Linda Harrison reflects on her role in 1968’s “Planet of the Apes”

I recently had the privilege of sitting down with actress Linda Harrison. Ms. Harrison is best known in the Pop Culture world for her work in the first two Planet of the Apes films as well as Ron Howard’s Cocoon and its sequel. She is also a fountain of behind-the-scenes knowledge thanks to her marriage to Oscar-winning producer Richard Zanuck. Ms. Harrison was also originally slated to play the role of the police chief’s wife in Jaws. As Mr. Zanuck relates on the extended behind-the-scenes version found on the Jaws boxed laser disc set, Ms. Harrison was offered the role. However, Universal Studios president Sid Shienberg had offered the part to his wife, actress Lorraine Gary. According to Mr. Zanuck, to smooth things out, Shienberg picked up the telephone and called the producer of the upcoming film Airport 1975, William Frye. “Bill,” Shienberg said, “you’ve got another passenger on your airplane.”

Born in Maryland, Ms. Harrison was the first runner-up in the 1965 Miss USA pageant. In November of that year, she signed a seven year deal with 20th Century Fox. Her television debut came in back-to-back episodes of Batman in 1966. She was then cast as Nova in Planet of the Apes and its sequel, Beneath the Planet of the Apes. She has also appeared in the above-mentioned Airport 1975 (she is billed as “Augusta Summerland”), Cocoon, Cocoon: the Return, and had a cameo in Tim Burton’s updated version of Planet of the Apes.

Now divorced from Zanuck, she is the proud mother of two sons, Harrison Zanuck and DeanZanuck, who both work in the film industry. Interested fans are encouraged to check out her web site, www.LindaHarrison.com. Still as strikingly beautiful in person, Ms. Harrison sat down with me at the recent Planet Comicon in Kansas City.

Mike Smith: It’s been our four decades since the original Planet of the Apes was released. Did you ever think while filming that you were creating something that would be, and still is, regarded as a true classic?
Linda Harrison: I think somewhere in my mind I may have thought that. I saw it as an unusual film and went on from there to do other things.

MS: Including the recent Apes film, in which both you and Charlton Heston have a cameo, you’ve appeared in 6 major films. Heston is in 4 of them. Coincidence?
LH: I know. It’s just incredible how much I’ve worked with him. Things just seem to fall that way.

MS: If Beneath the Planet of the Apes had ended on a happy note, with everyone alive, who do you think Nova would have ended up with: Taylor (Heston) or Brent (James Franciscus)?
LH: Taylor! (laughs) No hesitation!

MS: Are there any outtakes of you laughing hysterically when Heston goes into his “you maniacs!” speech at the end of Planet of the Apes?
LH: (laughs) No, I don’t think I laughed hysterically. It was a pretty, I won’t say somber set, but we were dealing in new territory that had never been done on film. So everybody was really at attention, wondering what the next shot was going to be. It was pretty unusual to be sitting there with apes!

MS: My favorite film is Jaws. I was so taken by the film and the performances that I ended up starting Roy Scheider’s official fan club and helped run Richard Dreyfuss’s. Had Sid Sheinberg not outranked Dick Zanuck, you would have been bombarded with mail from me YEARS ago! Did you know from reading the script that Jaws wasgoing to be special?
LH: I remember when Dick was reading the galleys (which is basically the book before it’s published) that he had a really great instinct that this would be a great picture. He knew it would be tough trying to make a 25 foot shark, but he pulled it off. It’s that really classic horror film that still surprises and scares you (mimics a shriek) when you’re not expecting it.

MS: Please tell me that had you done Jaws you would have passed on Jaws: the Revenge?
LH: Oh, sure!

MS: So, what are you doing now?
LH: Actually I’m now what they call a convention celebrity. I try to do one show a month, some do more. I’m also concentrating on my web site.

MS: Are the fans very receptive?
LH: Very. More then I ever imagined.

 

Related Content

Merrell Fankhauser talks about surf music and his “Tiki Lounge” DVDs

Merrell Fankhauser is one of the innovators of instrumental surf music. He recently released two volumes of “Tiki Lounge” DVDs and a new “Best Of” collection through Gonzo Multimedia. Media Mikes had a chance to chat with Merrell about his music and his plans for the future.

Mike Gencarelli: There is a real lack of surf music in today’s music, how can you reflect?
Merrell Fankhauser: I still have been doing surf music, Mike. Disc jockeys and radio stations all across the United States and in Europe remember me from the hey-day of surf music. In the late 80’s there was a resurgence of surf music and what members were left from The Impacts we got together in ’89 and had an album come out in ’94 called “Surfin’ 101”. Then the movie “Pulp Fiction” came out and the label we were on re-issued our albums. I still get emails requesting more instrumental surf music. So “The Impacts” ended up doing three CD’s from late 80’s through the 90’s. So in 2000 I did one called “Rockin’ and Surfin'”. That led Volume 2 & Volume 3 in 2003 and 2004 and now I am working on Volume 4.

MG: What do you enjoy most about touring still today?
MF: I play with my son Tim now and I am producing his first solo album. We sing good harmony together. He is an awesome guitar player. We are having a lot of fun playing concerts. We recently got together with a band I used to play with The Rebels, who had the song “Comanche” in “Pulp Fiction”. We were totally rocking out. It was a real blast.

MG: Tell us about your recently released “Tiki Lounge” Vol.1 & 2 on DVD?
MF: I started out in 1991 doing a show called “California Music”. It was broadcast out of NY and it went out to 150 stations out of satellite. A lot of my old 60’s pals came out and we chatted and then jammed a little. I did that show till around 1995, since I was doing a lot of touring. But I had a lot of interviews in my archive. One day after coming back from Hawaii and touring with Willie Nelson, I looked out on my patio, which is a Tiki themed and I thought to myself “I should do a show called Tiki Lounge”…and that was 11 years ago, Mike. It is a laid back Hawaiian style show and there really isn’t anything like that out now.

MG: Tell us about working with Gonzo Multimedia and your recent “Best Of” collection?
MF: I owe a lot to the head of Gonzo Multimedia, Rob Ayling. It’s been really nice working with them. It was his idea to do the “Best of” collection. I have over 30 albums of material so I started going through them all. It was very difficult what to keep and what not to use. I found a few unreleased tracks in my archives on a few two-track recordings that I found. A lot of that ended up on the “Best of”.

MG: What do you have planned for 2012?
MF: I got releases on different labels coming out and scheduled well into next year. This summer, Gonzo is going to be be releasing “Area 51 Suite” album with bonus DVD”. At the same time, I have a song with drummer Ed Cassidy from Spirit. I have a song with him called “Two Guys from the 60’s” coming out on a Sky Saxon (of The Seeds) tribute CD box. I also got a Greek label that wants to put out a rarities with outtakes etc release together. So combine that with a lot of touring and my TV show, so I am keeping real busy!

 

Related Content

Blu-ray Review “Star Trek: The Next Generation – Season One”

Starring: Patrick Stewart, Jonathan Frakes, Brent Spiner, Michael Dorn, Gates McFadden, LeVar Burton, Marina Spirtis
Number of discs: 6
MPAA Rating: Not Rated
Distributed by: Paramount Home Entertainment
Release Date: July 24, 2012
Running Time: 1184 minutes

Season One: 4.5 out of 5 stars
Extras: 4 out of 5 stars

I have to first admit that I am new to the whole “Star Trek” universe. Earlier this year, I have completed watching the Original Series, the Animated Series and currently I am halfway through Season Six of “The Next Generation”. Let me tell you I am completely immersed in this series and I feel like I have been living and breathing “Star Trek” over the last few months. I have purchased shirts, iPhone cases and even baby onesies to only enhance my trek into becoming a full on “Trekkie”. I feel that my review would actually provide a unique perspective to this release, especially since I am not your typical hardcore fan. When I recently watched the first season of “Star Trek: The Next Generation”, courtesy of Netflix, I couldn’t help by thinking how terrible this series looked and it really needed an HD upgrade bad! Well, all of our prayers have been answered because this release brings the first season re-mastered beautifully in high-definition and just in time for the show’s 25th anniversary.

Firstly, when they say that this season has been restored, they are not saying that lightly. This show looks like it was ran through the cleaners and it is super pristine with proven before/after results. It is also is presented in the original 4:3 ratio, which should be a must for fans. Those who think that it would be better widescreen should know that this show was specifically shot for full screen ratio and wouldn’t even be able to be converted to widescreen without distorting the picture. Even though the first season isn’t the most highly regarded in the series it is still a great start and only a sample of what we can expect for future seasons. One thing that I was hoping for though was a better case presentation, the season’s 25 episodes are spread out among six discs delivered in a slim BD case with a slipcover. I liked “The Original Series” Blu-ray packaging way more than this but nonetheless fans of “Star Trek” couldn’t have asked for a better high definition jump to warp speed for this classic sci-fi series.

Let’s talk a little bit about the video presentation for season one of “The Next Generation”. These episodes haven’t been just remastered from the existing film masters, they actually went back to the original 35mm camera negatives and redone all the visual effects, all in high definition. The special effects are completely updated and revised, sort of what Lucas did with the “Star Wars” trilogy. The 1080p transfers of each episode are extremely sharp and are very impressive, summing up a really excellent restoration. There are two audio tracks included on this release. There is a mind-blowing DTS-HD Master Audio 7.1 track and a retro Dolby Digital 2.0 track as well. Personally the 7.1 track completely trumps the 2.0 track, the clarity of the sound is super clear and also completely restored. You honestly feel like the action is happening all around you and you are flying through space with the USS Enterprise.

Click play to watch the incredible side-by-side look at the transformation of “Star Trek: The Next Generation” into high-definition.

This release also includes a bunch of exclusive special features including never-before-seen archival footage, many brand new interviews and much more! Honestly the special features are worth the purchase alone for any true “Star Trek” fan. The extras are split over the 1st and 6th discs. Disc 1 starts off with a promo for Season Two of “The Next Generation” on Blu-ray, which I was very pleased to see that they are planning these seasons back-to-back. It is even more exciting since it revealed that it will contain a brand new, high definition 75-minute roundtable with the cast of “The Next Generation”. You can really tell that they are looking to please their series fans and not just cash in on a high-def release. There is the retro 1987 series introduction trailer, a season one vintage promo, three more launch promos as well as three episode promos. The real draw for this disc though is a brand-new 25-minute documentary titled “Energized: Taking The Next Generation to the Next Level”, which focusing on the remastering process and how they went to the original camera negatives and restored the visual effects in HD.

The rest of the special features are included on disc six, mostly vintage extras from past DVD releases but still worth checking out. Included are four production featurettes, “The Beginning”, “Selected Cast and Crew Analysis”, “The Making of a Legend” and “Memorable Missions”. It covers quite a bit of ground. Next up is a great three-part 95-minute documentary called “Stardate Revisited: The Origin of Star Trek: The Next Generation.” It provides some really comprehensive information about the series. The first part is called “Inception” , the second is “Launch” and last is “The Continuing Mission”. Don’t miss this for sure! Lastly there is a great 8-minute gag reel. “Star Trek: TNG” has always had a great sense of humor and this shows it. There is also another teaser for season two on this disc as well. I really am looking forward to what they are planning next, especially after this already amazing release.

DVD Review “Dead Season”

Directed by: Adam Deyoe
Starring: James C. Burns, Scott Peat, Marissa Merrill, Corsica Wilson
MPAA Rating: Unrated
Distributed by: Image Entertainment
Release Date: July 31, 2012
Running Time: 88 minutes

Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars

When it comes to zombie films, there are definitely no shortage. In fact there is almost a new one every month. “Dead Season” stays above the rest and delivers some great effects, gore and entertaining story. It is a film that is not afraid to get its hands dirty and really dive deep into the zombie genre and delivers a kick-ass fun time. It is low-budget but looks the complete opposite. Fans of the horror genre should consider giving this latest zombie entry a try. You should be pleasantly surprised for sure.

When the zombies apocalypse breaking out, we follow two survivors who are looking to flee the chaos and make their way to a remote island and looking to start a new life. Of course once they make it to the island there are already hordes of the flesh-hungry undead and other people already on the island. They are forced to join forces with the island group in order to survive and escape from the zombies with their lives.

Image Entertainment has been releasing some pretty great titles in the horror genre recently after this last months “Some Guy Who Kills People”. I wish they would bring these films to the Blu-ray format though. There are some decent special features included on this DVD at least. There is a Making of featurette. As well as a few deleted scenes and outtakes included. Lastly there is a trailer included for the film. I commend Adam Deyoe for taking zombie and without recreating the wheel delivering an great addition to this genre.

Verne Troyer talks “Austin Powers” and working with Terry Gilliam

Verne Troyer is known best for his role of Mini-Me in the “Austin Powers” franchise. He has also worked with Terry Gilliam on two film and even worked on “Harry Potter and the Sorcerer’s Stone”. Verne took out sometime to chat with Media Mikes to discuss his films and what he has planned upcoming.

Mike Gencarelli: You are recently appeared at Spooky Empire convention in Orlando FL, what do you enjoy most about attending conventions and meeting fans?
Verne Troyer: Well I think what it comes down to, is that if it wasn’t for the fan I wouldn’t have a job. I get to come down meet them and be able to chat and have some physical reactions with them.

MG: Tell us about appearing on the TV series “Celebrity House Hunting”?
VT: It is show on Bravo. I went to three houses I was interested on buying in Michigan, where I am from. I put in an offer on one but it just didn’t end up working out. But it is a good show.

MG: What do you enjoy most about doing reality TV?
VT: It is not necessarily that I enjoy doing it. I would like to focus more on film work. But you also need to pay the bills, you know.

MG: Tell us about your upcoming film “Keith Lemon: The Film”?
VT: I went to Belfast in Northern Ireland, UK, which is where we shot it for two months. The best way I can describe it is just to go to YouTube and type in “Celebrity Juice” and you will see the character that this film is based on.

MG: How was it working with David Hasselhoff?
VT: [laughs] I have been friends with him for a long time, so it was really great!

MG: How was it working with Terry Gilliam on “Fear and Loathing in Las Vegas” & “The Imaginarium of Doctor Parnassus”?
VT: Definitely when people ask me about Terry, my best description is really ‘crazy cool’ [laughs]. He is just amazing. Having him want me to do “Imaginarium” is such a great honor. As far are working on it, it was tough because in the middle Heath passed away and somehow we went back and finish it. I am sure for everyone including myself, that it was one of the hardest things I had to do. He was there one day and gone the next.

MG: Looking back on the “Austin Powers”
franchise, what did you enjoy most about playing Mini Me?
VT: I think it would have to be the chemistry that me and Mike (Myers) had. i never in my wildest dreams thought I would have chemistry with a comedy guniess. He makes it fun. We improved all the time and just had to try and react off of him. It was fun.

MG: Any word about “Austin Powers 4”?
VT: That is what everyone is asking me. I do not know. I hope so. If they do I definitely want to me apart of it again.

MG: What do you have planned next?
VT: I want to let the fans know I have a tour planned in Australia coming up. They can follow me and see my updates on Twitter. It is traveling to all the cities and I will be there for two and half weeks. I will be posting pictures and try and make it fun and interactive.

DVD Review “Harry O: The Complete First Season”

Starring: David Janssen
MPAA Rating: Not Rated
Running Time: 1210 minutes
Distributed by: Warner Archive
Release Date: July 10, 2012

Our Score: 3.5 out of 5 stars

Warner Archive is studio behind this new fantastic release. This is the first time that the complete season of “Harry O” has ever been released on DVD.  David Janssen, who is probably known best for his role in “The Fugitive”, recreates the role of a detective in this show. Though after watching this season, I must saw that this might have been David Janssen at his best. If you are reading this WB, please don’t keep us waiting and release season two ASAP!

“Harry O” blends a mix of action and humor.  It definitely represents some good ole’ fashioned television. This releases consists of six DVD, which include all 22 episodes from the entire first season.  Besides David Janssen, the show also co-stars Henry Darrow and Anthony Zerbe and includes a bunch of special guests including Stefanie Powers, Linda Evans, Martin Sheen, and Cab Calloway. The DVD looks great for a show from the 70’s and comes presented in its original aspect ratio of 1.37:1 and is in full frame. The audio comes in a Dolby Mono track, which also sounds great for its age. Besides containing the entire first season, this DVD release also comes with a special bonus of the original pilot episode “Such Dust as Dreams Are Made On”.

Harry Orwell is a decidedly different detective. And Harry O is decidedly different TV show. Forced off the force thanks to a bullet lodged near his spine, former police detective Harry Orwell gets by on his disability pension and the occasional private detecting gig (“100 bucks a day. Plus expenses”). No flashy car for the downtrodden Harry – he’s as apt to get around town on bus as he is on foot. But he’s as savvy as he is sophisticated, and though he might have to avoid the slugfests, he can crack any case. Even if it sometimes breaks his heart. Harry O features an actor at the top of his game, playing a character complex enough to contain his talents.

Mario Van Peebles’ “We The Party” Hits VOD and Blu-ray This Month

LOS ANGELES (July 2, 2012) – XLrator Media proudly announces the VOD and DVD release of WE THE PARTY. Written and directed by Mario Van Peebles, WE THE PARTY takes a close look at today’s youth culture. The film stars Snoop Dogg, YG, The New Boyz, The Rej3ctz, The Pink Dollaz, Mario Van Peebles, Michael Jai White, Salli Richardson-Whitfield, Tiny Lister, Melvin Van Peebles, Mandela Van Peebles, Simone Battle, Moises Arias, Orlando Brown and Quincy Brown.

The film is available on VOD on all providers on July 19, 2012, and in stores on July 31, 2012 at an SRP of $20.99 for the DVD and $26.99 for the DVD/Blu-Ray combo.

A revealing look at contemporary youth culture, writer-director Mario Van Peebles’ WE THE PARTY shows teenagers as they are, not as adults would like them to be. Set amidst the latest trends in music, dance and fashion, WE THE PARTY is a colorful, cutting-edge comedy set in an ethnically diverse Los Angeles high school during America’s first black president. The film focuses on five friends as they deal with romance, money, prom, college, sex, bullies, facebook, fitting in, standing out, and finding themselves. Evoking such classic teen comedies as The Breakfast Club and House Party but with an attitude and style all its own, WE THE PARTY captures the hopes, confusion, challenges and dreams of today’s teenagers as they plunge headlong into an uncertain future.

The DVD and Blu-ray bonus features include a feature-length commentary by writer-director Mario Van Peebles and actors Mandela Van Peebles and Makaylo Van Peebles, 4 music videos from the film (“Truth,” “She’s a Vegan,” “A Light at the End of the Tunnel,” and “Forever”), and the theatrical trailer.

WE THE PARTY was released in theaters on April 6, 2012 by XLrator Media in association with MVP Filmz.

We The Party iTunes link
http://itunes.apple.com/us/movie/we-the-party/id537379658?ign-mpt=uo%3D4

We The Party Official Trailer

Connect with We The Party online at:

www.Facebook.com/wethepartymovie

www.Twitter.com/Wethepartymovie

www.Youtube.com/wethepartymovie

www.Statigr.am/wethepartymovie

WE THE PARTY –Specifications
Running Time: 104 Minutes
Rated: R
Street Date: July 31, 2012
Sound: Dolby Digital 5.1
SRP: $20.99 for the DVD and $26.99 for the DVD/Blu-Ray Combo
Aspect Ratio: 16×9 1.79
Special Features: Feature-length commentary by writer-director Mario Van Peebles and actors Mandela Van Peebles and Makaylo Van Peebles, 4 music videos from the film (“Truth,” “She’s a Vegan,” “A Light at the End of the Tunnel,” and “Forever”), and the theatrical trailer.

Joe Turkel talks about Stanley Kubrick, “The Shining” & “Blade Runner”

Joe Turkel is known best for his role of Lloyd the Bartender in “The Shining”.  Joe also played the iconic role of Dr. Eldon Tyrell in Ridley Scott’s “Blade Runner”.  Media Mikes had a rare chance to chat with this amazing actor, courtesy of C & V Promotions, to discuss his iconic roles and tell some great stories.

Mike Gencarelli: Tell us about how you originally get invovled with Stanley Kubrick on “The Shining”?
Joe Turkel: That was the third picture I did with Stanley Kubrick. He first saw me in a little picture I did called “Man Crazy”. He liked the work I did and said he would like to use me in a picture he did called “The Killing” in 1956. He said it was a little role but he had something better coming up. Little did I know then but he was talking about “Paths of Glory”. He changed my life.

MG: Having worked twice before with Kubrick; did his style change over 20 years later on “The Shining”?
JT: He took a lot of time then but a lot of time on “The Shining”. He had a lot of attority and he wasn’t afraid to use that attority. Like with “Eyes Wide Shut”, he had a rule that anyone like producers or related to the film will not be permitted on the set. He just had this attority.

MG: How did you prepare for this unique role of Lloyd the Bartender in “The Shining”?
JT: It was just another part for me. I approached it like I would any other and that was it.

MG: How was it working with Jack Nicholson?
JT: Jack Nicholson is just the greatest. I’ll tell you a story about Jack. I am responisble for his career. In 1961 he has just come out from the East Coast and I had been there for ten years. He was broke most of the time. One day I was at the race track with a friend of mine and I hit a daily double for $4,400 dollars. Now that is a lot of money in those days. As I was getting the money settled, my friend saw Jack and I told him what just happened. Kenny, my friend, told me he owed Jack $800 bucks. So I told him to pay him and I gave him the money. Jack said to me “You know something Turkel, I was going to go back to New York but it is too fucking cold. I will take this money and it will get me through the winter.” But during the winter, he got lucky got a role and the rest is history.

MG: With a role that is consists of two scenes, how can you reflect on the impact they had on the film?
JT: I was suprised they had such an impact. Stanley and I were talking on set about how good it was and I told him “Stanley, thanks but I don’t want to wait 25 years between pictures”. We were both New Yorkers so we had this special bond. He told me we would work together again but that was the last time I saw him.

 

MG: Since the films are so different; did the productions of “The Shining” and “Blade Runner” differ much?
JT: Ridley Scott three times during my filming and asked me how I thought Stanley Kubrick would approach certain scenes. He was completely enamored with his work. Steven Spielberg said he was “the grandmaster of filmmaking”. So for Ridley Scott to come over and ask me for suggestion it was amazing.

MG: How did you prepare for the such an iconic character, Dr. Eldon Tyrell?
JT: Well I mad it that way [laughs]. I played it that way. It was a nice role and I did well. I have had better roles. I have had worse roles. Everything I have done has been unique from the fucking ruler of the world to a bartender. They were all crazy. I also like to do
comedy, which I have done over years in television.

MG: How do you feel about Ridley Scottworking on a sequel after all these years?
It is not going to be as good as the first. Sequels never are. The first one is always the one looked at.

MG: What do you like most about meeting your fans at conventions?
JT: It’s amazing. Just amazing. They are so gratitous. They are so happy to meet me. When I did a Q&A, the house was completely packed. They were asking questions about Kubrick and “Blade Runner”. I was taking pictures at the bar in full costume as Lloyd The Bartender from “The Shining”, so that was really cool as well.

Blu-ray Review “Treasure Island: The Complete Series”

Directed by: Steve Barron
Starring: Eddie Izzard, Elijah Wood, Donald Sutherland, Toby Regbo, Rupert Penry- Jones
MPAA Rating: Unrated
Distributed by: Vivendi Entertainment
Release Date: July 24, 2012
Running Time: 183 minutes

Film: 3 out of 5 stars
Extras: 2.5 out of 5 stars

Robert Louis Stevenson’s classic “Treasure Island” seems to be something that gets “re-imagined” at least once a year. The real draw here is Eddie Izzard playing Long John Silver. He really nails the role and is a lot of fun but that is about it. Elijah Wood is a nut in the film but doesn’t really show up till the second half. This mini-series aired earlier this year on Syfy in two-parts. After the first part, I was not incredibly thrilled but the second half definitely carried the weight of the film but it really wasn’t enough to really make this worth the wait. If you are a fan of other Syfy mini-series though like “Tin Men” and “Alice”, then definitely give this a look and expect the same quality in “Treasure Island”.

The story follows young Jim Hawkins, who is the only one who can successfully get a schooner to a legendary Island looking for buried treasure. Aboard the ship is a mysterious cook named John Silver (Izzard), who has other plans for the trip and causes Jim to loose trust in the crew. After that you known the rest of the story for “Treasure Island”, expect a bit of pirate action adventure, buried treasures and high sea sailing.

The Blu-ray presentation is quite impressive. The 1080p transfer looks sharp and worked well with the location shooting. It is also presented in its original aspect ratio of 1.78:1. The audio track, DTS-HD Master Audio 5.1, also works well especially with the film’s action sequences.

The special features are slightly disappointing overall. There is a commentary track with by Director Steve Barron and Actor Eddie Izzard, few good laughs overall. There is a brief featurette “The Making of Treasure Island” with interviews with Steve Barron, Elijah Wood, David Harewood, Eddie Izzard but is just too short. There are more cast interviews including Eddie Izzard, Elijah Wood, Toby Regbo and Philip Glenister and Ruper Penry-Jones together. These are worth checking out but also short. “A Tour of the Hispaniola” is a feature with Dan Malone, Marine Coordinator on the film, taking us on the guided tour of the tall ship. “Anatomy of a Stunt” is a short feature on one of the stunts taking place on the ship. Lastly there is a trailer included as well.

DVD Review “Age of Dragons”

Directed by: Ryan Little
Starring: Danny Glover, Vinnie Jones, Corey Sevier, Larry Bagby, Kepa Kruse
MPAA Rating: PG-13
Distributed by: Arc Entertainment
Release Date: July 24, 2012
Running Time: 92 minutes

Film: 2.5 out of 5 stars
Extras: N/A

If you are fan of Syfy Original Movies, then you might have caught “Age of Dragons” when it aired a few months ago. Well let’s just say it is not one of the better films to ever have graced its network. The draw for me personally besides the dragons was Danny Glover and Vinnie Jones. The film is a re-imagined version of “Moby-Dick,” the classic Herman Melville novel. I think that is a really cool aspect, except it really wasn’t that entertaining and failed to really do justice to the original story.

Set in a medieval era, follows vengeful captain Ahab (Glover) who is leading the dragon hunters including Ishmael (Corey Sevier), Queequeg (John Kepa Kruse) Stubb (Vinnie Jones) and Starbuck (David Morgan) in order to find and kill the legendary white dragon. Ahab’s developed obsession is due to that the white dragon slaughtered his family when he was a kid and left his body scarred and mauled.

Science fiction fans might get a kick-out of this medieval re-imagining of “Moby Dick”. As with all Syfy Original Movies, the quality of the CG effects are limited but still decent or should I say acceptable for this film. But overall, I thought the story was lacking, slow moving and not extremely entertaining. I would call this a Redbox renter and a one-time watcher. To top it off there are no special features included on this DVD.

DVD Review “Ozzy Osbourne: Speak Of The Devil – Live from Irvine Meadows ’82”

Directed by: Phil Olsman
Starring: Ozzy Osbourne
MPAA Rating: Not Rated
Distributed: Eagle Rock Entertainment
Release Date: July 17, 2012
Running Time: 78 minutes

Our Score: 3.5 out of 5 stars

I remember the first time I heard an Ozzy Osbourne song at the age of 10 and it changed my life. I remember running out the record store and picking up and vinyl I could find from him, completely against the wishes of my parents. I think that is what made Ozzy so great that you knew that you shouldn’t be listening to him as a kid but you just HAD TO. I have seen Ozzy numerous times live but there is something special about Ozzy from the early 80’s. The show was live from Irvine Meadows Amphitheater in California on June 12, 1982 during his “Diary of a Madman” tour.

When it comes to DVD concerts, the audio is everything.  This release has been digitally restored and remastered and presented in DTS and Dolby 5.1 Surround Sound for the first time. Honestly it couldn’t sound better, especially for DVD.  ’82 was such an awesome year for Ozzy and “Speak Of The Devil” is such an awesome album.  The classics  included in this concert are “Mr Crowley” “Over The Mountain”,  “Crazy Train”, “Iron Man”, “Paranoid”, “Goodbye To Romance” and many more. The line-up for this show features Ozzy Osbourne (vocals); Don Airey (keyboards); Tommy Aldridge (drums); Brad Gillis (guitar) and Rudy Sarzo (bass).

Eagle Rock Entertainment is distributor behind this great release.  As much as I love DVD, I would have love to see this hit Blu-ray.  But after viewing the print, it is obvious this was a low quality video record but it looks good on DVD still for 30 years old. Ozzy is definitely one of heavy metal’s best and this concert portrays him in his prime.  I would highly recommend his for hardcore fans of Ozzy and even newcomers, it is a great intro to his amazing set list.

Track Listing:
1) Over The Mountain
2) Mr Crowley
3) Crazy Train
4) Revelation (Mother Earth)
5) Steal Away (The Night)
6) Suicide Solution
7) Guitar / Drum Solo
8) Goodbye To Romance
9) I Don’t Know
10) Believer
11) Flying High Again
12) Iron Man
13) Children Of The Grave
14) Paranoid

“The Walking Dead” Featured at Universal Studios’ 2012 Halloween Horror Nights

AMC’S “THE WALKING DEAD” BECOMES FIRST TELEVISION SERIES FEATURED AT BOTH UNIVERSAL ORLANDO RESORT AND UNIVERSAL STUDIOS HOLLYWOOD’S

HALLOWEEN HORROR NIGHTS EXPERIENCES 

Guests Experience The Post-Apocalyptic Zombie Horror

of AMC’s “The Walking Dead” At Nation’s Best Halloween Events

ORLANDO, Fla., UNIVERSAL CITY, Ca. (July 18, 2012) — Caught in the middle of a high-intensity struggle for survival, you fight off hordes of flesh-hungry, growling “walkers,” or zombies. No place is safe as you make your way through a post-apocalyptic wasteland with horror at every turn. Will you survive?

This fall, Universal Orlando Resort and Universal Studios Hollywood are joining forces with AMC’s “The Walking Dead” for their Halloween Horror Nights events. Visitors to both theme parks will be able to experience the horror of AMC’s blockbuster original series, “The Walking Dead,” in elaborately themed, haunted mazes. It marks the first-time Universal Studios has featured a television series at Halloween Horror Nights on both coasts.

The Golden Globe-nominated, Emmy Award-winning, series “The Walking Dead” is based on the comic book written by Robert Kirkman and published by Image Comics. The series tells the story of the months and years that follow after a zombie apocalypse. It follows a group of survivors, led by police officer Rick Grimes, who travel in search of a safe and secure home. “The Walking Dead” is the number-one drama series in basic cable history for adults 18-49 and adults 25-54.

Universal Studios’ Halloween creative teams are working with AMC and “The Walking Dead,” to create an authentic experience that is true to the Emmy Award-winning hit series. The haunted mazes on both coasts feature eerily authentic, elaborately designed, movie-quality sets that include some of the most iconic locations and scenes from the show. Mobs of undead walkers bring to “life” the vicious, hungry, zombies from the show.

“We want people to experience the same terror of the walker-filled reality our characters faced in seasons one and two – and will continue to face in our third season,” said Greg Nicotero, Co-Executive Producer and Special Effects Make-up Artist for the series. “Our collaboration with Universal Studios’ creative teams is exciting as we work to truly capture the essence of the show.”

“The collaboration with Universal Studios’ creative teams is a fantastic cross-promotional opportunity and a great way to capture the spirit of the series, which makes its season three debut on AMC this October,” said Linda Schupack, AMC’s Executive Vice President of Marketing.

“‘The Walking Dead’ puts real people in incredibly horrific situations where they experience true, raw fear, and guests at Halloween Horror Nights experience the same thing,” said Jim Timon, Senior Vice President of Entertainment at Universal Orlando Resort. “We can’t wait to merge the two powerful concepts together.”

“With ‘The Walking Dead,’ we want to make fans of the series feel like they are literally walking in the footsteps of the show’s characters, experiencing all of the horrific events from the series just as they experienced them,” said John Murdy, Creative Director at Universal Studios Hollywood. “The goal is to make guests of Halloween Horror Nights feel like they are trapped in the world of ‘The Walking Dead,’ using all of the attention to detail and movie-quality production values that Halloween Horror Nights has become famous for. You’re no longer sitting on a couch, watching a show…you’re living it!”

Universal’s Halloween Horror Nights® events have a more than 20-year history of creating incredibly entertaining, horrifying Halloween experiences that are consistently rated the nation’s best.  The events on each coast feature highly-themed, disturbingly real, haunted mazes based on everything from film to nightmares — and streets filled with hundreds of specially trained “scareactors.”

For more information about Halloween Horror Nights at both Universal Orlando Resort and Universal Studios Hollywood, visit www.HalloweenHorrorNights.com. Watch The Walking Dead announcement video on both Universal Orlando Resort’s YouTube Channel and on Universal Studios Hollywood’s YouTube Channel.

Universal Orlando Resort: There are many ways to enjoy your Orlando vacation, but there is only one place where vacation becomes adventure:  Universal Orlando Resort. It is a unique destination featuring two theme parks, three magnificently themed on-site hotels and a nighttime entertainment complex. It’s the only Orlando destination where you are not just entertained – you become part of the most exhilarating entertainment ever created. You can soar above Hogwarts with Harry Potter, swing above the streets with Spider-Man, be transformed into a banana-loving minion in the hilarious and heartwarming Despicable Me Minion Mayhem ride and help Shrek save Princess Fiona in Shrek 4-D.

Universal Orlando Resort is an NBCUniversal company.

Universal Studios Hollywood SM, The Entertainment Capital of L.A.SM, includes a full-day, movie-based theme park and Studio Tour; the CityWalk entertainment, shopping and dining complex, the Universal CityWalk Cinemas, the “5 Towers” state-of-the-art outdoor concert venue, and the Gibson Amphitheatre concert and special event arena.  World-class rides and attractions include the intense, award-winning ride, “King Kong 360 3-D” on the famed behind-the-scenes Studio Tour, “The Simpsons RideTM,” “Revenge of the MummySM —The Ride” indoor roller coaster and “Jurassic Park® —The Ride,” as well as the critically acclaimed mega-attraction, “Transformers™:  The Ride—3D.”

About AMC

AMC reigns as the only cable network in history to ever win the Emmy® Award for Outstanding Drama Series four years in a row, as well as the Golden Globe® Award for Best Television Series – Drama for three consecutive years.  Whether commemorating favorite films from every genre and decade or creating acclaimed original programming, the AMC experience is an uncompromising celebration of great stories.  AMC’s original stories include “Mad Men,” “Breaking Bad,” “The Walking Dead,” “The Killing” and “Hell on Wheels.”  AMC further demonstrates its commitment to the art of storytelling with its slate of unscripted original series, as well as curated movie franchises like AMC’s Can’t Get Enough and AMC’s Crazy About. AMC is owned and operated by AMC Networks Inc. and its sister networks include IFC, Sundance Channel and WE tv.  AMC is available across all platforms, including on-air, online, on demand and mobile.  AMC: Story Matters HereSM.

 

Film Review “The Dark Knight Rises”

Starring: Christian Bale, Anne Hathaway and Tom Hardy
Directed by: Christopher Nolan
Rated: PG 13
Running time: 2 hrs 44 mins
Warner Brothers

Our Score: 5 out of 5 stars

They began showing up in the 1930s. Tough guys that took on crime. Dick Tracy. The Shadow. And Batman. Sorry, THE Batman. In my opinion, Batman was the first great hero (I hesitate to use the word “superhero” because people always point out that Batman doesn’t have any special powers – can’t fly, can’t run fast, can’t communicate with fish). The 1960s introduced a campy, cool Batman to television audiences. The late 1980s gave us Tim Burton’s visionary version. The 1990s saw Joel Schumacher drive a nail into the heart of the franchise. Enter Christopher Nolan. He took over the character and made him what he always was in the comic books…one bad ass Caped Crusader. In “Batman Begins” and “The Dark Knight” we saw a Batman that thrived on vengeance and battled evil at all costs. Now, with “The Dark Knight Rises,” he may have to pay the ultimate price!

Gotham City. It has been eight years since District Attorney Harvey Dent was murdered by Batman. Or so the story goes. Only Police Commissioner Gordon (Gary Oldman) knows the truth about what happened on that fateful night. However, the city took up Dent as a martyr. Laws were passed in his name that pretty much eradicated crime in the city. In fact, the only thing missing is Batman. In order to preserve Dent’s legacy he had to hang up the cape. Now the only reminder of him is Bruce Wayne. Wayne spends his days holed up in his mansion, rarely appearing in public, speaking only to his long time butler, Alfred (Michael Caine). But when a madman known as Bane (Hardy) threatens the all out destruction of Gotham City and its citizens, it’s time to take the cape off of the hanger!

With a running time of almost three hours, “The Dark Knight Rises” is like a carnival ride that seems like it will never stop. Through twists and turns, up and down and all around, the film hurls you into an adventure you’ll be anxious to ride again and again. Along with the action you get a first rate cast operating at the top of their game. Bale, his voice rough and menacing, shows us a more vulnerable side of Batman then we’ve seen before. The same is true in his portrayal of Bruce Wayne. His scenes with Alfred are particularly moving. Oldman also fleshes out Gordon more, showing him as a man torn between telling the truth about Dent or allowing the charade to continue for the good of his city. New to the cast is Hathaway, who plays Selina Kyle, a small time cat burglar caught up in a situation she can’t control and Hardy, whose performance as Bane is truly menacing. He’s like Robert Shaw’s Red Gant in “From Russia With Love” – the first bad guy that looked like he could kick James Bond’s ass. Also new to the cast is Joseph Gordon-Levitt, who plays a young, idealistic Gotham police officer. If there is any drawback with the characters it is that Bane must speak through a mask that appears to have been mounted on his face. Unfortunately this makes him sound like Sean Connery playing Darth Vader. Not too disrupting but you need to listen hard to catch everything he says.

Visually the film is amazing. The special effects are top notch, including one scene highlighted in the coming attraction: the complete and utter annihilation of a football field. On game day! Throw in an assortment of new “Bat” vehicles and you’re in for the ride of your life. Move over, “Avengers.” You guys may be the latest but Batman was the first. And “The Dark Knight Rises” is the best!

CD Review: Emilie Autumn “Fight Like a Girl”

Emilie Autumn
Fight Like a Girl
Producer: Emilie Autumn
Release Date: July 24, 2012
Tracks: 17
Running Time: 62 minutes

Our Score: 4 out of 5 stars

If you are aware of Emilie Autumn and her unique sound, then you are in a real treat for “Fight Like a Girl”. If not then get ready to be blown away. Personally, I was only recently introduced to her music and let me tell you I was immediately hooked. After interviewing Emilie as well you can literally hear her inspiration with each word as she speaks about the music.  The new album is based on her autobiographical novel, “The Asylum for Wayward Victorican Girls”.  “Fight Like a Girl” is far from just a regular rock album and it plays more like a stage musical.  While listening to the album, I could just imagine how each song would be presented on the stage.  Overall a great listening experience and a very mature and revealing album for Autumn. I can’t wait to see it live.

The album kicks off with the title “Fight Like a Girl”, which is purposely pop-like but also very dark.  It is probably the best track on the album and my personal favorite.  It is perfect kick-off for this album.  Following that up is the super energetic “Time for Tea”, which is so intense and catchy that I found myself leaving it on repeat a few times.  Both songs are two of my favorite Autumn songs ever in fact!  The next two tracks really sets up the album for its more theatrical direction, the instrumental “4 o’Clock Reprise” and the quiet ballad “What Will I Remember”.   From here the album really takes off and spread its wings wide open and keeps you guessing with each song.

“Take the Pill” picks up the pace again and is a very heavy and fast-paced track.  “Girls!, Girls!, Girls!” reminds me a burlesque show out of “Moulin Rouge”.  It is very entertaining and fun. “If I Burn” is a slow-burn and shows Autumn’s wonderful vocal range, I could see this song being the next single.  “The Key” is probably the most theatrical track on the album.  I couldn’t stop thinking that it is a mixture of something out “Jekyll and Hyde” meets “Sweeney Todd”. I also really wanted to point out that each song really takes it time and overall the album is well-paced. There are instrumental tracks throughout which gives you time to breath since this is one intense album. We close with “Start Another Story” and “One Foot In Front of the Other”, they are 360 turn from “Fight Like a Girl” but is a great ending to the album’s story.

The album has been described as “an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers.”   journey.  Each song merges perfectly with the next and really blends well as an album.  It has been a while since Autumn’s last album “Opheliac” but it is definitely worth the wait.  She has seemed to have really poured her heart and soul into this album and her lyrics are sometimes brutal but honest.  She is a really great storyteller and I would have to say that this is one her best albums to date. Emilie Autumn will be following the release of “Fight Like A Girl” with a US tour which begins in September. Be sure not to miss this tour as it is sure to be one hell of an event.

Track Listing:
Fight Like A Girl
Time For Tea
4 O’Clock Reprise
What Will I Remember
Take The Pill
Girls! Girls! Girls!
I Don’t Understand
We Want Them Young
If I Burn
Scavenger
Gaslight
The Key
Hell Is Empty
Gaslight Reprise
Goodnight, Sweet Ladies
Start Another Story
One Foot In Front Of The Other

Takashi Miike talks about making “Hara-Kiri: Death of a Samurai”

Takashi Miike is know for his controversial Japanese filmmaker style. He is know for directing ultra-violent films like “Ichi the Killer” and “Audition”. His last film was the amazing “13 Assassins”, a remake of Eiichi Kudo’s 1963 film. Takashi took some time to answer some questions about his new film “Hara-Kiri” and shooting in 3D.

Q: What was your inspiration for choosing “Hara-Kiri” as your next film?
A: It just so happened that this kind of epic film was my next film after “13 Assassins”. I don’t plan to make only films like this. The touchstone benchmark is quality over quantity. By quality, I mean what kindles your heart or whether or not it makes you feel free as you devote yourself to the filming. Next fall, I will shoot a TV drama for late night television that is ruinously low-budget. But with low-budget works comes an excitement that can only be relished through low-budget.

Q: How do you compare your film to the original from 1962?
A: What excites me about resurrecting this film from the past is being able to feel first-hand the existence of the universal human suffering which “Hara-Kiri: Death of a Samurai” depicts at its core as it transcends time, genres and countries. My new versions share everything in common with the old films yet everything is a little off. Since things like originality or being finicky about some worthless triviality were thrown away a long time ago, one cannot compare two works by lining them up next to each other. They are only connected in tandem as part of the flow of time in which they were created.

Q: Tell us about your experience working with Ebizo Ichikawa and Koji Yakusho? A: Ebizo Ichikawa is the real deal when it comes to being the prize of kabuki. He is the king of traditional performing arts in Japan. He is a man without a net challenging frontiers with a great deal of curiosity. He made the set a fun, stimulating place day after day. I am looking forward to even more exciting things from him. Koji Yakusho is a living treasure in Japanese film. He always seams up the frayed edges in my clumsy directing in an artful way. He is a living treasure of modern Japanese film who leads you into the special world of filmmaking. He always teaches me Japan’s unique virtue of humility. Also, his wife is a lovely lady filled with elegance.

Q: Can you reflect on the film’s music by Ryuichi Sakamoto?
A: From the bottom of my heart, I really appreciated Ryuichi Sakamoto providing such wonderful music. The souls of the characters in the film squeal in the soundtrack. And these sounds aren’t rammed down-your-throat and don’t really come so far forward. His music fills the theater like air with a certain stillness and quietness yet its sureness and authority remain. Ryuichi Sakamoto is an artist who sees through the deception of the essence of 3D.

Q: Can you tell us was your biggest challenge shooting in 3D?
A: Nothing changed for me shooting a movie in 3D. It was the same on set experience as any other film for me. The only difference was that the speed of shooting was slightly slower than normal. All in all, this film will probably be a welcomed development for those who already pursue stereo spatial visuals in the world of 2D via lighting and camera angles. There was no change to my approach other than I was able to go brag to the director shooting at the studio next door and say, “Huh? Yours is flat and level? Ours is bumpy and convexo-concave.”

Q: With 3D being the big craze, what are your expectations for the audience?
A: I would be most pleased if the audience feels that what can be expressed in 2D can also be expressed in 3D. For the people who are not fans of 3D, I hope they will say, “Wow! 3D works.” It would be perfect if older audiences would say, “How interesting the way this film bursts out and sucks me up.” I guess for the next few years this situation will continue where 3D is just one option for making a movie. And the audiences will probably decide and determine what happens after that. I definitely anticipate making more 3D movies. Next, if I have the chance, I want to have things that shouldn’t come out of our bodies be hurled at the audience.