Directed by: Owen Harris
Starring: Darren Boyd, Charles Edwards, Steve Punt, Rufus Jones, Tom Fisher,
Phil Nichol
MPAA Rating: Not Rated
Distributed by: Acorn Media
Release Date: September 4, 2012
Running Time: 90 minutes

Film: 3.5 out of 5 stars
Extras: 2.5 out of 5 stars

When it comes to anything Monty Python, I am in like flint. This docudrama focuses on a few subjects that Python has been known best for censorship And scandals. I was curious to see how this film would work without any actualy members of the group but it didn’t disappoint at all. It was funny and completely zany in perfect Python traditions. It showcases animation sequences, cross dressing, fantasy sequences and just everything else that made Python work at Python. It is a fantastic tribute to the Monty Python troop. Any true fan of Monty Python should not miss out on this release for sure

If you are wondering what this film is, it is not a new Monty Python film. It is a “Pythonesque” docudrama which reimagines the controversy surrounding Monty Python’s 1979 film, “Life of Brian”, as it was met with widespread outcry and accusations of blasphemy. Michael Palin (played by Charles Edwards) and John Cleese (played by Darren Boyd) plan to appear in a BBC talk show about “Life of Brian” with a Church of England bishop and a staunchly Catholic broadcaster. The debate which ended up putting the Pythons in their most absurd role yet: the voice of reason.

“Holy Flying Circus” comes in a Blu-ray/DVD combo pack. It’s video transfer is only presented in 1080i, though it looks decent. The audio track included is also a little tame with its 2.0 stereo PCM track but work with what is given in the film. The special features on the release are nothing special. There is a brief but interesting “Making of the Holy Flying Circus” phonotrope. There are a three deleted scenes and an outtake reel, worth checking out if you enjoyed the film for sure. Lastly there are production stills included.

Directed by: Zack Parker
Starring: Margo Martindale, Hanna Hall, Adam Scarimbolo
MPAA Rating: Unrated
Distributed by: Breaking Glass Pictures
Release Date: July 31, 2012
Running Time: 97 minutes

Film: 3.5 out of 5 stars
Extras: 4 out of 5 stars

“Scalene” is one of those hidden gems that you find once a year. The film is very unique and original. If you are looking for a very interesting psychological thriller that will having you discussing the film long after it has ended…then this is your film. The film is also jam packed with very strong performances. Margo Martindale is just so amazing in this film, who also recently won an Emmy for her work on “Justified”. Hanna Hall also branches out and gets to shine, some might know her work from playing Young Jenny in “Forrest Gump” and from “Rob Zombie’s Halloween”. I would also like to point about the amazing job by Zack Parker, who definitely aims to add an aspect of Hitchcock in his approach. I look forward to his future efforts. Overall, this film was a real surprise and should definitely not be missed.

The story follows around around a young man named Jacob (Scarimbolo) and his mother (Martindale). Jacob was became mental disabled at age of 12 due to experimenting with drugs resulting in severe brain damage and leaving him in a childlike stage and unable to speak. His mother hires a young college student named Paige (Hall) in order to help with Jacob. Told from three points-of-view revolving around our characters and starting at the end of the story, the story revolves around rape and a mother’s subsequent revenge.

The Blu-ray presentation both looks and sounds great, which is good for the low-budget film.  Breaking Glass films definitely delivered a great release here! Hopefully this will give them the jump to release more films on Blu-ray. The special features are very impressive even though there is basically only one really extra. “PERCEIVING REALITY: The Making of SCALENE” is a very long and in-depth 3.5 hour featurette on the production. It is exclusive to the Blu-ray release and is a must watch if you enjoyed the film. Perfect companion to this great film. There is also a short featurette from Dances With Films featuring footage from the World Premiere, Q&A and Awards Ceremony. Lastly there is a two trailers including the teaser and theatrical on the disc.

Related Content

• DVD Review “Hostel: Part III”
• Blu-ray Review “This Is Not a Movie”
• 3D Blu-ray Review “Tormented 3D”
• DVD Review “Wicked, Wicked”
• 3D Blu-ray Review “Bait 3D”

Starring: Andrew Lincoln, Sarah Wayne Callies, Jon Bernthal, Laurie Holden, Jeffrey DeMunn
Number of discs: 4
MPAA Rating: Unrated
Distributed by: Anchor Bay
Release Date: August 28, 2012
Running Time: 578 minutes

Season Two: 4.5 out of 5 stars
EXtras: 5 out of 5 stars

Season two of “The Walking Dead” took the hit AMC original series to a whole new level. This season was a real focus on human survival and even though based around a zombie invasion it is really show survivalist story at its core. This show is easily one of the best shows on television and this release is easily a must-own Blu-ray. I am usually not a big proprietor of re-watching a television series but I can see myself easily revisiting this show very often. This season trumps every single aspect of the first season and really develops the story for each character throughout. It was even as brave to kill off three of the series main cast as well. This is easily one of my favorite Blu-ray releases this year. Hardcore fans of the show should pick-up the limited edition of this season that comes in a super cool screwdriver zombie case, not for the squeamish.

“The Walking Dead: The Complete Second Season” looks and sounds absolutely amazing on Blu-ray. It comes with a perfect 1080p transfer of each episode presented in the original broadcast 1.78:1 aspect ratio. The sound on this release is really the star with its stunning Dolby TrueHD 7.1 audio track. It really creates the atmosphere for the show and it’s action. The season also comes with a shit load of special features. I mean a shit load. There is commentary tracks spread across all four discs, as well as numerous deleted scenes, over 10 never-before-seen featurettes and webisodes by the great Greg Nicotero.

The audio commentaries appear on the 6 of the 12 episodes this season. The first is “What Lies Ahead” with Executive Producer Glen Mazzara, Executive Producer Gale Anne Hurd, Executive Producer/Writer Robert Kirkman, and Executive Producer David Alpert. “Pretty Much Dead Already” with Executive Producer Glen Mazzara, Producer Scott M. Glimple, Director Michelle Maclaren, and Editor Julius Ramsay. “Nebraska” features Executive Producer Glen Mazzara, Co-Executive Producer Evan Riley, and Actors Scott Wilson and Steven Yeun. “Judge, Jury, Executioner” includes Executive Producer Glen Mazzara, Co-Executive Producer/Special Effects Make-Up Artist/Director Greg Nicotero, Writer Angela Kang, and Actor Laurie Holden. “Beside the Dying Fire” is one of my favorites with Executive Producer/Writer Glen Mazzara, Director Ernest Dickerson, Co-Executive Producer/Special Effects Make-Up Artist Greg Nicotero, Executive Producer/Writer Robert Kirkman, and Actor Norman Reedus. I can honestly say that all these commentary are NOT TO MISSED.

There are 11 featurette covering all aspects of the show’s season. They are all a perfect length of 3-8 minutes. The first is “All the Guts Inside” which looks into the creation of the scene where the characters are ripping into a zombie’s stomach. “Live or Let Die” features cast and crew chatting about season two and its differences between the comic book and the show. “The Meat of the Music” looks into the series’ music and the work of composer Bear McCreary. “Fire on Set” focuses on the season’s final episode. “The Ink is Alive” looks deeper into the similarities and differences between comics and series. “The Sound of the Effects” focuses on the impact of the sound effects to the series. “In the Dead Water” looks into the “well zombie” sequence. “You Could Make a Killing” focuses on Media Mikes’ buddy Greg Nicotero and his contributions to the series. “She Will Fight” focuses on Andrea’s character arc this season. “The Cast on Season 2” is a wrap-up of the season with the cast discuss the show. “Extras Wardrobe” features the work of Costume Designer Eulyn Womble.

Also includes are the six internet webisodes, which follow the initial moments following the zombie outbreak. They are available with optional audio commentary with Writer/Director Greg Nicotero. There are also about 30 minutes of deleted scenes including “What Lies Ahead;” “Save the Last One;” “Secrets;” “Pretty Much Dead Already;” “Nebraska;” “Judge, Jury, Executioner;” “Better Angels;” and “Beside the Dying Fire.” They are also available with optional audio commentary with Executive Producer Glen Mazzara. I mean can you ask for anything else? This season release has got it all. I commend Anchor Bay on not cashing in for this release and just dumping the episodes on Blu-ray.  They seems to actually want to  give the fans what they want and have put a lot of time and love into this Blu-ray.

Directed by: Michael Biehn
Starring: Michael Biehn, Jennifer Blanc-Biehn, Ryan Honey, Denny Kirkwood, Danielle Harris
MPAA Rating: R
Distributed by: Anchor Bay
Running Time: 83 minutes

Our Score: 4 out of 5 stars

This film is really the Michael Biehn show. He not only stars, he also wrote and directed this and even co-produced with his wife, Jennifer Blanc-Biehn under BlancBiehn Productions. I have been tracking this film for a little over a year now and let me tell you, I was left very satisifed. The film is very intelligent and sharp. It passes back and forth in time without getting confusing, while releasing little bits of critical plot. It also packs a hell of an ending as well. Michael Biehn really did a great job in this film, as did Jennifer Blanc-Biehn. Really top notch performances all around. The film also was really smartly shot and really keep you interest the entire time.

When two best friends, Annie (Jennifer Blanc-Biehn) and Mary (Danielle Harris) go out on a date with two Sheriff’s Deputies (Ryan Honey, Denny Kirkwood), there life’s will never be the same. When Annie’s witness a violent act at the hands of two, she barely escapes and hides from them with the help of Kyle (Michael Biehn), a recluse living in the middle of the woods. Kyle’s solitary life is turned upside down into chaos after helping Annie.. It is up to both of them to expose the corrupt cops and put this to an end. But who is the real Victim here?

I have always been a fan of Biehn since “The Terminator” and “Aliens”, I mean who isn’t. But he is really kicking some ass in the last few years with this film and even “The Divide”. He’s been putting out some really good shit. I really hope he plans to step behind the camera again but he is definitely one of the few actors, who is able to wear all these different types of hats and still make the film kick-ass. You can tell that a lot of love and labor went into this film for sure and I think that is why it succeed so well. This will entertain a wide variety of genre fans from thriller to horror. Don’t miss this for sure.

Starring: Sylvester Stallone, Peter Berg, Harvey Keitel, Ray Liotta, Robert De Niro
Number of discs: 3
MPAA Rating: R
Distributed by: Lionsgate
Release Date: August 14, 2012
Running Time: 327 minutes

3-Film Collection: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

With Stallone being a hot topic with “The Expendables 2” in theaters, Lionsgate Home Entertainment is bundling together three films from the iconic action star’s career, including: “Rambo: First Blood (1982)”, “Lock Up (1989)” and “Cop Land: The Director’s Cut (1997)”.  As much as I love Rambo, I would really have another great 80’s Stallone film like “Over the Top” in its place here.  Also as great of a film, “Cop Land” is I also would have like to see them include only 80’s Stallone.  Nonetheless at least the Director’s Cut of the film is included.  If you are looking for a dose of Stallone to get you psyched for “The Expendables 2”, you should definitely check out this release…especially for it’s low cost.  Now Lionsgate…one question, where is volume two?

“Cop Land” shows Sylvester Stallone in a different light in this edgy crime thriller sharing the screen with all-star cast – including Robert De Niro, Harvey Keitel and Ray Liotta. Stallone plays Freddy Heflin, the sheriff of a small and seemingly peaceful town until he uncovers a massive, deadly conspiracy among these local residents and is forced to make a dangerous choice between protecting his friends and upholding the law.  We all know that one of Stallone’s best roles is John Rambo. In “First Blood”, he stars as the ex-Green Beret haunted by memories of Vietnam. When Rambo becomes the target of a massive manhunt, he must use all his combat skills and weapons training to stay alive and outwit his pursuers.  “Lock Up” stars Stallone as Frank Leone as he enters Gateway Prison, a nightmare jail where every minute is hard time. Leone goes head-to-head with the warden, who will stop at nothing to get him, in order to survive.

The three-disc package presents each title in its original aspect ratio – 2.39:1 for “First Blood” and 1.85:1 for “Lock Up” and “Cop Land”. Each title also comes packed with a DTS-HD Master Audio 5.1 and Dolby Digital 5.1 EX tracks.  Believe it or not I feel that “First Blood” and “Lock Up” are a tie for the film that looks the best.  Funny how they are also older than 1997’s “Cop Land”.  Nonetheless the presentations are impressive all around.  “Cop Land” steals the best audio track of the pack, followed by “First Blood” in a close second and “Lock Up” in third.

The special features are jam packed with goodies.  “First Blood” features two audio commentary tracks from Stallone and novelist David Morrell.  There is a featurette called “Drawing First Blood”, is an impressive making-of documentary running just over 20 minutes. There are about 5 minutes  of deleted scenes including the controversial alternate ending.  Lastly there is a trivia track including.  With “Lock Up” there is a brief but decent making-of featurett. “Sylvester Stallone Profile” features interviews with Stallone in addition to behind the scenes footage of the cast and crew.  There is a behind-the-scenes featurette with interviews with the cast within a collection of raw clips.  Lastly there is a theatrical trailer included.  Lastly “Cop Land”  includes a great commentary track with writer/director James Mangold, producer Cathy Konrad, and actors Sylvester Stallone & Robert Patrick.  There are two short deleted scenes with optional commentary by Mangold, Stallone and Konrad.  “Cop Land: The Making of an Urban Western” is a basic behind-the-scenes featurette, topping off at almost 15 minutes.  Lastly there is a short “Storyboard Comparison” piece, running under 2 minutes.

Directed by: Gus Van Sant
Starring: Matt Damon, Robin Williams, Ben Affleck, Minnie Driver, Stellan Skarsgård, Casey Affleck
MPAA Rating: R
Distributed by: Lionsgate
Release Date: August 21, 2012
Running Time: 126 minutes

Film: 4 out of 5 stars
Extras: 4 out of 5 stars

When it comes to re-releasing films on Blu-ray for different anniversary’s I am always skeptic. This 15th anniversary edition re-release definitely delivers the good. This film incorporates some of the best performances in the last 15 years easy. It was nominated for nine Oscars at the 1998 Academy Awards (including Best Picture, Best Director, and Best Actor). It won Best Original Screenplay for Ben and Matt (which launched their careers), and Best Supporting for Robin Williams. I would have to say revisiting this film that it still holds up and really entertains. No matter how many times I’ve seen this film I still enjoy it. If do not own this film on Blu-ray, this would be the time to pick it up for sure.

While the 15th Anniversary Edition of “Good Will Hunting” doesn’t boast any new changes in the audio and video department. It still delivers the same impressive presentation from the previous release. Lionsgate presents the film in its original aspect ratio of 1.85:1 with a DTS-HD Master Audio 5.1 track. For a film that is 15 years old, it looks good with its 1080p/AVC MPEG-4 encoded transfer. Since the film is rather quiet and reliant on dialogue the 5.1 audio track works well with the film’s fast paced chatting. This releases comes in a Blu-ray keepcase and has a slipcover. Although, it doesn’t comes with the digital copy though like the previous release.

There are two new retrospective features have been added to this 15th Anniversary release, both which are very impressive. “Reflecting on a Journey: ‘Good Will Hunting’ 15 Years Later” is the first one and runs over an hour long. It is a great retrospective look at the film. There is great coverage from Ben Affleck, Matt Damon and Gus Van Sant, Robin Williams. I was very impressed with the cast/crew’s updated involvement on this feature. “Matt Damon Remembers ‘Good Will Hunting'” runs just under 20 minutes and features Damon reflecting on the role and its effect on his career.

Ports from the previous releases include a really great audio commentary with director Gus Van Sant, Ben Affleck and Matt Damon discussing the movie. It is a must listen for all fans. There are 20 minutes of deleted scenes available with optional commentary from Van Sant, Damon, and Affleck. “Production Featurette” features interviews with the cast/crew within footage from the film. “Behind the Scenes” is a short montage of footage put again Danny Elfman’s score. There is a music video for “Miss Misery” by Elliot Smith. “Academy Awards Best Picture Montage” is a short clip from the event. Lastly the theatrical trailer is included.

Related Content

• Knockaround and Discovery Partner on Shark-Inspired Sunglasses for Shark Week’s 30th Anniversary
• Blu-ray Review “Big: 25th Anniversary Edition”
• Blu-ray Review “Farscape: The Complete Series – 15th Anniversary Edition”
• Blu-ray Review “Akira: 25th Anniversary Edition”
• Blu-ray Review “The Sandlot: 20th Anniversary”

Directed by: Bruce Davison
Starring: Barry Williams, Danny Bonaduce
MPAA Rating: Unrated
Distributed by: Asylum Home Ent
Release Date: August 14, 2012
Running Time: 90 minutes

Film: 3.5 out of 5 stars
Extras: 1.5 out of 5 stars

When it comes to Syfy creature features, I am usually first in line no matter how bad.  This film was a real blast to watch.  I also had the privilege to interview with Barry Williams and Danny Bonaduce on the film and they couldn’t stop saying how much fun it was.  It is really show throughout the film and even though it is a silly premise and not the best production, it just ends up being a lot of fun.  There is also a brief and funny appearance from Alice Cooper, though I am not sure why he is billed on the front cover.  The CG for Bigfoot is actually rather decent as well, I am mean not “Avatar” grade but damn good for a low-budget creature feature.  I am also very impressed that Bruce Davison (“X-Men”) helmed this film and he did a real good job.  Maybe not the best film ever, this is a fun romp and definitely worth checking out.

The plot is very simple for this film.  It follows local radio DJ Harley Henderson (Danny Bonaduce), who is promoting an 80’s flashback concert.  Though in order to host the event and build the stage, he’s going to have to tear down part of the local forest. He meets his rival, washed-up rock star, Simon (Barry Williams) that will fight him tooth and nail. Despite all of Simon’s efforts Harley gets the go-ahead from local officials to resume construction. The show once it starts gets paiud a visit from the creature, Bigfoot, who wrecks havoc on the festival. It is up to Simon and Harley to stop the creature from destroy all of Seattle.  But can they get the beast without killing one another first?

“Bigfoot” looks decent with its 1080p transfer and is inline with past Asylum Blu-ray releases. It includes an MPEG-2 encode and an aspect ratio of 1.78:1. Overall it is clear and sharp presentation.  The audio on the release is not the best either but works good enough for the film   There are two tracks including a Dolby Digital 5.1 and 2.0 track. The 5.1 track works best and sounds good enough.  The special features though are bit of a letdown.  There is a brief making-of featurette, running just over 5 minutes.  There is a funny but short gag reel.  It is wrapped up with a bunch of other Asylum trailers.  If you need something to do on a Saturday night, I would suggest checking out “Bigfoot” for a good time.  It is worth it just alone for the amazing collaboration between Barry Williams and Danny Bonaduce.

Director: Larry Charles
Starring: Sacha Baron Cohen, Anna Faris, Ben Kingsley, Chris Parnell, Jessica St. Clair, Jason Mantzoukas
MPAA Rating: Unrated
Distributed by: Paramount
Release Date: August 21, 2012
Running Time: 83 minutes

Film: 3 out of 5 stars
Extras: 2 out of 5 stars

I feel very honored to review this Blu-ray release and would like to thank the Wadiyan treasury and the Admiral General for their kind donation.  Media Mikes though cannot be bribed ;-). Paramount delivered this Blu-ray to review with a personalized letter from Admiral General Wadiyan and a butt load of Wadiyan dollars.  Unfortunately it doesn’t help me to see the film in any better of light.  The film itself just doesn’t work for me.   It is very funny in parts but then very bland and boring is the rest of the film.  I can’t say that I hated the film because I did laugh quite a bit but overall I was left with calling the film forgettable.   I don’t really see myself bragging about it and will probably never watch again.  I call it a “one-timer”.  The unrated cut of the film just adds more of the vulgarity and boobs, which I actually thought the theatrical cut was lacking. Nonetheless, the cut ends up feeling even more drawn out…and don’t forget this film runs less than 90 minutes already.

The film follows Admiral General Aladeen, who while planning to address the United Nations in New York, to ensure that democracy would never come to the country. He ends up becoming a target for assassination. Even though he survives he is left shaven of his signature beard and wandering the streets of the Big Apple, unrecognized. While Aladeen, most trusted friend, Tahir (Kingsley) brings in a dimwit body double in his place in order to pull the strings and take power. It is up to Aladeen to adapt to everyday life in New York, where he meets and befriends a left-wing activist Zoey (Anna Faris). He plans a way to get his life back and ensure that democracy does not fall into his country or is it learning that his past ways are not what he really is looking for?

Let’s get to the Blu-ray presentation now.  The 1080p comes with an aspect ratio of 2.40:1, which looks good but isn’t going to break any real Blu-ray standards.  Same can be said for the DTS-HD MA 5.1 track.  Don’t get me wrong this film looks and sounds good but for a comedy it doesn’t stand out.  The Blu-ray release comes as a combo pack.  Besides the Blu-ray the film also comes with a DVD disc and a digital copy included.  The special features include basically just two features. There are over 30 minutes of deleted and extended scenes including, some funny and some completely missable.  There is a funny but short music video for “Your Money is on the Dresser” featuring Aladeen. Lastly there is an extended Larry King Interview as seen briefly in the movie.

Michael Biehn & Jennifer Blanc-Biehn are husband/wife team who made the horror/thriller “The Victim”.  The duo took on numerous role with Jennifer acting and producing, while Michael acted as well as written and directed the film.  The film is set to be released in theaters August 24th then will head to Blu-ray and DVD shortly after.  I highly recommend this film.  It is a real labor of love from the two of them and it really shows.  Media Mikes had a chance to chat with Michael and Jennifer about their experience from making the film to getting it released.

Mike Gencarelli: Michael, since this is your directoral debut with “The Victim”; what is the main thing you have taken away from this experience?
Michael Biehn: It was a lot more work then I expected it to be and was also a lot more time consuming. After I directed it then went into post-production, but my job didn’t end there. I thought my job was over, maybe I would have be right if I was working for a studio. But at that point then I had to get out and get people to see this movie. I spent just about a year then traveling with it.  We went to Los Angeles, Kansas City, San Francisco, Texas, Louisville and all over Canada. As we were showing the movie, it started getting some good reviews and some buzz among the distributors. Finally Anchor Bay picked it up and I have been happy with working with them.

MG: How was it working together as a team on this project?
Jennifer Blanc-Biehn: Well we worked together before over the years but we never worked together in this capacity before where I was producing and starring opposite him and he was directing and writing. Then we added our production company into the mix, so it is a whole new world. We are both intense, passionate and volatile people anyway. This project was intense and volatile but at the same time really fun and collaborative. As passionate as we get, I always trust Michael and I have his back. Overall, it was a really great experience.
MB: Jennifer is really a born producer. It never would have gotten made without her. She found the money and the source material. The movie was original based on another screenplay, but it was a page one rewrite. Jennifer handled everything from the beginning. She pushed everything through and worked very hard for this film.

MG: The film itself is quite intense, what was each of yours biggest challenge?
JBB: I think for me trying to stay calm was a big challenge. My character didn’t need to stay calm, so it was probably ok.
MB: Well, the biggest challenge for me was obviously time. I shot the movie in 12 days. I had never worked on a project before that time in any less than 24 days. I always feel like if you have $100,000 dollars and 6 weeks to build a house, you can probably build a pretty nice house. If you got $10,000 dollars and a week to build a house, its going to be a different kind of house. We were doing like 45 setups a day. Also when I found out we were going to make this movie, we had to actually start filming right away. I had to finish the script and do pre-production at the same time. Any filmmakers will tell you is not the ideal way to do it. Basically our pre-production was crewing up, casting, location scouting and dealing with the Screen Actors Guild. When you have that little time, I told the people that brought the money to the table that I would do this but I would have to have all the creative control, production control and all the decision making. It was a lot of responsibility but also fun and exsilerating at the same time to finally be the boss. It’s like I had the Jim Cameron contract on a Roger Corman movie.

MG: Jennifer, what do you enjoy most about producing aspect of the film?
JBB: I think what I enjoy the most is not the logistics of producing, which is dealing with the crews etc. That is more of a line producer. I am better at championing a film, sifting out material that excites me, getting other people excited and finding investors. I like the more social aspect of producing. I am also good at nagging people with emails [laughs]. I can find a role for myself instead of having other people dictate what I do. I started off as an actress and only an actress. So it has been fun to be able to find a role I like and possibly find a way to make it work. Lastly, I like the idea of bringing stuff to Michael and getting him excited about it.

MG: So how/when can people get a chance to see “The Victim”?
JBB: We open a theater in NY on August 24th at the Quad Cinema. On that same day we also premiere at FrightFest UK at the Empire Cinema. We play a week in NY, then we play for a week in Los Angeles at Quentin Taratino’s theater, the New Beverly Cinema on September 7th. Then on September 18th, we go to Blu-ray, DVD, VOD, Amazon streaming, Netflix, iTunes, Redbox…the whole deal.

MG: What do you guys have planned next together?
JBB: We are going to start a remake at the beginning of next year it is called “Hidden in the Woods”. We found this movie at Fantastia International Film Festival and both of us just fell in love with this filmmaker. It is directed by a guy named Patricio Valladares and he is just unbelievable and up-and-coming.
MB: He is just a great young filmmaker and only like 22 years old. I happen to be on the jury at the festival and got to see his film early. I have never been a fan of the “Saw” and “Hostel” series, but this one even though it has a lot of violence it doesn’t feel gratuitous. So we are looking forward to this project quite a bit.

Tony Scott who, along with his brother, Ridley, was one of the most successful directors of the past three decades, died yesterday after jumping off a bridge to his death in California. He was 68.

One of three sons born into a military family in Britain, Scott showed an interest in art and painting and pursued that career in college, earning a Masters of Fine Art from the Royal College of Art. After failing to make a successful living painting for a couple of years, he teamed with his brother, Ridley, to form the Ridley Scott Association, where he began directing commercials.

His 1983 feature film debut was “The Hunger,” a vampire romance starring David Bowie, Susan Sarandon and Catherine Deneuve. He followed that film with 1986’s “Top Gun,” which launched Tom Cruise to super-stardom. The next year he directed Eddie Murphy in the hugely successful sequel “Beverly Hills Cop II.”

Other early successes include “True Romance,” “The Last Boyscout” and “Days of Thunder.” He then began a long association with Denzel Washington by directing the actor in “Crimson Tide.” He guided Will Smith, Jon Voight and Marty Kircher through the political thriller “Enemy of the State.” His last four features, “Man on Fire,” “Deja Vu,” “The Taking of Pelham 1,2,3” and “Unstoppable” all co-starred Washington.

Related Content

• Malcolm Mcdowell to Be Honored with Star on the Hollywood Walk of Fame
• The Museum of the Moving Image Salutes Julianne Moore
• Mike’s Behind the Screen: Remembering John Belushi
• “Birdman”, “The Grand Budapest Hotel” Lead 87th Academy Award Nominations
• Mike Nichols, Oscar Winning Director, Passes Away

Directed by: Steven Spielberg
Starring: Roy Scheider, Robert Shaw and Richard Dreyfuss
MPAA Rating: PG
Distributed by: Universal Home Video
Release date: August 14, 2012
Running time: 2 hour 4 mins

Film: 5 out of 5 stars
Extras: 4.5 out of 5 stars

As someone that considers “Jaws” his favorite film of all time it would be easy for me to review it like this:

“The greatest film ever made!”

The End

But that would not do justice to why I have loved this movie since the first time I saw it on September 21, 1975.

During a night time beach party a young woman and her beau run off towards the surf. Her intention is to go skinny dipping but his over indulgence leaves him passed out at the water’s edge. While swimming she is suddenly attacked by something and pulled, screaming beneath the waves. Thus begins one of the best stories ever to be brought to the screen. Featuring a trio of heroes, “Jaws” allows the audience to identify with each of them as the film progresses. There is police chief Martin Brody, newly arrived to the town of Amity via the streets of New York City. Oceanographer Matt Hooper, a wealthy wise ass with a love for sharks. And Quint (just Quint), the crusty fisherman whose chosen profession came about in part by a horrible tragedy in his past. Due to the often repeated story that “the shark was not working, director Spielberg had to improvise on the set, shooting the film without the shark visible. This decision makes the tension genuine as the audience is lulled into believing every time it hears the ominous notes of John William’s Oscar winning score that the shark is going to appear. However, after a few false alarms, you’re never sure when or where the shark is or will be. The cast delivers award winning performances, most notably Shaw. His lone soliloquy in describing the harrowing tale of the sinking of his ship during World War II is an acting tour de force. Spielberg’s direction is flawless. By placing his camera at the waterline the audience gets to imagine what it would be like to be in an unfamiliar situation. The film earned four Academy Award nominations, including Best Picture, and won three Oscars (Best Musical Score, Best Film Editing and Best Achievement in Sound).

On the technical side, the transfer of “Jaws” is outstanding. I own a 16mm copy of the film and it isn’t as clean and bright as the picture here. Scenes that may have appeared overcast or murky are now vivid and bright. The audio transfer is equally well done. “Jaws” won an Oscar for its soundtrack and all of the original elements are heightened here. When you look at the 1080p transfer for the film, it is completely amazing.  Universal’s complete restoration is one of the best Blu-ray transfers that I have ever seen.  The DTS-HD 7.1 surround track is absolutely pristine.  It includes sounds incredible and include complete clarity and the film sounds better than it ever has.  Besides the Blu-ray disc, this film also includes a DVD copy of the film and a Ultraviolet streaming digital copy.

When it comes to the special features the spotlight of them is the documentary “The Shark Is Still Working”. With an original running time of over three hours, “The Shark is Still Working” is a labor of love created by a quartet of “Jaws” fans. It includes interviews with cast and crew, including the last interviews with the book’s author, Peter Benchley, and co-star Roy Scheider, who also narrates. Edited down to a smooth 100 minutes, the film is a worthy companion to the brilliant Laurent Bouzereau documentary that appeared on the “Jaws” laser disc boxed set. An added plus: both of Media Mikes “Mikes”appear in it, making this disc well worth purchasing. Other new features include The Restoration of “Jaws”, which is a short piece on the restoration of the film. For more on this process, see our interview with the man who directed the restoration, Peter Schade, here. ”The Making of ‘Jaws’” is a very condensed portion of the Bouzereau film. The original documentary ran a minute longer then “Jaws” and it’s a shame Universal didn’t include it here in its entirety. Outtakes including different footage from the estuary attack is included. There is a collection of various deleted scenes, none featuring the shark, most of which were included during the first television showing on ABC in November 1979. There are only a couple of outtakes included, the most recognizable one being where Scheider’s pistol constantly refuses to fire. Other outtakes are included in the various other extras.  “From the Set” is a a short but enjoyable visit to the set on the second day of filming. Includes an on-set interview with Steven Spielberg and the original discovery of Ben Gardner’s boat scene, scrapped when Carl Gottlieb, whose character was along for the ride, accidentally fell overboard. “Jaws” Archives is a collection of storyboards and production photos, as well as marketing items and bits on the phenomenon of the film. Lastly there is the theatrical trailer included for the film. There are other trailers, including a great teaser, featured in the full version of the Bouzereau documentary. Overall a great collection of extras but they lose ½ a star for not featuring the entire “Making of ‘Jaws’” doc.

Directed by: John Shepphird
Starring: Jeremy Luc, Melissa Molinaro, Jack Scalia
MPAA Rating: R
Distributed by: Anchor Bay
Release Date: August 28, 2012
Running Time: 87 minutes

Film: 2.5 out of 5 stars
Extras: 2 out of 5 stars

Whenever I see the word shark in a film’s title, I come running. Personally, I have never seen a single second of MTV’s “Jersey Shore” (reporting proudly). But I don’t think I missed much plot, this film a just about a bunch of dumb Guidos running around after sharks. It definitely packs a few good laughs including a cameo from Joey Fatone but overall misses on all other accounts. The sharks are actually really poorly done and not very intimidated. Honestly though with a title like “Jersey Shore Shark Attack”, the film delivers exactly what you should expect from a title like that.

Do you really need a premise described for this film?  It’s called “Jersey Shore Shark Attack”.  It is the Fourth of July and Seaside Heights is the place to be in New Jersey! That is until an illegal coastal drilling operation causes a horde of man-eating albino bull sharks to attack the cities patrons. Guess what? It is up Jersey’s finest crew of idiot Guidos to fight off these ravenous sharks before the whole town is consumed.  The Blu-ray itself looks good with its 1080p transfer and the audio is decent as well but nothing to call home about.  The special features including an audio commentary track from executive producers Barry Bernholtz and Jeffrey Schneck, as well as producers Peter Sullivan and director John Shepphird.  Lastly there is a quick production featurette called “On Set: Jersey Shore Shark Attack”, which plays like a mini-episode of “Jersey Shore”.

Leave it up to Syfy to mash up “Jersey Shore” with albino sharks.  Also keep an eye out for actors like Paul Sorvino, William Atherton and Jack Scalia who pop in. Unless you are a hardcore SyFy creature feature fan, then I suggest you completely stay away from “Jersey Shore Shark Attack.” I just would have liked to have seen more Guidos get eaten by the sharks, personally. I still haven’t figured out which Vinnie was killed in the beginning 😉

A 2006 graduate from Brown University, Alison Klayman is a documentary filmmaker and a freelance journalist. After graduating college she went to China where she spent four years producing radio and television stories for NPR’s “All Things Considered,” Associated Press Television, Voice of America, Current TV, and CBC. She reported the story “Who’s Afraid of Ai Weiwei?” for PBS’ “Frontline” and currently completed her first feature documentary film, “Ai Weiwei: Never Sorry.” Her documentary short, entitled “Ai Weiwei: New York Photographs 1983-1993,” was shown as part of the artist’s exhibition at the Three Shadows Photography Art Centre in Beijing from January through April of 2009. She also adapted a shorter version for the Tate Modern’s online channel. Ms. Klayman recent sat down with Media Mikes to talk about her film and the inspiration she draws from it’s subject.

Mike Smith: What was your inspiration to make this film?
Alison Klayman: I had been in China for a couple of years. And the reason I went… after I graduated from college, my goal was to make a documentary film. And in meeting Ai Weiwei I knew I had found a character who was not only very charismatic and complicated but, after our initial meeting together, I felt he could expand my ideas about China. I thought that an audience would enjoy watching him.

MS: You worked in China for several years. What brought you there?
AK: What brought me to China was a desire to go abroad…have adventures…become a journalist and do foreign correspondence work. The reason I went to China was very random. I had a friend who had family there. I went on a trip with her and ended up staying. I just wanted to go abroad…to anywhere in the world. I ended up in China. But I really threw myself into it. I worked in a lot of different industries. My dream was to one day feel like I deserved to make a documentary film. And in Ai Weiwei I found a great subject.

MS: How did you come to meet Ai Weiwei?
AK: Another story that’s more random than anything else. My roommate at the time in Beijing was working for a local art gallery and she was curating an exhibition of Ai Weiwei’s photographs from the decade that he lived in New York. How I actually initially heard of Ai Weiwei was though these photographs. And in 2008 she said to me that she thought it would be nice to have a video to accompany the gallery show. Something to show in the lobby that offered a deeper story to some of the photos. She asked if I wanted to make it and I said “yes.” In December 2008 I was brought over to Weiwei’s studio along with the gallery team. And on the first day we met I already had my camera in hand. And I started filming right away. I was so lucky that I had this introduction and was given this great opportunity.

MS: This is kind of a two part question. Until he’s detained by the Chinese government you seem to have almost total access to him. Were you able to communicate with him once he had been detained? Also, because of your association with this project, did you have any fear for your safety while in China?
AK: Nobody was really able to be in touch with him during his detention. His wife was brought to visit him once. She was the only person to see him during those 81 days, apart from those who were guarding him. She wasn’t told the location where she met with him and she was only allowed to be with him for 20 minutes. And during his detention I was in very close touch with people at the studio. I was very active on social media…giving interviews on what was happening. I was able to meet with him about two months after his release in Beijing. That was very important because we showed him the film before we headed out to Sundance. As to my safety…it was a good thing that I was already used to living in China and doing work as a journalist. I know there are certain ways to behave so that you won’t necessarily run into trouble. So on the whole, I did not fear for my safety. I did fear for the safety of Ai Weiwei and the other citizens who were engaged in his work. There were the ones that were really taking the serious risks. For me there were a few scary moments during filming, particularly when Weiwei was heading towards the police stations and the court houses. I was along for the ride, one of many cameras. I think when you watch you can see those moments and see that we didn’t know how they played out. Those were the only experiences where I experienced any interference from the authorities….trying to take the camera…trying to take the tapes.

MS: Due to the rather unflattering light that you shine on the Chinese government would you ever return to China?
AK: Definitely. I really hope to do more work there. I’m hoping that life will take me there again.

MS: Do you still communicate with Weiwei?
AK: The best way we talk is very open through Twitter. And what’s great is that he often re-tweets my posts, like, “just saw the film in Europe at a film festival.” He re-tweets that and I know he was able to see where the film had been shown. That’s the main way we stay in touch. We do also text and occasionally will talk on the phone, though it’s not necessarily safe to talk on the phone. I last talked to him about two weeks ago and he was blown away by the reach and the impact the film was having.

MS: Have you decided on your next project yet?
AK: I wish! I’m just developing ideas…not sure if they’re ideas for short films or a series of films. I’m coming off a really exciting project. I had a healthy respect for documentaries in college and I’m constantly curious and fascinated by their stories. I want to find another story that makes me feel the same way.

Directed by: Ken Russell
Starring: Roger Daltrey and Ringo Starr
Distributed by: Warner Archive
Release Date: August 7th, 2012
MPAA Rating: R
Running Time: 103 minutes

Our Score: 3.5 out of 5 stars

I have to admit, I have never heard of the film “Liztomania” before it showed up on my doorsteps, thanks to Warner Archive. Boy, I was very happy to have seen this film. I am a big fan of Roger Daltrey and he is such a hoot in this film. He is over-the-top and does what he does best sings! We even get guest appearances other rock legends like Ringo Starr. The film is filled with woman, music, what else can you ask for? It is set in the 1840’s but really plays like a film in the 70’s. It has these unbelievable stage production and large scale feel. I have to say overall it is just one hell of a trip, literally.

The film is also outrageous funny and feels like “Pink Floyd: The Wall” meets “The Beatles: Yellow Submarine but on acid…and that is saying something for sure. The DVD presentation looks great and comes sporting 16X9 letterbox and with its original aspect ratio of 2.40:1. The audio track is Dolby Digital Mono track but it works well.  The film has a bunch of musically tracks throughout and it definitely doesn’t disappoint. Thanks again for Warner Archive for releasing this musical gem.

Synopsis: The shaggy-maned idol rips into his song – and the audience screams with excitement. Some ecstatic fans storm the stage, wanting simply to touch him. Some want to bear his child. One adoring woman announces she already has. And outside the hall, a horse-drawn carriage waits to whisk the performer away. Meet Franz Liszt (Roger Daltrey), rock star, circa 1840. And great ready for all the glitter, groupies and gaudy good times of Lisztomania. The incredible list of frenzied delights goes on and on in this splendiferous extravaganza from writer/director Ken Russell, whose works include Women in Love, Altered States and Crimes of Passion. He takes you where no one else does. Or dares. Brace yourself for Lisztomania. Viewers expecting a polite gathering of people neatly posed on Louis XVI furniture are going to be blown out of their chairs, but good!

Directed by: Dominique Othenin-Girard
Starring: Donald Pleasence, Danielle Harris, Ellie Cornell, Beau Starr
MPAA Rating: R
Distributed by: Anchor Bay
Release Date: August 21, 2012
Running Time: 88 minutes

Film: 3 out of 5 stars
EXtras: 3 out of 5 stars

After the cliffhanger of “Halloween 4: The Return of Michael Myers”, the series takes another downfall. Although the fifth installment is still a decent film. The film also features some great gore from our buddies over at KNB EFX Group. The film has been full re-mastered and like the recent release of “Halloween 4”, it is definitely an essential upgrade from the previous DVD releases. Personally I am more excited about Scream Factory’s upcoming releases for “Halloween 2” and…yes…even “Halloween III”. If you are a fan of the series then this release will be a must.

“Halloween 5” looks very sharp and clear on Blu-ray just like “Halloween 4”.  It’s 1080p transfer is impressive with an aspect ratio of 1.85:1.  The audio track, Dolby TrueHD 5.1 is also surprisingly a lot better than the fourth film also. The special features does include a few new items unlike “Halloween 4”.  I am not sure why “Halloween 4” promised a bunch of new extras but didn’t deliver on the release.  This release is still missing the “Inside Halloween 5” featurette and the intro from Danielle Harris and Ellie Cornell from last DVD release.

The special features include a few ports from previous DVD releases, along with the new content.  I am a confused though since the packaging contains a bunch of typos and mismatched the names for each commentary.  Who was the proofreader for these releases? There is an audio commentary with director Dominique Othenin-Girard and actors Danielle Harris and Jeffrey Landman, worth checking out.  The star of this release is the audio commentary with actor Don Shanks aka Michael Myers and moderated by author Justin Beahm, this is new for this release. I also enjoyed the 17 minutes mix of raw production footage in “Halloween 5: On Set Footage”, a must for fans.  Lastly there is a the original promo trailer included.

Related Content

• Blu-ray Review “Halloween 4: The Return of Michael Myers”
• Film Review “Zombie A-Hole”
• Blu-ray Review “Lovely Molly”
• Blu-ray Review “Mr. Hush”
• Blu-ray Review “Burke & Hare (1972)”