Film Review: “The Meg”

THE MEG
Starring:  Jason Statham, BingBing Lee and Rainn Wilson
Directed by:  John Turtletaub
Rated:  PG 13
Running time:  1 hr 53 mins
Warner Bros.

If you’ve learned anything about me over the years, you know that “Jaws” is my favorite film.  That being said, every time a new shark themed film shows up (“Deep Blue Sea,” “Open Water,” “The Shallows,” etc) I have to put my blinders on and do my best not to compare the film to “Jaws.”  However, when the film in question steals whole sequences from the film, I may bet a little testy.

We meet Jonas Taylor (Statham) as he and his rescue team are trying to save the crew of a submerged vessel.  However, just as you think they’re all going to survive, they are attacked by “something,” causing Taylor to leave behind a couple teammates, who inevitably die.  Fade to black and jump ahead a few years.

Welcome to the bottom of the ocean, inside the Mariana Trench.  A bizarre philanthropist (Wilson) has financed an expedition to the trench with the purpose of trying to go deeper.  The idea is that it’s so cold at the bottom of the ocean that maybe you’re not on the ocean’s floor.  Maybe you’re just blocked.  Crazy guy arrives at his sea platform, which is full of scientists and a cute Chinese family (older father, daughter and granddaughter).  The mission is a success, but while down below their sub is attacked by “something.”  Only one person can help them…someone whose life was changed by “something.”  But what?

With a few good special effects shots and a cast that’s trying way too hard, “The Meg” is passable entertainment.  A giant shark that can actually eat people whole is kind of cool, though the filmmakers can’t seem to decide on how big it is.  When it’s out to sea it’s HUGE, knocking over boats and gobbling up people like cocktail peanuts.  But when it comes close to shore, where hundreds of people are bathing, it easily swims by, not one person noticing the 60 foot monster that just passed by.

Director Turtletaub has directed four films since 2004, three of them starring Nicolas Cage, the master of over-emoting.  He would have made a fine substitute to Statham, who has proven himself in other films.  The slow parts between shark appearances start to add up, and the film feels every bit of its almost 2-hour run time.

To steal (and paraphrase) from Woody Allen in “Annie Hall,” a film is like a shark.  It has to keep on moving or it will die.  And what we’re dealing with here…is a dead shark.

Win Passes to the Kansas City screening of “Mile 22”

 

Media Mikes has teamed up with their friends at STX Entertainment to give (50) readers and a guest the chance to be among the first to see the new Mark Wahlberg film, “Mile 22.”

All you have to do is click HERE.  The first (50) people to do so will receive a pass for (2) to attend the Kansas City advance screening on Wednesday, August 15th at the AMC Studio 28 Theatre in Olathe, Kansas.  The screening will begin at 7:00 pm.

This is a first come/first served giveaway.  Once all (50) passes have been claimed, the giveaway has ended.

Film Review: “Christopher Robin”

CHRISTOPHER ROBIN
Starring:  Ewan McGregor, Hayley Atwell and Jim Cummings
Directed by:  Marc Foster
Rated:  PG
Running time:  1 hr 44 mins
Walt Disney Pictures

Why do we have to grow up?

I’m 57 (58 next month) and as my childhood gets further and further away, I miss more and more the things of that time.  I think most of us do.  To forget out childhood, and our childhood friends, seems like an impossibility.  But not to Christopher Robin.

When we meet young Christopher (Orton O’Brien), he is being honored at a going away party by his best friends in the Hundred Acre Wood.  As stories are told and gifts exchanged, it is his stuffed bear, Winnie the Pooh (voiced by Cummings) that says what everyone is thinking:  “I wish this could go on forever.”

A film that melts your heart in its first five minutes, “Christopher Robin” follows the title character (McGregor) into young adulthood, where he goes off to school, falls in love, goes to war and then settles down to raise a family.  Now a working-class family man, Robin’s daily duties include cutting costs at the luggage manufacturing company he works for and ducking his Gin Rummy-crazed next door neighbor.  He has long ago put away his drawings from childhood, where he and his friends would have adventures.  His latest adventure – breaking his promise to his daughter and sending she and her mother off on holiday alone.  Another weekend working.  Oh, bother.

A perfect blend of live action and CGI, “Christopher Robin” brings back to life such cherished characters as Tigger (also voiced by Cummings), Eyore (Brad Garrett), Piglet (Nick Mohammed), Rabbit (Peter Capaldi) and Owl (Toby Jones).  Along with Pooh, they do their best to convince a dubious Christopher that you can’t lose the past if you don’t want to.  “Did you let me go,” Pooh asks softly.  Christopher can only ponder the question.

McGregor is perfectly cast as a young husband and father, trying to provide for his family and not realizing that, the more he tries, the further they are drifting apart.  Atwell is just as strong as Christopher’s wife, Evelyn, and young Bronte Carmichael is sadly sweet as their daughter, Madeline.  The special effects are flawless and, if you’re not too careful, you too might find yourself talking to stuffed bears and planning age-old adventures.

Win an Autographed DVD of the new film “ASTRO”

Media Mikes was proud to be the first site to review the film “ASTRO” immediately after it premiered at the Cannes Film Festival.  Now, we have teamed up with our friends at Avail Films to give (2) lucky readers a chance to win an autographed DVD copy of the film.

All you have to do is let us know below what has been the best “under the radar” film you have seen this year.  (2) random entries will be selected and they will receive a DVD which has been autographed by the film’s director, Asif Akbar.

This giveaway runs through Sunday, August 12, 2018 at 5:00 pm CST.  To read MovieMike’s review of “ASTRO,” click HERE

Good luck!

Kansas City Theater Review: “Hairspray – the Musical”

“Hairspray – the Musical”

Starlight Theater – Kansas City, Missouri

July 27, 2018

 

I spent 13 years living in Baltimore.  As a movie theatre manager I was very fortunate to manage the theatre of choice of local filmmaker John Waters.  He was a frequent guest and, when I asked, would stop by the office for a few minutes after his film just to talk about what he had coming up.  Of course, I was glad to play the original film “Hairspray,” and am proud to be friends with some of the local talent used in the film.  Years later, Mr. Waters took the film to Broadway, where, 15 years ago, the musical version earned 13 Tony Award nominations, winning 8, including Best Musical.   This week, the fun and energy you can only find in Charm City is on display at the Starlight Theater as “Hairspray – the Musical” arrives.

Baltimore 1962.  Like many cities in America, civil rights are on the front burner.  We meet Tracy Turnblad (an outstanding Jessica Alcorn) as she greets the day, and the audience, with the bouncy “Good morning, Baltimore.”  Tracy is a fan of the Corny Collins afternoon dance program on television and secretly dreams to not only be a dancer on the show, but to end up in the arms of the show’s best male dancer, Link Larkin (Eric Geil).  Tracy lives at home with her parents.  Mother Edna (Brad Oscar) takes in washing and hasn’t been outside the apartment in years.  Her father, Wilbur (Bruce Roach), runs a joke shop called the Har-Har Hut.  Tracy has a friend named Penny, who encourages her to follow her dream.  And so she does.

First off, I must comment on the energy the entire cast brought to the show.  It’s always a plus when you can sense that the cast and crew WANT to be there.  The musical numbers were infectious.  If you knew the words (guilty) you quietly sang along.  If you didn’t, you were dancing in your seats.  As Tracy, Ms. Alcorn soars.  She is the heart and spirit of the show and she shines in a role that a lesser actress could easily dilute spirit-wise.  Supporting roles played by Katie Karel (Penny), Cathy Barnett (Velma Van Tussle) and Erin Riley (Amber) stand out here, as does Regina Levert whose Motormouth Maybelle steals the scenes she is in.

And I would be remiss if I didn’t note that Kansas City audiences are having the rare treat of seeing a true Broadway legend in Brad Oscar.  Ever since Harvey Fierstein first originated the character, Edna has been played with dignity.  Mr. Oscar continues that tradition here.

“Hairspray – the Musical” plays at Starlight through August 2nd.  For tickets to those shows click HERE.

Film Review: “Mission: Impossible – FALLOUT”

MISSION: IMPOSSIBLE – FALLOUT
Starring:  Tom Cruise, Henry Cavill and Ving Rhames
Directed by:  Christopher McQuarrie
Rated:  PG 13
Running time:  2 hrs 27 mins
Paramount

I’m curious if Tom Cruise has in his contracts a clause that says he must run in his films.  In early films like “Taps” and “The Outsiders” he ran with others.  He was constantly running to school in “Risky Business.”  “Legend.”  “The Firm.”  He raced Robert Duval at the end of “Days of Thunder.”  Hell, even though he spends most of the film in a wheelchair, he found time to run in “Born on the Fourth of July.”  But none of these films can prepare you for the mileage he covers in his latest adventure as Ethan Hunt: “Mission: Impossible – FALLOUT.”

The film begins with Hunt (Cruise) and his Impossible Mission Force (IMF) attempting to retrieve three pieces of hardware needed to outfit nuclear bombs.  However, when one of his force-mate’s life is put in jeopardy, Ethan chooses them over the success of the mission and the hardware is absconded with.  Cue the music!

Not only the best of the “Mission: Impossible” films, “FALLOUT” is also one of the best films of the year.  After an introductory scene that would have made the opening moments of most James Bond films seem tame, Hunt and company are soon introduced to CIA Agent August Walker (Cavill, out of his Superman uniform but just as bad-assed), a no-nonsense kind of guy who certainly would have let a member of his team die and not give it a second thought.

There are so many twists and turns here that to go into too much detail about the rest of the film would give away some nice plot points.  Suffice it to say that Cruise easily covers a few miles by way of his fleet feet.  Run, Ethan, run.

Film Review: “King Cohen”

KING COHEN

Starring:  Larry Cohen, J.J. Abrams and Michael Moriarty

Directed by:  Steve Mitchell

Rated:  Not Rated

Running time:  1 hour 49 mins

Darkstar Pictures

 

As a teenager there were two film trailers shown on television that not only scared the hell out of me, but that I still remember vividly to this day.  One was for the film “Magic,” featuring Anthony Hopkins, Ann-Margaret and a dummy named Fats, who would look into the camera and recite, “Hocus, pocus…we take her to bed.  “Magic” is fun.  YOU’RE DEAD!”  The other one began like this:  “There’s only one thing wrong with the Davis baby.  IT’S ALIVE!”

 

“King Cohen” is an excellent documentary about filmmaker Larry Cohen, whose films, including “It’s Alive!,” “The Stuff”  and “Q” have a devoted following of fans, including such successful directors as J.J Abrams, John Landis and Martin Scorcese.  All three of these men face the camera and expound on the effect Cohen has had on their own projects.  Abrams recalls a time when he was fifteen years old and running into Cohen on a Los Angeles street.  Cohen was lost and the young man pointed him in the right direction.  Decades later, when the two meet again, Cohen remembers Abrams as the kid who gave him directions.

 

Cohen grew up like many people in show business…wanting to be in show business.  He broke into television in the 1960s, writing for such shows as “Surfside Six,” “The Fugitive” and “Branded.”  Occasionally Cohen was ahead of the times.  A script he wrote for the show “Naked City” was turned down for being to “rough” for the times.  30 years later, Cohen sold the script to “N.Y.P.D. Blue.”

 

The film looks at the various films in Cohen’s career, with Cohen and others talking about his filmmaking process.  Cohen was often a true guerilla filmmaker, often putting a cameraman up on a fire escape and filming the passerby’s reactions.  For one film, he required a parade of 5,000 New York City.  To get the shot, he dressed Andy Kaufman up as a cop and had him join the rest of the boys in blue in marching across the city.  While filming a film dealing with J. Edgar Hoover in Washington D.C., Cohen learns the address where the former F.B.I. director lived and films a few scenes on the front lawn.

 

This film covers pretty much Cohen’s filmography, focusing more on the most popular films, especially “Q” and “The Stuff.”  Interviews with fellow filmmakers, crew members and actors such as Michael Moriarty and Eric Roberts gives the viewer every possible look at Cohen’s process.

 

All in all, “King Cohen” is one of the best documentaries about Hollywood to come down the pike in a very long time.  Now, if I could only get that Davis baby out of my head!

Guess who had a good time at the Kansas City Crypticon??

PHOTOS BY DAN LYBARGER

A few years ago I wrote a very scathing review of the Kansas City Crypticon Convention.  I felt my review was honest and it was based on not only my own observations but those of people I spoke with, both convention guests and attendees.  While I continued to attend each year, I didn’t write anything about the show because I didn’t want it to look like I was uncaring or that I was just looking to continually kick the organization.

 

 

 

 

Last year the show left the nasty hotel (recently torn down by the city) it called home and headed an hour north up Interstate 29 to the birthplace of Jesse James:  St. Joseph, Missouri.  I wasn’t able to attend last year because of a previous commitment that weekend but this year I decided to check it out.  And what I discovered was a pretty cool con.

The show was held at the St. Joseph Civic Center, and I thought the layout was perfect.  The bottom, open middle section was set up for the dealers.  Whereas in Kansas City the dealers rooms were always cramped and hard to navigate, here they were a breeze to explore.  Plenty of room, and a nice selection of goods.  The upper level was devoted to a few dealers and ALL of the celebrity guests.  The area was bright and clean and every celebrity had a very nice banner, as opposed to the construction paper and magic marker creations from the past.

And the celeb lineup was first class.  As this is mostly a horror-themed convention, the guest list was perfect.  Linda Blair from The Exorcist.  Nick Castle and P.J. Soles from Halloween.  William Kaat from Carrie.  And, for fans of more recent horror, you couldn’t do any better than “American Horror Story’s” Dennis O’Hare.  These guests, and about a dozen more, greeted fans and many of them (especially the Halloween gang) seemed to have a steady line at their tables.  Autograph/photo op prices were pretty reasonable as well, which is always a good thing at one of these events.

One of my “bucket list” celebs – William Kaat. He shared some great stories with me.

Congratulations to the people behind the Crypticon conventions.  You’ve done an amazing job in transforming your show from one of the worse in the Midwest to a destination event.  I look forward to next year.

No hard feelings?  🙂

Win a “Mission: Impossible – FALLOUT” prize package

Like cool stuff?

Of course you do!  Our friends at Paramount have given us a “Mission: Impossible – FALLOUT” prize package for one lucky reader to win.  Here is all you have to do:

Just comment below what television program you’d like to see turned into a feature film.  Pretty simple.  One random entry will be chosen and that entrant will win the prize package, consisting of a t-shirt, charger, water bottle and poster.  The winner will be chosen at noon (CST) on Friday, July 27 and will be notified by email.  Good luck!

“Mission: Impossible – FALLOUT” opens nationally on Friday, July 27.

Win Passes to the Kansas City premiere of “Mission: Impossible – FALLOUT

Media Mikes has teamed up with their friends at Paramount to give (25) readers and a guest the chance to be among the first to see the latest adventures of Ethan Hunt and company:  “Mission: Impossible – FALLOUT.”

The film will be screened at the AMC Barrywoods 24 Theatre in Kansas City on Monday, July 23 and will begin at 7:00.

All you have to do is click HERE.  The first (25) readers to do so will receive a pass for (2) to attend the screening.  This is a first come/first serve giveaway.  Once the allotted (25) passes have been claimed, the giveaway is over.  Good luck!

 

“Mission: Impossible – FALLOUT”

Monday, July 23, 2018 – 7:00 p.m.

AMC Barrywoods 24, Kansas City, Missouri

Film Review: “Skyscraper”

 

SKYSCRAPER

Starring:  Dwayne Johnson, Neve Campbell and Roland Moller

Directed by:  Rawson Marshall Thurber

Rated:  PG 13

Running time:  1 hour 42 mins

Universal

 

I can hear the studio pitch now.  “What if we combined “The Towering Inferno” with “Die Hard” and have the Rock play Bruce Willis, Paul Newman AND Steve McQueen rolled into one character?”  My answer?  “Hell yeah!”

 

When we first meet FBI Hostage Rescue Team Leader Will Sawyer (Johnson), he is leading his group in trying to arrange the surrender of a man who is also holding his young son.  Thinking he has resolved the situation, Will and his team are badly injured when the man, feigning surrender, detonates a bomb.  Waking up in the hospital, he is comforted by the reassuring face and words of trauma nurse Sarah (Campbell).

 

Jump ahead several years.  Will and Sarah are now married, with two young children.  They are in Hong Kong where Will, now a safety and security assessor, has been summoned to go over the world’s tallest building.  Without his O.K., the buildings lavish owner cannot get the 200-plus story building insured.  Things go well until Will is attacked by a mysterious person trying to get a computer tablet he possesses that gives him access to ALL of the building’s security protocols.  It seems someone doesn’t want the building to open.  EVER!

 

Full of some amazing set-pieces and some serious “jump in your seat” moments, “Skyscraper” is a film that rides capably on the back of Dwayne Johnson.  Will possesses both Willis’ John McClain’s personality while also embodying the caring about of the situation that Newman’s architect and McQueen’s fire chief did in “The Towering Inferno.”  But while the latter film’s destruction was due to an accident, “Skyscraper” deals with a nasty man by the name of Kores Botha (Moller).  He’s not as smooth as Alan Rickman’s Hans Gruber, but he is as vicious.

 

The cast does a fine job in dealing with the situations around them, and I’m giving Johnson extra credit because, due to opening bomb explosion, Will is missing a leg, having to move about the building (and do some extraordinary stunt work) on a prosthetic leg.  And yes, while I realize it’s all CGI, Johnson moves and reacts as if he really is standing precariously on a piece of molded metal.  The story moves smoothly and represents a graduation to a new genre’ for writer/director Thurber, best known for creating the “Terry Tate, Linebacker” series of commercials as well as the film “Dodgeball:  A True Underdog Story.”  The film moves on and the action flows.  A definite hit for the hot days of July.

Theatre Review: “The King and I” – Kansas City

‘The King and I”

Starlight Theater – Kansas City, Missouri

June 14, 2018

 

I can imagine it’s pretty hard to write a Broadway musical.

In 1943, a couple of guys named Richard and Oscar took a popular novel and turned it into one of the most popular musicals of all time; “Oklahoma!”  They followed it up with “Carousel,” “State Fair” and ‘South Pacific.”  Four hits in a row.  What would Mr. Rodgers and Mr. Hammerstein come up with for their next show?

Our story begins with Anna Leonowens (Elena Shaddow) aboard a boat with her son, Louis (Ryan Stout).  They have traveled from England to visit the court of the King of Siam, where Anna has been employed as the new teacher for the King’s wives and children.  Both mother and son are taken by the pageantry that accompanies their journey to the palace, as well as the exuberance of the King (Jose Llana) himself.  The King wishes to have his country adapt more modernist attitudes, and he hopes this English teacher can help him change.  And help him she does.

“The King and I” is a show I’ve been dying to see performed live since I first saw the film in the early 1970s.  The closest I ever got was a touring production, starring Yul Brynner, that came through Baltimore in the mid 1980s.  Sadly, I didn’t get to see the show, but I later did eat in the same Chines restaurant made popular by the fact that, when Brynner visited for dinner, somebody stole his shoes.   And, while it would have been amazing to see Brynner in his career-defining role, this new tour is equally every bit its equal.

Elena Shaddow and Jose Llana in Rodgers and Hammerstein’s “The King and I.” Photo by Jeremy Daniel

Both leads give amazing, energized performances and I would be remiss if I did not point out that Mr. Llana makes the role of the King his own.  The supporting cast is just as good and the music….well, it’s Rodgers and Hammerstein, for God’s sake!  What’s amazing is that Rodgers and Hammerstein still had “Cinderella” (a perennial favorite on television), “Flower Drum Song” and “The Sound of Music” to follow.  Filled with familiar songs like “Hello Young Lovers,” “Getting to Know You” and “Shall We Dance,” the show is easily one of the best productions I’ve seen at Starlight in a long time.

The show plays in Kansas City through June 17th.  For tickets to a performance, either in Kansas City or later in the tour, click HERE.

MEET THE NEW GUY – Media Mikes welcomes writer Michael D. Smith

It is with great pride that we at Media Mikes are able to introduce you to our new film reviewer/writer:  Michael D. Smith.

Michael began his film critic path by writing movie reviews for his college newspaper for a couple years. After graduation, he wrote reviews for his hometown paper in Harrisonville, Missouri for six years before becoming the Arts & Entertainment editor and film critic at a publication in Overland Park, Kansas. a position he held for three years.

Our newest “Mike” – Michael D. Smith

In 2009 was offered an opportunity at KCMETROPOLIS.ORG where he predominately covered independent/art house films.   He will now cover them for Media Mikes as well as contributing commentary when the mood takes him.

Michael is a long-standing member of the Kansas City Film Critics Circle, the second oldest film critic group in America.

You can find his first review for Media Mikes, of the film “Mountain,” HERE

Film Review: “Uncle Drew”

Starring:  Kyrie Irving, Lil Rel Howery and Shaquille O’Neal
Directed by:  Charles Stone III
Rated:  PG 13
Running time:  1 hour 43 mins
Lionsgate

Our Score: 3.5 out of 5 stars

Lew Alcindor.  Nate Archibald.  Wilt Chamberlain.  Dr. J.

All of these basketball legends got their start by playing in Rucker Park in New York City.  But they all pale in comparison to the greatest streetball player ever…Uncle Drew.

Our story begins on the famous basketball court as it is being prepared for the 50th Anniversary Tournament.  Dax (Howery) is the coach of a team entered and he’s got a secret weapon – a big man named Casper (Aaron Gordon).  Dax goes out of his way to let Casper know he is loved, not wanting to lose him to a flashier (or better) coach.  Dax was, at one time, a promising basketball player, but an incident during a championship game, when a potential game-winning shot was blocked, his round-ball Karma hasn’t been very good.  And it gets worse when his girlfriend kicks him out and Casper runs to a team coached by Mookie (an obnoxious Nick Kroll).  At his wits end, Dax has a chance run-in with the infamous Uncle Drew.  He convinces him to get his original team together to play for chance to be the champs.  Go Moneys!

I don’t know why, but basketball players make good actors.  Michael Jordan in “Space Jam.”  Ray Allen in “He Got Game.”  Kareem Abdul Jabbar in “Airplane.”  Lebron James in “Trainwreck.”  Now you can add to the list current Boston Celtic Kyrie Irving.  Playing a character 40-plus years older than he is, Irving gives a strong, soulful performance.  And he is joined by fellow former superstars Chris Webber, Shaquille O’Neal, Reggie Aloysius Miller (for some reason, whenever I speak of Reggie Miller I like using his full name), Nate Robinson and Lisa Leslie.  On the non-athletic side Howery, who was so good as the TSA employed pal in “Get Out,” continues his good performance streak here.

But the film is about more than basketball.  It’s about family and friendship, and when those values are discussed the film jumps to another level.  And basketball fans in the know will enjoy the humor (C. Webb’s character is reminded often that there are no “time outs” left, Shaq gets to call a fellow teammate that hogs the ball “Kobe”).  What I found funniest was that, even though past great players like Michael Jordan are referred to often, there is not one mention of Irving’s former teammate, Lebron James.  An error of omission or a quiet dig?  Either way, it’s funny.

Interview with Comedian Eric Schwartz

You may have seen comedian Eric Schwartz in hi

1.  Who in the hell is the OTHER Eric Schwartz and how did he beat you to EricSchwartz.com?  He isn’t near as funny as you are.

THANK YOU FOR ASKING THIS QUESTION AND STARTING IT WITH “WHO IN THE HELL…”

Most people don’t realize we’re two completely different people. Yes, two different people, who happen to have the same name, and who happen to both do comedy and music. It’s beyond frustrating–it’s infuriating! But, I have to admit, “the other Eric Schwartz” is a supremely talented musician and brilliant writer.  It’s hard to be mad at the guy when his only crime is not changing the name his parents gave him. At least he’s not out there bringing shame to the name. By the way, I’m pretty sure he calls me, “the other Eric Schwartz,” too.

To make things even more interesting, we actually know each other.  He moved from the East Coast to two blocks from me in L.A. We’ve actually shown up to the same gig before after the booker tagged the us both on Facebook. He once dated someone I knew and she would sometimes accidentally call me all sultry like, “Baby…did you see the moooon tonight?”  I was like, “Yeah, Suzanne. But I’m not taking my clothes off like the last time we talked.”
And yes, one of my biggest career regrets was not grabbing EricSchwartz.com when I was building my first website in 1999.  For some reason, I chose “SuburbanHomeboy.com,” which now forwards to my current site, EricSchwartzLive.com.
2.  How did you get into comedy?
I got hooked on Eddie Murphy, George Carlin, Robin Williams and SNL as a kid. I would do their bits an characters to my friends at school. Everyone already thought of me as a comedian at that point, but I knew I had to start writing material. I was also a DJ, which is where the musical element came in. In college, I put on my own comedy shows in the dorms mixing comedy and music and somehow didn’t get kicked out.
3.  When do you know a joke is working?
Unless my ears take the night off, I can tell right away. The cool thing about a live show is the audience will let you know if it’s working or not.
4.  Follow up – see above
5.  Do you have a good “I put that heckler in his place” story?
Most hecklers are actually having a good time and want to participate. They just go a bit overboard on their approach. But if you ever encounter a mean-spirited heckler, here’s something you can do. Make peace by offering them a free CD. When they thank you, shout, “SEE DEEZ NUTS!”
6.  Besides your tour, what else are you working on.
The Release The Sounds Tour is in support of the audio from my first hour special, “Surrender to the Blender” being re-released to Sirius-XM, as well as digital platforms like Pandora, Spotify, Apple Music and Amazon Music. I’m also working on shooting my second special this year