Adam Lawton, Author at MediaMikes

PROGRESSIVE MUSIC TITANS DREAM THEATER RELEASE MUSIC VIDEO FOR DEBUT SINGLE “INVISIBLE MONSTER” FROM THE UPCOMING ALBUM A VIEW FROM THE TOP OF THE WORLD

Watch the Video For “Invisible Monster” HERE:

THEIR 15th STUDIO ALBUM SCHEDULED FOR WORLDWIDE RELEASE ON OCTOBER 22nd NOW AVAILABLE FOR PRE-ORDER HERE:

Part 1 of the In-Depth Behind The Scenes Interview About The New Album Can Be Seen Here:

As anticipation grows for the release of their 15th studio album, GRAMMY-nominated and millions-selling progressive music titans Dream Theater are releasing the music video for the first official single “Invisible Monster.” The song comes from their upcoming InsideOutMusic / Sony Music album A View From The Top Of The World scheduled for release worldwide on October 22nd. The new track clocks in at 6:27 and showcases the musicianship and creativity that has garnered the band fans around the globe. The video for the song was directed by William “Wombat” Felch (Mudvayne, HellYeah, Crobot, Static-X, Nefariant) and follows the story of an artist’s internal struggles as the band is showcased performing the track. The piece of art created by Felch in the video now lives inside DTHQ. The video for the song can be seen here: https://youtu.be/s0Wmg7Tq4Pk.

“It was written after we’d written a bunch of material. A lot of the music was super energetic and upbeat tempo-wise. Mike suggested we do something a little different though. So, we started working on a more mid-temp song. The hook, riff, and melody changed so naturally. I equate it to ‘Pull Me Under’ back in the day where we’d just start playing, something would come out, and we’d be like, ‘Whoa, that’s cool’. There’s a serendipitous moment where it happens. Lyrically, it’s about how anxiety plagues people. It’s like there’s an invisible monster beating you. You don’t see it, but it’s haunting you all of the time,” explains John Petrucci.

Dream Theater recently released an in-depth behind the scenes interview about the making of A View From The Top Of The World. The interview is a 3-part docuseries hosted by ProgReport Editor In Chief Roie Avin as he interviews the band about creating the new album. The interview takes place at the band’s new headquarters DTHQ – the space where the band recorded their latest album. Part 2 of the interview will be released on September 29th and the final part will be out on October 10th. The first part of the interview is now live and can be seen here: Also, an animated video for album opener “The Alien” (viewed over 1.4 million times) that clocks in at 9:32 was released last month and can be seen here:

A View From The Top Of The World is now available for pre-order in various configurations including a limited Deluxe Box incl. Gatefold 2LP (180g bright gold vinyl) with exclusive alternate cover, limited deluxe 2CD+Blu-ray Artbook with exclusive alternate cover, Zoetrope Slipmat, Beanie, Enamel Keychain, 8 x Artcards, Poster, Hand-Numbered Certificate of Authenticity in a Lift-off Lid Box. The album is also available in a limited Deluxe 2CD+Blu-ray Artbook, Special Edition CD Digipak, Gatefold 180g 2LP+CD+LP-booklet. The Blu-ray contains a 5.1 surround sound mix with full album animations, plus ‘Digging For A Spark – A View From Inside DTHQ’, a specially filmed documentary that gives a glimpse behind the scenes of the band’s new home-base and the making of the new album. The album is also available for pre-order digitally and fans that pre-order the digital version will receive an instant download of “The Alien.” A View From The Top Of The World was produced by John Petrucci, engineered and additional production by James “Jimmy T” Meslin and mixed/mastered by Andy Sneap and available for pre-order here:

Dream Theater – comprised of James LaBrie, John Petrucci, Jordan Rudess, John Myung and Mike Mangini – was in the middle of a sold-out world tour in support of their last release Distance Over Time and the 20th anniversary of Scenes From A Memory when a Global Pandemic brought the world to a stop. The musicians found themselves at home with LaBrie in Canada and the rest of the group in the States. As fate would have it, they’d just finished construction on DTHQ (Dream Theater Headquarters) —a combination live recording studio, rehearsal space, control room, equipment storage, and creative hive. With LaBrie in Canada, he initially wrote with the band via ZOOM on a monitor in DTHQ. In March 2021, he flew down to New York, quarantined, and recorded his vocals face-to-face with Petrucci. The album ultimately threaded together lean and uncompromising hooks with tried-and-true technical proficiency.

The track listing for A View From The Top Of The World is:

1) The Alien (9:32)
2) Answering The Call (7:35)
3) Invisible Monster (6:31)
4) Sleeping Giant (10:05)
5) Transcending Time (6:25)
6) Awaken The Master (9:47)
7) A View From The Top Of The World (20:24)

L to R: John Petrucci, Mike Mangini, James LaBrie, John Myung, Jordan Rudess Photo Credit: Rayon Richards

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VOLBEAT CONFIRM 2022 COHEADLINING ARENA TOUR WITH GHOST

Today, multi-platinum Danish band Volbeat announce their 26-date coheadlining arena tour with Ghost and special guests Twin Temple, coming to cities including Seattle, Denver, Chicago, Houston, and Phoenix (full dates below).

Said the band: “We are so incredibly excited to get back to these cities with a Volbeat headline show, but getting to do it alongside a headline show from our goulish friends in Ghost AND bringing the incomparable Twin Temple with us? How soon will it be January already!? Start getting ready, the thunder and lightning is coming to your town in 2022.”

Tickets for the tour, co-Produced by Live Nation and Frank Productions, are available here on Friday, September 24 at 10am local time. Limited VIP packages will also be available starting at Tuesday, September 21st at 10am ET. Details at volbeat.dk.

Later this week, Volbeat will embark on their first headlining shows in nearly two years. The ten date “Wait A Minute… Let’s Tour” headline run will see the band coming to cities including Atlanta, San Diego, and Los Angeles (full dates below). Special guests The Hu, Twin Temple, and Municipal Waste will be joining them for select dates. The band will also be appearing at Rebel Rock Fest in Orlando, FL, Louder Than Life in Louisville, KY and Aftershock in Sacramento, CA. Tickets for these dates are on sale now here.

Since forming in 2001, Volbeat has gone from the clubs of Copenhagen to headlining stages around the world, including the famed Telia Parken stadium in Denmark (becoming the only domestic artist to ever sell out the venue). Over the course of seven record-breaking albums the band has picked up number one songs (including nine #1s on the US Mainstream Rock chart and counting, the most of any band based outside of North America), multi-platinum certifications, awards and accolades (including a Grammy nomination) all over the planet. Their latest album, Rewind, Replay, Rebound, was released on August 2nd, 2019 and has spawned the hit singles “Last Day Under The Sun,” “Die To Live (feat. Neil Fallon)” and “Leviathan.” A live album featuring songs recorded during the subsequent world tour, Rewind, Replay, Rebound: Live in Deutschland, was released digitally on November 27th, 2020. Most recently, the band shared a “double blast” of brand new songs for the Summer: “Dagen Før (feat. Stine Bramsen)” and “Wait A Minute My Girl.” They also contributed a cover of “Don’t Tread on Me” to The Metallica Blacklist, with all proceeds from the track benefiting the All Within My Hands Foundation and the Børne Cancer Fonden of Denmark.

GHOST/VOLBEAT COHEADLINE TOUR DATES:
Tue, Jan 25, 2022 – Reno, NV – Reno Events Center
Thu, Jan 27, 2022 – Seattle, WA – Climate Pledge Arena
Fri, Jan 28, 2022 – Nampa, ID – Ford Idaho Center Arena
Sat, Jan 29, 2022 – Portland, OR – Veterans Memorial Coliseum
Mon, Jan 31, 2022 – West Valley City, UT – Maverik Center
Wed, Feb 02, 2022 – Denver, CO – Ball Arena
Fri, Feb 04, 2022 – Lincoln, NE – Pinnacle Bank Arena
Sat, Feb 05, 2022 – Minneapolis, MN – Target Center
Mon, Feb 07, 2022 – Columbus, OH – Nationwide Arena
Tue, Feb 08, 2022 – Hershey, PA – GIANT Center
Thu, Feb 10, 2022 – Newark, NJ – Prudential Center
Fri, Feb 11, 2022 – Worcester, MA – DCU Center
Sat, Feb 12, 2022 – Camden, NJ – BB&T Pavilion
Mon, Feb 14, 2022 – Pittsburgh, PA – Petersen Events Center
Tue, Feb 15, 2022 – Toledo, OH – Huntington Center
Wed, Feb 16, 2022 – Grand Rapids, MI – Van Andel Arena
Fri, Feb 18, 2022 – Chicago, IL – Allstate Arena
Sat, Feb 19, 2022 – Cincinnati, OH – Heritage Bank Center
Sun, Feb 20, 2022 – Milwaukee, WI – Fiserv Forum
Mon, Feb 21, 2022 – St. Louis, MO – Chaifetz Arena
Wed, Feb 23, 2022 – Independence, MO – Cable Dahmer Arena
Fri, Feb 25, 2022 – Houston, TX – Smart Financial Centre at Sugar Land
Sat, Feb 26, 2022 – Dallas, TX – Fair Park Coliseum
Mon, Feb 28, 2022 – El Paso, TX – Don Haskins Center
Tue, Mar 01, 2022 – Phoenix, AZ – Footprint Center
Thu, Mar 03, 2022 – Anaheim, CA – Honda Center

VOLBEAT WAIT A MINUTE… LET’S TOUR DATES
Thu, Sept 23, 2021 – Orlando, FL at Rebel Rock Fest
Fri, Sept 24, 2021 – Atlanta, GA at Tabernacle*
Sat, Sept 25, 2021 – Louisville, KY at Louder Than Life
Mon, Sept 27, 2021 – Oklahoma City, OK at The Criterion*
Tue, Sept 28, 2021 – San Antonio, TX at Sunken Garden Amphitheater^
Wed, Sept 29, 2021 – Lubbock, TX at Lonestar Amphitheater^
Sat, Oct 2, 2021 – San Diego, CA at The Observatory North Park # – SOLD OUT
Sun, Oct 3, 2021 – San Diego, CA at The Observatory North Park
Wed, Oct 6, 2021 – Los Angeles, CA at Hollywood Palladium %
Fri, Oct 7, 2021 – Sacramento, CA – Aftershock
Sat, Oct 9, 2021 – Paso Robles, CA at Vina Robles Amphitheatre*
Sun, Oct 10, 2021 – Oakland, CA at The Fox Theater*

* Twin Temple
^ The Hu & Twin Temple
# Municipal Waste & Twin Temple
% Municipal Waste
Itallics denotes festival appearance

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EVERY TIME I DIE SHARE NEW TRACK “PLANET SHIT”

NEW ALBUM RADICAL OUT OCTOBER 22

Photo By: Michael Watson

Buffalo-based hardcore heroes Every Time I Die have unveiled another track in anticipation of their ninth studio album Radical out October 22 via Epitaph. Today, the band unleash “Planet Shit,” which takes an unflinching look at the inevitable social upheaval born of generations of inequity. “I was just calling it like I was seeing it,” expresses vocalist Keith Buckley. The track follows the previously released “Post-Boredom,” “AWOL,” “A Colossal Wreck,” and “Desperate Pleasures.”

Produced and mixed by Will Putney (Acacia Strain, Body Count, The Amity Affliction), Radical is 16 tracks of peak-ETID, alchemized by a swampy summoning of southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing the band as leaders, not followers.

CHECK OUT “PLANET SHIT” NOW
WATCH | LISTEN

While inspired by the unrest and upheaval around the world over the past five years, Radical focuses on humanity, decency, self-worth, and even a bit of spirituality more so than politics.

“I’m dealing with difficult matters this time that isn’t only personal for me but are also universal and more communal experiences,” Keith explains. “The songs are realistic in that they acknowledge that things require a lot of work. But it’s ultimately a very hopeful and uplifting record.”

RADICAL TRACK LISTING
1. Dark Distance
2. Sly
3. Planet Shit
4. Post-Boredom
5. A Colossal Wreck
6. Desperate Pleasures
7. All This And War
8. Thing With Feathers
9. Hostile Architecture
10. AWOL
11. The Whip
12. White Void
13. Distress Rehearsal
14. sexsexsex
15. People Verses
16. We Go Together

Every Time I Die has a handful of tour dates throughout the rest of 2021 including their holiday extravaganza, ‘TID The Season taking place in their hometown of Buffalo, NY on December 10 & 11. The band has also just announced that they will support post-hardcore band Underoath on the road early next year. Tickets are on sale now. For more information, visit https://everytimeidie.net/.

EVERY TIME I DIE TOUR DATES
2021
9/23 Memphis, TN Growlers
9/24 Birmingham, AL Furnace Fest
12/10-11 Buffalo, NY ‘TID The Season

2022
supporting Underoath
2/18 Dallas, TX Southside Ballroom
2/19 Houston, TX Bayou Music Center
2/20 San Antonio, TX The Aztec Theatre
2/23 Phoenix, AZ The Van Buren
2/24 Los Angeles, CA The Wiltern
2/25 Anaheim, CA House of Blues
2/26 San Francisco, CA The Warfield
2/28 Seattle, WA Showbox SODO
3/1 Vancouver, BC The Vogue Theater
3/2 Spokane, WA Knitting Factory
3/4 Salt Lake City, UT The Complex
3/5 Denver, CO The Ogden Theatre
3/7 Minneapolis, MN The Fillmore
3/8 Chicago, IL Radius
3/9 Detroit, MI The Fillmore
3/11 Toronto, ON History
3/12 Cleveland, OH Agora
3/13 Wallingford, CT The Dome
3/14 Boston, MA House of Blues
3/15 Pittsburgh, PA Stage AE
3/17 Brooklyn, NY Brooklyn Steel
3/18 Silver Spring, MD The Fillmore
3/19 Philadelphia, PA The Fillmore
3/20 Sayreville, NJ Starland Ballroom
3/22 Cincinnati, OH ICON
3/23 Charlotte, NC The Fillmore
3/25 Atlanta, GA Tabernacle

Every Time I Die is Keith Buckley (vocals), Jordan Buckley (guitar), Andy Williams (guitar), Steve Micciche (bass), and Clayton “Goose” Holyoak (drums).

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GWAR’s “Scumdogs Live” out Today on Pit Records!

“Scumdogs” 30th Anniversary Tour Starts Thursday September 16th

Rejoice humans! The day you’ve been waiting for is here! GWAR have released “Scumdogs Live!” an epic live event, filmed in the basement of GWAR’s Antarctican fortress, now available for you to own on Double LP, Blu-Ray/DVD/CD and cassette. What? You haven’t picked up a copy? Act now to spare your life! You can still order one HERE.

The band’s lead singer, the Berzerker Blóthar sez: “In making this recording, we spared no expense to recreate the atmosphere of those early tours for Scumdogs of the Universe. You can really hear the urgency and drive that comes from a group of rockstar primadonnas, worn down from truckstop love affairs and running dangerously low on shitty cocaine, frozen chicken chimichangas and fortified wine. I had forgotten how powerfully stupid these songs really are, but we managed to capture that perfectly!”

“It was a great honor to don the armor of my fallen comrade, Flattus Maximus, and perform the songs from Scumdogs. Unfortunately I shall be searching the galaxy for an audience worthy of indulging in the soundwaves captured on this audio recording. Until I find them, I suppose Earthlings can take this record for spin,” added guitarist Pustulus Maximus.

Coinciding with this release, GWAR is streaming a performance video of “Sick of You,” from “Scumdogs Live!” Watch the video HERE.

All worked up from seeing that clip? Answer the call to worship at the feet of your Lords and Masters “in person” when GWAR returns to the road on September 16th in Richmond, VA. This short run features a stop at RiotFest and headline dates featuring support from Madball and Eyehategod. The band then returns to the road October 28th in Norfolk, VA through December 14th New York, NY. Support on this run comes from Napalm Death and Eyehategod.

Tour Dates:

$ – with Madball / Eyehategod supporting
x – with Napalm Death / Eyehategod supporting
# – Festival
9/16/21 – Richmond, VA – The National $
9/17/21 – Columbus, OH – Newport Music Hall #
9/18/21 – Chicago, IL – RiotFest @ Douglas Park $
9/19/21 – Pittsburgh, PA – Mr. Smalls $
10/28/21 – Norfolk, VA – The Norva x
10/29/21 – Worcester, MA – The Palladium x
10/30/21 – Philadelphia, PA – Franklin Music Hall x
10/31/21 – New York, NY – Irving Plaza x
11/1/21 – Baltimore, MD – Baltimore Soundstage x
11/2/21 – Buffalo, NY – Town Ballroom x
11/4/21 – Milwaukee, WI – The Rave x
11/5/21 – Detroit, MI – Crofoot Ballroom x
11/6/21 – Indianapolis, IN – The Vogue x
11/7/21 – Cleveland, OH – House of Blues x
11/8/21 – Toronto, ON – The Opera House x
11/10/21 – Asheville, NC – Orange Peel x
11/11/21 – Cincinnati, OH – Bogarts x
11/12/21 – Atlanta, GA – The Masquerade x
11/13/21 – Daytona Beach, FL – Welcome to Rockville #
11/14/21 – Pensacola, FL – Vinyl Music Hall x
11/15/21 – Houston, TX – Warehouse Live x
11/16/21 – Dallas, TX – Gas Monkey Bar & Grill x
11/18/21 – Albuquerque, NM – Sunshine Theater x
11/19/21 – Tucson, AZ – Rialto Theater x
11/20/21 – Las Vegas, NV – House of Blues x
11/21/21 – Los Angeles, CA – The Belasco Theater x
11/22/21 – San Francisco, CA – The Regency Ballroom x
11/23/21 – Ventura, CA – Ventura Theater x
11/24/21 – Santa Ana, CA – The Observatory x
11/26/21 – Reno, NV – Virginia Street Brewhouse x
11/27/21 – Boise, ID – Knitting Factory x
11/28/21 – Portland, OR – Crystal Ballroom x
11/30/21 – Seattle, WA – Showbox SODO x
12/1/21 – Vancouver, BC – Commodore Ballroom x
12/3/21 – Calgary, AB – MacEwan Hall x
12/4/21 – Edmonton, AB – Midway Bar x
12/6/21 – Billings, MT – Pub Station
12/7/21 – Denver, CO – The Oriental Theater x
12/8/21 – Lawrence, KS – Granada Theater x
12/9/21 – Minneapolis, MN – First Avenue x
12/10/21 – Lincoln, NE – The Bourbon Theatre x
12/11/21 – Sauget, IL – Pop’s x
12/13/21 – Washington, DC – 9:30 Club x
12/14/21 – New York, NY – Irving Plaza x

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The NAMM Show Announces Return to Anaheim in June 2022

Global industry homecoming to present three days of transformative business opportunities, know-how and connections at once-in-a-lifetime gathering.

Today, The National Association of Music Merchants (NAMM) announced that The NAMM Show, the annual “family reunion” of the global music, sound, and entertainment technology industry, will reconvene in Anaheim, California at the Anaheim Convention Center on June 3–5, 2022. Previously scheduled for January 20–23, the new dates will offer global industry leaders, buyers, sellers, music educators, artists, media, and music makers the opportunity to reconnect and renew their businesses while taking greater advantage of reimagined indoor and outdoor events, activations, professional development sessions, an expanded digital reach, and more at the crossroads of business opportunity.

Joe Lamond, NAMM President and CEO, says, “The industry has not stopped evolving and innovating during the pandemic, and The NAMM Show is evolving, as well. As the health and safety of our members remains top of mind, and after carefully listening to companies here in the U.S. and around the world, the new dates will help members maximize their opportunities and accelerate what has arguably been a transformative time both in new products and in how they come to market. I imagine this gathering will have the kind of impact of a Beatles moment or the introduction of MIDI—definitely one you will not want to miss.”

The news of the return of the Show and the change in dates addresses ongoing concerns about pandemic activity, new product development and launches, available in-store inventory, and current travel restrictions. The announcement was met with support and enthusiasm from business leaders across the industry.

“The NAMM Show is the best opportunity of the year for Yamaha to reach our dealers, end-user customers, and the music industry as a whole. It’s the one place where the new products from across our brands meet the global industry, and we can’t wait to get together in June,” shares Tom Sumner, President of Yamaha Corporation of America.

“No matter when NAMM happens, Shure is excited about the industry finally getting together to engage with each other at this important event,” comments Abby Kaplan, Vice President of Global Retail Sales for Shure Incorporated. Mark Terry, CEO, Exertis/JAM US Music Group, shares the same sentiment: “[NAMM] has made a great decision on moving the show to June. This move ensures that it will be a very successful show for vendors and dealers. We certainly plan on being there!”

“At Taylor Guitars, we applaud innovative ideas as we all attempt to navigate these unusual times,” affirms Barbara Wight, CFO of Taylor Guitars. “Since its days in the ballroom of the Disneyland Hotel, The NAMM Show has always been an invaluable platform for us to launch new products and deepen our connections with our treasured retailers, suppliers and fans. We see this change to June as a smart opportunity to try something new, and we’re looking forward to being back together with our industry family.”

“Global travel restrictions continue to be unpredictable and challenging for our industry. Rescheduling the NAMM Show to June is absolutely the right call,” comments David Via, Zoom North America Vice President of Marketing.

John Hopkins, President and CEO of Sweetwater, shares, “One of our priorities here at Sweetwater is creating content and providing information to our customers about new products — we want them to have immediate, up-to-the-minute news about the latest gear and innovations. The NAMM Show brings us all together and provides an ideal platform for this each year. And this year, we’re excited that there will be even better synergy between the new NAMM Show dates and our own annual GearFest event. It’s a big win for our customers.”

Jamie Deering, CEO of Deering Banjos, notes, “The NAMM Show has been an integral part of our family business’s growth since our founding in 1975. All the work they have done to help our industry has been immensely appreciated. I commend the care they are giving to do all they can in making next year’s show safe and inclusive, and we are excited to be a part of this new, reimagined launch. It’s a chance to not only reconnect with our industry and music friends in a place and event that we love but to take a fresh look at the global market and to move forward together.”

“We fully support NAMM’s decision to move the 2022 NAMM Show to June,” says Larry Morton, CEO of Hal Leonard. “Not only does this make sense from a public safety standpoint, but the June timing gives the entire music products industry an opportunity to put the pandemic behind us. Hal Leonard will work hard to transform and elevate The 2022 NAMM Show experience for our customers.”

Chair and Founder of Bandit Lites, Michael Strickland, echoes the sentiment: “The one certain fact about COVID is the uncertainty. I applaud Joe Lamond and the great people at NAMM for making the decision to pause the show, as in the long run, it works to provide a better, more robust NAMM 2022. The importance of The NAMM Show can never be diminished, and we must deliver the complete show and not some muted version. Thank you, NAMM.”

Sammy Ash, President of Sam Ash Music, shares that “I, for one, am glad they moved the show to June. With a little luck, Covid will be better contained worldwide, so we can have all the exhibitors present. Personally, I like L.A. in the winter—I’m from New York—but the pandemic has created opportunities for change in everything we do. I think this is a prudent move, and we’ll be there in force!”

The largest NAMM Show in the history of the organization took place in January 2020, when the Show welcomed 115,888 members and industry professionals and more than 7,000 brands. The show also hosted 350 professional development sessions, numerous live events, networking opportunities and concerts each evening on the Grand Plaza, as presented by Yamaha.

With the move of The 2022 NAMM Show to June, the organization has decided not to hold Summer NAMM in Nashville, Tennessee, for the 2022 year, effectively combining the two shows.

On Friday, January 21, the organization will host a one-day global livestreamed event: Believe in Music: The online global gathering to unify and support the people who bring music to the world. Building on the success of this year’s Believe in Music week, the livestreamed event will again welcome leaders across the industry, music educators, and music makers to connect in a live, online setting and take part in sessions and experiences. In total, 2021’s Believe in Music week welcomed 93,226 industry professionals and attendees from 187 countries and territories to support those who bring music to the world through nearly $500,000 in charitable donations made by participants and generous donors. Read the release here: https://www.namm.org/news/press-releases/believe-music-week-online-global-gathering-unify

Additional details of The 2022 NAMM Show and Believe in Music day will be released in the weeks to come. Please visit NAMM.org or follow the conversation on social media with #NAMMShow for the latest news. To learn about the health and safety measures that will be put in place to help reunite our industry, please visit our Safe and Sound site: https://www.namm.org/thenammshow/2022/safe-and-sound.

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Filed Under: Music, Music Headlines Tagged With: 2022, anaheim, announces, june, namm, return, ...

OVERKILL ‘THE ATLANTIC YEARS 1986 -1994’ VINYL AND CD BOX SETS TO BE RELEASED ON 29TH OCTOBER 2021.

WATCH THE UNBOXING HERE
PRE-ORDER IS LIVE NOW HERE

An integral part of the early-’80s thrash metal movement that spawned acts like Metallica and Anthrax, New Jersey’s Overkill garnered a reputation for brutal, pounding speed and technique. Taking their moniker from the 1979 Motörhead album of the same name, an early demo; Power in Black, made waves in the underground tape-trading circuit and caught the attention of Megaforce Records, which issued the band’s full-length studio debut, Feel the Fire, in 1985. High-profile shows alongside luminaries like Slayer and Anthrax followed, and with the American thrash scene in full tilt, Overkill inked a major-label deal with Atlantic, which put out their sophomore effort, 1987’s uncompromising Taking Over. This was followed quickly in 1988 by the equally uncompromising, Under The Influence which spawned the MTV hit, ‘Hello From The Gutter’. Continuing their breakneck pace, the band issued the Terry Date -produced Years of Decay the following year in 1989, which saw them pushing their sound in a more epic direction, while maintaining the neck-snapping attack of their debut. Expanding their lineup to a five piece in 1990 they released the brooding and relentlessly heavy Horrorscope, which introduced elements of doom into the mix and would go on to become a defining release and fan favorite. Overkill continued to move toward a more epic Sabbath style on 1993’s I Hear Black but switched up again on 1994’s W.F.O. which marked a return to the whiplash-inducing thrash of the past.

Overkill are held in high regard as one of the true greats of the global metal scene, one they dominate to this day. These six albums cemented Overkill in the thrash hall of fame, while contributing to their 16 million record sales, notched up over the last 40 years and are all considered stone cold classics.

All six of these albums are back on vinyl for the first time in over a decade. Half speed mastered for dynamic range and pressed on 180g vinyl. Also available as a CD collectors box.

The Atlantic Years 1986 to 1994 contains :
TAKING OVER
UNDER THE INFLUENCE
THE YEARS OF DECAY
HORROSCOPE
I HEAR BLACK
W.F.O.

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Filed Under: Music, Music Headlines Tagged With: 1986, 1994, 2021, 29th, atlantic, box, ...

JERRY CANTRELL ANNOUNCES NORTH AMERICAN TOUR

HIS NEW LP, BRIGHTEN
OUT ON OCTOBER 29, 2021

TOUR BEGINS MARCH 24, 2022

TICKETS AVAILABLE HERE
(BEGINNING FRIDAY, AUGUST 27 10:00 AM LOCAL TIME)
WATCH THE TOUR ANNOUNCEMENT HERE

LISTEN TO FIRST SONG FROM BRIGHTEN: “ATONE”
WATCH THE VIDEO
PRE SAVE LINK https://hoo.be/jerrycantrell

Photo Credit: Jonathan Weiner

Singer, songwriter, guitarist, and Alice In Chains co-founder Jerry Cantrell today announces a North American tour beginning on
March 24, 2022 in support of his soon to be released album Brighten. Tickets are on sale Friday, August 27 at 10:00 AM local time.

The upcoming tour follows the release of his first song from Brighten, “Atone”, which was met with praise from fans and critics. Rolling Stone writer Jon Blistein said, “Atone” is a heavy track, although it’s undergirded by a sinister twang while the guitar riffs hit with grit and menace, as well as a bit of psychedelic unease. “Running out of time,” Cantrell wails right before the hook, “Gotta find a way to atone/Gotta find a way to atone/Trying to find a way to atone.”

Jerry’s expansive sonic palette incorporates everything from moments of moody organ and powerful pedal steel to the cathartic choruses and airtight riffs which is the hallmark of Cantrell’s sound.

The tour kicks off at the legendary First Avenue in Minneapolis and will wind its way across the country hitting major cities such as Chicago, Detroit, Nashville, NY, Philadelphia, Seattle and Los Angeles to name a few. See full tour routing below.

Tickets for the Brighten Tour are available via Ticketmaster and wherever tickets are sold.

Over the past year, Jerry co-produced Brighten with film composer Tyler Bates [300, John Wick] and long-time Engineer Paul Fig. Reflecting a classic spirit, they welcomed a dynamic cast of supporting players, including drummers Gil Sharone and Abe Laboriel, Jr. (Paul McCartney), Duff McKagan [Guns N’ Roses, Loaded] on select bass tracks, Greg Puciato [Dillinger Escape Plan] handling all of the backing vocals along with Lola Bates, pedal steel master Michael Rozon, Vincent Jones on piano, Wurlitzer, and organ, Jordan Lewis on piano, Matias Ambrogi-Torres on strings, and Joe Barresi [Tool, Queens of the Stone Age] overseeing the mixing of Brighten.

Brighten is available for pre-order and will be offered in an exclusive bone with gold splatter color 180 gram vinyl via Jerry’s webstore. CDs are also available in the webstore for pre-order. Pre-order and pre-save—HERE.

JERRY CANTRELL 2022 NORTH AMERICAN TOUR DATES

Thu-Mar-24 Minneapolis First Avenue
Sat-Mar-26 Chicago The Vic Theatre
Mon-Mar-28 Detroit St. Andrews Hall
Tue-Mar-29 Toronto History
Thu-Mar-31 Pittsburgh Roxian Theatre
Sat-Apr-02 Atlantic City Music Box @ Borgata
Sun-Apr-03 Philadelphia Theatre of Living Arts
Tue-Apr-05 New York Irving Plaza
Wed-Apr-06 Boston Big Night Live
Fri-Apr-08 Baltimore Rams Head Live
Sat-Apr-09 Raleigh The Ritz
Sun-Apr-10 Charlotte Fillmore
Tue-Apr-12 Orlando House of Blues
Wed-Apr-13 St. Petersburg Jannus Live
Fri-Apr-15 Atlanta Tabernacle
Sun-Apr-17 Nashville Ryman Auditorium
Tue-Apr-19 New Orleans Fillmore
Thu-Apr-21 Dallas House of Blues
Fri-Apr-22 San Antonio Aztec Theatre
Sat-Apr-23 Houston House of Blues
Mon-Apr-25 Oklahoma City Diamond Ballroom
Wed-Apr-27 Denver The Summit
Thu-Apr-28 Salt Lake City The Depot
Sun-May-01 Portland Roseland Theater
Mon-May-02 Seattle Moore Theatre
Wed-May-04 Sacramento Ace of Spades
Thu-May-05 Los Angeles Belasco Theatre
Sat-May-07 Las Vegas House of Blues
Sun-May-08 San Diego House of Blues

Brighten Track List
Atone
Brighten
Prism of Doubt
Black Hearts and Evil Done
Siren Song
Had To Know
Nobody Breaks You
Dismembered
Goodbye

The Cast of Players on Brighten
Jerry Cantrell – Guitar, bass, vocals, keys
Greg Puciato – Backing vocals
Duff McKagan – Bass
Gil Sharone – Drums
Abe Laboriel Jr. – Drums
Tyler Bates – Strings, percussion, guitar
Vincent Jones – Piano, keys, & strings
Jordan Lewis – Piano
Michael Rozon – Pedal steel
Lola Bates – Backing vocals
Matias Ambrogi-Torres – Strings

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METALLICA: Three More New Tracks Available With Album Pre-Orders

METALLICA

THE BLACK ALBUM REMASTERED

THE METALLICA BLACKLIST ALBUM FEATURING 53 ARTISTS

Join Jason Newsted in Unboxing the Black Album Limited Edition Deluxe Box Set HERE

Celebrate The 30th Anniversary Of The Black Album Your Way September 10th

Two New Instant Gratification Tracks Now Available With The Metallica Blacklist Album Pre-Orders:

“Of Wolf and Man” by Goodnight, Texas

“Sad But True” by Royal Blood

New Instant Gratification Track Now Available With The Black Album Pre-Orders:

“Of Wolf and Man (Mannheim, Germany – May 22, 1993)”

100% of The Metallica Blacklist sales will benefit 52 charities.

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EVERY TIME I DIE ANNOUNCE NEW ALBUM “RADICAL” AND TOUR

RADICAL
OUT OCTOBER 22

SHARE NEW TRACK “POST-BOREDOM”
WATCH | LISTEN

Buffalo-based hardcore heroes Every Time I Die have just announced their highly anticipated ninth studio album Radical out October 22 via Epitaph. Produced by Will Putney (Acacia Strain, Body Count, The Amity Affliction), Radical is the follow-up to 2016’s acclaimed Low Teens.

Today, the band shares “Post-Boredom,” a mixture of the nihilistic realism and persistent irritated optimism that powered punk rock in the late ‘70s and post-hardcore in the early ‘90s. “’Post-Boredom’ was the first song I ever wrote that gave me the feeling of real Truth,” explains vocalist Keith Buckley. “I wasn’t hiding any secret confessions in metaphors, I was very much fed up with living an unfulfilling life and felt that I needed a death (either figuratively or literally) in order to have a fighting chance at finding new meaning. I see this song from a distance. It’s reflective but also, finally, detached. not a full ego death, but indicative that the process needed to start immediately in my own life. If you read the lyrics and it resonates with you, then you also need to recognize that you might be feeling unseen in your current form. So, what are YOU going to do about it if given the gift of death?”

CHECK OUT “POST-BOREDOM” NOW
WATCH | LISTEN

While inspired by the unrest and upheaval around the world over the past five years, Radical focuses on humanity, decency, self-worth, and even a bit of spirituality more so than politics.

“I’m dealing with difficult matters this time that isn’t only personal for me but are also universal and more communal experiences,” Keith explains. “The songs are realistic in that they acknowledge that things require a lot of work. But it’s ultimately a very hopeful and uplifting record.”

Radical is 16 tracks of peak-ETID, alchemized by a swampy summoning of southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing the band as leaders, not followers.

TRACK LISTING
1.    Dark Distance
2.    Sly
3.    Planet Shit
4.    Post-Boredom
5.    A Colossal Wreck
6.    Desperate Pleasures
7.    All This And War
8.    Thing With Feathers
9.    Hostile Architecture
10.  AWOL
11. The Whip
12. White Void
13. Distress Rehearsal
14. sexsexsex
15. People Verses
16. We Go Together

Every Time I Die has a handful of tour dates throughout the rest of 2021 including their holiday extravaganza, ‘TID The Season taking place in their hometown of Buffalo, NY on December 10 & 11. The band has also just announced that they will support post-hardcore band Underoath on the road early next year. Tickets are on sale Friday, August 20 at 10am local time. For more information, visit https://everytimeidie.net/.

EVERY TIME I DIE TOUR DATES 2021
8/28           Worcester, MA      The Palladium*
9/23           Memphis, TN        Growlers
9/24           Birmingham, AL    Furnace Fest
12/10-11   Buffalo, NY            ‘TID The Season
* supporting The Ghost Inside

2022
supporting Underoath
2/18         Dallas, TX                    Southside Ballroom
2/19         Houston, TX                 Bayou Music Center
2/20         San Antonio, TX           The Aztec Theatre
2/23         Phoenix, AZ                 The Van Buren
2/24         Los Angeles, CA          The Wiltern
2/25         Anaheim, CA                House of Blues
2/26         San Francisco, CA       The Warfield
2/28         Seattle, WA                  Showbox SODO
3/1           Vancouver, BC             The Vogue Theater
3/2           Spokane, WA               Knitting Factory
3/4           Salt Lake City, UT        The Complex
3/5           Denver, CO                  The Ogden Theatre
3/7           Minneapolis, MN          The Fillmore
3/8           Chicago, IL                   Radius
3/9           Detroit, MI                    The Fillmore
3/11         Toronto, ON                 History
3/12         Cleveland, OH              Agora
3/13         Wallingford, CT            The Dome
3/14         Boston, MA                  House of Blues
3/15         Pittsburgh, PA              Stage AE
3/17         Brooklyn, NY                Brooklyn Steel
3/18         Silver Spring, MD         The Fillmore
3/19         Philadelphia, PA          The Fillmore
3/20         Sayreville, NJ               Starland Ballroom
3/22         Cincinnati, OH              ICON
3/23         Charlotte, NC               The Fillmore
3/25         Atlanta, GA                   Tabernacle

Every Time I Die is Keith Buckley (vocals), Jordan Buckley (guitar), Andy Williams (guitar), Steve Micciche (bass), and Clayton “Goose” Holyoak (drums).

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Album Review: Stone Temple Pilots “Tiny Music…Songs From the Vatican Gift Shop” Super Deluxe Edition

“Tiny Music…Songs From the Vatican Gift Shop” Super Deluxe Edition

Stone Temple Pilots

Rhino

3 Cd’s, 1 LP

Our Score: 4 out of 5 stars

Released originally on March 26, 1996, “Tiny Music…Songs From the Vatican Gift Shop” was Stone Temple Pilots third studio release and the follow up to the bands 1994 sophomore release “Purple”. “Tiny Music…” would was a huge success achieving double-platinum status and yielding three #1 hits – “Big Bang Baby,” “Lady Picture Show,” and “Trippin’ On A Hole In A Paper Heart.” To celebrate these achievements Rhino Records have release a “Super Deluxe Edition” of the album which includes a newly remastered version of the original studio album on both CD and vinyl, plus unreleased early versions of tracks, instrumentals, and alternate takes along with a complete concert recording from 1997 which all come housed in a colorful chromatic gatefold.

Easily one of the biggest bands of the nineties Stone Temple Pilots churned out hit after hit across four different albums, with three of those hits coming specifically from “Tiny Music…”. Given the albums achievements a special re-release was certainly fitting. Housed in a reflective gatefold adorned with the album’s original artwork the releases instantly grab’s the listener even before playing its first note. Upon opening the album, the release is separated into two sections. On the left you have the newly remastered LP of the record along with an oversized version of the liner notes which include lyrics and some great photos of the band from this era. The 180g LP remaster is crisp and pronounced which pairs nicely with the broad instrumentation and sounds on tracks like “Pop’s Love Suicide”, “Lady Picture Show” and the instrumental track “Daisy”.

On the right side of the collection are 3 different colored CD’s. Disc 1 is the remastered CD version of the album which includes all the same qualities of the LP version but in a more portable format. Disc 2 features previously unreleased, alternate versions of each of the albums 12 tracks including one additional song (“Kretz’s Acoustic Song”). What I really enjoyed about this was that the track listing remained virtually the same as the studio release however, the alternate versions of each song brought a newness to the album that made it fresh while still retaining the structure and feel of the original. Often “previously unreleased” material is kept from the public for a reason and then when it is finally released often it’s done so as sort of an afterthought and it is lacking structure. This was not the case here. Disc 3 was easily my favorite of three as it is home to a previously unreleased live show from Spring break 1997. The band sounds strong and it’s great to hear the “Tiny Music…” songs performed live alongside other classic STP songs like “Crackerman”, “Vasoline” and “Interstate Love Song”. The only downside here is that I wish they had chosen a different show to include. Don’t get me wrong the one chosen is great however having been fortunate enough to see the band on the “Tiny Music…” tour it would have been great to have been able to relive more of that live show experience especially the mid-show acoustic sets they were doing at the time.

From front to back the “Tiny Music…Songs From the Vatican Gift Shop” Super Deluxe Edition is a nicely put together piece for Stone Temple Pilot fans. Even if you already have a copy of the original “Tiny Music…” album the newly re-mastering is certainly worth checking out but, where you will really find interest is the two discs containing brand new unreleased material. This is where the release really shined and the only thing I found lacking in this section was unlike the original album which included the liner notes and photos which accompanied the release in 1997 there was nothing visual to correspond with the studio outtakes and live performance. Had something additional like that been included this set would have been an instant homerun.

TINY MUSIC … SONGS FROM THE VATICAN GIFT SHOP: SUPER DELUXE EDITION

3-CD/1-LP Track Listing

Disc One: Original Album 2021 Remaster

“Press Play”
“Pop’s Love Suicide”
“Tumble In The Rough”
“Big Bang Baby”
“Lady Picture Show”
“And So I Know”
“Trippin’ On A Hole In A Paper Heart”
“Art School Girl”
“Adhesive”
“Ride The Cliché”
“Daisy”
“Seven Caged Tigers”

Disc Two: Early Versions, Instrumentals, & Alternate Mixes

“Press Play” – Full Length Version *
“Pop’s Love Suicide” – Early Version *
“Tumble In The Rough” – Early Version *
“Big Bang Baby” – Early Version *
“Lady Picture Show” – Early Version *
“And So I Know” – Early Version *
“Trippin’ On A Hole In A Paper Heart” – Early Version *
“5 Or 4 Times (Art School Girl)” – Early Version *
“Adhesive” – Instrumental *
“Ride The Cliché” – Instrumental *
“Seven Caged Tigers” – Early Version *
“Big Bang Baby” – Alternate Version *
“Trippin’ On A Hole In A Paper Heart” – Percussion Mix *
“Art School Girl” – Jaw Harp Version *
“Kretz’s Acoustic Song” *

Disc Three: Live at Club La Vela, Panama City Beach, FL (3/14/97)

“Crackerman” *
“Meatplow” *
“Tumble In The Rough” *
“Vasoline” *
“Wicked Garden” *
“Trippin’ On A Hole In A Paper Heart” *
“Plush” *
“Big Empty” *
“Interstate Love Song” *
“Lady Picture Show” *
“Unglued” *
“Big Bang Baby” *
“Dead & Bloated” *
“Sex Type Thing” *

* previously unreleased

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“This is GWAR” Feature Length Documentary to Debut at This Year’s Fantastic Fest September 23rd-30th in Austin, TX

“This is GWAR,” is the powerful story of the most iconic heavy metal/art collective/monster band in the universe, as told by the humans who have fought to keep it alive for over thirty years. The film will premiere at this year’s Fantastic Fest in Austin, TX.

The feature documentary includes interviews with the band members, both past and present, as well as other artists including Weird Al Yankovic, Thomas Lennnon, Alex Winter, Bam Margera, and Ethan Embry, including never before seen footage of legendary GWAR frontman Dave Brockie.

Bob Gorman, author of Let There Be GWAR (2015), and long time artist and performer for GWAR had this to say about the film; “The story that emerges shows the trials and tribulations of GWAR. The founders of this band deserve credit, and that perspective is in there, but it also follows the story of those who have lived with the band and sought to keep it alive these many years.”

Directed by Scott Barber (Orange Years: The Nickelodeon Story), with producers Tommy Avallone (Bill Murray Stories), and Josh Goldbloom (V/H/S/94). Executive Producers include Bill Parks, Zach Blair, Matthew Helderman, and Luke Taylor. The film was edited by Casey Matthews.

Don’t miss GWAR this Fall on the “Scumdogs 30th Anniversary” tour, featuring support from Napalm Death, Eyehategod and Madball on selected dates. See a complete list of shows and purchase tickets HERE

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Singer Malia J Talks About Her Cover of Nirvana’s “Smells Like Teen Spirit” and Her Upcoming Debut EP “Reflections”

Malia J is a singer, songwriter with nearly 2 million views on YouTube and an astounding 3 million streams on Spotify. Malia J’s works have appeared in series such as “The Handmaid’s Tale”, “Night Stalker: The Hunt for a Serial Killer” and most recently Marvel’s “Black Widow” starring Scarlett Johansson. Media Mikes had the chance to speak with Malia J recently about how she got her start in music, the idea behind her style and her upcoming debut EP titled “Reflections”.

Adam Lawton: Can you give us some background on how you first became interested in music?

Malia J: When I first got involved with music goes back to about the time, I was four years old. My mom heard me singing in the car and thought that I had a voice like an angel, so she immediately put in voice lessons. As I got older, I sang in choir and in middle school I took up the oboe. During this I got scholarships to go to Interlocken Arts Academy during the summers and continued to sing at my local church. While I was doing that, I met a touring artist by the name of Paul Wilbur. I was singing and playing oboe and he asked me to go on tour with him. While on tour I realized that I just didn’t want to only do singing and oboe. During the tour one of the lead singers had gotten sick and that’s when I realized how much I enjoyed singing lead. When I got home that’s when I made the decision that I wanted to be a professional musician.

AL: At what time did you start writing your own material?

MJ: I had started writing while I was out on tour. About halfway through the tour I started opening for Paul Wilbur. Paul gave me the opportunity to choose a guitarist to come along with me, so I invited this guy I really like but when it came time to head to Italy this guy didn’t end up going. I was very upset that I had gotten stood up. I started writing about my feelings towards these events and ended up picking up the guitar since this guy didn’t show up.

AL: Were you writing primarily based off your orchestral experience?

MJ: I would say a lot of it came from me journaling. I wanted to make what I was writing down into music and add melody to these entries and poems. I think being classically trained gives you an extra layer of knowledge when it comes to music. During the time you are training you spend many hours working on music. I think that training certainly helped me with my song writing.

AL: At what point did the idea of re-working popular songs into your own style come about?

MJ: That came around the same time as when I was covering these songs. I was living in Los Angeles and writing pop songs. I knew I wanted to be an artist and write songs. These pops songs were the typical kinds you hear on the radio but, they just weren’t clicking with the labels or people I would show them to. From there I started covering songs with a darker production style and that really started coming together when I met Think Up Anger. At the time he was just doing sound effects for different productions and we decided to do a song. I laid the song out in this dark way and he produced it so that’s how the sound was created.

AL: How does the writing and arrangement process work for you?

MJ: I generally start with deciding what song we are going to cover. I will then lay it out on the piano or guitar. From there I will take it to a producer, and they will start adding all the eerie sounds. I like to experiment as much as I can but the key to the song is very important. I always want to make sure that I am staying true to the meaning of the song.

AL: How do you go about selecting a song?

MJ: “Smells Like Teen Spirit” started out as an experiment. We had already done a couple other songs in this style and I had the idea to try this Nirvana song. It’s one of my favorite songs and Think Up Anger thought it was a good idea. That choice came out of loving that song so much. Other times Think Up Anger and I choose songs based on if we think they could be creepy or not. (Laughs) With music lyrics can be dark and emotional yet have fun production behind them. I tend to lean toward songs that are cool and beautiful that even after we make them creepy people will still recognize them.

AL: When did the option to have these songs submitted for film use come along?

MJ: When we started doing these Think Up Anger and I both agreed that it could be fun to send these songs out for use in films and television. We sent them first to a couple different companies and trailer houses. The first one I ever got was for Discovery Channels “Racing Extinction” which is part of Shark Week. What’s cool is I think we were one of the first people to experiment in this way. We like to call it “Cine-Pop”.

AL: I know you are working on releasing your debut EP. Can you tell us about that?

MJ: Having been creating now for many years I believe these are the best songs I have put together. Lots of things inspire me. From heartbreak and anxiety to female empowerment those are all topics I cover. The most recent song written for the EP was done after learning about black widows and that’s titled “She’s the One”. The production is very similar to that of “Smells Like Teen Spirit”. There are songs some songs that have more pop elements to them as well. I worked with an incredible song writer named Charlie Midnight. He wrote the song “Living In America” that James Brown sang. I met him on the Sunset Strip one day and we decided to work on this song “If You Had Me”. I am very excited about that one.

AL: Aside from the upcoming EP release do you have any other projects in the works that we can be watching for?

MJ: I have two music videos’ coming out one of is for “Smells Like Teen Spirit”. That one is being edited as we speak. Everyone is working hard to get this video out. The other video is going to be for the single I choose and that will be an original song. I also have a livestream with Amazon that is scheduled for August 10^th at 2pm PST. I am very excited for that.

For more information on Malia J you can visit @Maliajmusic across all social media platforms and at her official website at www.maliajmusic.com

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Rocklahoma Daily Band Lineups Announced Single Day Tickets On Sale Friday, July 30 At 10:00 AM CT

2021 Celebrates America’s Biggest Labor Day Weekend Party

Friday, September 3, Saturday, September 4 & Sunday, September 5

At Pryor Creek Music Festival Grounds in Pryor, Oklahoma

The daily band lineups have been announced for Rocklahoma, taking place on Friday, September 3, Saturday, September 4, and Sunday, September 5 at Pryor Creek Music Festival Grounds in Pryor, Oklahoma, just outside of Tulsa.

Previously taking place over Memorial Day Weekend, Rocklahoma will celebrate America’s biggest Labor Day Weekend Party in 2021. Now in its 15th year, the three-day camping festival features some of today’s top rock artists, including Slipknot, Limp Bizkit, Rob Zombie, Chevelle, Halestorm, Anthrax, Falling in Reverse, and many more. Additions to the already impressive music lineup for Rocklahoma include: Plush, Crobot, and KMOD-FM’s Battle Of The Bands contest winner, Steller Ascent.

Produced by AEG Presents, Rocklahoma showcases the best new rock acts and classic artists performing on three stages. With onsite camping amenities and unparalleled VIP packages, Rocklahoma lives up to its motto of “Life, Liberty & the Pursuit of Rock.”

The daily band lineups for Rocklahoma 2021 are as follows:

Friday, September 3: Rob Zombie, Chevelle, Sevendust, Grandson, Candlebox, Tremonti, Ayron Jones, From Ashes To New, George Lynch & The Electric Freedom, Diamante, Austin Meade, Plush, Color Of Chaos, Travis Bond & The Rebel Souls, Outlaw Devils, Love Sick Radio, and Straight Six

Saturday, September 4: Slipknot, Anthrax, Falling in Reverse, Pop Evil, Badflower, Jelly Roll, Zero 9:36, John 5 And The Creatures, All Good Things, Bones UK, Butcher Babies, Crobot, East Side Gamblers, Fist Of Rage, 90LB Wrench, Mind Of Fury, and The Rumours

Sunday, September 5: Limp Bizkit, Halestorm, Philip H. Anselmo & The Illegals Perform A Vulgar Display Of Pantera, The Hu, Motionless In White, Puddle Of Mudd, Andrew W.K., Knocked Loose, Light The Torch, Cory Marks, Jeris Johnson, Stellar Ascent, Budderside, Paralandra, Severmind, Jessikill, and Chaotic Resemblance

The Thursday Night Roadhouse Pre-Party will feature performances from Stephen Pearcy The Voice Of Ratt, BulletBoys, Liliac, and Dead Metal Society.

Note: A three-day pass is required to attend the Roadhouse Pre-Party. Rocklahoma Single Day General Admission Passes go on sale Friday, July 30 at 10:00 AM CT for $100 (plus fees). General Admission, VIP, and Camping options are on sale now at https://rocklahoma.com/passes.

The campgrounds are a unique part of the Rocklahoma experience, and will be open from Sunday, August 29 at Noon CT through Tuesday, September 7 at Noon CT.

New in the campgrounds, Rocklahoma will offer two high end glamping packages.

General Admission and VIP camping are available at checkout and are only available with weekend ticket purchases. Information on camping add-ons can be found at https://rocklahoma.com/camping.html.

Fans are invited to kick off the party early at The Roadhouse where local Oklahoma favorites, top tribute acts, and national legends will headline the D&B Concerts Stage each day. The Roadhouse will also feature food trucks, a full-service bar, and a great place to hang with your friends throughout Rocklahoma.

Festival doors open at 2:00 PM daily, and doors for The Roadhouse open at 11:00 AM daily. Rocklahoma is located just 45 minutes northeast of Tulsa, in Pryor, OK. The Pryor Creek Music Festival Grounds is a premier destination for a multi-day festival and includes onsite camping with access to restrooms and shower house, a general store for campers, VIP reserved seating, hospitality areas and much more.

For more information on Rocklahoma, visit:

Website: www.Rocklahoma.com

Facebook: @Rocklahoma

Twitter: @Rocklahoma

Instagram: @Rocklahoma #ROCKLAHOMA

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BULLET FOR MY VALENTINE RELEASE NEW SINGLE/ VIDEO “PARASITE”

SEVENTH STUDIO ALBUM BULLET FOR MY VALENTINE OUT OCTOBER 22 VIA SPINEFARM/ SEARCH & DESTROY

PRE-ORDER HERE

Watch the video for “Parasite” here.

Bullet For My Valentine have released “Parasite,” the second single from their recently announced self-titled album Bullet For My Valentine.

“For ‘Parasite,’ we just wanted to let the song rip,” says director Fiona Garden. “The intensity and fury of the track tears along, pure performance and vitality. Along the way, in a world defined by blinding light and the phenomenal graphic work of artist Carl Addy, we see this new infinite incarnation of the avatar aM cuts being ritualistically infected and drawn further into limitless oblivion. No locusts were harmed in the making of this video.”

The Guardian called the first single, “Knives,” a “sonic onslaught,” adding that it displayed “gymnastic guitar riffs, snarling vocals, and more drum hits in four minutes than across most albums.” Rock Sound concurred, calling it “a vicious and violent slab of ferocious modern metal,” while Metal Hammer commented, “BFMV are back in the form of their lives.” Revolver deemed it a “razor-edged ripper” while Loudwire stated that the band has “more than delivered in regards to brutality and technicality.”

But where “Knives” arrived like a punch in the face, “Parasite” is here to disembowel. The band comments, “‘Parasite’ is an absolute RAGER from start to finish!!! Easily one of the gnarliest tracks we’ve ever written — we couldn’t be more stoked to finally get it out there.” Bullet For My Valentine will be released on October 22 via Spinefarm /Search & Destroy.

“I think it’s the most ferocious side of Bullet For My Valentine that I’ve ever known,” says lead guitarist Michael “Padge” Paget. “It’s time for us to put out a really angry, heavy, aggressive record. I just can’t wait to grimace on stage!”

Frontman and guitarist Matt Tuck began writing the album in September 2019 before the Coronavirus pandemic brought things screeching to a halt in early 2020. But in June 2020, Tuck and long-time producer, Carl Bown, who co-produced the band’s 2015 album, Venom, and produced and mixed Gravity, picked up the pace again. Together, they hunkered down at Treehouse Studio in Chesterfield, where the remainder of the album was written.

Bullet For My Valentine follows the success of their last album, 2018’s Gravity, which saw the metal juggernauts’ catalogue surpass 1 BILLION (yes, with a B!) streams in the U.S. That accomplishment solidifies Bullet’s hard-earned status as one of the most elite bands in the hard rock scene.

Pre-orders for Bullet For My Valentine’s seventh studio album are now live, with an instant download of both “Knives” and “Parasite,” and special bundle options, including a unique clipping from the backdrop used on the bands ‘Venom’ world tour from 2015 – 2017, t-shirts, hoodies, gold & silver cassettes, and limited vinyl. Get it here.

BULLET FOR MY VALENTINE TRACK LISTING:

“Parasite””Knives”

“My Reverie”

“No Happy Ever After”

“Can’t Escape The Waves”

“Bastards””Rainbow Veins”

“Shatter”

“Paralysed”

“Death By a Thousand Cuts”

In addition to all the existing hits, fans will get the chance to hear new music live for the first time this Sunday when the band make history by headlining the Download Festival Pilot at Donington Park on June 18-20.

BFMV have launched an official fan club, dubbed “Army of Noise,” via Patreon. Sign up here.

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STONE TEMPLE PILOTS DEBUT NEW VIDEO FOR “AND SO I KNOW” FEATURING UNSEEN FOOTAGE FROM THE TINY MUSIC…RECORDING SESSIONS

3-CD/1-LP Super Deluxe Edition Of Tiny Music… Is Out Today In Celebration Of The Album’s 25^th Anniversary With Unreleased Early Takes, Alternate Versions, And A Full Concert From 1997

Stone Temple Pilots have released a new music video for their classic track “And So I Know” in celebration of today’s release of the Super Deluxe Edition of Tiny Music… Songs From The Vatican Gift Shop. The new video features intimate, unseen Hi8 video footage filmed by the band themselves during the album’s recording sessions at a ranch house in California’s Santa Ynez Valley. The 25,000-square-foot house became a muse for STP, who recorded in different rooms – from the attic to the garden – and used the expansive space to experiment with new sounds.

Released on March 26, 1996, Tiny Music… is a pitch-perfect amalgamation of the musical personalities of band members Scott Weiland, Dean DeLeo, Robert DeLeo, and Eric Kretz. The double-platinum album would yield three #1 hits – “Big Bang Baby,” “Lady Picture Show,” and “Trippin’ On A Hole In A Paper Heart.” The 3-CD/1-LP Super Deluxe Edition, available today from Rhino, includes a newly remastered version of the original studio album on both CD and vinyl, plus unreleased versions of early versions, instrumentals, and alternate takes along with a complete concert recording from 1997. 2-CD Deluxe and 1-CD versions are also available today.

Along with a newly remastered version of the original album, both Deluxe Editions feature 15 unreleased tracks that pull back the curtain on the creative process. Those include early versions of nearly every song on the album with nacent incarnations of “Tumble In The Rough,” “Pop’s Love Suicide” and “Seven Caged Tigers.” The selections also feature an alternate take for “Big Bang Baby,” and a percussion mix of “Trippin’ On A Hole In A Paper Heart.” There’s also instrumentals for “Ride The Cliché” and “Adhesive,” plus the unreleased “Kretz’s Acoustic Song.”

An exclusive feature of the Super Deluxe Edition is a previously unreleased live recording of the band’s March 14, 1997 concert in Panama City Beach, Florida. STP is dialed in from start to finish, delivering blistering takes of songs from the new album (“Tumble In The Rough” and “Big Bang Baby”), as well as hits from their earlier records (“Vasoline,” “Plush” and “Interstate Love Song.”) The original five-song broadcast that aired on MTV was recently premiered on the band’s YouTube channel.

TINY MUSIC … SONGS FROM THE VATICAN GIFT SHOP: SUPER DELUXE EDITION

3-CD/1-LP Track Listing

Disc One: Original Album 2021 Remaster

“Press Play”
“Pop’s Love Suicide”
“Tumble In The Rough”
“Big Bang Baby”
“Lady Picture Show”
“And So I Know”
“Trippin’ On A Hole In A Paper Heart”
“Art School Girl”
“Adhesive”
“Ride The Cliché”
“Daisy”
“Seven Caged Tigers”

Disc Two: Early Versions, Instrumentals, & Alternate Mixes

“Press Play” – Full Length Version *
“Pop’s Love Suicide” – Early Version *
“Tumble In The Rough” – Early Version *
“Big Bang Baby” – Early Version *
“Lady Picture Show” – Early Version *
“And So I Know” – Early Version *
“Trippin’ On A Hole In A Paper Heart” – Early Version *
“5 Or 4 Times (Art School Girl)” – Early Version *
“Adhesive” – Instrumental *
“Ride The Cliché” – Instrumental *
“Seven Caged Tigers” – Early Version *
“Big Bang Baby” – Alternate Version *
“Trippin’ On A Hole In A Paper Heart” – Percussion Mix *
“Art School Girl” – Jaw Harp Version *
“Kretz’s Acoustic Song” *

Disc Three: Live at Club La Vela, Panama City Beach, FL (3/14/97)

“Crackerman” *
“Meatplow” *
“Tumble In The Rough” *
“Vasoline” *
“Wicked Garden” *
“Trippin’ On A Hole In A Paper Heart” *
“Plush” *
“Big Empty” *
“Interstate Love Song” *
“Lady Picture Show” *
“Unglued” *
“Big Bang Baby” *
“Dead & Bloated” *
“Sex Type Thing” *

* previously unreleased

Bonus “Big Bang Baby” 7-inch

Included with www.stonetemplepilots.com preorder, limited edition of 1,000 units

Side 1

“Big Bang Baby”

Side 2

“Daisy”

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Filed Under: Music, Music Headlines Tagged With: debut, featuring, footage, musicrecording, pilots, sessions, ...

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