Quentin Tarantino picks his Top 10 films of 2013…so far

Director Quentin Tarantino recently revealed his “Top 10 films of 2013 so far” with fan site The Quentin Tarantino Archives and some might be surprised by his taste in movies. Although many of his releases include highly (and deliberately superficial) violent sequences with sometimes unconventional story lines, his list illustrates that he appreciates movies of various genres. I guess it isn’t a surprise then that Woody Allen’s celebrated film Blue Jasmine is featured. More surprising however, is his choice to add Disney’s flop blockbuster The Lone Ranger featuring Johnny Depp. Below is the complete list of Tarantino’s Top 10:

  • ‘Afternoon Delight’ (Jill Soloway)
  • ‘Before Midnight’ (Richard Linklater)
  • Blue Jasmine‘ (Woody Allen)
  • The Conjuring‘ (James Wan)
  • ‘Drinking Buddies’ (Joe Swanberg)
  • ‘Frances Ha’ (Noah Baumbach)
  • Gravity‘ (Alfonso Cuarón)
  • Kick-Ass 2‘ (Jeff Wadlow)
  • The Lone Ranger‘ (Gore Verbinski)
  • This Is The End‘ (Seth Rogen, Evan Goldberg)

As the rankings are in alphabetical order and not order of preference, it is hard to determine which film has made the ultimate #1 spot. Nonetheless, his selection will have an impact on film buffs and Tarantino fans all over the world. There are only a number of other directors like Tarantino that have influenced the cult and pop culture film scene like he has, with masterpieces like Pulp Fiction or his latest, Django Unchained. Iconic images and movie posters to his classics can be spotted at myriad retailers from online stores like posterlounge.co.uk to local video stores.

Quentin Tarantino’s next project still has not been confirmed but with public appearances at the Huading Awards in Macau, there may be a chance that he reveals something in a few days. A third part of Kill Bill is possible or a spin-off mix of Inglorious Bastards and Django. Sounds unfathomable, as have many of his story lines, so maybe it’s wise not to write off this rumor just yet.

3D Blu-ray Review "Top Gun 3D"

Starring: Tom Cruise, Kelly McGillis, Val Kilmer, Anthony Edwards, Tom Skerritt, Michael Ironside
Director: Tony Scott
Rated: PG (Parental Guidance Suggested)
Studio: Paramount
Release Date: February 19, 2013
Run Time: 109 minutes

Film: 5 out of 5 stars
3D: 4 out of 5 stars
Extras: 3.5 out of 5 stars

Who doesn’t love “Top Gun”? This film is easily one of the best things to have come out of the 1980’s and has Tom Cruise at his prime.  I think I must listen to Kenny Loggins’ “Danger Zone” at least once a week.  So what is new about this release of “Top Gun”, well most importantly it has been converted into the third dimension and boy is it impressive. Paramount did a really sharp job in restoring and releasing this film in 3D.  It is a very solid 3D presentation without any cheap gimmicks.  Of course when this film hits the skies is where the 3D really gets a chance to spread its wings. The aerial scenes are truly amazing and delivers the best added depth. The adding of the 3D just seems natural and like it was meant to be seen like this. If you are a fan, I mean who isn’t?, of this 80’s classic then this is a great way to enjoy the film again for the first time in its new format.

Paramount has delivered an impressive release within this two-disc Blu-ray.  Besides the 3D Blu-ray, it also including the previously released 2D disc as well and an Ultraviolet digital copy as well. This 1080p transfer is newly re-mastered and comes with the highest quality image that “Top Gun” has ever been attributed to. This release carries over the same audio options as the last Blu-ray release, which are still amazing! There are two tracks a DTS-HD MA 6.1 and Dolby TrueHD 5.1 track.  They are both impressive but the 6.1 track really shines the most.  Once the film takes off any Loggins’ “Danger Zone” starts playing, I got the chills and blasted the volume to 11! Let me tell you how amazing it sounded. Of course that is not the only great song in this film including the classics Berlin’s “Take My Breath Away” and very funny “Lost That Lovin’ Feeling”.  Besides just songs the aerial battles are great and have you ducking as they fly by your speakers.

The special features are taken from the previous releases but are still very impressive.  First off we have a solid audio commentary track including producer Jerry Bruckheimer, director Tony Scott, co-screenwriter Jack Epps, Jr. and naval experts.  This track contains information overload and really delivers. Must listen! “Danger Zone: The Making of ‘Top Gun” is a fantastic super in-depth 2.5 hour six-part documentary.  If you love “Top Gun” then this is the special feature for you. “Multi-Angle Storyboards” focuses on two sequences, “Flat Spin” and “Jester’s Dead”, from the film  with optional commentary by Tony Scott. This is cool but multi-angles extras feel a little too DVD for me. “Best of the Best: Inside the Real Top Gun” is another fantastic documentary is a look into the real-life history behind this film.

Next up have two decent featurettes, the first focusing on “Behind-the-Scenes”, which is clips mixed with interviews on the production. “Survival Training” looks into what the cast has to go through to get prepared for their roles. There is a nice interview with Tom Cruise chatting about the role and the film. Of course I go back to the great music in this film.  There are four music videos including Kenny Loggins’ Danger Zone, Berlin’s Oscar-winning “Take My Breath Away”, Loverboy’s “Heaven In Your Eyes” and of course, the Top Gun Anthem with Harold Faltermeyer and Steve Stevens.  Lastly there are also seven vintage television spots wrapping up these great extras.

 

Related Content

Julia Davis talks about documentary "Top Priority: The Terror Within"

Born in Russia, Julia Davis seemed to have a fairy tale life. She met and fell in love with filmmaker B.J. Davis while he was making a film in her hometown, emigrated to the United States and, armed with her educational degrees, found a job in one of this country’s most important agencies – the Department of Homeland Security. However, the fairy tale took a horrific twist when Ms. Davis reported to her supervisors what appeared to be a security breach of top priority. Rather then investigate her report the agency, and others within the U.S. Government, set out to discredit her, as well as subjecting her family and friends to unimaginable harassment. It took almost a decade but the truth has finally come to light. With the DVD release of the whistle-blowing documentary film of which she is the subject, “Top Priority: The Terror Within,” Ms. Davis graciously took some time out to talk with Media Mikes about her life since the film was released and her plans for the future.

Mike Smith: What made you choose to go into a career with the government?
Julia Davis: Since my childhood, I always had an interest in police work and investigative matters. After 9/11, I felt the need to serve our great nation, helping to safeguard it from any future terror threats. Since I speak multiple languages, I thought that my abilities could be put to good use by the federal agencies responsible for protecting our national security.

MS: Do you believe that all of the retribution towards you was brought on because you simply embarrassed the government?
JD: I’ve often wondered whether the reason for such unprecedented magnitude of retaliation was embarrassment or corruption. Customs Service is historically the most corrupt federal agency. Even the former Port Director of the San Ysidro Port of Entry where I worked (which is the largest and busiest land border crossing in the U.S. and in the world), Daphiney Caganap was caught red-handed for accepting bribes to allow drugs and illegal aliens to cross the border. It is certainly not outside the realm of possibility that someone intentionally allowed 23 subjects from terrorist countries to enter the U.S. without following proper procedures, in exchange for a bribe or because of another sinister motive.

MS: How were you able to obtain the various taped testimonies and video surveillance footage that appears in the film?
JD: In retribution for my whistle-blowing disclosure, my husband and I were twice maliciously prosecuted and falsely imprisoned. We eventually prevailed against the Department of Homeland Security in those legal proceedings and were declared factually innocent. At that point we filed a lawsuit against the DHS to hold them accountable for their outrageous, unconstitutional actions. Discovery procedures provided an opportunity for us to depose the Defendants, videotaping their testimony. The Blackhawk helicopter raid of our house was recorded by our neighbor, Mathew Judd. Shortly after giving us the tape and his statement, this healthy 25-year old man was found dead. Over the years we were subjected to extensive surveillance by fixed wing airplanes, helicopters, vehicles and agents following us on foot. We’ve been meticulously documenting what could be described as living in the movie “Enemy of the State”. The documentary contains 517 video, audio and document image inserts. Since the magnitude of the case is so unbelievable, we were determined to illustrate every fact with irrefutable evidence. Director Asif Akbar and Editor Paul Robinson labored tirelessly to make an enormous amount of evidence available to the viewing audiences. I can’t say enough to praise their dedication to getting the story told in a way that leaves nothing to speculation. What is shown in a film is not an allegation or contention, but facts, accompanied by audiovisual proof.

MS: Since the film was made have you been able to find anything that might further link this case with the deaths or Brittany Murphy or her husband?
JD: I’ve requested and obtained an extensive number of records from the Department of Homeland Security/ICE, which contained the evidence that Brittany Murphy and Simon Monjack were about to be prosecuted for alleged “immigration marriage fraud” shortly before Brittany died. As a matter of fact, Britt’s death is the only reason the prosecution didn’t go forward. I find it highly suspicious that the same agency (DHS/ICE) was utilizing exactly the same methods (helicopter and vehicular surveillance, entertainment industry work interference, investigations, etc.) to pursue my husband and I, just as they did to Britt and Simon after she became a witness in my case. Brittany and Simon exhibited numerous symptoms of acute poisoning prior to their deaths (including vomiting and abdominal pain), but neither their hair nor tissues were ever tested for toxins, poisons or heavy metals. Brittany’s father, Angelo “AJ” Bertolotti is continuing his fight to get his daughter’s hair and specimens finally tested by an independent laboratory. He is now represented by George Braunstein, Esq. – an esteemed attorney who was involved in securing a proper autopsy with respect to the death of Sylvester Stallone’s eldest son Sage. We are determined to find out Brittany’s and Simony’s true cause of death, which will start with proper medical testing of their specimens.

MS: You often appeared on television as an anti-terrorist expert before this happened. Are you still able to do this or has this case maybe scared off the networks?
JD: I still write for the Homeland Security Examiner and appear on network television as an anti-terrorism/immigration expert, but my case is undeniably too controversial for the mainstream media. Amongst other things, the documentary explores the connections between our government agencies and the MSM. It is disappointing, but no longer surprising.

MS: Were you able to take any action against the police departments that falsely stopped you?
JD: We’ve made a report to the San Diego Police Department that addressed the unlawful actions by the officers of their motorcycle traffic division (including Officer Steve Webb, who conspired with the Department of Homeland Security in conducting an illegal traffic stop). Much like the DHS, they took absolutely no action to hold anyone accountable.

MS: You have a Masters Degree in Aviation and Spacecraft Engineering. Any desires to pursue that field again?
JD: I studied engineering to follow in my parents’ footsteps, particularly because my father was an ingenious, award-winning inventor in that field. While I still love technology, I believe that creative expression in its various forms is my true calling. There are many important stories that need to be told and I intend to do my part in making that happen, as a Director, Producer, Screenwriter and an Investigative Reporter.

MS: What are your plans for the future?
JD: As they say, “People plan and God laughs”. My main goal and objective is to do my best to make this world a better place, one day at a time. I plan to continue making movies, writing books and news articles/investigative reports. I also plan to continue with my ongoing efforts to ensure that meaningful whistleblower laws finally get enacted, which would include jury trials and protection for national security whistleblowers.

MS: Finally, what would you say to someone who finds themselves in the position you were in and knows of what extremes others will go to prevent the truth from coming out?
JD: I would tell them to hold on tight, as they’re in for a wild ride. Most importantly, I would implore them to never surrender, never lose hope and never stop telling it like it is (even when it seems like no one is listening). Truth, justice and the American way is about doing the right thing, no matter the price.

DVD Review "Top Priority: The Terror Within"

Directed by: Asif Akbar
Rated: NR (Not Rated)
Studio: Fleur De Lis Film Studios
Release date: December 12, 2012
Run time: 98 minutes

Film: 5 out of 5 stars
No Extras

When I first reviewed the film “Top Priority: The Terror Within” I summed up my reaction to what I had just seen in one word – WOW! As I watched it again in preparation of it’s release on DVD another word registered inside me – ANGER! Not at the film, mind you, but at the lengths that some people (and organizations) will go to in order to validate something that has no business being validated…that the entire “cover your ass” mentality that permeates so many different groups can extend to the willful ruination of innocent people’s lives. Here is my initial review of the film from June of 2012:

Wow!

Knowing I had just seen his new documentary, “Top Priority: The Terror Within,” producer BJ Davis asked me what I had thought of the film. I summed my review up in one word.

Much has been made of the state of the world since the horror of September 11, 2001. As citizens we’ve been told to keep our eyes open…to report anything we may think is suspicious. But what if you worked for the U.S. Government’s Department of Homeland Security and you discovered that no less than 23 “Special Interest Aliens” (read: persons from such countries as Iraq, Libya, Indonesia and others) just walked across the Mexican border into the United States. You’d notify your superiors, right? Apparently not if you want to keep your job.

The central figure in this film is Julia Davis. Born in Kiev, Russia she met and fell in love with American filmmaker BJ Davis while he was making a movie in her country. Emigrating to the USA and armed with Masters Degrees in Aviation and Spacecraft Engineering, she soon found herself working for the Department of Homeland Security as a Customs and Border Patrol Officer. So strong was her knowledge of, and commitment to, the job that she would often appear on national news programs as an anti-terrorist expert to field questions. In an average month, approximately 10-15 “Special Interest Aliens” would be given authorization to enter the USA, usually after a lengthy question and answer session with a DHS agent. While checking her daily work Davis discovered that, in a 10 hour period on July 4, 2004, 23 “Special Interested Aliens” entered the US without so much as one question by anyone in authority. When Davis reported this horrific breach of security all hell broke loose. On her.

It’s often hard to judge a politically themed documentary. Sometimes, as in the case of some of Michael Moore’s work, the information given is slanted. I’m not saying it’s wrong…I’m just saying that sometimes you don’t see all that is to be seen. That is not the case here. Pressing on with her complaint, Davis soon finds herself the target of harassment at work as well as having to deal with fifty-four fraudulent charges leveled at her. Each one of these charges is proven false thanks to an unprecedented glimpse at government video depositions as well as video surveillance tapes. In one instance, Ms. Davis reports that her superior, Linda Boutwell (who Ms. Davis’ attorney humorously refers to as “Miss BUTT-well” when he discusses her) picked up her personal backpack and threw it to the floor so forcefully that the cell phone inside was broken. Boutwell submits a sworn statement claiming to have never touched Ms. Davis’ backpack. When government investigators are confronted by video surveillance tape that shows Boutwell doing exactly what she is charged with, they inexplicably side with her. The case gets even more involving when Boutwell tells her superiors that Davis, while at work for the Department of Homeland Security, is secretly helping her husband and his crew make a local film. According to Boutwell she is told this information by actress Brittany Murphy. When the Davis’ inquire as to why these charges were made, Murphy informs them that, though she is friends with Boutwell’s daughter, she never made those statements. What follows for the next 18 months is an all out assault on the very freedoms Ms. Davis swore to protect. She is followed by helicopters…her house is illegally searched…the government tries to have her deported, calling her marriage to BJ a sham. They even arrange to have local police pull the Davis’ over at pre-scheduled times to prevent them from arriving at court hearings and depositions on time.

Surprising to hear? It was to me. But every accusation is backed up with proof! There is no gray area here. It’s all there in the black and white video footage as well as the notes and documents the Davis’ were able to track down. And they weren’t the only people under surveillance. In an interview shortly before she died at the age of 30, Brittany Murphy told the writer she knew she being watched. In fact, it was much worse. Murphy endured helicopter surveillance, wiretaps, an arrest in the middle of the night and an unsuccessful attempt to deport her fiancée Simon Monjack, whom she later married. That shortly after her statement both Murphy and Monjack suddenly died only makes the case more bizarre!

There are more twists and turns to this film then all of the rides at Disneyland. “Top Priority: The Terror Within” is a film that will make you think and, hopefully, say “Wow!”

For more information on this extraordinary case or to order the DVD please click here.

"Top Priority: The Terror Within" DVD Giveaway [ENDED]

THIS GIVEAWAY HAS ENDED AND WINNERS HAVE BEEN NOTIFIED VIA EMAIL. PLEASE CHECK BACK EACH WEEK FOR NEW GIVEAWAYS!


In conjunction with the new DVD release of the whistle-blowing documentary “Top Priority: The Terror Within,” Media Mikes has teamed with Fleur De Lis Film Studios to give two readers a chance to win a copy of this hard hitting documentary. All you have to do is let us know, in a few sentences, your favorite documentary film and what made it so memorable to you. Did “Gimme Shelter” give you an inside look at the end of the 60s? Maybe “Bowling for Columbine” changed your views on gun laws. Or maybe you just love “March of the Penguins” because, well, darn it, they’re just so cute!

The contest will run from Monday, January 7 through January 21st. Two random entries will be selected and notified of their win via email. Good luck!

James Tolkan reflects work in “Top Gun” and the “Back to the Future” trilogy

In a career spanning six decades, James Tolkan has conquered every medium he’s ever attempted. While pursuing a career in music at college he auditioned for a school play on the advice of a friend who suggested performing in front of an audience would help him with his stage fright. Tolkan was cast in the lead and he hasn’t looked back. Though best known for his work in “Top Gun” and the “Back to the Future” trilogy, I knew him best for his theatre work. In 1984 Mr. Tolkan originated the role of quick-tempered real estate salesman Dave Moss in the Pulitzer Prize winning drama “Glengarry Glen Ross,” a role I myself played many years later. While preparing for his appearance at this weekend’s Con X Kansas City Convention Mr. Tolkan spoke to Media Mikes about Broadway, “Back to the Future” and his memories of directors Tony Scott and Sidney Lumet.

Mike Smith: I guess I’ll start with the standard first question: what led you to become an actor?
James Tolkan: Oh my gosh! It’s a really complicated answer. When I got out of the Navy I was totally lost. I went back to college where I majored in art and minored in music. I was studying singing. I was very nervous getting up in front of an audience so a friend of mine suggested I try out for a play so I could get used to being in front of an audience. So I tried out for a play and was cast in the lead. I was like, “hey, this is interesting.” So I did another play at the community theater and suddenly I became very interested in acting. I then went to the University of Iowa, which had a large theater department and it was there that I was “encouraged” to go to New York and study the Method with some of the great teachers. So in 1956 I got on a Greyhound bus in Iowa City with $75 in my pocket and I went to New York to become an actor. I didn’t know what I was getting into…I was a total hick. I got off the bus and I was scared to death. I went through all kinds of various jobs while I studied with Stella Adler. After the first year she gave me a full scholarship to study with her. And then I started working. The first play I auditioned for off-Broadway I was cast. A lot of casting people saw me and I started going from one play to another. I also wanted to study with Lee Strasberg, which I did for three years. Both teachers were very valuable…but very different. It’s been a great experience. I’m really just a New York actor. I’m a stage actor. And I said I was never going to Hollywood until Hollywood sends for me. And in 1984, while doing the David Mamet play, “Glengarry Glen Ross,” on Broadway, Robert Zemeckis called me and asked me to be in “Back to the Future.” Of course nob ody knew who Robert Zemeckis was back then but I said “ok” because this was my chance to go to Hollywood. So after a year on Broadway I went to Hollywood and did the movie. I stayed in California and did some television series. Then I did “Top Gun” and all of a sudden I’m a Hollywood actor! It’s been a wonderful odyssey and I’ve survived it all!

MS: You started your career in what is now referred to as the “golden age” of television. In your opinion, what’s the biggest difference in the way television shows are produced today versus then?
JT: Well, at that time, a lot of television was done live. It was live television. You go on and you do it and that’s it! Today everything is much more safe. The three camera comedies. You have a live audience and a controlled condition. And the writing is very different. The writers today are very bright and very…demanding. They don’t always know how to use actors.

MS: You understudied Robert Duvall in a couple of Broadway shows, including “Wait Until Dark.” Did you ever get to play “Wait Until Dark” villain Harry Roat on stage?
JT: I took over the role of the Longshoreman in Arthur Miller’s “A View From the Bridge” from Robert Duvall on Broadway and played that part for many months. Then “Wait Until Dark” opened with Lee Remick. Two weeks into the run I get to the theater and there’s no Robert Duvall. The director tells me Duvall broke his hip riding horseback and I was on. I was ready and I went on and I played that part for two years. I played it for a year on Broadway with Lee Remick then I played it with Shirley Jones on a tour and then later with Barbara Bel Geddes. And the character was so dark. Believe me it was hard on one’s psyche to do that.

MS: I’m so glad you mentioned “Glengarry Glen Ross.” You originated the role of Moss on Broadway and I’ve actually played Moss in a production here in Kansas City.
JT: Really? Good for you. Isn’t that just a fantastic play? It was a great experience in my life. To work with David Mamet. We previewed in Chicago and it was a big hit there. Then we took it to New York where it was a huge hit. It was one of those shows where you know you held the audience the whole night in the palm of your hands. It’s getting ready to go back to Broadway this year with Al Pacino playing Shelly “The Machine” Levine.

MS: Really? Pacino was a great Ricky Roma in the movie. Of course he’s older now.
JT: Before the movie was made Sidney Lumet had the rights to the show and he called all of us to come in and have a reading up at his office. At the time Sidney wanted Pacino to play Shelly but Al insisted on playing Roma. The project fell through and the production ended up in someone else’s hands and Al got to play Roma.

MS: Which leads me to my next question. You were obviously a favorite of Sidney Lumet, having worked with him several times. As a director yourself did you pick up any tips from watching him work?
JT: If you want to learn about how to approach actors and acting on a film, work with Sidney Lumet! Of course it’s a little late now but he was so special…so wonderful. He made you feel like THIS is why you want to be an actor. He was just amazing. With most movies in Hollywood you get together just before you start shooting and sometimes it’s 20 takes…50 takes…whatever until everyone is comfortable with the scene. With Sidney it was three weeks of rehearsal. The first week you just sat around the table. He’d say, “OK, no acting…just talk.” It’s very simple. We’re just trying to relate and connect with each other. The second week we’d start getting up on our seats and playing the various scenes. The third week we’d run through the script in sequence like it’s a play and he’d would go off with the cinematographer setting up all of the shots. So when we got on the set everybody knew their job. You’d start shooting and he’d get everything in one or two takes. You were going home every day at four o’clock. It was like working with a master. He was just a wonderful, warm and brilliant person.

MS: Tony Scott, who directed you in “Top Gun,” recently passed away. Do you have any memories of him to share?
JT: He was such a regular guy…rough and ready. He was always smoking a cigar. He was a mountain climber and he rode motorcycles. He was quite different from Sidney Lumet but a very good man to work with. Sometimes he’d want to do a scene that wasn’t scheduled and I’d tell him I wasn’t ready and he’d just smile and say, “you can do it, James” and we’d get it done. He was very off the cuff and non-chalant. But at the same time intense, if that makes sense. I’m still stunned about how he passed. Why he would make that kind of choice is totally a mystery.

MS: Originally “Back to the Future” ended with the words THE END. Only when it was released on home video did the words TO BE CONTINUED appear. Were you aware while you were filming that there were three films planned?
JT: Oh no. The first film was a very small movie. Steven Spielberg at the time was more interested in another movie he was producing called “Goonies.” This was something that was really on the back burner. Nobody knew who Robert Zemeckis was. We were working for not a lot of money and had really tiny dressing rooms. Then that movie opened and it was an amazing success! Like they say, all of the planets had to have been aligned for that movie to be so successful. And right after that they said they were going to do a part two and part three. But when we finished filming part one there was no talk whatsoever of the sequels.

MS: Were you able to do any scenes with Eric Stoltz?
JT: I did. When I got to the set Eric was playing Marty. But after seven weeks of shooting they shut down the production. During the dailies the filmmakers discovered they were more interested in the characters AROUND Marty rather than Marty himself. And that’s when they decided they would wait for Michael J. Fox to wind up his television series and then start up production again. And believe me that was a very brave decision. If that didn’t work out you would never have heard of Robert Zemeckis or Bob Gale. I was told that when they shut down the production after seven weeks Eric Stoltz was in his dressing room and he commented, “well, they can’t fire me now.” And that very day he was fired. But that’s how it goes. It’s a crazy business. (NOTE: Michael J. Fox was the producer’s original choice to play Marty McFly but, due to his commitment to the television series “Family Ties” the studio went with Eric Stoltz. Due to many reasons, including those Mr. Tolkan mentioned, Stoltz was let go and Fox brought on, often fulfilling his television duties during the day and filming “BTTF” at night.)

MS: Are you working on anything now?
JT: No, I’m pretty much retired. I did do an HBO movie over the summer with Al Pacino and Helen Mirren about the trial of record producer Phil Spector. I play the judge. Again, it’s a David Mamet script which he also directed. He called me up and cast me. If someone calls me, I’ll do it. But right now I’m enjoying my life.

“Top Gun” director Tony Scott dead at 68

Tony Scott who, along with his brother, Ridley, was one of the most successful directors of the past three decades, died yesterday after jumping off a bridge to his death in California. He was 68.

One of three sons born into a military family in Britain, Scott showed an interest in art and painting and pursued that career in college, earning a Masters of Fine Art from the Royal College of Art. After failing to make a successful living painting for a couple of years, he teamed with his brother, Ridley, to form the Ridley Scott Association, where he began directing commercials.

His 1983 feature film debut was “The Hunger,” a vampire romance starring David Bowie, Susan Sarandon and Catherine Deneuve. He followed that film with 1986’s “Top Gun,” which launched Tom Cruise to super-stardom. The next year he directed Eddie Murphy in the hugely successful sequel “Beverly Hills Cop II.”

Other early successes include “True Romance,” “The Last Boyscout” and “Days of Thunder.” He then began a long association with Denzel Washington by directing the actor in “Crimson Tide.” He guided Will Smith, Jon Voight and Marty Kircher through the political thriller “Enemy of the State.” His last four features, “Man on Fire,” “Deja Vu,” “The Taking of Pelham 1,2,3” and “Unstoppable” all co-starred Washington.

 

Related Content

Film Review “Top Priority: The Terror Within”

Directed by: Asif Akbar
Not Rated
Running time: 1 hour 35 mins
Fleur De Lis Film Studios

Our Score: 5 out of 5 stars

Wow!

Knowing I had just seen his new documentary, “Top Priority: The Terror Within,” producer BJ Davis asked me what I had thought of the film. I summed my review up in one word.

Much has been made of the state of the world since the horror of September 11, 2001. As citizens we’ve been told to keep our eyes open…to report anything we may think is suspicious. But what if you worked for the U.S. Government’s Department of Homeland Security and you discovered that no less than 23 “Special Interest Aliens” (read: persons from such countries as Iraq, Libya, Indonesia and others) just walked across the Mexican border into the United States. You’d notify your superiors, right? Apparently not if you want to keep your job.

The central figure in this film is Julia Davis. Born in Kiev, Russia she met and fell in love with American filmmaker BJ Davis while he was making a movie in her country. Emigrating to the USA and armed with Masters Degrees in Aviation and Spacecraft Engineering, she soon found herself working for the Department of Homeland Security as a Customs and Border Patrol Officer. So strong was her knowledge of, and commitment to, the job that she would often appear on national news programs as an anti-terrorist expert to field questions. In an average month, approximately 10-15 “Special Interest Aliens” would be given authorization to enter the USA, usually after a lengthy question and answer session with a DHS agent. While checking her daily work Davis discovered that, in a 10 hour period on July 4, 2004, 23 “Special Interested Aliens” entered the US without so much as one question by anyone in authority. When Davis reported this horrific breach of security all hell broke loose. On her.

It’s often hard to judge a politically themed documentary. Sometimes, as in the case of some of Michael Moore’s work, the information given is slanted. I’m not saying it’s wrong…I’m just saying that sometimes you don’t see all that is to be seen. That is not the case here. Pressing on with her complaint, Davis soon finds herself the target of harassment at work as well as having to deal with fifty-four fraudulent charges leveled at her. Each one of these charges is proven false thanks to an unprecedented glimpse at government video depositions as well as video surveillance tapes. In one instance, Ms. Davis reports that her superior, Linda Boutwell (who Ms. Davis’ attorney humorously refers to as “Miss BUTT-well” when he discusses her) picked up her personal backpack and threw it to the floor so forcefully that the cell phone inside was broken. Boutwell submits a sworn statement claiming to have never touched Ms. Davis’ backpack. When government investigators are confronted by video surveillance tape that shows Boutwell doing exactly what she is charged with, they inexplicably side with her. The case gets even more involving when Boutwell tells her superiors that Davis, while at work for the Department of Homeland Security, is secretly helping her husband and his crew make a local film. According to Boutwell she is told this information by actress Brittany Murphy. When the Davis’ inquire as to why these charges were made, Murphy informs them that, though she is friends with Boutwell’s daughter, she never made those statements. What follows for the next 18 months is an all out assault on the very freedoms Ms. Davis swore to protect. She is followed by helicopters…her house is illegally searched…the government tries to have her deported, calling her marriage to BJ a sham. They even arrange to have local police pull the Davis’ over at pre-scheduled times to prevent them from arriving at court hearings and depositions on time.

Surprising to hear? It was to me. But every accusation is backed up with proof! There is no gray area here. It’s all there in the black and white video footage as well as the notes and documents the Davis’ were able to track down. And they weren’t the only people under surveillance. In an interview shortly before she died at the age of 30, Brittany Murphy told the writer she knew she being watched. In fact, it was much worse. Murphy endured helicopter surveillance, wiretaps, an arrest in the middle of the night and an unsuccessful attempt to deport her fiancée Simon Monjack, whom she later married. That shortly after her statement both Murphy and Monjack suddenly died only makes the case more bizarre!

There are more twists and turns to this film then all of the rides at Disneyland. “Top Priority: The Terror Within” is a film that will make you think and, hopefully, say “Wow!”

The Top 10 Albums of 2011

2011 brought a plethora of good and bad music releases to the masses and we here at Media Mikes had quite a pile of releases to choose from for our top 10 of 2011. However after great thought and debate our writers have come up with the lists below.

Adam Lawton:
1.) Wasting Light- Foo Fighters
2.) Heavy Worship- The Great Commission
3.) Worship Music- Anthrax
4.) The Truth Is…- Theory of a Deadman
5.) Set the World on Fire- Black Veil Brides
6.) Hard Times and Nursery Rhymes- Social Distortion
7.) Human Conditional- Fallon Bowman
8.) Understanding What We’ve Grown To Be- We Came as Romans
9.) Balls Out- Steel Panther
10.) A World Destroyer- Degradead

Mike Gencarelli:
1.) Anar – Marketa Irglova
2.) Chief – Eric Church
3.) Evanescence – Evanescence
4.)  Jeff Bridges – Jeff Bridges
5.) Original Sountrack – Janie Jones
6.) Original Sountrack – Midnight in Paris
7.) Original Sountrack – The Muppets
8.) Own The Night – Lady Antebellum
9.) Race Wars – mc chris
10.) Wasting Light- Foo Fighters

Chickenfoot III Debuts Top 10 as Band Announces Tour Dates

(LOS ANGELES, CA) – “CHICKENFOOT III”, the new album from the supergroup featuring guitarist Joe Satriani, drummer Kenny Aronoff, former Van Halen bassist Michael Anthony and frontman Sammy Hagar – debuted on the Billboard album chart at #9. Tickets will be available Friday, October 7th for the recently announced “2011 Road Test Tour.” The new dates will take the the band through San Francisco, Los Angeles, St. Louis, Chicago and New York in early November. European tour dates will also be announced this month.

The first single, “Big Foot,” debuted at #1 on the Mediabase Classic Rock Chart holding the position for seven weeks and earning over 1.85 million listeners and continues to receive critical acclaim:

“‘Big Foot’ is sinewy, muscular and abundantly familiar – but in a good way. As Hagar sings, ‘that s*** rocks.’” Billboard Magazine.

“Chickenfoot light a fire under rock ‘n’ roll’s collective ass, setting the pace for the genre as a whole. Chickenfoot III melds monstrous grooves and virtuoso playing in one of the year’s best rock records,” writes Rick Florino of ARTISTdirect.com.

Last week on release day, Chickenfoot offered fans a very special free Live Concert Webcast: Chickenfoot Presents “III,” performing tracks from the new album and hosting a 30-minute Q&A session with the fans. “CHICKENFOOT III”, produced by Mike Fraser, features an elaborately designed 3D package with optical illusions and special codes giving fans a fully immersed creative Chickenfoot experience, creating a spectacle with spectacles. With special “3D optical enhancers,” old-skool 3D glasses that come with each package, the cover and numberous inside photos feature artwork that trick the eye by looking through the two different red and blue lenses of the glasses. A look through the red lens even reveals a very special message on the CD itself.

“CHICKENFOOT III” features 10 tracks with so many moments of epiphany that one can barely take them all in on first listen. Colossal, stadium-shaking riffs abound on earth-movers such as “Alright, Alright,” “Last Temptation” and “Lighten Up.” Tradition meets innovation on the Nashville pop-tinged “Different Devil,” the Delta-blues flavored “Something Going Wrong” and the aching rock ballad “Come Closer.” Special video releases and more can be seen at the band’s webpage , as well as their podcast, YouTube, Facebook and Google+ pages. Chickenfoot III follows the band’s 2009 debut album, which debuted at #3 on the Billboard Top 100 and was certified gold for sales of over 500,000 units by the Recording Industry Association of America.

THE 2011 ROAD TEST TOUR DATES:
11/1/11 – San Francisco, CA – Warfield Theatre
11/2/11 – Los Angeles, CA – Avalon Hollywood
11/4/11 – St. Louis, MO – The Pageant
11/5/11 – Chicago, IL – Metro
11/8/11 – New York, NY – Webster Hall