Korn’s Ray Luzier and James “Munky” Shaffer talk about touring with the Rockstar Energy Drink Mayhem Festival

The heavy metal group Korn is out on the road this summer as part of the Rockstar Energy Drink Mayhem Festival. The group recently released a tour version of their 2013 album “The Paradigm Shift” exclusively through Best Buy which features several new tracks along with some exclusive live tracks as well. Media Mikes had the pleasure of talking with drummer Ray Luzier and guitarist James “Munky” Shaffer during the tours recent stop in Scranton, PA about the release and how they connect with the different crowds they perform for each night.

Adam Lawton: When you are out on a tour like the Mayhem Festival is there any one thing that is the same from day to day?
Ray Luzier: We hear the same bands every day. (Laughs) What’s really great is that we get to play to diverse crowds every show. There are people who have seen us 27 times and there are people who are just seeing us that day for the first time. I’m not sure about constants but I try to stay in a similar routine from day to day.

AL: With the band playing all over the world how do you go about connecting with each of the crowds you perform for?
James “Munky” Shaffer: Every audience is different and that’s really the beauty of it. Like Ray said before you get people who have seen you a lot and you get people who have never seen you before. We are playing the same songs night after night so we try and keep that thought in our heads so we go out and put on a great show every night. We want them to really enjoy the show and to come and see us again.
RL: We may be super tired from traveling or whatever before we hit the stage but once we are up there we are energized bythe crowd. We are fans of music ourselves and still go out and see a lot of bands and buy their merchandise and what not. This is Korn’s 20th year as a band and I have been touring myself just as long. It never gets old. We are still excited to play every time we go up there.

AL: Have you guys seen any bands on this tour that you have really become fans of?
JS: Trivium is a band that has really impressed me. Their songs and how they engage the audience has really impressed me. Those guys are super tight professionally which is really inspiring. I know they have been around a few years but to see that level of commitment is really awesome. I was a mess at that stage of the game. (Laughs) I still am a mess but I have gotten a little better over time.
RL: I go out and check out the side stages from time to time and there are a lot of bands on this tour that have really impressed me. I watch bands like Mushroomhead and Miss May I and you can see just how hungry they are. They all have their own thing going for them which is really great to see.

AL: Can you give us some info on the tour version of your most recent album “The Paradigm Shift”?
JS: We initially released that album last year and after it was out for a couple months there were some songs that never got finished that we wanted to still work on. Jonathan went back in and wrote lyrics for these songs that we didn’t get to finish because we just ran out of time. They came out pretty good and we also decided to add some live tracks on the new release as well. When we are out on the road we like to have something in stores for people to buy that is fresh.

AL: Ray, how do you go about balancing your time in Korn and working with your newest project KXM?
RL: We all have side projects that we work on when we aren’t working on Korn. We just have a tremendous amount of music inside of us. I think these side projects are important for each of us to do as they help us remain creative. KXM is something that George, Doug and I have been talking about doing for years. The idea goes all the way back to my son’s first birthday party when we all were talking about jamming together. Scheduling is always the hard part as Korn is very busy but we hope to get some shows set up before the end of the year. Right now we are just working on videos and such.

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Concert Review “Rockstar Energy Drink Mayhem Festival” Scranton, PA – August 3rd 2014

“Rockstar Energy Drink Mayhem Festival”
Avenged Sevenfold, Korn, Asking Alexandria, Trivium, Body Count, Cannibal Corpse, Mushroomhead, Suicide Silence, Miss May I, Emmure, Veil of Maya, Upon a Burning Body, Texas Hippie Coalition, Darkest Hour, Ill Nino, Wretched, Islander, King 810, Erimha
Date: Saturday, August 3rd 2014
Venue: Toyota Pavilion, Scranton, PA

Our Score: 3.5 out of 5 stars

The “Rockstar Energy Drink Mayhem Festival” one of the summers most anticipated traveling heavy metal festivals pulled in to the quiet hills of Scranton, PA on August 3rd and completely turned the tables upside down. This summer the festival featured 19 bands spread over 4 stages. Sporting one of the tours biggest main stage line ups to date the tour once again proved why they are the premier package for heavy metal in the summer time.

Though it would be several hours before the main stage festivities engulfed the remote Toyota Pavilion quickly became a bevy of excitement as fans packed the side stage areas to check out several up and coming bands along with an impressive slew of veteran acts. The Victory Records stage was home to some of the most brutal ear splitting music of the day as bands like Ill Nino and Emmure pulverized the crowd’s senses with their brief yet no holds barred approach. Directly to the left of the Victory stage was the Cold Cock Whiskey stage which sported a lineup featuring Suicide Silence, Miss May I and the always entertaining Mushroomhead that evoked a huge response from their chaotic stage show. The masked 9 piece band made several trips over the security barricade which only added to excitement of the bands set which also featured water filled drums and an inflatable killer whale!

Further down the festival grounds was the Head bang for the Highway/Sumerian Records stage which played host to impressive sets by Upon a Burning Body and Veil of Maya before being dominated by the one and only Body Count featuring Ice-T. Ice and his crew dominated the stage with their unique blend of punk/metal/hip hop that had fans from all ages on their feet with their fists in the air.

As night slowly descended on the venue the festivities shifted to the main stage which was instantly ignited by the sounds of Trivium. Front man Matt Heafy commanded the audience’s attention as they barreled through their 7 song set which included the popular “Anthem (We Are The Fire). Next up was UK import Asking Alexandria who received heavy applause from the crowd however did little to impress this concert goer. I’m not sure if it was singer Danny Worsnops incoherent rambling or just his lack luster attitude that made the bands set painful to endure. Quite possibly it was both.

Korn would take the stage next complete with lighted floor and day glow colors adorning the sparse stage set up. The band went through hit after hit and never sounded better. It’s great to see guitarist Brian “Head” Welch back in the fold permanently as it just never seemed right during his time away from the band. The night set was closed out by the band member’s children taking the stage to add a little extra fun to the group’s signature song “Blind” which was immediately concluded by an onstage wedding proposal between two lucky fans.

Closing out the long day of music was Avenged Sevenfold who impressive stage setup consisted of a large skeleton on top of a burning throne which peered out at the audience with an evil grin. The band performed a variety of songs from its catalog including several songs off their latest album “Hail to the King”. Though the band sounded great their performances were overshadowed by their smug facial expressions and lack of interaction with the crowd. Only ever so often did it appear as though the band was having somewhat of a good time. After the brief “leave the stage so people can cheer” moment the band returned for two more songs. The cartoonish “A Little Piece of Heaven” blasted through the mountainous hills before the band brought the night to a close with the fan favorite “Unholy Confessions”.

All in all a long day of music was absorbed by my ears and body.This year’s Mayhem Festival certainly lived up to my expectations and it is was very apparent that the festival shows no signs of slowing down anytime soon leaving me to only dream of what Kevin Lyman and company have in store for next summer.

Trivium Set List:
1.) Black
2.) Built to Fall
3.) Through Blood and Dirt and Bone
4.) Strife
5.) Dying In Your Arms
6.) Anthem (We Are The Fire)
7.) In Waves

Asking Alexandria Set List:
1.) Don’t Pray For Me
2.) Run Free
3.) To The Stage
4.) The Final Episode (Let’s Change the Channel)
5.) Moving On
6.) Killing You
7.) The Death of Me

Korn Set List:
1.) Falling Away From Me
2.) Twist
3.) Got the Life
4.) Did My Time
5.) Spike in My Veins
6.) Hater
7.) Shoots and Ladders
8.) Coming Undone
9.) Here to Stay
10.) Never Never
11.) Freak on a Leash
12.) Blind

Avenged Sevenfold Set List:
1.) Shepherd of Fire
2.) Nightmare
3.) Bat Country
4.) Hail to the King
5.) Almost Easy
6.) Buried Alive
7.) So Far Away
8.) Afterlife
9.) The Means War
10.) A Little Piece of Heaven
11.) Unholy Confessions

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Upon a Burning Body’s Ruben Alvarez talks about touring with RockStar Mayhem Festival

Ruben Alvarez is the guitarist for the San Antonio, Texas based band Upon a Burning Body. The group recently released their 2nd full length album titled “Red. White. Green.” Via Sumerian Records and will once again be a part of this year’s Rock Star Energy Drink Mayhem Festival. Media Mikes spoke recently with Ruben about the album’s release and the bands plans for this summer’s tour run.

Adam Lawton: Can you give us a little background on the bands formation?
Ruben Alvarez: We had all been members of different bands here in the San Antonio area. Danny and Sal had wanted to start up a side project and they were the ones who started Upon a Burning Body. I jumped in a month or two later. Basically this side project took off way faster than any of our other bands. People really started liking us and were coming out to the shows so we realized we had something with this group.

AL: Can you tell us about the new album “Red. White. Green.”?
RA: When the band goes out on the road it becomes very hard to write so this time around we had our producer and a couple other songwriters working with us. We still brought a lot of songs to the table as a band but we chose a couple of their songs do go along with six of ours to help change the feel of the record. We wanted to keep our style while adding some diversity. I think it’s going to be our biggest record so far.

AL: how do you guys go about adding in that diversity while staying true to your original sound/style?
RA: I have always looked at song writing and you are telling a story through music. I feel that if we can write a good story and we can add in some chaos to that it will make for a fun listen. It definitely changes with each song. A lot really depends on what we want the song to be about. We like to listen to the songs and see what type of emotion it has and then go deeper from there.

AL: Do you ever feel limited or confined to write in the genre you are identified with?
RA: There is definitely a barter that goes on. We have to stay true to our sound because this is what we have always been and what our fans like. It’s always a scary moment for a band when you transition to a bigger sound because you don’t know how many fans you may lose or gain. You have to try and keep that familiar vibe. For us it’s all about the energy.

AL: What are you guys most looking forward to about being back on this year’s Mayhem Festival?
RA: The cool thing about this year’s tour is that we are going to be on a bigger stage. When we did the tour the first time we were on a small side stage. Last time out we were playing to around 3,000 people per shows and this time were going to be playing to around 15,000 people per show. This is a big step up for us.

AL: What is it that appealed to you about joining Mayhem Festival as opposed to going out on your own solo headlining tour?
RA: I think Mayhem is just such an awesome tour to be on. For me it’s the new “”OzzFest”. It’s a big metal tour for metal heads. I love metal heads because they are just so crazy and into the bands. I think if we toured on our own we would get sort of demolished as there are so many great tour packages out there. We had to be very precise with what we want to do as a band because of that.

AL: What are the bands plans after Mayhem Festival?
RA: Things are pretty crazy right now. Even before Mayhem starts we are going to be out on a short headliner run then we are going out with Emmure for some show in Canada before we take off for Download Festival. We get a couple weeks off and then we hit the road for Mayhem and go from there.

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“Intramural” Takes the Field at Tribeca Film Festival

I think you may have been hard pressed this past week at the Tribeca Film Fest to find a more entertaining red carpet than that of Andrew Disney’s sports comedy, Intramural. Packed with comedic talent, the film enjoyably marries the comedic sensibilities of 2001’s Wet Hot American Summer with the game plans of sports movies almost too numerous to list. Much of the cast and creators gathered on the carpet to discuss the inspiration behind the film and their characters.

Lauren Damon: Can you talk about movies that inspired Intramural?

Director, Andrew Disney: I think comedy-wise, Wet Hot American Summer, Hot Rod–which I think is so underrated—a bit of Happy Gilmore and Teen Wolf, I watched a lot of Teen Wolf–

LD: And from that you did manage to incorporate a little supernatural into your players–

Disney: Right! Right, which I love in Teen Wolf, they just accept it in that world.

Nick Kocher plays Grant, former Panthers team player, back on the field to coach the team to victory after an accident paralyzed him from the balls down.

LD: Your character goes through a dramatic transformation into the coach, did you draw the DNA from other classic sports movie coaches to create him?

Nick Kocher: Did I ‘draw the DNA’? [laughs] I love that! Yeah, I mean the character’s like somewhat similar to the Rip Torn character in Dodgeball in that he’s in a wheelchair but then my character’s also like 22 in the movie so like the fact that he becomes this–I think it’s more I drew inspiration from a guy who would draw inspiration from these coaches. He just watches these movies all day long and you know wants to be this person so literally becomes this character given the opportunity.

LD: You think these movies were most of his childhood?

Kocher: I think Grant hasn’t really had that much attention paid to him and then he gets a lot of attention paid to him when he makes this game winning  catch and realizes this is all he wants to do with his life…is just live out these weird sports fantasies and like get attention that way. That was sort of–I love that you’re asking me these in depth questions about this character!

LD: I enjoyed the movie!

Kocher: No, that’s amazing!

LD: Finally, is Coach Grant aware that there are two sports commentators [SNL’s Jay Pharoah and DC Pierson, recently of the Apple guy in The Winter Soldier] talking about his game?

Kocher: [laughs] No! I don’t think they can hear it. I think they’re aware there’s two like stoner guys who come to each game and they’re like ‘oh what’re those guys talking about? I dunno!’ but the stakes are just as high for all of them.

 

Beck Bennett, who is currently enjoying his first season on “Saturday Night Live”, plays the evil Dick Downs, captain of the opposing team.

LD: What famous film rivals inspired Dick?

Bennett: A lot of things that Ben Stiller does, he was always an influence. Like his character in Heavyweights and also in Dodgeball. Will Ferrell in Zoolander, that’s not a sports movie, but those types of bad guys. Also Bradley Whitford in…

LD: Happy Gilmore?

Bennett: Happy Gilmore.

LD: Oh, not Happy Gilmore, Billy Madison–uh oh, Adam Sandler mix up. I think we’ve committed an SNL crime!

Bennett: You lead me astray! I didn’t say it! You said it!

LD: I’m calling Lorne Michaels!

Bennett: [laughs] So yeah, those are some of the great comedy bad guys.

 

Backing up Dick Downs is the lackey whose actually a nice guy, Ace, played by Kirk C. Johnson.

LD: Do you have any favorite sports movie rivals?

Johnson: Yeah, for sure. Like Necessary Roughness, have you ever seen that? Yeah, they spit in each other’s mouths before to get each other pumped up. They hit each other on the shoulders and spit at eachother, that. And then like the actual real ones, like Remember the Titans, Rocky and Little Giants. Little Giants is very influential for me.
Kate McKinnon, also of SNL, plays the Vicky who Mckinnon described as “just a girlfriend who just really loves her man but just doesn’t know how to do it quite right.” I asked if she felt out of the sports action of the movie:

McKinnon: I didn’t feel left out not getting to do the sports scenes because I am a horrible athlete and it was Texas in July and I would have died. So no, I didn’t feel left out. I feel that I was spared from a terrible thing.

Creating a sports movie, I asked the cast whether there were any actual football going on off screen. Gabriel Luna, who plays Vinnie, first gave us the details of on-set games:

Luna: No, we played a lot of Cornhole which is a beanbag you throw in a platform. We did a lot of that. A lot of competitive drinking. A game that Nick and Brian [McElhaney] invented called Running Flipcup Charades. Which you may have seen on the Much Ado About Nothing extra features. They played it on a bus, which blows my mind, I don’t know if that’s even possible but apparently they did.

Disney: Cornhole? Yeah I played a lot of cornhole. I wasn’t as much in the competitions, I usually try–when I make a film, I try to abstain from alcohol which is hard but I think it’s good for a director. Like Cool Runnings how like that guy is always in his room studying while…well anyway! I don’t why I’m talking about Cool Runnings, I could talk about cool runnings forever!

Nick Kocher, who detailed the entire rules for Running Flipcup charades for me added:

Kocher: There’s lots of injuries. Brian broke his toe…Also I can say playing Running Flipcup Charades, people were playing much more intensely than they did the actual film sports film. People gave much more of their all to the drinking games.

Finally, seeing as so many of the creators mentioned [Walt] Disney sports movies as influencing them (McKinnon also cited The Mighty Ducks as a favorite), I couldn’t help but wonder if they could see Andrew Disney’s name bringing in the Miracle or Invincible-watching crowd:

Disney: I love Disney sports films! I mean I love like Cool Runnings and grew up watching every Disney sports film…

Johnson: [laughs] I hope! I hope that this says “DISNEY’S INTRAMURAL” that’d be great, yeah. We should make like a mock logo that looks exactly like it, it’d be perfect.

Kocher: GOD WILLING we get confused with the Disney sports film because then it’ll make a lot of money!

You can check out our 4-star review of Intramural, here, and view the trailer below:

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Leigh Janiak and Harry Treadaway talk about their film “Honeymoon” at Tribeca Film Festival

Director Leigh Janiak debuted her first feature, the horror film Honeymoon, this week at the Tribeca Film Fest. The film stars Rose Leslie (“Game of Thrones”) and Harry Treadaway (Showtime’s upcoming “Penny Dreadful”) as happy young couple, Bea and Paul. Their blissful honeymoon is interrupted when Bea is found disoriented in the woods one night, resulting in a terrifying personality change.

MediaMikes: Can you describe the idea of using something as happy as a honeymoon as your starting point?
Leigh Janiak: That’s where we came from when we started it. It was we’re going to take something really happy and seemingly beautiful and see what we need to do to it to really destroy it and watch it decay. And it was just like idea of how something so personal can become foreign and fall apart.

MediaMikes: Can you talk about your cast, because it’s mostly just the two of them throughout?
Janiak: They’re both lovely. It was the first time they’d both really done American accents to the full extent but I think that they did an amazing job, I’m completely blown away and you believe them. And you believe their love. They both have an incredible energy, they’re obviously extremely talented, but you never know chemistry-wise. We didn’t do a chemistry read before and it was kind of just like feeling their different vibes separately and it worked, thank god.

MediaMikes: Rose Leslie specifically has to undergo such a huge change in the middle of the film, did you discuss with her specifics about how her character is, I’ll say, pre- and post-op?
Janiak: We spent a lot of times with Rose just generally tracing her transformation and just understanding where she was hiding from Paul, when her character was trying to tell the truth but couldn’t do it. But it was really a scene by scene basis. And we did the same thing with Harry too by the way because Paul’s character transforms as well, just not quite so physically.

MediaMikes: Horror films tend to go either the way of the supernatural or the way of aliens, which one do you find scarier?
Harry Treadaway: I don’t know, like it depends! It’s also about almost what you don’t see, I think that’s what makes me scared. It’s sort of the emotions and stuff behind it that would actually get me scared. I think. Not aliens though, the other one!

MediaMikes: Ghosts?
Treadaway: Yeah!

MediaMikes: Coming up, you’ve got Penny Dreadful where you’re playing Dr. Frankenstein, what is the show bringing to this character?
Treadaway: That’s not for me to say…all that I’ll say is that it was, I mean, John Logan is you know a pretty incredible writer…Sam Mendes producing and then Juan Bayona who directed the first two is really amazing and we’ve got a cool exciting cast. And I’m just doing my little bit, really.

Here MediaMikes got into a little spoiler territory with both Leigh and Harry, so if you’d like to remain unspoiled, you can check out the trailer below, and keep an eye out for Honeymoon, which has recently been acquired by Magnet Pictures. For those of you who’d like some more gorey details head past the video. 

Spoilers ahead…In the film’s climatic scene with now-transformed Bea, the long suffering Paul has to essentially birth a slimy alien entity from Bea. I asked both Janiak and Treadaway to talk about creating and performing this standout horror moment.

Treadaway: That was another night. Just another night…That was the fourth scene up that night and we were like ‘right, how are we going to do this?’ and we tried to do it the best we could. But it was uh, certainly one of the most unusual scenes I’ve probably done.
Janiak: My special effects makeup artist was this guy named Christopher Nelson and he’s been working in this business forever. He’s also incidentally the groom in Kill Bill Volume 2, super talented, he works on American Horror Story. I had put together a really extensive look book and it’s funny I actually referenced like a shower cord but I wanted biological material. And we looked at things like The Fly or Alien. We wanted that really tactile physical effect. And he created this thing and it was perfect and really disgusting and awesome. That scene took two nights to shoot so it was a very intense time.

MediaMikes: Why did you opt for the alien approach rather than supernatural for your feature?
Janiak: It was really just about making an intimate body snatcher movie. So I think that a lot of the horror is actually grounded body-horror and then there was this idea of, we wanted to give answers, the main thing for me is about this relationship falling apart but beyond that we wanted the answers of what’s actually driving these transformations. And that’s why it was the extraterrestrial thing.

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Jon Favreau talks about “Chef” at Tribeca Film Festival

Chef, the new film from Jon Favreau held its premiere on Tuesday in New York. The hugely successful director of “Iron Man” and “Elf” hasn’t directed an independent film since 2001’s “Made” and was excited to debut the comedy, which he also wrote and stars in, at the Tribeca Film Festival.

In the film, Favreau plays Carl Casper, a chef whose embarrassing confrontation with a food critic goes viral on the web causing him to lose his job at a successful restaurant and start from scratch with a food truck and a road trip with his son. Favreau spoke on the red carpet about the inspiration for this story: 

Favreau: “When you write something like this, you’re not really sure where it comes from. I wanted to write something about a chef and something about being a dad and this is the film that came out. And the fact that I’m at the point in my career where if I have an idea like this, I could get it made and have such great friends who would come together and be part of the cast so I found myself very fortunate.”

Luckily for audiences, Favreau’s friends include Robert Downey Jr who plays Marvin. It’s a small but pivotal role as Marvin provides Carl with his new food truck.

How was it working with Robert Downey Jr. without having him playing Iron Man?
Favreau: “I love working with Robert and it was great for him to be on my movie. Because on the Iron Man movies, I feel like I was really there to help support him and make the character look good and make the story make sense and you know, be there in a supportive role. Here, he came on board my movie to do whatever he could to elevate the film.”

As the story concerns a man frustrated working for a successful business while being artistically unfulfilled, I couldn’t help but wonder if coming off of studio films, the story was at all autobiographical, but Favreau maintains this isn’t the case:

Favreau: “No, I’ve been very lucky, I work on big movies and small movies and I really am very proud of all of them. As a matter of fact, I’m going to do “The Jungle Book” [for Disney] after this which is much bigger than “Chef” so unlike the character in the movie, I really like mixing it up a bit. I think the character I play is a little more confused with what drives him. But I really did have a good time doing a small movie like Chef which is similar to how he feels in the film.”

Favreau was joined on the carpet by his onscreen son, the talented, 10-year-old Emjay Anthony, who had nothing but good things to say about his veteran cast:

Anthony: “Sofia Vergara is just drop dead gorgeous, and [John Leguizamo’s] kind of a ladies’ man and so am I, so there was a little contest there. And then Jon Favreau is just such a great actor.”

As for any upcoming projects for the young Anthony, he told us not right now, but “I’m open for business if anybody wants me!”

“Chef” opens in the US on May 9th.

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Tribeca Film Festival Review “Intramural”

Starring: Jake Lacy, Nikki Reed, Kate Mckinnon, Beck Bennett, Nick Kocher, Brian McElhaney, Jay Pharoah and DC Pierson
Directed By: Andrew Disney
MPAA Rating: Not Yet Rated
Running Time: 98 minutes

Our Score: 4 out of 5 Stars

As in actual intramural leagues, there is basically nothing at stake in the film Intramural, Andrew Disney’s hilarious send up of the Inspirational Sports Movie. Not that this stops any of the players from being balls to the wall committed to the game. Complete with underdogs and training montage, Intramural is the sports movie full of characters who have watched their Mighty Ducks and their Karate Kids an unhealthy amount of times.

Caleb (Lacy) has turned his back on his flag football team after rival team the Titans paralyzed best friend and teammate, Grant (Nick Kocher) “from the balls down” as he made a game-winning play. Four years later, facing the LSATS and an accidental engagement to his crazed girlfriend (McKinnon), Caleb is drawn back to the game and the Titans are waiting to avenge their defeat.

Lacy is an amiable everyman lead but it’s when he reassembles the rest of the team that the movie really shines. As in every sports movie, the Panthers require an inspirational coach to whip them into shape. Fortunately, Kocher’s Grant returns to the fold now with a wheelchair and crotchety old man voice. He might be the same age as the players, but he’s got the soul of Rocky’s Paulie and a psychotic dedication to the sports movie formula. Kocher, of internet duo BriTANick, (partner Brian McElhaney here takes the role of illusionist player, Chance) plays Grant with such fevered conviction that you don’t doubt for one second that he’s seen every single installment of Air Bud. For better or worse.

Matching Kocher’s energy on the evil Titans side is Beck Bennett’s team captain, Dick Downs, a screaming man child to whom the game means everything. It’s as though he’s aware of his role in the sports movie universe but wholly oblivious to the fate of his character type.

Even with the predictable formula in place, Disney manages to find new laughs in how he pulls off the traditional sports movie tropes including a hugely crowd pleasing ‘magic’ play. Gifted with a cast of comedians who, like the Panthers, are giving their all. It’s a lot of yelling, a lot of dick jokes and a lot of fun.

Intramural debuted at New York’s Tribeca Film Fest and has remaining public screenings through April 26th. For more information check out their TFF Film Guide page.

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Filed Under: Film Reviews Tagged With: festival, film, intramural, review, tribeca

Blu-ray Review “Festival Express”

Director: Bob Smeaton
Number of discs: 1
Rated: Unrated
Studio: Shout Factory!
Run Time: 90 minutes

Blu-ray: 4 out of 5 stars
Extras: 4 out of 5 stars

In the summer of 1970, some of the era’s biggest rock stars took to the rails for “Festival Express” a multi-artist, multi-city concert tour that captured the spirit and imagination of a generation. What made it unique was that it was portable; for five days, the bands and performers lived, slept, rehearsed and let loose aboard a customized train that traveled from Toronto, to Winnipeg, to Calgary, with each stop culminating in a mega-concert. The entire experience was filmed both off-stage and on, but the extensive footage and sound tapes of the events remained locked away for decades, only recently having been rediscovered and restored. The film Festival Express is a momentous achievement in rock film archaeology which combines the long-lost material with contemporary interviews that add important context to the event nearly 35 years after originally being filmed.

Directed by Bob Smeaton “Festival Express” is an all inclusive look at this unique tour that in today’s musical climate probably would not be possible. Everyone from the Grateful Dead to The Band and Janis Joplin are showcased on this half concert half documentary film. Probably my favorite part of the whole film was in the early minutes when concert going protesters were complaining over the $14 ticket price. This made me laugh as a bill of this character in today’s world would certainly be pushing triple digital numbers. Though the film was shot in 1970 and subsequently shelved for 40+ years the Blu-Ray version of this release is visually stunning and though the images are clean and crisp there is still that element of graininess that puts a date stamp on the piece. Along with the films stunning visuals is a great audio mix which only further showcased the group’s performances. If you’re short on time definitely jump ahead to The Bands performance of their hit song “The Weight” as Drummer/Vocalist Levon Helms vocals are always a treat to listen to.

If the 90 minute feature film wasn’t enough the special features portion of the disc picks up where the film ends. Bonus performances from Buddy Guy, Eric Andersen and others along with a full length documentary related to the feature titled “Derailed: The making of Festival Express” is a great addition to this portion of the release. Fans of 70’s music and the spawning of the festival concert scene will definitely enjoy this film.

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New York Film Festival Review “12 Years a Slave”

Starring: Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong’o, Benedict Cumberbatch, Paul Dano
Directed By: Steve McQueen
Fox Searchlight
Rated: R
Running Time: 133 minutes

Our Score: 5 out of 5 stars

As evidenced by his first two features, Hunger and Shame, director Steve McQueen is fearless in his approach to difficult subject matters. The same is true here in his unflinching and unforgettable third feature, 12 Years a Slave.

The film is based on the true life account of Solomon Northup (played by Chiwetel Ejiofor), a free black man in New York who was deceived and sold into a life of slavery from 1841 to 1853. The film opens with Northup already in this role working on a sugar cane plantation and then brings us back to his family life in New York leading up to his deception. The men who will eventually drug and betray him come in the form of Brown and Hamilton, played by Scoot McNairy and Taran Killam, who offer Solomon the promise of violin work in Washington DC. The whole sequence is reminiscent of a sort of hellish version of Pinocchio being lead off by the circus folk and it plays out with a dreadful inevitability that left my stomach churning. When Solomon is awoken in chains, Ejiofor’s bewilderment is heart-wrenching as he struggles between fighting for his identity and recognizing how powerless he’s just been rendered.

Ejiofor is at the center of an embarrassment of acting talent throughout this film with even smaller roles occupied by the likes of Brad Pitt, Michael K Williams, Paul Giamatti, Paul Dano, and last year’s Oscar nominee Quvenzhané Wallis (Beasts of the Southern Wild). Benedict Cumberbatch has a key role as Ford, Northrup’s first owner. Ford is initially presented as a sympathetic man, even seen as such by Solomon himself, but the way McQueen and screenwriter John Ridley disillusion us of the very notion of this idea is masterful. For all Ford’s sympathetic looks and guilt about the institution he is undoubtably a part of, he will still allow a family to be split at auction and won’t hear a word of Solomon’s story despite recognizing his intelligence. Actions speak louder than words and under Ford, Solomon still suffers through some of the harshest tortures in the film. Including selling Solomon off again to the monstrous Edwin Epps in the film’s final act.

Coming from both Hunger and Shame, Michael Fassbender successfully reteams with director McQueen again as Epps. Fassbender is fascinating to watch as his character rages against his slaves with frightening conviction he backs up with biblical scripture. He is further driven to violence by his complete inability to deal with his unhinged infatuation with his most productive slave girl, Patsey (incredible newcomer Lupita Nyong’o).

Truly however the film belongs to Chiwetel Ejifor who imbues Northup with an unwavering determination to not only survive his ordeal, but as he says, to live. To not give into despair. Moreover when it comes to his re-emancipation, we feel the weight of the time lost as much as the relief of freedom.

12 Years A Slave opens is now playing , I screened it as part of the 51st New York Film Festival, you can read our red carpet coverage from the event with an interview from the film’s star Michael Fassbender.

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Filed Under: Film Reviews Tagged With: 12, 12 years a slave, chiwetel ejiofor, festival, film, Michael Fassbender, ...

New York Film Festival Review “Exhibition”

Starring: Viv Albertine, Liam Gillick, Tom Hiddleston, Mary Roscoe
Directed By: Joanna Hogg
New York FIlm Festival
Running Time: 110 minutes

Our Score: 4 out of 5 stars

Set in London, “Exhibition” focuses on a middle-aged married couple, known only in the film as D (Albertine) and H (Gillick). Both artists living a spectacular modernist house, itself built by an artist, we join them at the critical moment of their decision to sell the place. D is hesitant to make the move from a home that has defined their lives for nearly two decades.

It’s surprising to learn that the two leads of the film were themselves not actors. Albertine, the guitarist for band The Slits and Gillick, who is actually a conceptual artist himself, have an amazing chemistry as a long married couple. Though much of the film finds them in a state of disconnect–they communicate with each other through a very clinical intercom system in the house–we get these small moments of levity that make their relationship feel very lived in despite their tensions. You feel a sort of united front the couple present when they are engaging with painfully chatty outsiders like their neighbor going on and on about her children or the constantly upbeat realtor attempting to reassure D they’ll find good buyers (Hogg’s former film alums Mary Roscoe and Tom Hiddleston, respectively). Albertine has most of the screentime and she goes a long way in selling her attachment to both her home and her husband through her heartfelt pleas for H not to go wandering the city at night and later her running outside to confirm the ambulance down the block has nothing to do with H. Her anxiety about a prior ‘incident’ she doesn’t wish to repeat is never fully explained in the film but the desperation you sense when D alludes to it is enough to explain her unease.

I was fortunate to see this film, Hogg’s third feature, as part of a series showcasing all her work at this week’s New York Film Festival. Her first two features, Unrelated and Archipelago, established Hogg’s tremendous control over and emphasis on setting. Though Unrelated and Archipelago took place on family holidays and Exhibition is confined to the house, the sense of place feels like an additional character in her stories. Aesthetically beautiful as they are, they can also turn alienating at a moment’s notice. “Exhibition” takes this a step further through Jovan Ajder’s amazing sound design that morphs the home from a shelter from the sirens outside, to an oversize cavern with all it’s metallic creaking and huge sliding doors that dwarf D when she is on her own. Though D professes to a friend over Skype to be able to feel the love of the previous owners of the house in the walls, the audience may need some convincing. Hogg’s sound design coupled with her meticulous visuals bring us into the growing anxiety that D feels.

“Exhibition” is screening as part of the 51st New York Film Festival taking place through October 12th in Lincoln Center. For more information on it’s remaining screening, visit FilmLinc.com

 

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John 5 talks about “The Lords of Salem” and Rockstar Energy Mayhem Festival

John 5 has played guitar for many notable acts in variety of music genres. He is currently the guitarist for Rob Zombie who recently released his 5th solo studio album titled “Venomous Rat Regeneration Vendor”.  The band is set to headline the Rockstar Energy Mayhem Festival this summer and Media Mikes caught up with John during rehearsals to discuss the tour, the new album, scoring Rob’s latest film “The Lords of Salem” and if he has been able to recover any of his recently stolen guitars.

Adam Lawton: Can you tell us about the bands upcoming run on this year’s Mayhem Festival?
John 5: The summer time is my favorite time of the year to tour. I love playing in the states and getting to see all of my friends. Touring is hard at time but the way we do it is great! We can sleep till whenever we want, get up eat some breakfast, maybe go get a massage and play some guitar. I can go watch bands play and just hang out. Then we get to go out on stage and hear the people scream. It’s a blast and I can’t complain. It is something I don’t take for granted. Getting out there and meeting everyone is just really great. Mayhem is going to be a blast!

AL: Will you be unveiling a new stage show on this run?
J5: Everything is going to be brand new. We are really excited to have everything come together. This is something that I am excited to see as well. We also are going to be playing some tracks off the new album which is something I am definitely looking forward to. We love playing the hits also but
getting to play new material live is always fun. People will have to wait until the tours first show on June 29th to hear what we will be playing.

AL: What has it been like adapting the songs from the new album in to a live setting?
J5: I am a total perfectionist so what we do is we go to our drummer Ginger’s house and myself, Piggy .D and Ginger set up in the living room and we just play the new songs. It’s kind of like when Rocky goes to Russia and he’s training with logs and paint cans. (Laughs) We just are jamming in a living room. From there we take things to a big room. I think once we start getting together with Rob things are going to sound incredible. I am very excited.

AL: Have you and Rob been working on any special features for “The Lords of Salem” DVD release?
J5: Yes we have. Being a movie fan I love special features. Rob had started doing interviews with all of the actors talking about the behind scenes stuff and I got a call one day after he finished and he told me he had a film crew coming down to talk to me about my work on the score for the film. Griffin and I were filmed very last minute but we will be on there.

AL: What type of reactions have you gotten now that people have seen “Lords of Salem” and heard the soundtrack?
J5: I think when people hear things from me they are never surprised anymore as I do so many different styles of music. We have gotten so many great reviews on the score Griffin and I wrote. I am so thankful for that as I was very focused and did my best. Without Rob’s help it would have been difficult as he was able to steer me in the direction towards what he wanted. The score was a lot of fun and things came out really well.

AL: Being a guy who is always busy what else are you currently working on?
J5: I am always working on my instrumental stuff and am half way done with my next record. I am also always writing with other people as well. I wrote a song on the last Rod Stewart record which ended up being a number 1 record over in the UK and is also doing well here in the states. I don’t take anything for granted. I am really happy and lucky to have all these things happening. I appreciate all of the fans and their nice comments. I read them all and talk to every fan out there.

AL: Recently you had a bunch of gear stolen from your home. Have you been successful in retrieving any of those items?
J5: Actually I just got two guitars back. This guy had called my webmaster that lives in England who then sent me an email saying that she had talked with a guy that just bought two of my guitars. I guess he had recognized them from the internet and sure enough they were my guitars. The guy gave me the guitars back but the person he bought them from vanished. Maybe more will turn but I am very glad I got these two back. So much stuff was taken it was terrible.

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Filed Under: Interviews, Music Interviews Tagged With: 5, energy, festival, john, lords, mayhem, ...

Tribeca Film Festival Review “A Single Shot”

Director: David M. Rosenthal
Starring: Sam Rockwell, Jeffrey Wright, Kelly Reilly, Jason Isaacs, Joe Anderson
MPAA Rating: R
Running Time: 116 minutes

Our Score: 3 out of 5 Stars

 A Single Shot begins with West Virginian hunter John Moon (Sam Rockwell) accidentally shooting a woman dead while hunting deer. As if this weren’t enough cause for alarm, John discovers both a hand gun and a suspicious stash of cash in her makeshift camp. Moon hides the body and takes the money. Never the best plan. What follows is a tense backwoods cat and mouse game held together by a strong lead in a terrifying setting.

Moon, it turns out, has already been in trouble with the law as a poacher and sees the money as a means to get back his estranged wife (Kelly Reilly) and son. It doesn’t forgive Moon for his actions but reveals him as a desperate fool for thinking his plan has any chance of succeeding. He’s not unfamiliar with breaking the law, but not on the scale of the men whose threats start with phone calls and escalate. Rockwell does an amazing job at taking John through all the levels of fear. Whether he’s trying to remain calm as his phone rings in the presence of an old friend (Jeffrey Wright) or outright challenging unseen attackers in the woods, you can really feel the panic of a man realizing he’s in way over his head. The forrest surroundings John was so familiar with at the start of the film suddenly turn on him and it seems as though violence can, and in fact does, break out anywhere around him. Often shockingly so. The woods are beautifully shot in all their ominous foggy glory by Eduard Grau, and manage to seem expansive and claustrophobic at the same time.

The strong ensemble cast is perhaps too large to be sustained by a film whose focus must remain solidly on Moon’s dilemma. For example, as Waylon, the thug behind the money, Jason Isaacs isn’t given as much screen time as you would like considering he’s supposed to be the big bad of the movie. Consequently he is out-menaced early on by lackey Obadiah (a magnetic, psycho Joe Anderson) and Moon’s divorce lawyer played by William H. Macy (wearing a crime against toupees). Similarly, Moon and his wife’s relationship could have been strengthened to get at the heart of Moon more than the flirtations we wind up seeing with his neighbor’s daughter. Ultimately though this is Rockwell’s movie and there’s no doubt he’s an expert at isolation. His Moon is reason enough to wander into these woods.

 

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Tribeca Film Festival Review “V/H/S/2”

Directed by: Simon Barrett, Adam Wingard, Eduardo Sanchez, Gregg Hale, Timo Tjahjanto, Gareth Evans, Jason Eisener
Distributed by: Magnolia Pictures
Rated: R
Running Time: 95 mins

Score: 4 out of 5 stars

V/H/S 2 is, as was its predecessor, an anthology film comprised of horror shorts by different directors strung loosely together by a framing story. The excuse for getting the tapes together this time are investigators stumbling upon the collection on a search for a missing person. Sure. So how are the tapes?

The first one, “Clinical Trials” I thought was cause for concern. A man’s new artificial eye is doubling as a recording device for its creators’ research. Of course this being a horror film, the eye brings with it the startling additional ability to see the dead. Eventually the patient links up with an eccentric female patient who can hear the dead and panic and chaos ensue. Well made and a bit slicker for having the eye-camera being so super high-tech, “Clinical Trials” just seemed a bit predictable compared to what V/H/S delivered.

If “Clinical Trials” had me worried, the second short “A Ride in the Park” brought me right back on board. A biker mounts a camera to his helmet in order to record his ride through the park when he is unfortunately attacked by zombies. But the mounted camera records regardless. From then on, we get a hilarious look at the POV of a zombie– from the uninterrupted conversion from human to undead, to his bumbling recruitment of his small zombie posse. A bloody climax at a kids’ park birthday party had me cracking up.

“Safe Haven” continued the upward climb of these stories for the sheer number of WTF moments per minute. A film crew looks to investigate a cult leader and his flock in their compound. The Indonesian guru, ominously known as “father”, is surrounded by tons of female acolytes who eventually over power the crew in a deliriously over-the-top and hellish finale. The punchline of this short was my favorite in V/H/S 2.

It’s difficult to follow the madness of “Safe Haven” but “Slumber Party Alien Abduction” does so admirably. Eventually the most serious of the bunch, it relies on a dog-mounted video recorder (he’s the tool in a prank war), to capture a terrifying batch of aliens assaulting a kids’ party. It’s a blur of panicked teens, woods, and that poor dog having to face aliens. The sounds of the alien invasion are what really sell the terror here, but having the dog camera-man makes this one the hardest to watch both for the visual shakiness and his helplessness.

Notable in this installment is often its reliance on broad sunlight over shadows which help tip the scale towards more humor than horror on occasion, while helping to showcase the gore in all its glory. Like the previous film, the setup to our watching this collection is mostly irrelevant but the payoff contains to my mind the most gruesome shot of the film. After what we’ve been through, it’s an impressive feat and a great closer to our trip through this horror funhouse.

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Tribeca Film Festival Review “What Richard Did”

Starring: Jack Reynor, Roisin Murphy, Sam Keeley and Lars Mikkelson
Directed by: Lenny Abrahamson
Rated: Not Rated
Running time: 1 hr 27 mins

Our Score: 5 out of 5 stars

Eighteen-year-old Richard is the leader of his local rugby club in Dublin who’s enjoying an idyllic summer of beach house parties with his teammates and their friends. Charming and well-liked by most everyone around him, Richard easily catches the eye of Lara (Roisin Murphy), the would-be girlfriend teammate Connor (Sam Keeley). One drunken night out, tensions run especially high between the two boys causing Richard to lash out with tragic consequences. What follows is an impressive, slow-burning morality tale that I find myself continuing to think about days afterwards.

Typically being the “alpha-male” in a teen film is cause enough for an audience to condemn someone like Richard, nevermind the act upon which the title hinges, and yet Reynor manages to win us over. The interactions amongst his crew early in the film are by turns humorous, immature, and occasionally insulting (as teen boys can get) but above all things, they feel genuine. These are basically likable teens for whom things are going well. We meet Richard’s parents (Lorraine Pilkington and a brilliant Lars Mikkelsen) who are also likable and proud of their son but for the most part are hands off. This too is to the films benefit. When Richard’s underlying rashness gets the better of him, it is to his mates and girlfriend that he turns to first in dealing with the guilt. Abrahamson relies on nothing but ambient sound and hushed conversation to increase the pressure felt by all.

Watching Reynor go through all the stages of his guilt, including a stunning loss of control in Richard’s family’s beach house, is fascinating. That he manages to do it while maintaining a degree of the audience’s sympathy in an objectively awful situation is the real triumph of What Richard Did. It’s a tricky film without any easy answers.

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Filed Under: Film Reviews Tagged With: festival, film, review, richard, tribeca

Tribeca Film Festival 2013 – Red Carpet Coverage & Film Reviews

The 12th annual Tribeca Film Festival is being held from April 17-28 in New York City. The festival’s mission is to help filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center. Tribeca Film Festival is well known for being a diverse international film festival that supports emerging and established directors. The Festival has screened over 1400 films from over 80 countries since its first festival in 2002. Since its founding, it has attracted an international audience of more than 4 million attendees and has generated an estimated $750 million in economic activity for New York City.

Check out the following link for the 2013 film schedule

A Single Shot: The writer and director join stars Sam Rockwell, Kelly Reilly and Heather Lind at the thriller’s TFF premiere. Rockwell stars as John Moon, a man caught in a tense cat-and-mouse chase after stealing money from a woman he accidentally shot while hunting in rural West Virginia. Check out our review here!

Lil Bub and Friendz : Documents the rise of cat videos on the internet as both a subculture and in some cases, a potential goldmine. Bub and owner Mike Bridavsky joined doc directors Andy Capper and Eisner on TFF’s red carpet.

Trust Me: Clark Gregg’s second directorial effort after 2008’s Choke finds the actor also starring as Howard Holloway a down on his luck agent to child stars. The film’s premiere at Tribeca included Gregg, newcomer Saxon Sharbino, and co-stars Felicity Huffman (“Desperate Housewives”) and Paul Sparks (“Boardwalk Empire”).

V/H/S 2: Follow-up to last year horror film, which is an anthology film that is comprised of horror shorts by different directors strung loosely together by a framing story. Click here for our review.

What Richard Did: Director Lenny Abrahamson joined star Jack Reynor to talk about their Irish drama which made it’s Stateside debut at Tribeca. Check out our review here!

Click each poster below for our red carpet coverage from the following films:

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Filed Under: Commentary, Featured Tagged With: 2013, carpet, coverage, festival, film, red, ...
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