Full Moon wants to cut off your head with their latest contest for their new series “Trophy Heads”

Calling all horror fans! Full Moon’s new series, Trophy Heads, shot this year, is getting ready to premiere on June 6th on http://fullmoonstreaming.com. Us here at Media Mikes are huge fans and supporters of Full Moon and their projects. We wanted to let you all know about the  awesome contest that going on and all you have to do to enter is let Full Moon chop off your head…

Submit a photo of your head to submit@fullmoonfeatures.com  and we will send you a customized mounted head image of you to use as your Face Book profile picture, link it to Fullmoonstreaming.com and that’s all you need to do to enter the contest.

To check out the details on the contest and what the many prizes are follow this link  http://fullmoonstreaming.com/Submit-Your-Head

Jason Baldwin talks about being one of the The West Memphis Three and film “The Devil’s Knot”

At the age of sixteen Charles Jason Baldwin was arrested, put on trial, and convicted for the killing of three eight-year-old boys in West Memphis, Arkansas. The killings were viewed as ritualistic and Satanic. The only evidence against Jason Baldwin was his long hair, black heavy-metal t-shirts, and his friendship with Damien Echols. In 1994, he pled innocent, yet was convicted and sentenced to life in prison. In August of 2011, after eighteen years and seventy-eight days of incarceration, in what is known as the Alford Plea, Jason pled guilty to the crime: and was released from prison. Jason Baldwin is one of The West Memphis Three.

B.C. Allen: It’s been two-and-a-half years since you were released from prison; do you feel fully acclimated to current-day society at this point?
Jason Baldwin: I don’t know if anyone ever gets fully acclimated to current-day society or not. With that being said, I am putting my life together, with a wonderful woman of my dreams. I recently married the love of my life, Holly. We’re building a life together. We have two kittens and a bunny, who act as our babies. I mean, life… life is wonderful. Everywhere we go people are just so gracious and caring, and warm and helpful. It’s been a wonderful experience.

BCA: When were you two married?
JB: We were married in December. I proposed to her in Toronto at AIDWYC, which is the Association in Defence of the Wrongly Convicted. AIDWYC is an organization Rubin “Hurricane” Carter – who just passed – started twenty years ago. Anyway, I had been carrying this ring in my backpack for maybe eight or nine months… like I’m carrying a baby. [laughs] I wanted to get her dad’s permission before I asked her. Long story short, she said “Yes”, and we are having an amazing life now.

BCA: In an alternate world, had you not entered the Alford Plea, where do you think you’d be with the case at this point?
JB: Well, you hope the courts would do what they are supposed to do… and follow the evidence and follow the procedures as they’re set down. The procedures are in place to free innocent people. The evidence was there to free us, but… since I’ve been free I’ve had some college and I had a logic professor who’s also a computer programmer, and he told me “Law is like computer programming. Law is for people and society like computer programming is for computers. But where the difference is, is that the computer has to follow that programming, and it’s going to do whatever the programming says. Whereas people are different; they don’t always do as the law has prescribed. Even though I had every hope and the law was supposed to be on my side to help me be free… I don’t know if they’d have succeeded in murdering Damien or not. And even then, the State didn’t give us the opportunity to save our names, like they should have, and thrown the case out, and opened it up. No matter how long it takes to find whoever really committed the crime. It was a hard position… a horrible position… to be put in, but ultimately, I couldn’t make the decision for Damien. He’s facing death for something he didn’t do. I couldn’t make the decision to stay for him. No one knows what it would be. But the good thing is now there’s still hope, because they didn’t execute Damien. He’s free now, Jessie’s free, I’m free. Even though we still have this Alford Plea hanging over us, there’s still hope. Even though the State officially says the case isn’t open, there’s no statute of limitations on murder. So when we do find who committed this crime – and we will – it’s a matter of time, because we’re not giving up. I believe, I hope, they’ll overturn everything now. I believe they will. And in the meantime I’ll just live my life like I have always lived it. Just do the best I can, and enjoy it. And try and carry myself with a little bit of grace and dignity, and treat everybody the same, and just love this short, precious time we all have here.

BCA: Obviously, to Arkansas the case is closed, officially. But I presume there is still an investigation going on?
JB: My attorney is still working diligently. Doing everything he can as an attorney with private investigators and stuff like that. But he’s not a State’s attorney, he doesn’t have subpoena power and things like that; so there are things he can’t do. We’re doing what we can. The State can do more and they should do more. I like to think that everybody would respect people, or a position, who would admit a mistake and try to correct that mistake and move forward, rather than just to say that there has been no mistake, and just try and hide. The big thing to do is admit that a mistake was made in convicting Damien, Jessie, and myself; and go ahead and move forward and try to find who really did this. That’s the only way that society or any of us are going to be able to heal completely.

BCA: There is almost a weird irony to me, that during your 1994 trial you only spoke three words, you said, “Because I’m innocent.” And now twenty years later you seem to be one of the most vocal of the three of you. Can you say anything about that?
JB: I could have been vocal then too, but everyone, you know… you’re in court and the Judge tells you that you can’t say anything, you can’t have an emotional outburst. No matter what you hear. No matter what type of lies are being said, or you won’t even be able to be permitted to be there at your own trial. So you sit there and you hear all these things, and you try to put the bravest face on that you can, and you hear all of these horrible things. Then you tell your attorneys and everyone who would listen where you were, the people you came into contact with, in full faith. In full faith, that your mom, my uncle, my brothers, my next door neighbor Ms. Littleton, my high school art teacher, the lady who ran the county jail; all these people who could testify for me are going to be given that opportunity, as well as myself. And then, to do everything I am told to do, and come to the trial’s conclusion and never be given those opportunities and to only be able to say, “Because I’m innocent,” it was hard. Never had a chance. Never had a chance. But no one was able to see that aspect.

BCA: I went back and read “Devil’s Knot” again recently – after having viewed the film – and I always catch something new when I read it. I noticed this time through that Dan Stidham, Jessie Misskelley Jr.’s lawyer, was only twenty seven when he took on this case. I mean, that’s what, ten years younger than you are now. Could you imagine taking that on at such a young age; or even now, knowing what you know about the law?
JB: I couldn’t.
BCA: Do you feel that your defense attorney Paul Ford did a decent job, when looking back on it all these years later?
JB: There are so many factors that played against him. I wish he would have let me testify; I wish he would have let all of my alibi witnesses testify, but even if I would have, or everybody would have, we wouldn’t have been able to combat the jury foreman who was convinced he was going to convince the rest of the jurors that we were guilty no matter what was offered, or not offered, in court. So we were up against things like that. Literally, we never had a chance. Never had a chance. From the minute the fingers were pointed at us, we never stood a chance. And that’s the saddest part of it. And that’s because, I think, it was an honest mistake that they lost the evidence from Bojangles, that was collected that night. From that point on we lost evidence… I don’t know that it would have led anywhere, but to me, a guy coming out of the very bayou that the boys would be found in the next day… Come out of there during the time that they are missing… that’s very suspicious. If that person didn’t have anything to do with it, they possibly were a witness. That evidence was very crucial and important, and it’s lost.

BCA: You believe that it was an honest mistake? That wasn’t something deceptive on Bryn Ridge’s or someone else’s part?
JB: Yea.
BCA: That’s your personal belief?
JB: Yea. I always try and give people what was supposed to have been given to me at my trial, and that’s the benefit of a doubt. I just think it was an honest mistake.

BCA: From your interviews, and the hours of footage in the documentaries, you get the gist that you are a relatively positive person – which I have always admired about you – and you’ve always had a positive outlook on everything. That’s interesting to know that you think it was a legitimate mistake.
JB: Thank you.
BCA: With this narrative version of “Devil’s Knot”, this dramatized version of the story, what do you think it will bring to light that Berlinger & Sinofsky “Paradise Lost” Trilogy of films, or Amy Berg’s “West of Memphis” didn’t show? What do you think the appeal is going to be?
JB: I think we’re making a mistake if we try to pit them against each other, or compare them, in that sense. What we should do is look at it like this; there are a lot more people out there who watch movies and don’t view documentaries or read true-crime novels. So this is going to reach a broad base, and hopefully the people who hear of the case for the first time through the film will go back and watch the documentaries, as well, “Paradise Lost” one through three, and “West of Memphis”; read Mara’s book, “Devil’s Knot”, and Damien’s memoirs, do everything. Ultimately, it’s saying this, it’s saying, to whoever did this, if they’re still alive out there – wherever they are hiding – if they’re out there, they’re paying attention. It’s saying to them that even though the State of Arkansas says the case is closed, it says to them, we are not giving up. There is no statute of limitation on murder: the people are not giving up. We all know that Damien, Jessie and I are innocent, we all know someone did this, and we are all looking. No matter how long it’s going to take. And ultimately, the best part… for Pam Hicks, it shows her that no one is giving up; her son is not going to be forgotten. I know the hardest part for her was that Alford Plea, because the State was kind of saying to her, $60 million for wrongful imprisonment money is more important than your son; more important than knowing what happened to your son. And that’s wrong. For us, making this film was sort of a way to give that hope back to her. I witnessed that on set. Meeting all the actors and everybody that worked on set. Everyone I came across there would say that when you get a script and you get a job, you do your best at it, because that’s just what you do. But they said there was something different about this script and this story, because everybody just cared about it; and cared about the people they were representing and the people touched by the case. And to see Reese Witherspoon, who everybody loves, aside from the serious nature of this case; but to see her take Pam in her arms, and hug her and tell her everything is going to be all right. To see that love, all that healing love, that right there made the film being made worth it, just that alone.

BCA: After your release it seemed like you moved immediately to the Pacific Northwest, what is it about that area that attracted you?
JB: I had no idea where I was going when I first got out. When you grow up listening to rock n’ roll, and one of the last cassette tapes you had – before you got locked up – was Pearl Jam’s Ten… He (Eddie Vedder) looks a lot different than he did as a sixteen year old, I mean as you know, we’re both the same age. But when you’re looking at this rock star – who’s not only a rock star, but has given so much of himself when he didn’t have to, and cared about you enough to put his name out there to get you some justice and get you free, and he’s like “Hey, we’re hopping on a plane and going to my house”, you don’t say, “Oh, well I have other plans.” You get on the plane and go to Washington and try to figure things out. I didn’t know where I was going to go, or what I was going to do; because I wasn’t expecting the Alford Plea, I wasn’t expecting to get out right then. I’m looking forward to the December hearing and how long the trial is going to take; I’m just trying to face that, and then I can figure out what I am going to do when I get out. Then all of a sudden I’m out, and at a rock star’s house. In hindsight, Holly and I talked about this a lot… right then I probably could have been flown to the Sahara desert, and after what I had experienced I would have been jumping up and down “Oh, sand! Let’s stay here, I love it!” But it was very fortuitous that we landed in Seattle, because now two-and-a-half, almost going on three years now, after freedom, I’ve had a chance to travel the country, and see a couple of places in the world. And I’ve been amazed, I love every place. But honestly now, after experiencing many places, Holly and I agree, we both choose Seattle. So it’s really awesome that Seattle was the first place we went.

BCA: Do you still have family in Arkansas? Have you traveled back there since your release?
JB: Yea. Holly and I have been back several times. Her dad lives in Arkansas, and my dad lives in Arkansas; we see both of them. My mom goes back and forth between Missouri and Mississippi, and her family lives in Mississippi; so we’ve been to see them as well. She (Holly) grew up in Little Rock, went to high school there, and college; so she’s got a million-and-one friends, so every time we go back it’s always amazing. I meet people who have supported the cause… it’s just always good.

BCA: This past fall you did a Kickstarter campaign – which I gladly pledged to – how is the book coming?
JB: Thank you.
BCA: Is there a release date for that?
JB: I am hoping to have it wrapped up by the end of the year. I’ve got quite a bit written and got a lot more to write. I’m working on a chapter right now, I’m calling it “Jessie’s Girl”.
BCA: Nice.
JB: You know, like the song… [sings] “Jesse’s Girl.” Anyway, working on that chapter right now. I don’t have any chapters finished, because I’m kind of writing them all simultaneously, and just going back and forth. I’m really in the writing phase, just getting it out of me.

BCA: Just getting out the main gist?
JB: Yea, yea. Just putting it all down; then I’ll go back and get an editor and put it together in a book format, ya know, so we can get it to you, since you funded the Kickstarter. Thank you so much for the Kickstarter, because that’s what is paying the bills right now, so I can write it. I’ve never written a book before, it’s hard work. I usually get up around four in the morning, after I feed the cats and everything, then I usually get started on it around six, and work on it throughout the day.

BCA: Is the founding of Proclaim Justice going to be a part of the book?
JB: Definitely yea. I haven’t written any of that yet, I’m still experiencing it, and I’m not limiting it.

BCA: What can you tell me about Proclaim Justice?
JB: My friend John Hardin out of Texas, and I, we started this foundation called Proclaim Justice, and we’re trying to get it off the ground to help innocent people who fall through the cracks for institutions like The Innocence Project, who don’t take their case because they specialize in DNA cases. It’s for innocent people who don’t have DNA in their case; we’re trying to bring those people hope.

The author of “Devil’s Knot”, Mara Leveritt, and Jason Baldwin, worked together on a book entitled “Dark Spell: Surviving the Sentence”, which is set to be released in June. “Dark Spell” is the second part in Leveritt’s “Justice Knot” Trilogy; with a third book, “Justice Knot”, currently in the works.

“DEVIL’S KNOT” will be released on DVD and Blu-ray on June 10, 2014.

Film Review “Maleficent”

Starring: Angelina Jolie, Sharlto Copley and Elle Fanning
Directed by: Robert Stromberg
Rated: PG 13
Running time: 1 hour 37 mins
Walt Disney Pictures

Our Score: 4 out of 5 stars

THIS is how you update a classic tale.

Deep in the heart of a jungle kingdom, we meet the young and beautiful Maleficent (Isobelle Molloy). Living, as she does, in an enchanted kingdom, Maleficent spends her days climbing trees and mending twigs which have been accidentally snapped. One day the young girl meets a young man from the neighboring kingdom. His name is Stefan and for quite a period of time the two youngsters spend their days together learning about themselves and each other. When Maleficent turns 16 if is gracious Stefan that offers up, and gives her, “true loves’ kiss”). But it is not meant to be. Years go by. Maleficent is now a beautiful woman (Jolie), flying over her kingdom and protecting everything in it. Right over the boundary line we find the old and bitter king, close to death. He has promised to anoint whoever can find and kill Maleficent his successor. Now grown up, Stefan (Copley) lures Maleficent to him. Betrayal follows. As does revenge!

It almost sounds like a cliché’ to say this, but in my opinion no one BUT Angelina Jolie could have played Maleficent. Already unworldly beautiful, with a little assist from seven time Academy Award winning make-up expert Rick Baker, her angular face is perfect in showing the joy she feels among her fellow kingdom denizens and the betrayal she feels by her circumstances. The story will be familiar to anyone that has enjoyed hearing about “Sleeping Beauty,” but with a few “adjustments” that make the legend not only more exciting but downright horrifying.

But it is not just Jolie that gives the tale a sense of believability. As now-King Stefan, Copley delivers a performance equal in power to Jolie’s. Here is a man who betrayed the one he loved only to suffer forever for his actions. And if you’re going to talk about Sleeping Beauty, you can’t forget the newly named Princess Aurora (Elle Fanning) whose innocence is as strong as she is beautiful. The film is quite dark in some places…maybe more than one would expect.

Add to those great performances some stunning visual effects and you’ve now got proof to the old adage that you CAN teach an older dog a new trick. Take flight with Maleficent and learn a new chapter to an amazing story.

DVD Review “Dragons: Defenders of Berk – Part 2″

Actors: Jay Baruchel, America Ferrera, T.J. Miller, Zack Pearlman, Christopher Mintz-Plasse
Rated: NR (Not Rated)
Studio: 20th Century Fox
DVD Release Date: May 27, 2014
Run Time: 220 minutes

Series: 4 out of 5 stars
Extras: 3.5 out of 5 stars

“Dragons: Defenders of Berk – Part 2″ wraps up the second season of this epic TV series based on Dreamworks Animation hit film “How to Train Your Dragon. These 10 episodes feature all-new adventures and dragons. I feel that as this show has progressed it has gotten a little darker, which I really like. In fact, these 10 episodes were easily the best in the series to date. If you are a fan of the first film, then I highly recommend you getting into this series if you haven’t already. If it does nothing else it will hold you off until “How to Train Your Dragon 2” hits theaters June 13th!

Official Premise: Based on the DreamWorks Animation Academy Award® nominated movie How to Train Your Dragon, there’s action at every turn and excitement on every ride in DREAMWORKS DRAGONS: DEFENDERS OF BERK PART 2 as Hiccup and his fearless friends embark on new adventures and battle to protect their island home. The young Vikings must put their dragon training skills to the test to defeat dangerous and surprising new enemies! The series features original voice talent from the film including Jay Baruchel, America Ferrera and Christopher Mintz-Plasse and will include Zack Pearlman and more.

Rounding out the second season are the following episodes: “A View to a Skrill Part 2; “The Flight Stuff (Ask Heirheads)”, “Free Scauldy”; “Frozen”; “A Tale of Two Dragons”; “The Eel Effect”; “Smoke Gets in Your Eyes”; “Bing! Bam! Boom!”; “Cast Out, Part 1” and “Cast Out, Part 2”. Like other recent Dreamworks Animation shows based on films “Turbo FAST” airs on Netflix. Season three of “Dragons” aka “Dragon Masters” is going to take that route as well the series moves to the streaming site in Spring 2015.

There is also a few great special features that dive deeper into the amazing world of “Dragons”. There is “Dragon Tracker Part 4”, which is an an-depth look at Skrill, Baby Thunderdrums and Speed Stinger dragons, along with a special sneak peek of Snaptrapper from “How to Train Your Dragon 2” “Evolution of Skrill” is a featurette with the visual effects supervisor David Jones explaining the history behind the dragon. Lastly “Here Comes the Fire” is a funny Dragon Mash-up music video.

If you still want more, you got it…if you that purchase the DVD will also get a Digital HD UltraViolet code for the title and Movie Money ($7.50 value) to redeem for tickets to “How to Train Your Dragon 2”. Also you can enter for a chance to win a free dragon racing saddle or a mystery box code for exclusive battle gear and powers to “School of Dragons”. This is an online game from JumpStart based on DreamWorks Animation’s “How to Train Your Dragon franchise”. It is a real blast an highly recommended for any fan of the series. For more information, visit http://www.schoolofdragons.com.

DVD Review “I Spy: The Complete Series”

Actors: Robert Culp, Bill Cosby
Number of discs: 18
Rated: NR (Not Rated)
Studio: Shout! Factory / Timeless Media
DVD Release Date: June 24, 2014
Run Time: 4100 minutes

Our Score: 4 out of 5 stars

It pains me to say that when I first think about “I Spy” today, the terrible 2002 film starring Eddie Murphy and Owen Wilson comes to my mind first. The better version of “I Spy” is no question the 1965 television series starring Robert Culp and Bill Cosby. For the first time ever, Shout! Factory and Timeless Media are releasing the complete series on DVD. All 82 episodes are here spread out over 18 discs for the award-winning series. These two secret agent intelligence operatives Kelly Robinson (Robert Culp) and Alexander Scott (Bill Cosby) are still just as sly and funny as ever. This show has not lost it’s class at all and was a blast to revisit with the complete series on DVD.

This show originally aired on NBC from 1965 to 1968. It was not only popular but also critically acclaimed, winning numerous awards including 1967 Golden Globe for Best Dramatic Series, three consecutive Primetime Emmy Awards for Outstanding Lead Actor for Bill Cosby and the Primetime Emmy® for Outstanding Musical Composition for Earle Hagen. “I Spy” also included some very memorable guest-star performances from Gene Hackman, Jim Backus, Ron Howard, Boris Karloff, Martin Landau, George Takei, Don Rickles and Eartha Kitt, who was nominated for a Primetime Emmy for her role.”

“I Spy” was a great blend of comedy and drama. The chemistry between Culp and Cosby was great. The show also aired at the peak of secret agent genre, mid 60’s, following on the heels of the hugely successful James Bond films. At the time every studio was trying to deliver their own brand of secret agent TV shows, films etc. Luckily, this show was one of the ones that stood out. Also I learned some interesting information about this show that it was banned from certain in the South due having an African-American (Bill Cosby) in a leading role. This was an interesting time in TV but it was also a very entertaining time.

Each episode is presented with its original full frame 4×3 Broadcast ratio. All 4,100 minutes or over 68 hours of television. They also each come with a Dolby 2.0 track, which delivers for the show. The episodes aren’t perfect but they are decent. If you were looking for a complete 4K restore, you will be disappointed but the episodes are still looking good for a show that premiered almost 50 years ago. There are no additional special features included here, which personally is a bit of a let down because I am sure they could have scrounged up some old featurettes or commentary tracks from previous releases.

 

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Blu-ray Review “Alexander: The Ultimate Cut – The 10th Anniversary”

Starring: Colin Farrell, Angelina Jolie, Val Kilmer, Jared Leto, Anthony Hopkins, Rosario Dawson
Director: Oliver Stone
Rated: Unrated
Studio: Warner Home Video
DVD Release Date: June 3, 2014
Run Time: 175 / 206 minutes

Ultimate Cut: 3.5 out of 5 stars
Extras: 4 out of 5 stars

“Alexander” is like the film that never goes away. Since the film was released 10 years ago there has been various cuts of the film from The Theatrical Cut to The Final Cut (which wasn’t the final cut) and now we have The Ultimate Cut right in time for the film’s 10th Anniversary. Oliver Stone really does love editing his films after they are done. The Theatrical Cut was released in 2004 and is 175 minutes. The Final Cut released in 2007 is a whopping 213 minutes and is actually structured much differently. The Ultimate Cut is a little slimmer but not by much clocking in at 206 minutes with an intermission.

Official Premise: Alexander is based on the true story of one of history’s most luminous and influential leaders; a man who had conquered 90% of the known world by the age of 25. The film chronicles Alexander’s path to becoming a living legend, from a youth fuelled by dreams of myth, glory and adventure, to his intense bonds with his closest companions, to his lonely death as a ruler of a vast empire. The film stars Colin Farrell as Alexander, Angelina Jolie as Queen Olympias, Val Kilmer as King Philip II, Anthony Hopkins as Ptolemy, Jared Leto as Hephaistion, Rosario Dawson as Roxana, Christopher Plummer as Aristotle, and Jonathan Rhys Meyers as Cassander.

Since the film was original cut to reduce violence and sexuality, the director was unable to achieve his vision. With this Ultimate Cut, Stone follows closely to the outline of his original script and clocking in 31 minutes longer that the theatrical cut, this is in fact the Ultimate Cut of this film. I have to admit, this is actually a better cut than the theatrical release. This 10th Anniversary Blu-ray both the 2004 theatrical cut and the new Ultimate Cut. I would have loved to see them go to hell with themselves and just include The Final Cut as well. This Blu-ray also includes The Ultimate Cut on Digital HD with UltraViolet.

I was really impressed with the special features included for this release because the new cut is a bonus enough but they went ahead and still delivered a bunch of new extras. Firstly, there is a new documentary “The Real Alexander and the World He Made”, which looks into the life and legacy of Alexander the Great. There is a brand new Ultimate Cut commentary track from Oliver Stone, as well as a theatrical cut commentary was well with Oliver Stone and Robin Lane Fox. Oliver’s also talented son Sean Stone has his own feature-length documentary called “Fight Against Time: Oliver Stone’s Alexander”.

There is also four featurettes included on the production including “Resurrecting Alexander”, “Perfect Is The Enemy of Good”, “The Death of Alexander” and “Vangelis Scores Alexander”. But wait there is still more included here. There is an awesome “The Art of Alexander”40-page art book, which features numerous concept drawings, production storyboards and behind-the-scenes photographs. As well as collectible packaging, with correspondence memos between Oliver Stone and his cast and crew. If you enjoyed this film or didn’t enjoy this film, this is a really great collectible and a much improved cut of the film for sure.

Alexander: The Ultimate Cut + Theatrical 10th Anniversary UCE is available on Blu-ray 6/3/14 at the WB Shop http://bit.ly/AULTWBShop

Blu-ray Review “The Zombie Horror Picture Show”

Actors: Rob Zombie
Directors: Rob Zombie
Rated: Unrated
Studio: UMe
DVD Release Date: May 19, 2014
Run Time: 81 minutes

Our Score: 4 out of 5 stars

“The Zombie Horror Picture Show” is the first concert film from musician/director Rob Zombie. The 81 minute feature-length concert film was recorded over two nights in Texas and captures Zombie’s elaborate, multi-media production of mind blowing effects, animatronics robots and pyrotechnics combined with Rob’s powerhouse band featuring John 5, Piggy D and Ginger Fish. The film is being released via UMe and is available in both DVD and Blu-ray formats.

Finally Rob Zombie has decided to capture not only his power live sound but his over the top visual presentation which fans all around the world have to come to expect and love. “Rob Zombie: The Zombie Horror Picture Show” is a bombastic assault on your senses as the bands takes you on a 81 minute musical journey with songs spanning Zombies 20+ year career. The overall look of the film may be a bit chaotic at times but fans of Rob’s work with White Zombie and his subsequent solo career know what to expect.

The sound of the film is top notch only adding to the appeal as songs like “Superbeast”, “Sick Bubblegum” and the semi acoustic “House of 1,000 Corpses” blast through the speakers with clarity while still retaining that live concert feel. My only complaint is that the special features portion of this release is almost non-existent. Included in this section you do get some pretty cool still photos courtesy of Rob Fenn however with this being Zombies first concert film it would have been cool to include some behind the scenes footage and/or band interviews to help make this the total package.

Track Listing:
1.) Teenage Nosferatu Pussy
2.) Superbeast
3.) Super Charger Heaven
4.) Living Dead Girl
5.) We’re An American Band
6.) More Human Than Human
7.) Sick Bubblegum
8.) Never Gonna Stop
9.) Ging Gang Gong De Do Gong De Laga Raga
10.) Meet the Creeper
11.) Angry Red Planet
12.) Mars needs Women
13.) House of 1,000 Corpses
14.) Lords of Salem
15.) Dead City Radio and the New Gods of Super Town
16.) Thunder Kiss ‘65
17.) Dragula

Film Review #2 “A Million Ways to Die in the West”

Starring: Seth MacFarlane, Charlize Theron and Liam Neeson
Directed By: Seth MacFarlane
Rated: R
Running Time: 116 minutes
Universal Pictures

Our Score: 4 out of 5 stars

There are actually some lofty expectations for “A Million Ways to Die in the West”. Weird, right? Two summers ago Seth MacFarlane put out the comedy sleeper hit, “Ted”. It combined his “Family Guy” style of random, filthy humor with the likeable personas of Mila Kunis and Mark Wahlberg coping with the next step of their relationship. Once again MacFarlane throws everything and the kitchen sink from his bag of humor in the hopes of pulling a throaty laugh from his audience and for the most part he succeeds. “A Million Ways to Die in the West” also stirs up a worthy farce of Western movies.

But let’s not get ahead of ourselves and hail the second coming of “Blazing Saddles”. MacFarlane is the lead, which deters him from drawing some of the biggest laughs in the movie. As Albert, a spineless sheep farmer, he does have some very good quips, but the supporting cast padding is what makes “A Million Ways to Die in the West” a comedy gem. Friends of Albert, Edward (Giovanni Ribisi) and Ruth (Sarah Silverman), are a Christian couple who are waiting until marriage to make love; which is constantly complicated by the fact that Ruth is a prostitute with customers who continuously find more unique ways and inopportune times to tell her to get upstairs and bang them. Louise (Amanda Seyfried) is Albert’s ex-girlfriend who is the butt of jokes, but is now dating the master of mustaches, Foy (Neil Patrick Harris). NPH is an absolute pleasure in every scene, selling every moment more than anyone else in this movie.

Then there’s the warm and beautiful Anna (Theron). A smart, quick trigger gal who finds her way into Albert’s slice of hell town called Old Stump. Upon meeting and slowly falling for each other, she fails to mention to Albert that her husband, Clinch (Neeson), is one of the most dangerous and deadly outlaws in the west that has a sadistic code of ethics when choosing who to kill. Anna and Albert complement each other with their smartass remarks and craving to be with someone who appreciates them for who they are. MacFarlane and Theron sport some decent on-screen chemistry which probably comes as a shock for the thousands who were up in arms over MacFarlane’s “We Saw Your Boobs” at the 2013 Oscars.

The characters in this movie have an odd, child-like approach to plenty of crudeness which makes it all the more humorous and ridiculous. Comedic scenarios feature a combination of sight gags, one-liners and a visually gross punctuation. Also slip in the unnecessary violent death to further accent the title of the movie. With such a palette of absurd and juvenile humor, there’s something for everyone in this rapid fire executions of jokes, at least anyone who isn’t afraid of a little inappropriate, sexual and racial provocation. Some of my more favorite scenes feature a hyper violent bar fight and the interactions between Albert and his aging father who speaks his emotions through expletive hyperboles.

While “Ted” was a perfect blend, cast-wise, “A Million Ways to Die in the West” feels incomplete. The lengthy running time starts to show as we continue to wait for the climactic showdown between Albert and Clinch. Also I can’t quite heap on the same amount of praise to MacFarlane that everyone else got. He isn’t admirable enough to be the improbable hero. He has a low level of smugness that ruins the high octane levels of every-guy so we don’t quite see him as amiable. NPH would have been miles better in the lead role and it’s a puzzle as to why no one pointed this out to MacFarlane when the script was being read. Regardless, “A Million Ways to Die in the West” is the comedy to beat so far this summer.

Blu-ray Review “Super Duper Alice Cooper”

Actors: Alice Cooper
Rated: NR (Not Rated)
Studio: Eagle Rock
Release Date: June 3, 2014
Run Time: 127 minutes

Film: 4 out of 5 stars
Extras: 3 out of 5 stars

“Feed Me Frankenstein”! Watching “Wayne’s World” was one of my first exposures as a kid to the legendary Alice Cooper. “Super Duper Alice Cooper” is the first ever “doc opera” around the rock star. What really drew me to the film was the it is not your typical interview after interview doc, this contains of a great blend of documentary archive footage, animation, and rock opera. What makes this even cooler is that it is from Scot McFadyen and Sam Dunn of Banger Films. They guys produced other great music documentaries like of “Iron Maiden: Flight 666” and “Rush: Beyond The Lighted Stage”. If you are an Alice Cooper fan, this is definitely a much purchase. If not just wait till it airs on VH1 Classic this September.

Official Premise: Super Duper Alice Cooper is the first ever “doc opera” – featuring a blend of documentary archive footage, animation and rock opera that will cement forever the legend of Alice Cooper. The film is the twisted tale of a teenage Dr. Jekyll whose rock n’ roll Mr. Hyde almost kills him. It is the story of Vincent Furnier, a preacher’s son who struck fear into the hearts of parents as Alice Cooper, the ultimate rock star of the bizarre. From the advent of Alice as front man for a group of Phoenix freaks in the 60’s to the hazy decadence of celebrity in the 70s to his triumphant comeback as 80s glam metal godfather, we will watch as Alice and Vincent battle for each other’s’ souls. Alice’s story is told not only by the man himself, but through exclusive interviews with members of the original Alice Cooper band, Elton John, Iggy Pop, John Lydon, and Dee Snider.

Like most if not all of Eagle Rock’s Blu-ray’s, “Super Duper Alice Cooper” is presented in 1080i, so not full HD. It still looks impressive I have to say, but I don’t know how they get it in line with the rest of the standard Blu-ray specs. Besides teh film, there is also tons of bonus deleted scenes included. There are Alice Cooper interviews from the VH1 Classic series “Metal Evolution”. There is also additional rare footage included. Even though Eagle Rock doesn’t love Media Mikes enough to hook us up with the Deluxe Edition of this release, I am still going to give it a plug since it is quite rad. It features not only the film but also a second DVD of previously unreleased concert footage from Montreal University in 1972. There is also a CD included of Alice Cooper’s performance at the 2009 Montreux Jazz Festival. The deluxe edition comes all together in a huge LP-sized box with 60-page hardback photobook. Now that is the real must for hardcore fans.

Film Review “A Million Ways to Die in the West”

Directed by: Seth MacFarlane
Starring: Seth MacFarlane, Charlize Theron, Amanda Seyfried, Neil Patrick Harris, Giovanni Ribisi, Sarah Silverman, Liam Neeson
Distributed by: Universal Pictures
MPAA Rating: R
Running time: 116 minutes

Our Score: 3.5 out of 5 stars

Seth MacFarlane is easily one of the best comedic minds in the business right now. He has taken over the animation world with his shows “Family Guy” and “American Dad” and recently crossed over into film with the huge summer hit “Ted”. “Ted” was a great film that had a heart and yet was still extremely raunchy and also very funny. “A Million Ways to Die in the West” really had some big expectation shoes to fill. Fans are going to be looking for more of what “Ted” delivered and in my eyes it delivers that and more. When I saw the trailer for “A Million Ways to Die in the West”, I just knew I was going to love it. One of the problems I had with the film was that it shows quite a bit of its key jokes in the trailer. There is still much more fun to be had but I would imagine that people that haven’t seen many of the trailers will enjoy this a bit more. Nonetheless, I was hollering out loud for this film and I wasn’t alone either, if people compare this to “Ted”, they are going to be disappointed because they are two very different films but if you look as a stand alone you will have a blast watching “A Million Ways to Die in the West”.

Our story takes place in a small Frontier town called Old Stump in the year 1882. We meet Albert Stark (Seth MacFarlane), who is a sheep farmer that loses his beautiful girlfriend Louise (Amanda Seyfried) due to not having enough courage to face a gun duel. While Albert tries to win her back he ends up meeting a newcomer to the town named Anna (Charlize Theron) and the two hit it off. She helps Albert discovers his missing confidence and courage. After spending time with each other they seem to develop feeling for each other but Anna doesn’t let Albert in on the fact that she is the wife to the infamous outlaw Clinch Leatherwood (Liam Neeson). When Clinch arrives in the town, he is looking to call out the man that wooed his wife and it is up to Albert to stand up to him.

I think we have to blame Judd Apatow for running the comedy genre since I feel that he set the path for 2+ hour comedies. I feel that all comedies work best when short and to the punchline. 90 minutes, tops, is what a comedy should be. This film nears the two hour mark and could have easily been trimmed to be much tighter. “Ted” was the same way as well, the film was great in a whole but there were certain parts that dragged major ass, same happens here. You got to give it to MacFarlane though because this is his first film with him in the spotlight, in the leading role, and not hiding behind a voice role. I felt that he really nailed it. He turned out to be a great leading man. I thought he still had great comedic timing and really nailed his jokes. I hope he plans to act more in the future for sure. Charlize Theron was also a nice surprise, I haven’t been a huge fan of her recently but this film really gives her a chance to let loose and have some fun and her performance benefits from it. I like to think that every role can’t be a Oscar winner.

To be completely honest, the rest of the supporting cast including Amanda Seyfried, Neil Patrick Harris, Giovanni Ribisi, Sarah Silverman and Liam Neeson are really just background in the film and don’t contribute anything major to the film. NPH is always a riot an,d of course, he sings and dances in this film. I still can’t get that mustache song out of my head. There are also a handful of super quick cameos throughout the film including Alex Borstein, Ralph Garman, Gilbert Gottfried, Ewan McGregor, Ryan Reynolds, John Michael Higgins, Jamie Foxx and Bill Maher. So see if you can catch them on the screen because they are there and gone before you know it. Great Scott, I almost forgot keep an eye out for the great Christopher Lloyd, who pops in for a great cameo as well.

When it comes to Western films, they are a honestly just a hard genre to pull off. People usually don’t come out in droves to see film’s like this but MacFarlance has the balls to try and essentially nail it. I couldn’t help but compare “A Million Ways to Die in the West” to the classic Mel Brooks film “Blazing Saddles”. That film is celebrating it’s 40th anniversary this year and I remember the first time that my father watched it with me. This film reminded me a lot of what that film and what it would have been like if it was made today. This is raunchy, racist, over-the-top and generally offensive. There plenty of foul language, fart jokes and animals getting knocked over. I would be curious to hear Mel Brooks’ comments on the film as well. The locations where this film was shot were also absolutely amazing. Having this be a comedy, you don’t expect amazing visuals but this one really caught my eye and delivered a nice view of the Frontier. This might not be the best comedy ever but I definitely laughed more than not and definitely will be recommending this film!

Blu-ray Review “The Life Aquatic with Steve Zissou (The Criterion Collection)”

Actors: Bill Murray, Owen Wilson, Cate Blanchett, Anjelica Huston, Willem Dafoe
Directors: Wes Anderson
Rated: R (Restricted)
Studio: Criterion
Release Date: May 27, 2014
Run Time: 118 minutes

Film: 5 out of 5 stars
Extras: 5 out of 5 stars

“The Life Aquatic with Steve Zissou” is a rather strange film. But at the same time it is also a quite outstanding film. I think this can really be said for all of Wes Anderson’s films. They are all on another level of filmmaking. Some people get it and some do not but they are all brilliant. Criterion has been a big proprietor of Anderson’s films on Blu-ray. I recently had a chance to check out “Fantastic Mr. Fox” on Criterion Collection and was just blown away. Now just a few months later, we are getting “The Life Aquatic with Steve Zissou” and this is guaranteed to make fans of the film very happy. Criterion never disappoints and delivers a flawless technical presentation and a ridiculous amount of special features. I am sure that a Criterion release of “The Grand Budapest Hotel” is not to far behind either.

Official Premise: Internationally famous oceanographer Steve Zissou (Bill Murray) and his crew-Team Zissou-set sail on an expedition to hunt down the mysterious, elusive, possibly nonexistent Jaguar Shark that killed Zissou’s partner during the documentary filming of their latest adventure. They are joined on their voyage by a young airline copilot (Owen Wilson); a pregnant journalist (Cate Blanchett); and Zissou’s estranged wife, Eleanor (Anjelica Huston). Wes Anderson (Rushmore) has assembled an all-star cast that also includes Willem Dafoe, Jeff Goldblum, Michael Gambon, Noah Taylor, Seu Jorge, and Bud Cort for this wildly original adventure comedy.

When it comes to Criterion, you can always expect the best audio/video presentation. In fact, I am just going to quote what the leaflet inside the case says about this amazing Blu-ray release: “Supervised by director Wes Anderson, this new digital transfer was created in 4K resolution on a Scanity film scanner from the 35mm original camera negative at Sony Colorworks in Culver City, California. Thousands of instances of dirt and debris were manually removed using MTI’s DRS, while Digital Vision’s Phoenix was for small dirt, warps, and jitter. The original 5.1 soundtrack was mastered at 24-bit from the original magnetic track using Pro Tools HD.” The transfer is absolutely flawless, especially the underwater footage. Same goes for the DTS-HD Master Audio 5.1, which is just perfect. This is the best release to date for this amazing film.

This release comes with some oustanding special features. Kicking off, there is an audio commentary with director Wes Anderson and cowriter Noah Baumbach, which was recorded exclusively for Criterion in New York City in February 2005. There is a “Making of” featurette with raw footage from the production with coments from Wes Anderson, Bill Murray, Owen Wilson, Cate Blanchett, and director of photography of Robert D. Yeoman, amongst others. There is focus on the “Designs” and “Photos” with a collection of drawings, sketches, and photographs. “Intern Video Journal” is a behind the scenes documentary shot and edited by Matthew Gray Gubler. “Seu Jorge Performs David Bowie” includes ten performances of David Bowie songs in Portuguese by Brazilian recording artist and actor Seu Jorge.

Mark Mothersbaugh, composer and Devo member discusses the amazing soundtrack for the film, which was conducted for Criterion in 2004. There are seven sets of cast and crew interviews including Cate Blanchett, Owen Wilson, Wes Anderson and many more. “Mondo Monda” is a Italian talk show hosted by Antonio Monda who interviews Wes Anderson and cowriter Noah Baumbach. “This is an Adventure” is a documentary from Albert Maysles, Antonio Ferrera, and Matthew Prinzing that was shot during the shooting of The Life Aquatic with Steve Zissou in Italy in 2003. Lastly, there is a the original theatrical trailer and nine deleted scenes included.

 

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Blu-ray Review “Death Spa”

Starring: Starring: William Bumiller, Brenda Bakke, Merritt Butrick, Robert Lipton, Alexa Hamilton, Ken Foree
Directors: Michael Fischa
Rated: Unrated
Studio: MPI HOME VIDEO
Release Date: May 27, 2014
Run Time: 87 minutes

Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars

“Death Spa” is the first title to be release under the newly revived Gorgon Video label under MPI Home Video. If you are a fan of cheesy classic 80’s horror, you are going to want to support and check out this release for sure. This is the first time that this film has ever been released on high def Blu-ray as well in its uncut, unedited version. If you are looking for tons of graphic gore, unnecessary nudity and some good laughs that look no further than “Death Spa” for a great time. Plus seriously, can you turn down a tagline like “Welcome to the health club where you’ll sweat blood”?

Official Premise: The new fitness club in town has everything a health nut could ever want: a variety of workout machines, classes taught by friendly (and frisky) instructors, and a state-of-the-art computer control system for maximum client comfort. Unfortunately it s also possessed by the evil spirit of the owner s dead wife, and before long every dumbbell, leg press, and rowing machine becomes a deadly weapon for her to enact bloody vengeance on the club s beautiful members. So if you re looking for a real workout from hell, enter DEATH SPA a new exercise in terror!

“Death Spa” hits Blu-ray with a new 1080p transfer, which was created from a 2K scan of the original camera negative. The last time I saw this film was on VHS back in the 90’s, so this was a real treat personally. The colors are sharp and the print looks solid overall, not perfect but still impressive. The DTS-HD Master Audio 2.0 also does the trick for this title as well. It is a well-balanced surround track. MPI also released this film as a combo pack, so there is a Blu-ray and DVD included here.

In the special features department, there is some decent new content included here. There is a commentary track from Director Michael Fischa, Producer Jamie Beardsley and Editor Michael Kewley. They comment in the track that they each haven’t seen the film in 25 years. I feel that it makes up for an interesting track for sure. Next up is “An Exercise in Terror: The Making of Death Spa”, which is a solid 50 minute behind-the-scenes look at the film. There are interviews included from Jamie Beardsley, Michael Kewley, cinematographer Ace Armenaki, actors William Bumiller, Hank Cheyne, Shari Shattuck, Elizabeth Ziegler and more. Lastly there is a theatrical trailer included.

Blu-ray Review “Gerry Anderson’s Thunderbirds Are Go / Thunderbird 6”

Created by: Gerry Anderson
Directed by: David Lane
Distributed by: Twilight Time
Run Time: 182 minutes
MPAA Rating: G
Release Date: May 13, 2014

Films: 4 out of 5 stars
Extras: 4 out of 5 stars

3…2…1…Thunderbirds are Go! I loved watching “Thunderbirds” on TV when I was a kid. I loved the used of puppets (aka Supermarionation) mixed with the sci-fi/action-adventure feel. This show was just so much fun. This is the first time that “Gerry Anderson’s Thunderbirds Are Go” and “Thunderbird 6” are being released on Blu-ray. This show never really fully crossed over into the US and these films were not a huge hit at the time but since then have developed as cult classics. This Blu-ray release is an Screen Archives Entertainment Exclusive and is a Limited Edition release with only 3000 copies produced. So if you are a hardcore “Thunderbirds” fan, I would recommend picking this up quickly before it goes out of print. I hope that one day the complete series will also be released stateside, fingers crossed.

Official Premise: Thunderbirds Are Go (1966) and Thunderbird 6 (1968) are the cinematic evolution of Gerry Anderson’s hugely popular British TV series, Thunderbirds (1965-66): a mix of puppetry (via the patented Supermarionation process, which allowed synchronization of dialogue with marionette movement), sci-fi futurism, action-adventure, and undeniably fabulous Sixties-era design. Both films weave tales of the adventures of the Tracy Family, a father and five sons who, with the assistance of the glamorous British agent Lady Penelope Creighton-Ward, run International Rescue, an elite team who roam the globe—and beyond—in a humanitarian effort to help their fellow men.

Inside the case, there is a booklet with an essay from Twilight Time employee Julie Kirgo. I would have loved to see them replicate MGM’s “International Rescue Edition” DVD box set from 2004, which included cut-outs of the Thunderbird vehicles and magnets. In terms of presentation “Thunderbirds Are Go” is better looking of the two films. It is more crisp and vibrant. “Thunderbird 6” is not bad either but there definitely is some grain seen throughout the print. Each films also comes with two audio tracks. The first is a new remix, DTS-HD Master Audio 5.1, which I feel sound great on both films. The other is the original DTS-HD Master Audio Mono track, which is a little less epic but still a great track.

The majority of special features are recycled are taken from the 2004 DVD box set. Let’s start with “Thunderbirds Are Go”. There is a great audio commentary with Producer Sylvia Anderson and Director David Lane. There are a few great featurettes, including “History and Appeal”, which looks into the background on “Thunderbirds” and Gerry Anderson. “The Factory of Dolls and Rockets” shows up how the puppets came to life. “Epics in Miniature” looks into the changes made to go from TV to film. “What Does F.A.B. Mean?” talks about the acronym phrase. “Come with Me to the Rushes” is a very brief word from Anderson about the production. There is a Photo Montage and an Original Theatrical Trailer included.

There rest of the extras for this film are new for this Blu-ray and equally impressive. There is another audio commentary track by Film Historians Jeff Bond and Nick Redman, who have great knowledge of the source. “Excitement Is Go: Making Thunderbirds” is a great retrospective documentary talking about the series and the iflms. “Cliff Richard & The Shadows Unseen Test Footage” is black and white recored for the dream sequence. Lastly there is an isolated score includes with an DTS-HD Master Audio 2.0 stereo track. This is a great track if you love the score like myself and it just sounds amazing, even more so that the during the film itself.

“Thunderbird 6” also includes an audio commentary with Producer Sylvia Anderson and Director David Lane. “Lady Penelope” talks about creating the character. “Building Better Puppets” looks into the puppets designs for the film. “Tiger Moth” looks into the stunt work and special effects. “A Call from Stanley Kubrick” features Sylvia Anderson talking about getting asked to do special effects for “2001”. “A Television Tribute”features Anderson off-screen talking about a Dudley Moore sketch that spoofed “Thunderbirds”. Lastly there is a Photo Montage and Original Theatrical Trailer. The only new Blu-ray extra for this film is an isolated score track also like “Thunderbirds Are Go” is presented with an DTS-HD Master Audio 2.0 stereo track.

Film Review “Chef”

Directed by: Jon Favreau
Starring: Jon Favreau, EmJay Anthony. Sofía Vergara, John Leguizamo, Scarlett Johansson, Oliver Platt, Bobby Cannavale, Dustin Hoffman, Robert Downey, Jr.
Distributed by: Open Road Films
Running time: 114 minutes

Our Score: 5 out of 5 stars

This summer, we have huge films like “The Amazing Spider-Man 2” and “Godzilla” and then we this little indie film called “Chef”. What is funny is that this film is directed, co-produced, written by and also starring Jon Favreau aka the director of “Iron Man 1 & 2”. He decided to head back to his root ala films like “Made” and “Swingers” and I am so glad he did for a few reasons. The first being that I just love seeing him in front of the camera. When he would appear in his films like “Elf” and the “Iron Man” series, it was a highlight. Second, is that after being so busy with these large Hollywood films, like the character in the film itself, he took a break and went back to doing what he loved originally. I find that very inspiring personally. I absolutely loved this film and  I have a feeling it it will be the sleeper hit of the summer.

“Chef” follows Carl Casper (Favreau), who is a head chef at a restaurant owned by guy who doesn’t know how to run a kitchen (Hoffman). After getting into a way on Twitter with one of the biggest food critics (Platt). Carl hits the role with his son (Anthony) and his ex-wife (Vergara) in order to let things cool down and find his love for food again. When he meets up with his ex-wife’s ex-husband (Downey, Jr.) in Miami, he decides to get a food truck from him and hit the roads in order to capture that original feeling that sparked him to be a chef in the first place. He gets to cook whatever he wants, gets to be his own boss and all without having to deal with food critics. As his son and his sous chef (Leguizamo) hit the road from Miami back to California, they may just find exactly what they have been looking for.

I remember rushing out to a little hole in the wall theater in NYC to catch a screening of “Made” and I just remember thinking how much I really loved Favreau and his writing in that film was just amazing. Not that I don’t appreciate his work on blockbusters like “Iron Man”. I just loved this heart warming story and characters that he has created here. They are sweet, funny and at the same time a little edgy. Favreau’s son in the film is played by EmJay Anthony and he is really fantastic. I forsee a star being born here…watch out! Sofía Vergara is very toned down in the film and also her character is very likable. I really enjoyed her role in this film. John Leguizamo is not good but absolutely amazing in this. Funny and yet has a big heart. Topping off this cast are appearances from Scarlett Johansson, Oliver Platt, Bobby Cannavale, Dustin Hoffman and Robert Downey, Jr (in a small but very key role). I loved every character in this film and every actor did such a stunning job of hitting a home run!

We were lucky privileged to get a chance to actually chat with Jon Favreau and EmJay Anthony at the film’s premiere at the Tribeca Film Festival, click here to check it out. So, I had a feeling that this was going to be something special. For Favreau’s first indie film in thirteen years, I literally left the theater so happy and quite freaking hungry. I should have started this review with a warning actually.  Do not see this film without eating before or during because it is jam packed with amazing food that will literally make your mouth water and your stomach growl. Like I said, I easily see “Chef” being the sleeper hit of the summer, so if you get tired of superheros and giant monsters this month, I highly recommend kicking back and enjoying this really funny and sweet film. Great! Now I am hungry again…can I get Favreau to make me that grilled cheese?!

 

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John Ottman Talks about editing and scoring “X-Men: Days of Future Past”

John Ottman is known best for his roles of editor and also composer on numerous films including “The Usual Suspects”, “X2”, “Jack and the Giant Slayer, “Superman Returns” and most recently “X-Men: Days of Future Past”. Media Mikes had a chance to chat with John again about working with Bryan Singer and returning to the “X-Men” franchise.

Mike Gencarelli: Having score “X2” and now “X-Men: Days of Future Past”; tell us about returning to the franchise and about your approach to this score?
John Ottman: “X2” was one of my first big movies that I got to tackle. I always look back at those times very fondly because that exhibits an exciting time in my life. It was also a film that went very smoothly for all of us involved. I looked forward to going back into the series, especially since musically I had themes that I always wanted to go back to but wasn’t able to because we didn’t stick around for the third film. In the score for “X2”, I wrote a lot of motifs that I had planned to put somewhere in the next movie. So it always irked me that I wasn’t able to complete what I started. So this film came me an opportunity to pick up where I left off with “X2”. Naturally, it is a different kind of story, a little more modern, and also eleven years later. So I was just really excited that I got to preserve my themes.

MG: Since the film takes place in the past and the future; what was it like combining those two different sounds into one cohesive score?
JO: That is the trick actually to make it all cohesive. But because there is such a vast difference between the past and the future, it wasn’t that difficult to work with because the score was actually set the difference between the two time periods. In the 70’s, I got to infuse some analog synthesizer sound, some electric piano and guitar and so forth. So, that was actually really fun for me to do.

MG: What was your biggest challenge on “”X-Men: Days of Future Past”?
JO: Time travel [laughs]. I have said this in a few interviews. When I look back at this movie, I think about a Whac-A-Mole game. With time travel, you Whac-A-Mole to solve one problem and then create another. We just kept whacking and whacking until the smallest mole comes up that we could live with. Since you can never solve every issue. Really my job was to build consensus and really fight for things I thought we needed to do in the movie. That is how I look back on my experience on the movie basically. There was a lot of passion pleases to do certain things [laughs]. It was a very complicated film. The main challenge was the keep the story clear given all the convolution of the various situations.

MG: This is your seventh film working with Bryan Singer; what keeps you guys coming back together?
JO: I guess good stories and scripts. He keeps telling me to edit his films otherwise he won’t let me score them [laughs]. It is the blackmail that keeps us together.

MG: Speaking of the editing, as with “X2” and many other films, you took on the role of editor as well as composer; tell us about this other aspect of working on the film?
JO: The short story is that when we did out first feature film way back, “Public Access”, which won the Sundance Film Festival. I came on as the editor on the film and also ended up writing the score as well. So when we put “The Usual Suspects” deal together, I said “I just want to write the score” and Bryan said “Hell no, you are going to edit the film as well”. He saw the symbiosis that occurs when you do both jobs. Basically the same story just continues through today. He prefers that I leave my scoring career and go into what I call “editing jail” for two years. Both tasks are telling the story and if they are both being done by the same person it can bring better clarity into the storytelling.

MG: What is your next project and what can we expect next?
JO: Life [laughs]. A life. I purposely did not line anything up after this. I didn’t want to jump right into another project. After “Jack and the Giant Slayer” and then “X-Men: Days of Future Past”, it was three solid years and I need to take a break. I am sure I will get itchy and start looking in a few months but then again maybe not [laughs].

 

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