Blu-ray Review “Fist Fight”

Actors: Ice Cube, Charlie Day, Tracy Morgan, Jillian Bell, Christina Hendricks
Directors: Richie Keen
Rated: R
Studio: Warner Brothers
Release Date: May 30, 2017
Run Time: 91 minutes

Film: 3 out of 5 stars
Blu-ray: 3.5 out of 5 stars
Extras: 1.5 out of 5 stars

The combination of Ice Cube and Charlie Day should be an instant winner for “Fist Fight”…but something is missing here. There are some funny moments in the film for sure and both guys bring their A-game but the film itself just feels lazy like they just assumed having them together would be enough. Like I said a few solid laughs but overall, I can’t really see myself bragging about this film and recommending it to everyone I speak with. Feels more like a one-timer.

Official Premise: Ice Cube and Charlie Day star as high school teachers prepared to solve their differences the hard way. On the last day of the year, mild-mannered high school English teacher Andy Campbell (Day) is trying his best to keep it together amidst senior pranks, a dysfunctional administration and budget cuts that put jobs on the line. But things go from bad to worse when he accidentally crosses his much tougher and deeply feared colleague, Ron Strickland (Ice Cube), who challenges Campbell to an old-fashioned throwdown after school. News of the fight spreads like wildfire and ends up becoming the very thing this school, and Campbell, needed.

Warner Brothers is delivering this film in a combo pack with a Blu-ray + DVD + Digital Copy included. So, you are getting a nice return for your money. We all know that teachers are under paid, so if you want to avoid fighting and save some money places like CouponGrind are a good solution to find some savings. The A/V is typical for a comedy, I don’t see this film getting high merits for either but they also have no issues either for sure. Solid video and a nice DTS-HD Master Audio 5.1 track are included here. Special features are big let down though delivering about 15 minutes of deleted scenes and a short featurette about filming in Georgia.

Win Code to Watch "Knife Fight" starring Rob Lowe & Julie Bowen on SundanceNOW [ENDED]


In conjunction with the theatrical release of “Knight Fight”, Media Mikes is excited to to give two readers a chance to win a code to watch “Knife Fight” starring Rob Lowe & Julie Bowen right now on SundanceNOW. All you have to do is let us know, in a few sentences, your favorite film about politics. The giveaway will be open until February 8th. One entry per person, per household. All other entries will be considered invalid. Once the giveaway ends, Media Mikes will randomly pick out winners and alert the winners via email. The film is currently in theaters and is also available on the platform at:

If a political candidate is personally flawed, but stands to make a positive difference in millions of lives, would you help him win? That question looms over the life of “true believer” Paul Turner (Rob Lowe), a savvy strategist sharply maneuvering politicians out of scandal and into public office. With the help of a bright young assistant (Jamie Chung) and a seedy operative (Richard Schiff), Turner spins every news cycle and a shrewd reporter (Julie Bowen) on behalf of his clients: a philandering Kentucky governor (Eric McCormick), a blackmailed California senator (David Harbour), and an idealistic doctor turned gubernatorial candidate (Carrie-Anne Moss). When the ugly side of Turner’s work begins to haunt him, he learns that even in the bloodiest of battles, sometimes you have to fight clean.

KNIFE FIGHT is a smart, crackling, comedic “inside look” at what happens behind closed doors in modern American politics. Two-time Academy Award-winning director Bill Guttentag teamed with renowned political consultant Chris Lehane to create this political story for the new century. As the November election approaches, KNIFE FIGHT pulls back the curtain on the “real truth” of the political process.

Blu-ray Review “Forced to Fight”

Actors: Gary Daniels, Peter Weller
Directors: Jonas Quastel
Rated: Unrated
Release Date: December 18, 2012
Run Time: 100 minutes

Our Score: 3.5 out of 5 stars

When it comes to mixed martial arts, I am big sucker for whatever is available. This film has a lot going for it including starring Peter Weller, known best for playing “Robocop” and also former world kick-boxing champion Gary Daniels (“The Expendables”). I have loved Daniel’s work going back to “Fist of the North Star”. The story is what you would expect from this type of film but it still works. The film is action-packed and features various fighting styles including wrestling, judo, jiu jitsu etc. There is something for everyone here in this non-stop thrill ride. Recommended for all MMA fans!

Official Premise: Once a legend in the brutal world of illicit underground fighting, Shane Slavin (Daniels) decides to turn his life around, promising his wife and young son he’s fought his last battle. But when his younger brother betrays a ruthless crime boss (Weller), Shane is forced back into the arena to pay his brother’s debts and to protect his family. Now Shane must confront a gauntlet of incredibly savage, no-holds-barred fights with no rules, no mercy and just two possible outcomes: win or die fighting.

“Forced to Fight” comes with a nice Blu-ray presentation. It looks damn impressive with its 1080p transfer and it’s aspect ratio of 1.78:1. The DTS-HD Master Audio 5.1 surround track works well with the film’s action. You will find yourself dodging punches on your couch! The downside is that there are no special features included on this release. I also would have loved to see this released as a combo pack with a DVD, as well included.

DVD Review “This Boy Can Fight Aliens”

Directed by: Soubi Yamamoto
MPAA Rating: Unrated
Distributed by: Section 23
Release Date: August 14, 2012
Running Time: 28 minutes

Film: 3 out of 5 stars
Extras: 2.5 out of 5 stars

With a title like “This Boy Can Fight Aliens”, sounds strange but completely intrigued. After three back-to-back viewings of this film, I am still not quite sure I completely understand what I watched. I am not stranger to anime at all. Sentai Filmworks is a great contributor to the genre. I also wish the film was incredibly longer. The running time of 30 minutes only seems to be a jumping off point for this film. I also feel like it can see a series as well. For big anime fans, this is definitely something I would recommend.

The story revolves around Kakashi, a boy with no memory of his past.  He lives in a world where aliens come everyday to fight. Kakashi is the one who can take on the aliens. Though with losing his memory also forgot the knowledge of how to actually use his powers. It is up to his friends to help him regain his powers and remember who he is in order to save them from the aliens.

The special features are not the greatest but still worth checking out. There is a few early work shorts from director Soubi Yamamoto. They are three really cool mini-features but I would have liked to see more. There is also a brief interview with Soubi Yamamoto as well. Overall the film is visually super cool and very interesting. Would have loved to review this on Blu-ray since it probably looks mega-cool.


Related Content

CD Review: Emilie Autumn “Fight Like a Girl”

Emilie Autumn
Fight Like a Girl
Producer: Emilie Autumn
Release Date: July 24, 2012
Tracks: 17
Running Time: 62 minutes

Our Score: 4 out of 5 stars

If you are aware of Emilie Autumn and her unique sound, then you are in a real treat for “Fight Like a Girl”. If not then get ready to be blown away. Personally, I was only recently introduced to her music and let me tell you I was immediately hooked. After interviewing Emilie as well you can literally hear her inspiration with each word as she speaks about the music.  The new album is based on her autobiographical novel, “The Asylum for Wayward Victorican Girls”.  “Fight Like a Girl” is far from just a regular rock album and it plays more like a stage musical.  While listening to the album, I could just imagine how each song would be presented on the stage.  Overall a great listening experience and a very mature and revealing album for Autumn. I can’t wait to see it live.

The album kicks off with the title “Fight Like a Girl”, which is purposely pop-like but also very dark.  It is probably the best track on the album and my personal favorite.  It is perfect kick-off for this album.  Following that up is the super energetic “Time for Tea”, which is so intense and catchy that I found myself leaving it on repeat a few times.  Both songs are two of my favorite Autumn songs ever in fact!  The next two tracks really sets up the album for its more theatrical direction, the instrumental “4 o’Clock Reprise” and the quiet ballad “What Will I Remember”.   From here the album really takes off and spread its wings wide open and keeps you guessing with each song.

“Take the Pill” picks up the pace again and is a very heavy and fast-paced track.  “Girls!, Girls!, Girls!” reminds me a burlesque show out of “Moulin Rouge”.  It is very entertaining and fun. “If I Burn” is a slow-burn and shows Autumn’s wonderful vocal range, I could see this song being the next single.  “The Key” is probably the most theatrical track on the album.  I couldn’t stop thinking that it is a mixture of something out “Jekyll and Hyde” meets “Sweeney Todd”. I also really wanted to point out that each song really takes it time and overall the album is well-paced. There are instrumental tracks throughout which gives you time to breath since this is one intense album. We close with “Start Another Story” and “One Foot In Front of the Other”, they are 360 turn from “Fight Like a Girl” but is a great ending to the album’s story.

The album has been described as “an operatic feminist treatise set inside an insane asylum, wherein the female inmates gradually realize their own strength in numbers.”   journey.  Each song merges perfectly with the next and really blends well as an album.  It has been a while since Autumn’s last album “Opheliac” but it is definitely worth the wait.  She has seemed to have really poured her heart and soul into this album and her lyrics are sometimes brutal but honest.  She is a really great storyteller and I would have to say that this is one her best albums to date. Emilie Autumn will be following the release of “Fight Like A Girl” with a US tour which begins in September. Be sure not to miss this tour as it is sure to be one hell of an event.

Track Listing:
Fight Like A Girl
Time For Tea
4 O’Clock Reprise
What Will I Remember
Take The Pill
Girls! Girls! Girls!
I Don’t Understand
We Want Them Young
If I Burn
The Key
Hell Is Empty
Gaslight Reprise
Goodnight, Sweet Ladies
Start Another Story
One Foot In Front Of The Other

Emilie Autumn talks about film “The Devil’s Carnival” and new album “Fight Like a Girl”

Emilie Autumn is a musician and world-class violinist. But there is so much more that makes up Emilie including her dark lyrics, metal-shredding violin solos, and industrial-strength voice. Emilie also co-stars in Darren Lynn Bousman’s new film “The Devil’s Carnival” as the Painted Doll. Emilie took out some time from working on her new album entitled ‘Fight Like A Girl and extensive touring to chat with MTedia Mikes about the film and her new album.

Mike Gencarelli: How did you initially get involved with working on this film?
Emilie Autumn: It was completely by absolute chance. I was on tour a couple of years ago and my tour manager at the time got an email from Darren explaining that he was making a movie, it’s going to be a crazy thing and he really thought I should play a part in it. We get those kinds of emails all the time and I usually don’t pay attention to them because usually they’re not real or I’d rather focus on my own musical world and aren’t interested in being in a bunch of people’s movies. But he was very, very persistent. And what I didn’t know until later, when we got together at a meet and greet and somebody asked him how he started working with me, was that the story is much more elaborate. He said he basically became a stalker (laughs). I didn’t know any of that. I thought he had just sent me that one email. But it turned out he had been trying to get in touch with me for ages through all sorts of different means. And because I was touring at the time I wasn’t on line a lot and I wasn’t getting his messages. So in the end he just got so obsessed with me playing this character. Which is funny since I had to endure four hours of makeup and prosthetics every day which pretty much made ME invisible. I have to admit that when they first contacted me I had no idea who Darren was, mainly because I hadn’t been exposed to “Repo” or anything else but it’s weird because I actually have (2) songs on soundtracks from films that Darren directed! I really enjoy good thrillers but I’m not very big on films with long, gratuitous torture scenes. There’s enough crazy shit in my head already! I hadn’t seen those. But lucky enough Darren understood why I hadn’t seen them. Amazingly we’re still friends, even after I said “I don’t know who you are and I haven’t seen any of your work” (laughs). I sent him a note saying, “I have no idea what this is…I need some more information.” And he sent me a reply back saying, “please go watch THIS.” I thought it was going to be a link to one of his films but it was actually a link to a compilation site of what the fans – the “REPO” army – were doing. Dressing up and watching a movie that had been completely panned and having gotten the worse reviews ever. And that was good. He wanted me to see the actual audience response to something that was completely underground yet became such a huge community that was really about being creative. And that is exactly what I, with my own career, am doing. That was pretty much the exact right thing he could have sent. When I told him that he said to go on my next off day and watch “REPO.” So all of my band girls and I got into one hotel bed, Netflixed it and watched it. We didn’t know ANYTHING about it. And then all of a sudden the opening credits come up and it’s Sarah Fucking Brightman! And I was like, “what the F??? Are you fucking with me?” I sent him an email back saying, “you got Sarah Brightman. Who am I to say “no” to you?” I mean, if it’s good enough for her I’ll do it. So that’s how it all began. And you have to realize, this could be a movie that nobody gets. It’s a project about people using their own money and their own connections and their own skills to make something happen. And that’s the only way I have personally ever done anything. So to me it was a beautiful thing. To work with people who are doing things the exact same way I do. We made it in six days. We recorded the soundtrack in one day. It’s really amazing and I love talking about it. With nobody else’s money they do what I do…they go on tour. They rent out theatres as they go across the country living in a van. I’m actually getting ready to join them for the rest of the tour. I’ll do some of the premiers and some more meet and greets and Q & A things. And it’s great because half of them who come to the show are wearing Emilie Autumn T-shirts! So for me this is a great crossover audience. A few weeks into this tour it looks like a mad fucking success. And I’m so proud to be a part of it. I’m so proud of so many things. I’m not embarrassed by my performance. I adore all of my songs. But I’m proud most of Darren. I mean I was reading about “Rocky Horror” a while ago and I noticed that, just like “REPO,” it was given horrible reviews. Nobody gave a fuck about it. Then it suddenly exploded into a cult thing that hasn’t died yet. And I think “REPO” can become something like that along those lines. That being said, I’ve yet to see a fan review of “Devil’s Carnival!” Maybe you will write one after you see it.

MG: This was your first film. What did you enjoy most about the process of making a film?
EA: I still get smiley and giddy when I think about it because I did not expect to have that much fun. I did not expect it to be so easy and yet so challenging at the same time. It was like Christmas every day. Especially because it was freezing every day. We shot in a town called Riverside, California, which is kind of like the carnival wasteland. It’s where old circus’ and carnivals go to die. It’s like two football fields of old ferris wheels and tents and carnival attractions and rides and wagons and games. And from it we actually built a theme park. I wish you could have seen it before it was put together. We were doing night shoots but in mid-May it’s still deathly cold. And I’m wearing very little. Of course Lucifer gets to run around in a cape and a giant bathrobe so he was fine. So the cold was really the only thing that was remotely unpleasant about the whole experience.

MG: I just saw a 12 minute teaser trailer for the film. What can you tell us about that?
EA: It’s funny on a couple of different levels. What I didn’t know, what I found out at one of the Q & A sessions, was that I was the very first person they asked to be in the film that had signed on to the project. Which makes sense why I’m the main one in the teaser because I had signed on before anyone else. But what we didn’t know at that time was the direction they were going to take with the Painted Doll character. So we just pulled the crew together, set up the cameras and made that 12 minute teaser, which was basically compiled from 35 minutes of me walking around doing nothing! Plus I don’t really look anything like my character, I look like Emilie Autumn. So it was me and all of this old stuff. Darren would tell me to walk around a corner and pick up an apple. NOW SPIT IT OUT! Now pick up that weird giant doll-thing. Now dance around with it. And of course what I don’t notice when I’m doing it, but what I see later, is that the camera is mostly zooming in and focusing on my ass. I mean, I totally approved. That’s not a problem for me. But I was like, ok, I know what’s going on. But it’s funny. When it came out it was pretty much the first thing anybody had seen on “Devil’s Carnival” on the web site. What’s funny is that I can’t read articles or interviews about myself. It just weirds me out. I can’t deal with that much information about ME. But I set up Google Alert for “Devil’s Carnival” because THAT I can read about all day long. So I was getting all of these little bits about what people thought about the 12 minute film. Half of them were like, “wow, that’s real cool and tantalizing. I can’t wait to see what this is.” And then some other people were like, “well, that’s 12 minutes of my life I’m never going to get back!” And the thing is they were both right. They were both absolutely right. Because NOTHING is going on. And when we shot it and Darren called me out there I asked him what he wanted me to do and he said “NOTHING!” And I asked him what the point was we were making and he said “NOTHING!” He really wanted something where you would watch this girl walk around for 12 minutes picking up stuff. You would be waiting for someone to say something or somebody to get killed or somebody to come in…some punch line or something at the end. But he just wanted you to watch and wait and then think “FUCK!” at the end! And he got what he wanted.

MG: How do you feel the songs in the film differ from your own original songs, if they do?
EA: Not a lot. My own music has always been dramatic and the songs on my last album have even gotten into musical theater territory. In fact some of the songs on my new record are part of a Broadway show that is being written right now. So it is all verymagically coincidental in that way. That I would be asked to be part of a musical theater project and to sing a song in a very dramatic way. To run around a tent and sing…”yes, this is Hell.” That is what I’m supposed to be doing. And of course, three days after we shot that scene I’m out on tour doing my own thing. And I should say the story starts out bad but it gets better. But I did the film the week before the tour and didn’t rehearse. I didn’t rehearse for my own tour. But the good thing is that I had two of my Bloody Crumpets – my girls who sing with me on stage – also with me on the film. And so at least we could sit in our dressing rooms and talk about the tour. We didn’t rehearse but we talked about what we were going to do for our shows.

MG: Since you brought up your new album, tell us how you chose the new direction your music is taking?
EA: Well the song “Fight Like A Girl” is not only the title track but, to be honest, it is deceptively “poppy.” And that was intentional. To say these really forceful things and basically go to battle but with a really catchy beat. To be scary and beautiful and fun all at the same time. And then the second track, “Time for Tea,” that one really starts the story. Both in our live show and on the record. I mean we have a big clock and when it’s four o’clock it goes off and we say, “four o’clock, it’s mother fucking time for tea, and it’s time to eradicate the enemy.” Then we just run down the stairs with medical tools and we start slaughtering. And the rest of the album just gets more epic and symphonic. So what makes it different from the others is how everything is together and complete in a story.

Concert Review: “End Game Tour 2012” Rise Against, A Day To Remember &Title Fight

“End Game Tour 2012”
Rise Against, A Day To Remember, Title Fight
Date: Tuesday, May 8th 2012
Venue: New York State Fairgrounds

Our Score: 3 out of 5 stars

Rise Against played the Chevy Court at the New York State Fairgrounds on Tuesday, May 8th as part of the bands “End Game 2012 Tour” The tour is in support of the band’s latest album of the same name which was release earlier this year. The tour line-up also featured Title Fight and the always entertaining A Day To Remember. Even though the weather at times was not the best causing a number of giant mud pits each of the three bands put on a solid performance for the assembled crowd.

Title Fight from Kingston, PA kicked off the show and received a warm reception from the crowd which was a mixture of styles and ages. Crowd favorite A Day To Remember were up next and once the band hit the stage the energy level went through the roof. The bands set featured flying beach balls, toilet paper and a giant hamster ball which singer Jeremy McKinnon used to walk over the top of the crowd. The later part of the bands set featured some of the bands more popular songs such as “Better Off This Way” and “All I Want”. As the storm clouds began to move in and day shifted to night headliner Rise Against would take the stage. After a brief intro taken from the 1970 film “Catch-22” the band launched into a thought provoking, energy filled set. The band wasted no time and played song after song. Though the band sounded muffled at time their set was still very tight. The set featured a number of Rise Against staples as well as some new songs off of the “End game” album. Later in the set fans were treated to an acoustic performance of “Swing Life Away” and a few other acoustic numbers. The band closed out the night with an extended version of the hit song “Savior” which left the muddy masses tired but still had them begging for more.

A Day to Remember Set List:
1.) The Downfall Of Us All
2.) A Shot in the Dark
3.) I’m Made of Wax Larry, What Are You Made Of?
4.) My Life For Hire
5.) All Signs Point to Lauderdale
6.) 2nd Sucks
7.) You Be Tails, I’ll Be Sonic
8.) It’s Complicated
9.) Homesick
10.) Better Off This Way
11.) Have Faith In Me
12.) All I Want
13.) The Plot to Bomb The Panhandle
Rise Against Set List:
1.) Survivor Guilt
2.) Ready to Fall
3.) Collapse (Post-Amerika)
4.) The Good Left Undone
5.) Broken English
6.) Help Is on the Way
7.) Disparity by Design
8.) Drones
9.) Re-Education (Through Labor)
10.) Blood to Bleed
11.) Satellite
12.) Paper Wings
13.) Prayer of the Refugee
14.) Audience of One
15.) Swing Life Away
16.) Make It Stop
17.) Give It All
18.) Midnight Hands
19.) The Strength to Go On
20.) Savior