Marina Sirtis is best known for playing Deanna Troi in “Star Trek:” The Next Generation”.  The show is celebration its 25th Anniversary this year.  Marina took out some time to chat with Media Mikes about reflects on her role on the show and what makes this show so timeless.

Mike Gencarelli: “Star Trek: The Next Generation” is celebrating its 25th anniversary, what is your most fondest memory looking back?
Marina Sirtis: The best memories all circulates around my fellow thespians. They were the best bunch of people I ever worked with and became family. We just hit it off from the get-go and they are still my best friends. That was honestly the best part of the job.

MG: You attend many “Star Trek” conventions, what do you enjoy most about meeting fans?
MS: The great thing about going cons is getting to meet you fans. I think we have a very symbiotic relationship with our fans. We get as much out of them as they get out of us. I can’t tell you how many time people would come up with me and say “I become a psychologist because of you” and that is just what a compliment. I am an actress and I just played this part. It was a job [laughs]. I could have ended up on “Law & Order”, you know what I mean? To have some such an impact on people’s life is something that when I was studying at drama school never entered my consciousness.

MG: What do you think makes this series so timeless?
MS: The thing about it “Star Trek”, especially “TNG”, is probably one of the one shows that every generation of the family can watch together. I always used to say apart from The Weather Channel [laughs], it was the only real family show, since you can’t even watch the news anymore with kids. People always tell me it was family night for them and they used to order a pizza and sit around and watch “Star Trek”. Some people tell me that even with 25 years past, when they watch it now it brings back just great memories for them.

MG: How is it for you being know as the sex symbol of the entire show?
MS: Mike, I have to tell you I was a very ugly child. When I say this to people they don’t believe me. But I was have pictures to prove it [laughs]. I have to tell you a story, Mike. When my mother passed away, my sister-in-law called me and asked what I wanted out of her apartment and I just told her I wanted photos. She called me up a few night later hysterically laughing because she was going through the photos and told me she found the ones of me when I was young. This is what she tells me, “You were right Marina, you WERE really ugly!”. So to be regarded as a sex symbol, I am thrilled [laughs]. The little ugly girl inside of me is going “Woo Hoo!!”.

MG: I feel that season six was your characters strongest, including “Face of the Enemy”, can you reflect on your favorite season?
MS: I have to be honest, if you go back to the first season there was a lot of episodes that I wasn’t in. I was very worried, I was going to be written out. I knew the writers had created this character but didn’t really know what to do with her. She was an empath, so if she did her job right we had no storyline. Rather than deal with the situation, I was just written out of the episodes. Come the season one hiatus, which was very long due to the writers strike at the time, Jonathan Frakes got married to Genie Francis. We all went to the wedding and Gene Roddenberry was there also. He approached me at one point and said to me that he wanted to talk with in private. We stepped outside and he told me that the first show of season two is going to be a big episode for me and that I would be in fact opening the season. That meant more to me than anything. It was huge. So that was a very important season for me because they finally got her as a character. From there she just kept evolving.

MG: Did you have any creative control with your characters direction?
MS: Oh, no no no no [laughs]. I couldn’t change a word, none of us could.

MG: What you say was the most challenging aspect for you throughout the series?
MS: The biggest challenge was keeping Marina out of Troi. Marina is not a sweet as her [laughs]. She is not as sweet and not as nice. She is very temperamental, as well as loud and obnoxious. So that was definitely the biggest challenge for seven years. Sometimes though, I tried to sneak her in especially if Jonathan was directing [laughs].

MG: Did you ever keep any memorabilia or costumes from the show?
MS: I am pleading the 5th on that one. Draw your own conclusions [laughs].

MG: Have you ever considered writing a memoir for your experience on the series?
MS: Well I have thought of writing a memoir of my life, because I have had quite a fascinating life. I am one of those people that things just happen to [laughs]. I just have these adventures. As far as writing a book on our experiences on “Star Trek”, in the culture we live in now it is the bad behavior and the scandals that sell. There is not a publisher on the planet that wants to buy a book that tells the story of how we all loved each other [laughs].

MG: Have you had a chance to experience “Star Trek: TNG” on Blu-ray yet?
MS: I saw some of the first episode and it just looked amazing. It looks like we actually shot it last week. It is really great.

MG: I have been reading that fans have been requesting you to be on “Doctor Who”, what are your feelings?
MS: You know what, I would so love to be on “Doctor Who”. Sir Ian McKellen, who is one of our premiere actors on the planet, when he was asked what his ambitions where a few years ago, he said he wants to be a pantomime dame and he wants to be on “Coronation Street”, which is like the longest running show on the planet. Well he has managed to do both and that was really cool. So who knows? Anything is possible. There is a lot of things that I still want to do. Being Deanna for the rest of my life isn’t a problem, actually. But I don’t look like her anymore [laughs]. So I am just glad that it is that Deanna in HD and not me today [laughs].

MG: Tell us about what upcoming projects you are currently working on?
MS: Michael Dorn and I have been trying to get a romantic comedy off the ground for a couple of years now. Well, mostly Michael. It is going to star basically a bunch of “Star Trek” actors. It will be cool for the fans to see us star in something different. So it is a really cool project and he recently posted it through Kickstarter (click here) and it is called “Through The Fire”. Some of the things are pretty cool that you get for backing the film, llike getting to hang with us at a convention or a walk on role. So definitely check it out and spread the word. I also just did a movie based on a video game that doesn’t have a title yet but I am sure you will be hearing about it soon. Next year, I will be shooting a horror movie in Australia and also another possibly called “Shadows from the Sky”. So we have a lot of great projects coming up.

Kate Mulgrew is known best for playing Captain Kathryn Janeway in “Star Trek: Voyager”. She is also taking the leadership role in her role in Adult Swim’s “NTSF:SD:SUV::” playing Kove. In one of the funniest shows on television shows on the station, the show just started its second season. Media Mikes had a chance to chat with Kate (while I was attending “Star Wars” convention, sorry Kate) to chat about this great show and how she keeps it serious.

Mike Gencarelli: Tell us how you got involved with this crazy yet amazing unique show “NTSF:SD:SUV::”
Kate Mulgrew: The comedic genius otherwise known as Paul Scheer called me up and told me they want me to play this sort of Captain for a terrorist strike force. They wanted me to pattern myself after M from James Bond. I said immediately “Count me in, say no more”. Of course I had no idea what I was getting myself into. I knew nothing about these 15 minute episodic shows or procedurals for that matter. But I said “If he is setting it up I am along for the ride”. I am so glad I did because it such a great group.

MG: How do you keep it serious when giving some of your hysterical lines?
KM: You can imagine what the discipline is like. Sometimes it is agony in order to get those lines out without cracking up. It’s agony to keep a straight face. Some of the things they ask us to do is crazy. I am surrounded by really comedically gifted people and am always on my toes. I am the only straight man in the group and I think that is what works about it.

MG: How do you feel season two compares to the first?
KM: This is the better season in every sense. We had to take the first season to get our “sea-legs”. Everyone was shooting blind. This is far more grounded. WE were more relaxed. Everything was in place. The writing was there. The characters has been developed. So we just went for it. Adult Swim is just the best.

MG: Do you feel that due to the 15 minute format, does that pose any challenges for you?
KM: I think that is the beauty of it. For some odd reason – or maybe all the right reasons, if you’ve only got 15 minutes to tell a story and the audience is aware of that, not only is the story going to be tight and very funny but the audience is going to be extra attentive. If you use those two things in combination, and in generally speaking, you will have a success.

MG: Sticking with the leadership role; can you reflect your role in this show to playing Captain Kathryn Janeway in “Star Trek: Voyager”?
KM: Mike, whether it is a Starship or a terrorist strike force. I take my duties equally serious. You understand? I save the day…and this time I am doing it with an eye patch! [laughs]

MG: What else can we expect from you upcoming?
KM: I just did a wonderful movie this Spring called “Drawing Home”. Next year, I am doing a play in New York called “Somewhere Fun”. I also have a recurring role as Jane Lattimer on “Warehouse 13”. So I am keeping real busy!

Kevin Shinick is the known best for being the showrunner/writer/main voice talent/voice director on the animated TV series “MAD”, as well as the writer/voice actor/creative director on “Robot Chicken”. He has been nominated for an Emmy on this work for two shows. He also recently co-produced and narrated the “Robot Chicken DC Comics Special”. Kevin took out some time to chat with Media Mikes about those two roles and also what else he has planned like releasing this first issue of “The Avenging Spider-Man” with Marvel.

Mike Gencarelli: How does it feel to be nominated two years in a row for the Emmy for Outstanding Animated Program Short-format, last year for Adult Swim’s Robot Chicken and this year MAD?
Kevin Shinick: I couldn’t be more excited. Especially since this is our first Emmy nomination for MAD and I know how hard we all work on the show to keep it funny and topical. It’s also surreal, because the last time I won it was for working with my friends on Robot Chicken and this year I’m up against them. But to prove how familial it all is, Seth is actually the main voice in the MAD episode that’s nominated for the Emmy and I just got finished doing more voices for them for their next season. So there’s good blood all around. Although that being said, please vote for MAD.

MG: Out of all the hats you where on “Robot Chicken”, as a writer/voice actor/creative director, what is your biggest challenge?
KS: Being Creative Director over at Robot Chicken meant following a sketch from its inception all the way until you saw it on TV. This meant making sure the costumes, sets and designs all matched what we were thinking about in the writer’s room, so that was the most time consuming, but it also prepared me for running my own show over at MAD. There I’m a producer, writer, director and voice talent and everything in between. In the end I’d say the writing is still the most fun, although also the most demanding. And doing voices is always a blast no matter what show I’m on.

MG: Tell us about working on “Robot Chicken DC Comics Special” on Adult Swim, where you are the co-producer and voice the Narrator and other characters?
KS: As I mentioned before, the Robot Chicken guys and I are really like family so despite the fact that I’ve left to create my own show, I always keep at least one foot in that world. And because my schedule is so tight with MAD it doesn’t leave me time to work on the actual series, but I do make time for the RC specials. And in this case, it was even more rewarding because it also meant working with another great friend of mine, Geoff Johns. It was his idea to do an all DC Comics special and so when we all came back together it was like the perfect storm. And I think you’ll definitely get a sense of the fun we had doing it when it airs tonight. Also, the chance to play the narrator which was originally played by the great comedian/actor Ted Knight was a dream come true.

MG: How do your tasks of showrunner/writer/main voice talent/voice director on “MAD” differ than your work on “Robot Chicken”
KS: It’s very similar, but the tone is different. Essentially the network was looking for a show like Robot Chicken that wasn’t so dark and could air during prime time hours. So right off the bat we’re aiming for a younger demographic. Second, Robot Chicken has a great time focusing on retro things like He-Man and such while MAD tries to stay topical and poke fun at things that are out there currently.

MG: Tell us about MAD’s upcoming Halloween & Christmas Specials and what are we in store for?
KS: Last year’s MAD’s Halloween special is the episode that is nominated for an Emmy this year and it was definitely an awesome episode. So this year I wanted to top it. So far I’m really excited with the bits we came up. Starting off of course with our movie parody, FrankenWINNIE. A spoof of Tim Burton’s Frankenweenie, only Christopher Robin has to reanimate his beloved Pooh after a horrible accident had destroyed him. It’s coming out great and is some of the finest stop motion I’ve seen.

MG: Not only animated cartoons, tell us about your comic work as well with releasing your first Avenging Spider-Man #12 comic for Marvel?
KS: Again, it seems to be a superhero September for me. Yes, my Avenging Spider-Man #12 comes out this Wednesday, September 12th. I’m incredibly excited for this because I think it’s something that’s going to blow your mind. Not only is Spidey teamed up with everyone’s favorite mercenary, Deadpool, but you’ll also see Spider-Ham and a few other crazy characters from Spidey’s past who will probably not lend the help the webhead is hoping for.

MG: Tell us how you ended up guest staring on NBC’s Grimm and tell us about your experience?
KS: I’ve always been an actor as well, but with so much going on in my writing world there’s not always time to do both. But lately I’ve tried to make time for each because I’m equally passionate about my acting. The Grimm episode was just an audition I got, but when I read the role and saw that this guy was secretly a Porcupine Man I thought, “I have GOT to get this role.” Luckily the universe felt the same. And the cast and the crew were really great so it was a fantastic experience from top to bottom.

MG: You are also planned to guest star with Alfred Molina, Ving Rhames and Jamie Bamber on David E Kelly’s medical drama pilot for TBS, “Monday Mornings”, tell us about that?
KS: I can’t talk too much about that now, but it will air in January and it’s a great medical drama from the wonderful mind of David E. Kelly.

MG: Lastly, what’s the deal about this date with Angelina Jolie?
KS: Ha! This is one of those things that’s surreal in hindsight, but at the time was just a lovely evening. I was performing on Broadway in a production of The Seagull with Jon Voight ages ago and he and I had become close, so when he said to me, “My daughters coming to town. How would you feel about taking her to dinner?” I said, “Sure.” Not knowing this was the same woman who would later become People Magazine’s Sexiest Woman Alive, let alone a great actress. So the moral is, never say no to Jon Voight 🙂

Christine Ebersole is well-known performer & two-time Tony Award winner from the 2001 Broadway revival of “42nd Street” and 2006’s “Grey Gardens”. She is currently playing the role of Carole on TBS’ hit comedy series “Sullivan & Son”. Christine took out some time to chat with Media Mikes about her role in this very funny show and what she enjoys most about performing on stage.

Mike Gencarelli: Your are a such a well-known performer & two-time Tony Award winner, how did you get involved with a show like “Sullivan & Son”?
Christine Ebersole: I think what really convinced me was that it was funny. That element really struck me when I first read the script. The show also has heart. I really loved that.

MG: All of the cast that I’ve spoken says that Carol has some of the best lines in the show.
CE: I feel like it is a total feast. I am thrilled beyond words. The people I work with all enjoy each other’s company. We basically laugh all day and get money at the end of it. (Laughs) It’s awesome!

MG: You worked with Brian Doyle-Murray back on “Saturday Night Live”, how was it working with him again?
CE: After 30 years, we finally got to work with each other again. To still both be players at our age is just great. It is all gravy.

MG: The episode “Creepy Love Song” features you singing with Owen Benjamin was so hysterical, how many times did that take to shoot?
CE: Our characters have a childlike innocence to them which I think allows us to get away with all the things that we do. Those characters are just having fun.

MG: What has been one of your favorite experiences from shooting season 1?
CE: I am hard pressed to pick just one. Even when I don’t have a lot of scenes in the show I am just so thrilled to be a part of it. It doesn’t matter if I have more or less lines. Of course you always want to be the center of attention but when you are not you can revel in the joy of the person who is getting the attention. Things like this don’t happen all the time.

MG: How does working in front of a live studio audience compare to the audiences from your live stage work?
CE: It really is the closest thing to working in front of a stage audience. With television you are allowed to mess up and do things over. On stage you can’t do that. It’s very close to having that energy that fuels you. It’s great having that barometer to gauge how funny things are.

MG: Can you tell us about some of your upcoming live performances?
CE: I am going out performing a show I did at the Carlyle a few years back. The show is about finding eternal youth. I will be doing songs from “The Great American Song Book” and telling true stories about my life.

MG: What do you enjoy most about performing?
CE: For me it is the audience. The group I am working with right now is also really great. Taking everything in and seeing the audience enjoying themselves is what it’s all about.

MG: Tell us about your role in the film “The Big Wedding” and working with the great cast?
CE: The film was supposed to come out in the fall however it has been pushed to next spring. I think they want to work more on the publicity. The film is really beautiful and was written by Justin Zackham. The cast is also pretty amazing. I play the mother of the bride who is played by Amanda Seyfried. The film is just really fun and sweet. The best part was I got to write and perform a song called “Gently Down the Stream” which will play at the end of the film. Don’t leave when the credits come on or you will miss the song.

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Marc & Shannon Parker are the owners of Parker Brothers Concepts, which is located in Melbourne, FL.  They are also the stars on Syfy’s “Dream Machines”.  They have created cars for 50 Cent, WWE’s John Cena and Universal’s recent film “Battleship”.  Media Mikes recently had a chance to visit the shop in our first collaboration with MyGarageShop.com and got a chance to sit down and chat with the guys about the show and their inspiration behind it.

Mike J. Gencarelli: Tell us about the origin of Parker Bros Concepts?
Shannon Parker: It actually happened by accident. We started out just building things just to be building things. To begin with Marc and I talked about just building choppers, just regular bikes. I thought with the economy the way it way, I thought it was a bad idea because there are a lot of chopper builders out there. We only had enough money to build one…
Marc Parker: We didn’t even have enough money to build one [laughs]
SP: We didn’t have quite enough money to build one vehicle. So we talked about it a little bit and I really wanted to do a replica of the Batpod from “The Dark Knight”. I thought if we run out of money or can’t sell it at least I got something I wanted anyway. So we built it and put it out on the internet to get attention to sell it. We put it out there for $100,000 and when we did that it drew all kinds of attention. We weren’t able to sell it right away but it gave us some great attention and a step towards what we should do next. I think the next step we built our Xenon Light Motor Bike. After that we were off and running…

MJG: How did you get involved with SyFy and “Dream Machines”?
MP: Once the Xenon Light Motor Bike hit the internet it started going viral and before we were even done, we got a call from the TV people. At that point we were only in business for a couple of months. A guy named Edwin Zane called us up and asked “How would you like to do a TV show because the stuff you do is really cool?”. The company he was with at the time threw out a couple of numbers to us and at the time went with out gut and didn’t go with it…luckily. Especially now that we know what we know. He left that company and went to another company and pitched us again.
SP: In the meantime, we were getting pitches from other production companies as well but we never felt comfortable. We liked Edwin as a person and felt comfortable with him. Edwin then moved to another production company called Triage, Inc. and we ended up going with him full circle around.
MP: Triage is taking good care of us. It is a good show for them. They are a big enough company that they are able to do what needs to get done but still small enough to where we are important to them. Once we signed up with him then he pitched it to seven-eight networks. Literally the next day, he had four of the networks interested in the show. Syfy stepped up and said the first day “He is a contract we will take it”. No messing around. They are revamping that network right now and our show fits in well with them.

Mike P. Gencarelli: What made you switches from Parker Bros Choppers to Parker Bros Concepts?
SP: It was the show. More than anything, we didn’t want to come across as old school bike builders and that is it.
MP: When we first started, the original idea and name of the business was going to be Parker Bros Concepts but then we thought no one would know what that is. The original thought was choppers sell, the stuff we are building is weird and not sure if it would sell or not. We were probably going to end up building a couple of choppers local and build our way up. Then on the side build the concept and if people like them great and if they don’t we can just keep them. We went with Parker Bros Choppers for the name and then it came around full circle since the stuff we were doing was more important to the TV people. They didn’t want us to look like the Orange County Choppers. We switched it over to concepts.

MJG: What was it like shooting a reality show and working your day to day business?
MP: Oh my God!
SP: It was difficult…
MP: …and a lot different than we thought it was going to be. SP: You think it is just going to be a camera standing there off in the background and shooting but it doesn’t really work that way. There is a lot of interviews. It is a totally different world for us. It was a cool experience but it was pretty difficult to build something when they are asking us to do it over. Sometimes they may not get it the first time or may need a different angle.
MP: Or before you do anything you need to check it first with the showrunner or director and make sure it is something if they want to get on camera or not. Then we need to wait for them to get the cameras ready before we do the work.

MPG: On the show you guys have these ridiculous deadlines. Is that due to the show and now that we know about filming; how does that affect the deadlines?
MP: It kills the deadlines.
SP: Normally you would think the deadline is reality. All of these things were needed for certain events or premieres. It was one of those “have-to” situations. You have to have it done by this time.
MP: In addition all of these projects, like 50 Cent’s car, if 50 came to us normally and said I want this car, wewould say give us a year/year and a half and we will have this car for you. But you can’t build a show around something like that. All of the deadlines came into play since we only have “X” number of months to film “X” number of episodes. So a lot of these we had to cram into a shorter period of time just because of being able to film them.

MPG: Got a funny question, why is the logo on the roof?
MP: It is actually not!
MPG: It’s not? CGI?
MP: On the show they will show the roof two or three times and sometimes it is there and sometimes it is not. They spent a lot of money on this helicopter for one day. One of the shotsthey wanted was a building shot. The building looks kind of plain and didn’t really stand out against everything else on the road. They wanted to use the shot since they spent the money on the helicopter and so they CGIed it up there.

MJG: What was your most challenging project to date?
MP: Filming a TV show [laughs].
SP: I don’t know I think John Cena’s car was very difficult. Trying to figure out all the things that go into it. That was was also weird for us beecause we started out with a frame, since normally we don’t. We had a lot of issues…
MP: …trying to work around it. Sometimes starting from scratch makes it a lot easier on you with the crazy designs we are working with. It is hard to take sometime and make it fit into that design. If you just start from scratch, even though there is a lot more hours into it, it makes the design and the build come together a little easier. The most difficult in my mind was the Shredder from “Battleship”. With the Shredder we really got to showcase what we wanted to do. When we started this show, we threw a bunch of really over-the-top project out there at the network. They had us tone it down a bit but not completely insane.
SP: Like the single man sub-marine.
MP: Yeah we wanted to do a one man attack sub-marine and some flying vehicles. But that was personally the hardest but also my favorite build.

MPG: Besides plans for season two of “Dream Machines”; what do you see yours doing years down the line?
MP: Hopefully, we get to execute our plans from the very beginning. We want to be the go-to guys for Hollywood. We want to be the guys to build the vehicles for the movies and TV shows. Whether we are on TV or not, if we are building these things that is what we are into.

Florian Bellanger is one of the judges on the Food Network Series “Cupcake Wars”. He is also the owner of Mad Mac Macaroons. Media Mikes had a chance to chat with Florian about his work on the show and get some cool behind-the-scenes stories.

Mike Gencarelli: Tell us about how you became involved with Food Network Series “Cupcake Wars”?
Florian Bellanger: It is a funny thing. One day I received a message from one of the producers on my Facebook page that they were working on a new show and needed a judge. They sent me a pilot, which they actually still air occasionally. It is the only episode that I am not on board. After they got a decent response from the pilot, Food Network decided to go into production. They wanted someone that was a pastry expert and not from the cupcake world. So I did a few auditions for it and eventually I got the job. The two process took about two months. At the beginning we weren’t sure how the show was going to do, so we only shot eight episodes for season one. We didn’t know that it would be such a success.

MG: Tell us about how you choose your judging style?
FB: When they first hired me they asked “Have your ever watched ‘American Idol’?” I said, sure. They said basically we have a Paula and we are looking for a Simon [laughs]. They asked if I could do a Simon. I told them I could but it would be under some conditions. I don’t want to insult the baker personally. I wasn’t going to tell them that “You are a loser and shouldn’t be here”. Now can I be a tough cookie…yes I can be a tough cookie. Can I insult their food. Of course I can tell them that their food tastes like shit [laughs]. But I won’tattack them personally. The other thing was that I didn’t want the judgings to be staged. I didn’t want an ear piece or anyone telling me what to say or do. I wanted to judge the way I wanted to and speak my mind and be honest. They said that they weren’t looking for that either and were very upfront and honest. We got along very well. 75 episodes to date and I have no regrets at all.

MG: Any fun behind the scenes stories from the show?
FB: Some of my comments don’t make it into the show sometimes, since they were too strong [laughs]. Like “Your cupcake is so small, it looks like a midget cupcake”, they said that they didn’t want to air it so not to upset anyone. I don’t mean anything bad, I just speak my mind and I am French. So sometimes I speak too strong. One day we had a mother and daughter contestant team and they were fighting so bad that the mother walked away right in the middle of the competition. We had a few cooks cut themselves by accident. The cupcakes were covered with blood and that food couldn’t be judged (or eaten), obviously. What you see on TV is really what you get. They really work against the clock. We never stop the clock ever. If they are not done, then they get eliminated…that is it. It is really high pressure environment. We start shooting around 7am in the morning. They have to work and also find time to talk with the cameras as well. It is not only competing, they need to make it into good TV. So there is a nice blend of the TV aspect and the competition aspect. It is a long day for them. For Candace (Nelson) and myself, it is easy. We sit, eat and comment, but we are in the room the whole time.

MG: After each show, the winners always get to go to these parties; why aren’t the judges invited?
FB: Of course since it is TV, they make you think the party is that night. It would be impossible to have the show shoot the same days as the events. On TV, we make it look like they go straight to the parties. They show up at a later date and it makes it more difficult. The winning display is saved but they have to re-bake all of the thousand cupcakes. The day of shooting those cupcakes go to charity. Sometimes the contestants are coming from the East Coast and the party is in Los Angeles. So it is a big of trip sometimes for these contestants.

MG: Tell us about what we can expect from the future of the show?
FB: We just started shooting season seven now, which is pretty cool. Before that we have done seventy-five episodes already. It is amazing. We are shooting another thirteen for season seven. Then probably another thirteen this October. It is doing really well. We are in the top five for the Food Network’s shows, in terms of ratings. Right now Food Network is running thirty-nine episodes a year. I heard but I am not 100% but I hear they want to bring it to fifty-two episodes a year. Which would be one new episodes each week. So that would be very amazing for the show.

Justin Willman is the host of Food Network’s “Cupcake Wars”.  His first passion is magic and currently has a web-series on The Nerdist Channel called “Magic Meltdown” and also has an on-going “Tricked Out Tour”. Media Mikes had a chance to chat with Justin about working on “Cupcake Wars” and get some cool behind-the-scenes stories.

Mike Gencarelli: What do you enjoy most about hosting “Cupcake Wars”?
Justin Willman: I love being a part of the show since it has such a wide fan base. Of course there are the adults that love watching “Cupcake Wars”. It is one of those few shows that has a broad family appeal that parents can watch with their kids since it has a little something for everybody. I really like broad appeal and being able to expand my own fanbase to a really wide one.

MG: How did this opportunity come up for you work on this show?
JW: I was a correspondent on “The Rachel Ray Show” for a couple of years, which was my first regular hosting gig. Through that I was exposed the culinary world. I would cover different food events for her. I never had any connection between the food world before and between you and me…I can’t cook [laughs]. Through that I was able to get into the world and when this audition came along, I was in the right place at the right time.

MG: You seem to have a lot of fun on the show; any cool behind-the-scenes stories?
JW: Let me think here. The show is very dramatic but you can see at times we are having a lot of fun and we really do. I get to hang out with Florian and Candace all day. They are sitting all day, actually they sit and I am standing while they bake. We got to become really close friends and have a lot of fun. I think the one behind-the-scenes nugget that I can give you is that Florian is not intimidating in person as he is on the show. He takes cupcakes very seriously but he is just a big teddy bear.

MG: Did you wear the kilt the whole episode during the Disney/Pixar “Brave” episode?
JW: The whole time! It was one of the most comfortable outfits. I was able to move around very freely. The kilt had a little built in pocket in the front, which was perfect for my phone. When we weren’t rolling I was able to catch up on emails and Angry Birds.

MG: You get to eat any of the cupcakes?
JW: One of my most commonly asked questions is “Do I get to eat the cupcakes”. I don’t on camera. But Candace will rarely finish her own cupcake. usually I get to eat whatever she doesn’t eat. If it is a great cupcake, I have to try it but if it is horrible sometimes I have to try that also just to see.

MG: When can we expect some new episodes of “Cupcake Wars”?
JW: We should be airing news episodes currently every Sunday. Then are shooting now for our seventh season with 13 more episodes coming this Fall!

MG: Tell us about your new series “Magic Meltdown”?
JW: Obviously I have been doing magic since I was 12. It is my first passion and it is what I love doing most. The Nerdist channel, which hosts “Magic Meltdown”, gave me this chance to do this street magic series with a comedic edge to it. It was a chance to finally put out my own brand of comedy magic. It has been great. We have done 6 episodes so far out of 15. New episodes air every Friday.

MG: Tell us about your on-going “Tricked Out Tour”?
JW: Honestly, there is nothing that makes me happier than performing on stage for a live audience. This Fall, I have a couple of tour stops. Next year, I am putting together a whole theater tour, hopefully all over the country. Coming to a theater near you! I hope all the “Cupcake Wars” fans come out and get a chance to meet me in person.

Kristina Anapau has appeared in films like Darren Aronofsky’s “Black Swan”. She also appeared as Maurella in season 5 of HBO’s “True Blood”. Media Mikes had a chance to ask Kristina about her work on “True Blood” and what we can expect next.

Mike Gencarelli: How did you get involved with “True Blood”?
Kristina Anapau: I auditioned for Alan Ball and the True Blood producers. I did the scene once, they said thank you, and I left. It was apparently a ‘Thank you, that was exactly what we were looking for’ because I got the call that I had booked the role just a few hours later. As an actor, you always tend to feel that a quick audition with no discussion or adjustments means that they don’t like you or that you are not right for the role, but it is often times exactly the opposite.

MG: How was it joining an already established cast in season five?
KA: I feel very privileged to have worked with the actors I have worked with thusfar. Chris Bauer is an incredibly generous actor and human being. I learn something new from him every time we work together and with every conversation we have. I adore working with Anna [Paquin], she is tremendously talented and focused. She has a magnetism that pulls you in—she is really beautiful inside and out. The True Blood cast is phenomenal—incredibly talented actors on set and absolutely wonderful people off. It is such a pleasure to come to work.

MG: Tell us about your character Maurella and what do you ejnoy about playing her most?
KA: Maurella is a seductress from the faerie dimension who has a passion for Andy Bellefleur. She is 500 years old, although she only claims to be 300;) She is on her way to becoming an elder of the fairies, and is called in to help Sookie and Jason gain clarity surrounding their parents death . I enjoy everything about Maurella. Being able to shoot balls of light out of my hands, read peoples minds, and orgasmically give birth to quadruplets after a one week gestation period? What’s not to love?

MG: Can we expect you past for season six?
KA: We are a pretty secretive operation…don’t think I can give hints away as to where the storyline may be headed by answering that:)

MG: What other projects do you have upcoming?
KA: I just shot a really great episode of NBC’s Grimm that will be airing on September 10th. Sighting, a film I am very excited about, will be out later in the year. It’s a fantastic project. And early next year another film I am very proud of, BlackJacks, will be released.

Brandon Johnson is the co-star of Adult Swim’s “NTSF:SD:SUV::” He is joined by Paul Scheer, Kate Mulgrew, Rebecca Romijn, Martin Starr, June Diane Raphael and Rob Riggle. The show has just started its second season and already is shaping up to trump its first.  Media Mikes had a chance to chat with Brandon to find about what he like most about playing Alphonse and what we can expect this season.

Mike Gencarelli: What do you think makes “NTSF:SD:SUV::” so unique?
Brandon Johnson: I feel like you get a lot of bang for your buck. We think our audience is really smart. We know they are. We don’t try and hit it over their head, in terms of “Do you all get what a crime procedural is?”. One of the coolest things about Adult Swim and their shows is that they get really amazing talent to be able to come in and do these shows. What separates us from everyone else is our cameos. We have Ray Liotta in there. I have no idea how they got Kate Mulgrew, but she is hilarious. You look at it and it seems like just a little show but then you look closer and realize we have every member of “The Office”, the members of “Human Giant” and most of cast from “Freak and Geeks”, including Paul Fieg. If you are a nerd, we will appeal to you.

MG: If I wasn’t already a big fan, that is really a great sale for the show.
BJ: [laughs], I know right. If you are a computer nerd…we have a robot. If you like “Star Trek”…we have Kate Mulgrew. We are taking care of you nerds.

MG: Where do you get inspiration for Alphonse?
BJ: I love the contrast of LL Cool J and Ice-T as cops on television. Alphonse has these great one-liners that are pretty potent but he is terrified of everything. I like to be the basic cop like “Hey man, I may not have gone to college and don’t understand words on paper but I know your a criminal” [laughs]. As much as David Caruso believes that sunglasses improves his skills — LL Cool J believes that flexing his pecks makes him a better cop. I try to do the best I can to convey “I really don’t know what doing on here but I don’t like it”. [laughs]

MG: Have you gotten a script and just thought it was too over-the-top?
BJ: No. We are really happy that the writers are really really good at what they do. I am just really trying to keep up with them. The creators knew what they wanted to do with the show, so by the time we got there it was really tight.

MG: What can we expect from season two of “NTSF:SD:SUV::”
BJ: Season two you get to see the lovely NTSF:AK:CANOE, which is another NTSF in Alaska. We are going to Alaska to meet my father, who is being played by Steven Williams.

MG: How do you compare this season to the first season?
BJ: The first season, I think we were trying to win you. We went to different locations in each episodes and there wasn’t a lot of focus on some of the other characters. This season your are going to get more of June (Diane Raphael), a lot of Rebecca (Romijn), and Martin (Starr) gets his own episode. One of the things we wanted to do this season was say “Look now that you know how crazy we are, let’s go ahead and give you a look at each of the characters”. I mean there will always be (Paul) Scheer, since we need him and he is just amazing.

MG: Any room for improv?
BJ: It is a weird thing. It is like a Jeter situation [laughs]. “We know that you were a great baseball player once and still are and if we ever need those skills that will be amazing, but you trust the skipper on this one and just do your job” [laughs]. I thankfully don’t have to improv that much. The writers are really good and help me out on that.

MG: What else do you have planned next?
BJ: I do but I have to be loyal to this one. I think this show is going to be awesome this season!

Janet Varney is known best for voicing Korra on Nickelodeon’s “The Legend of Korra”.  She also appeared in the first season of Syfy’s “Insane or Inspired?”.  Currently she is working on HuffPost Live, a live streaming network. Janet took some time to chat about voicing Korra and what we can expect from season two of the show.

Mike Gencarelli: How did you end up landing the leading role of Korra on Nickelodeon’s “The Legend of Korra”?
Janet Varney: Well I have wanted to do voice over for a while but didn’t have a lot of experience in it. I was something that was a dream of mine. I was working well on-camera but like every good dissatisfied artist, what I really wanted to do was something that I wasn’t getting successful in [laughs]. Mostly because the little kid in me was completely fascinated by being a part of cartoons. I met with a few voice over agents and then asked me “What do you like most about voice work? Promos? Commercials?”. I told them basically I just want to do cartoons and they appreciated my honesty. When I got the audition of Korra, it was basically just a normal process for any on-camera role. We even got put together with the other proposed cast to see how the chemistry was, so I got to read with David Faustino and P.J. Byrne. When I found out I got the role, I was in a Jo-Ann Fabrics & Crafts in the Valley, getting crafts supplies. My agent called and told me the news and I ended up screaming and jumping up and down all by myself in an aisle of this fabric store. It has turned out to be one of the best jobs, I have ever had. It is an absolute dream.

MG: Did you look back to “Avatar: The Last Airbender” series” at all?
JV: I was a fan of the original series. I think because of the original legacy of the show and how beloved the series was, I think we all felt like we had a responsibility to the fans to do something that would live up to the original. I so felt pressure that the fans were ok with what I was doing with the character and fulfilling their expectations.

MG: Tell us about your podcast “The J.V. Club”?
JV: The timing on that was really great. I decided to focus on, before Korra took off, a way do a podcast with a unique point-of-view and voice. Fan of Korra are even crossing over to the podcast now as we discuss the challenges of being a young person and then how those challenge present themselves as an adult.

MG: I am a big “Jaws” fan myself, tell us about working with Rifftrax to spoof “Jaws 3”?
JV: Oh yeah, “Jaws 3”. I used to love that movie. What is so great about some of the spoofs we get to do is that when you are younger you don’t necessarily know how bad something is that you like. But you still always seem to love it growing up even though it doesn’t hold up and was terrible to begin with. I still love that movie…sort of…even though it is terrible. It was the perfect movie to riff on. We just recorded “Flatliners” as well, so that will be coming out very soon.

MG: Speaking of spoofing, how did you get involved with Syfy’s “Insane or Inspired?”
JV: It was a super fun show. I had done some “Chelsea Lately” episodes and a few other panel TV shows, so it seemed like such a good fit. It has really been a real hoot some of the things we get to view, which are pretty hilarious. I also love the other people on it like Owen Benjamin and Ben Gleib. We don’t always get to see each out since we are recording at different times but it is still fun.

MG: You must own a lot of the same clothes, since you didn’t change your clothes each episode?
JV: [laughs] The bad thing is that I never realized that they were going to be combining clips over the series of episodes. The second time I showed up, I was wearing something completely different. They said “No, no, no, no…you need to wear the same clothes”. I got real familiar with that outfit and will probably never wear it again [laughs].

MG: When can we expect the second season of “The Legend of Korra”?
JV: We already recorded all of the episodes for the second season. Now, they are just being animated. It takes a long time to create that beautiful animated world. I am not even sure if Nickelodeon is 100% sure when we will be airing it, but I am sure sometime in 2013. I can tell you having recorded the scripts, it is just phenomenal. It is beautiful, interesting and strange. We get to meet some new characters and visit some new places. I am really excited and I think fans are going to love it.

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Christina Cha appeared on season 24 of the CBS hit reality show “Survivor”. Christina talked recently with Media Mikes.com about her experience on the show and also about some of her current projects.

Adam Lawton: What first prompted you to try out for “Survivor”?
Christina Cha: I had been a fan of the show since I first saw it back when I was still in high school. I thought it was amazing to see a show that takes someone from their normal adapted elements and puts them into these really harsh environments. I also am a very competitive person and I love playing games. In about 2010 I was working in corporate America and due to the economy I got laid off twice. I felt really sorry for myself as I didn’t understand why this happened. I took it very personal which is something I normally never do. I saw an open casting call for “Survivor” and did it absolutely last minute. I think there was only about 48 hrs. left to submit a video. I thought that it was something I had to do and I knew it was something I could be good at. I took my phone and shot a video of me being as obnoxious as I could be. (Laughs) From there I started going through the audition process and ended up on the show.

AL: Can you tell us anything about the audition process?
CC: I can’t say too much about the audition process. There are multiple stages that you have to go through. You start with your video and go from there. I had got through on my first try but I have talked with other people who have applied a bunch of times and they didn’t even get a call. I had gone in to a couple interviews and I also did one over the phone.

AL: Is there a certain memory that sticks out for you from the show that the viewers didn’t get to see?
CC: There were parts. When they are taping these reality shows they are taking about 3 days of footage and condensing it down to a 40 minute segment. There was a lot of stuff missing. You didn’t get to see me strategizing a lot which had fans thinking I was the most clueless player on the show. There really is no way to be a clueless player and make it as far as I did. I think the editing on me was a little unjust because I am not the type of person who likes to speak ill of anyone. That’s just something I don’t do. I tried to play the game very honest and true.  What I did in the game was to not give out any information. I am a terrible liar so I would just stare at people. I really was just trying to figure out what was going on in the game and figure out my placement from there.

AL: Was having the cameras around the entire time one of the more difficult parts of the show for you?
CC: In the beginning it was really weird. There were questions like where do you go to change your clothes? Or where do you go to the bathroom? A lot of times I would just say I need to use the rest room and swim out in to the middle of the ocean.  Strategizing was difficult also with the cameras around. My name came up so many times that it made things even harder. Every time the camera was on me they thought I was strategizing. I never got a break from anyone.  You get paranoid all the time.

AL: Did you find that the producers were often trying to stage conflicts or issues between players?
CC: Of course! That’s their job as a producer. If they weren’t doing things like that then they wouldn’t be doing their job at all. I was pretty aware of what they were doing as I have some friends that are also in this industry. I think that’s a lot of the reason why my edit was so unjust because they wanted me to answer things a certain way and I didn’t do that. In the back of my mind I wanted to win a million dollars so I didn’t want to leak any information out. I also knew there was life after “Survivor”. If I didn’t win the million dollars I would need to find a way to make myself look good. Whatever I did on the show would stick with me for the rest of my life. You have to be careful of what you say. Talking badly about someone as a form of strategy I thought was just bad taste.

AL: Is “Survivor” something that you would think about ever doing again?
CC: I love the game so I would definitely consider it. I think I would play it a little differently as I would want to make some big plays and strategize more. When you play the game the first time after watching it as a fan you think you know everything thats out there. Now that I have a little bit better understanding of things I think I would definitely play the game again.

AL: What types of things are you currently working on?
CC: I am still doing some recruiting and consulting on the side. I also am doing marketing and social media for a bunch of companies and I want to get in to hosting. I studied broadcast journalism in college and have a few shows that I also wrote that I am working on. I am really excited about some of the things that are happening right now.

AL: Is writing something that you have always wanted to do?
CC: I have been a life style journalist for the last 3 years now. In about 2008 I was talking to a client and he asked me what I was doing there? I was there selling a software platform so I asked him what he meant. I gave him my job description and he told me I didn’t look like I belonged there and that I looked like I belonged on television.  I looked at him and started crying. I told him I had been doing the job for X amount of time because it’s safe. He happened to be a publisher and he told me he is always looking for really good writers. He then asked me if I would be interested in being an associate editor and write about travel and various luxury products. I took his offer and have been writing for him and some other online publications. I am writing for about 12 online publications and I have my own blog. Hosting has been a side thing lately and I have some stuff also on the web. Survivor has been a wonderful stepping to help me get acknowledged more.

Noah Wyle is currently playing the role of Tom Mason on TNT’s “Falling Skies”. The series is wrapping up its second season this month, but don’t worry since it has been already renewed for a third season set for Summer 2013. Media Mikes had a chance to chat with Noah again to have his reflect on season two of the show.

Michael Smith: You now have a year under your belt with this character, are you still learning more about the character and finding different ways to perfect him?
Noah Wyle: Yes I sort of feel like I am just getting started you know they aren’t going start with this guy really will extent over three or four years in this slow deconstruction of his intellectual aspects. And his becoming a little bit harder and they’re way having a big of transference with the Weaver character who starts off very militaristic where Tom’s a bit more of a humanist. And then gradually Weaver becomes a lot more vulnerable and a lot more human and Tom gets a lot more practical and a lot harder edged. We sort of continue in that vein hopefully arriving at some sort of synthesis between the two of them as the most effective way of leading this group which isn’t not traditionally military dogmatic style and not exactly touchy feely human but something in between.

MS: Is it a challenge for your trying to act or interact with skitters or any other computer generated elements in the show that aren’t there with you on the set?
NW: I hadn’t done a lot of that kind of work up until this show but it’s a muscle that the more you exercise the better at it you get. And it’s kind of 50 50 between the screen and practical we do a lot of work hack into tennis balls on the end of sticks. But then we also have a really talented puppeteer and a really great skitter suit, for the close up personal interactions with the aliens. I would say the most difficult part is when you’ve got four or five actors in the same frame all having to react to the same thing that’s not there, trying to find a line of continuity and performance can be tricky.

MS: What continues to be the most challenging aspect to you for the series for your character?
NW: It’s kind of an aggregate thing. It’s a tough show to do most of it, it takes place at night, so you go to work around 12 in the afternoon and you work till 5 in the morning. And because we wanted this year to be less focused on any single location have the group be a lot more mobile, it made for some long wet nights as were shooting in mostly practical locations and exteriors.

MS: How did the second season differ for you, compared to the first?
NW: No there were some significant differences, you know we moved the production from Toronto, Canada to Vancouver, so we had allnew crew for the most part, we only had two or three people on staff that were there in season one. We had almost a brand new writing staff certainly a new show runner, so it wasn’t like we were building on internal momentum, we sort of had to start and get to know each other all over again which gave it a different era, just sort of ambiently. And then storytelling wise I thought we really stepped up the notch you know not having to dedicate so much of our screen time to exposition, establishing the world, establishing the characters. Allowed us a little bit more freedom to be creative in flushing out these character arcs and exploring the mythology of the aliens and why they’re here and who they are and how we’d radically misunderstood the situation in season one.

Home is where the bar is. TBS’s new workplace comedy series on Thursdays at 10/9c!

“Sullivan & Son”, which is executive-produced by Vince Vaughn (“The Break- Up”), Peter Billingsley (“Iron Man”) and show-runner Rob Long (“Cheers”), takes place in a popular bar in a working-class Pittsburgh neighborhood. Filled with locals and regulars, the establishment known as Sullivan & Son serves as the unofficial “town hall” for the neighborhood. The show stars some of the best talent on television including Steve Byrne, Dan Lauria, Jodi Long, Owen Benjamin, Vivian Bang, Brian Doyle-Murray, Christine Ebersole, Valerie Azlynn, Ahmed Ahmed and Roy Wood Jr.

Media Mikes had a chance to chat with various members of the show including Brian Doyle-Murray, Christine Ebersole, Dan Lauria, Jodi Long, Owen Benjamin, Steve Byrne and Valerie Azlynn. We hope you enjoy our interviews! These people really have some great stories and love what they do, which shows within this great television series! Be sure to turn in to the show and tell you friends!

UPDATE 9-13-12: Congrats on “Sullivan & Son” being renewed for a second season! Also Christine Ebersole and Jodi Long have been added and next up we have Roy Wood Jr. , so stay tuned!

Plot Outline: As the series opens, Steve Sullivan (Byrne) is a successful corporate attorney from New York who brings his girlfriend, Ashley (guest star Brooke Lyons – 2 Broke Girls) for a visit just as his Irish-American father, Jack Sullivan (Dan Lauria – The Wonder Years), and Korean mother, Ok Cha (Jodi Long – Beginners), are preparing to sell the bar and retire. Upon arrival, Steve reconnects with his best friend, Owen (Owen Benjamin – The House Bunny); gets accosted by his long-suffering, under-appreciated younger sister, Susan (Vivian Bang – Yes Man); endures offensive comments from gruff barfly Hank (Brian Doyle Murray – Groundhog Day, Saturday Night Live); and gets hit on by tipsy cougar Carol (Christine Ebersole – Royal Pains, Amadeus). He even feels a rekindled romantic spark with his former sweetheart, Melanie (Valerie Azlynn – Tropic Thunder). It doesn’t take Steve long to realize that what he really wants out of life is to return to the old neighborhood and take over Sullivan & Son, even if it means giving up a lavish Manhattan lifestyle with the gorgeous Ashley. And so begins Steve’s quest for a more meaningful and rewarding life behind the bar. Sullivan & Son is from Wild West Picture Show Productions, in association with Warner Horizon Television.

伊恩Somerhalder被稱為他的電視角色，像“迷失”和“吸血鬼日記”的節目上最好的。伊恩還花了很多他的時間與他的基礎上，伊恩Somerhalder基金會或ISF工作。該基金會參與Mutt的事件你在公園SANS艘次在路易斯安那州拉斐特，今年最好的朋友動物協會的年度支柱。 MIKES媒體有機會問伊恩，並返回“吸血鬼日記”4賽季他的基金會的幾個問題。

邁克Gencarelli：告訴我們什麼使你開始你的基礎，工業支援資助計劃，以及如何你來與促進愛和相互關聯的任務？
伊恩Somerhalder：目睹了在海灣地區的石油洩漏造成的破壞後，我不得不找到一種方法，利用我的聲音，做出改變。我並不孤單。我親眼目睹了別人的同情，同樣悲傷欲絕，團結一致的決心。所有年齡段的人們聚集在一起，有所作為。我很快就意識到，迫切需要一個平台，為這些了不起的人走到一起，有自己的聲音。這推出的是基礎。當我們走到了一起從所有年齡和社會各界越來越多，我們慶祝我們共同的激情，以及我們之間的分歧。隨著宇宙最終相互聯繫的理解，我們強調在所有不同的聲音，使基金系列家庭的獨特優勢。

爵：告訴我們你在最好的朋友動物協會的年度你馬特eventat的園SANS艘次，路易斯安那州拉斐特的參與？
IS：基金系列一直是最好的朋友“沒有更多的無家可歸的寵物”動物學會和使命的風扇和支持者。作為我們開發我們的動物庇護所的想法，我們正在尋找機會，流傳著一句話，這一雄心勃勃的項目籌集資金。 “你馬特”事件在我的家鄉是一個很好的機會走出去，只是一些驚人的人與動物一起做。我們希望您和我們一起參加這個夢幻般的事件！

爵：如何可以幫助的人，不能參加活動？
是可以理解的，不是每個人都能夠參加。散佈基金系列，尤其是我們的計劃，以建立一個可持續發展的動物保護區的工作，你仍然參加！我們是巨大的，誰希望看到這一夢想成真弘立的家庭成員的捐款表示感謝。如果只有1000人每年捐贈10美元一個月，我們可以實現我們的目標！

爵：如何找到時間集中在您的慈善隨著連續命中節目“吸血鬼日記”主演？
IS：雖然有時可以出現在鋪天蓋地，這是必要的。我們所有的領導忙碌的生活，但看到的變化，我們希望這個世界，我們一定要保持活躍與我們的想法和繼續合作的時間。我們不能獨自做到這一點。我將無法完成，恕不遠遠不如我做的令人難以置信的弘立家庭。連同我們的聲音編織的掛毯，可作為支持我們的一系列舉措。弘立有一個驚人的執行董事，金Klingler，帶來了巨大的熱情和知識量的表。我們也很幸運，有才華和驅動志願者承諾對項目的無數個小時，貢獻自己的時間，內容的網站，活動策劃和更。

爵：拍攝是如何去為即將到來的第4季至今？
是：太好了！新賽季總是讓人想起開學的第一天。演員和工作人員都是令人難以置信的接近，所以死灰復燃債券和正面的能量，包含了一套。從我們已經看到，到目前為止，本賽季必將是優秀的。事情的進展是非常有趣的達蒙……所以我希望你敬請期待看到…

爵：你有什麼計劃下為中學生，人們在那裡可以找到更多信息？
IS：ISF是當前工作的幾個項目和倡議。我們規劃我們自己的吸血鬼日記“公約”，明年年初將在加拿大舉辦。我們也正在在明年舉行，以及青年發展會議。看到我們目前的項目像動物庇護所的信息，可以訪問isfoundation.com，並按照我們在Twitter和Facebook。

Valerie Azlynn is currently playing the role of Melanie on TBS’ new comedy series “Sullivan & Son”.  The show is created by Steve Byrne, who also stars, and Rob Long (“Cheers”).  Media Mikes had a chance to chat with Valerie about the show and what her inspiration was for her character.

Mike Gencarelli: How did you get involved with “Sullivan & Son”?
Valerie Azlynn: Well, it was a normal audition process for me. I met Steve (Byrne) and the guys during the audition and I thought we all worked well right from the beginning. Steve was so kind and cool during the audition process. Honestly it was a very fun audition. I left and just thought how awesome it would be to get to work with these people. I was shocked when I got the part. It not only made my day when I found out but my entire year. I was so excited.

MG: What do you enjoy most about playing Melanie?
VA: I personally enjoy how confident and semi-grounded she is. I would say she – if it is like a car – she is the axle. Nothing really works without the axle. It is always there and grounded. The guys are like the wheels and Steve is like the driver [laughs]. She is able to put everbody in check. I think Steve and her have a lot of similarities. If anything they are both extremely stubborn. I loved her relationship with the guys. They are her brothers as well. Even with my own brothers in real life, you can put them in check pretty easily…which is good.

MG: What is your inspiration for her character?
VA: I stole out of that from real life experiences. The rest of the character is stealing from Bea Arthur, Julia-Louise Dreyfuss and a lot from my grandmother. She was a really firey red-head, who not only put people in there place but told them where they were going to go. From being partially raised by her, I got this little attiude from her. So that is a big part of the character. Lastly I like to throw a little Angelina Jolie in there, since she is so sexy and cool. I don’t even know if she has anything to do with my character but let’s just toss her in cause it sounds good [laughs].

MG: Was it hard to keep it serious amongst a cast mostly of stand-up comedians?
VA: I think there were some moments where it was really hard to keep a straight face. I feel like I had done a ton of comedy and my background is improv. I think just the fact of staying in a scene and improvising, if anything it made me want to take the scene longer and further.

MG: What was your highlight from shooting on season one?
VA: I would have to say my favorite is actually “The Panty Theif” episode. I mean we include panties, a puppy and punching. It has everything. The real treat was working with John Michael Higgins. For me personally, he does work that if I was a dude I would totally want to emulate this career. So my plans is to do the female version of that [laughs]. But he is seriously funny as shit! He just reads a line and everyone goes into a riot. It is the same thing with Brian Doyle-Murray. There are just some people that are so extraordinary.

MG: How does this show differ from your past TV work?
VA: This show for me is just such a great experience. I get to be a regular on the show and not just coming in and supporting. I felt like I really got to be a part of the family. Also the way a sitcom is shot is such a great bonding experience. You are all together everyday of the week for a couple of months. When you are anactor, if you are going in and out of jobs with guest spots etc, those experience are great but you don’t get to have that constant bonding. There is such a charm with this cast. I developed great relationships with everyone from the very first day. I loved working with all of these people.

MG: What do you have planned next?
VA: I did another little spot on “Castle” for their season opener this Fall. I was on it last season for a couple of episodes also. It was really fun, I got to play a superhero. I just pop in and out. I haven’t heard anything yet about season two of “Sullivan & Son”. Maybe our fans will reach out and demand more episodes. I feel pretty good about it. All we do is try and make you laugh and I think the audience really appreciates that.