Concert Review: Descendents, Buffalo, NY

2018 Tourage
Descendents, A Wilhelm Scream, Pavers
Friday, August 3rd, 2018
River Works, Buffalo, NY

Our score: 4 out of 5 stars

One of the biggest names in punk rock the Descendents kicked off another leg of their ongoing “2018 Tourage” tour on August 3rd at the River Works Complex in Buffalo, NY, The tour which first kicked off in April of this year and has the So-Cal punkers playing all around the US and various other countries through December. Also on the bill for the evening was the Massachusetts based A Wilhelm Scream and the Scott Reynolds (ALL) fronted Pavers.

Having never had the chance to see the Descendents before I jumped on the opportunity when it was announced they would kick off a new leg of their current “Tourage” tour in nearby Buffalo. The bands famous Milo logo adorned my skateboard growing up so it was great to finally see a band I had been following for so long. Opening up the show was former ALL front-man Scott Reynolds recently re-formed group the Pavers. Though the band had a couple rough spots during their thirty minute set Reynolds kept things moving like the seasoned veteran he is forging forward with a smile on his face which showed the growing crowd he and his band mates were there to have fun doing what they love performing tracks from the groups various albums. With little time between sets and down one member due to a missed flight A Wilhelm Scream hit the stage with a burst of energy that instantly ignited the multi-generational crowd. Vocalist Nuno Pereira worked the stage left, right and up and down for that matter as the front-man was in constant motion adding to the bands fast paced, frantic approach. Even if the band was starting out one in the hole you would have never know as the band sounded great and were extremely tight as they helped bring the crowds energy to an even higher level.

Last but not least the Descendents took the stage helmed by founding member drummer Bill Stevenson and long time vocalist Milo Aukerman. For the next ninety minutes the band completely shredded over thirty five classic Descendents tunes including “Clean Sheets”, “Coffee Mug” and the guitar-tastic “Coolidge”. After the bands initial twenty nine song set fans were treated to a mini ALL reunion when former vocalist Scott Reynolds joined the Descendents (Minus Aukerman) for renditions of the ALL songs “Fool” and “Dot”. Needless to say this caused the crowd (myself included) to go absolutely nuts. After the brief reunion Aukerman would return performing probably my two favorite Descendents tracks “Bikeage” and “Good Good Things” along with a handful of other great tunes before taking their bows and waving goodbye.

It was clearly a night of nostalgia and fun as each of the bands on the tour brought their own unique brand of punk rock to the near capacity Buffalo venue. With the Descenedents history stretching back to 1977 it would be expected for them to lose a step or two however the band sounds just as fresh and powerful as they did at their inception. With the tour running the remainder of 2018 you owe it to yourself to catch one of the many shows scheduled on the “Tourage” run as it is the perfect setting for ALL generations of punk loving fans.

Set List:
1.) Suburban Home
2.) Everything Sux
3.) Hope
4.) On Paper
5.) I Wanna Be a Bear
6.) Rotting Out
7.) Victim of Me
8.) Get the Time
9.) I Like Food
10.) Shameless Halo
11.) My Dad Sucks
12.) Clean Sheets
13.) Testosterone
14.) Van
15.) Nothing With you
16.) I’m Not a Punk
17.) Silly Girl
18.) I Don’t Want to Grow Up
19.) Who We Are
20.) Weinerschnitzel
21.) Myage
22.) Without Love
23.) Global Probing
24.) Coffee Mug
25.) When I Get Old
26.) Coolidge
27.) Thank You
28.) Descendents
29.) Fool (ALL Cover)
30.) Dot (ALL Cover)
31.) ALL
32.) No! All!
33.) ‘Merican
34.) I’m the One
35.) Bikeage
36.) Smile
37.) Good Good Things
38.) Pep Talk

Concert Review: Slayer, Scranton, PA

Slayer, Lamb of God, Anthrax, Testament, Napalm Death
Tuesday, July 31st, 2018
Toyota Pavilion @ Montage Mountain, Scranton, PA

Our Score: 4 out of 5 stars

Thrash legends Slayer made a stop at the scenic Toyota Pavilion high atop Montage Mountain in Scranton, PA on July 31st as part of their 2018 final world tour. Now in its second leg the tour lineup features newly added Napalm Death and returning favorites Testament, Anthrax and Lamb of God giving fans plenty of metal music for their money.

Opening up the night was the veteran UK thrash band Napalm Death, having just joined the tour replacing Behemoth the band certainly had some very large shoes to fill. Vocalist Mark “Barney” Greenway hit the stage shaking and convulsing like a mad man as the four piece band from Meriden, West Midlands, England tore through songs such as “Suffer the Children”, “Scum” and “Dead” before closing out their early set with a cover of the Dead Kennedys song “Nazi Punks Fuck Off”. When an opening act exudes the amount of energy and furry that Napalm Death does you know right away that you’re going to be in for a very intense evening. The Bay Area’s very own Testament would take the stage next helmed by legendary vocalist Chuck Billy who sounded great as he belted out songs like “Brotherhood of the Snake” and “D.N.R. (Do Not Resuscitate)” which had the ever growing Scranton crowd frothing at the mouth only before being hit between the eyes with the formidable “Into the Pit” and “Over the Wall” which closed out the bands set. Each member of the group put on solid performances with a tip of the hat going to guitarist Alex Skolnick and drummer Gene Hoglan.

Anthrax would take the stage next with their signature New York sound and attitude that put on the map back in the 1980’s bassist Frankie Bello jump, ran and writhed like a demon spit from hell as the band performed tracks like “Caught In A Mosh”, “Madhouse” and the anthemic “Anti Social” which had the PA crowd on their feet and singing at the top of their lungs when cued by front man Joey Belladonna which certainly heightened the evenings intensity. After a quick set change Lamb of God would take the stage next flanked by their signature black and white single star flag side scrims. From the first note all system were go as the band chugged and thumped through songs like “Walk With Me in Hell”, “512” and “Laid to Rest” before closing out with the track “Redneck” from the bands “Sacrament” album. The band wasted little time between each song and really let the music do all the talking for which the crowd seemed to enjoy. Drummer Art Cruz did an amicable job filling in for Chris Adler who announced in late July that he would be sitting out this leg of the tour due to unforeseen circumstances. Though Cruz performed well was in fact handpicked by Adler there was just something different about the band without the veteran member.

Finally the clock struck 9:20pm and it was Slayers turn to take the stage for the final time at Montage Mountain. The stage which was now hidden behind a giant black curtain started to come alive with fire and smoke as the band found their places and the opening of “Delusions of Saviour” blasted through the speakers giving away to the curtain dropping and the band launching into the break neck paced “Repentless”, Vocalist/bassist Tom Araya sounded and looked great sporting a much slimmer look than when I last had the chance to see the group perform. Both guitarists Kerry King and Gary Holt were on their game this evening showcasing their precision on amazing performances of “Mandatory Suicide”, “Black Magic” and “Seasons in the Abyss” before closing out the night with the always formidable “South of Heaven”, “Raining Blood” and “Angel of Death” which serves as a homage to fallen guitarist Jeff Hanneman.

If you have never seen Slayer live I strongly urge you to do so now! The band will remain in the States through August before taking some time off prior to a full overseas tour. The band has stated this will be their last US tour so your time to see them is limited. If that alone doesn’t get you out to one of the few remaining shows then consider the stellar line up they bring with them as just one or two of these groups would make for a great night of head banging. Instead you get a total of 5 bands in all! Each of the groups on this bill give it their all from beginning to end and if you don’t end the night with either ringing ears or a sore neck then you clearly did something wrong.

Napalm Death Set List:
1.) Multinational Corporations
2.) Instinct of Survival
3.) Smash a Single Digit
4.) Standardization
5.) Suffer the Children
6.) Breed to Breathe
7.) Scum
8.) You Suffer
9.) Dead
10.) How the Years Condemn
11.) Nazi Punks Fuck Off

Testament Set List:
1.) Brotherhood of the Snake
2.) Rise Up
3.) Dog Faced Gods
4.) The New Order
5.) Stronghold
6.) D.N.R. (Do Not Resuscitate)
7.) Into the Pit
8.) Over the Wall

Anthrax Set List:
1.) Cowboys from Hell
2.) Caught in a Mosh
3.) Got the Time
4.) Madhouse
5.) Be All, End All
6.) Evil Twin
7.) Antisocial
8.) Indians

Lamb of God Set List:
1.) Omerta
2.) Ruin
3.) Walk with Me in Hell
4.) 512
5.) Now You’ve Got Something to Die For
6.) Engage the Fear Machine
7.) Blacken the Cursed Sun
8.) Laid to Rest
9.) Redneck

Slayer Set List:
1.) Repentless
2.) Blood Red
3.) Disciple
4.) Mandatory Suicide
5.) Hate Worldwide
6.) War Ensemble
7.) Jihad
8.) When the Stillness Comes
9.) Postmortem
10.) Black Magic
11.) Payback
12.) Season in the Abyss
13.) Dittohead
14.) Dead Skin Mask
15.) Hell Awaits
16.) South of Heaven
17.) Raining Blood
18.) Chemical Warfare
19.) Angel of Death

Concert Review: Vans Warped Tour 2018, Darien Center, NY

Vans Warped Tour 2018
Wednesday, July 25th, 2018
Darien Lake Performing Arts Center, Darien Center, NY

Our Score: 3 our 5 stars

The long running Vans Warped Tour made its final appearance at the Darien Lake Performing Arts Center on July 25th providing long-time attendees just one last opportunity to enjoy a day of fun in the sun while listening to a wide range of music acts. Though the day kicked off under foreboding skies it certainly didn’t stop eager fans from rushing through the gates in an effort to get one of the festival six stages which were spread strategically throughout the sprawling outdoor venue.

One of the last if not only traveling festivals in the United States announced earlier this year that after twenty plus summers 2018 would be the final run of the Vans Warped tour. The festival which began in 1995 served as the summer highlight for many alternative music fans like myself and even though this year’s line-up on paper wasn’t as stellar as years past there still was a little something for every era of warped tour fan. Right away you could tell that the day was going to be unique as the diverse crowds ranging from hoards of middle/high schooler’s to entire families and all ages in between were present and ready to take in the music. Highlights of the day included and earlier afternoon set by longtime Warped tour performers Less Than Jake whose set was full of fun upbeat moments which included water cannons and toilet paper blowers. Guitarist Chris Demakes even took time to thank the Buffalo crowd for all their support of the band and the tour going back to the days when the event was held in Le Salle Park. Other notable performances included a ten song set from Buffalo’s favorite sons Every Time I Die. The group which took the stage flanked by family and friends blistered the crowd with a high intensity, aggressive set which came to a close with guitarist Jordan Buckley crowd surfing on a cabinet top while playing the final notes of the bands closing song. As the day started to wind down I took in sets by crowd favorites Simple Plan who played a brief greatest hits set which was a lot of fun and included a bevy of black and white beach balls which was only fitting given the occasion. Shortly after we checked out sets by the Massachusetts based Four Years Strong, metal-core legends Unearth and the face painted duo of Jamie Madrox and Monoxide collectively known as Twiztid. There set was a nice break from the crunching guitars and thunderous double bass kicks as those were replaced by thumping bass beats and tongue and cheek lyrics which were quite comical. Before calling it a day we checked out the always energetic and entertaining Nekrogoblikon. The group performed a couple of songs of their most recent release “Welcome to Bonkers” before breaking in to their back catalog which consisted of “No One Gets Out Alive” and “Powercore”. The groups green skinned mascot John Goblikon made several appearances both on stage and off as he helped the band and fans get the most out of the shred-tastic thirty minute set.

As the sun started to set on the final Buffalo stop of the Vans Warped tour it made me think back to the previously attended years and the fun that was had. Often sun burned, sweaty and always with ringing ears memories from seeing bands like NOFX, Bad Religion and Rancid in the tours early years to more recent tours with bands like Masked Intruder, Of Mice and Men and Teenage Bottle Rocket. The Vans Warped tour really was the place to be during the summer and this one was no different and, while the tour may come to a close for the final time on August 5th in West Palm Beach, FL myself and thousands of other attendees will always have the memories that the Vans Warped tour set the stage for. So long Warped tour and thanks for the memories.

2018 Line Up:
3OH!3, Simple Plan, Mayday Parade, Asking Alexandria, We The Kings, Silverstein, Frank Turner, Reel Big Fish, Motionless In White, Senses Fail, Less Than Jake, Crown the Empire, Four Year Strong, Tonight Alive, Issues, The Amity Affliction, Every Time I Die, Chelsea Grin, State Champs, Real Friends, Don Broco, Unearth, Ice Nine Kills, Knuckle Puck, This Wild Life, Twiztid, As It Is, Chase Atlantic,In Hearts Wake, Deez Nuts, Waterparks, Wage War, MyChildren MyBride, The Interrupters, Broadside, Movements, Trash Boat, Palaye Royale, Nekrogoblikon, Grayscale, Kublai Khan, Dayseeker
Story Untold, Sleep On It, Assuming We Survive, Capstan, The Makeout, Doll Skin, Sharptooth, Farewell Winters, LIGHTERBURNS, Of Night And Light, Kaiser Solzie,The Toy Box Brigade

Concert Review: Weezer/Pixies, Syracuse, NY

Weezer, Pixies, The Wombats
Sunday, July 15th, 2018
St. Josephs Health Amphitheater at Lakeview, Syracuse, NY

Our Score: 4.5 out of 5 stars

Nerd rockers Weezer made a stop at the sprawling St. Josephs Health Amphitheater at Lakeview in Syracuse, NY on July 15 as part of the bands current North American tour with alt favorites Pixies. Also performing on the bill this evening were UK natives The Wombats. All three acts brought the near capacity crowd to their feet time and time again making for an energetically charged night by the lake.

The Wombats would take to the stage first performing a handful of songs of their recently released album “Beautiful People Will Ruin Your Life”. Though the band took little time to introduce themselves the 3 piece band from Liverpool, UK allowed the music to speak for them providing for a great start to the evening’s festivities. After a quick set change the Black Francis led Pixies would rumble to the stage where over the next 60 plus minutes they took the growing Syracuse crowd to musical school. The full length set was made up of a variety of tracks from the bands 6 albums and included such favorites as “Um Chagga Lagga”, “Wave of Mutilation” and “Gouge Away” before closing out the night with one of their more commercial tracks “Where Is My Mind?” and the shred-tastic “Vamos”. The band showcased a unique cohesiveness that only comes from having performed together for over thirty years making the set just a little more special. After an extensive set change and to the tune of the “Happy Days” intro the evening’s Co-headliner, Weezer was finally posed to take the stage. The bands set was a bombastic mix of hit after hit which was combined with corresponding stage set ups which paid homage to the bands history. Highlights of the night included songs like “Buddy Holly”, “Undone (the Sweater Song)” and acoustic versions of “Island in the Sun” and the A-Ha classic “Take On Me” all of which were performed solo by front-man River Cuomo atop a small moving boat that circled the rear of the amphitheater.

From open to close all the band on the bill brought their A games as each provided both a great listing and visual experience. With the Pixies and Weezer both performing full length sets you get practically two full scale rock shows for the price of one! What could be better than that? With the tour running through late August there are still plenty of chances to catch the band so, do not miss it!

Pixies Set List:
1.) Planet of Sound
2.) Magdalena 318
3.) Something Against You
4.) Isla de Encanta
5.) Um Chagga Lagga
6.) Wave of Mutilation
7.) Gouge Away
8.) Caribou
9.) Hey
10.) Mr. Grieves
11.) Bel Esprit
12.) Monkey Gone to Heaven
13.) Gigantic
14.) Cactus
15.) Classic Masher
16.) Crickity Jones
17.) River Euphrates
18.) Head Carrier
19.) No. 13 Baby
20.) All the Saints
21.) Here Comes Your Man
22.) Where Is My Mind?
23.) Vamos

Weezer Set List:
1.) Buddy Holly
2.) Beverly Hills
3.) Pork and Beans
4.) Undone- The Sweater Song
5.) Hash Pipe
6.) Perfect Situation
7.) My Name Is Jonas
8.) El Scorcho
9.) In the Garage
10.) Susanne
11.) Happy Together (Longview snippet)
12.) Keep Fishin’
13.) Island in the Sun
14.) Take On Me
15.) Burndt Jamb
16.) (If You’re Wondering If I Want You To) I Want You To
17.) Feels Like Summer
18.) Africa
19.) The Good Life
20.) Say It Ain’t So w/ Paranoid outro

Concert Review: Styx, Joan Jett and The Blackhearts, Tesla. Syracuse, NY

Styx, Joan Jett and the Blackhearts, Tesla
Thursday, June 28th, 2018
St. Joseph’s Health Amphitheater at Lakeview, Syracuse, NY

Our Score: 4 out of 5 stars

Legends of Rock Styx, Joan Jett and the Blackhearts, and special guests Tesla made their stop in Syracuse, NY on June 28th at the beautiful (newly renamed) St. Joseph’s Health Amphitheater at Lakeview. The venue was packed with fans from all walks of life, eager to hear their favorite hit songs. The beautiful summer night was the perfect background for a concert such as this.

Tesla opened with outstanding energy starting things off with the more recent track “I Wanna Live” however, It wasn’t long before vocalist Jeff Keith led sing-alongs to hits like “What You Give” and “Signs” Guitarists Frank Hannon and Dave Rude expertly wowed the audience later on in the set with the always pleasing “Love Song.” The band which is celebrating 30 years together are performing at the top of their game adding a nice shine to their already legendary status. Joan Jett and her band The Blackhearts would take the stage next where they performed a fairly stock set of Jett standards including “Bad Reputation”, “Cherry Bomb” and of course “I Love Rock n Roll”. Though the founding Runaways members set mostly consisted of older more well known tracks it was nice to see her the band include the song “Soulmates to Strangers” from Jett’s most recent album “Unvarnished”

The true dominating force on the night was hands down Styx as their set was nothing short of captivating. All eyes were glued to the veteran performers as they played hit after hit including the return of “Mr. Roboto” a song which had been missing from the Styx live show for sometime. As the band performed song after song each member brought their own signature flair to the nights performance. From scene-stealer, Lawrence Gowan’s spinning and dancing to James Young’s soaring guitars solos not to mention the always captivating Tommy Shaw and thunderous bass sound of Ricky Phillips. All this performance power combined in one band made for a very memorable evening.

All three bands gave top-notch performances on this beautiful night by the lake with plenty of singing and swaying making for great concert experience. This is definitely a show I will be talking about for some time and I highly recommend checking out these veterans when they come to your town.

Tesla Set List:
1.) I Wanna Live
2.) Hang Tough
3.) Heavens Trail (No Way Out)
4.) What You Give
5.) Signs
6.) Love Song
7.) Little Suzi
8.) Modern Day Cowboy

Joan Jett and The Blackhearts Set List:
1.) Bad Reputation
2.) Cherry Bomb
3.) Do You Wanna Touch Me (Oh Yeah)
4.) Victim of Circumstance
5.) Soulmates To Strangers
6.) You Drive Me Wild
7.) Light of Day
8.) Fake Friends
9.) Love Is Pain
10.) A Hundred Feet Away
11.) Fresh Start
12.) Love Is All Around
13.) I Love Rock ‘N’ Roll
14.) Crimson and Clover
15.) I Hate Myself For Loving You
16.) Everyday People

Styx Set List:
1.) Overture
2.) Gone Gone Gone
3.) Blue Collar Man (Long Nights)
4.) The Grand Illusion
5.) Lady
6.) Ms. America
7.) Radio Silence
8.) Fooling Yourself (The Angry Young Man)
9.) Too Much Time On My Hands
10.) Khedive
11.) Bohemian Rhapsody
12.) Come Sail Away
13.) Mr. Roboto
14.) Renegade

Concert Review: The Black Dahlia Murder & Whitechapel “Nightbringers/This is Exile” Tour

“Nightbringers / This Is Exile Tour 2018”
Whitechapel, The Black Dahlia Murder, Fleshgod Apocalypse, Aversions Crown, Shadow of Intent
Wednesday, June 13th, 2018
Montage Music Hall, Rochester, NY

Our score: 5 out of 5 stars

Death Metal staples The Black Dahlia Murder and Whitechapel made a stop in Rochester, NY with special guests Shadow of Intent, Aversions Crown, and Fleshgod Apocalypse as part of a co-headlining tour which has the tours headliners each performing a selected album in full from start to finish

With the rarity of both headliners playing each of these albums (Nightbringers/This Is Exhile) in their entirety it was well before the first notes rang out that those in attendance knew they were in for a treat. Shadow of Intent opened up the evening with a brief yet ferocious set which was the perfect catalyst the evening ahead. Aversions Crown would follow performing tracks from their new album including the song “The Breeding Process.” Standout Italian metallers Fleshgod Apocalypse were a welcomed breath of fresh air which helped diversify the bill. Drummer David Falchitto was an absolute show stealer throughout the set especially on the song “The Violation.” If you have never checked out this band before defiantly give them a listen.

The Black Dahlia Murder would hit the stage next where they proceeded to rip through their latest album “Nightbringers”. Highlighting the set were songs such as “Catacomb Hecatomb” and “The Lonely Deceased”. Longtime fans worry not, as the band did sprinkle in a few classic ragers including “Everything Went Black” and “Deathmask Divine.” The Black Dahlia Murder continues to execute their live sets masterfully earning them status as a modern death metal powerhouse. Whitechapel would close out the night with a full performance of their second album “This Is Exile”. The universe imploded when vocalist Phil Bozeman and crew unleashed the crushing “Possession” which fueled the bands momentum as they continued on through the night. I have to admit that I was a bit skeptical upon first hearing the band was performing this album in whole. However, it transitioned very well live and the band delivered on all levels.

This tour is an absolute must see for fans of Whitechapel and The Black Dahlia Murder. Fans of modern death metal, metal-core, and slam will not be disappointed as the package has a little something for everyone so if the tour is in your town I highly suggest you check it out!

The Black Dahlia Set List:

1.) Widowmaker
2.) Of God and Serpent, Of Spectre and Snake
3.) Matriarch
4.) Nightbringers
5.) Jars
6.) Kings of the Nightworld
7.) Catacomb/Hecatomb
8.) As Good As Dead
9.) The Lonely Deceased

Whitechapel Set List

1.) Father of Lies
2.) This Is Exile
3.) Possession
4.) To All That Are Dead
5.) Exalt
6.) Somatically Incorrect
7.) Death Becomes Him
8.) Daemon (The Procreated)
9.) Eternal Refuge
10.) Of Legions
11.) Messiahabolical

Concert Review: Poison/Cheap Trick – Kansas City

REVIEW AND PHOTOS BY DAN LYBARGER

Poison/Cheap Trick/Pop Evil

Sprint Center – Kansas City, Missouri

May 25, 2018

Our Score:     Poison *** out of 5    Cheap Trick  **** out of 5

 

 

Thirty years ago, I wanted to kill a fellow editor at my college newspaper because he went missing the night before the semester’s final edition was due at the printer. When I woke him the next morning, I became even more enraged because he and decided to catch a concert without telling me or my peers, and it was Poison.

 

 

Had he abdicated his responsibility for Todd Rundgren, Pink Floyd, The Rolling Stones or The Smiths, I might have excused him. But no, it had to be that silly hair band whose songs about partying were relatively easy to play.

 

Another friend who had seen them play, lamented their musical limitations by dubbing guitarist C.C. DeVille “C.C. Distortion” for his sloppy solos, and an another buddy laughed when he saw concert footage of them on MTV and observed they were playing beginners’ instruments. Because my own musical chops are stunted, I’m not sure what was so embryonic about what axes Poison used to play. Nonetheless, we both felt smug as we continued to watch them perform on television.

 

 

After finally seeing the band play for myself on May 25 at the Sprint Center in Kansas City, I think I can now easily forgive the other editor. Of course, we still made our deadline. I can also say I don’t envy him because the performance I caught might have been better than the one he saw. Now that their hair has grayed (where it still remains), the band has actually developed some skill and showmanship that wasn’t in their old videos.

 

 

Lead vocalist Bret Michaels constantly thanked the crowd and rattled off other area venues where he played with the band or as a solo act. It’s always nice when the band knows they’re on the Missouri side of the state line and can recall something about your town other than a stage.

 

Cheap Trick, who played before them, one-upped the headliners by claiming they had written a recent tune after eating at Gates Barbecue, a blue collar eatery when the clerks greet you as loudly as if they were playing the Sprint Center.

 

Unlike the musicians, the clerks don’t need microphones.

 

Michaels and the rest of Poison gave the crowd high fives throughout the set and genuinely seemed to enjoy being in the barbecue capital of the world. The band have had personnel changes and breakups, but the original lineup were all performing that evening. The set seemed oddly touching when Michaels briefly mentioned that drummer Rikki Rockett had survived cancer.

 

Both he and bassist Bobby Dall looked healthy and enthusiastic, so it was a jolt to hear that Rockett, who regularly tosses his drumsticks in the air and twirls them between beats, almost didn’t make it to the stage.

 

 

 

Because I was attempting to photograph the show from a pit at the bottom of the stage, I almost felt sorry for people in the back of the arena who couldn’t see what he was doing. When he later played an extended toward the end of the set, it made Michaels’ revelation all the more touching.

 

Michaels, who had a series of frightening health problems of his own in 2010, is also lucky to be alive. Perhaps that’s why their enthusiasm seems genuine. Playing in front of a house that can hold 19,000 people sure beats lying in a hospital bed or worse.

 

While Poison can play their old hits like “Every Rose Has Its Thorn” or “Talk Dirty to Me” with more technical assurance than they used to, they do little more than plow through their old catalog.

 

Their fans didn’t object.

 

They did supplement their set with a large video screen that featured cartoons of the band before they took the stage. Their cover of Loggins and Messina’s “Your Momma Don’t Dance” proved to be a great excuse to feature the late pinup queen Bettie Page shimmying as they played. With Bettie just about any band would sound as good as the Stones on their best day.

 

Following a typically lively set by Cheap Trick requires a masochism few bands have. The three original members are all in their sixties and still have their old skills. Whereas DeVille impressed the crowd by mimicking Eddie Van Halen’s finger tapping and slipping in a bit of Edvard Grieg’s “In the Hall of the Mountain King,” Cheap Trick’s Rick Nielsen switched genres, playing styles and even guitars. The 69-year-old ax-man didn’t need a featured solo break because just about every song gave him a workout.

 

 

Oh, and while he was playing tunes like “Dream Police,” he was also tossing out picks at the crowd. Somehow his poses, witty asides to the crowd and acts of violence involving small pieces of plastic, never caused him to skip a note or detract from a solo. How he managed to hit me in the pit with a pick and get through the set at the same time baffles me.

 

Dall treated the crowd to his own version of Henry Mancini’s theme to The Pink Panther, but Cheap Trick bassist Tom Peterson gave his 12-string instrument a thorough workout and even sang a powerful medley of The Velvet Underground’s “Waiting for the Man” and “Heroin.” Nielsen complemented Peterson’s work with some tasteful slide solos, which lead vocalist Robin Zander accompanied with his own acoustic 12 string.

 

 

 

Zander happily took a break because during the rest of the set he still pushed his voice to its limit. Thankfully that limit seems superhuman. If his throat cracked a couple of times, he can still effortlessly reach high notes and make 40 to 30 year old songs sound fresh and committed.

 

If you’ve caught Cheap Trick in the past or have listed to At Budokan to the point where you’ve memorized all the words, their current shows are still worth catching. Daxx Nielsen, Rick’s son, has ably replaced Bun E. Carlos on drums, and Zander’s son Robin Taylor fleshes out the band’s harmonies and played most of the rhythm guitar parts.

 

Thanks to That 70s Show, the band have a few songs (like their version of Big Star’s “In the Street”) that are more recent than anything Poison played, and the samples from their newer albums Bang, Zoom, Crazy… Hello (2016) and We’re All Right! (2017) fit seamlessly in with their hits. Radio stations may ignore their most recent offerings, and it’s the broadcasters’ loss.

 

 

 

They also surprised the crowd by featuring the Melvins, who joined them for a rousing version of “Surrender.” Drummer Hayley Cramer from opening band Pop Evil even joined the bands as they gave the 40 year old chestnut all they had.

 

As lead singer Leigh Kakaty kept reminding the audience, Pop Evil from North Muskegon, Michigan, have been around for a decade. While Kakaty lamented the empty seats on the floor (that were filled when the headliners arrived), and the rest of the ensemble still approached their set with vigor and enthusiasm.

 

 

He opined that the newer generation should learn, “There is a difference between a Gibson guitar and a motherfucking Apple computer.” Fortunately, he and his crew of analog performers and the bands that followed made an eloquent case for that argument.

The tour moves from Kansas City to Pryor, Oklahoma and continues for the summer.  For more information and upcoming tour dates, click HERE.

 

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Concert Review: Ghost “Rats! on the Road”, Syracuse, NY

“Rats! on the Road”
Ghost
Wednesday, May 16th, 2018
Crouse-Hinds Theater, Syracuse, NY

Our Score: 5 out of 5 stars

Grammy award winners Ghost brought their love of theatrics and Lucifer to the city of Syracuse, NY on May 16th as part of their current “Rats! on the Road” tour. The tour which features Ghost with no opening act is an intimate fan pleasing experience that needs to be seen in-person to truly understand the bands power of performance.

The evening was filled with spectacular moments featuring several new songs from the bands upcoming release “Prequelle” including “Rats”, “Spirit “and, “Dance Macabre”. Fan favorite Papa Nihil made an appearance on the song “Miasma” providing a smooth saxophone solo that would have brought Kenny G to tears. The nameless ghouls shined throughout the night, each interacting with one another for some great moments including a stellar and a good ole fashion acoustic sing along to “Jigolo Har Megiddo”. All of the hits were present in the extended 24 song set which was nicely split into two acts complete with an intermission.

Despite all of the drama that unfolded within the band last year, Ghost is still steamrolling forward and staying very true to themselves. The band continues to up their game each time they embark on. If “Rats! On the Road” comes to your town we suggest clearing your schedule and grabbing some tickets.

 

Set List:
1.) Ashes
2.) Rats
3.) Absolution
4.) Ritual
5.) Con Clavi Con Dio
6.) Per Aspera ad Inferi
7.) Devil Church
8.) Cirice
9.) Stand by Him
10.) Miasma
11.) Jigolo Har Megiddo
12.) Pro Memoria
13.) Dues in Absentia
14.) Spirit
15.) From the Pinnacle to the Pit
16.) Faith
17.) Year Zero
18.) He Is
19.) Prime Mover
20.) Mummy Dust
21.) If You Have Ghosts
22.) Dance Macabre
23.) Square Hammer
24.) Monstrance Clock

 

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Concert Review – Poison/CheapTrick/Pop Evil – Kansas City

CONCERT REVIEW AND PHOTOS BY DAN LYBARGER

 

 

Poison/Cheap Trick/Pop Evil

Sprint Center – Kansas City, Missouri

May 25, 2018

Thirty years ago, I wanted to kill a fellow editor at my college newspaper because he went missing the night before the semester’s final edition was due at the printer. When I woke him the next morning, I became even more enraged because he and decided to catch a concert without telling me or my peers, and it was Poison.   Had he abdicated his responsibility for Todd Rundgren, Pink Floyd, The Rolling Stones or The Smiths, I might have excused him. But no, it had to be that silly hair band whose songs about partying were relatively easy to play.

Another friend who had seen them play, lamented their musical limitations by dubbing guitarist C.C. DeVille “C.C. Distortion” for his sloppy solos, and an another buddy laughed when he saw concert footage of them on MTV and observed they were playing beginners’ instruments. Because my own musical chops are stunted, I’m not sure what was so embryonic about what axes Poison used to play. Nonetheless, we both felt smug as we continued to watch them perform on television.

 

After finally seeing the band play for myself on May 25 at the Sprint Center in Kansas City, I think I can now easily forgive the other editor. Of course, we still made our deadline. I can also say I don’t envy him because the performance I caught might have been better than the one he saw. Now that their hair has grayed (where it still remains), the band has actually developed some skill and showmanship that wasn’t in their old videos.

Lead vocalist Bret Michaels constantly thanked the crowd and rattled off other area venues where he played with the band or as a solo act. It’s always nice when the band knows they’re on the Missouri side of the state line and can recall something about your town other than a stage.

Cheap Trick, who played before them, one-upped the headliners by claiming they had written a recent tune after eating at Gates Barbecue, a blue collar eatery when the clerks greet you as loudly as if they were playing the Sprint Center.  Unlike the musicians, the clerks don’t need microphones.

Michaels and the rest of Poison gave the crowd high fives throughout the set and genuinely seemed to enjoy being in the barbecue capital of the world. The band have had personnel changes and breakups, but the original lineup were all performing that evening. The set seemed oddly touching when Michaels briefly mentioned that drummer Rikki Rockett had survived cancer.

 

Both he and bassist Bobby Dall looked healthy and enthusiastic, so it was a jolt to hear that Rockett, who regularly tosses his drumsticks in the air and twirls them between beats, almost didn’t make it to the stage.

Because I was attempting to photograph the show from a pit at the bottom of the stage, I almost felt sorry for people in the back of the arena who couldn’t see what he was doing. When he later played an extended toward the end of the set, it made Michaels’ revelation all the more touching.

Michaels, who had a series of frightening health problems of his own in 2010, is also lucky to be alive. Perhaps that’s why their enthusiasm seems genuine. Playing in front of a house that can hold 19,000 people sure beats lying in a hospital bed or worse.

While Poison can play their old hits like “Every Rose Has Its Thorn” or “Talk Dirty to Me” with more technical assurance than they used to, they do little more than plow through their old catalog.

Their fans didn’t object.

They did supplement their set with a large video screen that featured cartoons of the band before they took the stage. Their cover of Loggins and Messina’s “Your Momma Don’t Dance” proved to be a great excuse to feature the late pinup queen Bettie Page shimmying as they played. With Bettie just about any band would sound as good as the Stones on their best day.

Following a typically lively set by Cheap Trick requires a masochism few bands have. The three original members are all in their sixties and still have their old skills. Whereas DeVille impressed the crowd by mimicking Eddie Van Halen’s finger tapping and slipping in a bit of Edvard Grieg’s “In the Hall of the Mountain King,” Cheap Trick’s Rick Nielsen switched genres, playing styles and even guitars. The 69-year-old ax-man didn’t need a featured solo break because just about every song gave him a workout.

 

 

Oh, and while he was playing tunes like “Dream Police,” he was also tossing out picks at the crowd. Somehow his poses, witty asides to the crowd and acts of violence involving small pieces of plastic, never caused him to skip a note or detract from a solo. How he managed to hit me in the pit with a pick and get through the set at the same time baffles me.

Dall treated the crowd to his own version of Henry Mancini’s theme to The Pink Panther, but Cheap Trick bassist Tom Peterson gave his 12-string instrument a thorough workout and even sang a powerful medley of The Velvet Underground’s “Waiting for the Man” and “Heroin.” Nielsen complemented Peterson’s work with some tasteful slide solos, which lead vocalist Robin Zander accompanied with his own acoustic 12 string.

Zander happily took a break because during the rest of the set he still pushed his voice to its limit. Thankfully that limit seems superhuman. If his throat cracked a couple of times, he can still effortlessly reach high notes and make 40 to 30 year old songs sound fresh and committed.

 

If you’ve caught Cheap Trick in the past or have listed to At Budokan to the point where you’ve memorized all the words, their current shows are still worth catching. Daxx Nielsen, Rick’s son, has ably replaced Bun E. Carlos on drums, and Zander’s son Robin Taylor fleshes out the band’s harmonies and played most of the rhythm guitar parts.

Thanks to That 70s Show, the band have a few songs (like their version of Big Star’s “In the Street”) that are more recent than anything Poison played, and the samples from their newer albums Bang, Zoom, Crazy… Hello (2016) and We’re All Right! (2017) fit seamlessly in with their hits. Radio stations may ignore their most recent offerings, and it’s the broadcasters’ loss.

They also surprised the crowd by featuring the Melvins, who joined them for a rousing version of “Surrender.” Drummer Hayley Cramer from opening band Pop Evil even joined the bands as they gave the 40 year old chestnut all they had.

As lead singer Leigh Kakaty kept reminding the audience, Pop Evil from North Muskegon, Michigan, have been around for a decade. While Kakaty lamented the empty seats on the floor (that were filled when the headliners arrived), and the rest of the ensemble still approached their set with vigor and enthusiasm.

He opined that the newer generation should learn, “There is a difference between a Gibson guitar and a motherfucking Apple computer.” Fortunately, he and his crew of analog performers and the bands that followed made an eloquent case for that argument.

The tour heads to Pryor, Oklahoma for their next gig.  For more information and other tour dates, click HERE.

 

SET LISTS

CHEAP TRICK

Hello There
You Got It Going On
That 70s Show
California Man
Long Time Coming
Baby Loves to Rock
When I Wake Up Tomorrow
The Summer Looks Good on You
Waitin’ for the Man
The Flame
I Want You to Want Me
Dream Police
Surrender (w/The Melvins)
Goodnight

 

POP EVIL and POISON’s SET LISTS WERE NOT AVAILABLE

 

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Concert Review: Jimmy Buffett – “Son of a Son of a Sailor” Tour – Kansas City

 

Jimmy Buffett and the Coral Reefer Band – “Son of a Son of a Sailor” Tour 2018
Sprint Center – Kansas City, Missouri

May 19, 2018

When you see people wearing grass skirts and coconut-shell bras, parrots on their shoulders or over-sized Cheeseburgers and Shark Fins on their heads, you can only be in one place:  Margaritaville!  This weekend, Margaritaville was located inside the Sprint Center in Kansas City as Jimmy Buffett and the Coral Reefer Band debuted the “Son of a Son of a Sailor” tour.

 

Has it really been 40 years since Buffett released “Son of a Son of a Sailor?”  This is my favorite Buffett album and it solidified Buffett as one of my favorite songwriters.  Like another one of my favorites, the late Harry Chapin, Buffett wrote amazing “story-songs” that took you to places you never imagined you would travel to.  I knew that the night’s events would not disappoint.

Caroline Jones was the opening act.  A very talented singer and musician, she treated the crowd to a small set of songs that showed off both her vocal range and musical talents.  She would later come out during the main show to accompany Buffett  and the band on a couple more numbers.  I have to admit that, though I’ve heard Ms. Jones on Sirius Radio (she hosts a program known as “the Coffee House) I wasn’t aware that she was also a singer.   I recommend you give her a listen,

Finally it was showtime.  Buffett and the band hit the stage and kicked off the show with a rousing “Livingston Saturday Night,” one of seven songs from the “Son of a Son of a Sailor” album he would play tonight.  Afterwards he addressed the crowd, informing them that this was the inaugural show of the new tour and that he and the band had been practicing in Texas for a while.  He also noted the Fin Men, a group of gentlemen that had been patrolling around the venue with illuminated 6-foot shark fins on their heads.  This group of Parrotheads made the show even more entertaining, especially when they circled during the song “Fins.”  My understanding is that they are just a group of fans and aren’t officially part of the show but my advice to Mr. Buffett would be to fly these guys wherever you’re playing.  They are true ambassadors for your music as well as the great time experienced at your shows.

Besides the enthusiasm of Buffett, the show also includes the Coral Reefer Band, made up of some amazing musicians.  Chief among them is Mac McAnally, who has been chosen  the Country Music Association’s “Musician of the Year” an amazing 10 times.  McAnally is also a member of the Nashville Songwriters Hall of Fame, thanks to his having written or co-written such songs as “Down the Road” for Kenny Chesney, “Old Flame” for Alabama and “Thank God for You,” one of many hits he composed for Sawyer Brown.  At the concert’s mid-point – an energetic “Cheeseburger in Paradise” – Buffett left the stage “for some refreshments.”  In his absence, the audience was treated to an amazing mini-concert by steelpan player Robert Greenridge, who performed a beautiful rendition of the Beatles’ “Eleanor Rigby.”

Mac McAnally and Jimmy Buffett

The audience was not only treated to a barrage of Buffett’s music, but were also entertained with covers of songs by the Beach Boys “Sail On, Sailor”), Alan Jackson (“It’s Five O’Clock Somewhere” – a song on which Buffett also appeared on) and Crosby, Stills and Nash (“Southern Cross”).  The band was in top form.  It is hard to believe that this was the first show of the tour, so easily did all of the pieces work.

After a rousing three-song encore, which included Van Morrison’s “Brown Eyed Girl,” Buffett said his good nights to a crowd that had hardly sat down all evening.  If you’ve never experienced the magic that is a Jimmy Buffett concert, I urge you to catch him and the Reefers as soon as possible.  For a list of tour dates, or to learn pretty much about everything Buffett, click HERE

I was made an honorary Fin Man after the show. Love these guys!

SET LIST

Livingston Saturday Night, The Weather is Here – Wish You Were Beautiful, Tampico Trauma, Boat Drinks, Come Monday (w/Caroline Jones), Trip Around the Sun (w/Caroline Jones), It’s Five O’Clock Somewhere, Sail On,Sailor, Volcano, Cowboy in the Jungle, Son of a Son of a Sailor, Cheeseburger in Paradise, Grapefruit Juicy Fruit, Manana, Fool Button, Piece of Work, Coast of Marseilles, Fins, Changes In Latitudes/Changes in Attitudes, A Pirate Looks at Forty, Back Where I Come From (vocals by Mac McAnally), Margaritaville, Southern Cross, One Particular Harbor.

ENCORE

Brown Eyed Girl, Love and Luck, One Love/People Get Ready

 

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Concert Review: Julien Baker and Tancred

“Julien Baker Spring Tour 2018”

Julien Baker, Tancred
Friday, April 13th, 2018
Hangar Theater, Ithaca, NY

Our Score: 4.5 out of 5 stars

Singer/Songwriter Julien Baker made a stop in the bustling college town of Ithaca, NY on April 13th for a sold out performance at the intimate Hangar Theater. This would be her first time performing in Ithaca as a headlining act having only previously played the area as an opener for The Decembrists. Baker proved she was up to the task and had the capacity crowd wanting even more by the end of the evening.

Opening up the night was former Now, Now guitarist Jess Abbott and her group Tancred. The group quickly worked through a brief, upbeat set which included songs from the bands four album catalog including songs from their latest release “Nightstand”. The packed house was appreciative of the set and thanked the musicians with a wave of applause as they left the stage. After a brief intermission Julien Baker took the stage opening the night with the song “Over” from her album 2017 release “Turn Out the Lights”. The somber instrumental quickly gave way to songs like “Appointments”, “Funeral Pyre” and “Sprained Ankle” which received a large applause from the crowd. Baker captivated the crowd with her soft spoken demeanor and breathy delivery which acted as the foundation for songs such as “Happy To Be Here” a number which almost brought the singer to tears. Later on in the set Baker was accompanied by violinist Camille Faulkner on a hand full of songs including “Even” “Vessels” and, “Sour Breath” before closing out the night with the sounds of “Something” from Julien’s debut album “Sprained Ankle.

To find a musician that can write captivating lyrics and instrumentation is a rarity unto itself however, when you find an artist who is then able to transfer that power and emotion into a live setting with just a guitar, piano and their voice that for me puts the artist on a completely different level. Julien Baker is one of those musicians. From the moment she took the stage to the time she left Julien’s performance took listeners to another place. Equally as powerful as her recordings Baker did what is sometimes unattainable for lesser performers. On this night in Ithaca, NY concert goes got not only a break from the often bitter early spring weather but a chance sit back and enjoy a really great evening of music. For those of you in areas where Julien may be performing I highly encourage you to attend as you surely will not be disappointed.

Set List:
1.) Over
2.) Appointments
3.) Turn Out the Lights
4.) Funeral Pyre
5.) Rejoice
6.) Sprained Ankle
7.) Happy To Be Here
8.) Red Door
9.) Blacktop
10.) Everybody’s Does
11.) Even
12.) Vessels
13.) Sour Breath
14.) Televangelist
15.) Hurt Less
16.) Something

Concert Review: John 5 and The Creatures “It’s Alive” Tour 2018

“It’s Alive” Tour 2018
John 5 and The Creatures

Wednesday, February 14th, 2018
The Lost Horizon, Syracuse, NY

Our Score: 4 out of 5 stars

Lovers and the broken hearted gathered in Syracuse, NY for an unforgettable night of haunting guitar tones and blistering solos courtesy of guitarist John 5 and his band The Creatures. The Rob Zombie guitarist is currently out on the road in support of his latest solo release “It’s Alive”. Only a true virtuoso such as John 5 could turn a quiet love filled Valentine’s Day into the loudest Halloween themed shred-fest the month of February had ever seen.

As the final notes of the opening act rang out the inflatable Halloween decorations rose up from the depths of the intimate Lost Horizon stage. Shortly thereafter master of ceremonies John 5 appeared with a colored flashing LED grin flanked by his band misfits. The trio kicked of the show with “Here’s to the Crazy Ones” which set a face melting pace for the evening. The makeup adorned 5 danced around the stage with various incarnations of his trusted telecaster which only further mesmerized the slack jawed onlookers. Creatures, bass player Ian Ross and drummer Rodger Carter, kept pace as the band followed up with rippers like “This Is My Rifle,” “Season of the Witch,” and “Guitars Tits and Monsters.” As the night wore on the charismatic leader John 5 even dedicated “Behind the Nut Love” to the Valentine’s Day crowd and even offered free lap dances to all in attendance. Easily the most captivating moment of the night was when 5 donned his laser guitar for a medley of hard rock and heavy metal classics which included snippets of “Enter Sandman” and “Thunder kiss 65” to name just a few.

Just when the place was about to burst at the seams, John 5 and Company closed out the night with an encore performance of Michael Jackson’s “Beat It.” The crowd was overjoyed and as the guitarist took his final bow of the evening and appeared confident that he had made the traditionally lovey-dovey holiday into his very own spooktacular shredathon. The “It’s Alive” Tour runs through April so I highly recommend checking it out.

Concert Review: Joe Bonamassa

Joe Bonamassa
Thursday, November 16th, 2017
State Theater, Ithaca, NY

Our score: 3 out of 5 stars

Guitar virtuoso and area native Joe Bonamassa brought his smoking brand of blues to the bustling college town of Ithaca, NY on November 16th performing to a near capacity crowd inside the historic 1,600 seat venue where JB and company let the music do the talking.

The guitarist and his band took the stage promptly at 8pm without the aid of an opening act as on this night it would be all JB. The band quickly got down to business opening up the set with “The Train” and quickly moving on to tracks such as “Blues Desperation” and “How Deep This River Runs” all of which earned the group large rounds of applause. As the set progressed further into the evening Bonamassa and company began to stretch their legs with covers of Albert King’s “I Get Evil” and “Angel of Mercy” and Led Zeppelins “Boogie With Stu” and “How Many More Times” which would close out the night’s performance. The front-man provided little to no banter between he and the crowd aside from band introductions which gave a nod to the stellar backing band which currently consists of drummer Anton Fig, bassist Michael Rhodes, keyboardist Reese Wynan’s and several other impressive players.

At times I did find the veteran blues player to be a bit cold and stand offish to the crowd and to his band however it did not seem to put a damper on the night’s festivities. Before the last note rang out it was clear that everyone within the two level theater seemed to be having a great time and enjoyed every minute of the night’s performance. The tour runs through mid December so there is still plenty of time to catch of these great performances.

Set List:
1.) The Train
2.) Mountain Climbing
3.) Blues of Desperation
4.) No Good Place for the Lonely
5.) How Deep This River Runs
6.) Breaking Up Someone’s Home
7.) I Get Evil
8.) Angel of Mercy
9.) Slow Train
10.) Driving Towards the Daylight
11.) Boogie with Stu
12.) Last Kiss
13.) How Many More Times

Concert Review: Dashboard Confessional, All American Rejects, The Maine

Dashboard Confessional, All American Rejects, The Maine, The Social Animals
Saturday, July 29th, 2017
Tags Summer Stage, Big Flats, NY

Our score: 3 out of 5 stars

Dashboard Confessional brought their summer tour to the rolling hills of Big Flats, NY on July 21st for a night of nostalgia that had the mostly millennial crowd on its feet for a majority of the evening. Also on the bill was Oklahoma hit makers All American Rejects, The Maine and new comers The Social Animals. Though the nights unseasonably frigid temperatures had people packing on a few extra layers each of the bands on the bill did their best to keep everyone up and moving.

Opening up the night were The Social Animals who performed a handful of songs of their debut EP “Formative Years” as well as unique version of the Prince hit “When Does Cry” which earned the young band a warm Upstate NY welcome in the way of applause and cheer. The Maine would take the stage next kicking the night’s energy up a notch as vocalist worked the audience like a true professional and at one point during the set brought up a young concert goer to help sing one of the bands songs which the crowd loved. All American Rejects would follow with a hit filled set that included “Dirty Little Secret”, “Swing, Swing” and “Gives You Hell” which was interspersed with semi comedic segues courtesy of front man Tyson Ritter. Thankfully the bands performance was a touch better than Ritter’s jokes as those on hand seemed to prefer the band stick to what it knows best. Closing out the night was the Chris Carrabba fronted Dashboard Confessional a band which wasted no time at all getting their set going with the well know track “Vindicated” which paved the way for other notable tracks such as the crowd requested “Saints and Sailors”, “Ghost of a Good Thing” and “Screaming Infidelities” before the set was closed out with the always popular “Hands Down”. The band looked good and sounded better making for a solid ending to a night of good music.

With this tour package running through mid August there is still time to catch one of the remaining shows as its one half nostalgia and one half new as all the bands on the bill do a great job of playing the songs that made them who they are while infusing just enough new material to peak interest in the bands upcoming releases. If your one of the lucky “select” shows where The Social Animals are on the bill I highly recommend getting to the venue early to catch their set as you won’t be disappointed.

All American Rejects (Partial) Set List:
Dirty Little Secret
My Paper Heart
Swing, Swing
It Ends Tonight
Sweat
Move Along
Give You Hell

Dashboard Confessional (Partial)Set list:
Vindicated
Saints and Sailors
The Good Fight
Ghost of a Good Thing
Heart Beat Here
Screaming Infidelities
Hands Down

Concert Review: 2017 “K-Rockathon”

“K-Rockathon”
Korn, Stone Sour, Skillet, Yelawolf, Ded, Red Sun Rising
Wednesday, July 19th, 2017
Lakeview Amphitheater, Syracuse, NY

Our score: 3.5 out of 5 stars

The sprawling Lakeview Amphitheater was filled nearly to capacity on July 19th for the return of K-Rock’s annual “K-Rockathon”. After a one year hiatus and moving to a new venue the concert was back as promised delivering a stellar, somewhat diverse bill featuring the likes of Yelawolf, Stone Sour and Korn which the Syracuse crowd went crazy for.

Kicking of the main bill of the show was upcoming rock act Red Sun Rising who put on a brief but spot on set which helped get the crowd going and excited for the acts to come. Ded would hit the stage next and sadly did nothing for me. The band’s sound was nothing new nor, was the white contact lenses some of the bands member donned. Thankfully their set was brief as it came off very flat. Shady Records artist Yelawolf would take the stage next flanked by a giant riser that looked like the front of a classic Chevrolet complete with working lights and smoke. Together with DJ Klever the duo had the crowd on their fit from beginning to end. Being the only hip-hop artist on an all rock bill can certainly make you the underdog however that was definitely not the case here as fans seemed to be really into the performance. Skillet would follow with an energetic set which had fans singing to a few of their more well known songs including “Feel Invincible”, “Hero” and the always popular “Monster”. The band looked great and sounded even better and those on hand showed their appreciation in giant waves of applause and cheers. Stone Sour was up next and wasted no time getting their set under way. Front-man Cory Taylor worked the crowd like the season pro he is while his fellow band mates put forth stellar performances as they shredded through songs like “Made of Scars”, “Tired” and the chart topping “Song #3”. At several points during the set Taylor either made his way out into the crowd or doused those in close proximity with showers of confetti via a giant cannon like shooter. It was hard to tell who was having more fun the band or those watching the band as the energy during the set was definitely at a high. Closing out the night were veteran metalers Korn. After making a couple trips around the venue and seeing all the various Korn apparel that was being worn you could clearly tell who people were there to see. As soon as the band hit the stage basked in blue and white light it was on. The 5 piece band from Bakersfield, California were straightforward in their approach and wasted no time between songs as they gave the Syracuse crowd exactly what they came for. Hits such as “Falling Away From Me”, “Got The Life” and “Freak On A Leash” seemed to grab the biggest applause while deeper tracks such “Shoots And Ladders”, “Twist” and “Make Me Bad” satisfied longtime Korn fans.

It was great to see K-Rock fulfill their promise with the return of this year’s “K-Rockathon”. When an annual concert that has been around for 20 years decides to take a year off you sometimes question will it ever come back? Thankfully it did and the hometown crowd definitely showed their appreciation by coming out in droves on a Wednesday night to fill the expansive new venue. We can’t wait to see what’s in store for next year.

Stone Sour Set List:
1.) Taipei Person/ Allah Tea
2.) Made of Scars
3.) Say You’ll Haunt Me
4.) 30/30-150
5.) Tired
6.) Do Me A Favor
7.) Song #3
8.) Through Glass
9.) Absolute Zero
10.) Fabuless

Korn Set list:
1.) Rotting In Vain
2.) Falling Away From Me
3.) Did My Time
4.) Here To Say
5.) Clown
6.) Shoots And Ladders
7.) Twist
8.) Got The Life
9.) Coming Undone
10.) Insane
11.) Make Me Bad
12.) 4 U
13.) Blind
14.) It’s On
15.) Freak On A Leash