Starring: Amandla Stenberg, Nick Robinson and Anika Noni Rose
Directed By: Stella Meghie
Rated: PG-13
Running Time: 96 minutes
Warner Bros. Pictures

Our Score: 3 out of 5 Stars

“Everything, Everything” is going to draw a lot of on the surface comparisons to John Travolta’s “The Boy in the Plastic Bubble” and Jake Gyllenhaal’s “Bubble Boy.” It’s fair and unfair at the same time to make that comparison. It’s true that all three movies are about an individual, who’s basically allergic to life, overcoming the odds. But “Everything, Everything” is a lot more heartfelt and genuine, instead of cheapening its main character’s journey with low-brow humor or made-for-TV melodrama.

Maddy (Stenberg) suffers from severe combined immunodeficiency (SCID). Instead of a stereotypical bubble, her life is confinement inside her mother’s airtight home. Pauline (Rose) is a doctor that keeps constant watch and care over her daughter. Maddy seems defeated with the possibility that she’ll ever be able to explore the outside world. She limits her exploration to books she reads, online group chats with other kids who suffer from SCID and busying herself with architecture designs for an online course. Maddy’s wanderlust is sparked by a new neighbor, a loner, and uncharacteristically handsome boy, Olly (Robinson).

“Everything, Everything” is smart for recognizing that teen conversations no longer come in the form of passed notes, lengthy late night phone calls or basic interpersonal dialogue. The two connect over text and Internet, but “Everything, Everything” packages these heart-to-hearts cleverly. The movie plays out the conversation like they’re talking face-to-face, but in the realm of Maddy’s mind and in the playground of one of her architecture models. When the two finally do meet, they awkwardly communicate for the first time using words from their mouths and not with their thumbs.

The film’s sweetness is never overbearing and the cute relationship that developments is wholesome, while still maintaining a foot in reality. Maddy begins to yearn for life outside her sterile home while Olly is discovering there is hope in his miserable life. We subtly learn that his father is abusive, and that his mom, sister and he are emotional prisoners. Maddy and Olly find solace in each other. But alas, there’s a problem with the movie. It lacks courage.

The final act of this movie nearly sinks all the film’s good intention. For obvious reasons, I can’t talk about the ending, but I admit to being ignorant to the twist because I was expecting a unique ending, specific to the movie I was watching unfold. While the ending may have worked for the book this movie is based on, it doesn’t work in the movie. There was a decent shot at making “Everything, Everything” another “Fault in Our Stars” story, but the writers, of both the book and movie, lack the grit to deliver upon their character’s initial moxie.

Despite its flawed, cop-out ending, “Everything, Everything” finds it’s sensibilities in the relationship that develops between the leads. It’s faithful to their emotions, as well as their flawed humanity, although it’s a bit peculiar watching teenagers talking and acting so sincere without an underlying sense of dishonesty. Sometimes logic be damned when two teens are in love, or in this case, when the script calls for it.

Starring: Michael Fassbender, Katherine Waterston and Billy Crudup
Directed By: Ridley Scott
Rated: R
Running Time: 122 minutes
20th Century Fox

Our Score: 2 out of 5 Stars

For the first time in well over a decade, there’s a decent amount of hype and high level of expectation surrounding an “Alien” film. There’s genuine public interest and hope that “Alien: Covenant” would add another rich layer of backstory to the close-quarters terror that audiences experienced back in 1979. But at the expense of bridging the gap between “Prometheus” and “Alien,” Ridley Scott has answered a question nobody asked and poorly answered a question that’s been left lingering since 2012.

The crew of the intergalactic colony ship, Covenant, is awoken mid-cryogenic sleep after a deep space electric charge frazzles their vessel. In the ensuing chaos, the crew’s captain (for some reason played by James Franco) is killed, the ship suffers extensive damage and the crew is alerted to a distress signal. What makes the distress signal curious is that it comes from a planet that’s more livable than the one they’re currently taking 2,000 colonists and thousands of human embryos to.

Acting Captain, Christopher (Crudup), wants to show strength by making a command decision to halt their current path and investigate the planet’s habitability as well as the distress signal. Christopher shrugs off logical concerns by crew members, like why an extensive search of the universe by precise computer programs would have missed this unheard of planet. While he lends an ear to Daniels’ (Waterston) unease, Christopher barrels towards the unknown. I’m sure you know this won’t end well.

The beginning of “Covenant” is ripe with tension, as we breathlessly wait for the best laid plans to fall apart. But once we’ve settled into the mysterious planet and we catch our first glimpse of some prototype xenomorphs, the pressure alleviates and is never reapplied. “Covenant” is covered in thick foreshadowing, that gives away its final act, even to someone who might be new to the “Alien” franchise.

However, fans of the franchise will be wondering what Ridley Scott has done. He’s stripped the dread and action, leaving behind something new, yet unpleasant. “Covenant” is a visually Gothic movie that’s more fixated with body horror than actual scares. It’s more fascinated with Frankenstein rather than the monster. While it is a slightly refreshing change of pace, the human element is nonexistent and the character’s intelligence is subpar.

Fassbender has double duty as the androids, Walter and David. David, if you remember, is the android from “Prometheus” who rides off into the proverbial sunset with Elizabeth Shaw (Noomi Rapace) to find humanity’s creators. While most “Alien” franchise purists didn’t like “Prometheus,” I enjoyed it on the merits of a standalone film that plays a lot like a futuristic “Chariots of the Gods.” The thesis that all life is created by another living entity, and not a God, isn’t lost in “Covenant.”

Scott flirts a lot with man’s infatuation with creating life, discovering meaning, and tapping into what it metaphorically means to be immortal. It’s interesting to ponder, but it never evolves into anything meaningful and it’s buried under a lot of heavy exposition, robotic dialogue, and horror movie tropes. The most obnoxious of clichés is painting these astronauts and scientists like incompetent, horny teenagers stuck at Camp Crystal Lake.

I really wanted to like “Covenant,” especially since Fassbender’s performance was captivating and haunting at times, but I found myself worn out by its formulaic plot and how its human characters lacked human qualities. “Covenant” adds nothing new to the “Alien” franchise. It’s a bloated connector between two of Scott’s most ambitious films. But it’s interesting to note one scene in particular; it’s a narrated flashback that feels like Ridley Scott taking an eraser to “Prometheus.” Maybe he’ll eventually do that with “Covenant.”

“Rammstein: Paris”
Rammstein
Spinefarm
Director: Jonas Akerlund
Runtime: 128 minutes

Our score: 4 out of 5 stars

German industrial metalers Rammstein are set to release a new concert film on May 19th titled “Rammstein: Paris”. Shot over the course of two nights at the Palais Omnisports arena in Paris in front of 17,000 by Swedish director Jonas Åkerlund the film features 22 songs from the band’s expansive repertoire. The end result is not only the most spectacular collection of imagery from one of Germanys most successful bands, but also a masterpiece of music cinema, capturing Rammstein’s energy as a unique visual and sonic experience.

Being no stranger to Rammstein’s concert films featuring the bands over the top theatrics I was very eager to check out the band’s latest release “Paris”. Needless to say I was not disappointed. From the bands over the top entrance which has them walking through the crowd in a stoic procession like fashion before being lifted up to the rafters by industrialized scaffolding to the closing number “Pussy” which features front man Til Lindemann mounting a phallic like device only to douse the crowd in a mystery substance as it moved across the front of the stage. No one does a live show quite like Rammstein and I am sure attempting to film a show this immense was no small feel however director Jonas Akerland and his crew nailed it making this one of the better live releases from the band.

Though I found some of the special effects used to be a bit too much causing portions of the film to be difficult to watch due to their frantic nature “Rammstein: Paris” is a film fans of concert DVD’s have to check out. Having seen a large amount of live films from all different genres I don’t think I have seen any other band take such a cinematic approach with their filming. Lots of different angles and top notch sound made up any short comings I may have found. With the variety of formats the concert is set to be released in you owe it to yourself to check one out.

Track Listing
1.) Intro
2.) Sonne
3.) WOLLT IHR DAS BETT IN FLAMMEN SEHEN
4.) Wollt Das Bett in Flamm
5.) Sehnsucht
6.) Asche Zu Asche
7.) Feuer Frei!
8.) Mutter
9.) Mein Teil
10.) Du Riechst So Gut
11.) Links 2 3 4
12.) Du Hast
13.) Haifisch
14.) Buck Dich
15.) Mann Gegen Mann
16.) Ohne Dich
17.) Mein Herz Brennt
18.) Amerika
19.) Ich Will
20.) Engel
21.) Pussy
22.) Fruhling in Paris

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Starring: Amy Schumer, Goldie Hawn and Randall Park
Directed by: Jonathan Levine
Rated: R
Running time: 1 hr 30 mins
20th Century Fox

Our Score: 3.5 out of 5 Stars

As I sat down in the theatre to see her new film, I kept trying to remember when the last time I had seen Goldie Hawn on the big screen. It seemed like forever and I was right. It has been 15 years since she graced movie theatres, her last film being “The Banger Sisters” opposite Susan Sarandon. For almost five decades she has been the goofy but sweet blonde in countless films and now she returns opposite the goofy, not-so-sweet blonde Amy Schumer in the new film “Snatched.”

When we meet Emily (Schumer) we see her preparing for the vacation of her dreams, a trip to South America. However, after she is hilariously dumped by her boyfriend (Park) she realizes she has no one to go with her. She is also upset because the tickets are non-refundable. She decides to invite her mother, Linda (Hawn). Linda is the exact opposite of Emily, cautious whereas her daughter is, let’s say, not cautious. Things go from good to bad quickly when the two women are kidnapped and held for ransom. And with two comic gems like Schumer and Hawn, you can rest assured that comedy ensues.

What makes the film enjoyable is the fact that both stars play off of each other so well. Hawn has always been the smarter-then-she-seems character in films like “The Sugarland Express,” “Shampoo” and “Private Benjamin.” Schumer is more direct that not as smart. The two contrast well verbally, as well as physically when a little slap-stick is called for. They are joined on screen by the always funny Wanda Sykes and Joan Cusack, former government agents finally enjoying a vacation. Also funny, as Emily’s “momma’s boy” of a brother Jeffrey, is Ike Barinholtz, probably best known to comedy fans for his work on “The Mindy Project.”

Another reason I enjoyed this film was because it shines a light on what Hollywood thinks an attractive woman should look like. After the ladies are kidnapped, Schumer worries that she will be sold as a sex slave. Her kidnapper tells her that won’t happen because she has a “poofy” face. Earlier in the film, Schumer spends many minutes on screen in a bikini and it is a pleasure to see someone that looks like everyone else in the world and not an anorexic stick. Bravo, Amy!

As the film progresses the plot gets weirder and weirder and not every joke hits. However, there are enough laughs to ensure that we hopefully won’t have to wait another 15 years to see Goldie Hawn on screen.

Starring: Charlie Hunnam, Astrid Berges-Frisbey and Jude Law
Directed By: Guy Ritchie
Rated: PG-13
Running Time: 126 minutes
Warner Bros. Pictures

Our Score: 2 out of 5 Stars

For those who’ve read, studied, or are even fans of Arthurian legend, “King Arthur: Legend of the Sword” isn’t for you. In fact, if you’re well versed in the British folklore, your confusion will quickly turn into anger a couple of minutes into the movie. While I’m not concerned about the mythology-to-book legitimacy of Guy Ritchie’s film, I’m more concerned about the emotional disconnect between its characters and the film’s unrepentant amount of murder.

Arthur (Hunnam), is born into royalty in Camelot, but not raised by his parents. His power hungry uncle, Vortigern (Law), murders his mom and dad, leaving Arthur orphaned and stranded in a boat. He’s picked up by some ladies of the night in Londinium, raised to become a compassionate and strong warrior. Arthur lives life ignorant to his royal and legendary bloodline, but he’s quickly thrust back into the bizarre world that he was born in. A sword in a stone has appeared and there are rumblings amongst the peasants about the return of England’s true king.

Anyone whose familiar with the works of authors like Geoffery of Monmouth and T.H. White, is surely wondering what the hell is going on with their beloved story. Guy Ritchie has pieced together one of the most disjointed and confounding action movies of the year. It’s really difficult to pinpoint blame on this one, but when he’s in the director’s chair and credited as one of the writers, the blame should fall at his feet.

Hunnam, is charming enough, but much of his allure feels forced. Maybe it’s because he’s much better suited as a tragic hero, which he played for six years on “Sons of Anarchy.” Law can’t suit up and play a compelling villain, and his character is inept and underdeveloped. Vortigern spends most of his time making empty threats and talking to an unnamed octopus woman in the dungeon of Camelot. By the way, the live-action Ursula gone-wrong, is just one of many unnamed and unexplained things, places, and people populating Ritchie’s vision.

Recognizable names, like Sir Lancelot or Sir Galahad, are on short supply as most run-of-the-mill fans will be struggling to remember or relate with characters like Back Lack or Mischief John. Merlin is mentioned, but the only mage Arthur ever comes into contact with is played by Astrid Berges-Frisbey. She’s never named in the movie, in the credits, or on the movie’s IMDB, yet she’s the only person of magic to interact with Arthur and help him tame his sword. You’d think an integral component of your plot would at least have a nickname.

There are inspired moments of “King Arthur,” but that’s only because of Ritchie’s visual flair and when his signature style is deployed, the use of narration over action sequences to condense exposition in an entertaining manner. The action is mostly digital; including a finale that feels like it was created with the video game engine from “Dark Souls.” It must be noted that this movie is excessively violent as we watch anonymous and unnamed civilians, usually helpless women, slaughtered. It makes the specific Arthur subplot that he lacks motivation to become king and save the day especially confounding.

If you were to take away the legend of King Arthur, as the film’s backdrop, it’s not an especially unique action film. It’s a mish mash of multi-national war dramas, “Lord of the Rings” and slow-motion CGI battles. While there’s rarely a dull moment, that void is filled with plenty of stupid moments. It may find an audience amongst connoisseurs and lovers of bad cinema; much like “Gods of Egypt” did last year.

“King Arthur” is certainly an attempt to kick start a franchise for Warner Bros., who’s still unwilling to admit their regret for hiring Zack Snyder to put together the DC universe. There was potential for “King Arthur” because Ritchie was in the pilot’s seat, but his talents are  overwhelmed by a messy script, bland characters, dimly lit settings, and an over indulgence in summer blockbuster movie tropes. If there’s a sequel, I’ll hope for the best, but expect the worst.

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Actors: Dakota Johnson, Jamie Dornan, Eric Johnson, Rita Ora, Luke Grimes
Directors: James Foley
Rated: NR
Studio: Universal Studios Home Entertainment
Release Date: May 9, 2017
Run Time: 131 minutes

Film: 2 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 2.5 out of 5 stars

I do not understand the thrill of the “Fifty Shades of Grey” series. The first film is a melodramatic turd and the second film is honestly worse. The “steamy scenes” in the film are not sexy at all and nearly laughable. Watching this film was petty painful to be honest. Jamie Dornan and Dakota Johnson are fine in the film and do what they can with this mess but I wouldn’t waste my time on this…just watch a damn porn, LOL. The production though is decent and you can tell that they were trying harder this time but it’s a hard pass for me…and to think there is still another sequel coming.

Official Premise: Jamie Dornan and Dakota Johnson return as Christian Grey and Anastasia Steele in Fifty Shades Darker, the second chapter based on the worldwide bestselling Fifty Shades phenomenon. When a wounded Christian tries to entice a cautious Anastasia back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple. Jack Hyde (Eric Johnson) and Elena Lincoln (Kim Basinger) join the cast, determined to destroy the couple’s hopes for a future together. This time there are no rules.

This Blu-ray includes an unrated cut of the film. Personally the film is long enough running 117 minutes but this new cut expands it out to 131 minutes. If you enjoyed the film you might be interested in more, but I’m not. Despite whether or not the film is worth watching, the A/V presentation is extremely solid. The 1080p transfer looks amazing and really crisp colors. The real shocker here is definitely the DTS:X Master Audio soundtrack. Normally, I would say a film like this wouldn’t need a track like this but it really does sound great. From the film’s music to the subtle sound effects throughout. It is really solid.

“Fifty Shades Darker” comes with some solid special features including contains six featurettes, a two short deleted scenes, and a preview for the next film, “Fifty Shades Freed”…very short. “Writing Darker” features the author E.L. James talking about the book and the film. “A Darker Direction” features cast and crew talking about this sequel. “Dark Reunion” looks deeper into the characters. “New Threats” looks at the films new characters. “The Masquerade” looks at the films party sequence. Lastly “Intimate with Darker” looks at the sex scenes both filming and physical meaning.

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Directors: Michael Dudok De Wit
Rated: PG
Studio: Sony Pictures Home Entertainment
Release Date: May 2, 2017
Run Time: 81 minutes

Film: 3.5 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 2.5 out of 5 stars

I am a huge fan of Studio Ghibli, “The Red Turtle” marks a change for the company. This is not an original film from them but instead a French film acquisition. It is also a wordless film yet also a beautiful film. Put it this way, I watched this film with my 5 year old and she was interested the whole time, even without words. The story was beautiful and the animation was gorgeous. Not your typical Ghibli film but definitely a different one and quite enjoyable.

Official Premise: Marking the much-anticipated return of Studio Ghibli, this masterfully animated fantasy film tells the story of a man shipwrecked at sea who becomes stranded on a beautiful but desolate island. He learns to live in isolation, seemingly tormented in his efforts to escape the island by a giant red turtle. Miraculously, he soon comes upon a young woman also lost at sea and they create a family together.

The 1080p transfer looks solid. The animation is well represented here and the colors are vibrant. The DTS-HD Master Audio 5.1 works perfectly with the films score and sound effects, which gracefully drive the film along. The special features are a little light. There are two featurettes going behind-the-scenes including “The Birth of The Red Turtle” and “The Secrets of The Red Turtle” as well as a AFI Fest Q&A with Director Michael Dudok de Wit. This is a solid interview with a lot of great details though.

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Chris Gethard is a multi-talented comedian and actor (Don’t Think Twice, “Broad City”) who’s worked extensively in NYC’s improv scene at the Upright Citizens Brigade Theater as well as having his own successful public access show, aptly titled “The Chris Gethard Show”. This weekend Gethard premiered a much more personal type of special on HBO with Chris Gethard: Career Suicide. In this touching, and darkly hilarious special, Chris uses comedy to detail his lifelong struggles with depression and anxiety including his brushes with suicide. The show held a special screening and talk-back at New York’s Tribeca Film Fest, featuring Chris, fellow comedian Pete Holmes (HBO’s “Crashing”), and moderator Ira Glass (NPR’s “This American Life”). I spoke with them on the red carpet about the development of the show and using comedy to cope with more difficult issues.

Besides hosting NPR’s “This American Life” podcast (which Gethard has appeared on), Ira Glass produced Don’t Think Twice.

Lauren Damon: Working with Chris on Don’t Think Twice, did you see the development of his show at all?

Ira Glass: I mean, it’s funny, Don’t Think Twice…Chris is such an amazing actor. He’s so for-real in Don’t Think Twice, and that character does have a lot of overlap with who he is in real life. And who he is in this special. My main thing with the special is I’ve seen him develop it. I saw like a super early version in the basement in Union Hall, and then saw when it was up on stage. So I’m really curious how it translates to video.

LD: With the heavier themes, I feel like we have a need for that in comedy because things seem sort of dire in general…

Glass: It’s true…But I feel like the whole trend in comedy has been comedians getting super real about stuff that’s going on, you know. And I feel like when you look at the people…who are doing the most work right now, it’s like Louis CK and Tig Notaro and Mike Birbiglia, Aziz [Ansari]…You know that’s people talking about stuff that’s pretty real. Which I like because I like a real story. I think when somebody can tell a story that’s super funny but also is really a real thing, and emotional, it’s just like what could be more entertaining? That’s everything a person could want.

LD: That’s basically the best episodes of “This American Life”…

Glass: On a good day, yeah. On a good day. The formula on “This American Life” is we want it to be really funny, with a lot of plot at the beginning, then it will get kind of sad and sort of wistful at the end, then like throw a little music under it, you’re done!

In Don’t Think Twice, Gethard played Bill, a comedian coping with a hospitalized father on top of dealing with general anxieties of where he fits into his shifting improv group.

LD: In Don’t Think Twice, your character did a lot of the heavy emotional lifting, was your show already developing kind of around that time?

Chris Gethard: It’s funny because [Don’t Think Twice director] Mike Birbiglia was the one who kind of threw down the gauntlet and said ‘You should do a show about this side of yourself.’ I would talk about it to a degree in my work, but he was the one who was like ‘You got something here, go for it.’ So the experience of Don’t Think Twice and this show kind of went hand in hand. I was opening for Mike on the road, he developed the film on the road [and] during that process is when he really said ‘You should really go for it, I promise you, give it a shot.’ Really the first time I attempted the show was in an effort to sort of prove Birbiglia wrong and say like I don’t know if people are going to laugh at this. But I have learned never to doubt Mike. And those things really did dovetail nicely and springboard off of each other.

LD: How did Mike respond to it?

Gethard: Oh he’s been so supportive and I think he was–he also, as far as these off Broadway shows that are kind of comedy but that go serious, I think he really has helped pioneer that in the past few years. So I think he was very proud and flattered. I always give him a lot of credit as far as walking in his footsteps. So I think he was very psyched that I went for it. i think he also had a little bit of glee that his instincts were correct and mine were not. So thank god for that.

Pete Holmes had his own hilarious HBO comedy special (Faces and Sounds) as well as starring in their series, “Crashing”

LD: How do you know Chris?

Pete Holmes: It’s funny, I thought more people would ask, but here we are at the end of the line and you’re only the second person to ask, so it’s still fresh! It’s still a fresh answer. I was a fan of Chris, I would see him at UCB –actually not far from here, right around the corner. And then I took improv classes at UCB and Chris was actually my level 3 teacher because I had heard that he was so wonderful. And he was. I actually think Chris likes to downplay what a wonderful improv teacher he is because obviously he loves to perform more. But it’s almost a shame that we can’t clone him, because he’s such a great improv teacher.

LD: Your stand-up is a lot more silly and irreverent in contrast to the work Chris is doing in this special and I love that there’s space for both

Holmes: That’s nice, there is space for both! And I really love this show. It’s not the sort of stand-up I do but I also on my podcast [“You Made it Weird”] love to get very deep and weird and uncomfortable so I love seeing it in the live version with the laughs.

LD: On “You Made it Weird”, have you had any especially surprising guests?

Holmes: That happens all the time actually. For example The Lucas Brothers, the twin guys from 21 Jump Street movie…I [didn’t] know them that well either and they’re kind of low energy [in the film] and then they came on and were like the most high-energy, introspective, eloquent amazing guests. And you know, I didn’t really know them that well. So one of the things that I love about the podcast is that happens over and over. Your expectations just get completely blown out of the water.

The better answer would be Aaron Rogers, the quarterback for the Greenbay Packers…I didn’t know him either, but here comes a quarterback. And J.J. Redick who’s a basketball player just did it. And whenever these athletes come on and just kill it just as hard as the comedians, it makes me happy.

LD: With Chris being your teacher and then you had an HBO special and series first, is that kind of funny to you?

Pete Holmes: [laughs] I beat my teacher! It’s so funny, Chris and I had another thing where I did a talk show for Conan–he talked to me about this on his episode of my podcast. [Chris] was like when they gave you the talk show after Conan–which lasted about a year–he was like they were talking to me about [doing it] Like we’ve been competing in ways we didn’t even know! So I’m happy that now we’ve both landed at HBO, it’s not one or the other, but we can both be here. [laughs]

Chris Gethard: Career Suicide is now available on HBO, HBO Now & HBOGo

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DVD Release Date: May 9, 2017
32 episodes on 6 discs
Distributed by: Lionsgate
Run time: 22 hours and 35 minutes

Our Score: 3.5 out of 5 stars

“Shark Week: Shark ’n’ Awe Collection” is a Walmart exclusive release and released to get us all excited for 2017 Shark Week coming up soon! Over the six discs, there is nearly a full day of content. This is not a full collection of 2016, rather what you get are some of the best episodes from both 2015 and last year. Some of the episodes includes in this new collection are “Alien Sharks: Close Encounter”, “Ninja Sharks” and “Sharks Versus Dolphins: Face Off” to name a few out of the 32 episodes included.

Official Premise: Shark Week is back, making a huge splash with all-new, compelling and jaw-dropping shark stories and shark technology. Working with the most respected marine biologists and science institutions, Shark Week: Shark ’n’ Awe Collection highlights some of the most recent breakthroughs and developments that have led to remarkable new insights into these magnificent creatures.

Other than the 32 episodes included over six discs, there are no additional special features included. The episodes chosen are solid choices for sure. Every year I watch Shark Week and I always think it will be the same of the same each year but it is not. I always learn something new with each year and these collected here deliver for sure. I am a big disappointed with the fact that Lionsgate did not include digital copies like with previous releases.

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Starring: Nia Long, Idina Menzel
Studio Lifetime
MPAA rating: PG-13
Running Time: 87 minutes

Our Score: 2.5 out of 5 stars

I’ve seen the original Bette Midler (Actor), Barbara Hershey classic film “Beaches”, not a huge fan but I am familiar for sure. This is not a terrible remake. Unnecsary but definitely not terrible. It does scream TV movie though but it is a Lifetime movie so its sort of ok. If you like the cast and can deal with it being a remake, you might enjoy it also.

Official Premise: In this contemporary remake, Beaches follows the serendipitous meeting of two young girls on the Venice Boardwalk, who, though worlds apart in lifestyle, embark on unexpected and lifelong friendship.

This update to the 1988 film does include solid performances of the iconic songs from the original movie such as “Wind Beneath My Wings” and “The Glory of Love” from Idinal Menzel as well as her new original song, “Last Time”. This film is a Walmart only title. So if you want it that’s the only please to get it. No digital copy or special features are included on this DVD.

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Actors: Taylor Schilling, Laura Prepon, Kate Mulgrew, Michael Harney, Nick Sandow
Number of discs: 3
Rated: NR
Studio: LIONSGATE
Release Date: May 9, 2017
Run Time: 778 minutes

Season: 4 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras’: 2.5 out of 5 stars

The fourth season of Orange Is The New Black proves this show gets better and better with each new season. It is darker, gritty, funnier, crazier! Just all around great! This show is showing no signs of slowing down at all. The cast is all simply amazing together. The story for this season just brings this show to a whole new level of great. I can’t wait to see what is in store for season 5!

Season 4 Premise: New faces and old resentments make for a potentially volatile blend, especially now that Litchfield is a for-profit business. Overrun with new inmates and overseen by inexperienced guards, the prison undergoes an unprecedented culture war.

The 1080p transfer of the episodes looks great. The colors are crisp and even though the prison is drab. The flashbacks and outside scenes are well represented. The DTS-HD Master Audio 5.1 works as well with no issues and spotlights the movie well. The special features are not the best to be honest, There are only two audio commentary tracks include as well as a tour of Litchfield and a gag reel included.

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Actors: Britt Robertson, KJ Apa, John Ortiz, Dennis Quaid, Josh Gad
Directors: Lasse Hallstrom
Rated: PG
Studio: Universal Studios Home Entertainment
Release Date: May 2, 2017
Run Time: 100 minutes

Film: 3 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 2.5 out of 5 stars

Who doesn’t love animals?! This movie looked really cute film about a dog through many lives to help its original owner. I enjoyed it overall. I don’t see myself raving about it though to anyone else, especially after the controversy came out about the production. But I do like the message over and how it was setup. Dennis Quaid pops in for a few minutes and does his confused look thing. Dog lover will probably love it if they if they don’t know about what happened during the production. Otherwise, this is a one-timer.

Official Premise: Based on the beloved bestselling novel by W. Bruce Cameron, A Dog’s Purpose, from director Lasse Hallström (The Cider House Rules, Dear John, The Hundred-Foot Journey), shares the soulful and surprising story of one devoted dog (voiced by Josh Gad) who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love.

Like all Universal releases, this one is no different impressive audio and video included, though nothing spectacular worth mentioned for this film. It comes as a combo pack with a Blu-ray + DVD + Digital copy included. The special features are very light the are two production featurettes including “Lights, Camera, Woof!” and “A Writer’s Purpose”. There are also Deleted Scenes and Outtakes included.

Actors: Ryan Gosling, Emma Stone, John Legend, Rosemarie Dewitt, Finn Wittrock
Directors: Damien Chazelle
Rated: PG-13
Studio: Lionsgate
Release Date: April 25, 2017
Run Time: 128 minutes

Film: 4.5 out of 5 stars
Blu-ray: 5 out of 5 stars
Extras: 3.5 out of 5 stars

I was highly anticipating “La La Land”. I told myself I wasn’t going to hear a note of the music before seeing the film. Funnily enough after my first viewing, I felt really let down. Afterwards, I spent time listening to the soundtrack and since have fallen absolutely in love with the music and the film itself becoming one of my favorites from 2016. Ryan Gosling and Emma Stone are/and also sound amazing. I love them singing and I love them together. A must see for sure!

Official Premise: Winner of 6 Academy Awards® including Best Director for writer/director Damien Chazelle, and winner of a record-breaking 7 Golden Globe® Awards, LA LA LAND is more than the most acclaimed movie of the year – it’s a cinematic treasure for the ages that you’ll fall in love with again and again. Emma Stone and Ryan Gosling star as Mia and Sebastian, an actress and a jazz musician pursuing their Hollywood dreams – and finding each other – in a vibrant celebration of hope, dreams, and love.

The 1080p transfer is gorgeous. I love the look and the way that this film was shot. I feel like it speaks true to Hollywood today. Since this is an musical, you would assume that the sound of this Blu-ray is very important. Well Lionsgate films does not disappoint. They have delivered us with an epic Dolby Atmos track as well as a Dolby TrueHD 7.1. So two great options way to enjoy this beautiful film and its beautiful songs!

The special features are solid. There are about over 10 featurettes focusing on all aspects of the production bringing nearly 80 minutes of content. There is an informative audio commentary with Writer/Director Damien Chazelle and Composer Justin Hurwitz. I love these two together on this track. “Damien and Justin Sing: The Demos” is a look at two demos for the track “What a Waste of a Lovely Night” and “City of Stars”. Lastly there is a gallery and trailers.

Starring: Matilda Anna Ingrid Lutz, Alex Roe, Johnny Galecki, Aimee Teegarden, Bonnie Morgan, Vincent D’Onofrio
Director: F. Javier Gutiérrez
Rated: PG-13
Studio: Universal Studios
Release Date: May 2, 2017
Run Time: 102 minutes

Film: 2 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 2 out of 5 stars

“Ringu” aka “The Ring” originally was a great Japanese horror movie. Honestly didn’t need an expensive US remake. Still, the remake was decent and worth working. “The Ring 2” is hardly. When I heard report of “Rings”, I thought “yeah sounds cool, it’s been some years now and what could they do with all this new technology etc”. Well this was just another boring reboot of the original film with nothing worth wild here at all. Samara is not scary at all and all her scenes could have been taken scene for scene from the previous films and you wouldn’t have realized.

Official Premise: A new chapter in the beloved RING horror franchise. A young woman becomes worried about her boyfriend when he explores a dark subculture surrounding a mysterious videotape said to kill the watcher seven days after he has viewed it. She sacrifices herself to save her boyfriend and in doing so makes a horrifying discovery: there is a “movie within the movie” that no one has ever seen before…

“Rings” comes as a combo pack with a Blu-ray + DVD+ Digital HD cop included. The DTS-HD Master Audio 7.1 track is solid for this film I do have to give credit there! The special features are bland and pointless like the movie. There are two featurettes “Terror Comes Full Circle” and “Resurrecting the Dead: Bringing Samara Back” about the production and creating Samara again, respectively. “Scary Scenes” is a stupid cast reaction to horror. Lastly there are nearly 20 minutes of deleted/alternate/extended scenes, cause you can tell this movie was chopped up to hell and was probably an entirely different film before it was released!

Actors: Matthew McConaughey, Edgar Ramirez, Corey Stoll, Bryce Dallas Howard
Directors: Stephen Gaghan
Rated: R
Studio: LIONSGATE
Release Date: May 2, 2017
Run Time: 121 minutes

Film: 3 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 2.5 out of 5 stars

For the talent involved you would have thought that a film like “Gold” would have gotten a lot more notice. This film stars Matthew McConaughey (“The Dark Tower”), Bryce Dallas Howard (“Jurassic World”), Corey Stoll (“House of Cards”), as well as veterans Stacy Keach (“American History X”) and Bruce Greenwood (“Star Trek”). Talent-wise this film is a score. I enjoyed watching it, thought it would be a film that I would never see again for sure. Not my kinda movie.

Official Premise: “Gold” is the epic tale of one man’s pursuit of the American dream — to discover gold. Oscar winner Matthew McConaughey stars as Kenny Wells, a prospector desperate for a lucky break, who teams up with a similarly eager geologist, and they set off on an amazing journey to find gold in the uncharted jungle of Indonesia. Getting the gold was hard, but keeping it would be even harder, sparking an adventure through the most powerful boardrooms of Wall Street.

“Gold” comes in a combo pack with a Blu-ray + DVD + Digital HD included.  The 1080p transfer is typical. Doesn’t stand out. Doesn’t suck. Looks solid enough. Same goes for thhe DTS-HD Master Audio 5.1 track, which delivers great sound especially for the title track by Iggy Pop and Danger Mouse. The special features includes an audio commentary with director Stephen Gaghan as well as a deleted scene, a featurette on the film’s locations and a behind-the-scenes look at Matthew McConaughey’s character.