Theatre Review: “Rodgers + Hammerstein’s Cinderella” Starlight Theater – Kansas City, Missouri

CINDERELLA
July 7, 2015
Starlight Theater, Kansas City, Missouri

Our score: 4 out of 5 stars

Imagine I’m telling you this in my “old man” voice: Back in my day, theater on television was a rarity. Two things that kids looked forward to were the annual presentations of Mary Martin in “Peter Pan” and “Cinderella,” starring Lesley Ann Warren and Stuart Damon. This touring production captures the magic of my early television memories.

The story is well known. Cinderella (Paige Faure) lives with her mean step-mother (Beth Glover) and two step-sisters (Kaitlyn Davidson and Aymee Garcia). While step-mom dreams up ways of marrying her daughters off and moving up in life, Cinderella toils in the house, cooking, cleaning and making the beds. A chance meeting with Prince Topher (Andy Huntington Jones) allows her to dream of a better life When the Prince invites every eligible lady in the kingdom to the ball, in the hopes of meeting his future bride, Cinderella longs to go. But she could use a little help…

Well produced and performed, this version of “Cinderella” mixes up great songs (by the legendary Oscar Hammerstein and Richard Rodgers), a strong cast and a familiar story to make it sure to entertain everyone in the audience, both young and old. The cast is in fine voice and the choreography is sharply performed. Both leads have great range and the supporting characters, especially Cinderella’s mean relatives, prove themselves fine comediennes. And the magic isn’t reserved just for the performances. Some amazing sleight of hand occurs when Cinderella obtains her ball gown. I urge you to pay attention and if you can tell me how they do it, please drop me a line. The accompanying orchestra also helped keep the show moving, helping give a familiar story a few much needed high notes.

“Cinderella” continues at Starlight through Sunday, July 12, 2015.

David Keith talks about his latest film “Awaken”

There are some actors who, when you first see them, they stick with you. The first time I saw David Keith on screen was when he played the young Army PFC that spends some time with Bette Midler in “The Rose.” Next for me was his role as Robert Redford’s fellow prisoner (and eventual right hand man) in “Brubaker.” But it was his role as Naval Pilot Candidate Sid Worley in “An Officer and a Gentleman” that made not only earned him two Golden Globe nominations but stardom.

Since then he has had high profile roles in both film (“Firestarter,” “Heartbreak Hotel,” “Major League II”) and television (“Flesh and Blood,” “High Incident,” “The Class”). I had the great opportunity to meet Mr. Keith in 1993 on the set of “Major League II” in Baltimore and a nicer, more down to earth person I’ve never met. Especially at 11:00 at night on a cold October evening at Camden Yards.

This week, Mr. Keith’s film, “Awaken, co-starring Daryl Hannah and Jason London, arrives on DVD. Mr. Keith recently spoke with me, with that soft Tennessee twang, about his latest role, his work preferences and feeling much better, thank you.

Mike Smith: Give us a brief introduction to “Walsh,” your character in “Awaken”
David Keith: He is a black market organ harvesting surgeon on an island where some bad people are kidnapping people, making them live in the jungle so they can clean out their systems and then harvest their organs for wealthy people who have loved ones who need an organ transplant but don’t want to wait in line for them.

MS: What, if anything, attracted you to the project?
DK: The producer and co-writer (Natalie Burns) is a friend of mine. She asked if I would come do a role for her. I said “yes” before I read the script.

MS: You seem to work equally between film and television. Do you have a preference?
DK: If I could be stuck in one job for the next ten years it would be in a situation-comedy. That is the best medium because it combines the best of theater and the best of film. When you do a play on Broadway you have to sign a two-year contract, but you get sick of it after about three months when you’re doing eight shows a week. When you do a movie, you never shoot anything in order. There’s no audience. There’s no real feeling of the project as one piece like there is in theater. In a sit-com it’s like doing a different play every week. You’re the same character but you’ve got new lines – new scenes – new things to do each week. And the hours are tremendous work – about four to six hours a day – five days a week, instead of fifteen hours a day, six days a week on a film. So sit-coms are my favorite medium. And “The Class” is my favorite sit-com that I’ve ever been on.

MS: You’ve directed in the past. Any intention of getting back behind the camera again?
DK: Yes, but only under my terms. Those were not great directing experiences – I didn’t have the control I needed. I did the best I could with what I had to work with. I have a script I hope to make. I had the money all in place years ago but then the guy who had signed the contract reneged on the contract. That script is still sitting in my drawer waiting for someone to come along and say, “let’s make this movie.” (laughs)

MS: What do you have coming up next?
DK: I don’t actually know what my next job is going to be. I had some medical issues – nothing serious, nothing to worry about – that kept me out of work for the last year. I haven’t worked in a year for the first time in my career.

MS: Everything is good now?
DK: Everything is good, yes. I’m healthy and ready to go. Now it’s up to my agents. I don’t live in L.A., I live in Tennessee. I don’t go to auditions. Somebody has to remember me and want me. (laughs)

Concert Review: The Rolling Stones @ Arrowhead Stadium, Kansas City, Missouri

The Rolling Stones
June 27, 2015
Arrowhead Stadium, Kansas City, Missouri

They bill themselves as “The Worlds’ Greatest Rock and Roll Band,” and last Saturday night the Rolling Stones more then lived up to that title as they entertained more than 50,000 people at Arrowhead Stadium in Kansas City on their 15-city “Zip Code” tour.

Opening the show with “Start Me Up,” the band instantly brought the crowd to their feet. Not sure if it was for the song itself of the fact that every Chief kick-off begins with that song during football season. The next two hours were filled with hit after hit. In fact, with the exception of the song “Doom and Gloom,” from the new 50th Anniversary Compilation Album entitled “GRRR!,” the band played nothing but hits.

As in other cities on the tour, the Stones took on-line requests for this show, with the winning song being “Street Fighting Man.” Lead singer Mick Jagger was in great voice. I’ve seen every US tour since the 1981 “Tatoo You” tour, and Jagger sounded as strong on Saturday as he did three decades ago. Musically the band was as tight as ever, with Keith Richards and Ronnie Wood trading guitar licks, while Wood chain-smoked the entire show. Richards was also in top form vocally, taking the lead on “Before They Make Me Run” and “Happy.” Drummer Charlie Watts kept the beat going and bassist Daryl Jones, who has been playing with the band since Bill Wyman retired in 1993, laid down great line after line.

See the photo below? I’ve always said that if I was abducted by aliens and they asked me what rock and roll was that I would just show them this photo. If they don’t understand it from then they never will!

SET LIST: Start Me Up, It’s Only Rock ‘n’ Roll (But I Like It), Tumbling Dice, Doom and Gloom, Beast of Burden, Kansas City, Bitch, Wild Horses, Street Fighting Man, Honky Tonk Woman, Before They Make Me Run, Happy, Midnight Rambler, Miss You, Gimme Shelter, Jumpin’ Jack Flash, Sympathy for the Devil, Brown Sugar. ENCORE: You Can’t Always Get What You Want, (I Can’t Get No) Satisfaction.

Film Review “Terminator Genisys”

Starring: Arnold Schwarzenegger, Emilia Clarke and Jai Courtney
Directed by: Alan Taylor
Rated: PG 13
Running time: 2 hrs 5 mins
Paramount

Our Score: 4 out of 5 stars

The year is 2029. Resistance leader John Connor is about to send his trusted lieutenant, Kyle Reese, back to the year 1984. His mission: protect the woman who will one day become John’s mother. Sound familiar?

An amazing twist on an old story, “Terminator Genisys” is a film bursting with action and surprises. Forget everything you think you know about the “Terminator” galaxy because director Taylor and his screenwriters have turned the story upside down. When Reese (Courtney) meets up with Sarah Connor (Emilia Clarke), he is surprised to find her with a Terminator of her own, who has been protecting her since she was nine. This is just one of the twists that come at you as fast and furious as the explosions on screen.

The cast is top-notch. I thought Courtney was a little over the top when he played Bruce Willis’ son in the last “Die Hard” film but here he brings a well of emotions that constantly rise up. Emilia Clarke is just as tough (and sexy) as Linda Hamilton was in the original films while Jason Clarke shows us a John Connor we never would have expected. And, of course, there is Schwarzenegger. Reprising the role that made him a star, he makes his re-programmed T-800 feel, dare I say it, almost human. He also has a great sense of humor. In the film it is learned that the outer skin on the Terminators is organic and that it ages just like the real thing, so when Arnold shows up with wrinkles and gray hair it’s explained.

The story moves fast, has plenty of action and just enough humor to keep you chuckling. Arnold promised he’d be back and he kept his word in spades!

 

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Film Review “Ted 2”

Starring: Mark Wahlberg, Seth McFarlane and Amanda Seyfried
Directed by: Seth McFarlane
Rated: R
Running time: 1 hour 55 mins
Universal

Our Score: 4.5 out of 5 stars

When we last left our furry pal, Ted, he had just been rescued from a demented bear-napper by his best friend John. As the credits rolled, the future looked bright for the two pals. Fast forward three years….

As we reunite with Ted (McFarlane), we join him as he is about to be married to his cashier girlfriend Tami Lynn (Jessica Barth). With a service presided by none other than Flash Gordon (Sam J. Jones) himself, things should be swinging. But sadly, John (Wahlberg) is down in the dumps, having married and divorced Mila Kunis between films. Life continues to go on until, after some very hilarious mishaps trying to artificially conceive a child, Ted and Tami Lynn decide to adopt. This brings Ted to the attention of the authorities who have, until now, not bothered with him. However, now that he wants to be a parent, the state announces that Ted is property, not human, making him unable to adopt. John convinces Ted to take his matter to court and they hire brand new attorney Samantha L. Jackson. What will the verdict be?

As funny as the first film, though a little slow towards the end, “Ted 2” is everything you were probably expecting and more. Starting with the film’s lush, Busby Berkley-style musical opening, the film delivers surprise after surprise. Wahlberg is once again sweet and charming as John while McFarlane makes Ted the most lovable bear to hit the big screen since Winnie the Pooh got his head stuck in the Honey Pot. The supporting cast, including Patrick Warburton and Michael Dorn, get to have plenty of fun as well, as do the many stars making cameo appearances, including Jimmy Kimmel, Jay Leno and a very disturbing Liam Neeson, who will make you look at breakfast cereal in a whole other light! And for NFL fans, there’s a very funny bit with Tom Brady who, ironically, is having his suspension appeal heard this week. At least the guy has a sense of humor.

The laughs come free and easy and McFarlane paces them well. Again, the film does drag a little in the last hour but by then you can probably use a break from all the laughing you’ve done.

Film Review “The Connection”

Starring: Jean Dujardin and Gilles Lellouche
Directed by: Cedric Jimenez
Rated: R
Running time: 2 hours 15 mins
Drafthouse Pictures

Our Score: 5 out of 5 stars

In 1971, the movie “The French Connection” did many things. In Hollywood, it won (5) Academy Awards, including Best Picture, and made a star out of Gene Hackman. Outside of Hollywood it did something very few films at the time did: it opened people’s eyes. That same year, President Nixon declared that drug abuse was America’s “public enemy number one!” The film also did something for the country of France. It embarrassed them. Out of that embarrassment came the events that are chronicled in “The Connection.”

When we first meet police magistrate Pierre Michele (Dujardin in an amazing performance), he is helping supervise juveniles who have found themselves on the wrong side of the law. Impressed with his work, his superiors put him in charge of the Organized Crime squad, hoping that he will be able to stop “the French connection,” the almost unstoppable passage of heroin from France to the rest of the world. Much like Hackman’s Popeye Doyle, Pierre tends to listen to his gut when working on a case. His rival is Gaetan “Tany” Zampa, a drug dealer with a network that keeps him almost untouchable. Almost.

A first rate thriller, “The Connection” excels because co-writer and director Jimenez has chosen to show both main characters in their entirety. Not just at work (enforcing the law or, in Zampa’s case, breaking it) but home with their families. Both men have young children that they adore and wives that often feel neglected because of their husband’s hours. Running the period of 1975 through the early 1980s, the film is a continual rollercoaster, with great highs and depressing lows. The cast here is top notch. Dujardin won an Oscar a few years ago without saying a word. He tops that performance here. For those of you that may only be familiar with him from “The Artist” or his short role in “The Wolf of Wall Street,” I urge you to see “The Connection” and marvel at Dujardin’s layered and nuanced performance. The supporting cast is equally up to the task and there isn’t a false performance in the bunch.

“The Connection” is currently playing exclusively at an Alamo Drafthouse Cinema near you.

Film Review “Inside Out”

Starring the voices of: Amy Poehler, Bill Hader and Phyllis Smith
Directed by: Pete Docter
Rated: PG
Running time: 1 hour 34 mins
Walt Disney Pictures

Our Score: 3.5 out of 5 stars

What is your earliest memory? Mine is Christmas 1963. I can’t remember a lot of what went on but some of that day’s events are vivid in my mind. Seeing photos from that day years later convinces me my memories are true. In the new film “Inside Out”, we learn that our life is really made up of memories. Some are fleeting and some permanent. Some are stored indiscriminately and others are put in the core memory. Either way, life isn’t always easy as it seems (or seemed).

Meet Riley (Kaitlyn Dias). She’s had a great life. Popular in school, loving parents and a love for junior hockey, which should be natural since she lives in the snowy Midwest. But one day her dad announces that he’s taken a new job in San Francisco. And soon, everything Riley has ever known, or can remember, is in the past. She doesn’t like her new city – it doesn’t help that the moving van hasn’t shown up yet – and begins to rebel against her folks. But it’s not her fault. Blame her emotions. Seriously. Joy (Poehler), Sadness (Smith), Fear (Hader), Anger (Lewis Black) and Disgust (Mindy Kaling). These are the ones helping run Riley’s life, constantly battling and then working to preserve each memory perfectly. Unfortunately what once was a great memory can be altered by another emotion interfering. A perfect day outside can be ruined if Sadness gets her hands on it. Joy does her best to keep things up-beat but she’s only one emotion among an assembly of many.

Like most PIXAR/Disney films, “Inside Out” is technically brilliant. Director Docter, who also directed the original “Monster’s Inc.” and “UP,” winning an Academy Award for the latter, continues what he started in “UP” by bringing emotions to the forefront of the story. What pulls the film down, unfortunately, is that it is so depressing at times, as if Sadness had gotten ahold of the script. Little girls on either side of me at the screening were crying at times and, while it’s nice to know they understood the film, I can’t thank a trip to the multiplex to make my child cry would be something I’m looking forward to.

The film is well cast. Who else could play the always effervescent Joy but Amy Poehler. Her supporting cast of emotions are equally well cast. And they are joined by such familiar voices as Frank Oz, Dave Goelz, Diane Lane, Laraine Newman and, of course, PIXAR’s good luck charm, John Ratzenberger. The characters they play are also well crafted, especially Sadness, who sheds tears at the drop of a hat while insisting she knows what “funny” is, like that movie she saw where “the dog died.” Though no dog dies in this movie, some people may go home so depressed they might think that theirs had!

On a brighter note, get to the theatre early enough to catch the new PIXAR short entitled “Lava.” It will definitely make you smile.

Dean Cain talks about new film “Vendetta” and “Supergirl” TV series

I first noticed Dean Cain when he appeared in a short arc as Brenda’s boyfriend, Rick, on “Beverly Hills 90210.” Yes, I admit I used to watch that show. The next year, 1993, everyone noticed Cain when he starred opposite Terry Hatcher in the popular series “Lois and Clark: The New Adventures of Superman.”

Cain is a product of Hollywood. His mother, Sharon Thomas Cain, is an actress and his adoptive father is director Christopher Cain (“Young Guns,” “Pure Country”). An outstanding college running back, Cain was signed by the Buffalo Bills but injured his knee in training camp.

After “Lois and Clark” left the air he continued growing as in actor with roles on such shows as “The Division” and “Las Vegas” and in films like “Rat Race” and last year’s “God’s Not Dead.” This week, June 12, you can see him as a police detective who gets himself sent to prison in order to get revenge on the convict that murdered his wife in the new film from WWE Studios, “Vendetta,” directed by the Soska Sisters. And fans can see him throughout the television season in no less than three series, including the upcoming “Supergirl.” While shooting a new project in New York, Mr. Cain took time out to talk about his new film, his belief that “Supergirl” will fly and why you’ll never find him at a karaoke bar.

Mike Smith: What attracted you to the film “Vendetta”?
Dean Cain: The idea of someone just hell-bent on revenge in a really brutal movie to me is a no brainer! This character goes from good to bad and is hell-bent on revenge. And the other thing that really attracted me was that Jen and Sylvia Soska were directing it. They came highly recommended and they proved why they came highly recommended. It was so great to work with them. I hope they hire me again.

MS: It’s really a very change-of-pace role for you. Is that another reason you found it attractive?
DC: Actors always like to play different things. If the last film is a comedy you go do something that’s heavy duty with action. To me, the change-of-pace to play this character was great. I had been playing a character on the television show “Hit the Floor” for the past three years who’s a basketball coach and somewhat a womanizer. He’s a completely different kind of guy. So it was fun to put on the brass knuckles and get down to the nitty gritty without a doubt.

MS: Is there a role out there that you’d really like to play but no one has ever offered? Is there a musical out there with your name on it?
DC: (laughing) If I’m in a musical, that could mean the end of my career. I just cannot sing. I don’t have it. And I’m not being humble, I’m being very truthful. That is not a good look for me. If anyone even liked me remotely they wouldn’t after they heard me sing. I’ve done a Western I really enjoyed…I’ve played a lot of police officers and soldiers. I’ll play anything that tickles my fancy. I certainly don’t want to be married to just one type of character. I have two series on the air now that I play very different characters. And I host a new show called “The Masters of Illusion” on the CW that starts in a couple of weeks. On “Hit the Floor,” as I said, I play a basketball coach who’s a womanizer and in “Supergirl” I play Supergirl’s foster father, who’s a scientist. So I’m getting to try my hand at a little bit of everything.

MS: You recently wrote and directed a short film called “The Red Pill.” Do you plan on concentrating your career more on being behind the camera?
DC: I like working both in front of and behind the camera. That was a project that we put together for a competition, so we had very specific things we had to do and conform to. They asked me if I was interested in joining in and I readily agreed. That was fun. I’m finishing writing a script right now…a family project that will be fun to watch. I’d be very happy to co-direct. That would be fun. The thing about filmmaking is that you never have to choose one over the other. But directing is hard work. Acting is pretty much easier. You play your character and you can leave. You’re done. You get to move onto something else. But if you’re the director, you’re the last one out. You get to think about the project all day, all night, all the time. You have to put the thing together. There’s so much work. I’ve watched my father do it. I enjoy it but right now I don’t have the time to focus.

MS: Since you mentioned “Supergirl,” is Fred Danvers, Supergirl’s adoptive father, going to be a recurring role?
DC: Absolutely. Absolutely. I’ll be in the show as much as the producers want me. That will be a blast. I think the show is going to be a super hit. I think it’s going to be fantastic. Melissa Benoist is amazing. And if America isn’t already in love with her they soon will be. She really does a great job in the role and she’s perfectly suited for it. I think it’s going to be a smash hit. It’s very female-empowering. And it’s also fun. It’s funny and enjoyable in the same way that “Lois and Clark” had nice humor and some romance, this has all that. The same vibe. I think it’s going to catch on and do very, very well.

MS: How have the visual effects changed in the two decades since “Lois and Clark?”
DC: Man…the visual effects now are on a whole different scale. It’s amazing. It’s amazing what they can do on a television budget, because it looks like it was done for a giant feature film. The amount of effects just in the pilot episode are ridiculous. They are now able to do things so much quicker and better than we did without a doubt. It’s night and day…night and day differences. She looks cooler when she flies. Everything is cooler and better.

MS: You mentioned the film that you’re writing. Do you have any other projects planned?
DC: Oh, always (laughs). I can never just do one or two things. I’ve got the three series we talked about. And I’m just finishing shooting something here in New York that I can’t talk about yet. I’ve got a few other things but nothing I can talk about yet. You’ve got it all covered for the time being.

Michael Madsen talks about “The Hateful Eight” and the possibility of a “Vega Brothers” movie

Michael Madsen is the rare actor who can give the “bad guy” enough of a heart that moviegoers often root for him instead of the hero. In films like “Reservoir Dogs,” “The Getaway” and “Kill Bill, Volumes 1 and 2,” Madsen is the bad ass that the audience loves. Not that he’s always bad. He’s shown a softer side in many films, among them “Free Willy” and “Wyatt Earp.”

I spoke with Mr. Madsen about, among other things, his seemingly busy schedule, his dislike of the Internet Movie Database, the upcoming Quentin Tarantino film “The Hateful Eight” and whether or not a “Vega Brothers” film is still a possibility.

Mike Smith: I see you’re slated to play Vegas gambling mogul Ted Binion in an upcoming film. How did that come about?
Michael Madsen: The film is going to be produced by Robert Evans and directed by his son, Josh. Ted was part of the family that owned the Binion Casinos. He wound up getting hooked on drugs and ended up with a dancer and….well, they went a little crazy. He would go out and bury silver in the desert. The film is based on the book “Death in the Desert” and we shot it earlier this year in Las Vegas.

MS: You always seem to play the tough guy. Even in an early film, like “The Natural.” Your character, Bump, was a hard ass. Do you ever just want to do an out and out comedy?
MM: I’ve done a little bit. I did “My Bosses Daugher” with Ashton Kutcher…that was pretty funny. And I did a picture called “Lumberjack Man,” which hasn’t come out yet, where I play a kind of bumbling, Peter Sellers-type detective. I think it’s pretty damn funny. My comic genius hasn’t revealed itself yet (laughs).

MS: If you look at the Internet Movie Database it looks like you’re constantly working. When do you find the time to take a breath?
MM: If you look at the IMDB you would think that I was some sort of robotic machine. But the reality is that the IMDB is very, very unreliable. I would go so far as to say that they are irresponsible. There are a lot of things on there that are supposedly in pre-production and aren’t. A lot of things that are supposedly going to be released. They also mention films in which I only appear for ten minutes. I mean, in reality, no human being can make fifteen motion pictures in one year. So a lot of those are, I would say, questionable. I mean, the films that we’re talking about right now are the films I’ve legitimately done and are going to come out.

MS: I understand your frustration with IMDB. I have a few credits on there and one of them is that I hosted my own Canadian talk show back in the 1980s. I keep telling them it’s not me but they won’t listen.
MM: I’ve contacted them many times. I’ve said, “guys, it’s ME. It’s Michael. I’m telling you right now that that movie never happened, that movie was never finished, this is never going to come out…whatever the situation. And they tell me “well, it’s a public page.” And I don’t understand that. It’s kind of bewhildering…kind of irresponsible. It’s sad, you know, that they would put out information like that if it’s not true.

MS: Well, I think if they’re given the correct information they’re not only doing a disservice to their readers but to the people they’re talking about.
MM: Yeah. Then when I talk to someone like you asking me about the (25) pictures I’m in (laughs)…I have to defend myself and say no. I’d hate to think that some people were thinking about making an interesting film and they were thinking of Michael Madsen so they go to the IMDB and go “Holy Shit!” They’re not going to call me. It’s almost interfering with my work, them putting all of this stuff in there.

MS: You’ve voiced a few video games. Is there a difference in the acting process you use as opposed to films?
MM: Well, first off you don’t have to shave and you can show up in your pajamas. I would imagine Martin Sheen probably has a recording studio in his house. If I was him I sure would. Video games and voiceovers aren’t easy. You do have to be at the top of your game. You have to record each line several times. It does take four or five recording sessions, each of them lasting five or six hours, but in the end, some of the games are pretty interesting. People like them. I enjoy them. I really do.

MS: What can you tell us about “The Hateful Eight?”
MM: I’m a cowboy…a cow puncher. It’s a western that takes place on a mountain in the snow just after the Civil War.

MS: Since we’re speaking about Quentin, has he ever discussed with you the possibility of a Vega Brothers movie?
MM: We’ve talked about it many times. I think that over time the story would have had to change. I recently met John. Believe it or not, I had never met him. I met him at the Cannes Film Festival last year. I was there with Quentin and they did a screening of “Pulp Fiction” on the Majestic Beach, outdoors. It was pretty exciting…a great evening. And I met John. And I tell you, when the two of us were standing there next to Quentin…I think in that moment it might have become more of a reality. I think the Vega Brothers might be more of a reality. But that would be a question for the man. That would be a question for Quentin.

Re-Imagined “Camelot” Comes to Kansas City

CAMELOT
June 9, 2015
Starlight Theatre
Kansas City, Missouri

Our score: 3 out of 5 stars

Of all the “classic” Broadway musicals I’ve wanted to see, none ranked up as high on the list as “Camelot.” I don’t know if it was because my mom always played the album (she LOVED Robert Goulet) or if it was because I knew that it had been President John F. Kennedy’s favorite show. Coincidentally, Kennedy had been a classmate at Harvard with the show’s author and lyricist, Alan Jay Lerner. And while I’m not going to rave about this production, I’m glad I saw it.

The show opens with King Arthur (Adam Grabau) chatting with his friend and mentor, Merlin (Mark Poppleton). Arthur is about to wed, sight unseen, the Lady Guenevere (Mary McNulty) in an effort to bring peace to the kingdom. They meet cute and both are happy to learn that the other is quite attractive. The marriage goes well but Merlin is lured away. Five years later Arthur has decided to let more than sword fights and battles rule the kingdom. Convinced that things can be worked out with words, he invites other Knights to sit with him at his Round Table. Among those Knights is the French Lancelot Dulac. While his boastful tone upsets some, Arthur finds it refreshing. And after Lancelot bests Arthur’s three best Knights, even bringing one back from the dead after killing him, Arthur is convinced that Lancelot is his champion. Guenevere also sees something in Lancelot. Awkward!

Well presented, though if the press information is to be believed, quite scaled down for the “Game of Thrones” set, this production of “Camelot” posts three great leads and an incredible selection of music. It also features a scaled down (5-piece) orchestra (I think Munch’s Make Believe Band at Chuck E. Cheese has more members) which was sometimes very hard to her over the strong vocals. The three leads do well both in character and in song. Poppleton turns up again as King Pellinore and gives the show some much needed comic moments. In the second act we meet Mordred (Kasidy Devlin), foretold by Merlin as someone Arthur should distance himself from. Unfortunately he is more annoying than evil. If the Knights of the Round Table were the Sweathogs, Mordred would be Arnold Horshack.

This is the final stop of the current tour but if it picks up again later this year you should give it a look if you can.

“Camelot” runs at Starlight through this Sunday, June 14.

 

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“Force 9” – A Comic Blast From The Past Has Arrived

I grew up with a lot of friends that could draw. Actually, I take that back. These guys were artists. Some of them went on to do some great work. Unfortunately the only things I could draw was the shark from JAWS and Albert, the alligator from the comic strip “Pogo.” In December 1982, young Joel D. Wynkoop turned out issues #42, 43 and 44 of his original comic series “Ray Blast.” Wynkoop has assembled these stories into a 60-plus page book entitled “Force 9.’ Filled with original super-heroes, and the occasional visitor or two from the Marvel Universe, the stories are a fun look back at a simpler time when young men with dreams put pen and ink to paper to capture them.

Printed on heavy glossy paper, with any and all blemishes still intact (words marked out with pen, constantly spelling nobody as “knowbody”), “Force 9” is a nostalgic trip down memory lane that will make readers recall their younger days of taking out pen and paper and creating. If you want to relive that moment again I suggest picking up a copy of “Force 9” by stopping by www.joeldwynkoop.com

 

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Film Review “Spy”

Starring:  Melissa McCarthy, Jason Statham and Jude Law
Directed by:  Paul Feig
Rated:  R
Running time:  2 hrs
20th Century Fox

Our Score: 4.5 out of 5 stars

As much as I love Melissa McCarthy, I learned with last summer’s “Tammy” that she is so much funnier when surrounded by a great comedic cast.  Nothing against Susan Sarandon but I think the last time I consistently laughed at a film she was in was 1977’s “The Great Smokey Roadblock!”  That being said, with the cast appearing on-screen with Ms. McCarthy in “Spy,” she has herself another classic.

When the film begins we are introduced to the suave Bradley Fine (Law), the kind of secret agent that pauses to make sure his hair looks good after he gets physical with the bad guys. But, as everyone knows, you’re only as good as the people around you, and Fine is working with one of the best – Susan Cooper (McCarthy).  Coop’s job is to watch Fine’s back electronically and talk him through his mission, alerting him to on-coming baddies and the closest secret exit.  While working on a case together something goes horribly wrong and Fine is killed.  Susan is devastated.  However, when her agency needs someone to go out into the field – someone unknown to the enemy – Susan is given the chance.  World diplomacy may never be again.

A true comedy adventure, “Spy” is Melissa McCarthy at her best.  There are very few comedians, man or woman, that have her physical and comedic skills.  As she frequently changes disguises (and names), she becomes that character completely.  Again, she is aided by a great ensemble cast, including Law, Rose Byrne (her “Bridesmaids” co-star), Allison Janney, Bobby Cannavale and British funny lady Miranda Hart.  But the comic secret-weapon here is action star Statham, who plays an over the top version of his normal screen hero.

The script, by director Feig, is full of classic situations, both comedic and dramatic.  Some of the set pieces, including car chases and gun battles, are well staged.  The fact that he is directing and co-writing the upcoming “Ghostbusters” re-boot tells me that film is in more than capable hands. 

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Theatre Review “Million Dollar Quartet” Kansas City, Missouri

“Million Dollar Quartet”
Starlight Theater
Kansas City, Missouri
May 22, 2015

Our score: 4.5 out of 5 stars

On December 4, 1956 the stars aligned as they never would again. That day, Carl Perkins and his band walked into Sun Records, located at 706 Union Avenue in Memphis, Tennessee, with the intent on recording a new hit. Carl’s choice of song was a rocking version of a song called “Matchbox.” Sun’s owner, Sam Phillips, had his latest act, a young boy named Jerry Lee Lewis, sit in to play piano during the session. Later that day, Johnny Cash rolled in to see Perkins (though in his autobiography Cash maintains that he was the first one there that day). Even later, the studio is graced by Elvis Presley and his current girl. As the musicians relaxed they began what turned into a (46) song jam session. Rumor is that Phillips called a friend at the newspaper, who came by and captured a legendary photo of the session. The next day that photo appeared in the paper, dubbing the boys the “Million Dollar Quartet.”

Heavy on classic songs and buoyed by the energy of it’s cast, the current touring production of “Million Dollar Quartet,” which played at Starlight this weekend, is a show that will have you out of your seats and into your dancing shoes. The enthusiasm is brought on by the strong performances of the cast. As Carl Perkins, Gabe Bowling carries the bulk of the musical load, with his outstanding guitar playing and vocals. He gives Perkins a small chip on his shoulder, one brought about by Presley having sung “Blue Suede Shoes” (which Perkins wrote and which was his first big hit) on “The Ed Sullivan Show.” Scott Moreau does a fine job mimicking Johnny Cash’s musical style, though his vocals seemed uneven on some spots. As Presley, young Jacob Rowley nails the King’s vocals and mannerisms perfectly. I was shocked to learn that he is only 19 years old. For someone who wasn’t born until almost two decades after Presley passed, his performance was amazing. The highlight performance, for me, Colte Julian as the precocious Jerry Lee Lewis. Playing the piano in Lewis’ patented “let it all hang out” style, Julian hit all the right notes, both musically and with a great sense of humor. In a non-musical role, Bryan Langlitz, as Sam Phillips, keeps the show moving through his narration.

Where as a lot of the music sung during the original get together was Gospel (both Presley and Cash were very spiritual and released several successful albums in their career) the show is made up of familiar songs from all of the artists. That the music is being played live (all of the performers play their own instruments) makes the show even more exciting. The backing band (stand up bass player Chuck Zayas and drummer Patrick Morrow) keep the beat moving throughout. If you’re in the mood for some good, old-fashioned rock and roll, I urge you take in the “Million Dollar Quartet.”

The show heads to Tulsa, Oklahoma for shows beginning on May 26th and then continues throughout the summer. For more information head to http://milliondollarquartetlive.com/tour-info.html

Win Passes to the Kansas City Screening of “San Andreas” [ENDED]

Warner Brothers has teamed up with Media Mikes to give (25) of our readers a chance to attend (with a guest) the Kansas City premiere of the upcoming film “San Andreas.”

The screening will be held at the Cinemark Merriam 20 Theatre in Merriam, Kansas on Tuesday, May 26, 2015 and starts at 7:30 p.m. All you have to do is click here http://www.wbtickets.com/QuakeMM The first (25) people to do so will receive a pass for (2) to attend the screening. Tickets are available to the first (25) people and are first-come, first-served.

“San Andreas,” starring Dwayne Johnson, opens nationwide on Friday, May 29th in 2D, 3D and PLF.

Sanandreasmovie.com
Facebook.com/sanandreasmovie
#SanAndreas

ABOUT SAN ANDREAS
America’s favorite action hero, Dwayne Johnson, stars in SAN ANDREAS an action-packed, thriller about a man trying to keep his family together after the biggest earthquake ever recorded, along the San Andreas fault.

The film also stars Carla Gugino, Alexandra Daddario, Ioan Gruffudd, Archie Panjabi and Paul Giamatti. It is directed by Brad Peyton (Journey 2: The Mysterious Island).

Film Review “Tomorrowland”

Starring: George Clooney, Raffey Cassidy and Hugh Laurie
Directed by: Brad Bird
Rated: PG
Running time: 2 hrs 10 mins
Walt Disney Pictures

Our Score: 2.5 out of 5 stars

I have very fond memories of Tomorrowland. I’m referring to the section of Disney World where everyday people like you and I can wander and be amazed. A few years ago I stumbled into a theatre there and, somehow, my likeness was projected as “Sully” when they told the story of “Monster’s Inc.” Afterwards, as we left the theatre, more than one child pointed at me and said “bye, Sully.” That was Tomorrowland then. But what about “Tomorrowland” now?

We find ourselves at the 1964 World’s Fair. Here, while many new marvels are being unveiled (among them, the Ford Mustang, color television and, since this IS a Disney film, the “It’s A Small World” ride) we meet young Frank Walker (Thomas Robinson). Frank has shown up to enter his invention in a contest in the hopes of winning $50.00. He is met by Nix (Laurie), who questions his invention and its usefulness. Frank also meets Athena (Cassidy), a young girl who is smitten with the young man. Ah, young love.

Fast forward 50 years and meet Casey Newton (Britt Robertson). Her scientist father (Tim McGraw) is in the final weeks of his job with NASA. Hoping to keep dad working a little longer, Casey tries to disrupt the work that is leading to dad’s dismissal. Arrested she is sent to the local pokey. When she makes bail she gathers her belongings and finds, among them, a mysterious pin. When she touches it she flashes to another place. Another time. Tomorrowland (bum, bum, bum)!

Beautifully filmed and full of amazing effects, “Tomorrowland” is a film with a message. What’s bad about it is that it takes more than half the film to actually get TO that message. Basically, the film is the story of two people with different ideas about the future. One (Frank) is sure it’s doomed while the other (Casey) has that optimistic outlook that one normally finds in kids who still believe in Santa and the Tooth Fairy. Not only is Frank down on the future, his heart is broken because young Miss Athena did not return his feelings. Or should I say she couldn’t. Let’s just say that a lot of things were being built in 1964.

One of the drawbacks to the film is the length. Director Bird seems so intent on dazzling the audience that he seems to have lost his watch. A side-trip to a fandom-themed store is fun (stock full of “Iron Giant” toys and many reminders that Disney will be releasing the next “Star Wars” film this Christmas) but, like other set pieces, goes on forever. If not for the work of the actors, who seem to be buying the premise, the film could have been one big commercial. Clooney is subdued while Robertson is hyper. The best performance in the film belongs to Miss Cassidy, who brings true emotion to a character that shouldn’t have any. The PG rating my bring the kids but I think both they, and their parents, may keep checking their watches in-between the on-screen fun.

 

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