Children under 2 are free. The Museum of Discovery and Science is at 401 SW Second Street, Fort Lauderdale, Florida 33312. For more information call 954.467.MODS (6637) or www.mods.org
Actors: Mark Webber, Ron Perlman, Christopher Berry, Devon Graye
Directors: Daniel Stamm
Rated: R (Restricted)
Studio: ANCHOR BAY
Release Date: June 17, 2014
Run Time: 92 minutes
Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars
Back in 2010, I was helping to promote a film called “The Last Exorcism”, this was right when I started this website and I snagged a huge interview at the time with the director of that film, Daniel Stamm. I knew this guy was going to be a big name and I was lucky that I got him early. Fast forward to today, “13 Sins” is his next film and it headed directly to home release. I find that rather disappointing to be honest. The film itself is not disappointing though and has a lot of great aspects to it. It does have traits of the “Saw” franchise but it is able to take a rather fresh take on that idea. What the film also has is a sharp cast including Mark Webber (“Scott Pilgrim vs. the World”), Rutina Wesley (HBO’s “True Blood”) and Ron Perlman (“Hellboy”). The film also has a helluva punch at the end, which was quite surprising and ended up winning me over. I could see myself recommending this horror/thriller and hopefully we will be seeing a lot for from director Stamm.
Official Premise: Elliot (Mark Webber) is a bright but meek social services coordinator, drowning in debt and desperate because he’s about to marry the love of his life (Rutina Wesley). Upon receiving a cryptic phone call informing him that he’s on a hidden camera game show where he must execute 13 tasks, Elliot learns he will be on his way to winning a multimillion dollar cash prize if he quickly follows through with his first two instructions: swat the fly that is currently bothering him and then eat the fly. Although thousands of dollars are suddenly appearing in his bank account, Elliot remains suspicious, though comforted by the knowledge that he can stop playing at any time if only to lose every penny that he’s won. As he leaves a path of destruction behind him and runs away from the law (Ron Perlman), Elliot’s need to complete the game escalates as the tasks grow increasingly sinister, to a devastating point of no return.
The 1080p transfer looks awesome for this film. The cinematography is also well done and really works for the film’s setting. The DTS-HD Master Audio 5.1 really delivers some impress sound especially for the key bone saw scenes…Yikes! In terms of special fearures there is a great audio commentary track with Stamm along with Webber, Perlman, and Graye. Besides that there is a decent behind-the-scenes look into “The Making of 13 Sins”. It is a little short but does pack a lot into it. There is a complete deleted sequence from the film, which runs just over five minutes. It is an already seen for sure involved oral sex (oh yeah!) but it was well cut. The alternate ending is pretty kick ass as well and included a nice twist also. Lastly “Anatomy of a Meltdown” features Stamm talking about the scene.
Actors: Krista Allen, Rick Hoffman and Tatyana Ali
Directors: Bruce Dellis, Jason Marsden, Matthew Mebane, Adam Montierth and Donovan Montierth
Studio: Brothers’ Ink Productions
Running Time: 95 minutes
Our Score: 0.5 out of 5 stars
I’d never heard of “Locker 13”, but after one grueling hour and a half, I still wish I hadn’t. After a doing a bit of research, I found out that “Locker 13” is the baby project of five misguided directors who took their dreams to Kickstarter, in the hopes of finding some s̶u̶c̶k̶e̶r̶s̶ contributors. It’s ironic that they raised the bare minimum ($25,000) and that’s how much of an effort I feel they put into this. I really hate to rag on an independent movie with good intentions, but “Locker 13” is simply one of the worst anthology movies I’ve ever seen.
“Locker 13” features four short stories with a wraparound story. So like most anthology movies, what’s the common running theme in all of them? It’s a haphazard ethical argument about making the correct life decisions. The wrap around story involves a newly hired janitor at an Old West themed park (a story that’s been begging to be heard *eye roll*) being told multiple stories about the random items they encounter that all gravitate towards a mysterious old locker. The enveloping tale doesn’t ever really tell us why this sagely old employee is recounting all these stories or how he even knows about them. He just does.
Our stories include: A boxer with lethal gloves, but he doesn’t seem to regret the deadly powers they give him. We have a secret society that tells bad jokes and smokes cigars and like all standard exclusive clubs, there’s an initiation process. There’s a random suicidal individual on a rooftop, whose choice to end his own life is interrupted by an arbitrary stranger. Then there’s a misogynistic story that I won’t even bother you with. One after another, they play like a string of rejected “Twilight Zone” episodes.
It feels as though each individual director/writer built their story without any perception of what everyone else was working on, nor did they seem to concern themselves with tying up their pieces to boost the overall wrap. This is evident by the third story where a man threatens to kill a suicidal individual to show him how much he actually values life. I actually re-watched it thinking there was some meta-commentary on this preposterous situation, but I was wrong. It’s just terrible writing.
I wasn’t going to fault the acting in a movie with a $300,000 budget, but once Jon Polito (Miller’s Crossing and Barton Fink) showed up, I felt the directors could have at least gone big or just stayed at home and refunded their Kickstarter faithful. I’m sure there are other fantastic cameos in this movie, but they’re crammed in between so many disposable dime store performers, their skills are hindered.
I feel like there’s a poor salute being made to other anthology films as well as B-movie storylines. While some material is tongue in cheek, the majority of it feels like unwanted short stories or art school projects used to help hone the craft of filmmakers. Simply put, the stories never engage the audience or seem concerned about constructing a storyline that can thrill, scare, and intrigue or even amuse the audience. Instead of just going back to the
Starring: Willie Robertson, Jase Robertson, Kay Robertson, Phil Robertson
Number of discs: 6
Rated: NR (Not Rated)
Studio: Thomas Nelson
DVD Release Date: December 3, 2013
Run Time: 954 minutes
Series: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars
“Duck Dynasty” is an A&E reality show that follows the Robertson family, who run a multi-million dollar enterprise called Duck Commander. The show has been getting more and more popular since its first season and in fact, the saga of the Roberston family has recently become one of the biggest phenomenas in cable history as it smashed ratings for the series’ fourth season premiere episode. I am normally not a fan of reality shows but I have recently become hooked into “Duck Dynasty” like most people have. They also released a Christmas album this year as well, so they are everywhere right now. Seriously though, once you start watching this show you cannot stop. It is like a train wreck that doesn’t allow you to look away. If you haven’t seen it and want to binge like myself, this set is a great way to do it and would also make a great holiday gift!
Official Premise: Keep the camo-clad Robertsons in your sights at all times with this Duck Dynasty gift set from A&E. With these down-home millionaires from Louisiana, there’s always somebody up to something that you can rest assured somebody else isn’t going to like. See what happens when Willie hosts his own radio show, but makes the mistake of bringing Uncle Si on the air with him. Watch how his employee retreat fails to build trust among the Duck Commander team. And you’ll want to catch Jase’s plans to prevent Missy from finding out he’s lost his second, newly replaced wedding ring. But the Robertsons never back down from a challenge, always taking on new adventures. Whether it’s a family cooking, fishing or football competition; a blind leap into winemaking; a spontaneous road trip in the RV; or their run-ins with critters of all kinds, this clan makes the most of their funny business. And now you can, too. But please, don’t fight over who gets to wear the enclosed Duck Dynasty bandana!
Since we are talking about a reality TV series, “Duck Dynasty” doesn’t blow you away in terms of audio and video but it still is a solid presentation…after the first season. The first season is basically a DVD upscale with its 1080i transfer in an 1.78:1 aspect ratio. The subsequent two seasons have received a 1080p presentation. All three seasons come with a DTS-HD Master Audio 2.0 surround track, which again isn’t bad but also doesn’t stand out since the show is all dialogue. This 6 disc collection also comes with a limited-edition, exclusive Duck Camo Bandana.
In terms of special features, this release certainly does not disappoint. There are around 70 minutes of bonus footage from the three season. Season one includes 25 short featurettes of interviews and extra scenes, which run just over 35 minutes. The featurettes are: Romeo & Juliet, Sibling Rivalry, Willie CEO, Yuppies, Hairy Guys, The World’s Largest Deer, Si-ence Fiction, All Cameramen Are Weird, Miss Kay’s Cookin’, When You Feed Them They Will Come, Generations, Uncle Si’s Tea Party, Phil-osophies The Birds and the Bees, The Other White Meat, Jase “Si” Robertson, A Kind Gentle Woman, The Making of the Duck Call, Talkin’ My Language, The Making of “The Commander’s Kitchen”, Snakes, Phil-osophies Chatter, Gators, Boys Will Be Boys, The Wives of Duck Dynasty, and Decoy Hunting.
Season two doesn’t pack the same punch as season one but does include nine short featurettes with additional interviews and bonus scenes. The featurettes are: Workin’ With Family, Jack of All Trades, Momma’s Boy, Pizza vs. Toast, Mountain Man, The Brains Behind the Duck, Bootleg Building, Catch Phrases, and Work Hard Nap Hard. Season three gets back to deliver the goods including a bunch of great extras after season two was a little light. First up we have, “The Duck Dynasty Phenomenon”, which focuses on the success of the show with various interviews included. There are also Cast Interviews, Deleted Scenes, a few Webisodes, Mash-Ups and Amanda Ryan Song Recaps included.
Starring: Austin Stoker, Darwin Joston, Laurie Zimmer, Martin West, Tony Burton, Charles Cyphers
Director: John Carpenter
Rated: R (Restricted)
Studio: Shout! Factory
Release Date: November 19, 2013
Run Time: 91 minutes
Film: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars
“Assault on Precinct 13” was never my favorite film from John Carpenter but it is still quite impressive and holds up with time. I mean, the director must be doing something right since his films keep getting remade like “Halloween”, “The Thing” and “Assault on Precinct 13”. Of course none of the remakes even come close to the originals. This film really shows the scale for John Carpenter and that he was able to really rock any genre not just horror. This film was action packed and super intense. This is not the film’s first go on Blu-ray as it was released back in 2008 from Image. So I would recommend this for hardcore Carpenter fans since the last release is still pretty solid.
Official Premise: John Carpenter directs this tense remake of the classic Howard Hawks western Rio Bravo. Set in modern-day Los Angeles, it concerns a mob of crazy guerilla gunmen who lay siege to a soon-to-be-closed police station, trapping a single cop (Austin Stoker) and a couple of secretaries (Laurie Zimmer and Nancy Loomis) inside. The gunmen unleash wave upon wave of attacks on the beleaguered station, but the cop proves himself a resourceful foe.
Shout! Factory released “John Carpenter’s Assault on Precinct 13” as a Collector’s Edition in a Blu-ray + DVD combo pack. The 1080p transfer is very sharp and looks great for a film nearly 40 years old. Especially since the film was low-budget, the colors are sharp and the overall presentation still holds up very well after all those years. The DTS-HD Master Audio 5.1 is the same one from the 2008 Image Blu-ray, which is a very solid track. Also included is the DTS-HD Master Audio Mono track.
The special features are the real draw of this new release. There is a new audio commentary track with Art Director and Sound Effects Editor Tommy Lee Wallace, There are two new interviews with actress Nancy Loomis Kyes and actor Austin Stoker. There also a ported audio commentary with writer/director John Carpenter and an interview also with with John Carpenter and Austin Stoker. Lastly there is a Theatrical Trailer, Radio Spots and Still Gallery included. One thing I noticed that I would have loved to see is the isolated score track which was included in the 2008 Image Blu-ray.
Starring: Hugh Bonneville, Elizabeth McGovern, Maggie Smith, Dan Stevens, Michelle Dockery, Joanne Froggatt
Created by: Julian Fellowes
Number of discs: 9
Release Date: October 1, 2013
Running Time: 1425 minutes
Seasons: 4 out of 5 stars
Extras: 4 out of 5 stars
I have to admit, I have never watched “Downton Abbey” prior to hearing of this new release. I know that series four just started airing in the UK and the hype is all around. Created by Academy Award-winner Julian Fellowes (“Gosford Park”) and features a quite outstanding cast. I wanted to give this show a shot since literally everyone is talking about it. In the US, after the airing of the third series it has become the highest-rated PBS drama of all time. PBS is releasing “Downton Abbey: Seasons 1, 2 & 3” as a limited edition box set which includes all three seasons of the series, as well as a bonus documentary, “Secrets of Highclere Castle. This series is quite amazing, just a marvel to look at. So well acted and so well scripted. I am now hooked and can’t wait to see what lies in for series four.
Official Premise: “Downton Abbey” tells the story of a complicated community. The house has been home to the Crawley family for many generations, but it is also where their servants live, and plan, and dream, and they are as fiercely jealous of their rank as anyone. Some of them are loyal to the family and committed to Downton as a way of life, others are moving through, on the look out for betterment or love or just adventure. The difference is that they know so many of the secrets of the family, while the family know so few of theirs. But for all the passions that rage beneath the surface, this is a secure world, serene and ordered, and, at first glance, it seems it will last forever. Little do they know, family or staff, that the clouds of the conflict that will change everything are already gathering over their heads.
Just a note if you are a really hardcore “Downton Abbey” fan, I would suggest getting this from Amazon since it includes an additional over 50 minutes of exclusive footage not available anywhere else. There are never-before-seen deleted scenes from Seasons 1-3, all-new cast interviews, and 11 minutes of clips and interviews from Season 4! So that would be the way to go and easily worth the purchase of the release alone. The episodes look and sound great on Blu-ray, a real improvement over the presentation on PBS. The 1080p transfer looks amazing and really captures the beauty of the gorgeous Highclere Castle. The DTS-HD Master Audio 2.0 also delivers a great presentation, especially with the score from composer John Lunn. The score works so well with the show, which also made me immediately download the CD.
The rest of the bonus features includes are also available on the previously released Blu-rays. Season 1 consists of “Making of Downton Abbey – A House in History” and “Great British Heritage Pass, a promotional spot for British tourism”. Season 2 consists of the “Downton Abbey Christmas Special” and the following three featurettes “Fashion and Uniforms”, “Romance in a Time of War” and “House to Hospital”. Season 3 delivers the best extras of the three with the powerful Season 3 Finale: “A Journey to the Highlands”, “Downton Abbey Behind the Drama”, “Shirley MacLaine at Downton “, “The Men of Downton” and “Downton in 1920”. All three seasons add up to more than three hours of bonus content. Lastly the bonus disc: “Secrets of Highclere Castle” includes the one-hour documentary, which takes us the castle featured in Downton Abbey and gives a unique look behind-the-scenes on this show.
Starring: Hiroshi Tachi
Director: Shunji Oga
Number of discs: 6
Studio: Sentai Filmworks
Release Date: September 17, 2013
Run Time: 1250 minutes
Series: 4 out of 5 stars Extras: 1 out of 5 stars
“Golgo 13” has been around since its manga days going back to 1969, which was written and illustrated by Takao Saito. I was first introduced to this series with “Golgo 13: The Professional”, which was released in 1983 and fell in love with it. “Golgo 13” currently shows no signs of slowing down as it is currently the oldest manga that still in publication today. This Blu-ray release including the complete collection of the TV series for “Golgo 13”, which was produced by The Answer Studio back in 2008-2009. There are 50 episodes in this series, so there is some substantial content here to be had. This is no OVA, so get ready for some action packed spy insanity. If you love this “Golgo 13” from the manga or past films, this series is a must! It is fun, kick-ass and a great addition to this brand!
Official Premise: His targets never see it coming and he’s never caught. If there’s a witness to the kill, that poor SOB winds up dead too. People say he’s a ghost. A machine. A monster. But he’s Golgo 13, the most feared assassin in the world, the professional’s professional, and the killer of killers. And now he’s back with 50 targeted missions that will keep you glued to the screen and away from the windows. Load up for high-powered, bullet-riddled action with Golgo 13.
Sentai Filmworks gave this show a great Blu-ray treatment. The episodes are sharp with it’s 1080p transfer and the animation looks very impressive. In the OVA from 1998, “Golgo 13: Queen Bee”, our lead is voiced by John DiMaggio (aka Finn the Dog from “Adventure Time” and Bender from “Futurama”). But in this series, he is voiced by David Wald who is a well-known voice actor for Funimation Entertainment and ADV Films but doesn’t deliver like DiMaggio. In fact, I have to admit if it was DiMaggio voicing Golgo, I would have favored the English: DTS-HD Master Audio 2.0. But with this release, I would have to recommend the Japanese: DTS-HD Master Audio 2.0, with Golgo voiced by Hiroshi Tachi, for this release no question.
In terms of special features, there really isn’t much here. There is a clean opening and closing animation, which is nice to see once but nothing worth wild really. I was hoping for perhaps a featurette on the voice recording for the English dub or even a commentary track. Besides that there is just some additional trailers for upcoming Sentai titles. But the real sell for me anyway on this release is having all 50 episodes on high-def Blu-ray, so it is worth the purchase for that alone.
FIRST TOUR DATES ANNOUNCED FOR THE FOURTH ANNUAL CARNIVAL OF MADNESS
UNLEASHES AUGUST 13 IN CLEVELAND, OH WITH SHINEDOWN, PAPA ROACH, SKILLET, IN THIS MOMENT AND WE AS HUMAN
June 3, 2013 – The first batch of dates for the highly anticipated CARNIVAL OF MADNESS tour, powered by Monster Energy, have been announced.
Sure to be known as the premier rock tour of 2013, the CARNIVAL OF MADNESS–sponsored by Monster Energy–returns this summer with multi-Platinum rock band SHINEDOWN, along with PAPA ROACH, SKILLET, IN THIS MOMENT, and WE AS HUMAN. The tour commences in Cleveland, OH on Tuesday, August 13. Go to www.CarnivalofMadness.com for specific on-sale date and ticket information, and see below for the first batch of shows. More will be announced in the coming weeks.
VIP ticket pre-sales for these shows are now available to the “Shinedown Nation,” SHINEDOWN’s exclusive fan club. For more information about VIP pre-sale packages and “Shinedown Nation” membership, please visit the band’s official website, www.shinedown.com.
SHINEDOWN makes their triumphant return to the CARNIVAL OF MADNESS after headlining the 2010 inaugural launch, with a lineup that also included Sevendust, Chevelle, Puddle of Mudd, and 10 Years. The first CARNIVAL OF MADNESS proved to be one of the biggest tours of the summer, heralded as a Top 50 tour by Pollstar. Last year’s trek featured Evanescence, Chevelle, Halestorm, and New Medicine.
CARNIVAL OF MADNESS 2013 TOUR DATES
DATE CITY VENUE
Tue 8/13 Cleveland, OH Jacobs Pavilion at Nautica
Wed 8/14 Philadelphia, PA Mann Center for the Performing Arts
Fri 8/16 Canandaigua, NY Marvin Sands Performing Arts Center
Sat 8/17 Cincinnati, OH PNC Pavilion at Riverbend Music Center
Sun 8/18 Bloomington, IL US Cellular Coliseum
Tue 8/20 Burgettstown, PA First Niagara Pavilion
Wed 8/21 Bristow, VA Jiffy Lube Live
Fri 8/23 Tinley Park, IL First Midwest Bank Amphitheatre
Sun 8/25 Cedar Rapids, IA U.S. Cellular Center
Tue 8/27 Clarkston, MI DTE Energy Music Theatre
Wed 8/28 Big Flats, NY Tags
Fri 8/30 Charlotte, NC Verizon Wireless Amphitheater
Sat 8/31 Virginia Beach, VA Farm Bureau Live
Sun 9/1 Raleigh, NC The Red Hat Amphitheater
Fri 9/6 Allegan, MI Allegan County Fair
Tue 9/10 Morrison, CO Red Rocks Amphitheatre
Sat 9/14 Sacramento, CA Discovery Park
About Monster Energy:
Most companies spend their money on ad agencies, TV commercials, radio spots, and billboards to tell you how good their products are. At Monster Energy, we chose none of the above. Instead we support the scene, our bands, our athletes and our fans. We back athletes so they can make a career out of their passion. We promote concert tours, so our favorite bands can visit your hometown. We celebrate with our fans and riders by throwing parties and making the coolest events we can think of a reality. www.monsterenergy.com
About In De Goot Entertainment:
In De Goot Entertainment powers CARNIVAL OF MADNESS and boasts an artist roster that defines rock music today! The management company opened its doors in 1993 and has grown into one of the premier rock management companies in the U.S. We represent a wide range of Platinum-selling rock acts and underground fan favorites. The company takes great pride in helping artists succeed in all areas of their career. With decades of music business experience shared amongst the staff, we strive to provide expert guidance and insight for the acts we represent. www.indegoot.com
Dean Pleasants is the lead guitarist for the seminal skate punk band Suicidal Tendencies. The group has just released their first full length studio in 13 years simply titled “13”. Media Mikes had the chance to talk with Dean about the album and working with other acts such as Jessica Simpson and Infectious Grooves.
Adam Lawton: What were the writing/recording sessions like for the new album “13”? Dean Pleasants: The sessions were cool. Some of the songs we started working on were things that had been started in the past. We did some touching up on those ones but others were songs that were done from scratch. The ones that were older we had the news guys play on those so that everyone could do what they do best. We wanted everyone to be a part of it and have a vested interest in what we were doing. Writing wise there were some songs where we worked on them as a group and then there were others that were brought in and pieced together. We were very open with things and the fact that everyone in the band is prolific with their instrument makes things go very smooth. Mike is the guy who does all the arranging as he is the one who has to sing these songs so us other guys bring in bits and pieces which works really well for us.
AL: Once you got in to the studio how long did the recording process take? DP: We started last summer while we were on tour and then we came back and worked some more on it. I think it was about 6 or 7 months off and on minus those 13 years in between. (Laughs) When we really were buckled down we did a few months on and a few months off. The longest parts were really spent working on the finishing touches and getting everything the way we wanted it to sound. I like to call that the icing on the cake. (Laughs)
AL: Did you find it hard to reconnect with fans after taking such an extended break? DP: It can be. I think some of the fans were willing to wait as long as it took. We were still touring during the years between albums and reaching new fans who had never heard us before. So because a newer group of fans were interested in what we had coming out it has sort of sparked a resurgence for us. The new album I think speaks to all ages and though it took awhile the end product I feel is really good.
AL: Do you have a song off the album your most proud of? DP: I wouldn’t say there was just one as I am emotionally attached to all of them. There are a few where I am a little more attached because I may have written more of the parts for it. The song “God Only Knows” is one that sparks some emotion for me. I actually played that when I had a broken finger. A broken finger for a guitarist can be pretty scary. That song means a lot to me as does “Last Breath”. I was happy to be playing again after that injury.
AL: Is it difficult in any way to go from playing with someone like Jessica Simpson to recording/playing songs with Suicidal Tendencies? DP: Not really. When I am working with someone I only try and do one thing and that is to become their music. For me it is more important to bring out the best parts for the artist than to be selfish for myself and try and be heard. In Suicidal Tendencies I do get to be more myself as I am a vested member of that band. I still want what’s best for the band so I think the music is first and my personality is second. I try and throw my ego out the door.
AL: Can you tell us what the bands tour plans are for the spring/summer? DP: We have a few weeks left on our current tour and then we get to go home for a little break. During that time we also will be doing some practicing with Robert Trujillo for the Infectious Grooves reunion which will happen during this year’s Orion Festival. We will be playing right before the Red Hot Chili Peppers. From there we have a few festival dates in Mexico City and then some shows over in Europe.
AL: Has there been any talks of a larger scale Infectious Grooves tour? DP: Well we did the initial reunion gig with Robert at last year’s Orion Festival and he got really excited about it which led to doing it again this year. This year’s show is going to feature the entire lineup as well as Jim Martin of Faith No More sitting in on guitar. As far as more shows go you never know what could happen. We have had offers come in from overseas so I am hoping for a great experience and we will have to see where things go from there.
AL: Being in Suicidal Tendencies since the late 90’s what do you feel has been the biggest change in the band from then till now? DP: I think these days everyone is on the same page with how they feel about the band. Everyone loves the music and performing and they have realized that our bread and butter is in fact our live show. I think we really try hard to give 110% every night. That’s not something we have to do. It is something we want to do. Playing live is our way to spread the music around. It is very important to play the new songs and be heard every night. I think when people see us live it touches them on an emotional level and they see what’s going on and want to be part of it.