Interview with Kacey Barnfield

Kacey Barnfield is co-starring in Steven R. Monroe’s “Jabberwock”, which will be airing on SyFy on September 10th.  Kacey has also appeared in the following films “Roadkill”, “Lake Placid 3′ and “Resident Evil: Afterlife”.  Media mikes had a chance to chat with Kacey about her new film and also some of her other work as well.

Mike Gencarelli: Tell us about your character Anabel in “Jabberwock”?
Kacey Barnfield: Anabel is one of two sisters who live in a mid-evil village that comes under attack by the Jabberwock. She is also the love interest of Francis which is played by Tahmoh Penikett. She is just a really sweet wholesome girl that really loves Francis. She is kind of battling for his affection as Francis hasn’t really confronted his feelings for Anabel. As the movie progresses you start to see Anabel come into her own and progress as a woman. By the end she turns into a real kick ass woman. She is a nice girl and a great character.

MG: How was it working with Steven Monroe?
KB: Steven is a great director. He knows exactly what he is doing and he is very calm which seems to rub off on everyone. He is someone you really trust and just has that way about him.

MG: What was it like working with a very male dominant cast? How was it working Michael Worth and Tahmoh Penikett?
KB: It was a very male led cast. I was definitely out numbered. It was fun and after three and a half weeks I was one of the guys. Everyone was really lovely and I made a lot of great friends who I still am in touch with. Tahmoh is relatively tall, as am I, so it was nice to act alongside someone considerably taller than me [laughs].

MG: Was it a difficult production to work on?
KB: The actual shoot was a lot of fun and we had a great time. The only thing that was difficult during the shoot was the weather. I think in the 3 and a half weeks of shooting we had every season present. The last week of shooting it was extremely windy and the crew had to work really hard to keep everything together. I hope the fun that we had making the film translates on screen and to the fans. Are heart were really into the project.

MG: You are no stranger to Syfy Original Movies, having appeared in “Roadkill” and “Lake Placid 3”, do you enjoy the genre?
KB: I do working in the genre for sure. I like action and the physical element to those shoots. As an actor genres often pick you. You have to stay open to everything. I definitely want to explore other genres and keep continuing down the action path as well.

MG: Tell us about working on “Resident Evil: Afterlife”? How was it shooting in 3D?
KB: That was awesome and it was a huge studio movie. The 3D thing was I guess relatively new and everyone was excited to shoot and then go back and look at it on the monitors with the glasses on. It was a different and new experience. I fell in love with Toronto which is where we shot that film. It was really a great experience with a great group of people.

MG: What other projects do you have coming up?
KB: I am actually working with Michael Ross on another project. It’s going to be an independent project shot in San Francisco. I am doing a lot of auditioning as well and just waiting for the next thing to come up.

Katherine Heigl’s “One For The Money” Poster Released

ONE FOR THE MONEY, based on the massively popular novel by Janet Evanovich, will be in theaters everywhere January 27th, 2012! Get a first look at Katherine Heigl as Stephanie Plum in the first official poster.

Katherine Heigl stars as Stephanie Plum, Jersey girl turned recovery agent, in the fun action-comedy directed by Julie Anne Robinson. The film also stars Jason O’Mara, Daniel Sunjata, John Leguiziamo, Debbie Reynolds and Debra Monk.

SYNOPSIS:

Katherine Heigl brings Stephanie Plum – the popular heroine of Janet Evanovich’s worldwide best-selling sixteen-book mystery series – to vibrant life in Lionsgate and Lakeshore Entertainment’s ONE FOR THE MONEY.

A proud, born-and-bred Jersey girl, Stephanie Plum’s got plenty of attitude, even if she’s been out of work for the last six months and just lost her car to a debt collector. Desperate for some fast cash, Stephanie turns to her last resort: convincing her sleazy cousin to give her a job at his bail bonding company…as a recovery agent. True, she doesn’t even own a pair of handcuffs and her weapon of choice is pepper spray, but that doesn’t stop Stephanie from taking on Vinny’s biggest bail-jumper: former vice cop and murder suspect Joe Morelli – yup, the same sexy, irresistible Joe Morelli who seduced and dumped her back in high school.

Nabbing Morelli would be satisfying payback – and a hefty payday – but as Stephanie learns the ins and outs of becoming a recovery agent from Ranger, a hunky colleague who’s the best in the business, she also realizes the case against Morelli isn’t airtight. Add to the mix her meddling family, a potentially homicidal boxer, witnesses who keep dying and the problem of all those flying sparks when she finds Morelli himself…well, suddenly Stephanie’s new job isn’t nearly as easy as she thought.

Starring Katherine Heigl, ONE FOR THE MONEY is a fresh, funny action-comedy directed by Julie Anne Robinson and also starring Jason O’Mara, Daniel Sunjata, John Leguiziamo, Debbie Reynolds and Debra Monk. Lionsgate and Lakeshore Entertainment present a Lakeshore Entertainment Lionsgate Wendy Finerman production in association with Sidney Kimmel Entertainment Abishag Productions. Directed by Julie Anne Robinson. Screenplay by Stacy Sherman & Karen Ray and Liz Brixius. Based on the novel by Janet Evanovich.

Official Twitter Page: http://twitter.com/#!/lionsgatemovies

Eric Brevig To Direct Brendan Fraser in “William Tell: 3D”

ERIC BREVIG TO DIRECT THE LEGEND OF WILLIAM TELL: 3D

Brendan Fraser Reunited with JOURNEY TO THE CENTER OF THE EARTH Director

New Original Screenplay by Chad and Evan Law
Gary Hamilton’s Arclight Films Handles Sales
 
Toronto, ON, Canada – September 7, 2011 – Producer Todd Moyer has announced that Eric  Brevig will direct Brendan Fraser in the historical family action adventure WILLIAM TELL: 3D, to be shot in spring 2011 in Romania.  Brevig, who replaces Nick Hurran at the helm of the film, also directed JOURNEY TO THE CENTER OF THE EARTH and YOGI BEAR; both pictures grossed over $US100 million each domestically and over half a billion worldwide theatrically. Brevig is also known as a visual effect supervisor, who won a special achievement Academy Award® in Special Effects for TOTALL RECALL was nominated for PEARL HARBOR and HOOK.  Other VFX credits include MEN IN BLACK, THE ISLAND and THE DAY AFTER TOMORROW.
Moyer says, “We’re delighted to reunite Eric Brevig with Brendan Fraser; family action adventure is exactly what Brendan and Eric do best. Eric’s skills and experience will make this film compete with any studio film.”  Owing to the change in director, brand-new, original script by Chad and Evan Law (SIX BULLETS; THE HERO; THE HIT LIST), advancing winter weather in Eastern Europe and pre-production time, Moyer expects principal photography to begin in mid-March 2012 Castel Studios in Romania and on location in Switzerland.  The budget’s been upped to an estimated $27 million sourced from a Chicago hedge fund.  Gary Hamilton’s Arclight Pictures will handle international distribution of the film at Toronto.
William Tell is a legend in North America for shooting an apple from the top of his son’s head with a bow and arrow (it was really a crossbow).  What Americans don’t know is that he’s a revered historical figure in Europe.  In the legend, Tell just can’t leave well enough alone.  The local potentate of the Hapsburg monarch, Hermann Gessler forces Tell to shoot the apple because he refused to bow before Gessler’s hat, erected in a town square.  Tell succeeds in cleanly (and safely) cleaving the fruit and wins his and his son’s freedom.
But Gessler asks Tell why he had two arrows is his quiver, and Tell replies he was going to shoot Gessler with the second if he’d missed.  Tell’s defiance of Gessler ignited an uprising against the Austrian government which led to the formation of Switzerland.
 
A veteran of dozens of films and one of America’s most charming leading men, Brendan Fraser’s best known for playing amiable archaeologist Rick O’Connell in the three blockbuster MUMMY films for Universal; he’s also starred in EXTRAORDINARY MEASURES, GODS AND MONSTERS, CRASH and SCHOOL TIES. Fraser’s shot a number of new films in recent months, including the “fish heist” comedy WHOLE LOTTA SOLE, GIMME SHELTER, and the animated ESCAPE FROM PLANET EARTH.  Fraser’s repped by CAA, Joanne Colonna with Brillstein Entertainment Partners and attorney Patti Felker.

Interview with August Burns Red’s Dustin Davidson and JB Brubaker

Media Mikes had a chance recently to talk with JB Brubaker and Dustin Davidson from the band August Burns Red about all the great stuff the band has going on this fall and next year.

Adam Lawton: How did you guys get involved with the iMatter festival?
JB Brubaker: We played the festival for the first time last year. I’m not sure how everything actually worked out.  We were contacted about playing the show last year and being it isn’t too far from our home in Pennsylvania., so we loaded up the trailer and came up to play. They asked if we would be willing to play again this year and we were happy to come and do it.  We had such a great time the previous year and the festival is for a good cause.

AL: You guys were on Warped Tour this summer and then had a few weeks off. What do you have planned next tour wise?
Dustin Davidson: We are off until the middle of October. We head over to Japan for a festival and then from there we go to Germany and do a full European tour with A Day to Remember.

AL: Have you guys toured overseas before?
DD: Yeah we have been over there multiple times.
JB: We have been over there I think around 10 times or so. So we are pretty familiar with it over there.

AL: How does tour overseas compare to touring here in the states?
JB: The U.S. is much more comfortable. The buses you get in Europe are somewhat smaller than here and they pack you in pretty tight.
DD: There are usually two bands per bus.
JB: The buses are almost always double-decker buses which makes the ceilings pretty low which makes it so you can’t stand up all the way. The buses aren’t great over there but it does beat sleeping in a van.

AL: Can you tell us about the bands most recent release titled “Leveler”?
JB: The album came out on June 21st and it’s our fourth full length record on Solid State. You could call it our most ambitious release to date. While we are still a metal band we have started to include other styles of music a little bit. We have sort of branched out of the metal core box more so than we have in the past. I think that has been a result of us being bolder as well as getting better at our instruments. We wanted to explore some other sounds besides the thrash riffs and break downs. We still love those but sometimes its fun to do other stuff as well.
DD: Adding new things makes it so we aren’t making the same record every time.

AL: I you had to pick a band you wanted to share a stage with who do you think it would be?
JB: That’s a tough questions because there are so many great bands to choose from.
DD: I would like to share a stage with either Blink 182 or Jimmy Eat World. I love those bands and grew up listened to them. I would be there singing every song!
JB: I would say the Arcade Fire. They are an awesome band that isn’t in our world of music at all. It would be pretty crazy if we did get to play with them. I think they are awesome and they are a great live band.

AL: Any great road moments you can share with us?
JB: There have been so many. The one that sticks out most recently was from this summer’s Warp Tour. We were in Pomona, California all the bands were hanging out waiting for bus call and our sound guy runs up to the bus to tell us there are two people really going at it behind the trailer. A bunch of us go out to look and sure enough about three buses down there is a guy and girl just going at it. It was pretty wild and I guess something you would expect. We generally don’t see that type of stuff on tour!
DD: We never see that stuff happening!

AL: Other than the European tour is there anything else you guys have going on?
JB: I am currently writing for a release that I can’t say too much about. But I can say that it’s going to be a specialty release that won’t be out until probably next year. We also are in the works of putting together a North American headlining tour that will start in January.

 

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Tribeca Film Acquires US Rights to Tony Kaye’s Detachment”

Photo Credit - Tony Kaye

TRIBECA FILM ACQUIRES US RIGHTS TO TONY KAYE’S DETACHMENT

***

Provocative Drama Features A Stellar Lead Performance From Adrien Brody, Anchoring An Ensemble Cast That Includes James Caan, Bryan Cranston, Blythe Danner, Marcia Gay Harden, Christina Hendricks, Lucy Liu, William Peterson, Betty Kaye and Sami Gayle

***

“Brody delivers his finest performance since ‘The Pianist’… an award-caliber turn.”

–        The Hollywood Reporter

“A wrenching and powerful achievement… tremendous cast I was swept along by the spectacular visual journey.”

Salon.com

New York, NY – September 8, 2011 – Tribeca Film announced today that it has acquired all US distribution rights, including theatrical, VOD, digital, TV and DVD, to Detachment, a vivid and compelling ensemble drama from acclaimed Director Tony Kaye (American History X, Lake of Fire) that had its World Premiere at the 2011 Tribeca Film Festival.

Tribeca Film, supported by Founding Partner American Express, plans a 2012 release via a multi-city theatrical engagement, running day-and-date with nationwide VOD and digital distribution, followed by DVD, pay-TV, and a range of other platforms.

In Director Tony Kaye’s Detachment, Academy Award® winner Adrien Brody stars as Henry Barthes, an educator with a true talent to connect with his students. Yet Henry has chosen to bury his gift. By spending his days as a substitute teacher, he conveniently avoids any emotional connections by never staying anywhere long enough to form an attachment to either students or colleagues. When a new assignment places him at a public school where a frustrated, burned-out administration has created an apathetic student body, Henry soon becomes a role model to the disaffected youth. In finding an unlikely emotional connection to the students, teachers, and a runaway teen he takes in from the streets, Henry realizes that he’s not alone in his life and death struggle to find beauty in a seemingly vicious and loveless world.

Kaye, molding a contemporary vision of people who become increasingly distant from others while still feeling the need to connect, directs a stellar ensemble cast from a script by Carl Lund.  Anchored by an award-worthy performance from Brody, Detachment also features memorable roles by Christina Hendricks, Academy® Award nominee James Caan, Academy® Award winner Marcia Gay Harden, Lucy Liu, Blythe Danner, Tim Blake Nelson, Bryan Cranston, William Petersen and newcomers Betty Kaye and Sami Gayle.

“I was personally drawn to make the movie because I wanted to take the character of Henry Barthes and make him universal, make him all of us, and learn myself from that journey. He is the baton in a relay race, an infinite piece of clay to sculpt, a human being formed out of pain and sent to the masses to teach in the education system. Our purpose in being born is to learn and teach, and to be happy,” Kaye said. “Looking at the ever changing landscape of film distribution, I think the Tribeca Film team is perfectly positioned to shepherd Detachment into this new exciting era.”

Detachment is a singular experience. Tony Kaye combines a range of filmmaking techniques, terrific ensemble acting and a wonderful lead performance by Adrien Brody,” said Geoffrey Gilmore, Chief Creative Officer of Tribeca Enterprises. “The film truly demands to be seen; we look forward to bringing it to a wider audience through Tribeca Film.”

Detachment is produced by Paper Street Films’ Austin Stark, Benji Kohn, Chris Papavasiliou and Bingo Gubelmann, Kingsgate Films’ Greg Shapiro, and Carl Lund. It is executive produced by Brody, Peter Sterling and Andre Laport. Marco Frigeri is co-executive producer.

The US distribution deal was negotiated by Nick Savva and Randy Manis for Tribeca Film, and International Creative Management, which also represents Kaye.

Celluloid Dreams has recently acquired all worldwide sales rights. Mongrel Media has acquired the Canadian rights and will distribute the film in 2012.  Pretty Pictures has taken the French rights and is planning a winter 2012 release.  Detachment can next be seen at the 37th Deauville Festival.

About Tribeca Film:

Tribeca Film is a comprehensive distribution label dedicated to acquiring and marketing independent films across multiple platforms, including video-on-demand, theatrical, digital, home video and television.  It is an initiative from Tribeca Enterprises designed to provide new platforms for how film can be experienced, while supporting filmmakers and introducing audiences to films they might not otherwise see. American Express continues its support of Tribeca and the independent film community by serving as the Founding Partner of Tribeca Film.

 

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Interview with Emery’s Matt Carter

Matt Carter is the lead guitarist for the South Carolina based band Emery. Emery released their 5th studio album earlier this year titled “We Do What We Want”.  Media Mikes caught up with Mike at this year’s iMatter festival to talk about the release as well as the bands future plans.

Adam Lawton: How did you guys first get involved with the iMatter festival?
Matt Carter: I’m not really sure how that all worked out. As a band we love to go out and play festivals in the summertime. We really like being in that type of setting and we try to play as many as we can. With iMatter being a newer festival we really wanted to play it.

AL: Can you tell us about the band’s latest release “We Do What We Want”?
MC: The album came out earlier this year and it has been received really well by the fans. It a little bit heavier than our previous records. When we first came out as a band we were very heavy and we were trying to push those limits. However in the last 10 years since we have been writing songs together certain things have changed in music. We want to continue to stay cutting edge so we decided to push things further than writing regular verses and choruses. We really pushed ourselves and that’s what this record is about.

AL: Can you tell us any great stories from being on the road with the band?
MC: My favorite moment would have to be probably the worst tour moment as well. We had purchased a bus that had no air conditioning. We put fans…but the generator never worked either. We were crossing the desert and at one point we stopped. All we had were these two roof vents for air, so it was like being in a tin can. It was about 120 degrees in this thing at night. It was early on when we first got this bus, so we didn’t have beds or anything like that made up and people were just lying around.  People were complaining so much that it made it almost enjoyable for me to sit and listen to them. I really had joy in that moment. (Laughs)

AL: If you could pick one band to share a stage with whom would it be and why?
MC: We would love to play a show with Weezer. They are one of our favorite bands.  They are a large band and they are still making music. It would be really fun and they are our heroes for getting to music on a long term basis.

AL: What are the bands upcoming plans?
MC: We are going to begin planning for a new record. We haven’t written it yet but we are going to start doing all the pre-planning stuff such as where and when are we going to be doing the album. It will take awhile as we currently don’t have any plans to write just yet.  We will be starting to make plans for which direction we want the album to go and what tours we want to get on.

Interview with Texas in July

Texas in July released their second full length album this spring titled “One Reality” Media Mikes got a chance to chat with the whole band recently and it was quite entertaining to say the least. A huge thank you goes out to the band as well as their manager Jimmie and publicist Natalie for making this happen.

Adam Lawton: How did you guys get involved with the iMatter festival?
Christian Royer: 3 years ago they asked us to do it.
Ben Witkowski: A few years ago we got the offer and I think that was the year Devil Wears Prada played as well as Kid Napkin.
CR: We were really stoked to be asked!
BW: Shout out to Kid Napkin! Their bass player is wicked good!

AL: What has been your take on playing the festival?
Adam Gray: It’s great!
BW: It’s cool and I love playing it!
Alex Good: The kids are all really great and nice!
CR: They always treat us really great. They love us and we love them.
BW: The crowd has been really great each year we have played.

AL: Chris I would like to say you look a little bit like Russell Brand.
BW: OOOOOOOOOOHHHHHHH!!!!
AG: (Laughs)
CR: The interviews over!
Chris Davis: I am leaving now! (Laughs)

AL: It’s not a bad thing.
AG: He gets that all the time.

AL: What can you tell us about your recent release “One Reality”?
BW: We put a lot of hard work into it and we are really proud of it!
Alex: It’s our second full length album but our first on Equal Vision.

AL: Does anyone have a favorite track off the album?
CD: The title track “One Reality” which we just started playing for our upcoming tour with We Came as Romans.
CR: I think I am with you as that song has been really fun playing live.
BW: It’s a toss-up between when I listen to the album and when I go out and play the album. It could really be any of the songs.

AL: Do you guys have any crazy tour moments you can tell us about?
AG: I was held up at knife point!
BW: We blew a tire in the Bronx one time and were stuck there until 4am.
AG: The trailer got stranded there for a few days but it never got robbed.
CD: We ran out of gas in Montana one time in a blizzard. We ended up pulling over at a gas station and waited out front until they opened at like 6am. I was driving. I’m an idiot!
CR: Europe was pretty crazy just in general.

AL: How is it for you guys touring overseas as compared to in the states?
CD: I think its better.
AG: There just tends to be double the kids each night coming out to the shows.
CR: It’s great because none of us have to drive over there or worry about being up. They treat all the bands like gods.
BW: I love Las Vegas!
CD: What? (Laughs)
BW: I was just teasing. (Laughs)

AL: Can you tell us about your upcoming fall tour?
BW: We are very excited for that. We are playing with our good friends We Came as Romans and we hear good things about Miss May I and the rest of the guys on the tour.
CD: The full line up is We Came as Romans, Texas in July, and Miss May I, Of Mice and Men and Close to Home.
BW: It’s going to be a great time and the tour wraps up at the Tuxedo Junction in Danbury, CT with Miss May I.
CD: We get one day off then we have to fly to Europe.

AL: Adam can you tell us about your appearance on the “Late Show with Jay Leno”?
AG: Probably the most stressful thing I have ever experienced in my life. It was awesome to meet everyone but I was just so nervous and stressed out that I couldn’t clear my head. I did enjoy it though.

AL: How did you get involved with doing the show?
AG: There was a video of me that had gone viral going around. Hayley Williams from Paramore kind of helped it and really started it off by posting it on her Tumblr site. From there Ryan Seacrest posted it in Twitter to Travis Barker and from there it just blew up.

AL: Jay treated you alright?
AG: Yeah! He walked in dressed in all denim and told me not to be nervous as my grandma was watching. That’s all I needed.

AL: You had to be in front of William Shatner as well correct?
AG: Yeah but him I don’t care about!
BW: William Shatner better watch his back!
AG: I am really not a big fan of his.

AL: I assume he wasn’t very pleasant?
AG: Yeah but It doesn’t really matter. I didn’t exactly know who he was at first and I know that’s kind of stupid but I never was a real “Star Trek” fan. As soon as I got back from that thing I laid down, turned on the television and the first thing I see is William Shatner on the Priceline commercial.

AL: Other than the fall tour what else do you guys have planned?
BW: Were starting to write some new rock songs!
CD: We have pretty much all of November and December off. So we will probably start writing for the new album. We have some touring at the beginning of the year planned as well,which should be good.
AG: That tour will be a good one! But we can’t tell you who is going to be with us.

 

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Concert Review: iMatter Festival 2011

iMatter Festival 2011
Date: Friday, September 2nd Saturday, September 3rd, Sunday, September 4th 2011
Venue: Eldridge Park, Elmira, NY

Our Score: 4 out of 5 stars

Check out our interviews with Texas In July, Emery and August Burns Red.

iMatter Festival an event held annually for the past 2 years at Eldridge Park in Elmira, NY kicked off on September 2 and ran through September 4th.  The festival is the brain child of Elmira Pastor Scott Lowmaster and is a 3 day event aimed at eliminating suicide among teens in the Upstate NY area. Though the festival sports a faith based theme there is something for everyone at the festival.

I had never gone to iMatter festival prior to this year as I was a bit skeptical about the faith based themes that were present though out the 3 day event. I don’t think there is anything wrong with those themes however it generally is not my scene. This year’s line-up which featured, Emery, Texas in July and August Burns Red to name just a few was enough to put those worries aside and take in the event. Though it was extremely hot as temperatures reach almost 95 degrees the festival was a great experience. All the staff working the various locations throughout the festival grounds were very courteous and friendly. It seemed as though great lengths were taken to ensure a safe and fun event for all those who attended. Each band that performed on Saturday really brought their A game in my opinion. Some highlight performances of the day were put on by The Great Commission, Texas in July, August Burns Red and Emery who even though being stopped mid performance 3 different times due to lightning still put on a solid performance.

I really can’t say enough good things about iMatter Festival and the people who put it on each year. Everyone involved does a really great job providing a safe environment to watch a concert. Combine that with getting some real top notch bands to perform every year and you have iMatter Festival. I will tell you that if you are uncertain about the festival and its thoughts or ideas I say put those aside and come out to the next iMatter Festival. You will not be disappointed!

I would like to send out a big thank you to Scott and Lauren Lowmaster for allowing MediaMikes.com to cover the event.

Friday Line Up: Benjah, Flame, Trip Lee, Oceans and Vessels, The Ember Days

Saturday Line Up: As Hell Retreats, My Heart To Fear, Gideon, To Speak Of Wolves, The Great Commission, Hundreth,

I, The Breather, Life In Your Way, Texas In July, Impending Doom, A Plea For Purging, Emery, August Burns Red, The Ember Days

Sunday Line Up: The Ember Days

 

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Interview with Angelo Licata

Angelo Licata is the director of one of the best “Star Wars” fan films to date, “Dark Resurrection”. After “Dark Resurrection”, there are plans for a sequel and a prequel as well. The upcoming prequel is called “Dark Resurrection Vol. 0” and it set to premiere on September 8th. Media Mikes had a chance to chat with Angelo about making “Dark Resurrection” and it’s upcoming prequel.

Mike Gencarelli: Tell us about the evolution of “Dark Resurrection”?
Angelo Licata: “Dark Resurrection” was born because of my passion for “Star Wars”. I wanted to shoot a 5 minutes fight with lightsabers in a perfect jedi style, but after seeing the beautiful 3D environments created by my partner Davide, I decided to write a whole 2 hours script that became “Dark Resurrection”.

MG: How did you film get the attention and approval from George Lucas?
AL: We sent the trailer to Steve Sansweet, Director of Content Management and Head of Fan Relations at Lucasfilm; they defined “truly amazing”, giving us the permission to release it worldwide.

MG: What was the budget for the film and how long was the shoot?
AL: About 7000 Euros. The shooting last about 3 years because of the great amount of efx and for we could not do it full-time.

MG: What are you most concerned with when it comes to satisfying the “Star Wars” fanboys with the film?
AL: Our concern is to write and shoot a good story, linked somehow but not necessarily strictly bound to SW. The environment is the same, but our subject and ideas are completely original. People who are fans of George Lucas’ universe can easily spot a good story, full of action, feeling and Force. So we do not have to worry about anything else.

MG: What was the most difficult aspect in creating the film?
AL: The budget influences a lot of aspects of the movie, especially when you shoot with no money at all! So we have to count on people who helped us only for their will of being part of the project. And we discovered wonderful people.

MG: Tell us about the upcoming prequel and its proposed sequel? When will we see these?
AL: The 8th of September 2011, at the Ariston Theatre in Sanremo (Italy) we will present the World Premiere of Vol. 0, the prequel to Vol. 1, that will be then soon available online. After that, we will see what happens and I hope we will be able to proceed with Vol. 2.

MG: Besides these films do you have any other plans to direct?
AL: After some commercials, I finally have a couple of very good scripts, but it’s too soon to say when they will “come to life”. Let’s hope the Force will be with us!

 

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Interview with Michael Worth

Michael Worth is co-starring in the SyFy Original, “Jabberwock” directed by Steven R. Monroe. Media Mikes had a chance to chat with Michael about working on the film and also what he has planned next.

Mike Gencarelli: Tell us about your role of Alec in “Jabberwock”?
Michael Worth: Alec is the brother of Francis, two very different siblings in many ways. They are both fighters and strong willed individuals, but Alec did not develop the domestic chip in the same way as Francis had and as a result Alec, in some ways unable to face up to uncomfortable responsibilities at home, takes off and becomes a fighter. After several years in battle he returns home to find his father ill and must face under intense circumstances some of these issues with his family. I liked the challenge of playing the troubled child that exists in this combat hardened body of Alec. I think the relationships in this film with the many characters are pretty interesting as each one in some way finds themselves having to adapt to the strength of another at some point. I was also ready to jump into another physically crafted character as it had been awhile in doing one like that.

MG: This is the second time you have worked with Steven R. Monroe after “Complacent”, how did it come about?
MW: Monroe and I have done quite a few films together. In fact, I was in his very first feature “The Contract” with Jeff Fahey. I have written a couple of films he directed as well. He and I have had many discussions over the years on the kind of films we want to make and we found we both shared a lot of similar interests and creative directions. One of our first opportunities to do that was with a western called “Dual”. We shot it for no money with a tiny cast and crew but is one of my most personally satisfying films. “Complacent” was another opportunity for Monroe to take that more personal approach and lucky enough an actor he had committed to a part dropped out before the shoot started and I stepped in. With “Jabberwock” he actually was shooting on Monday and called me late Thursday night to ask me to play the part. I didn’t even read the script until I was in a plane somewhere far over the ocean. But, I had such a trust in Steven with his work over the years I never felt too nervous about it so was okay with that rush. He had been wanting me to play it for about a week or so before he called but you sometimes have to go through the chain of command.

MG: How was it working with Kacey Barnfield and Tahmoh Penikett?
MW: They both had huge egos! Of course, I’m joking as they were both two of the nicest people I have met in this business. Tahmoh and I were in the same hotel and both of us train in martial arts so we got to connect that way, training a bit in their gym. He has a real good sense about his craft and his “placement” in a scene. By that I mean his experience has really taught him where to be in his work and what the effect of that choice on film will be. Now Kacey I was really bummed about because I was hoping she would have played my girlfriend in the film! Just a beautiful and genuine person. Loved the accent of hers. And a great laugh. She has a great demeanor on film and is as much a woman as one can be but hangs out with the best of the boys. Great actress. And she throws a pretty good punch too!

MG: What can you tell us about the production?
MW: I had shot a film in Bulgaria years before called “US Seals 2” and had always wanted to go back. It had changed in some ways but much of the “old” part remained exactly the same. The people there, the crew, are just great. They are such work horses and always have some kind of a smile plastered on their faces. The weather there was pretty intense as we would have raging heat a couple days, a bunch of snow the next few and some crazy Bill Paxton style winds on others. In fact one bad day of winds destroyed several of the sets around us, actually ones used on the new Conan film. You can also look up on Funny or Die something called “Flim”, which is a short we all did together while on set. Rafaello Degratola from the movie was the mastermind behind it.

MG: You directed the film “Fort McCoy”, tell us about that experience?
MW: I was asked to direct Fort McCoy back in 2008 but had known about if for a number of years. The first thing I realized was the task of getting that story onto the screen was going to be A LOT of work and wanted my friend and cinematographer Neil Lisk with me. Neil passed away back in 2010 after shooting “I Spit On Your Grave” with Monroe so I am really happy I fought for him to be there as it would be our last time as a director-cinematographer together (I worked with him as an actor on Complacent with Monroe afterwards though). It was really nice to have those several weeks of just him and I running around Wisconsin and figuring out my shots, the geography and the lighting changes throughout the day. I have been a photographer most of my life but learned a lot of interesting things from Neil while prepping that film. For that reason most of all that film will stand out for me. And of course working with Eric Stoltz and Lydsey Fonseca was great too. Mask and Some Kind of Wonderful, I mean come on! Margot Farley Stuart who starred in “God’s Ears” with me I also brought in to play one of the parts and she is always such a beautiful actress. And let’s not forget Seymore Cassell. I’m a giant Cassavetes fan so that was great to have an opportunity to direct him. I made a great friend in actor Rene Heger once we wrapped as well.

MG: You are attached to direct and produce “Come Back to Sorrento” with script by David Mamet; what can you tell us about this?
MW: This project was written by David and Rebecca Pidgeon as a vehicle for Rebecca. It was based on a novel by Dawn Powell in the 1930s and is a very complex and vibrant piece. After Dave saw a screening of my film “God’s Ears” he offered me the script to direct if I could pull the money together. The business side of getting projects like that done can be pretty daunting sometimes, even with the experience and background of the two of them. But, it is all still on the table and I’m working on getting it done even at the moment. The two of them are just great people and I am anxious and excited with the prospect of working with them.

MG: What do you enjoy more acting, writing, producing or directing?
MW: It’s hard to really give an exact answer to that but all I know is about 8 years ago I realized the acting in itself was not going to give me the creative fulfillment I was seeking in this business. When I moved to LA at 17, I was interested in all three facets but had no real idea which, if any, would take hold. Initially the acting work came and I eventually made somewhat of a living at it but soon realized the path was going to branch out at some point. I feel in some ways the acting stimulates the more visceral connection I have to film and the directing and writing the more intellectual, if that makes sense. As I found myself relating more with people like Clint Eastwood, Woody Allen, John Cassavetes and Buster Keaton, I knew that I was seeking a similar balance in my own life with film. I don’t find myself wanting to do it all at once all the time, as I did with “God’s Ears”, but they are all clearly similar pieces in this body of work I am trying to put together.

MG: Do you have any other projects that you want to chat about?
MW: Well, after I shot “Jabberwock”, I came back to LA and threw myself into a project I had been wanting to do for several years exploring the low budget film world and those people that move through it. Ultimately it became one of the greatest learning experiences I have ever had. It’s called “Bring Me the Head of Lance Henriksen” and deals with actor Tim Thomerson as he examines his relevance in the movie industry and seeks out to challenge his perception of ageism as well as figure out if actor Lance Henriksen is really grabbing up all the over 60 roles. It is not entirely a documentary and not entirely a feature film but a cross section of the two. The people involved were rarely aware of what the day of shooting entailed as we “staged” everything within real events that they were actually participating in. For example, I would “coax” a direction I wanted the “actors” to go in while we were at a real comic book convention signing and suddenly these crazy scenarios came to life and none of us were entirely sure where it would go. Kind of like “Curb Your Enthusiasm” on steroids. Adrienne Barbeau, Martin Kove, John Saxon, Cerina Vincent, John Witherspoon, Natasha Alam, Robert Patrick, George Cheung and many others all came in and made appearances. Probably the biggest all start cast to ever grace a low budget movie! It was barely a skeleton crew I pulled together with the help of actor Alex Ballar but made it easier for us to not intrude on the reality we were attempting to capture. It has been not only an amazing eye opening “film school” moment for me, but one of the funniest things I have ever been involved in. I am also currently working on getting my road trip drama “Apple Seed” off the ground with James Garner’s production company, Cherokee Productions and my Grizzly Peak Films and hopefully shooting before years end. I’m trying to keep up with the whole social networking thing like Twitter so people can stay updated on there. http://twitter.com/#!/michaelworth

 

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Mary Tyler Moore Honored With 2011 Screen Actors Guild Life Achievement Award

Mary Tyler Moore Honored With 2011 Screen Actors Guild Life Achievement Award

48th Annual Accolade to be Presented During the 18th Annual Screen Actors Guild Awards® Simulcast Live on TNT and TBS on Sunday, January 29, 2012

LOS ANGELES (September 8, 2011) – Renowned actress, producer and humanitarian Mary Tyler Moore will receive Screen Actors Guild (SAG)’s most prestigious accolade – the Screen Actors Guild Life Achievement Award. Moore created a new paradigm for female leads in television, won top honors for her courageous performances in film, television and on stage, produced some of the most lauded television programs of all time, and for thirty years, has served as a tireless advocate giving hope to all those afflicted with Type 1 diabetes.

Moore will be presented the Award, given annually to an actor who fosters the “finest ideals of the acting profession,” at the 18th Annual Screen Actors Guild Awards®, which premieres live on TNT and TBS on Sunday, Jan. 29, 2012, at 8 p.m. ET, 7 p.m. CT, 6 p.m. MT and 5 p.m. PT.

In making today’s announcement, Screen Actors Guild National President Ken Howard said, “Mary Tyler Moore won our hearts as Laura Petrie and Mary Richards, our respect as her production company became synonymous with quality television, our awe as she tackled difficult subject matter in film and on Broadway, and our admiration she turned her public recognition into a catalyst to draw attention to critical and deeply personal health and social issues. She truly embodies the spirit behind SAG’s Life Achievement Award, and we are honored to proclaim her as its 48th recipient.”

Holder of seven Emmys®, a Tony® and an Academy Award® nomination, among numerous industry and philanthropic accolades, Mary Tyler Moore first rose to prominence when she was cast at 23 as Dick Van Dyke’s wife in his eponymous sitcom, based loosely on the experiences of comedy writer Carl Reiner. Smart, feisty and down-to-earth in capri pants and fashionable tops, Moore’s Laura Petrie was new kind of television wife and mother. The audiences loved her and the Academy of Television Arts & Sciences awarded her two Emmys and a nomination during the show’s five-year run.

Following “The Dick Van Dyke Show’s” successful run, Moore combined her acting, singing and dancing talents in 1967 as Julie Andrew’s co-star in the 1920’s film musical “Thoroughly Modern Millie.” She was Elvis Presley’s final leading lady in 1969’s “Change of Habit” and the same year made her television movie debut in the drama “Run A Crooked Mile.”

When CBS beckoned with the offer to develop her own television series, Moore formed a production company, MTM, with her then husband Grant Tinker. Their groundbreaking comedy “The Mary Tyler Moore Show” premiered on September 19, 1970. While other comedies had been set in the workplace, Moore’s chronicled the career, friendships and dating life of a single, thirtyish, spunky, independent, career woman, in the unseen world of local TV news. With a brilliant cast, the character-driven series redefined the meaning of ensemble comedy and of family. In its seven-year run garnered 29 Emmys, including four for its star. Nearly 25 years later Moore was present as TV Land dedicated a statue in downtown Minneapolis depicting the iconic moment in the show’s opening credit’s when a hopeful Mary Richards tosses her hat in the air.

Moore and Tinker’s MTM Enterprises continued to produce an impressive list of landmark comedies and dramas including “The Bob Newhart Show”, “Newhart, “WKRP in Cincinnati,” “Hill Street Blues” “The White Shadow” (starring current SAG president Ken Howard) and “St. Elsewhere,” Characters from “The Mary Tyler Moore Show” became the focus for several successful spin-offs in the 1970s: “Rhoda,” starring Valerie Harper; “Phyllis,” starring Cloris Leachman; and “Lou Grant,” starring Ed Asner (SAG’s 38th Life Achievement recipient), which significantly took Asner’s gruff but soft-hearted journalist from TV newsroom comedy into a hard-hitting newspaper-set drama.

Moore showcased her dramatic talent in her Emmy-nominated depiction of TV correspondent Betty Rollin’s battle with breast cancer in the 1978 CBS telefilm “First You Cry.” In 1980 Moore was nominated for an Oscar® for her riveting portrayal of Beth Jarrett, a bitter mother coping with the death of one son and the attempted suicide of another in the Robert Redford-directed drama “Ordinary People.” The same year she continued to explore painful subject matter onstage in the hit Broadway play “Whose Life Is It, Anyway?” which earned her a Tony for playing a quadriplegic sculptor fighting to determine her own destiny, a role originated by Tom Conti and rewritten for its female star in her Broadway debut.

Other feature films include: “Six Weeks,” opposite Dudley Moore; David O, Russell’s “Flirting with Disaster”; and Peter Calahan’s dark comedy Against The Current, opposite Joseph Fiennes and Justin Kirk, which premiered at the 2009 Sundance Film Festival.

Moore’s success in telefilms has continued across decades: In 1984, she delivered an Emmy-nominated performance in the ABC television movie “Heartsounds” opposite James Garner (SAG’s 41st Life Achievement recipient),; received a Cable Ace nomination for HBO’s “Finnegan Begin Again” opposite Robert Preston and Sam Waterson; delivered a stunning portrayal of disturbed first lady Mary Todd Lincoln in the 1988 NBC miniseries “Gore Vidal’s Lincoln;” and won her seventh Emmy in 1993 for her performance as a spinster trafficking in illegal adoption in Lifetime’s “Stolen Babies.”

Other telefilm credits include TNT’s “Miss Lettie and Me” and the CBS television films “Like Mother, Like Son: The Strange Story of Sante and Kenny Kimes”; “Snow Wonder”; and “Blessings” based on the Anna Quindlan novel. She and Dick Van Dyke showcased their old spark in a PBS version of D. L. Coburn’s Pulitzer Prize-winning nursing home-set stage play “The Gin Game,” then reunited with a large number of their former cast mates in TV Land’s nostalgic “The Dick Van Dyke Show Revisited.”

Moore’s television guest roles include: a recurring run as Tea Leoni’s mother “The Naked Truth,” an appearance as Ellen DeGeneres’s Aunt Mary in a Christmas episode of “Ellen,” a recurring stint as a high-strung TV host on “That 70’s Show” and a multi-episode arc in NBC’s “Lipstick Jungle.” This year, on the season premiere of “Hot in Cleveland,” Moore reunited onscreen with Betty White for the first time since “The Mary Tyler Moore Show,” sharing a jail cell with White’s character, Elka, who was arrested in the season one cliffhanger.
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Moore returned to the stage in 1987 to star opposite Lynn Redgrave in A. R. Gurney Jr.’s “Sweet Sue” and has performed numerous benefit readings of Gurney’s two-person “Love Letters,” starring opposite James Earl Jones to benefit, the Poughkeepsie Day School, Patrick Stewart to benefit the Ethical Culture School and Gene Wilder for the North Shore Child and Family Guidance Center Association, as well as opposite Gurney himself.

Moore’s first autobiography, “After All,” published in 1995, was a frank exploration of her childhood, personal challenges and career. Her second book, “Growing Up Again: Life, Loves, and Oh Yeah, Diabetes” is a candid, humorous and illuminating detailing of her battles with the disease since she was diagnosed with Type 1 diabetes (then called “juvenile diabetes” for its prevalence among children) in 1970 at age 33. The book includes conversations with remarkable people who live with the disease and those who work on the frontiers of medical research. Moore donated all her profits from “Growing Up Again” to the Juvenile Diabetes Research Foundation (JDRF), the world’s leading funder and advocate for Type 1 diabetes science.

Moore has been JDRF’s International Chairman since 1984. She has also chaired JDRF’s biennial Children’s Congress since its inception in 1999, leading up to 200 children with Type 1 diabetes to Washington, D.C. to meet face-to-face with congressional representatives. Moore has been at the vanguard of JDRF’s visit on Capitol Hill, testifying before the House and Senate on behalf of increased National Institutes of Health (NIH) funding for Type 1 diabetes, which affects as many as 3 million children and adults. Moore and her husband, Dr. S Robert Levine, have been generous supporters of JDRF’s research programs and in 2003 established JDRF’s “Excellence in Clinical Research Award” in recognition of outstanding diabetes researchers. She herself was honored by JDRF in 2007 with its Humanitarian of the Year Award.

Among many other accolades, Moore received the 1984 Women in Film Crystal Award, was immortalized in 1992 with a star on the Hollywood Walk of Fame, was presented with the American Screenwriters Association first David Angell Humanitarian Award in 2002 and in 2009 was honored with the National Association of Broadcasters Distinguished Service Award.

Moore co-founded Broadway Barks with Bernadette Peters in 1999. The annual event held in Broadway’s Shubert Alley promotes the adoption of shelter animals, seeks to end euthanasia of dogs and cats in New York City and fosters a spirit of community among the number shelters and rescue groups working throughout the city. New York Major Michael Bloomberg proclaimed this year’s July 9, 2011, event as “Broadway Barks Day.”

The Brooklyn-born daughter of George Tyler Moore and Marjorie Hackett, Moore, Moore had moved with her family to California at 8 and aspired to be a dancer. After graduating Immaculate Heart High School, she broke into commercials, then gained acting credentials in television, first as the only partially-glimpsed switchboard operator on “Richard Diamond, Private Eye” and in guest roles in more than a dozen popular series, such as ““Hawaiian Eye,” “77 Sunset Strip,” and “Wanted: Dead or Alive.”

The 18th Annual Screen Actors Guild Awards will be produced by Jeff Margolis Productions in association with Screen Actors Guild Awards®, LLC. Jeff Margolis is the executive producer and director. Kathy Connell is the producer. JoBeth Williams, Daryl Anderson, Scott Bakula, Shelley Fabares and Paul Napier are producers for SAG. Gloria Fujita O’Brien and Mick McCullough are supervising producers. Benn Fleishman is executive in charge of production. Rosalind Jarrett is the Executive in Charge of Publicity. Jon Brockett is the Awards Coordinating Producer.

Screen Actors Guild is the nation’s largest labor union representing working actors. Established in 1933, SAG has a rich history in the American labor movement, from standing up to studios to break long-term engagement contracts in the 1940s to fighting for artists’ rights amid the digital revolution sweeping the entertainment industry in the 21st century. With 20 branches nationwide, SAG represents more than 125,000 actors who work in film and digital theatrical motion pictures and television programs, commercials, video games, corporate/educational, Internet and all new media formats. The Guild exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. Headquartered in Los Angeles, SAG is a proud affiliate of the AFL-CIO.

TNT, one of cable’s top-rated networks, is television’s destination for drama. Seen in 100.5 million households, the network is home to such original series as The Closer, starring Emmy® winner Kyra Sedgwick; Rizzoli & Isles, starring Angie Harmon and Sasha Alexander; Falling Skies, starring Noah Wyle; Franklin & Bash, with Mark-Paul Gosselaar and Breckin Meyer; Leverage, starring Timothy Hutton; Southland, from Emmy-winning producer John Wells; and Memphis Beat, starring Jason Lee and Alfre Woodard, as well as the upcoming series Major Crimes, Dallas and Perception. TNT also presents compelling original movies, including a slate of thrillers set to premiere this fall in The TNT Mystery Movie Night showcase. TNT is the cable home to powerful dramas like The Mentalist, Bones, Supernatural, Las Vegas, Law & Order, CSI: NY, Cold Case and, starting next year, Castle; primetime specials, such as the Screen Actors Guild Awards®; blockbuster movies; and championship sports coverage, including NASCAR, the NBA and the NCAA Division I Men’s Basketball Championship. TNT is available in high-definition.

TBS, a division of Turner Broadcasting System, Inc., is television’s top-rated comedy network and is available in 100.8 million households. It serves as home to such original comedy series as “Are We There Yet?” Tyler Perry’s “House of Payne,” Tyler Perry’s “Meet the Browns” and the upcoming Tyler Perry’s “For Better or Worse; the Emmy®-nominated late-night series “CONAN,” starring Conan O’Brien; hot contemporary comedies like “Family Guy,” “The Office,” and “The Big Bang Theory,” which begins later this year; special events, including star-studded comedy festivals in Chicago; blockbuster movies; hosted movie showcases and championship sports.

Turner Broadcasting System, Inc., a Time Warner company, creates and programs branded news, entertainment, animation and young adult media environments on television and other platforms for consumers around the world.

 

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Film Review “Warrior”

Starring: Tom Hardy, Joel Edgerton and Nick Nolte
Directed by: Gavin O’Connor
Rated: PG 13
Running time: 2 hours 20 mins
Lionsgate

Our Score: 4 1/2 out of 5 stars

Philadelphia is known as a sports town. Philly gave us Doug Allison, who history tells us was the first baseball player to wear a glove in the field. Also from the City of Brotherly Love: basketball player Lloyd Bernard Free, who in 1981 legally changed his name to World B. Free. But the town’s biggest claim of local talent belongs to fighters. Sonny Liston. Joe Frazier. Bernard Hopkins. Heck, even Rocky Balboa hails from Philly. In “Warrior” we learn that there are two more fighters to watch. The Conlon Brothers.

Paddy Conlon (Nolte), celebrating 1000 days away from the alcohol that cost him his family, spends his days listening to “Moby Dick”, the book-on-tape following him from home to the car and back. He arrives home one night to find Tommy (Hardy) waiting for him. He has a favor to ask.

Brendan Conlon (Edgerton) is a high school teacher. And a former MMA (Mixed Martial Arts) fighter. With an ever rising mortgage looming over his head, he’s decided to make a little money on the side fighting. YouTube footage of one of his weekend battles gets him suspended from school. With the bank breathing down his neck he comes to the only possible solution. He visits his friend Frank (Frank Grillo), who owns the local gym. He has a favor to ask.

One part “Rocky,” one part “The Wrestler,” “Warrior,” in the wrong hands, could be your average ESPN movie of the week. But anchored by three outstanding performances the film soars and reaches all the right chords. Nolte, his face weathered from life (has it really been 35 years since he played young Tom Jordache on “Rich Man, Poor Man?”) would easily make my short list when Oscar nominations come around. As a man trying everything…anything…to right the wrongs of the past, Nolte’s performance ranks with his work in “The Prince of Tides” among his career best. I must say that I was only familiar with Edgerton thanks to his role as Luke Skywalker’s future Uncle Owen in “Star Wars: Episode II and III.” Bearing an uncanny resemblance to Conan O’Brien, he does a fine job here. But the revelation here is Hardy. So good as Eames, the master of disguise in “Inception,” Hardy explodes off the screen in what is truly a star making performance. And he’s ripped! I can’t wait to see him as Bane in “The Dark Knight Rises.”

Director O’Connor, who fluidly shot “Miracle,” the story of the 1980 US Olympic Hockey Team, is just as strong here. His camera takes you into the ring so close to the action that you can almost feel every punch. The script is fairly tight, with a subplot of Tommy as an Iraqi war hero with a past the only distraction. Sport fans will recognize Olympic gold medal winning wrestler Kurt Angle as Russia’s entry into the films main event, a 16 man winner take all war called Sparta. And kudos to stunt coordinator/fight choreographer J.J. Perry for some of the best ring action ever committed to film.

Film Review “Contagion”

Starring: Matt Damon, Laurence Fishburne and Jude Law
Directed by: Steven Soderbergh
Rated: PG 13
Running time: 1 hour 45 mins
Warner Brothers

Our Score: 4 out of 5 stars

There’s a great scene in “Along Came Polly” where Ben Stiller discusses the danger of eating from a bowl of mixed nuts at a bar. It goes something like this:

“Let’s say, conservatively, I don’t know, 17 people eat these nuts on a given night. Okay? If they’ve been here for even two weeks, we’re talking about 238 people who dipped their dirty hands into that bowl. On average, only one out of every six people wash their hands when they go to the bathroom. Yeah, so when you think you’re innocently eating a little bar snack, you’re actually ingesting potentially deadly bacteria from about 39 soil-handed strangers. I mean, people wonder why they get E. Coli poisoning or salmonella or hepatitis, when all they gotta do is look at the snack bowl at their local watering hole. I’m not being neurotic. It’s an absolute hot zone in there.”

Believe me, after seeing “Contagion,” you’ll take Ben Stiller much seriously.

Chicago. Business traveler Beth Emhoff (Gwyneth Paltrow), just arrived from Hong Kong and on her way home to Minneapolis, chats with a friend before boarding her plane. When she gets home she finds she’s not feeling well. When she goes into convulsions her husband, Mitch (Damon) has her rushed to the hospital. Minutes later he’s informed that Beth is dead. Unbelieving, Mitch returns home where more tragedy awaits him. Within days, the world is caught up in a catastrophe that threatens to dwarf the greatest plagues of the past.

Directed with a skilled eye, “Contagion” is a film that plays off of our worse fears. What with the recent SARS and H1M1 Flu scares, the plot suggested by the film is really only one bad cold away. With a cast boasting as many Oscar winners as “The Towering Inferno” (I was going to say “The Poseidon Adventure” but Gene Hackman won his Oscar while filming the movie. “Inferno” alums Paul Newman and Faye Dunnaway also won theirs after that film was released). “Contagion” is a tight thriller that allows us to observe how the world might act if suddenly 25% of its inhabitants took ill. The cast, which besides Paltrow and Damon boasts award winners Marion Cotilliard and Kate Winslet. As a vaccine is being sought the world as a whole goes into anarchy. Taking advantage is a blogger (Law) who claims to have cured himself with a medication he has acquired a piece of financially. People avoid others like…well, like the plague.

The story moves quickly as the illness spreads, only slowing down some in what felt to me like an ending stretched out for time purposes. The musical score, by frequent Soderbergh collaborator Cliff Martinez is chillingly perfect, reminding me of some of the great scores by Tangerine Dream. The bleak landscapes of major cities deserted by the frightened are well depicted courtesy of production designer Howard Cummings. “Contagion” is a strong film to kick off the end of summer…just make sure you know who you’re sharing your popcorn with!

CD Review: Girl on Fire “Revenge EP”

Girl on Fire
“Revenge EP”
Hollywood Waste
Producer: WiL Francis
Tracks: 5

Our Score: 4 out of 5 stars

Girl on Fire are a 4 piece Alt/Rock band hailing from the Seattle, WA area. The band consisting of Austin Held- Vocal, Mick McMahan- Guitar, Josh Mouser- Bass and Harry MacDonald- Drums bring a fresh new approach to the Alt/Rock scene with the release of the bands debut EP titled “Revenge”. “Revenge” is a blend of rock infused punk which is very reminiscent of early Linkin Park albums.

Though not really familiar with Girl on Fire prior to my listening of the “Revenge EP” I was pleasantly surprised and became a fan instantly. Tracks such as “Revenge” and “Tragic Ending” have a perfect blend of rock meets pop punk. Every song on the “Revenge EP” seemed to have a hook that instantly made your head bob along to the beat. Austin Held’s vocals are a breath of fresh air and compliment the songs perfectly.

Girl on Fire’s “Revenge EP” is pure listening goodness! My only complaint was that I wanted to hear more songs! With such a catchy and melodic approach I can’t wait to hear what Girl on Fire has in store next for its listeners.

Track Listing:
1.)    Revenge
2.)    Tragic Ending
3.)    Medicate
4.)    Secret Lies
5.)    Close Your Eyes

CD Review: The Great Commission “Heavy Worship”

The Great Commission
“Heavy Worship”
ANGR/Century Media
Producer: Andrew P. Glover
Tracks: 11

Our Score: 4.5 out of 5 stars

The Great Commission is a 6 piece band based out of Riverside, California. The band is made up of Justin- Vocals, Angela- Rhythm Guitar/Vocals, Robby- Lead Guitar, Victor- Guitar, Solomon- bass and Alonso on drums. The band labels themselves as a heavy worship band that blends the musical styles of hardcore, screamo and punk with Christian themed lyrical content. “Heavy Worship” is the band 3 release and is the follow up album to the bands 2009 Strike First release titled “And Every Knee Shall Bow”.

“Heavy Worship” is relentless in its approach both lyrically and musically. In my opinion the band does a great job blending scream vocals and pop punk sing along choruses which in turn make the album extremely fun to listen to. The 3 guitar attack provides a variety of heavy breakdowns which will surely conjure up the most fierce circle pits. The albums opening track “Don’t Go To Church, Be The Church” lays the foundation for later tracks such as “When It Rains It Pours” and “Draw The Line”. Even though the bands Christian themed messages may be too much for some listeners they do not over shadow the fact that “Heavy Worship” is a great album. and worth picking up no matter your thoughts or beliefs are!

The Great Commission’s “Heavy Worship” is a brutal onslaught of down tuned guitars and thick thunderous bass and drums which combined with Justin and Angela’s spot on vocals make for a really exciting album. No matter what your thoughts or beliefs are do yourself a favor and get this album!

Track Listing:
1.) Don’t Go To Church, Be The Church
2.) The Walking Dead
3.) When It Rains It Pours
4.) Draw The Line
5.) Preaching To The Choir
6.) Weight Of The World
7.) The Prodigal Son
8.) Road To Damascus
9.) The Juggernaut
10.) Reap What You Sow
11.) Came To My Rescue (Be Lifted…)