DOWN To Kick Off Spring Mini Tour This Week + European Festival Appearances Draw Near

Photo by Tomoko Inoue

Long-running heavy metal supergroup DOWN, featuring vocalist Philip H. Anselmo, guitarists Pepper Keenan and Kirk Windstein, drummer Jimmy Bower, and bassist Pat Bruders, will return to the stage for a trio of live dates beginning this Thursday, May 19th at the Welcome To Rockville festival in Daytona Beach, Florida. From there the band will play shows in Atlanta and Dallas before reconvening in June for three European festival appearances: Copenhell, Graspop Metal Meeting, and Hellfest.
In September, DOWN will take the stage at Blue Ridge Rock Festival in Alton, Virginia with additional performances to be announced in the months to come. Comments Anselmo, “It’s gonna be good to be out playing shows with the DOWN boys again!” See all confirmed dates below.
5/19/2022 Welcome To Rockville – Daytona Beach, FL
5/20/2022 Buckhead Theatre – Atlanta, GA w/ Ill Nino
5/22/2022 Amplified Live – Dallas, TX w/ Ill Nino, Cutthroat Conspiracy, Driven Below
6/16/2022 Copenhell – Copenhagen, DK
6/18/2022 Graspop Metal Meeting – Dessel, BE
6/19/2022 Hellfest – Clisson, FR
9/09/2022 Blue Ridge Rock Festival – Alton, VA

You know it’s DOWN as soon as you hear them. There’s no mistaking those gargantuan riffs, swamp blues leads, crashing drums, and hypnotic howls for absolutely anybody else under the sun. The band upholds a certain tradition that countless fans celebrate, expanding their own musical mythos as they leave its pillars intact and untouched.

With a collective resume encompassing Pantera, Corrosion Of Conformity, Crowbar, and EyeHateGod, the quintet puffed out its first haze of sonic smoke from the belly of gritty old New Orleans on the 1995 platinum-selling classic, NOLA. At that moment, they naturally summoned something akin to a ritual, continually partaking in it with critically revered offerings — Down II: A Bustle In Your Hedgerow in 2002, Down III: Over The Under in 2007, Down IV – Part One in 2012, and Down IV – Part Two in 2014. Their shows built a certain live lore with unforgettable runs alongside Metallica and Heaven & Hell, as well as coveted spots on iconic festivals like Download, Soundwave, Ozzfest, and so many others, forever delivering passionate, powerful, pure heavy music you can feel deep down in your soul.

POWER TRIP Begins Tour With Red Death Today + Band To Support The Original Misfits This Week

Texas crossover outfit POWER TRIP today kicks off a tour across the Midwest with support from their allies in Red Death, with shows in Oklahoma City, Kansas City, Des Moines, and St Louis this week. The shows surround POWER TRIP‘s spot supporting The Original Misfits as well as Fear and Venom Inc. at the massive Allstate Arena in Rosemont, Illinois this Saturday, April 27th. 

POWER TRIP has additional shows booked through the year, including stateside festival sets at Dark Lord Day with High On Fire and Nuclear Assault, Trouble N’ Texas Fest with Bitter End, Sound & Fury Festival with Have Heart, Fury, and Fiddlehead, Psycho Las Vegas with Yob, High On Fire, and Glassjaw, and the newly-confirmed Exit 111 Festival with Def Leppard, ZZ Top, and Mastodon. The band will return to Europe as well this June to play the Donnington Park Circuit, Plein Air, and more. 

Watch for many more new POWER TRIP tour dates to be announced in the weeks ahead. 

POWER TRIP‘s Southern Lord-released breakthrough album, Nightmare Logic, has earned praise from The New Yorker to Pitchfork’s Best New Music, to countless best-of/year-end lists. The band was awarded the Best Metal Album Of The Year from Loudwire and song placement in the WWE. Touring relentlessly, the band has headlined tours across North America, Europe, and Japan last year, recently supported Danzig on several US shows, had a track used in an episode of the YouTube Premium series Wayne, and was featured on the cover of Decibel Magazine’s February 2019 issue. 

Find POWER TRIP’s Nightmare Logic LP at the Southern Lord webshop HEREand via Bandcamp HERE.

POWER TRIP Tour Dates:
4/23/2019 89th Street – Oklahoma City, OK w/ Red Death
4/24/2019 Riot Room – Kansas City, MO w/ Red Death
4/25/2019 Vaudeville Mews – Des Moines, IA w/ Red Death
4/27/2019 Allstate Arena – Rosemont, IL w/ The Original Misfits, Fear, Venom Inc. [info]
4/28/2019 Ready Room – St Louis, MO w/ Red Death
5/18/2019 3 Floyds Brewing – Munster, IN @ Dark Lord Day w/ High On Fire, Nuclear Assault
5/30/2019 Paper Tiger – San Antonio, TX w/ Bitter End, Hardside, Saintpeeler
6/01/2019 Trouble N’ Texas Fest – Dallas, TX w/ Bitter End
6/16/2019 Donnington Park Circuit – Derby, UK [info]
6/23/2019 Plein Air – Dessel, FR [info]
6/28/2019 Suvilahti – Helsinki, FI [info]
7/12-13/2019 Sound & Fury Festival – Los Angeles, CA w/ Have Heart, Fury, Fiddlehead
8/16-18/2019 Psycho Las Vegas – Las Vegas, NV w/ Yob, High On Fire, Glassjaw10/12/2019 Exit 111 Festival – Manchester, TN w/ Def Leppard, ZZ Top, Mastodon

NASCAR Racing returning to NBC on Saturday, July 1st at 7 p.m. EST from Daytona International Speedway | NBC’s Sports Food Trucks in the Orlando-Daytona area THIS WEEK!

In celebration of NASCAR Racing’s returning to NBC on Saturday, July 1st at 7 p.m. EST from Daytona International Speedway, NBC’s Sports Food Trucks will be making several stops in the Orlando-Daytona area THIS THURSDAY, JUNE 29th– SATURDAY, JULY 1st !

We invite you to come out and enjoy the different food themes inspired by your favorite NASCAR drivers! NASCAR fans of all ages will enjoy the NBC Race Flag Chips Truck, NASCAR on NBC Go-Go Snow Cones Truck, and NASCAR on NBC Racecar-B-Q Truck. There will also be opportunities for attendees to participate in activities, games, and enter-to-win prizes. Below is the list of stops the food trucks will be located throughout Thursday, June 29 – Saturday, July 1st.

Thursday, June 29

6 – 7:30 p.m. ET – New Smyrna Speedway (3939 State Road 44 West New Smyrna Beach, FL 32168)

Friday, June 30

Noon – 4 p.m. ET – Oceanfront Park / Daytona Beach Bandshell (70 Boardwalk, Daytona Beach, FL 32118)

8-10 p.m. ET – Dirty Harry’s (705 Main St Daytona Beach, FL 32118)

Saturday, July 1

Noon – 2 p.m. ET – Daytona Flea Classic Car Show (1425 Tomoka Farms Rd, Daytona Beach, FL 32124)

5 – 7 p.m. ET – Daytona Beach Brewing Company’s 3 Year Anniversary Party (482 Fentress Blvd, Daytona Beach, FL 32114)


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DVD Review ” Shark Week: Shark ’n’ Awe Collection”

DVD Release Date: May 9, 2017
32 episodes on 6 discs
Distributed by: Lionsgate
Run time: 22 hours and 35 minutes

Our Score: 3.5 out of 5 stars

“Shark Week: Shark ’n’ Awe Collection” is a Walmart exclusive release and released to get us all excited for 2017 Shark Week coming up soon! Over the six discs, there is nearly a full day of content. This is not a full collection of 2016, rather what you get are some of the best episodes from both 2015 and last year. Some of the episodes includes in this new collection are “Alien Sharks: Close Encounter”, “Ninja Sharks” and “Sharks Versus Dolphins: Face Off” to name a few out of the 32 episodes included.

Official Premise: Shark Week is back, making a huge splash with all-new, compelling and jaw-dropping shark stories and shark technology. Working with the most respected marine biologists and science institutions, Shark Week: Shark ’n’ Awe Collection highlights some of the most recent breakthroughs and developments that have led to remarkable new insights into these magnificent creatures.

Other than the 32 episodes included over six discs, there are no additional special features included. The episodes chosen are solid choices for sure. Every year I watch Shark Week and I always think it will be the same of the same each year but it is not. I always learn something new with each year and these collected here deliver for sure. I am a big disappointed with the fact that Lionsgate did not include digital copies like with previous releases.


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National Bubble Week – Celebrate with Gazillion Bubbles – March 8th-14th

Despite what the thermometer says for many in the country, spring is just around the corner. And with spring comes flowers, warmer weather, children playing outside and Gazillion National Bubble Week (March 8th  – 14th).

National Bubble Week originated in 2000 as a way to celebrate spring. Because bubbles are such an iconic, fun outside toy, it’s only natural to use these floating spheres to usher in the season synonymous with outdoor play, laughter and sunshine.

Here are some ways everyone can celebrate!

First, get some bubbles! Gazillion Bubbles solution makes the biggest, brightest and most colorful bubbles around! And ramp it up with awesome bubble toys!

o   Gazillion Bubble Monsoon — create a skyward storm of bubbles instantly! Simply replace the cap on the bottle of bubble solution with the auto-feed cap (included), attach the solution bottle to the machine, press the button and watch in amazement as the sky fills with bubbles!

o   Gazillion Bubbles Tornado — This machine may be small, but once you pour in Gazillion Bubbles solution, you’ll instantly see an endless flurry of bubbles with the Gazillion Bubbles Tornado!

o   Gazillion Bubbles Bump-N-Go Bubble Car – Fuel the car with Gazillion Bubbles solution, turn the car on and watch as it drives around, blowing bubbles on the go! Don’t worry if it bumps into something, it will change direction and keep moving while a trail of bubbles follows in its path.

Try out some bubble tricks! How do bubbles work? Are bubbles always round? What happens to bubbles when you change the temperature? Test out these questions and more with fun, easy bubble experiments.

o   Find all the bubble experiments here:

Take the bubble test! Did you know:

o   A Bubble Gets Its Color From Iridescence: As waves of light pass through the bubble, it gets distorted by reflecting off different layers of soap film.

o   You Can Freeze Bubbles: A bubble’s shell is composed of a layer of water molecules surrounded by two thin layers of soap. Technically, a bubble will freeze below 32 degrees Fahrenheit like all water. The only problem is that bubbles tend to burst after a few seconds, so in order to see a bubble freeze, the temperature needs to fall to a temperature that will freeze water molecules more quickly.

o   Why Do Bubbles Burst?: Anything that fractures the tenuous layer of water molecules can cause a bubble to burst. For example, a gust of wind or an object (like your finger) will easily cause a bubble to burst. Also, a bubble will burst if enough of the water molecules evaporate.

o   Many Bubbles Makes A Foam: When many bubbles are joined together, it becomes a foam. From cappuccinos to the foam on the top of your beer, bubbles are all around us.

Gazillion Bubbles are loved the world over by people of all ages.  There’s even a Gazillion Bubble Show in New York City (, and an exhibit at the So Cal Children’s Museum focused on them.  For kids, bubbles are pure fun for spring and summer outdoor frolic.  For adults, (where you’ll find them at events such as proms, weddings and more,) they symbolize peace, harmony and beauty.

Our suggestion:  start BUBBLE SEASON right, and pop into a store today to stock up.  And don’t forget to share your bubble memories and enter the annual photo contest with prizes monthly March 1, 2015 to August 30, 2015

Socialize with us – #BubbleWeek – @GazillionBubble, and

Remastered Elvis: That’s the Way It Is Set for Special Screening August 16 at Orpheum Theatre in Memphis during Elvis Week followed by a Limited Theatrical Engagement

Burbank, Calif., July 14, 2014 – To celebrate Elvis Week, the historic Orpheum Theatre in downtown Memphis will host the world premiere of Warner Bros. Home Entertainment’s newly-remastered Elvis: That’s The Way It Is on August 16.

This year’s Elvis Week will be held from August 9-August 17 at Elvis Presley’s Graceland in Memphis.  Fans who attend the Elvis That’s The Way It Is screening will be treated to the newly remastered film along with extras such as rehearsal and actual performance footage that were not included when last shown as a feature film. Audiences will also get to experience a special performance by Elvis’ Imperials members Joe Moscheo and Terry Blackwood, along with Darrell Toney and Lynn Royce Taylor.* This will be a special farewell performance by Moscheo who recently retired from the group. Fans can also view “Elvis: That’s The Way It Is” related artifacts direct from the Graceland archives that will be on display in the lobby. This event will be hosted by Tom Brown, Vice President of Original Productions for Turner Classic Movies (TCM).

Tickets are available for purchase via, by calling Ticketmaster at 800-745-3000, at any Ticketmaster outlet or at the Orpheum box office. For more information on this or other Elvis Week events, visit

Additionally the newly-remastered Elvis: That’s The Way It Is will be shown in almost 300 theaters around the U.S. for a limited engagement. Fans unable to attend the Elvis Week world premiere will still have a chance to see Elvis on the big screen and enjoy an inside look at a cultural icon often labeled the “King” of rock ‘n’ roll. The documentary depicts Elvis as a master showman, following him as he prepares for his big opening-night performance in Las Vegas. Information including a list of dates and locations can be found at

Elvis Aaron Presley

(1935 – 1977)

Elvis Presley was one of Hollywood’s top box-office draws, starring in 31 feature films and two theatrically-released concert documentaries over the course of his career. His music was as much a part of his box-office success as his good looks and charisma. In fact, some of his top-selling songs were from the movie soundtracks. Eleven of his soundtrack albums made it into the top ten on the Billboard Album charts and of those, four became number one hits. It is estimated that Elvis has sold over a billion records worldwide, more records than any other artist in record industry history, and even 30 years after his death, Elvis still conquers new legions of fans as even compilations of his RCA recordings, such as “Elvis 30 #1 Hits” and “Elvis 2nd to None,” have both topped the Billboard charts of best-selling albums.

More biographical information is available at the official Elvis Presley Web site,


New from Warner Bros. Home Entertainment on August 12, 2014

Elvis: That’s The Way It Is – Two Disc Special Edition, which was re-edited and remixed for its acclaimed release in 2001, will now debut on Blu-ray™ as a Premium Digibook.

  • Disc 1(BD) contains the 2001 Special Edition, newly remastered with DTS-HD Master Audio 5.1 soundtrack and Special Features.
  • Disc 2 (DVD) contains the 1970 Original Theatrical Version and Special Features.


In celebration of its 50th Anniversary Viva Las Vegas will also be offered as a Premium Blu-ray Digibook. These Premium Digibooks include rare behind-the-scene photos and are available for $27.98 each (SRP).

*Performance appearances subject to change.

Academy Awards® and Oscar® are both registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.

Blu-ray Disc™ and Blu-ray™ and the logos are the trademarks of Blu-ray Disc Association.

Warner Home Video Blu-ray Discs™ offer resolution six times higher than standard definition DVDs, as well as extraordinarily vibrant contrast and color and beautifully crisp sound. The format also provides a higher level of interactivity, with instant access to extra features via a seamless menu bar where viewers can enjoy features without leaving or interrupting the film.


About Warner Bros. Home Entertainment Inc.

Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment’s home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees, as well as directly to consumers through and WBUltra.

Last Day to Get 1 Week Free of Full Moon Streaming!

This week is the premiere of Episode 4 of Trophy Heads exclusively on FullMoonStreaming, which means anyone can watch episode 1, 2, 3, 4 with our limited free trial. And this episode is one of the best! With cameos by classic alumni Stuart Gordon, Robin Sydney, Jessica Morris, Amy Paffrath, Jean Louise O’Sullivan, and starring Denice Duff and Jacqueline Lovell playing themselves!

Blu-ray Review “Shark Week: Fins of Fury”

Rated: TV-14
Studio: Discovery Channel
DVD Release Date: July 16, 2013
Run Time: 301 minutes

Our Score: 4 out of 5 stars

Shark Week is my favorite week of the year no question.  I set my DVR and tape not only the new specials but also the classic ones as well. Discovery Channel has been running it for over 25 years now and it only gets better and better each year.  “Shark Week: Fins of Fury” delivers some of the best special from the 2012 season.  If you are a fan of Shark Week, then this release should be a must purchase, especially to get you ready for this years great line-up!

Disc one contains the following episodes are included “Great White Invasion”, which focuses on the routines of sharks seen around the waters in California, Australia and South Africa. “Jaws Comes Home” looks into sharks returning to the same waters where the film “Jaws” was made. “Rogue Sharks” debates the idea of sharking being territorial (if you’ve seen “Jaws” you will know this debate).

Disc two includes the rest of the episodes including “Summer of the Shark”, investigates Australia’s recent attacks. “Killer Sharks” looks into the 1957 holiday shark attacks in South Africa. “How Sharks Hunt” features Dave and Cody of “Dual Survival” as they discuss the habits of great whites. Lastly, “Shark City” features Andy Samberg (“SNL”) as he takes us on a tour of the protected waters of the Bahamas.

I loved all these episodes from latest year but the major complaint I had was Andy Samberg.  Man, was that a mistake.  Out of anyone to be the Chief Shark Officer, why would they choose him.  I understand they want to make it fun for the week of episodes but I was not feeling him as a host at all.  Hopefully they will fix that for the 2013 season.  Until then, this Blu-ray is a great way to catch up on last year’s greats (excluding “Shark City”).

“Withered World” – An End of the World Web-Series to Debut This Week

“Withered World,” a new web-series which tells about the last day on Earth through the eyes of a diverse group of filmmakers, debuts this week, Tuesday, April 23 at 7:00 p.m. It can be viewed at

The series, conceived by Bryce Young (who also wrote and directed the first episode), deals with the way the human race deals with their last day on Earth. Filmed entirely in Kansas City, using all Kansas City talent both behind and in front of the camera, the series kicks off with “A Man’s Tale.” In an interivew with Young, which will be posted later this week, he told Media Mikes that his fellow filmmakers were given no direction or plot points to follow. His only instructions were that their short films deal in some way with the human race and it’s last day on this planet. I found the first episode very intriguing and can’t wait to see what happens next week! Enjoy!


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Blu-ray Review “Shark Week”

Directed by: Chris Olen Ray
Starring: Patrick Bergin, Yancy Butler, Josh Allen, Erin Coker
MPAA Rating: Unrated
Distributed by: Asylum Home Ent
Release Date: August 28, 2012
Running Time: 90 minutes

Film: 2.5 out of 5 stars
Extras: 2 out of 5 stars

When it comes to The Asylum films, I am first one in line. I was anticipating “Shark Week” this summer timed to steal some spotlight with Discovery Channel’s 25th Anniversary of “Shark Week”, I am sure. The film manages to bring the Asylum’s usual charm but doesn’t excel much. I am a fan of Chris Olen Ray’s work, especially in the shark genre with “2 Headed Shark Attack” and “Mega Shark vs. Crocosaurus” but still one falls a little flat. The CG is not the worst, I’ve seen and some parts are actually kind of kick-ass. Lastly, it also seemed like Patrick Bergin and Yancy Butler didn’t really have much to do in the film besides sit in front of computer. I call this a one-time watcher at most.

The premise is quite decent actually b It follows a group of strangers who find themselves captured at a wealthy madman’s island compound and are forced to survive a barrage of ever deadlier species of shark. The film has been quoted as “Saw” meets “Jaws”, which would have actually been awesome but the execution of that cool idea is where the film fails. When I interviewed the director, even he did not have any faith in this film saying “I am surprised we were even able to get a movie out of it…The concept behind this movie was such a great concept for it to turn out the way it did.”

I have no complaints with the the Blu-ray itself. It is a typical Asylum release and delivers a decent HD experience with both its 1080p video and its 5.1 surround sound audio track. The special features also follow the typical Asylum route and are a little light but still decent. There is a short behind-the-scenes feature called “The Making of Shark Week”. Lastly there is a gag reel included. Both features are worth checking out, even if you didn’t enjoy the film. I just wish the film was as amazing as the box cover!


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No Safe Haven from The Asylum’s Latest Creatures “Bigfoot” and “Shark Week” Available on Blu-ray™, DVD and On Demand this August

LOS ANGELES, CA (August 14, 2012) – From the studio that brought you Mega Shark vs. Giant Octopus and Zombie Apocalypse come two new action-thrillers – featuring Alice Cooper, two former teen heartthrobs, an especially tall and hairy beast and a large array of deadly species of shark – that prove that there is no escape from monsters both terrestrial and aquatic.

Two of TV’s most beloved child actors, Danny Bonaduce (The Partridge Family) and Barry Williams (The Brady Bunch) unite, assisted by Sherilyn Fenn (Rude Awakening, Boston Public), to make it through Bigfoot’s startling appearance at a music festival in North Dakota in Bigfoot.  Directed by Bruce Davison, Bigfoot is debuting on Blu-ray™, DVD and On Demand August 14 from The Asylum. And see who survives the shark-infested waters of an isolated island run by a rich madman, played by Patrick Bergin (Patriot Games) in Shark Week.  Featuring Yancy Bulter of As the World Turns and Kickass fame, Shark Week debuts on Blu-ray™, DVD and On Demand August 28.  Both projects successfully debuted on Syfy earlier this summer.  Pick up a copy of these hits on Blu-ray™ or DVD for bonus features including a behind-the-scenes featurette “The Making of Bigfoot” and “The Making of Shark Week,” respectively. The films will be available for $14.95 SRP (Blu-ray) and $14.95 SRP (DVD).

Synopsis of Bigfoot:

When Bigfoot attacks an 80s-themed music concert, a concert promoter and a hippie burnout will do anything to protect the “endangered species.”

Produced by David Michael Latt, David Rimawi and Paul Bales; directed by Bruce Davison; and written by Micho Rutare and Brian Brinkman.

Synopsis of Shark Week:

A group of complete strangers find themselves isolated by a wealthy madman on his island compound. They are forced into a horrifying gauntlet where they must survive a barrage of ever deadlier species of shark.

Produced by David Michael Lett, David Rimawi and Paul Bales; directed by Douglas-Olen Ray; and written by H. Perry Horton.

H. Perry Horton talks about writing “Shark Week” & “2-Headed Shark Attack” with The Asylum

Perry Horton is the writer of two recent films from The Asylum, “Shark Week” & “2-Headed Shark Attack”.  Media Mikes had a chance with Perry about how he got started working with The Asylum and about his upcoming films.

Mike Gencarelli: Tell us about how you got involved working with The Asylum?
H. Perry Horton: In August 2010 I started my blog, Committed, dedicated entirely to Asylum films – news and reviews, interviews and profiles et cetera, as well as my own personal pitches. Basically, it was a shameless ploy to get their attention, and somehow it worked; in January 2011 they added me to their pool of writers. Three months after that, I was working on A Haunting in Salem.

MG: What was your biggest challenge working on “2-Headed Shark Attack”?
HPH: The sheer number of characters. I inherited the concept and basic set-up from the very talented Edward DeRuiter (3 Musketeers), and in my head, a semester-at-sea couldn’t just be 8 or 10 characters, there had to be enough people to justify the program, so I added a bunch more. Too many, perhaps, for development across the board, but on the bright side, it does yield possibly the highest death count in all of shark cinema history, at 26, I think.

MG: You work with sharks again with “Shark Week” also from The Asylum, tell us about working on this project?
HPH: The Asylum came to me with the concept, a sort of Hunger Games for the shark set. I thought it was a brilliant idea, and instantly wanted to get my hands on it. As far as the process went, it was quick – very, veryquick – and as such sort of a blur in my memory. I just remember throwing myself into it, wanting to satisfy what I think of as the two sides of being a shark fan – wanting to marvel at the sheer evolutionary superiority of the creatures, the genetic adaptations and instincts that make them such exceptional predators, and wanting to see them rip shit up. There are a lot of different species in the film, and I wanted to highlight each’s nefarious advantages, give each a different perilous personality.

MG: You are quite the shark expert, what do you enjoy most about working within that genre?
HPH: I don’t know that I’d consider myself a shark expert – maybe a shark-movie aficionado – I’ve just always been simultaneously fascinated and terrified by them. When I was a kid, eight or nine, I was surf fishing with an older friend in North Carolina, back where I’m from, and he got a bite on his line, big one, and started trying to reel it in but it was giving him trouble. When he tugged hard on the line, a hammerhead breached the surface not ten feet off shore. My buddy dropped the pole right there and it disappeared into the waves. Since then, I’ve been hooked (pardon the awful pun). Sharks are the pinnacle of evolution, the absolute fulfillment of biology’s potential, they’re consumption machines, it’s all they do, and they are well-equipped for the task. I can’t think of a more primal creature on the planet. And then there’s the sea: I could be making this up, but we know more about our solar system than we do the sea. It covers 3/4th of the planet and contains such a wide variety of hazards they’re practically innumerable. You put those elements together – a singled-minded killing machine with zero natural predators and the most unexplored and hostile environment on Earth – you’re gonna come up a winner every time.

MG: Tell us about why you created Committed, a fanblog about The Asylum?
HPH: I’m a fan, first and foremost, I just love whatthey do. I’ve always been a B-movie guy, and for my money, they’re making the best ones out there. I started the blog because I couldn’t believe there wasn’t one already, and because I wanted people to share in my enthusiasm for Asylum films. For all the general crap people may sling just because of the type of films they make, how inexpensively or quickly they make them or who’s in them or whatever, there’s at least twice as much to love about every single one of their films, and I wanted to share those things. And also I really, really wanted to write for them.

MG: What is your all-time favorite film from The Asylum and why?
HPH: Anything that reads “Screenplay by H. Perry Horton.” Other than that, Mega Shark vs Giant Octopus is the film that really ignited my love for The Asylum. But I come at the question from a couple different angles. As a fan, I dig the Mega Shark movies, the found-footage stuff like Alien Origin, certainly the sex comedies like Bikini Spring Break; while as a writer I’m drawn to stuff like Paul Bales’ Nazis at the Center of the Earth and Sherlock Holmes, Geoff Meed’s I Am Omega and 6 Guns, Jose Prendes’ Haunting of Whaley House and Jared Cohn’s Born Bad – I could go on for paragraphs – but basically stuff that I’ve been not only impressed by, but humbled. So I guess the short answer is, all of them?

MG: What do you have planned next?
HPH: “Shark Week” premieres on SyFy Saturday, August 4th at 9 p.m. then bows on DVD a few weeks later on the 28th. I have a disaster film that’s in production at the moment, water-based, and an iron or two in the fire beyond that. I’m a superstitious sort of writer in that I don’t like to discuss projects before they’re in production. I’m a big believer in jinxes.

Blu-ray Review “Shark Week: 25th Anniversary Collection”

Distributed by: Discovery Channel
Release Date: July 31, 2012
MPAA Rating: PG
Episodes: 4
Running Time 212 min

Our Score: 3 out of 5 stars

When it comes to Discover Channel’s “Shark Week”, I am one of its biggest fans. I count down the days to next year following each completion. I was expecting a lot from the 25th Anniversary Collection and was let down a little. I prefer last years Blu-ray release much more titled, “Shark Week: Jaws of Steel Collection”, which included eight episodes instead of only four. I simply expected much more from the 25th Anniversary release. Overall though who don’t own the prior “Shark Week” Blu-ray releases, should consider picking this up, especially for its low-cost.

This 25th Anniversary Collection features the the following Shark Week episodes “Great White Shark: Uncaged”, “Blood In The Water”, “Ultimate Air Jaws” and “Mythbusters: Shark Special”. I am a big fan of all of these, especially “Blood In The Water” except the “Mythbusters” episode. I have never enjoyed the “Mythbusters” show at all even when it crossed over into “Shark Week”. Lastly where’s is my favorite special “Shark Hunter: Chasing the Great White” focusing on the late great Frank Mundus??

Now the Blu-ray release itself is impressive. The 1080p transfers on each episode is sharp and looks great. It is also presented in its original aspect ratio of 1.78:1.  The audio track is also impressive for this Blu-ray. There are no special features included but I guess what can one expect behind bonus episodes. I wish they would have given this release a bit more umph and delivered a real 25th collection with multi-disc and numerous more episodes/

Blu-ray Review “My Week with Marilyn”

Directed by: Simon Curtis
Starring: Michelle Williams, Kenneth Branagh, Eddie Redmayne, Emma Watson, Judi Dench
Distributed by: 20th Century Fox
MPAA Rating: R
Running time: 101 minutes

Film: 4 out of 5 stars
Extras: 1.5 out of 5 stars

Marilyn Monroe is one of Hollywood’s greatest treasures. This is a role that Michelle Williams was born to play. Boy, was she absolutely amazing. I wish this film was double the length just so that I can keep watching her in the film. Kenneth Branagh also gives a very charged performance and is very entertaining. The Blu-ray presentation is also very impressive. The video is sharp and very crisp with its 1080p transfer. The audio is also great DTS-HD MA 5.1 track works well with the dialogue and Alexandre Desplat’s amazing score.

The film follows recent graduate and aspiring filmmaker, Colin Clark (Eddie Redmayne) who makes it his goal to get a job on Laurence Olivier’s (Kenneth Branagh) next film. Due to his persistence, he gets on the film and gets to work with the only and only Marilyn Monroe. Once Marilyn takes a liking to Colin and he becomes her latest interest.  The two embark on a week long fling that would change Colin life.

The special features are disappointing overall including only two extras. The film is an audio commentary from director Simon Curtis, with a not-so-exciting track. Then there is also a standard definition behind the scenes documentary, which runs about 20 minute called “The Untold Story of an American Icon”. It features a look into the production with the cast/crew. Lastly this release also includes a DVD copy as well as the Blu-ray. Great movie, weak extras.


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Film Review “My Week With Marilyn”

Starring: Michelle Williams, Kenneth Branagh and Eddie Redmayne
Directed by: Simon Curtis
Rated: R
Running time: 1 hour 41 mins
The Weinstein Company

Our Score: 4 1/2 out of 5 stars

There are some things that can never be explained. In Hollywood, actors are a dime a dozen. But there are very few STARS. And one of the biggest of them all was Marilyn Monroe.

1956. In a film studio in England, two of the film world’s greatest attractions have contracted to star in a film together. Representing England, Sir Laurence Olivier (Branagh), still considered to this day one of the greatest actors EVER. From the United States, newly married to husband number three, Ms. Marilyn Monroe (Williams). And her entourage of publicity men, handlers and acting coach. Olivier wants to be a movie star. Monroe wants to be a great actress. And when the cameras began to roll on what would become “The Prince and the Showgirl,” young Colin Clark (Redmayne) was there to watch it all.

Full of outstanding performances, “My Week With Marilyn” gives viewers a small look inside the life and very fragile psyche’ of an actress who, with just a glance or a whisper, could turn strong men into jelly. But in spite of her worldwide fame, Monroe was a sad, damaged woman who used her beauty as a way to attract men that she hoped would protect her. Her third husband, the playwright Arthur Miller (Dougray Scott) stayed in the marriage for five years, but like husband number two, Joe Dimaggio, could not handle the constant spotlight his wife was under. A spotlight that reached across the pond to England and, really, the entire world. Williams is excellent as Monroe. Though she is made up some to resemble her, Williams eschews doing a strict impersonation, instead letting us see inside the real Marilyn. While visiting Buckingham Palace she is immediately surrounded by fans. “Shall I be her,” she asks her companion. In a split second gone is Norma Jean Mortensen, replaced by MARILYN MONROE. It’s a rare ability to completely switch gears that quickly and successfully but Williams pulls it off.

Equally good is Branagh who, thanks to his fame on the London stage, is his generations’ Olivier. The torch continues to be passed with Dame Judi Dench playing Dame Sybil Thorndike, an actress whose distinguished career on stage ran for more then six decades. Other famous names are brought to life, including Vivien Leigh (Julia Ormond), Olivier’s wife and promotions genius Arthur P. Jacobs (Toby Jones), who would go on to produce the “Planet of the Apes” films. And it’s a pleasure to see Emma Watson in a film that doesn’t have “Harry Potter” in the title. As movie loving Colin, who is made 3rd Assistant Director (mostly because they “didn’t have one yet”) Redmayne is as wide eyed and innocent as a child being set loose in a candy story. He wants to be strong but, like countless men before and after, he allows himself to fall in love. The actors are led through their paces by veteran television director Curtis, making his feature film debut. Curtis has wisely studied many of the most iconic photos of Monroe and then incorporated those images in the film. As the film unfolds you suddenly find yourself remembering an image you’d seen from your past, realizing only after you’ve moved on that your memory is as crystal clear as a fine set of china. The pacing is leisurely, allowing you to get lost in the past, which the period detail truly allow you to do.


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