The NAMM Show Announces Return to Anaheim in June 2022

Global industry homecoming to present three days of transformative business opportunities, know-how and connections at once-in-a-lifetime gathering.

Today, The National Association of Music Merchants (NAMM) announced that The NAMM Show, the annual “family reunion” of the global music, sound, and entertainment technology industry, will reconvene in Anaheim, California at the Anaheim Convention Center on June 3–5, 2022. Previously scheduled for January 20–23, the new dates will offer global industry leaders, buyers, sellers, music educators, artists, media, and music makers the opportunity to reconnect and renew their businesses while taking greater advantage of reimagined indoor and outdoor events, activations, professional development sessions, an expanded digital reach, and more at the crossroads of business opportunity.

Joe Lamond, NAMM President and CEO, says, “The industry has not stopped evolving and innovating during the pandemic, and The NAMM Show is evolving, as well. As the health and safety of our members remains top of mind, and after carefully listening to companies here in the U.S. and around the world, the new dates will help members maximize their opportunities and accelerate what has arguably been a transformative time both in new products and in how they come to market. I imagine this gathering will have the kind of impact of a Beatles moment or the introduction of MIDI—definitely one you will not want to miss.”

The news of the return of the Show and the change in dates addresses ongoing concerns about pandemic activity, new product development and launches, available in-store inventory, and current travel restrictions. The announcement was met with support and enthusiasm from business leaders across the industry.

“The NAMM Show is the best opportunity of the year for Yamaha to reach our dealers, end-user customers, and the music industry as a whole. It’s the one place where the new products from across our brands meet the global industry, and we can’t wait to get together in June,” shares Tom Sumner, President of Yamaha Corporation of America.

“No matter when NAMM happens, Shure is excited about the industry finally getting together to engage with each other at this important event,” comments Abby Kaplan, Vice President of Global Retail Sales for Shure Incorporated. Mark Terry, CEO, Exertis/JAM US Music Group, shares the same sentiment: “[NAMM] has made a great decision on moving the show to June. This move ensures that it will be a very successful show for vendors and dealers. We certainly plan on being there!”

“At Taylor Guitars, we applaud innovative ideas as we all attempt to navigate these unusual times,” affirms Barbara Wight, CFO of Taylor Guitars. “Since its days in the ballroom of the Disneyland Hotel, The NAMM Show has always been an invaluable platform for us to launch new products and deepen our connections with our treasured retailers, suppliers and fans. We see this change to June as a smart opportunity to try something new, and we’re looking forward to being back together with our industry family.”

“Global travel restrictions continue to be unpredictable and challenging for our industry. Rescheduling the NAMM Show to June is absolutely the right call,” comments David Via, Zoom North America Vice President of Marketing.

John Hopkins, President and CEO of Sweetwater, shares, “One of our priorities here at Sweetwater is creating content and providing information to our customers about new products — we want them to have immediate, up-to-the-minute news about the latest gear and innovations. The NAMM Show brings us all together and provides an ideal platform for this each year. And this year, we’re excited that there will be even better synergy between the new NAMM Show dates and our own annual GearFest event. It’s a big win for our customers.”

Jamie Deering, CEO of Deering Banjos, notes, “The NAMM Show has been an integral part of our family business’s growth since our founding in 1975. All the work they have done to help our industry has been immensely appreciated. I commend the care they are giving to do all they can in making next year’s show safe and inclusive, and we are excited to be a part of this new, reimagined launch. It’s a chance to not only reconnect with our industry and music friends in a place and event that we love but to take a fresh look at the global market and to move forward together.”

“We fully support NAMM’s decision to move the 2022 NAMM Show to June,” says Larry Morton, CEO of Hal Leonard. “Not only does this make sense from a public safety standpoint, but the June timing gives the entire music products industry an opportunity to put the pandemic behind us. Hal Leonard will work hard to transform and elevate The 2022 NAMM Show experience for our customers.”

Chair and Founder of Bandit Lites, Michael Strickland, echoes the sentiment: “The one certain fact about COVID is the uncertainty. I applaud Joe Lamond and the great people at NAMM for making the decision to pause the show, as in the long run, it works to provide a better, more robust NAMM 2022. The importance of The NAMM Show can never be diminished, and we must deliver the complete show and not some muted version. Thank you, NAMM.”

Sammy Ash, President of Sam Ash Music, shares that “I, for one, am glad they moved the show to June. With a little luck, Covid will be better contained worldwide, so we can have all the exhibitors present. Personally, I like L.A. in the winter—I’m from New York—but the pandemic has created opportunities for change in everything we do. I think this is a prudent move, and we’ll be there in force!”

The largest NAMM Show in the history of the organization took place in January 2020, when the Show welcomed 115,888 members and industry professionals and more than 7,000 brands. The show also hosted 350 professional development sessions, numerous live events, networking opportunities and concerts each evening on the Grand Plaza, as presented by Yamaha.

With the move of The 2022 NAMM Show to June, the organization has decided not to hold Summer NAMM in Nashville, Tennessee, for the 2022 year, effectively combining the two shows.

On Friday, January 21, the organization will host a one-day global livestreamed event: Believe in Music: The online global gathering to unify and support the people who bring music to the world. Building on the success of this year’s Believe in Music week, the livestreamed event will again welcome leaders across the industry, music educators, and music makers to connect in a live, online setting and take part in sessions and experiences. In total, 2021’s Believe in Music week welcomed 93,226 industry professionals and attendees from 187 countries and territories to support those who bring music to the world through nearly $500,000 in charitable donations made by participants and generous donors. Read the release here: https://www.namm.org/news/press-releases/believe-music-week-online-global-gathering-unify

Additional details of The 2022 NAMM Show and Believe in Music day will be released in the weeks to come. Please visit NAMM.org or follow the conversation on social media with #NAMMShow for the latest news. To learn about the health and safety measures that will be put in place to help reunite our industry, please visit our Safe and Sound site: https://www.namm.org/thenammshow/2022/safe-and-sound.

Namm 2020, Anaheim Convention Center, Anaheim, CA

2020 Winter Namm

Thursday, January 16th – Sunday, January 19th 2020
Anaheim Convention Center, Anaheim, CA

Our Score: 4.5 out of 5 Stars

The multi story Anaheim Convention Center was over flowing with musical buzz recently as the venue once again played host to the annual Namm (Nation Association of Music Merchants) Convention. The trade show which showcases the latest and most innovative editions to the music instrument market is the place to be for dealers, vendors, artists and anyone else lucky enough to be able to attend the industry only event. Over the course of four days the biggest companies in music instrumentation pull out all the stops to ensure their respective products and brands get noticed amongst the ever growing sea of competitors.

As we made away into the towering Anaheim Convention Center we quickly devised a plan as to how we were going to tackle this at times overwhelming environment. This year we decided to work our way from the top down. Housed on floors two and three were some of the industry’s biggest companies which consisted of Fender, Gibson, Paul Reed Smith and Marshall to name just a few. The Gibson area was easily the most impressive as not only did it sport rows and rows of guitars from its three brands Gibson, Epiphone and Kramer, the large space also sported multiple player stations complete with headphones allowing attendees to check out the instrument of their choice in a somewhat isolated space. Having set ups like this are a must in an environment where the outside din of noise causes even standard person to person conversation to become difficult. At the end of the room was a full performance stage which over the course of the four days was graced by several Gibson artists including Slash, Lzzy Hale and Phil X of Bon Jovi.

Fender also sported a noteworthy space which took on more of a museum type approach complete with velvet ropes and ornate framing of some of its premier instruments. Attendees also could catch a glimpse on the new George Harrison “Rocky” Stratocaster guitar which was showcased upon a spinning day-glow background which teased the viewer’s senses. Making our way down the escalators to the main floor we casually passed the likes of Dave Amato of Reo Speedwagon and Buck Dharma of Blue Oyster Cult talking with attendees about some of their latest projects and happenings.

Floors two and three are tame compared to the main floor which houses not only stringed instruments but also percussion, brass instrumentation and various other musical odds and ends. You never know who or what you will stumble upon when wandering around the cavernous hall. Trekking from front to back we took in displays by companies such as Ace Products Group, Keisel guitars, Kemper Profiling, SJC Drums and Zildjian cymbals. While navigating the semi-chaotic walks ways to each of these booths we inadvertently bumped into the likes of Skidrow bassist Rachel Bolan and guitarist Dave “Snake “Sabo, as well as Iron Maiden drummer Nicko McBrain, guitarist Devin Townsend  and bassist Victor Wooten who was dazzling onlookers during one of several demo’s he had scheduled.

As the weekend slowly came to a close we left the Anaheim Convention center with tired legs, ringing ears and wish list’s a mile long. Year after year Namm continues to raise the bar not only with the amount of exhibitors they showcase but also in how the event organizers handle the ever growing crowds. Security checks were fast and efficient as was badge registration and pick up resulting in very few if any lines to wait in. You would think with an event this big there would be a few hiccups along the way and, if there was anything like that attendees were unaware as the event had a comfortable, somewhat stress free feel that even the city of Anaheim itself was in on as many area business’s were offering discounts to convention attendees which was really great.

Needless to say MediaMikes.com had a great time covering this year’s event and the only thing we would change is to be able to find more time during the next event to take it all in as there is just so much cool stuff going on you don’t want to miss anything.