Film Review -“Life Itself”

LIFE ITSELF
Starring:  Oscar Isaac, Olivia Wilde and Antonio Banderas
Directed by:  Dan Fogelman
Rated:  R
Running time:  1 hr 58 mins
Amazon Studios

If only all movies could begin like “Life Itself.”  A single camera shot but one that is narrated by Samuel L. Jackson in all his glory!  You can’t help but laugh during the first five minutes of this film.  Which is a good thing, because you’re probably going to be crying for the other113 minutes!

We meet Will (Isaac) and Abby (Wilde) in the middle of what seems to be an incredible relationship.  Living happily together with their dog (a dog with the greatest name ever used in film), it seems like their life together will be perfect for all time.  That is until fate steps in.

A well written but slowly paced film, the “Life Itself” poster tells us the movie is written and directed by the man who created the popular television show “This is Us.”  I haven’t watched it but my wife does religiously and, judging from the amount of Kleenex she goes through each week, I assume it’s a weep-fest.  This movie certainly is.  The film jumps around in time, showing the audience how Will and Abby met, their life together and their all too soon separation.  In between the vignettes you get to spend time with Will’s parents, played by Jean Smart and Mandy Patinkin.  It is their relationship with their granddaughter that makes up the second act of the film.  Act three is the longest – and the most drawn out.  It deals with characters who are peripheral to other two stories, though we are not at first sure how.  It takes place in Spain, where a wealthy land owner (Banderas) falls in love with the wife of one of his workers.  The various extended scenes not only begin to drag, they are delivered in Spanish, which means it’s going to be a long night reading subtitles!

As I mentioned, the film is well written.  I can see why it found itself on the 2016 list of the best unmade screenplays in Hollywood.  There are a few laughs, among them Isaac comparing the vocal stylings of Bob Dylan to the co-pilot of the Millennium Falcon. Of course it’s even funnier to laugh if you know that Isaac is also a recurring character in the “Star Wars” film series.  And the rest of the cast are equally endearing.  The ending comes across as a little too far-fetched but still pretty well thought out.  But be warned, make sure you bring your Kleenex with you, because “Life Itself” makes “Manchester by the Sea” look like the second coming of “Airplane!”

Theater Review: “Chicago” – Kansas City

CHICAGO
September 14, 2018
Starlight Theater – Kansas City, Missouri
When the Kander and Ebb musical “Chicago” opened on Broadway in 1975, it caused a sensation.  The show, directed and choreographed by the great Bob Fosse,  played for three years and earned an impressive (11) Tony Award nominations.  Sadly, it didn’t win any, running into the juggernaut that was “A Chorus Line.”
In 1996, the show was revived on Broadway and that version fared much better at the Tonys, taking home (6) of the (8) awards it was nominated for, including the award for Best Revival of a Musical.  What’s even more impressive is that, since November 14, 1996, “Chicago” has never left Broadway, earning the right to call itself the longest running American musical in theater history!    This weekend, the touring production made its way to Kansas City and, despite some technical difficulties, greatly entertained.
We meet Velma Kelly (Amra-Faye Wright) as she entertains her nightclub audience with the show’s signature number, “All That Jazz.”  We follow this with a quick peek into the bedroom of Roxie Hart (Angel Reda) to discover her in an argument with her lover.  Moments later, Roxie shoots him dead. When the police arrive, Roxie’s husband, Amos (Paul Vogt) takes the blame for the shooting, but quickly recants when he learns the truth.  Roxie is taken to jail, where she will await trial for murder.  But not before a little singing and a lot of dancing!
There are a million reasons to see this show at Starlight.  First off, it’s one of the best outdoor venues in the country.  The shows are usually excellent or, if not, entertaining.  “Chicago” boasts an amazing cast and a top-notch orchestra.  Both Ms. Wright and Ms. Reda (who is from nearby Overland Park, Kansas) are strong dancers with great vocal chops.  My quibble above regarding technical difficulties comes from the fact that, for the first hour of the show, there was an obvious problem with Ms. Wright’s body microphone.  The fact that I could hear her in my seats stems from the fact that she can belt out a song.  Once the problem was fixed both actresses were at the top of their game.
The rest of the cast is equally strong.  As publicity loving attorney Billy Flynn, Peter Lockyer is as smooth as silk.  Jennifer Fouche’ steals her scenes as Matron “Mother” Morton and Mr. Vogt puts an ache in your heart as he sings “Mr. Cellophane.”   The choreography (by the amazing Ann Reinking, and based on Fosse’s original work) is spectacular, delivering in spades the moves that are so associated with the late choreographer.
If you’re looking for some fun under the stars this weekend, I’d highly recommend a trip to “Chicago!”

 

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Behind the Screen: Remembering Burt Reynolds

 

I’m a little late to the party, I know, but I really needed a day to gather my thoughts before I wrote my tribute to Mr. Burton Leon Reynolds, Jr., who passed away yesterday at the age of 82.  Cause of death was listed as a heart attack.

I grew up in Tampa, and if there’s one thing that Floridians were always proud of it was that Burt Reynolds was one of us!  Yes, he was born in Michigan but at age 10 he and his family made their way to the Sunshine State, so he’s one of ours!

Burt became an actor by accident.  He attended Florida State University on a Football Scholarship (in high school he had been named both ALL STATE and ALL SOUTHERN as a fullback).  In his sophomore year, he injured his knee.  He later injured the other knee, and ruptured his spleen, in an automobile accident.  These injuries hampered his ability and, seeing his dreams of playing professional football dashed, he decided to look for a career.   After hearing him read Shakespeare in English class, his professor convinced Reynolds to try out for a play he was producing, called Outward Bound.  Reynolds won the lead role and, for his performance, was given the Florida State Drama Award.

With the award came a summer at the Hyde Park Playhouse in New York.  There Burton met actress Joanne Woodward, who introduced him to agents in the area.  This lead to his first appearance on Broadway, in the play Look We’ve Come Through, earning good reviews.  He went on the road with the show but soon found himself out of work.  However, he soon found himself in the company of Mister Roberts, with Charlton Heston in the lead role.  The play’s director got Reynolds an audition for the film Sayonara, but that film’s director, Joshua Logan, informed Reynolds he couldn’t use him as he looked too much like the film’s star, Marlon Brando.  Logan did encourage Reynolds to go to Hollywood, where he soon found himself in small roles on television.

His big break came when he starred on the television show Riverboat.  He gained more fame when he joined the cast of Gunsmoke as Quint Asper, a “half-breed” blacksmith.   As his success in television grew, he began doing films, including Angel Baby and Navajo Joe.  Reportedly producer Albert Broccoli asked Reynolds to be George Lazenby’s replacement as James Bond, but Reynolds turned him down, being unable to imagine an American playing the British secret agent.

“Deliverance” made Reynolds a star

Reynolds ascended to star status with his role in the film Deliverance.   The film, coupled with Reynolds appearing as the centerfold of “Playgirl” magazine began a run of success that would, by the end of the decades, see him named as the most popular actor in Hollywood.

“COSMO” made him a legend!

His meteoric box office run included such films as The Man Who Loved Cat Dancing, White Lightning, Gator, The Longest Yard, Lucky Lady and the second most popular film of 1977:  Smokey and the Bandit (damn you, Star Wars!)  1978 gave us all a double shot of classic Reynolds, as both Hooper and The End are released.

As the 1980s rolled in, he continued his streak with roles in Smokey and the Bandit 2, Cannonball Run, Best Friends and Paternity.   He also took more interest behind the camera, directing several of his films, including Sharky’s Machine, which was both a box office and critical success.  Having released an album in the early 70s, Reynolds was a natural to star opposite Dolly Parton in The Best Little Whorehouse in Texas.  He later went on to star on the long running television series Evening Shade, earning an Emmy as Best Actor in a comedy.

Burt sings! One of the prizes on my record shelf!

Though he has played many an iconic character, Reynolds also turned down many roles that made other actors stars.  Besides James Bond, he turned down the role of Han Solo in Star Wars, Michael in The Godfather and John McClain in Die Hard.  The one role he regrets turning down was one written especially for him, that of former astronaut Garret Breedlove in Terms of Endearment.  Citing a promise to his friend Hal Needham to do the film Stroker Ace, Reynolds turned the role down.  The part was given to Jack Nicholson, who would go on to win the Academy Award as Best Supporting /Actor for his work.  The one role he’s glad he turned down?  Edward, the lonely businessman played by Richard Gere in Pretty Woman.  Reynolds actually repeatedly turned down the role that would bring him his only Oscar nomination, that of Jack Horner, the adult film director in Boogie Nights.

We at Media Mikes have many fond memories of Burt Reynolds.  Both Mikes (and our wives) met up in New Jersey, where Reynolds was scheduled to be a guest at the Chiller Theater convention.  Due to scheduling reasons, Reynolds could not attend, but we spent the weekend making each other laugh as we all tried to impersonate Reynolds classic, high pitched “Ha-ha!” laugh.  In 2011, Mike G. got the envious job of getting to interview Reynolds for the site.  You can read that interview HERE

And if you want to hear that classic laugh, click HERE.

Breaker, breaker to the Bandit. Keep those wheels spinning and the beavers grinning. R,I.P. sir.

Win Passes to the Kansas City screening of “Life Itself”

Media Mikes has teamed up with their friends at Amazon Studios to give (40) lucky readers and a guest the chance to be among the first to see the new film “Life Itself.”

The film will be shown on Wednesday, September 19th at the B&B Overland Park 16 Theatre in Overland Park, Kansas and will begin at 7:30 p.m.

All you have to do is click HERE.  The first (40) readers to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.  Once the (40) passes have been claimed, the giveaway has ended.  Good Luck!

 

“TOPGOLF” – A waste of time and money

 

Last year my wife gifted my son and I gift cards to the new-to-Kansas City attraction known as TOPGOLF..  TOPGOLF is basically an elevated driving range with various targets which you can hit to score points while competing against your friends.  Sounds fun, I know, but the constant hassles are not worth the energy and time spent.

Depending on where you live, the hourly rates may differ from the ones in KC.  Here the cost is $25 an hour if you go before noon, $35 an hour between noon and five o’clock and $45 an hour after five.  We got there at 11:30 a.m. and were sent to one of the elevated tees.  We were going to play for two hours (thinking since we were there before noon that the cost would be $50.00) but learned that, even if you’re there before noon, once the clock strikes “12” the price goes up.  Not wanting to pay $60 we elected for play for 90 mins at a cost of $42.50.

My son “signed in” to the game and his name appeared on the screen.  We tried to “add a player” but were unable to.  I finally signaled one of the employees and he came over.  We explained the situation and he said that I’d have to pay $5.00 to add my name.  I told him we had already paid for the time and he told me that there is also a $5.00 charge to come in.  It reminded me of the old casinos here in Kansas City -when they first opened you had to pay a $15.00 “docking fee” to go inside.  That’s right…you had to give them money for them to allow you to spend your money!  I agreed to pay the five bucks and we began hitting balls.

At TOPGOLF, if you want a ball you have to wave your club over a sensor, which then has a machine spit a ball out.  Sadly for us, you had to wave your club over the sensor repeatedly…sometimes five or six times…before a ball came out.  The constant wait for a ball obviously ate into our time.  Also, we would alternate our shots but sometimes, even though I was noted as the player up, after I hit the ball it would suddenly change to my son and award him the points.  At 12:15 everything stopped and a message on the screen told us we had 15-minutes left to play.  As we had signed up for 90-minutes we were surprised to see this.  After a few minutes I tracked down the same employee.  Again he came over and pushed some buttons.  “You only paid for an hour,” he told us.  “No,” I said, “we requested 90 minutes.  The cost was $42.50.”  Again, he had to push some buttons.  The whole exchange probably took another five minutes off of our playing time.  I mentioned that and he shrugged.  It was obvious he could care less.  I jokingly said to my son, “well, this isn’t going to look good in my write up.”  As if I had flicked a switch, he immediately showed some interest in us, asking if there was anything he could do for us.  I told him “no.”  A few minutes the manager approached us and asked the same thing.  I explained to her all of the problems we had had and how we had probably lost 15-minutes of our time to glitches.   Obviously she felt that, despite hearing about all of the problems we had had, none of them qualified for the “something I can do” request to be followed up with actually doing something.  No “I’m sorry, let me extend your time” or “I’m sorry, let me get you a pass to come back another time.  Like the previous employee, she just shrugged.  She walked away, we finished up and left.

Maybe when everything is working properly TOPGOLF is a fun time.  But if I’m going to drop $45, I’m going to play 18 holes.

 

Win Passes to the Kansas City screening of “The Predator”

Media Mikes has teamed up with their friends at 20th Century Fox to give (50) lucky readers and a guest the chance to be among the first in Kansas City to see the new film “The Predator” at an advance screening.

The screening will be held on Monday, September 10th at the AMC Town Center Theatre in Leawood, Kansas.  It will begin at 7:00 p.m.

All you have to do is click HERE.  The first (50) readers to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.  Once all of the passes have been claimed, the giveaway has ended.  Good Luck!

‘ASTRO’ wins 2 Awards at the 14th Annual Action on Film International Film Festival

“Astro,” the latest film from filmmaker Asif Akbar, took home two awards  at the 14th Annual Action on Film International Film Festival which was held this past weekend in Las Vegas.

Actor Gary Daniels was named the Best Male Action Performer of the Year while the film’s costume design was given the Best Costume award.  “Astro” had received a total of (5) nominations, including Best Action Sequence, Best Fight Choreography and Best Sci-Fi Feature Film.

“The competition at this year’s festival was tremendous and we are proud and excited of our five nominations and two awards,” said Akbar, the film’s director and co-writer.

For a look at an exclusive clip, click HERE

 

 

 

Win Passes to the Kansas City screening of “God Bless the Broken Road”

 

Media Mikes has teamed up with their friends at Entertainment Studios Motion Pictures to give (35) readers and a guest the chance to be the first to see their latest film, “God Bless the Broken Road,” which will be screened on Wednesday, September 5th at the B&B Lee’s Summit Theatre.  The screening will start at 7:00 pm.

All you have to do is click HERE.  The first (35) readers to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.  Once the (35) passes have been claimed, the giveaway has ended.  GOOD LUCK!

GOD BLESS THE BROKEN ROAD

Wednesday, September 6, 2018 – 7:00 p.m.

B&B Lee’s Summit Theatre, Lee’s Summit, Missouri

 

@gbbrmovie #BlessAVet #GBBR

#BlessAVet is a huge initiative for this film launched in partnership with Disabled American Veterans, Fandango, and the film God Bless the Broken Road where people can contribute to give a veteran a night out to dinner and to go see God Bless the Broken Road in theaters this September. Visit http://bit.ly/BlessAVetGen for more information!

 

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“Maximum Impact” wins big at the Action on Film 2018 MEGAFest

 Russian Film Star and Action Legend Alexander Nevsky won big at the Action on Film 2018 MEGAFest over the weekend.  MAXIMUM IMPACT which Nevsky produced and stars in won “Best Action Film of the Year” along with wins for “Best Action Sequence” and “Best Special Effects.” 
 
In addition, Nevsky received the festival’s “Breakout Action Star of the Year” Award and co-star Matthias Hues received the festival’s Icon Award.

“MAXIMUM IMPACT is the biggest film in my career and I’m so glad it was recognized in such a great way! I’m also happy to receive the “Breakout Action Star Award” and would like to thank “Action on Film International Film Festival” and Mr. Del Weston for this honor. But I couldn’t be here without my idols Arnold Schwarzenegger, Ralf Moeller and Matthias Hues so I would like to thank them too for all the inspiration and support over the years!” said Nevsky.

 
Nevsky received his Awards from Dr. Robert Goldman and Michael DePasquale Jr at the star studded MEGAFest Award Shows which were held at the RIO Hotel Las Vegas and other area venues.

 
MAXIMUM IMPACT will be released in theaters September 28, 2018, and On Demand and Digital Video on October 2, 2018

 

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Film Review: “The Happytime Murders”

THE HAPPYTIME MURDERS
Starring:  Melissa McCarthy, Elizabeth Banks and Joel McHale
Directed by:  Brian Henson
Rated:  R
Running time:  1 hr 31 mins
STX Entertainment

It’s been almost exactly 35 years since I met Jim Henson.

In September 1983 I was at the World Science Fiction Convention in Baltimore, where one of the films being promoted that year was “The Muppets Take Manhattan.”  Knowing Mr. Henson was going to be in attendance I took a couple photos with me.  One of him and Kermit the Frog taken behind the scenes of “The Muppet Movie” and one from “The Dark Crystal.”  I tracked him down and he very graciously signed both.  I got lucky because he happened to be walking around with Gary Kurtz, who produced “The Dark Crystal,” so I got his autograph also.  He was very friendly and, in speaking with him, I could tell he had a great sense of humor.  Which tells me he would love his son’s latest film, “The Happytime Murders.”

(Ominous voice) “In a world where humans and puppets live together….”

Meet Phil Phillips (voiced by Bill Barretta).  He’s a former puppets cop turned private detective.  Actually, he’s been the ONLY puppet cop.  Due to a mishap that led to the killing of an innocent bystander, Phil was fired and a law was put into place forbidding puppets to be police officers.  One day Phil is hired by a mysterious lady-puppet.  His leads take him to an adult bookstore, where he runs into Bumblypants, one of the puppet characters of the popular 80’s kids show “The Happytime Gang.”  As Phil investigates another part of the shop, Bumblypants is murdered.  Soon, other members of the cast are also brutally murdered and the finger points at Phil.  Can he clear his name?  Maybe.

A fun combination of live-action and puppets, “The Happytime Murders” is an outrageously raunchy look at what life may have been like on a certain “Street” if that show had taken place in the worse part of the worse town ever.  In the world of “Happytime” humans and puppets co-exist, though the puppets are often horribly treated.  Call it “Apuppethied.”  Phil’s former police partner, Detective Connie Edwards (McCarthy) is called in to investigate the case and must reluctantly team up with Phil before the entire cast of the show is murdered.  Along the way they must deal with a world full of sex, drugs and violence.  This isn’t your parent’s “Street.”

Let me say this up front (or in the middle):  THIS IS NOT A KIDS MOVIE.  Don’t be fooled by the puppets and the bright lights.  Taking a child to this film will traumatize them for life.  So, again, unless you want to see a puppet re-enactment of Sharon Stone’s famous reveal from “Basic Instinct,” or want to explain to your little one what an eight-armed reach-around is, leave them home.  That being sad, THIS IS AN ADULTS MOVIE.  The jokes are funny, the visuals outrageous and the overall mood of the film will put a smile on your face.  The combination of human and puppet characters is well portrayed, and as the film goes on, you forget your watching puppets.  They become believable characters, which is what you need to make a film work, especially a comedy.  Like “Who Framed Roger Rabbit?,” the melding of human and non-human characters is seamless.  Well, except for the seams on the puppets.  J

Win Passes to the Kansas City screening of “Searching”

Media Mikes has teamed up with their friends at Sony Pictures to give (50) readers and a guest the chance to be among the first in Kansas City to see the new film “Searching.

All you have to do is click HERE.  The first (50) readers to do so will receive a pass for (2) to attend the screening on August 23rd at the AMC Studio 24 Theatre in Olathe, Kansas.  This is a first come/first serve giveaway.  Once the allotted (50) passes have been claimed, the giveaway has ended.  Good Luck!

Attention Florida Friends: Joel D. Wynkoop needs your vote!!

Over the years, Media Mikes has mentioned Joel D. Wynkoop.  A long time Tampa friend of mine, Joel is known for his locally produced horror films and is quite the cult hero in (and beyond) the Sunshine State.  He also has his own magazine that not only promotes his work, but the work of other aspiring actors in Florida.

The on-line site Creative Loafing Tampa Bay is compiling votes for its 2018 BEST OF THE BAY contest and Joel has been nominated in the category of Best Actor.  I’m hoping you readers will click HERE and, in the category of Best Actor, cast a vote for Joel.  For some reason, nominees are listed alphabetically by FIRST name, so look for Joel under the “J’s.”

For a look at some of Joel’s work, click HERE

Thanks!

 

Win Passes to the Kansas City screening of “The Happytime Murders”

Media Mikes has teamed up with the friends at STX Entertainment to give (50) readers and a guest the chance to be the first to see the new outrageous comedy “The Happytime Murders.”

The film will be screened on Wednesday, August 22nd at the B&B Overland Park Theatre and will start at 7:00 pm

All you have to do is click HERE.  The first (50) to do so will receive a pass for (2) to attend the screening.   This is a first come/first serve giveaway.  Once the (50) passes have been claimed the giveaway has ended.  Good Luck!!

“The Happytime Murders” opens on Friday, August 24th.

Film Review – “BLACKkKLANSMAN”

BLACKkKLANSMAN
Starring:  John David Washington, Adam Driver and Topher Grace
Directed by:  Spike Lee
Rated:  R
Running time:  2 hrs 15 mins
Focus Features

Spike Lee and I go way back.

The movie theatre I managed in Baltimore was in an urban area.  I proudly showed “She’s Gotta Have It” and “School Daze.”  I was (and still am) angry that “Do the Right Thing” wasn’t nominated for a Best Picture Academy Award and I was thrilled to meet him and speak for a few minutes in Washington D.C. while he very graciously signed my “Malcolm X” script.  I should also mention that I silently cursed him when he shot a reel of his film “Crooklyn” in the widescreen format but intentionally didn’t adjust it, giving the film a look that caused many customer complaints and passes given out.  He’s made more good movies than bad and this week he’s here with one of his best.

It’s the 1970s.  Ron Stallworth (Washington) is a black police officer in a time where, if you’re the first one on the scene of a crime, your fellow officers may think YOU are the perp.    One day, while reading the newspaper, Ron comes across an ad for the local chapter of the KKK.  As a joke, he sends in for his membership card and is delighted to get it.  When Ron is invited to meet the membership, he agrees, sending fellow officer Flip Zimmerman (Driver) in his place.  Zimmerman is Jewish and has to learn to keep his emotions to himself when surrounded by the idiot gang he finds himself a part of.  As Ron/Flip get deeper into the group, they soon find themselves chatting up David Duke, then the first Grand Wizard of the KKK, today pretty much a punchline.  When Duke is scheduled to come to Ron’s town, things go from comical to serious as the groups true goals are announced.

Powerful and pertinent, “Blackkklansman” is a film that deals with both the past and the present.  Director Lee and co-writers Kevin Willmott, Charlie Wachtel and David Rabinowitz have created a world that anyone over 21 will recognize.  There is humor but then there is horror.  Not violent horror, but the horror at the spoken word.  Can people truly be this vile?  Sadly, yes.

As with many of Lee’s films, a great cast has been assembled.  I was surprised to learn that leading man Washington is the son of Denzel.  If this performance is any indication, Pop better keep an eye on the rear view mirror.  He plays Stallworth with the dignity required, something that wasn’t easy to display in the early 1970s.  Driver is equally good here.  This is the first thing I’ve seen him in since the last two “Star Wars” films and – SPOILER ALERT – though as a filmgoer I will never forgive him for killing Han Solo, I will continue to recognize him as an actor to watch.  As David Duke, Grace is pitch perfect.  He doesn’t scream out his hatred, like his dimwit followers.  He oozes it, like the politician he would later become.

“Blackkklansman” took home the Grand Jury Prize at this year’s Cannes Film Festival and I look for it to be a front runner when the Oscar nominations roll around.  Do you hear that, Academy?  I don’t won’t to get angry again!

Win Passes to the Kansas City Advance Screening of “ALPHA”

Media Mikes has teamed up with their friends at Sony Pictures to give (50) readers and a guest the chance to be among the first in Kansas City area to see the new film “ALPHA” at an advance screening to be held on Tuesday, August 14th.

All you have to do is click HERE.  The first (50) people to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.    After the allotted (50) passes have been claimed, the giveaway has ended.

The screening will be held at the AMC Towncenter 20 Theatre in Leawood, Kansas and will start at 7:30 p.m.

Good luck!

 

ALPHA opens in theaters August 17th.

CAST: Kodi Smit-McPhee, Natassia Malthe, Leonor Varela

DIRECTOR: Albert Hughes

SYNOPSIS: An epic adventure set in the last Ice Age, ALPHA tells a fascinating, visually stunning story that shines a light on the origins of man’s best friend. While on his first hunt with his tribe’s most elite group, a young man is injured and must learn to survive alone in the wilderness. Reluctantly taming a lone wolf abandoned by its pack, the pair learn to rely on each other and become unlikely allies, enduring countless dangers and overwhelming odds in order to find their way home before winter arrives.

OFFICAL SITE: http://www.alpha-themovie.com/site/www/#/

RATING: PG-13

RUNNING TIME: 96 Minutes