NASCAR Racing returning to NBC on Saturday, July 1st at 7 p.m. EST from Daytona International Speedway | NBC’s Sports Food Trucks in the Orlando-Daytona area THIS WEEK!

In celebration of NASCAR Racing’s returning to NBC on Saturday, July 1st at 7 p.m. EST from Daytona International Speedway, NBC’s Sports Food Trucks will be making several stops in the Orlando-Daytona area THIS THURSDAY, JUNE 29th– SATURDAY, JULY 1st !

We invite you to come out and enjoy the different food themes inspired by your favorite NASCAR drivers! NASCAR fans of all ages will enjoy the NBC Race Flag Chips Truck, NASCAR on NBC Go-Go Snow Cones Truck, and NASCAR on NBC Racecar-B-Q Truck. There will also be opportunities for attendees to participate in activities, games, and enter-to-win prizes. Below is the list of stops the food trucks will be located throughout Thursday, June 29 – Saturday, July 1st.

Thursday, June 29

6 – 7:30 p.m. ET – New Smyrna Speedway (3939 State Road 44 West New Smyrna Beach, FL 32168)

Friday, June 30

Noon – 4 p.m. ET – Oceanfront Park / Daytona Beach Bandshell (70 Boardwalk, Daytona Beach, FL 32118)

8-10 p.m. ET – Dirty Harry’s (705 Main St Daytona Beach, FL 32118)

Saturday, July 1

Noon – 2 p.m. ET – Daytona Flea Classic Car Show (1425 Tomoka Farms Rd, Daytona Beach, FL 32124)

5 – 7 p.m. ET – Daytona Beach Brewing Company’s 3 Year Anniversary Party (482 Fentress Blvd, Daytona Beach, FL 32114)

 

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Enter to Win a Blu-ray of NBC’s Mini-Series “Rosemary’s Baby” [ENDED]

To celebrate the Blu-ray release of NBC’s Mini-Series “Rosemary’s Baby”, starring Zoe Saldana, Media Mikes is excited to giveaway one (1) copy to our readers. If you would like to enter for your chance to win one of this prize, please leave us a comment below or send us an email with your favorite horror remake. This giveaway will remain open until August 29th at Noon, Eastern Time. This is open to all of our Media Mikes readers worldwide. One entry per person, per household. All other entries will be considered invalid. Media Mikes will randomly select winners. Winners will be alerted via email.

Set in present-day France, Rosemary’s Baby centers on a young married couple that escapes New York and moves to Paris with hopes of leaving their sad past behind. After a series of unfortunate events, Rosemary and Guy Woodhouse are presented with an offer they can’t refuse – an apartment at the most prestigious address in the city. Problem is, it comes with a haunted past, and an immeasurable price.

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E.G. Daily talks about NBC’s “The Voice” and the return of “The Powerpuff Girls”

You might not known E.G. Daily’s face but you definitely know her voice since she has voiced numerous animated characters including Tommy Pickles in “Rugrats”. She is also known for her role of Dottie in “Pee Wee’s Big Adventure”. Besides acting, she is also a singer and was a contestant on season five of NBC’s “The Voice” with Team Blake. Media Mikes had a chance to chat with E.G. about her experience on the show and the return of “The Powerpuff Girls”.

Mike Gencarelli: Tell us about how you decided to audition for NBC’s “The Voice”?
E.G. Daily: I’ve been hosting an online music show called “Balcony TV”, which I got to sing on. After I did a few of them, the same person that contacted me for that told me that she got me an audition for “The Voice”. I didn’t think that they would have me on that show due to my career to date. I went in just for fun and prepared three cover songs. The next thing I know I got a call back. There is a 50,000 people process for this show. So over months and months I kept being called back for the next audition and the next audition and finally I got asked to do the blind audition, which was down to the final 150 people. It was a very incredible process. I don’t know how it happened. I was just doing what I loved and the next thing I know I was singing “Breath” in front of America.

MG: Tell us about the highlight for you on the show?
EGD: I have to say it was singing “Breathe” on my blind audition since that was such a magical moment for me. I went months and months of not knowing anything and putting myself on the line and to actually get a chance to be on a team with these talent artists was amazing. You can see it on my face as well if you watch that performance (see below for video), I was like “Wow, this is crazy”.

MG: How do you feel about the finale results for season 5?
EGD: Tessanne (Chin) was actually my roommate, so I have so much love for her. All of them, I was close with Jacquie and her mother as well. I think Tessanne is such a solid human being, has such a beautiful soul and is such a great singer. I am very happy and proud for her.

MG: Tell us about what we can expect for return of “The Powerpuff Girls” in 2014?
EGD: I can’t say much about it because that it is a special episode and premieres on January 20th. I have done a couple of special things for “The Powerpuff Girls”, but I can’t say what they are besides that it is going to be really cool. The fans are going nutty about it and I think it is going to be really great. This could be the launch of a lot of things for “The Powerpuff Girls” since fans are very hungry for more of that show.

MG: What else do you have planned for 2014?
EGD: I have been in the studio a lot recently. If you look up E.G. Daily on iTunes, there is tons of great music available right now. There is a record I put out there a while back called “Tearing Down the Walls” that is so beautiful. There is a recent video out there called “Somebody’s Loving You”, which is great. I am recording some new songs right now that I will be putting up soon as well. I have a trip planned to the East Coast in the beginning of next year for a personal appearance. I also have a ton of animation like “Julius Jr.” which is coming to Nick Jr. next year. I am have super busy and it has been awesome. So a lot of great things coming up and be sure to check egdaily.com for all upcoming news.

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John Krasinki & Greg Daniels talks about the series finale of NBC’s “The Office”

John Krasinki plays the role of Jim on the hit NBC series “The Office”. Greg Daniels is one of the show’s writers and developers. The series is set to end it eight year run this May with the last episode containing an extra 15 minutes of footage. Media Mikes had the chance to speak recently with John and Greg about their experiences and what they will miss most about working on the show.

Adam Lawton: What do you think you are going to miss most about playing Jim.
John Krasinski: You’re trying to get tears and I appreciate it. I’m saving my tears for Barbara Walters. There’s so much to miss. I was a waiter before this show, so what I miss most about this character is way too complexly entwined in my real life. So to me, this was a winning lottery ticket, except with a winning lottery ticket you just get money, and with this you get a whole change of your life. And everything about my life has changed and become better, and I feel so lucky to be where I am. So, it’s hard to separate the two, because I’m so sort of meshed in the experience. I will say, and I don’t know if this a good answer or a bad answer, but I think the thing I’ll miss most is playing a character that people believe in so much and attach themselves to in various degrees. There are some people who think they are Jim. There are some people who are looking for Jim. And, you know I think to me, and I know to Jenna playing the Jim/Pam relationship and realizing how important it became to so many people was such an incredible honor. I felt like I was given a tremendous responsibility and that responsibility I really will miss because it’s just so much fun to play a character that people are watching and rooting for and loving. I really appreciate that.

AL: Will Steve Carell be involved in the series finale at all?
Greg Daniels: I think that Steve felt, which I agree with that that Goodbye Michael episode was his goodbye, and that he didn’t want to overshadow the endings that the other characters deserved after all these years, you know, and so I think he made a good call. Obviously, it’d be wonderful to have him back, but you know.

AL: What has “The Office” fan base in general meant to you over the years?
JK: I think there’s a lot of shows that can say, they owe it all to their fans. But, we actually technically can say that we owe everything to the fans, because I for one think that, you know our show is so fan-driven in such a specific way, as evidenced by iTunes. I mean, I think that when we first came out the only reason, in my opinion, that we made it past just, you know these pickups that Greg and I were talking about is because people actually decided they liked the show so much, and it was such a small group at the beginning, that they would pay money to see the show, rather than just wait for it on Tuesday or Thursday, whatever time it was back then. I remember that was life-changing for me to see, because you know to be part of something like that was incredible. I was walking down the streets of New York and someone would just stop on their way to work and say, “Oh, my God, you’re on my iPod.” And I was like two things, “What’s an iPod? Also, what are you talking about?” And they just held up this thing. I also think that during the early speculation of what our show would be when people were, you know obviously being really hard on the show without seeing it, because everybody thought that it was going to be terrible because the English one was so good, as soon as that first – I remember Diversity Day hitting and just every other person on the street would come up to me and say, “The show is awesome. The show is awesome.” I think we owe absolutely everything to the fans.
GD: I completely agree with that.

AL: Can you describe for us what the last few days on set were like?
JK: I don’t think there were any tears. There was just a celebration that this thing was finally over, right Greg? I think for so many people this wasn’t just a job, and there’s no way it could be just a job. This was a huge incredibly emotional family and connection that we all had. I mean, to say it was emotional would be a complete understatement. I think that, you know knowing what that we’ll see these people still in our lives, and it was still that emotional, it says a lot about how much we are all defined by this show and how much we honor how defined we are by the show. I just think that we know that this will – I think no matter what any of us go on to do, I think that this show will probably be, you know what we’re most known for, and that’s incredible. And I think for people to feel so good about that and feel that they were a part of something so special, not only in the television world, but in their personal lives, was massive. I’ll never forget, we were all joking around. I was, as per usual, crying laughing as we exited the – I’m a crier laughter  which is a bummer, but I was crying laughing with Craig and we were all joking around waiting in the hall every time we exited. And then, one of the times we came back, instead of saying, “Going again,” Greg randomly appeared and just said, “Ladies and gentlemen, that’s the end of The Office.” And it was – it really was, I mean even talking about it now, it’s – you know it was a gut punch. It’s a life-changing event and there’s just no way to describe it. It’s not like ending college. It’s not like anything, really. It’s a part of your life that defined you, and to have it go away is so incredibly bittersweet. I think the only thing that helped us all is that we’re so proud of the work, and that we’re so proud that we got to have a Series Finale. You know, I think that we – you know that’s a very rare thing. And growing up I remember the “Cheers” Finale and, you know “M*A*S*H”, and all these amazing Finales, and I remember them being very, very important. For us to be a show that even got there is incredible, and I think that we’re just all so proud of the work. And that’s, I think, the only thing that prevented us all from just having a complete meltdown.
GD: Yeah, very special. There’s the lot that we shot it in is all by itself in Van Nuys, and we had lunch with each other every day and there was nobody here who didn’t work on the show on this little lot, and so we did get very close. One of the hard parts about the Finale, I think, is that, you know you have to be professional and you have to act and you have to, you know try and keep the tone a certain way when you’re on the set and everything, in terms of like writing and directing. It’s very difficult if it also means that, you know you’re going to say goodbye to everybody you’ve been hanging out with for eight years, and you’re – you know you’re going to have to find a different place to have an office in. And so, there is like a lot of weird overlap between the end of your personal work experience and, you know what’s going on on screen, so it was very sad.

AL: Do you have a favorite episode that sticks out for you?
JK: That’s a really hard question. To me, it’s like saying, what’s your favorite movie? You’ve got to have more of like a top ten. For me I have favorites for so many different reasons, again personally and professionally, I think that there’s so many important moments, some having to do with my characters and others not. I think the first moment that I can remember the most was shooting the first day of “Diversity Day”, because the pilot was pretty much word for word the British show, which I know we weren’t all super excited about, but we could understand why we had to do it to see how it stacked up against the other show. And then, our first sort of running at our own pace was “Diversity Day”. I actually remember people looking around the room at each other, you know as if you do when you saw something incredibly special and important. We all knew that something very, very special was happening, and that this show tonally and from a writing perspective was just really, really incredible. I remember that moment feeling like it set the tone for what this show is.Personally for me, two episodes that I’ll never forget is, “Casino Night”. I remember shooting that last scene and Greg had the set cleared and the lights were low and there was like an importance put on this, and you realize that it wasn’t an importance because of us, like you know that the actors needed it necessarily. It was more like, “We’ve got to get this right for the people that are watching.” People, like Greg was saying earlier, are so invested in a way that you never thought people would watch TV and be so invested that you can’t just at the end of the episode say, “I love you,” and kiss. It has to be very real and very special and exactly how they think the characters would do it, and that was amazing. That was an amazing night. And then, the other thing that I remember defining the show was “Booze Cruise”. That will always be one of my favorite episodes on many levels. I think it’s hilarious and one of my favorite episodes.
GD: I loved that episode too but I would also have to add that “The Job” and “Business School” were great episodes as well. There’s just so many. I mean the first season had all these very comical episodes, I thought, where we weren’t really too concerned with the likeability of anybody, but I kind of loved them just – for the comedy sake. And – you know, and then we had some very good mixes of touching episodes, I think. It was good. We had some good stuff.

 

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Aaron Abrams talks about his role in NBC’s “Hannibal”

Aaron Abrams is co-starring as Brian Zeller in NBC’s “Hannibal.” He has appeared in various other TV shows including “NCIS: Los Angeles”, “Rookie Blue” and “Stargate: Atlantis.” He also wrote and co-executive produced “The L.A. Complex” for The CW. Media Mikes had a chance to chat with Aaron about this new show and what we can expect from his character.

Mike Gencarelli: Tell us about your character Brian Zeller in “Hannibal”?
Aaron Abrams: Zeller is an FBI agent who works with a team to catch serial killers. He’s a bit of a medical genius, that’s his specialty, so its fun because I get to dig around in dead bodies and perform autopsies. It’s also cool because I think on most shows this kind of character can be dorky but that’s not the case here, I wear a leather jacket and pull a gun and stuff. Zeller may use a lot of big words, but he’s a dude.

MG: In order to get in the zone for the show; did you revisit films like “Red Dragon” etc?
AA: I re-read all the books and watched the films again. I own a DVD of “Manhunter”, I was kinda obsessed with it as a kid, so I knew it by heart anyway. It was the first scary movie I ever saw that wasn’t like a monster killing naked teenagers or something. It was creepy and terrifying, you know, like “Silence of the Lambs” was too. Zeller pops up in “Manhunter”, he’s played by Chris Elliott of all people. So, I’m hoping to resurrect all of his roles one by one. Next, I’m going to try to star in a re-launching of “Cabin Boy”.

MG: How is it working along side Mads Mikkelsen, Hugh Dancy and Laurence Fishburne?
AA: It’s super great. My character is pretty cocky so I get to mix it up with Hugh and Laurence a bit. I’ve often got ideas about the cases that aren’t necessarily shared by the rest of the crew. And often I’m quite belligerent about that. Thank goodness I don’t have a ton of scenes with Mads, I’m sure Hannibal would take great issue with me. And by “issue,” I mean “eat my face.”

MG: What is the vibe on the set?
AA: Well it’s a really dark show and my scenes can be particularly gruesome. So that’s sort of always lingering. But at the same time, Scott Thompson is there and he’s kind of an unstoppable tornado of hilarious. Hetty Park is too. Hugh is also a really funny guy. So there’s a lot lightening up the darkness around us.

MG:  I am a big fan of “Pushing Daisies”, did you get to hang with Bryan Fuller at all?
AA: Bryan is a great, great guy. He’s not just a showrunner, but a visionary. Like “Pushing Daisies” or “Wonderfalls” or any of his other work, he’s creating a whole world. People talk a certain way, there’s a very specific tone to everything, his use of color. He’s amazing to work with because not just because he makes super cool TV, but because he creates such a wonderful world to play in. Also, he’s always very well dressed. Which is nice.

MG:  How does working on this show compare from your other TV work?
AA: Well the simple answer I guess is that its very different because the show is unlike anything else I’ve ever seen on TV. There’s also a feeling on set that’s different, like everyone knows this is different then other FBI shows, or other serial killer shows, or really anything…so there’s this sense on set that you’re doing something very cool. As far as my character, I’ve played a lot of different kinds of belligerent douches. “LA Complex” was a Hollywood douche, Rookie Blue was a tough guy douche, “NCIS” was a nerd-douche. “Stargate Atlantis”…Alien douche. But Zeller is by far the smartest of them all. I’d even say that he’s so smart that he ceases to be a douche at all. He’s just a smart dude with strong opinions. But I dunno. I guess we’ll have our answer if I piss off Hannibal and he eats my face off.

 

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Donald Trump, Bret Michaels and La Toya Jackson talk about NBC’s "All-Star Celebrity Apprentice"

Donald Trump returns with the first ever “All-Star Celebrity Apprentice” on Sunday, March 3, 2013. This is the sixth installment of “The Celebrity Apprentice” and the thirteenth season of “The Apprentice” series. This season, fourteen of your favorite business-savvy celebrity contestants return for a second chance to raise money and awareness for their charity of choice. The last person standing will be chosen as the Celebrity Apprentice and have the honor of delivering a $250,000 bonus check to their designated charity. The show’s executive producer and star Donald J. Trump along with entertainment icon La Toya Jackson, Poison front man Bret Michaels, also winner of the third season of Celebrity Apprentice took out some time to chat with Media Mikes about this season, their charities and what we can expect.

We all know that drama sells in this TV reality. Is this the most dramatic season yet?
Donald Trump: Well I’ll speak first. I think it’s certainly one of the most dramatic seasons. We have tremendous interest in the season and including Bret and La Toya, we have brought back some of the people that everybody really likes because it’s an All Star season. And I think yes, it’s a very dramatic season, amazing things happen. La Toya and Bret, go ahead.
La Toya Jackson: You have no idea, it’s very dramatic, it’s very exciting. There is so much going on. And you will see a lot of confrontations. It’s going to be a blast, you’ll love it. You will simply love it, everyone will.
Bret Michaels: I have found that as being there the first time it was something I really wanted to do. I had an absolutely great time and coming back obviously it is extremely dramatic and you’ll just have to watch because it will keep you riveted.

Bret, after winning Celebrity Apprentice in season three, did you feel like you had an advantage going into this one? What was your approach?
BM: The truth is here is the absolute truth. I actually felt like I had probably a major disadvantage because I feel like it’s like you want to call it the Super Bowl Syndrome — when a team comes back that has won it everyone is gunning for them. But I loved everyone who was on it and listen, as a lifelong diabetic, it’s a great opportunity for charity. I wanted to do it. But no doubt when you’re coming back they’re going to firing for you and you’ve just got to be strong and do the best you can.

Mr. Trump, What do you find so appealing about still doing the show?
DT: Well more than anything – yes I think more than anything else it’s the success of the show. It has just been amazing, you know, how well it has done and it took people by storm. As you know it became the number one show in many evenings over the years and it has been just a great success and it continues to be a phenomenal success for NBC and for me and for us. It has been an amazing success and I think maybe that’s why I keep doing it. It’s just that old thing. I could talk about many, many other shows that have tried to copy The Apprentice and they failed. They failed very quickly and miserably. And, you know, 15 of them now and I think more than anything else it’s really the success of the show. I enjoy doing it. As long as it continues to be successful I enjoy it.

After your experience on the show, what did you learn and plan for this season?
LTJ: Well first of all it’s such a fascinating show and I love the fact that he has given us this opportunity to promote our networks and what we’re doing as far as our charities are concerned. But I think I learned that personalities are individuals and you have to really be strong and steadfast no matter what happens, what you go through, stand by what you truly believe in and don’t let anyone deviate and you go into that road of deviation.

Were you expecting more out of the contestants since they have been through the show before? Were you a bit tougher on them?
DT: No I think they became a lot smarter, they understand the system better. We have a couple that did very, very well that frankly I wasn’t expecting as much from and I think they have learned the system a little bit. So it wasn’t that I was expecting more, I think they have become much smarter. I actually think that it made for an exciting show, very exciting show. I think it’s almost every one of them really have learned so much and it has become very, very exciting. It’s really a strong show, amazing show.

Bret and La Toya, did you have any hesitation about going back on the show or did you immediately think yes, I want to do this again.
LTJ: Well, I wanted to do it in the very beginning but the second time around I was a bit hesitant because I knew what I was faced with the first time. And I said you know what, you never give up, you always have to keep believing, you have to believe that you’re going to be the winner, you’re going to come through this really straightforward and strong. And I went for it, I went for it. Because if I have learned anything I have learned what Trump has taught us all that we need to put our best foot forward and don’t let anybody, anybody block us from anything that we wish to do or want to do. I felt it was very, very important to bring awareness as well to my charity which was National Network to End Domestic Violence. Because this show is so big and so wonderful, he has given us this opportunity to bring this awareness to our charities where everybody sees it and that interest goes there and then they start giving to the charity which is incredible. And it’s wonderful all the people who need it.
BM: No hesitation on my part at all. I was excited to do it, I wanted to do it the first time I did it and again I wasn’t – when I actually did it the first time I wasn’t at the peak of my best health. So this time getting the opportunity with All Stars and with La Toya and everyone that was there and Trace and Penn. I mean, these guys are all of them successful at what they do. There is a reason Mr. Trump and his show is a success. He’s a success in real life, in life life. And to be able to learn from that, I went in with no hesitation and realizing that the competition was going to be fierce. We all know each other, we all know the way each other plays, and for me I just went in headstrong and had a great time going there, zero hesitation. I would do it again.

Mr. Trump, why do you think the time was right to do the current All Stars edition?
DT: Well it just seemed good. You know, we’ve had so many people that have done so well on the show. They didn’t win but they did really well and they were really liked by the audience because ultimately it is about them being liked by the audience. And, you know, we have Trace Adkins coming back, we have so many people that did so well and just really were liked. I have such respect for Bret, you know, going on the show and because he could have sat to my side and it wouldn’t have been the same risk. But I really – I think you’ll see that Bret comes out amazingly, he comes out amazingly. But there was so much like and love for some of these contestants that we wanted to do an All Star version and bring back some of the, you know, whether it’s Gary Busey or Dennis Rodman, we have some – just some great people coming back.

Bret and La Toya, who do you guys think is your biggest competitor on the show and who surprised you the most?
LTJ: I think that in the beginning of the show I thought the biggest competitor, I knew it would be probably Penn. I just felt that. I don’t know why but I did of course and Trace of course. However, I felt that I would have a lot of problems with Omarosa and that was just a feeling. Because you can tell in the beginning when you see the people sort of sizing you out and saying little things to you but you’re still polite to them at the same time you’re going oh my God, it’s going to be war at some point. And you know it’s going to happen, you know it’s going to come. And yes of course it’s going to be an interesting season, let’s put it that way.
BM: Yes and I can add to this. There are – I look at everybody as massive competition on that show because everyone wants to win. They didn’t go there to lose. And, you know, you’ve got to just bring what is your game and pray that it works and bring your A game and pray that it works. And no doubt, La Toya said it best, everybody is competitive. And some of them are — I won’t mention any names — are pretty good TV professional villains. And as much as I think I’ve got nerves of steel they can rattle you, they can rattle you no doubt.
LTJ: And Bret you were a threat because as we all know Bret has already won so at this point you’re thinking oh no, Bret’s here, what are we going to do. So yes, it’s very competitive. And that’s one thing that you have to really, really mentally get yourself prepared for because people will do anything, and I do mean anything as Bret knows to win.
DT: And I’ll speak for Bret. He is very tough and he’s very, very smart.

Lastly, since you are playing for charity I’d like to give you the opportunity to tell us what is the name of your charity, what does it do, and why is that charity important to you personally?
LTJ: Well my charity that I was playing for was National Network to End Domestic Violence and that basically is a charity, as you all know domestic violence occurs all over the world and as we’re speaking now there are women and of course men that are just going through abuse at this very single moment. And they have no shelter, they feel that they have no lobby, they have nowhere to go. So I’m here to let them know that we are doing something about it and there are shelters, there is an 800 number that’s right there for you to call and get help. But this year – this charity that I’m playing for, National Network to End Domestic Violence was actually formed by the people themselves. So they went out and they got together and said we need a charity, we need a place to stay, something to do and have people come and donate for us. I thought that was very commendable of these little kids and women who were basically really suffering to get together and do something and say this is what our charity is going to be about and this is what it is. And it needs awareness. And people are just watching and just donating and I’m so happy. You can never, ever, ever have enough. And I truly believe that no one charity is better than the other but just bringing awareness to it is what I’m here for and I am very proud and pleased to be happy working with Mr. Trump to bring that awareness to it.
BM: My charity is simply called Life Rocks Foundation and I’ve had it for a really long time and it is – being a lifelong diabetic myself obviously a big part of it goes to diabetes. A big huge part of it which works also with ETF is St. Jude’s and childhood cancer and in Wounded Warriors and pet adoption. It’s got a variety of different things that we work. But it’s called Life Rocks Foundation Faces and Places and you just go to bretmichaels.com and you see the thousands of faces and the money every penny has been donated over the years.

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Ericka Hunter talks about performing on Broadway and on NBC’s “Smash”

Ericka Hunter is a Broadway performer and co-star on NBC’s “Smash”. She has performed on Broadway in plays such as “Rock of Ages” and she even started out as a Radio City Rockette. Media Mikes had a chance to chat with Ericka about her Broadway work and also working on NBC’s “Smash”.

Mike Gencarelli: Give us some background on your music singles and when can we expect more?
Ericka Hunter: It’s so funny and seems so backwards that I’ve made this transition into Electronic Dance Music, but it’s a HUGE passion of mine. I’ve spent my entire adult life growing up in NYC I found myself with so much energy after performing nightly on Broadway, that I would go out to nightclubs and dance! That’s where I really grew to love that club culture. I started writing and recording a few years back and it’s been such an amazing outlet for me. Recently, as well as working on my solo singing career, I’ve been collaborating with some incredible DJ’s; Cedric Gervais, Vice, Betatraxx and Kemal Golden, to name a few. My most current single was released in France with a well known DJ, Morgan Nagoya. It’s called Promised Land and you can find it on iTunes France. I will be releasing some new collaborations in the new few months which I’m super amped about. I always announce those on my website and through ALL the social media outlets!

MG: What do you enjoy most about working on Broadway?
EH: What I enjoy about Broadway may actually be what other people hate. The schedule. 8 shows a week is tough, but the reward is amazing. Standing ovations every night are priceless and the appreciation the audiences show for your hard work can be pretty mind blowing. Really, at the end of the day, it’s a privilege. And the reason I was in dance and singing lessons 4 hours or more a day

MG:The music in “Rock of Ages” is so charged and fun, tell us about performing on this show?growing up!
EH: YES! The music in Rock Of Ages is definitely a huge reason the show is so successful! 80’s rock music is like a religion for some people! It’s actually really fun to look out into the audience and see people singing along, sometimes even loud enough for us to hear on stage! This show is unlike any other show I’ve ever been a part of and the patrons have a lot to do with it. They get so involved in the story and music. We have so much fun onstage and getting to play and flirt with the audience. A lot of other shows I’ve been in don’t allow for that kind of interaction. It’s definitely a super cool thing.

MG:What has been your most challenging role on Broadway?
EH: I’d say my most challenging role is to be an understudy of a role! Early on in my career, I did a lot of understudying. It’s essentially being “on call” for a role or many roles that you don’t normally play and you can be called to go in on a moments notice. It’s pretty intense and can be scary, but with my experience it’s always been really rewarding.

MG:Tell us about how to was going from broadway to TV in NBC’s “Smash”?
EH: SMASH is a really cool experience. It is so similar to doing a Broadway show, yet you’re performing for cameras! I’ve always wanted to do TV and I’m so happy a show like this came along that allows us Broadway folk to reach more than just the seats in a theater. I also think the viewers really enjoying a backstage look at what goes on behind the curtain, because it’s pretty darn entertaining!

MG:Tell us about your experience being a Radio City Rockette?
EH: Being a Radio City Rockette is unlike any other job I’ve ever had. It was especially unique for me because I was 18 and it was my first professional dancing job. Also, the title of “Rockette” isn’t one they just hand out. It’s a prestigious and coveted job that I was SO lucky to have. It’s no joke though! Haha. Rehearsals are grueling so the precision is on point. It’s like the army for dancers. I have to say, I love being a part of something that felt like a real team. You had to be on your game and your mark or you’d be letting all the other girls down. It’s a wonderful thing to be a part of. Even though I haven’t been a the show for a few years, I go to Radio City every year during the holidays to cheer the Rockettes on!

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Filed Under: TV Interviews Tagged With: broadway, ericka, hunter, nbcs, performing, smash, ...

Michael Roark talks about working on “Magic Mike” and NBC’s “Revolution”

CREDIT: Marc Cartwright

Michael Roark’s latest film “Magic Mike” was recently released on Blu-ray/DVD. Michael also has guest starring appearing on NBC’s new show “Reovolution. Media Mikes had the chance to talk with him about his role in the film as well as some of his other upcoming projects.

Adam Lawton: How did you become attached to the role of Ryan in “Magic Mike”?
Michael Roark: At the time I was living between Florida and Los Angeles. The film was shot in Florida and my South Beach reps. were able to get me a few reads with the casting people. We kind of went back and forth because I don’t think I was really what they were looking for but, I ended up getting a call out of the blue offering me the part. It was great getting to work with such an amazing cast. It was a little surreal when I sat down and looked at who was working on the film.

AL: Did you have any reservations about the role knowing what the film was about?
MR: I had zero reservations about working on the film. My characters focus was more of a love interest than one of the dancers. Essentially this film is a comedy. There are some dramatic sequences in it and there were some things that I think Steven Soderbergh wanted to push but it’s not a very racy film. Some people may have been disappointed by that but I think it made for a more interesting flick.

AL: What was it like working with such a great cast?
MR: Channing Tatum is very natural and a generous guy. It is really clear why people love to work with him and why he works so much. Olivia Munn is hilarious! I had a great time working with her as she is just a riot. It was an all around great set. I wasn’t there as long as some of the others but the time I had there was fantastic.

AL: What can you tell us about working on the new series “Revolution”?
MR: My episode of “Revolution” aired on Oct. 29th. That show has really started to pick up steam and people are connecting with it. Steve Boyum directed this particular episode and as far as my character Sean goes he is a very edgy type of guy. He’s the type of guy that you don’t really know if he can be trusted or not. It was a fun role to play not only because it was well written but I had nice little fight scene.

AL: Is Sean a character we will be seeing more of in later episodes?
MR: I think the potential to see Sean down the line is definitely there. I am always the last one to know sowe will have to wait and see. The story line was left open so there is a good possibility he could return. I hope he does. Working on the show was really fun.

AL: Can you give us an update on the new Showtime series “Banshee”?
MR: “Banshee” is probably one of the coolest projects I have worked on to date. There are just no rules with what they are doing on that show. There have been some trailers released but they haven’t revealed too much just yet. I can tell you that the episode I am in was shot in a maximum security prison. The things that happen in this episode are very intense. I can picture this show being a hit as there are a lot of great people involved.

AL: Do you have any other projects coming out that you can tell us about?
MR: “Rizzoli and Isles” is returning in late October and I will be guest starting in the season 3 finale of that on TNT. “The Following” will be coming out soon which that show has Kevin Bacon in it so you can’t ask for much better than that. “L.A. Dirt” is a feature film I did which has some really great original music in it by Travis Tritt and Tracy Lawrence. This has been a great year and a lot of cool things have come my way.

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Filed Under: Interviews, TV Interviews Tagged With: magic, michael, mike, nbcs, revolution, roark, ...

Lauren Graham and Ray Romano talk about working together on NBC’s “Parenthood”

Lauren Graham and Ray Romano are starring in NBC’s “Parenthood”. Lauren has been playing the role of Sarah with the show for going on its fourth season. Ray has recently joined the chat this season playing the role of Hank. Media Mikes had a chance to chat with Lauren and Ray about working together on the show and their chemistry between the characters. “Parenthood” airs Tuesdays at 10:00 pm on NBC.

Mike Gencarelli: What drew you to “Parenthood” and what can we expect to see you do on the show?
Ray Romano: Well I was a fan of the show. I watched the show since the beginning and I was on my show while it was on. I just like the tone of it and there’s nothing quite being done like that on television. knew Jason Katims, he created the TV show. I knew him and we had been in touch. He was a fan of my show. I was a fan of his show. Then unfortunately my show no longer existed. And in between trying to find out what to do next I had been speaking to Jason and I believe I put it out there first. Kind of jokingly I said, “Hey, if you ever find something for me I work cheap.” And he took me up on it and cheap it is but I’m still happy to do it. And what am I going to do on it? I mean, if you’ve been watching up to now you kind of get who the guy is. We’re going to see a little more of him and I guess find out a little more about him.

MG: Is there something about him that kind of drew you to do this character and do you relate to him in some way?
RR: I like the character. I do like the character because first of all I like how he’s introduced and I like how they’re writing him. We don’t really kind of find out about this guy. As it goes along we find out a little more and more and he’s a flawed person. He’s a troubled guy and yet I guess we’re finding out the good in him. Lauren’s bringing that out – Sarah I guess is finding that out. But I like it because I also haven’t really played that much. In Men of a Certain Age, I wasn’t Ray Barone but it was kind of close to the vest I guess. And this is somebody a little different, so yes I do enjoy playing him that’s for sure.

MG: With the kiss between Hank and Sarah, how awkward was it for the two of you to play that romantic awkwardness?
RR: Take it away. Take it away Lauren.
Lauren Graham: I don’t think it wasn’t awkward. Look, that stuff can always be awkward but what I like about it is these loaded moments that are confusing I think are the most interesting of life. It’s like I think there’s all these mixed feelings and I don’t know, hopefully we capture just kind of two people trying to connect. And people more often than not kind of did sound perfect and so I don’t know. I like that.
RR: Well I like doing it because first of all, awkward I can play very – that’s in my wheelhouse. It’s very easy for me to be awkward especially around women. But with this guy that’s why I like this because it had to be awkward but filtered through Hank, which was totally different than anything I’ve done, with Ray Barone or even Men of a Certain Age or anything. It was awkward without – there was like a little bit of refusing to accept that it was awkward kind of. So I felt that that scene was really unique and felt good when we did it.

MG: Since you’ve had so much success in your career, how do you relate to Hank’s bitterness about where he’s at right now?
RR: Success is only in the eye of the beholder. First and foremost I’m a comedian so I’m never really happy with myself for what I’ve done. You’re always looking for something, for the next thing and you never think you really got it. So it’s kind of a dichotomy. You’re successful but you don’t accept and you don’t really believe it. I don’t know if I connect to the bitterness but I do connect to the feeling of wanting, you know, there’s an artistic need for something, to accomplish something more and falling short of that. Believe it or not I do kind of connect to that so, it’s easy to kind of tap into that. I mean, it’s not all about money. My wife has all the money.

MG: Lauren, since Sarah had the kiss with Hank is that going to change things with Mark?
LG: Hopefully it’s sort of neither one nor the other. I think it made her resolve a little stronger to try to keep her life on the track that she’d planned and hoped for and finally looked like, she’s about to achieve. By the way we still don’t really know what is going to happen, nor does the creator of the show if we, believe what he said. I mean, one of the funny things about this show is he kind of adjusts as things go along, and kind of picks up on the threads that are interesting to him more than maybe they do on most shows that are – which is not to say it’s not planned. So the line I’m trying to play is confusion. And I think it’s justifiably confusing what’s happening. But yes in that moment I think she was like, “This felt like a sort of step outside the lines. Let me bring myself back.” But I don’t know that it’s going to work.

MG: Ray, Hank was obviously overwhelmed when he met the Bravermans. What was it like for you jumping into this show with this enormous ensemble?
RR: Well I got to tell you, I guess I’m kind of in the business and I’ve done this and I’ve seen all the bells and whistles and I know what goes on. And yet I – like I said I was a fan of the show. And I still on the first day it was just with you Lauren but the third day was when I had a scene with the whole cast and it was a weird feeling. It was a feeling of because first of all I was just like a viewer. I was like, “Wait a minute.” You really get wrapped up in that this is the Braverman family. I’m like, “Well wait a minute. I know it’s not. I know that guy and him. I’ve worked with him and whatever.” But yes I was a little bit – I don’t know if star struck is the word but it was a little surreal that I’m in this world that I’ve just been watching and been wrapped up in. I do still get intimidated by certain things, and I was slightly intimidated on that day because also just on a regular level of this is the first time they’re seeing me I want to not screw up. I want to do well and I want to fit in. You know, they’ve been together and they’ve got their rhythms and the tone and everything, and I want to make sure my character fits into the show and the universe that they’re in. But everybody was nice except for a few. No I’m kidding. No everybody was great and it was fun.

MG: Lauren, do you have any interest in getting behind the scenes at all?
LG: I do for sure. It’s actually more helpful to have someone who is on the inside who knows the show and who knows how we rehearse and how we sort of find the scenes. So yes that would be of interest to me for sure. I think that it would be great to direct an episode.

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Filed Under: Interviews, TV Interviews Tagged With: graham, lauren, nbcs, parenthood, ray, romano, ...

Eric Kripke talks about creating new hit series NBC’s “Revolution”

Eric Kripke talks about creating new hit series NBC’s “Revolution”, which airs Mondays 10pm EST. Kripke also created and executive produced “Supernatural,” now in its eighth season. Media Mikes had a chance to chat with Eric about the show and what we can expect from the first season.

Mike Smith: Can you talk just a bit about how you came up with the whole concept for the show?
Eric Kripke: Yeah, sure. Really for me it was about, I’m a huge fan of Star Wars, I’m a huge fan of Lord of the Rings, I’m a huge fan of really that kind of Joseph Campbell classic, mythic, heroes journey storytelling, you know those big grand adventures. And those are the kind of stories that are more often serviced in movies than they are on television. But, I think TV is actually a perfect format for that kind of storytelling because if so many – you know those are such big sprawling stories and you have so many more hours in TV to really explore all the different facets of a world and the characters that live in that world. And that you could give it, you know really epic scope, but very intimate character focus. So for me, it was always – I was always really interested in kind of taking that sort of big sprawling adventure format, that big quest format and putting it in television when you can really explore it episodically, and so that’s really kind of where the idea started. And, you know I’m a huge fan of Star Wars. I’m also a huge fan of Stephen King’s The Stand, and I really like the idea of rather than setting it in some fantasy kingdom to set the story line in some kind of transformed America, which is very – you know in a very strange way relatable and familiar to your audience, because it’s things that they’ve seen before, but just transformed overgrown with vines and all that. It kind of started from the idea of just where can we create this mythic quest, and then from there it was working, you know J.J. and his whole team at Bad Robot and we were sort of talking about like, “Okay, what would transform America, and would it be nuclear war, would it be disease?” We all sort of felt like we’ve seen that a million times before. And they had been kicking around an idea of, “Like what would happen if there was a global blackout?” I jumped right on that idea. I’m like, “That’s perfect. That’s the way to kickoff the show.” That’s really interesting and provocative and I think a really relatable concept, because I think everybody feels how over-reliant we are on technology, and so it becomes sort of interesting commentary to explore what would happen if we removed all technology overnight.

MS: Just going back to the pilot when the blackout happened, it looks like it was very gradual over the whole Earth, should we be reading into that, looking for clues as to the origin of the blackout, or did that just look cool to have that sweep of darkness over the Earth?
EK: You should look for clues everywhere…is the short answer. The longer answer is, you know there was a phenomenon that, you know we have up our sleeve as to what caused the blackout, and that that it – what you saw in that globe shot is an accurate representation of what we are working on. And – but, you know right now we’re currently in the writers room. We’re talking dangerously about revealing that secret before the end of the first season. So again, it’s sort of my philosophy of not being too precious with anything. So, we may reveal the secret sooner than later.

MS: Can you talk a little bit about the decision to downgrade Maggie from series regular, and then eventually write her out.
EK: Yeah, sure. You know what it really came down to more than any other decision, Anna Lise is a wonderful actress and I love that character. I’m sort of have a bad habit in the shows that I run of killing off the people that I love, and I think Maggie was one of those. I think we decided internally that very early on that it was really important to show that this world had very real stakes, and that it was truly dangerous. And because, you know you’re not close to hospitals, you’re not close to paramedics, you’re not close to help, and we very quickly realized that the scariest thing we could do was to kill the doctor among them. So it was purely a creative decision about really putting a sharp – giving the world the real charge of danger, so that as we move forward in the series we want the audience to really understand that nobody is safe, including the main characters, and just bring that suspense as the series continues because we think that’s honest to the world we’re trying to create here.

MS: Can you talk a little bit about what we’re going to see, in terms of Neville’s backstory and who he was?
EK: Yeah. You know, Neville – what’s interesting about the blackout in the show and – which – you know where we like to explore and we want to explore more and more as the show goes on is what a transformative experience it was for so many people. And who they were in the old world has nothing to do with who they are now. And – I mean, there’s like a bit of that in the pilot, which you know we were always amused by the idea that he’s this kind of violent strong man post-blackout, but pre-blackout he was an insurance adjuster. So we were really interested in exploring that backstory more and seeing how his character, who before the blackout was pretty mild mannered and maybe a little submissive, and how did he transform into the violent psychopath that he is today? And then – you know, and then meeting his wife. And right now, basically, we’re planting Kim now, and then, you know we’re going to meet here in the present day and really explore her character a couple episodes down the line. And we’re going to see how, you know a very normal suburban wife before the blackout, post-blackout, transformed into a Lady Macbeth.

MS: Tell us about how you chose Giancarlo Esposito for the role of Captain Tom Neville?
EK: Giancarlo is just a world-class actor, and frankly we were shocked that he was willing to partner up with us because, you know we were sort of like – we felt like we were like kind of, “Like, why is such a classy actor want to hang out with such shady people?” And – but, you know obviously I was a – I’m a – I was a huge fan of his performance in Breaking Bad, but I’ve been a fan of his from long before that, and we’re just honored to have him be a part of the show. He brings so much heft and depth and emotion and – to Neville, who is not obviously the same character as that character, because you know Neville’s got, you know moments of vulnerability and moments of humanity. And he’s just a really interesting complicated character that Giancarlo makes so much better than what is on the page. But yeah, and it’s true because I mean he’s the – he’s exactly the type of actor you want to work with because you can write any dialogue and he makes it about five times better than it actually is. And I’m just – like I said, I’m just honored to be working with him. And then on top of that, he’s like the nice – it’s like the government actually has designated him the nicest man in America. He couldn’t be a sweeter, more gracious, more open-hearted collaborative guy, and someone who is that talented and that kind-hearted is just is really one in a million, and I just love working with him.

MS: Could talk a little about Rachel’s motivations and the direction her character’s going in?
EK: Yeah, sure. I mean, certain ones are a little mysterious, so I have to be a little cagey, because we reveal some things. But basically, what – you know Rachel is – you know she has – she’s obviously holding on to certain secrets about why the power went out, and we’ll reveal in the next episode on Monday exactly – we’ll reveal a little more about what she in fact knows about the blackout. Monroe’s been keeping her, in a gilded cage, kind of prisoner; although, with occasional torture, so it’s not so fun. But she’s strong and, we’re so smitten with what Elizabeth is doing with the character that we’re just writing more and more and more for her, because she’s just – she’s so good. And so, she’s a very strong character, but everything changes when Danny finally arrives in Philadelphia. So, now General Monroe has Rachel where he wants her, because she doesn’t really care about he own well-being, but of course she cares about the well-being of her son. And so, he’s really able to twist her arm and forced her to reveal things that she hasn’t revealed to him yet. But she, of course, is you know smart and heroic and is, you know desperately searching for a way out of the predicament that she’s in.

MS: Are we going to see Nate and Charlie’s relationship develop more?
EK: The short answer, yes, but over the sweep of the season. He’s going to be spending some time in Philadelphia, we’re going to start to understand what his world is like within the world of the militia, but he’s certainly going to interact with Charlie again and he has a bumpy road ahead for him.

MS: Since the full season pickup mean that you were able to go ahead with some story ideas and arcs that you’d maybe put on the backburner in case NBC did cut the series short?
EK: Well, you know television showrunners are a foolishly optimistic bunch. I think we were designing our story lines in the hopes that there would be a full season pickup. And then, in my back – it was more that. It was more like I was, you know designing the story line for 22, and then in my back pocket I had a – I had like a nuclear failsafe that it really looked everything was going off the cliff I had an emergency contingency plan to wrap everything up very quickly. But obviously, I’m very thankful to the network that they gave us the opportunity to, you know be able to tell the story.

MS: You are also the creator of “Supernatural”. How much time are you being able to spend at that since “Revolution” is now also in production?
EK: Yeah, I don’t spend as much time over there as I would like, but – because this one’s got my hands full at the moment. But, I will say that, Bog Singer and Jeremy Carver, who are running that show are doing an absolutely incredible job and it’s like watching Supernatural go is like – is sort of like watching my child go off to college. I don’t necessarily have control over it, but I’m so proud of what they’re doing.

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Filed Under: Interviews, TV Interviews Tagged With: creating, eric, hit, kripke, nbcs, revolution, ...

Complimentary Passes to the Orlando, FL Screening for NBC’s “Chicago Fire” [ENDED]

To celebrate the premiere of NBC’s new fall show “Chicago Fire,” MEDIAMIKES.COM is giving you the exclusive opportunity to win a pass for two to attend an advance screening of the PILOT EPISODE at a local theatre. See it with a friend before anyone else!

The show stars Jesse Spencer, “House” and Taylor Kinney, “The Vampire Diaries” and it is from renowned, Emmy Award-winning executive producer Dick Wolf (“Law & Order” brand) and creators Derek Haas and Michael Brandt, the writing team behind “3:10 to Yuma”.

 For your chance to receive event passes, log on to www.GOFOBO.com/RSVP

Enter RSVP code: MEDIAMXPQT Thursday, October 4, 7:30pm AMC Altamonte Mall Passes are limited and are available on a first-come, first-served basis.

http://www.nbc.com/chicago-fire/

From renowned, Emmy Award-winning executive producer Dick Wolf (“Law & Order” brand) and creators Derek Haas and Michael Brandt, the writing team behind “3:10 to Yuma,” comes the high-octane drama “Chicago Fire,” – an edge-of-your-seat view into the lives of everyday heroes committed to one of America’s noblest professions. For the firefighters, rescue squad and paramedics of Chicago Firehouse 51, no occupation is more stressful or dangerous, yet so rewarding and exhilarating. These courageous men and women are among the elite who forge headfirst into danger when everyone else is running the other way and whose actions make the difference between life and death. The pressure to perform on such a high level has a way of taking a personal toll, sometimes putting team members from the Truck and the specially trained Rescue Squad at odds with each other. Despite any differences, this is an extended family, and when it’s “go time,” everyone inside Firehouse 51 knows no other way than to lay it all on the line for each other. When a tragedy claims one of their own, there’s plenty of guilt and blame to go around. Lt. Matthew Casey (Jesse Spencer, “House”), in charge of the Truck, tries to carry on, but butts heads with the brash Lt. Kelly Severide (Taylor Kinney, “The Vampire Diaries”) of the Rescue Squad – and each blames the other for their fallen team member. Adding to the turmoil, Casey, unbeknownst to his colleagues, is in the midst of a separation from Hallie (Teri Reeves, “Three Rivers”). The firehouse also includes Battalion Chief Wallace Boden (Eamonn Walker, “Oz”), a fireman’s fireman who is confronted by important personal decisions, paramedics Gabriela Dawson (Monica Raymund, “The Good Wife”) and Leslie Shay (Lauren German, “Hawaii Five-O”), who share a close bond and team together to face some of the most harrowing situations imaginable, Peter Mills (Charlie Barnett, “Law & Order: SVU”), an academy graduate who is the latest generation in a family of firefighters, and Christopher Herrmann (David Eigenberg, “Sex and the City”), a seasoned veteran who loses his home to foreclosure and now must uproot his family to move in with his in-laws.

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Filed Under: Featured, Giveaways Tagged With: chicago, complimentary, fire, fl, nbcs, orlando, ...

David Denman talks about new film “Let Go” and NBC’s “The Office”

David Denman has come full circle. As a young man in college, his first time before the camera put him on screen with Ed Asner. Now 15 years later he co-stars again with Asner, playing his probation officer, in the new comedy “Let Go.” While in the middle of a busy week of multiple projects Denman took time out to talk to Media Mikes about the late Patrice O’Neal, going to Julliard and what it’s like to play a probation officer (he’s done it twice)!

Mike Smith: What drew you to your role in “Let Go?”
David Denman: I was given the script by my agent and I really responded to the character. I thought there was a real sweetness in his view of the world and what he did on a bigger scale. That’s how it came to be. I just really liked it. I thought it was genuinely quirky and fun. I thought it would be a change and definitely a challenge.

MS: Probation Officer is an unusual profession and one you don’t see on screen a lot. Did you have to do any special research to get a feel for the character?
DD: Not on this job…I had played a parole officer previously and had a couple of conversations . What I learned is that most of the people getting out of jail don’t really get rehabilitated that easily so my character is very cynical about things. When you’re making movies you can do a lot of research and get a lot of different perspectives. And Walter’s perspective is definitely quite different.

MS: How did a California kid wind up at Julliard?
DD: When I was in school I always wanted to do theatre. There was a guy I went to high school with…he was the “professional kid.” He would do commercials. And he would always say, “when I get out of here I’m going to go to Julliard.” I asked him what it was and he told me. He told me that Robin Williams had gone there. Kevin Kline. All of these great actors. I’d never heard of it. I didn’t even know there were schools out there for acting. So when I graduated I went to the American Reparatory Theatre in San Francisco. It was very much like conservatory training, very intensive eight or ten weeks studying a craft I want to do. I applied to Julliard and I did what I had to get in. It was great to do regional theater…to travel and do shows. I went back to California on vacation and booked a job on “ER.” I stayed in California and never went back. That was 15 years ago.

MS: You shared a couple episodes of “The Office” with the late Patrice O’Neal, who just passed away. Do you have any special memories of working with him?
DD: He was a lot of fun. There wasn’t a whole lot of acting going on…he was pretty much his character. It was always fun because he was so quick. He threw a lot of improv into his work. I wasn’t aware he was a stand up comedian until after we started working together. He was really funny. We had a good time.

MS: What are you working on next?
DD: I’m finishing an M. Night Shayamalan movie (“After Earth”) with Will and Jaden Smith and I’m currently shooting an independent movie called “Blue Potato,” which takes place in upstate Maine. It’s a coming of age story that happens over the course of a potato harvest. I play a farmer who becomes a mentor to one of the kids. It was really a great little script and I’m having a lot of fun shooting it. And then I’ll be back on “The Office” in an episode I just shot last week.

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Filed Under: Film Interviews, Interviews Tagged With: david, denman, film, nbcs, office, talks, ...

Pentatonix’s Avi Kaplan & Scott Hoying talk about NBC’s “The Sing Off”

Scott Hoying and Avi Kaplan are members of the Arlington, Texas based a cappella group Pentatonix. The group burst on to the scene last fall after winning season 3 of NBC’s “The Sing Off” Media Mikes talked recently with Scott and Avi about the group’s formation as well as their new hit single “Starships”.

Adam Lawton: Can you give us some background on how the group came together?
Scott Hoying: We started out as a trio. Mitch Grassi, Kirstin Maldonado and I all grew up together. Later when I move to Los Angeles to go to school I decided I wanted to try out for “The Sing Off”. I talked to my friend and he told me I was going to need a really awesome beat boxer and bass if I wanted to have a chance at the show. We found Avi through a friend as he had a really great reputation for singing bass in the Los Angeles area. We later found our beat boxer Kevin Olusola through a viral video of him playingcello and beat boxing. We sent him an email and after a phone call or two he was interested and he came out. We actually all met the day before the audition. Everything just clicked and the audition went really well. Now we are all best friends and it’s a happy go lucky story.

AL: What was it like competing on the show while you were still getting to know each other as a group?
SH: It was an interesting thing. On the show we were developing both as a group and as friends. If you watched the show you could actually see how we interacted with each other. We were also finding out how to work with each other as we didn’t really have a leader. We sort of sat in a circle and just talked. It was super hard to do at first because we were all different people and liked different music. We eventually clicked and ever since things just keep getting better and better.

AL: Was it hard working with the cameras around?
SH: Not really. I expected it to be hard but literally after one day you forget that they are there. You just go on your way and do what you have to do.

AL: What have been your thoughts about the success of your EP and its first single“Starships”?
SH: It been overwhelmingly exciting. We never thought a year ago when we were trying out for the show that anything would become of it. To be able to do what we love and are passionate about is really great. When we made the EP we worked so hard on it and the scary thing is people don’t really buy albums anymore. We were afraid it wasn’t going to do well.  People have been really intense about supporting us and we really appreciate that. Things are going better than we have ever hoped. We are still celebrating.
Avi Kaplan: The whole thing for me has been a dream comes true. It’s an amazing experience. This is just something that I have always wanted to do. I never thought this type of music would be my profession. I am getting to live my dream everyday and it is just so amazing.

AL: What made you choose “Starships” as the first single?
AK: When we were arranging all of the songs “Starships” was one of the last songs we arranged. The song just stuck out and we were very proud of the arrangement. We thought that this song would be a great spring board for our album.

AL: What were the writing/recording sessions like for the EP?
AK: It was definitely a collective process as we all have different styles. We appreciate all types of music so things were very collective.

AL: What are the group’s plans for the rest of this year?
AK: We really want to start recording our next EP or LP. We also want to start working on our Christmas Album. Besides touring those are the two things on our plate right now. We have a few different shows already scheduled and will be announcing more as the dates become available.
SH: We are going to be touring in a lot of different places. Even though were not doing an official tour nationwide. We plan to do a number of shows in different areas where it will feel like a tour.

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Filed Under: Interviews, Music Interviews Tagged With: avi, hoying, kaplan, nbcs, pentatonixs, scott, ...

NBC’s “Grimm” Interview Series

“Grimm” is a new drama series inspired by the classic Grimm’s Fairy Tales.Portland homicide Detective Nick Burkhardt (David Giuntoli, “Turn The Beat Around”) discovers he is descended from an elite line of criminal profilers known as “Grimms,” charged with keeping balance between humanity and the mythological creatures of the world.

As he tries to hide the dangers of his new found calling from his fiancé, Juliette Silverton, (Bitsie Tulloch, “quarterlife”), and his partner, Hank Griffin (Russell Hornsby, “Lincoln Heights”), he becomes ever more entrenched in the ancient rivalries and alliances of the Grimm world.

With help from his confidant, Monroe (Silas Weir Mitchell, “Prison Break”), a reformed Grimm creature himself, Nick must navigate through the forces of a larger-than-life mythology, facing off with Hexenbiests, Blutbads and all manner of ancient evils, including royal lines dating back to the original profilers themselves, The Grimm Brothers. Reggie Lee (“Persons Unknown”) and Sasha Roiz (“Caprica”) also star.

Media Mikes had a chance to interview the whole cast this new great show.  This show is going to take the cop-procedural to a whole new level.  “Grimm” premieres on Oct.28, 2011 and airs on Fridays 9pm  ET on NBC.

GRIMM CAST INTERVIEWS:


David Giuntoli
Bitsie Tulloch
Kate Burton

Reggie Lee
Russell Hornsby
Silas Weir Mitchell

 

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Filed Under: Film Interviews, Interviews Tagged With: grimm, interview, nbcs, series

Interview with Cris D’Annunzio

Cris D’Annunzio recently starred in the acclaimed short film “Clemency”, which showed at the 2010 Sundance Festival and won several awards from other film festivals. He wrote and co-starred in the Ray Liotta and Rory Culkin film “Chasing 3000”, which follows the real-life story of two brothers driving across country to see Baseball Hall-of-Famer Roberto Clemente get his 3,000 hit with the Pittsburgh Pirates. While the film was made in 2008, it will get its official release in Summer 2010. Movie Mikes had the chance to talk to Cris to discuss “Chasing 3000” and his flourishing career.

Click here to purchase “Chasing 3000” DVD

Mike Gencarelli: It has not been an easy road for “Chasing 3000.” How do you feel now that it is finally hitting the big screen?
Cris D’Annunzio: It’s interesting. Obviously I’m very excited that it’s finally coming out and hitting the big screen. And yet there’s also…I don’t know how to describe it, it’s not disappointing…I just feel a little bad that it’s taken the film so long to get out there because it’s a really sweet film. I mean, it premiered three years ago at the Tribeca Film Festival. I judge certain things by my wife and my kids’ reaction and they just loved it. I think it’s a nice family, kid oriented film. It’s too bad that it had to take the route it took to get here but, with that being said, I’m really thrilled that it’s going to get a release. Hopefully it will pick up some steam after people see it and it should do real well on home video.

Mike Gencarelli: You co-wrote the screenplay with Bill Mikita. How was that experience?
Cris D’Annunzio: Any creative/artistic endeavor has it’s challenges. Ultimately the story really came to me through Bill. It’s loosely based on his life and growing up with his brother, who is the oldest surviving person IN THE WORLD with MS. The story really touched me when he first told it to me and my experiences with my own sister who, unfortunately, passed away a year and a half ago…she had a disease called Lupus…the experiences that I had growing up. My parents divorced and my mom basically took my sister and I and left. It’s a lot like the story in “Chasing 3000.” Oddly enough, what brought my sister and I closer together was baseball. We both shared a fondness for baseball. The Mets were our favorite team. The experience of writing it with Bill…with both of us bringing our personal situations and our personal histories into it…it’s interesting that we’re talking about this over the 4th of July weekend. It was nine years ago, over the 4th of July weekend, that we locked ourselves in an office at Warner Brothers and wrote the script over a long three day weekend. It’s kind of interesting when you have two grown men sitting in a room crying a lot and writing. It was a good experience.

Mike Gencarelli: You play Principal Motley in the film. Tell us about your character?
Cris D’Annunzio: What happens in the film is that the two boys, played by Trevor Morgan and Rory Culkin, move with their mom to California. They grew up in Pittsburgh and moved to California primarily because the younger brother has this disease and the warmer weather is better for his lungs. Of course the older brother becomes despondent and misses his friends and has a lot of teen angst. He starts to not do well in school and get in trouble and I’m kind of the principal who…not necessarily sets him on the right course but…disciplines him, puts an ultimatum to him. He kind of makes him realize that California is not the place he needs to be in at this moment. So he and his brother “borrow” their mother’s car and head across the country to see Roberto Clemente get his 3000th hit. Hopefully you’ll see it…hopefully a lot of people will see it. The casting director did a fantastic job of assembling a pretty well known cast. It has Ray Liotta and Lauren Holly and Ricardo Chivara from “Desperate Housewives.” The story, I think, touched a lot of people and that really touches me. I think that’s why a lot of people got involved in this project.

MG: Tell us about your one man play “Digging Up Dad”? Any plans to return to the stage?
CD: I just completed the run about a month ago…we ran for about three months. The play was an autobiographical solo show about my relationship with my father and his mysterious death at an early age…he died when he was 48 under very mysterious circumstances. The story is really about me trying to come to terms with that and also the fact that my mother left him when I was 12. At that age I was still developing my knowledge and my opinions about my father and it wasn’t until after he passed
that a lot of his life and what he did and was involved with…it wasn’t until then that I became aware of them. I grew up with it and I was aware of it. And I’ll use the word “mafia” but today I can’t whole heartedly tell you or anybody with any certainty that there is such a thing as the mafia, at least not in the way we think it should be based on what we see on television and in the movies. Maybe that was what my father was involved in but my father certainly wasn’t John Gotti. If anything he was…I would liken him to Paulie Walnuts from “The Sopranos” which was about the level of involvement that he was at.

MG: Your short film, “Clemency” has been hitting the festival circuit. Tell us about it?
CD: It’s a little project that I’m very excited about. It’s an interesting piece. It’s been playing the festival circuit but it’s kind of been categorized as a horror film but it’s really more of a mystery/suspense thriller. The way it’s shot and edited is a lot like the film “Se7en.” It’s about a sociopath in the mountains of West Virginia that abducts and murders some girls. One sister actually escapes and comes back many years later. The guy has spent many years in prison on death row and right before he’s scheduled to be executed he receives clemency from the governor who rules him insane. The sister who survived comes back and poses as a reporter. She gets in to interview him and ends up killing him. I play the murderer, which is a 180 degree turn from the character I play in “Chasing 3000.”

MG: Tell us about your upcoming web series, “Vampire Mob”?
CD: The first episode aired this past week and it runs six episodes. It’s done by some people I got involved with when I did my one man show, the Ruskin Group Theater. Every month they do what they call a “cafe” play. Five writers come in on Friday morning and they’re given a theme and two head shots and are told to write a ten minute play based on the theme and based on the two actors they’ve been given the pictures of. They write the play in the morning, give the play to the actors at noon. They rehearse it from noon until six and then they have the opening night performance at seven and the closing night performance at nine that evening. One of the writers, Joe Wilson, had written a play loosely based on a vampire hit man for the mob and that gave him the idea to do the web series. It’s about a mob hit man who gets shot and makes a deal with the devil not to die. But in choosing to live forever he also has to choose to be a vampire. He figures that since most of the work he does is at night anyway this would be perfect for him!

Click here to purchase “Chasing 3000” DVD

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Filed Under: Film Interviews Tagged With: bradner, continent, dark, graham, iron, lauren, ...
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