Craig Gerber is the co-executive producer/writer of Disney Junior’s “Sofia the First: Once Upon a Princess”. Disney will introduce its first little girl princess with the debut of “Sofia the First: Once Upon A Princess,” an enchanting, music-filled animated Disney Junior television movie for the whole family, Sunday November 18 on Disney Channel and Thursday and November 22 on Disney Junior, the 24-hour channel. The primetime television movie special stars Ariel Winter (“Modern Family”) as the voice of Sofia, Sara Ramirez (“Grey’s Anatomy”) as her mother, Queen Miranda; Wayne Brady (“Let’s Make A Deal”) as Clover, a wise-talking Rabbit; and Tim Gunn (“Project Runway”) as Baileywick, the family’s Royal Steward. A television series of “Sofia the First”  will debut in early 2013 on Disney Junior, as well. Media Mikes had a chance to chat with Craig about how this show was created and what we can expect.

Mike Gencarelli: Tell us how “Sofia the First: Once Upon a Princess” was born?
Craig Gerber: A few years ago, I was approached by Nancy Kanter at Disney Junior because they were looking to create a TV show centered around a princess for 2-7 year old children. She asked me flat out if I had any ideas, so I said I would think about it. So I got in my car and was stuck in traffic, I guess that is where you do your best thinking in Los Angeles. I started thinking about my own childhood. I grew up in a blended family. My parents divorced. My dad remarried. I have a half-brother. It occurred to me that it would be great to create a fairy tale story that the modern family can relate to. For there, I thought it would also be wonderful to have a princess character that children could closely identify with. I just had my first child at the time and I was watching him experiencing new things and how to get along in the world. I saw him emulating fantasy characters. Fantasy has always been a great way to tell stories and to impart lessons. I thought wouldn’t it be great for kids to be able to use those fantasy stories to provide life lessons to them as they grow up. With all that in mind, I thought “What if, there was an ordinary girl that lived in an enchanted village and her mother fell in love and married the king overnight, which made this young little girl a princess overnight.” She has to learn how to be royal and get to know her step-family. The idea of this blended royal family in an enchanted world is the heart of the show.

MG: What is a princess movie without great songs…tell us about that aspect?
CG: It is funny because I never intended it to be a musical. I got to a part in the script for the TV movie, when Sofia gets the power to talk with animals due to this emulate and they have a chance to give her their piece of mind. Her rabbit friend Clover wants to tell her why woodland creatures have been helping princesses all these years. I thought wouldn’t it be great if they just broke out into song. Like this was the first time that anyone has ever thought about that [laughs]. So I wrote lyrics to the song that would become “A Little Bit of Food”. We find out these furry woodland creatures are helping out princesses since that is where all the great food is. For there the response from the network was so great that they asked me to write three or four more songs. So it became a musical just like that! And I got to tell you…it is one of the best parts.

MG: How was it incorporating classic characters like Flora, Fauna and Merryweather from “Sleeping Beauty” and Cinderella?
CG: It is daunting. It is wonderful. That has been the fun of the show is embracing the Disney legacy and the Disney fairy tale storyboard world. And taking the decades of films and characters and creating our own unique kingdom while still incorporating those characters and elements into our show. To be able to put Flora, Fauna and Merryweather in the show and make them the head mistresses of Royal Prep, the school where Sofia and all the princesses all over the world go, is just great fun. They are great characters and children know them from “Sleeping Beauty”. It is just a blast to be able to have them show up and be a part of our world. When you bring in a classic Disney princess like Cinderella, who makes a cameo appearance to give some princess advise to Sofia, which is really…just an honor.

MG: Tell us about the amazing voice cast including Ariel Winter, Wayne Brady and Tim Gunn?
CG: The voice cast is not only supremely talented but they are genuinely excited to be working on this show. It is partially because they love the characters, the world and the legacy of Disney storytelling. Ariel Winter is a wonderful young actress from “Modern Family” and she breathes life into Sofia. She captured the character immediately. Wayne Brady is hilarious. He has brought a lot of humor both written and unwritten [laughs] to the character of Clover the Rabbit. Tim Gunn, who I believe has had limited if any voice over experience, has really embodied the character of Baileywick, the kings right-hand man. We also have Sara Ramirez from “Grey’s Anatomy”, who is a talent actress and singer. Overall, we just have such a wonderful cast who have come in and brought so much creativity and enthusiasm to the show. It has really elevated everything we done.

MG: This TV movie is set as the pilot to the upcoming animated series, when/what can we expect?
CG: The TV movie follows Sofia’s first two days in the castle, her debut ball and also getting along we her new step-sister Amber. Then in the series, which will launch early next year, will follow her continued adventures being a princess in this royal world. The show at its essence is about Sofia learning that being truly royal is about how you behave and the person you are inside. A lot of the episodes show Sofia learning these lessons or showing others how to learn these as well, especially her step-sister Amber. There are also a bunch of fun adventures that Sofia goes on and a lot of new fun characters we meet. So there are a lot of great things in store for her.

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Chloë Sevigny is known best for her iconic roles in films like “Boys Don’t Cry” and TV show’s like “Big Love”. In FX’s “American Horror Story: Asylum” Chloë plays the role of “Shelley,” one of the inmates at Briarcliff Manor committed because of nymphomania. Media Mikes had a chance to chat with Chloë about the show and what we can expect this season.

Adam Lawton: What drew you to the project “American Horror Story: Asylum”?
Chloë Sevigny: I guess it was having watched the first season and just being a fan of the show. I just thought it was so rich, the production design and costumes and how much detail went into it and I just thought it was wildly entertaining. I was hoping the second season would be as much so. I didn’t get to read any scripts prior to signing on, so I was kind of going in on blind faith hoping that it would be what I wanted it to be and it’s proven so.

AL: Were you able to work with Ryan [Murphy] with your character and develop Shelley” along, or was everything kind of fed to you week by week?
CS: Yes, it was more week to week. I mean I think that’s mostly how television works. It’s a real writer’s medium and it’s not so much collaborative. It’s not like a film, so it’s pretty much all on the page. There were some bits where I asked Ryan for more lines, so that seemed to beef it up here and there and they tried to do that for me. That was probably the extent of it.

AL: What is it working with James Cromwell? I don’t know what he’s doing to you, but it’s really scary.
CS: Oh, it gets much scarier. He was good. I mean I was a huge fan of his. I actually saw him in a café right before we started shooting and I went up to him introduced myself and he just like, “I’m so looking forward to chopping off your legs.” Yes, he was great. I mean you know he was really into rehearsing the scenes before and really exploring it to its fullest, so that was kind of nice. Sometimes people just go in and just hit their marks and he really wanted to work everything out before. He was really … in that regard.

AL: Can give us some insight into preparation you do with James Cromwell, who’s “Dr. Arden,” and if you discuss the scene ahead of time. These are not just typical scenes. There’s a lot of almost physical abuse, and if you can give us some insight into your conversations with these actors to prepare?
CS: Well, yes, there’s always a stunt guy on set also, and you go through all the motions. You kind of block out the physical bits, the throwing and the pulling and tugging and if it gets too rough, because sometimes an actor can lose himself in a scene and so I always remind them I’m supposed to sell it. Whoever is getting the brunt of it is supposed to do all the acting, do all the selling of the violence and whatnot, so there’s a lot of—especially in the scene in the office with Tim and I, there was a lot of—I think we blocked that scene for like three hours, far longer than it took us to shoot it even just getting all the action down. I mean it’s quite scary because James was so big and he was wielding this big kind of paperweight at me. He was getting really close and it was pretty frightening actually doing that scene. I was really exhausted at the end of that day, and it was quite scary while we were in it. His arms are so long I was so afraid he was actually going to knock me out.

AL: Could just talk about the challenge of acting with no legs?
CS: Well, the prosthetic pieces that they put on made it impossible to straighten my legs, so I had to keep my legs bent all day and I had to be wheeled around in a wheelchair and I was feeling quite helpless. It was a strange feeling to have to need assistance to do lots of different things. And that was probably the most challenging part, feeling kind of helpless in that way.

AL: Can you give your take on Shelley’s character. She’s obviously billed as a nympho, but then there’s that question of whether she truly is addicted to it, or she just likes it more than other people. What’s your take on that?
CS: I don’t know if people truly are addicted to that. There’s so much talk about it as of late. I think that she was a little wild and her husband had it within his power to commit her and I think kind of once she’s in there, she kind of goes with it to come to who she is and how she identifies herself. So I think that she probably yes really likes sex. All the reaction, I don’t know if she’s quite a real nymphomaniac.

AL: You’re playing a very specific character here, an inmate in a sanitarium and then for your next role you’re playing a driven detective, and that seems like a more grounded part. I’m wondering how you shift as an actor from one role to another? Do you have to shake off Shelley before you play Catherine in “Those Who Kill”, or you find moving between roles to be an easy transition?
CS: I find it pretty easy. I’ve already wrapped “American Horror Story” a couple of months ago. I think they might have me come back for something else. I’m not sure, so I’ll have plenty of time and then of course delving into the scripts and research and … with playing “Catherine” they’ll probably be some training involved also, so just trying to immerse yourself in whatever you’re doing at the time. While we were shooting “American Horror Story”, I was also shooting “Portlandia”, so I was going from one set to the next, and I’d never really done that before. And “Portlandia” was so new for me because it’s all improvisation and trying to be funny and all that, so it was quite difficult when you’re shooting two at the same time. But I think having basically … is a better way to go.

IronE Singleton is known best for his role of T-Dog in AMC’s “The Walking Dead”. His character has been a key aspect of the show for the last three seasons, until his recent demise in the fourth episode of the third season. Media Mikes had a chance to reflect with IronE about his role on the show and what we can expect next.

Mike Gencarelli: Tell us about how you prepared for shooting your death scene?
IronE Singleton: Mentally, I had a lot of time to prepare because I got word about a month in advance. So I was ready to do that. Plus, when I originally signed on it was only for two maybe three episodes and I ended up lasting three seasons. As far as the physicality was concerned, I had to wear a prosthetic. They put me this pasty stuff on me and let it dry on me for like an hour. Once it dried they cracked it off and that is what they used when the zombies were biting me and pulling out all the guts and veins etc. They were pulling from the prosthetic.

MG: I am a big horror fan and I cringed with your neck scene.
IS: Yeah, I hear that a lot. During one interview I had recently, one guy said he was eating his pizza and he had to stop eating since he almost hurled. People say they can’t eat when they watch this show. They love it but they can’t eat.

MG: What has been your highlight working on “The Walking Dead”?
IS: I have a two and a quarter season highlight reel. Every day was total bliss. Every day was something that I will relish for the rest of my life. I had great times throughout. I honestly did not have one bad day on set. It is hard for me to pin point because every day was like that. I would look forward to going in to work, getting the handshakes, the hugs and kisses. That is what I did everyday for two and a quarter seasons.

MG: Are you surprised with the fans reaction to your character T-Dog?
IS: It is a bit overwhelming. In a good way – in a great way! The amount of support and love that T-Dog is getting showered with is unbelievable. Let’s just say it has been a very emotional week for me since the episode has aired, to say the least. When I did “The Talking Dead” after my final episode, I had to choke back the tears. I am just taken back by all the love from fans, not just in the US but all over the world.

MG: What is it about “The Walking Dead” and it killing off key characters each season?
IS: It is so similar to real life though. When people die you don’t expect them to die unless they have a terminal illness. You just don’t see it coming. That is what happens on “The Walking Dead”. That is the stuff that grabs you the most.

MG: I was hoping for a T-Dog vs. Merle showdown this season.
IS: I think you and millions of others were waiting on that. Ever since the rooftop scene, where T-Dog dropped that key, people were talking about us meeting up again. It would have been great TV.

MG: What season was the most challenging for you?
IS: Season one…we are going to go with the rooftop scene. Oh my goodness, it was like 107 degrees but with humidity it was like 115-120 degrees. I almost fainted a few times and that is something that I don’t do. Having played football for 15 years, I have never come close. So there I was on this rooftop about to pass out, I was thinking “Man that is a big wuss move” [laughs]. Season 2 also was rough with the highway scene, where I cut myself and we had to do that twice. That was also a big one for me, as well as the well-walker scene.

MG: What do you got line-up next in the cards?
IS: I’ve got a project with Neve Campbell called “Sworn to Silence”. I play a small town cop, who was once a former army ranger. He moves to a small Amish community and him and Neve’s characters are out searching for a serial killer. This is based on a best-selling novel by Linda Castillo. I also have another movie “A Box for Rob” that is currently making its way around the festival circuit. I am also working on an autobiography, which I am currently searching for a title. It is related to my life coming from the projects and making it all the way to Hollywood. I am co-writing that Juliette Terzieff, she is the founder of The Zombie Survival Crew. We are halfway done with it and it is currently slated to be published in February 2013. Lastly, I have my song “We Are the Walking Dead”, which is available to purchase on my website: www.ironesingleton.com.

Brian Austin Green and Melora Hardin are starring in TBS’ new comedy series “Wedding Band”, which debuts on Saturday, November 10 at 10:00 pm. “Brian plays Tommy, the life of the party and lead singer of the band who is also the star on the stage and the bedroom. Tommy’s a bad boy with a good heart. And Melora plays Roxie Rutherford who is the owner of Rutherford Events. She’s no- she’ll do nothing more for her clients, she’ll do anything from shipping sand in from Fiji for an island themed party. Roxy is the person behind the most important moments and the best nights in people’s lives.” Brian Austin Green is known best for his roles in “Beverly Hills, 90210” and “Terminator: The Sarah Connor Chronicles”. Melora is known best for her role on NBC’s “The Office”. Media Mikes had a chance to chat with Brian and Melora about this new show and what we can expect.

Mike Gencarelli: Brian, your the lead singer for “Wedding Band”, were these all songs that you knew ahead of time or did you have to learn some of them?
Brian Austin Green: Whew. For the most part I knew the melodies. But most of the songs, I got to be honest, when I got the lyric sheets my first thoughts were, oh, those are the words, (that’s not what) we’ve been singing. When you have REM’s “End of the World as We Know It” and you go what is he talking about? I think the only thing anybody ever knew was “it’s the end of the world as we know it”…and the rest of the words were completely unknown. I’ve always had a bad habit of that, just in I’m a huge music lover. I grew up listening to it, but I’m one of those just because I play, I play piano and drums, I connect way more with melodies usually than the lyrics. So the lyrics are usually the last thing that I learn, whereas a lot of other people I know really sit and study the lyrics first and the melody is kind of the last thing. So, I knew pretty much none of them.

MG: Before I watched the pilot, I was kind of expecting the band to be funny in itself, like the performing, but I was actually impressed and thought you guys were really a solid band. Can you reflect on that important element of the show is that we’re not actually laughing at your guys’ talent because there is talent there?
BAG: Well, I think the answer lends itself to what we were just talking about. We can play comedy songs, which only kind of last for so long, or we can stick with the element of what the show is, which is that our job is to make this believable, our job is to make this band honestly the most kick-ass wedding band anybody has ever seen. I’m just saying that alone there’s comedy in that. They’re a stadium style wedding band. You never hear or see anything like that, let alone sit at a wedding, hear these amazing grand songs, and have pyrotechnics and confetti cannons going off. And throwing guitar picks out to the crowd.
Melora Hardin: Right, and they’ve got my character Rutherford breathing down their neck that it better be damn good. And they are. That’s why she takes them on in the first place. They care so much about the event in a whole other way than Roxie cares about the event, but I’m glad you recognize that because they are awesome. It’s not like we’re breaking into song, you know, like Glee does, like musical style. But it’s just using music in the storyline in a truthful, honest way. So yes, anyway.
BAG: And on top of that, too, Adam Schlesinger who does our music is so gifted at what he does.
MH: Amazing. And Steven Gold.
BAG: Yes, and Steven Gold. They have an amazing ability to take something like a KISS song at Oktoberfest, so you’re singing these party anthems but with a kick drum and a trombone and an accordion, but still doing it in a serious enough way as a musician that aside from laughing because we’re wearing lederhosen and you’re still thinking this song is awesome. I kind of want to hear this version again. It’s really fun. And that’s what music does. The music carries so much emotion to it. And when it’s done by people that really enjoy doing it, I think it comes across just in watching and listening to it. And that’s what we strive for.
BAG: It’s scary when you pick up a script and you see something worded that way. Roxie Rutherford in a jazz club singing Get Ur Freak On. And then all of a sudden you get the CD from Adam and Steve and you hear it. And it was really a nice experience to put in a CD for every episode and hear what they had been working on because it really kept the excitement going.
MH: You just wait, we got so many more coming.
BAG: Oh, I think we have 29 or 30 songs.

MG: What songs should we be looking out for the most this season?
MH: Well, Brian has a lot more to choose from, but I think I mentioned earlier, but I did a version of Get Ur Freak On, which I think they are going to release on iTunes, which is a pretty phenomenal arrangement and pretty spectacular because it’s a Missy Elliot song which they made into a jazz trio. So that was pretty spectacular. But the band has some pretty spectacular ones too.
BAG:  Yes, I honestly don’t want to give any away. I think one that’s really fun and it kind of comes up early on, so I don’t feel so bad, is we do a very sort of Indian version of Party Rock, which is just really amazing  There’s an entire dance number, like Bollywood kind of dance number that goes along with it and it’s pretty genius.

MG: Melora, your character is really tough but also have a fun side; what would you say for you was the most challenging part of preparing for her?
MH: Brian Austin Green [laughs]. No, you know what, she’s so much fun. I mean, she’s – I don’t know if I would say that there was like a challenging part of the character. It’s always exciting, I would put it that way, to try to, you know, to try to kind of get all the different colors running through a character like her because she’s multidimensional and there’s a lot to bite into there. And she’s similar to Jan in that respect in that she’s rich.

MG: There is a little bit of tension between you guys in the first episode and I’m wondering if you think there’s any chance of any romance between Tommy and Rutherford.
BAG:  I think there’s a chance of anything between Tommy and Rutherford.
MH:  I do too.
BAG:  I wouldn’t take anything off the plate. I think anything is possible.
MH: They could kill each other, they could fall in love with each other.
BAG:  They could. Yes.
MH: No, there’s a lot there for sure. It’s an interesting little dynamic.
BAG:  Yes. I think it’s one of the things that makes the relationship fun. It’s kind of like, the Moonlighting aspect of the show. It’s the thing I always loved about that show is you can sort of have that underlying sexual tension, but never even have to go there and it plays really well. And then if we finally do, then it’s explosive and it’s sexy and it’s daring and, you know, we win Oscars. I want to be the first…
MH: We win Oscars even though we’re on TV. We win Oscars. Thank you.
Brian Austin Green: No, I want to be the first television star to win an Oscar.
MH: That’s a first.
BAG: That’s my goal. I want it to be that good and sexy.
MH: Let’s go for it. I like it.

MG: Brian, you starred in hour-long dramas and 30-minute comedies and of course. Melora, you were on “The Office”, which is another 30-minute comedy. The Wedding Band is different. It’s an hour long comedy. How is that different from anything you both have done before?
MH: Well, I’ll start. I think Brian and I both have done sort of sitcom stuff. “The Office” isn’t filmed like a sitcom, but I’ve done that traditional sitcom way of making a comedy. That’s sort of like the crème de la crème is in terms of lifestyle for an actor because, you do all these rehearsal days and then you have one long day. When you’re making a drama, an hour-long drama, you have very long days and but you also have to be funny. So I think to me, what’s nice about the show, and one of the really, really wonderful elements in it being an hour, is that you get the comedy, but you also get that fabulous arc of the dramatic arc. You have time to get into the characters, you have time to get into the storyline, and it doesn’t just have to be (joke, hit, joke, hit, joke, hit, joke, hit). So I really like that a lot and I enjoyed it. But you do have that drama schedule of having to be there for very long days.
BAG: Yes, the thing though that I really enjoy about our show especially is that coming from dramas first. I did do a sitcom and it’s a lot of fun and I really enjoy comedy. I’ve always loved watching even growing up, was I love comedy that are real, their real dramatic, you know, honest moments in funny situations. I like seeing people struggle through situations that are just absurd and laughing at them. I feel like our show is written in a very serious way. We’re honest about the things that we do and our lives are just crazy enough that it’s entertaining and it’s funny. But it’s never setup, punch line, which is hard to do.
MH: Yes, and it’s a whole different style of comedy.
BAG: It’s a hard thing to do for an hour especially.
MH: Yes. Exactly. No, it’s all based on truth.
BAG: And you guys were the best at it on The Office. That was like the absolute bar of delivering.
MH: Well, it was unique in that it really was the first one to kind of come along that was really, since like Cheers, that was sort of like really based in reality and sort of that mockumentary style. That really worked well for me, too. Brian and I have had similar backgrounds in that we both really believe that great comedy, just as great drama, definitely comes from the truth of the moment and it’s always funny, truth is always funnier than fiction and trying to get to that truth is always going to make the best joke.

MG: Tell us about how to was working with your wife, Megan Fox, on this show? How did that come about?
BAG: Honestly, she kind of stepped in and saved us at the last minute. There were a couple other people that they were discussing bringing into the episode at first and schedule wise and timing wise it didn’t work out and I had already spoken to my wife about the episode and kind of what was going on and she graciously said that, you know, if nothing else worked out that she would step in and kind of rescue us and she did. I thought she was great. I thought she kicked ass.
MH: Yes, she totally kicked ass.

Kathryn Fiore is co-starring in TBS’ new comedy series “The Wedding Band”, playing Ingrid. Kathryn has also appeared in films like “Hatchet II” and the upcoming spoof “30 Nights of Paranormal Activity with the Devil Inside the Girl with the Dragon Tattoo”. Media Mikes had a chance to chat with Kathryn about the new show and her love for comedy.

Mike Gencarelli: What drew you to the role if Ingrid?
Kathryn Fiore: She is my favorite character out of the roles I have played. When I read the script she wasn’t the typical TV wife. She and her husband Eddy are really in love. There isn’t that typical wife nagging the husband. They are happy and she is his biggest fan. When she watches him playing on stage it takes her back to the first time they met. I think this will be great for TV. I love that they are so cute.

MG: What has been the highlight so far of working with such a great cast?
KF: Everything has been great! It sounds so ridiculous but we have a lot of fun on set. It’s like working with your best friends. We laugh and joke around all the time. It hardly seems like work. Of course there are some late nights where you’re shooting at 2am and you just start coming up with some crazy characters and such. There are just so many highlights.

MG: Will we see your character singing at all during the upcoming episodes?
KF: I haven’t in this season but I would love to. I think they should totally have an episode where that happens.

MG: What can we expect from season 1 of the show?
KF: Overall I think it’s about the band getting into as much trouble as humanly possible. They get in to a lot of crazy antics. At the end the guys have this great bond where they always come together at the end. There’s one episode where we lose our kids but it not really that big of deal. The show has a lot of great music as well as some great special guests.

MG: How was it working in the hour long comedy format?
KF: It’s great. That’s a format I think TBS is really trying to get behind. By doing that you are able to get the comedic elements but you also get the realness. There are a lot of genuine moments as well as laughable moments.

MG: What was it like going from a film like “Hatchet II” to a role like you play in “Wedding Band”?
KF: It was actually really fun. Working with Adam Green and the Hatchet Family was so awesome. I am such a huge horror fan that it was great to play a really scary character. Going from that to playing Ingred who is a very grounded/real type character was fun. Ingred is more like me.

MG: Can you tell us about “30 Nights of Paranormal Activity with the Devil Inside the Girl with the Dragon Tattoo”?
KF: That movie is going to be a really great spoof of a bunch of films. We are just making fun of the whole horror genre. It has a great cast and is a little sillier and raunchier than some other films. There are also some actual scary parts that have great special effects. I may or may not make out with a ghost. (Laughs)

MG: What do you enjoy most about the comedy genre?
KF: My parents are both actors who when they were younger had a comedy act. They were on the Johnny Carson show and a bunch of others. I grew up with a lot of joking around and silliness. Comedy has always been part of my actual life. What more could you ask for than to be able to go to work and laugh all day.

Tim Heidecker is half the comedy duo, along with Eric Eric Wareheim, that is Tim and Eric. They have worked together on numerous TV series on Adult Swim like “Tom Goes to Mayor” and “Tim and Eric’s Awesome Show, Great Job!” and films like “Tim and Eric’s Billion Dollar Movie”. Tim is starring in the film “The Comedy”, which is actually sits more in the dramatic genre. Media Mikes had a chance to chat with Tim about his dramatic turn in this film and also what we can expect next from him and Eric Wareheim.

Mike Gencarelli: What made you want to approach this dramatic role in “The Comedy”?
Tim Heidecker: Well, I liked the director Rick (Alverson) and I liked his work. We had a long conversation about the movie and what he wanted to do and I really liked his approach.  It just sounded like a cool and fun project to do.

MG: How did you get yourself into the character of Swanson?
TH: We worked developing the character starting from myself…and then worked from that. We sort of dressed me up like a hipster and turned off all the regulators my brain that keep me from saying nasty things. We treated it with a more classic Hollywood filmmaking sensibility. We wanted to focus more on the technical and no so dramatic, theatrical or method style of filmmaking.

MG: You are no stranger to offensive comedy, were you ever concerned about letting too much comedy through your performance?
TH: I think because the film itself is so severe, dramatic, quiet and serious. We all felt that any moments of humor will act as relief and create a nice balance. We wanted to tap into the natural sense of humor that I have and try and use that in a different kind of way.

MG: The film is still quite edgy; do you think that fans of Tim & Eric are going to dig this?
TH: I think our audience in general is a really smart, creative, artistic sensibility type of audience. The reaction from the the core audience so far has just been super positive and encouraging. They are grown-up and they can understand that we can work outside of a certain box. Frankly, it was interesting to see if we could challenge our audience to give them something different to watch.

MG: In this overall experience, what would you say was your most challenging aspect?
TH: It was a pretty pleasant experience, believe it or not. The crew made it very easy. The director and I got along very well. I think just relaxing…was my main challenge. With Tim and Eric and most of the other stuff I have done, there is a real sense of instinct to overdo things in a comedic way and be ironic on camera. The challenge was to play things in a more naturalistic and quiet way. I focused a lot on patience and keeping it small, which is something that I am not used to doing.

MG: Was all the dialogue in the film improv?
TH: Yeah, it was all improvised dialogue. There was a written conceptual aspect in the script. Like “This is where Swanson goes into a bar and becomes provocative”. What comes out of my mouth is all improvised for the most part. That is just is the way that I am comfortable working. When you are shooting quickly, using mostly master shots and with long takes, it makes for a more relaxed and comfortable environment to get natural performances.

MG: Do you see yourself pursuing more dramatic work over comedy?
TH: I am grateful for any opportunities that are presented to me. I don’t have a lot of control over that. If things are offered to me, I consider them based on quality and project that interest me. But like I said I usually don’t have a lot of control [laughs].

MG: You have worked for yourself mostly in the past, how was it taking direction from Rick Alverson?
TH: It was a relief actually for the most part. For me, I enjoyed not worrying about that end of it. I trusted Rick and the only way I thought it would work is if I let go and let him lead. After a few days, I think Rick and I were on the same page and enjoyed collaborating. I think it was helpful for him having a guy that used to come from behind the camera all the time, since I understand what he was going through. Overall, it was just a really pleasant collaboration.

MG: Tell us about you have planned next?
TH: Eric and I are currently sitting around writing a mini-series idea for Adult Swim. We are still working out the details for it. But we want to comeback and return to TV next year for sure. So far we have some great new material in the works.

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Last week’s episode (October 25^th, 2012) of NBC’s Parks and Recreation managed to do something fairly rare in television these days with a genuine surprise for its audience. For those of you not caught up with your DVR, you may want to click away now.

Granted the episode was titled “Halloween Surprise” but viewers would be forgiven for thinking that Jerry’s “fart attack” was surprise enough. That was until Ben Wyatt (Adam Scott) reappeared from his political travels to propose to Leslie Knope (Amy Poehler) in their new home. It was heartfelt, funny, and definitely one of the series best moments. Poehler, Scott, and show creator and executive producer, Mike Schur, held a press conference  to discuss this big development in Pawnee:

What the vibe was on set that day and what you all were feeling as you were shooting that scene?

Amy Poehler: When I read that scene I cried because I was so happy that I had my job at Parks and then I got to do that scene with Adam and that Mike Schur wrote it because I knew it would be great.

And it’s very rare, you know, as an actor when you read a scene and you know it’s going to be great, you can just kind of see it. And so when we were shooting the scene I was really excited that we were getting to do it because I was – had really just been looking forward to doing it.

And I was really happy for Leslie, so I think the mood on set was a really kind of joyous one. I know even though it was kind of a sweet scene I know Adam and I were really just happy to have such a well written scene to get to do.

And we care about our characters so we were kind of excited that this was happening for them.

Adam Scott:   Yes, I feel the same way, I mean I also just kind of felt like, you know, this was a really big deal for all of us. I mean we of course are well aware that these are fictional characters that we are playing on television.

But I think we also want them to be happy and want them to be all right and we all care about them. I can say, speaking for myself that I care about them, you know, quite deeply and so, you know, knowing this scene was coming, you know, it was – maybe a little nervous about it but mostly just really happy about it.

And happy to be able to do it and happy for the characters and, you know, so the day we were doing it it was – it was like Amy said very kind of joyous but also there’s a real feeling that this was very special and we wanted it to be special for the fans and for he characters and we were all – it was exciting.

It’s so hard to keep a secret these days. So how did you guys all keep it under wraps?

Mike Schur:   Well there’s a lot of things, you know. We were extra, extra, extra careful not to – when we shot outside and you know, and there’s may paparazzi lurking around, we always would hide Leslie’s engagement ring and although a couple shots of it did get snapped a while ago.

We titled the episode Halloween Surprise and then we built it around what you think is the surprise, which is that they – Leslie and Anne surprised Jerry and he has a devastating fart attack. So that was meant to sort of throw people off the scent.

And I don’t know, we just didn’t – we just tried to telegraph where we were going to much, you know…In the first four episodes we tried to build in, you know, that – like that Ben was having a good time and was working really hard at this job in Washington that he cared about.

But also that there were things about the job that sort of annoyed him, like that the politician that he was – the politician he was working for who was kind of a robot who didn’t really care about anything. And that was contrasted when he called Leslie at the end of that episode and she was so revved up and just wanted to just put boots on the ground and kind of – and fix this problem in her town.

And you saw on his face and in his delivery that he just liked that better, you know. So we just tried to – just not to telegraph in the storytelling where we were going but the goal is that once it happens you think back and you think, oh yes that makes perfect sense.

So it’s just very meticulous, you know, writing and re-writing and story breaking and a lot of discussions with the actors about, you know, where we’re going so that they know how to play different things and how to kind of give certain clues without giving everything away.

And then just, you know, asking everybody on our production staff not to leak stuff to the Internet.

Amy Poehler: And you know, the fans of the show are always – we have such great fans. And they – I think some of them kind of found out or dug deep and they were kind of excited to know but they also I think were respectful and kind of like keep things like, you know, like letting people know about spoilers and just kind of trying to keep it adrift because I think they were as excited as we were.

Mike Schur:   Yes, it’s funny that you say that because I kind of snooped around yesterday before the episode aired and I saw that a lot of our fans had kind of called that it was actually maybe happening tonight…and they were, you know, really cool about it and not trying to spread it around and just kind of talking to each other and not wanting to like spoil it for others.

And I just kind of second that that we have the greatest fans of any show – I really just – we feel very, very lucky.

How connected is your staff in general to the internet?

Mike Schur: Well, I mean I’m – comparatively speaking I’m about to turn thirty seven and there’s a bunch of little whipper snappers on this writing staff and in the cast who are, you know, in their twenties. And I don’t understand anything they do.

There was a line that Leslie had in season two where she said ‘the thing about youth culture is I don’t understand it’. And that came right out of my brain because I don’t have any idea how these people, what they’re doing with their time.

I don’t understand it, it doesn’t make sense to me and I work out my own anxieties about the fact that I’m getting old by having young people do things that I don’t understand and then having Ron Swanson [played by Nick Offerman] scold them.

So, yes they’re incredibly connected, I mean it is absurd, the level to which twenty-five year-olds have merged with their electronic devices.

How much of an influence the supporting actors like Aziz Ansari (plays Tom Haverford) or Retta (as Donna) have over their characters?

Mike Schur: Well the story line last night [Donna live tweeted the Parks Department’s Halloween viewing of Death Canoe 4] obviously came out of real life because Retta has been doing this insane thing where she like live Tweet’s season two of Buffy and it’s hilarious, we all find it hilarious.

And so we just decided to work it into an episode. It’s a common theme on this show that we take aspects of the actor’s real life and kind of weave them into their characters and that seemed very much appropriate for Donna somehow.

So, you know, I think that – I think we do that with all the characters but maybe Aziz and Retta more than – and Nick [Offerman] I guess more than almost anybody else because they just do things in real life that we find funny and the writer’s room and then we try to find ways to work them in to their characters.

But that’s – everyone’s character has some aspect I would say of their real life persona. And it just seems funny to have Donna live Tweeting a terrible horror movie from 1986, so. It was also another extra in joke that the guy who complains to her about it was played by Joe Mande who’s one of our writer’s who is like – essentially lives on Twitter. So it was our little nod to the obsession with Twitter that exists in this – on the writing staff right now.

How are we going to see the proposal really impact the Parks Department?

Amy Poehler: Well, you know that no matter what Leslie will involve and include everyone in her plans all the time. This engagement will be said of everybody’s engagement.

Adam Scott: America’s engagement.

Were there ever any alternative ideas for Ben’s proposal?

Amy Poehler:  I loved that the scene is about everything to come, you know. It’s an empty room, which is – which can be depressing in some respects for some people but in this context it was all about hostility, you know, that nothing had filled that room. That that room was empty and open and ready to be filled with like the future.

And it was really cool that Dean Holland our Director and Mike Schur picked that it happened in front of the fireplace of the empty room, which is just really nice because it was like warm but, I don’t know. I just loved that Leslie looked around to see what was around here and there was just this big empty room, which was like basically the idea, you know, it’s basically what happens when you’re thinking about committing to someone.

It’s just the future seems really wide and open and clean and so that ended up being what it was and I thought it was perfect. But were there other ideas?

Mike Schur: The original original idea was that he was going to sing ‘It’s Not Unusual’ by Tom Jones next to a white tiger.

Adam Scott: Which I was lobbying for.

Mike Schur: Yes, you were really into that. And then we kind of scaled it back, we decided, you know, let’s make it a little, you know, classier and kind of quieter.

Amy Poehler: We couldn’t get – we couldn’t get the rights to the song.

Mike Schur: We couldn’t get the rights or the white tiger so we just used – all right well maybe he just proposes, you know.

Adam Scott: Mike I told you I had a firm connection to both of those things I totally could have made it happen.

Mike Schur: If showing me pictures on the Internet of Siegfried and Roy’s Vegas show does not mean you have a firm connection to anything.

Adam Scott: That is exactly what that means.

New episodes of Parks and Recreation air Thursday at 9:30pm on NBC.

Massachusetts born Eddie Mekka didn’t follow a dream to show business. He followed his heart. Smitten with a young lady in high school he followed her to Boston. Within five years he had appeared on Broadway, scored a Tony Award nomination and headed to Hollywood.

Best known as Carmine Ragusa (The Big Ragu) on television’s “Laverne and Shirley,” Mekka continues to sing and dance. He just completed a production of “The Rocky Horror Show,” where he played both the narrator and Eddie and will next be seen as Pseudolus in “A Funny Thing Happened on the Way to the Forum.” This Friday, November 2, he will be appearing with his “Laverne and Shirley” co-star Cindy Williams at a special screening of “American Graffiti” in Omaha, Nebraska. The screening, the 31st Omaha Film Event produced by Bruce Crawford, will benefit the Nebraska Kidney Association. For more information, click here http://www.omahafilmevent.com/upcoming.htm

While enjoying a rare travel break at his Las Vegas home Mr. Mekka took the time to talk with Media Mikes about his career.

Mike Smith: What inspired you to pursue musical theater?
Eddie Mekka: When I was a senior in high school I kind of fell in love with a girl. She went on to study at the Boston Conservatory of Music so I followed her there and got a scholarship. I was taking voice at the Conservatory. Dinner theatres were big in Massachusetts and I attended a performance of “Hello, Dolly.” Afterwards I asked around as to how you got into something like this. The theaters were Equity houses and they told me you had to be a member of Actor’s Equity. I asked how you got into Equity and they said I had to be in a show. How does anybody get in? (laughs) They told me I could work as an apprentice and earn points. Or if someone just decided they wanted to hire you then you join the union and pay your money (dues). So I went back to the theater a few days later and gave them my photo and resume’. One of the other dinner theaters was doing the show “Promises Promises” and somebody got sick. Rather than go all the way back to New York City to audition a new actor they auditioned me there and I got the job. I quit school and that night I went into the show. I did the show for eight months. Most of the actors in the show were from New York City and when the show ended they told me to go to New York. And that’s what I did. I drove a cab and studied hard and started getting into Broadway shows. I got a Tony nomination as Best Actor, headed to Hollywood and in three days I got “Laverne and Shirley!” That’s the long and the short of it!

MS: Wow! That’s the story you never hear. It’s always “I washed dishes for 10 years.”
EM: Well in New York I did drive a cab as well as help clean up at a dance studio. After two years I started teaching dancing. In fact, there were people who had graduated with degrees in Dance from the Boston Conservatory who became my students.

MS: Since you highlighted you dancing, I’ve noticed that in a lot of your on screen appearances….be it “Laverne and Shirley” or “A League of Their Own”…you always manage to work a few dance steps in. Of all of your talents is that your favorite?
EM: I’ve always been a song and dance man…Gene Kelly…Tony Bennett…I’m from the old fashioned school where you had to learn how to sing and dance and act and be funny. You couldn’t just walk onto a television program overnight and then learn how to act. I’m from the old school where you had to learn it all first. Then you go out into the world and pay your dues. You did it the right way…that’s the way it’s supposed to be. Because once they find out you can do something special…that you can sing and dance…they try to incorporate that into your role. Besides, I love dancing. As long as I can walk I can dance and as long as I can talk I can sing.

MS: You earned a Tony Award nomination as Best Actor in a Musical for your performance in “The Lieutenant.” You’ve also appeared in shows like “Grease” and “Fiddler on the Roof.” Do you prefer musical theater to film or television?

EM: I prefer the theater artistically. I prefer the others as far as it being a business, making money and getting recognition. There’s no fooling people in the theater. You get on stage and you’ve gotta be good. There’s no faking it. People don’t care how cute you are – they want to be entertained. You don’t get two chances to get it right. You learn the whole script from beginning to end and that’s how you do it. There’s no “CUT.” There’s no switching with a double to make you look good. The theater is honest and there’s no fooling it. And when you take your curtain call at the end you feel absorbed. You’ve done something. And you have to do it again the next day. But not the same way because each audience is different. You actually have to be on your toes. You have to listen and see what they’re laughing at from the very beginning…what the audience is responding to. A lot of the fun of live theater is judging the audience. You just don’t go up there, say your lines then go home and take the money. It’s an art. It’s an art of communication. And in that respect I like it. In television and film you get paid ten times more and do ten times less work. Go figure.

MS: You mentioned that when casting people find out an actor’s talents they try to work them into the character. Was Carmine’s singing and dancing an original part of the character or something you developed with the directors?
EM: It came about through Garry Marshall, who created “Laverne and Shirley” as well as “Happy Days,” which is where Garry first introduced “Laverne and Shirley.” When he cast the show he was looking for a wise-guy Italian. I had just come out from Broadway and an agent I met with was looking at me through her hand. I asked her what she was doing and she said she was trying to see what I looked like on television. I said why not just give me a screen test. She said “it doesn’t work that way, Sonny.” Actors are products. If we don’t know our products we can’t sell them. I told her that someone had told me she was a ballsy lady…that I thought we could have done business together. I shook her hand and left. She was having dinner with a friend of hers from Paramount that night and the friend told her she was helping cast a new show called “Laverne and Shirley” and they were looking for a third character named Carmine…sort of a wise guy Italian. She told her about this guy who had just left her office and her friend said, “bring him in!” I went in the next day and auditioned. That night I did a screen test along with a lot of other “Carmines.” They were also looking at a lot of other “Shirleys.” At first Cindy didn’t want to do it…she had just finished “American Graffiti.” Anyway, during a taping of “Happy Days” Garry Marshall addressed the audience and informed them they were going to see a scene with some new characters. We came on, did the scene and the audience loved it. Garry Marshall told us, “we’ve got a show!” As the show progressed Garry sat down with me and asked me “what else can you do?” I told him I could sing and dance. “Yeah…let’s see.” The following week in the show Laverne tells Carmine that she’s trying to get Shirley to jump out a bachelor cake for the Fonz. I tell her that I can’t get Shirley to do anything but “she’s a sucker for my Tony Bennett (in a perfect Bennett impersonation) YOU KNOW I GO FROM RAGS TO RICHES!” The audience applauded and that was it.

MS: Besides “Laverne and Shirley” you’ve worked several times on stage with Cindy Williams (“Grease,” “It Had to Be You”). Is it easier working with someone you’re so familiar with?
EM: Oh yes. When we did “Grease” we shared the same bus. She had the suite in the front and I had the one in the back. We really go to know each other. On “Laverne and Shirley” we really didn’t talk much, except on set. We didn’t really socialize. It wasn’t until we did “Grease” that we became great friends. We just spent 10 weeks in Canada doing a play called “Sylvia.” And we did a show for 6 weeks the previous year. Our timing now is perfect…it gels. We work really good together.

Jaleel White has been one busy man on television. He was a contestant on ABC’s “Dancing with the Stars” and started hosting Syfy’s new game show “Total Blackout”. Jaleel took out some time to chat with Media Mikes again to discuss the season 2 of Syfy’s “Total Blackout”, which premieres October 30th, and what we can expect.

Mike Gencarelli: So we know the idea behind “Total Blackout” – challenges played in complete darkness, how is season two going to amp it up for viewers?
Jaleel White: I don’t think we are going to disappoint people. We have definitely improved upon last year. It all boils down to money. At the end of the day the more people to like the show, the more money we will get [laughs]. This season, the exotic nature of the show has been amped with the animals. Last year, we had little dogs and stuff like that. That wouldn’t even been be allowed on the idea table this season. So, definitely the exotic nature is one. Second, I have to say the contestants themselves. We got a lot of our first choice contestants. Last year people didn’t realize what the show was since it was new and we got a lot of people backing out at the last minute. But since the show has become a hit, trending on twitter and people like it – now we have the opposite problem. We have too many people that want to be on the show. So there is definitely no any contestant shortage this season.

MG: Last time we spoke you said “contestants get smarter” and were concerned about the screening process; do you feel that was addressed and planned for this season?
JW: I definitely felt like we chose some really great contestants. I am really proud of the people we got this season. There is an episode also where we bring back people have previously lost. So we have that loser’s all-star episode and in fact, it was particularly touching for the contestant that won and their reaction.

MG: Last season was your first go at hosting a game show, what were you personally looking forward to most in this second season?
JW: I said it last year and will probably keep saying it for as long as this show is on, it is really fun to be a part of TV that I feel like the love and the landscape make it that people want to watch the show. I don’t have to beg people to watch this show. It is just awesome for me man!

MG: What is your favorite challenge this season?
JW: It has to be the mouse trap mazes. It is so creative. They also got the most physical reaction out of our contestants. That is my personal favorite this season.

MG: Have they ever considered doing a celebrity, maybe with some Syfy talent, episode of the show?
JW: Well we got some surprises for you this season. I know we are boys but sorry man my lips are sealed. Stay tuned because it is going to be cool.

MG: Have they tried to convince you to get in that dark room yet?
JW: Joe Rogan doesn’t do his show. Why does everyone want me to do my show? [laughs] I am the host, man [laughs]. Well, I don’t know what circumstances would put me in the dark room but I would welcome whatever it would be. Obviously, I would have a far greater advantage from a psychological stand point. I welcome it if it comes along though. I got it, put me in there with Joe Rogan or some other hosts [laughs].

MG: What would be your worst nightmare to encounter in there?
JW: Oh man! An alligator would be up there. Also for me if wouldn’t be a snake…it would be snakes.

Ryan Cartwright is known best for his role of Gary Bell on Syfy’s “Alphas”. The show just wrapped up its second season, with a very shocking ending. The show has not been picked up for a third season as of yet, so if you want more “Alphas”, make yourself heard! Ryan took out sometime to chat with Media Mikes again, read our season 1 wrap-up here, to chat about this season and his upcoming guest starring role on “The Big Bang Theory” and what he is currently playing on his XBOX 360.

Mike Gencarelli: Now having played the role of Gary for two seasons in “Alphas”, how does season two for you compare to the first?
Ryan Cartwright: I have found that he has become a lot more isolated and on his own. He is a kindred spirit with now dead Anna and her message. He doesn’t really trust Dr. Rosen or anyone anymore. He probably loves them in his heart but doesn’t trust them. He sees that everyone has their own motives. They are going against what he believes is the purest belief of the Alphas from Dr. Rosen’s original message. So it is just a lot more isolated but also a bit more confident as well. He seems to have come in his own this past season.

MG: The finale left us all in shock with Gary being the last man standing, any insight into what happened?
RC: I don’t know. They always end them on these cliffhangers and I don’t know what they are planning…if and when we come back. I was just glad to be the only one standing [laughs]. You can’t kill the autistic kid. You just can’t.

MG: Have there been any talks at all if a third season is in the cards?
RC: It is down to the viewing figures, which I think we’re pretty solid throughout. It was difficult going up again Monday Night Football every week. I think we did pretty well. They are going to sit down now and go some market research and see what people think. So it is up to the money guys.

MG: Your character definitely dealt with a lot more issues like the death of Anna, your mother’s hospitalization etc; how did you prepare for this emotional aspects?
RC: I think with Gary it is more of a technical approach. He doesn’t show emotions the same as everyone else. I think the most emotional he has gotten was when Anna died. It was more tearing up from frustration. With his mum being ill, he understands it but it doesn’t affect him emotionally. He is just dealing with the circumstances. Just the technicalities of what that means and he can’t help but kind of think about himself and stay in the first person with it. It is hard for him to see others point-of-view. I think it just harbors back to the research I have done and just filtering it through that.

MG: You mentioned last time we spoke about the research you did for the role, did you find you had to do anymore research for this season?
RC: I really did enough to begin with. I felt that the character was then about to speak for himself. I think he successfully did that the first season and now has come into his own. I just went with what I had already created and all of the writers and producers were on the same page. It was just keeping that character’s continuity in these situations.

MG: Do you have a favorite experience or episode from season two?
RC: There was one were we all went out to the forest called “Alphaville”. That was pretty fun. It was a nice change from being at the studio. It was like a big camping trip for the cast. That is the one that I remember the most but it was also the biggest change for us not being in the studio.

MG: We recently spoke Summer Glau and we need to get a campaign going to get her as series regular.
RC: Yeah! She was in this season for a fair amount of episodes. It is up to the producers and where they want to take it. I think it is that line between what people what and what they want and then what they want. It will come down to creativity rubbing up against monetary things.

MG: Tell us about your guest starring role on “The Big Bang Theory” this November?
RC: What it was is that the creators Chuck Lorre and Bill Prady really like “Alphas”. They are big fans of the show. I wasn’t sure if I would like it but it was great. I am not sure if they are going to call me back and continue the storyline. To be honest though, I don’t do much in it. They got me in for the role of Cole and I am suppose to play this British intimidating person that Johnny Galecki’s character Leonard is jealous that he is going to steals Penny’s intentions. I haven’t done live studio since I was back in England, which I did a fair bit there. “Alphas” is hard work but this was fun and easy. It was also right around the corner from me, so I just hoped on the bus.

MG: Hopefully you can come back. We need to get a twitter campaign going for that as well.
RC: I would love to. I only got to do a little bit but I really wanted to do more. Once you experience the audience clapping live, you get just want to do it again. Yes, those Twitter campaigns always succeed [laughs].

MG: Last time we spoke you said you are fans of video games, what are you currently playing?
RC: I just got “Dishonored”, which is amazing. “Assassins Creed III” is about to come out. As well as “Halo 4”, so boys and I are going to go crazy for that. Zack Pen, the creator of “Alphas”, is taking us down to Microsoft for a big gaming party there. It will probably just be us getting our asses handed to us by the Microsoft employees.

CREDIT: Marc Cartwright

Michael Roark’s latest film “Magic Mike” was recently released on Blu-ray/DVD. Michael also has guest starring appearing on NBC’s new show “Reovolution. Media Mikes had the chance to talk with him about his role in the film as well as some of his other upcoming projects.

Adam Lawton: How did you become attached to the role of Ryan in “Magic Mike”?
Michael Roark: At the time I was living between Florida and Los Angeles. The film was shot in Florida and my South Beach reps. were able to get me a few reads with the casting people. We kind of went back and forth because I don’t think I was really what they were looking for but, I ended up getting a call out of the blue offering me the part. It was great getting to work with such an amazing cast. It was a little surreal when I sat down and looked at who was working on the film.

AL: Did you have any reservations about the role knowing what the film was about?
MR: I had zero reservations about working on the film. My characters focus was more of a love interest than one of the dancers. Essentially this film is a comedy. There are some dramatic sequences in it and there were some things that I think Steven Soderbergh wanted to push but it’s not a very racy film. Some people may have been disappointed by that but I think it made for a more interesting flick.

AL: What was it like working with such a great cast?
MR: Channing Tatum is very natural and a generous guy. It is really clear why people love to work with him and why he works so much. Olivia Munn is hilarious! I had a great time working with her as she is just a riot. It was an all around great set. I wasn’t there as long as some of the others but the time I had there was fantastic.

AL: What can you tell us about working on the new series “Revolution”?
MR: My episode of “Revolution” aired on Oct. 29^th. That show has really started to pick up steam and people are connecting with it. Steve Boyum directed this particular episode and as far as my character Sean goes he is a very edgy type of guy. He’s the type of guy that you don’t really know if he can be trusted or not. It was a fun role to play not only because it was well written but I had nice little fight scene.

AL: Is Sean a character we will be seeing more of in later episodes?
MR: I think the potential to see Sean down the line is definitely there. I am always the last one to know sowe will have to wait and see. The story line was left open so there is a good possibility he could return. I hope he does. Working on the show was really fun.

AL: Can you give us an update on the new Showtime series “Banshee”?
MR: “Banshee” is probably one of the coolest projects I have worked on to date. There are just no rules with what they are doing on that show. There have been some trailers released but they haven’t revealed too much just yet. I can tell you that the episode I am in was shot in a maximum security prison. The things that happen in this episode are very intense. I can picture this show being a hit as there are a lot of great people involved.

AL: Do you have any other projects coming out that you can tell us about?
MR: “Rizzoli and Isles” is returning in late October and I will be guest starting in the season 3 finale of that on TNT. “The Following” will be coming out soon which that show has Kevin Bacon in it so you can’t ask for much better than that. “L.A. Dirt” is a feature film I did which has some really great original music in it by Travis Tritt and Tracy Lawrence. This has been a great year and a lot of cool things have come my way.

Rob Paulsen is a well known voice actor. If you don’t know his face, then you definitely known his voice. He is the man behind Yakko on “Animaniacs”, as well as Pinky (which he won an Emmy for) and hundreds of others as well. He is also the voice of Raphael in the original 1987 “Teenage Mutant Ninja Turtles” series. This year Rob is stepping in the role of a Turtles again in Nick’s “Teenage Mutant Ninja Turtles” reboot but this time voicing Donatello. Media Mikes had a chance to chat about the new show and how it was returning to the series.

Mike Gencarelli: After playing Raphael in the original 1987 series, how was it switching characters to Donatello in the 2012 reboot?
Rob Paulsen: As you can imagine, it has been an incredible thrill to get another bite of this “Turtle” apple. None of us at the beginning, now 25 years ago – a quarter century, nobody knew that this was going to be ending up being such an iconic show. It is crazy. The biggest difference is that I am involved for the launch of a new show that is already a worldwide international icon. Everybody, everywhere virtually knows about Ninja Turtles. It is an amazing experience to start a show with all that already in place, so to speak. In terms of my participation, I voiced an iconic character 25 years ago and now I am taking over another iconic character. Barry Gordon will always be the original Donatello. There is no downside man, it is all up! It has been such a huge thrill! People also really seem to be really getting behind this new show.

MG: How did it actually come about you playing Donatello this time around? Was it your choice?
RP: No, the only choice I had in the matter was whether or not I wanted to audition. Of course, I am not going to say no. When the folks at Nick invited me to audition, they asked me to specifically read for Donatello. I remember telling my agent “Do they know who I am?”. It was not out of arrogance but, as you know, there have been several adaptations of “Turtles” that had nothing to do with the original cast. I wanted to make sure that they knew I have been down this “Turtle” path before. They knew my work that I had done with Nickelodeon like, “The Fairly Odd Parents”, “Back at the Barnyard”, “Cat Scratch”, “Jimmy Neutron” and “Danny Phantom”. So the folks at Nick were aware of the fact that I did a lot of work with them. They said “We know exactly who Rob is and we are a fan of his work here, as well as “Animaniacs”, “Pinky and the Brain”, “The Tick”, “The Mask” and of course the original “Turtles”. But we think that Rob and his sensibilities would be interesting for ‘our’ vision of Donatello”. So here we are many years later and we get to talk about this great series again.

MG: Can you reflect on the fan’s responses to this new series?
RP: To the credit of Nickelodeon, I owe them a lot. I have been working with them for over 10 years. Just my work at Nickelodeon alone is what some actors would be lucky enough to call a career. I am incredible grateful to them. The fact that they included me on this show is great but even better is that they are playing up the fact that I was involved with the original. I think it is very interesting Mike, there are a lot of people that really dig the connection. I think it was a sort of happy accident. I don’t think I was hired on purpose as a nostalgic connection to the original show but it has become a cool thing for the show. The other actors even get a kick out of it since they are younger and used to watch the show growing up, especially (Greg) Cipes. I think the fans are also really digging it, especially the inter-species romance between Donatello and April. The secret is that (Executive Producer) Ciro (Nieli) and his team simply get it. They are fans of the franchise and it is very rare to have a fan of a show who is also making a show for the fans.

MG: After voicing like a million characters, you ever find it hard to come up with new voices?
RP: Hard is a relative term. What is hard? Hard is pulling hot tar on the freeway in August. That is hard. My job is pure joy. The most difficult part of my job is getting more work. In terms of coming up with new characters, I think it is a little bit tricky since I have been to that well so many times. But that is my job. My job is to take things I have done and tweak them. If you listen to Mel Blanc talk about his characters years ago, he said that he would take Daffy, add an affectation to it and soon he would have a new character. That is my challenge. I don’t want to stop working until they put me in the ground. I just love coming up with new characters.

MG: So you mentioned at NYCC 2012 that Pinky is your favorite character, how can you possible choose just one?
RP: That is exactly right Mike, it is impossible to choose. I think I prefaced it with the fact that when I get asked my favorite character, I say “The next one”. That means I am working and that is the main thing when you are an actor. It is virtually impossible to choose but I suppose if I would have to I would have to say Pinky only because 20 years later, people still love “Pinky and The Brain” and “Animaniacs”. Of course, I also won an Emmy for Pinky. I suppose if I had to make a choice, it would be him. But let me tell you Donatello is quickly becoming a favorite. After only a few weeks on the air people all over the world are freaking out in a very positive way about the Turtles. I read a lot of reviews and honestly about 85% has been really positive. You have to ask me again in another two years because Donatello might be the answer then.

Check a voice clip of Rob plugging MediaMikes.com (in several different character voices):

Season eight of FX’s hit “It’s Always Sunny in Philadelphia” kicked off on October 11th with the discovery that Charlie Kelly (Charlie Day) was in the possession of an original painting by Hitler while Dennis and Dee Reynolds (Glenn Howerton and Kaitlin Olson) mulled over whether or not to pull the plug on its previous owner, their dying Nazi grandfather, Pop Pop. Sounds like things are just about normal for the gang at Paddy’s pub. Creators, and two of the stars of the show, Rob McElhenney and Howerton, discussed writing the heightened world of It’s Always Sunny in Philadelphia starting with that season-opening artwork.

Glenn Howerton: That painting was actually in Charlie’s apartment during the second season of the show. That was basically just set decoration in the second season. Interestingly enough, we actually were the ones that when we got into editing and we were watching the show—all the episodes of Season 2, that painting stood out to us so much, too much, it was too distracting. We actually said we never want to see that painting again. Take it down. Get rid of it because it’s just a shining, white, weird painting in the background of every Charlie’s apartment scene.

Rob McElhenney: We had so many fans and so many comments, asking about it. When we took it down, people were irate.

Howerton: Yes. They were like, what happened to that dog painting? We loved that dog painting. We kept thinking, the scenes aren’t supposed to be about a painting of a dog in the background. We just felt like it was too distracting, but we always wanted to bring it back in some way.

Another recently solved series mystery was the revelation of Mac’s real name.

From the last season finale, did you always know that ‘Mac’ was going to be Ronald McDonald, or is that something that just occurred to you? Will you have a similar revelation with The Waitress?

McElhenney: We’ve been talking about that for a while.

Howerton: We’ve been talking about what ‘Mac’s’ name is for a long time. I think we came up with the idea that his real name was Ronald MacDonald a while ago; like a couple years ago. We also thought it was so ridiculous we weren’t sure if we ever really wanted to reveal it or if we did that it would ever actually be that. So, we finally decided to do it. As far as The Waitress goes, we don’t have any plans as of now to ever tell anyone what her name is. Although she does have a name and we do know what it is.

The Waitress, played by Charlie Day’s real-life spouse Mary Elizabeth Ellis is one of several recurring characters that fans have seen develop (or in many cases, regress) over the past eight seasons. Among some favorites we saw in the eighth season premiere were Brian Unger’s The Lawyer and David Hornsby’s Rickety Cricket.

Was it more of a gradual development or was it just planned that you would start adding more supporting characters in the show, and open up what was a little more of an insular world with the three leads?

McElhenney: As we built out the show and built out the characters, we realized that what we were creating was a bit of an alternate universe. Certainly, the stakes are just as high as real life, but the results are a little bit different. These people—I was counting how many major car accidents my character has been in over the last seven years. I think I’ve had five or six head-on collisions. I don’t seem to have any—maybe some brain damage, but the character doesn’t seem to have any physical scars. Clearly, we’re creating a heightened reality. When we started joking about who else lives in this universe, who else lives in this world, it just made us laugh. That helped broaden our scope, which I think only adds to the comedy.

Howerton: Maybe more of a parallel universe that an alternate, a completely alternate one; slightly heightened reality, yes.

Asked what guest stars viewers can expect to see popping up in this alternate universe Philly, Howerton and McElhenney had some exciting names for the new season:

Howerton: We’ve got a really fun guest star role for Sean Combs this year; P. Diddy. I’m excited for people to see it. I think it’s very, very different from anything that, at least I’ve ever seen him do, on anything. We’re excited about that.

McElhenney: Guillermo del Toro.

McElhenney: Yes, Guillermo del Toro, the director, writer, producer is also, we found out, a big fan of the show. Charlie just did a movie with him [Pacific Rim] so he really wanted to do a guest star so we wrote him in this year, too. It’s really funny.

McElhenney and Howerton also offered some insight into their writing process for the show.

When you’re writing your episodes, do you have favorite teams that you guys like to work with? The gang is so often shifting alliances, even within one episode.

Howerton: We do try to keep tabs of that, actually, to a certain degree. We try to mix it up as much as possible, so that the same pairing isn’t happening all season long.

McElhenney: Sometimes we’ll find that, too. Where we’ll break three or four episodes in a row and realize that we have ‘Dee’ and ‘Frank’ together for those three or four episodes and we’ll realize that we’ve got to break them up a little bit.

Are there a certain set of criteria that do go in to breaking a story, that you find that you have to have a certain set of criteria?

Howerton: Most importantly, what we’re always talking about is, for as unbelievable as some of the storylines may seem, we have to believe that the characters believe that what they’re doing gets them what they want. That’s the most important aspect of breaking a story, so it doesn’t just feel like a series of funny events. That we really justify why these characters are acting the way that they do. That’s the major criteria that I follow. Of course, we like to tie things up and tie things together. That’s good story writing.

It’s Always Sunny in Philadelphia airs every Thursday at 10pm on FX.

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Lauren Graham and Ray Romano are starring in NBC’s “Parenthood”. Lauren has been playing the role of Sarah with the show for going on its fourth season. Ray has recently joined the chat this season playing the role of Hank. Media Mikes had a chance to chat with Lauren and Ray about working together on the show and their chemistry between the characters. “Parenthood” airs Tuesdays at 10:00 pm on NBC.

Mike Gencarelli: What drew you to “Parenthood” and what can we expect to see you do on the show?
Ray Romano: Well I was a fan of the show. I watched the show since the beginning and I was on my show while it was on. I just like the tone of it and there’s nothing quite being done like that on television. knew Jason Katims, he created the TV show. I knew him and we had been in touch. He was a fan of my show. I was a fan of his show. Then unfortunately my show no longer existed. And in between trying to find out what to do next I had been speaking to Jason and I believe I put it out there first. Kind of jokingly I said, “Hey, if you ever find something for me I work cheap.” And he took me up on it and cheap it is but I’m still happy to do it. And what am I going to do on it? I mean, if you’ve been watching up to now you kind of get who the guy is. We’re going to see a little more of him and I guess find out a little more about him.

MG: Is there something about him that kind of drew you to do this character and do you relate to him in some way?
RR: I like the character. I do like the character because first of all I like how he’s introduced and I like how they’re writing him. We don’t really kind of find out about this guy. As it goes along we find out a little more and more and he’s a flawed person. He’s a troubled guy and yet I guess we’re finding out the good in him. Lauren’s bringing that out – Sarah I guess is finding that out. But I like it because I also haven’t really played that much. In Men of a Certain Age, I wasn’t Ray Barone but it was kind of close to the vest I guess. And this is somebody a little different, so yes I do enjoy playing him that’s for sure.

MG: With the kiss between Hank and Sarah, how awkward was it for the two of you to play that romantic awkwardness?
RR: Take it away. Take it away Lauren.
Lauren Graham: I don’t think it wasn’t awkward. Look, that stuff can always be awkward but what I like about it is these loaded moments that are confusing I think are the most interesting of life. It’s like I think there’s all these mixed feelings and I don’t know, hopefully we capture just kind of two people trying to connect. And people more often than not kind of did sound perfect and so I don’t know. I like that.
RR: Well I like doing it because first of all, awkward I can play very – that’s in my wheelhouse. It’s very easy for me to be awkward especially around women. But with this guy that’s why I like this because it had to be awkward but filtered through Hank, which was totally different than anything I’ve done, with Ray Barone or even Men of a Certain Age or anything. It was awkward without – there was like a little bit of refusing to accept that it was awkward kind of. So I felt that that scene was really unique and felt good when we did it.

MG: Since you’ve had so much success in your career, how do you relate to Hank’s bitterness about where he’s at right now?
RR: Success is only in the eye of the beholder. First and foremost I’m a comedian so I’m never really happy with myself for what I’ve done. You’re always looking for something, for the next thing and you never think you really got it. So it’s kind of a dichotomy. You’re successful but you don’t accept and you don’t really believe it. I don’t know if I connect to the bitterness but I do connect to the feeling of wanting, you know, there’s an artistic need for something, to accomplish something more and falling short of that. Believe it or not I do kind of connect to that so, it’s easy to kind of tap into that. I mean, it’s not all about money. My wife has all the money.

MG: Lauren, since Sarah had the kiss with Hank is that going to change things with Mark?
LG: Hopefully it’s sort of neither one nor the other. I think it made her resolve a little stronger to try to keep her life on the track that she’d planned and hoped for and finally looked like, she’s about to achieve. By the way we still don’t really know what is going to happen, nor does the creator of the show if we, believe what he said. I mean, one of the funny things about this show is he kind of adjusts as things go along, and kind of picks up on the threads that are interesting to him more than maybe they do on most shows that are – which is not to say it’s not planned. So the line I’m trying to play is confusion. And I think it’s justifiably confusing what’s happening. But yes in that moment I think she was like, “This felt like a sort of step outside the lines. Let me bring myself back.” But I don’t know that it’s going to work.

MG: Ray, Hank was obviously overwhelmed when he met the Bravermans. What was it like for you jumping into this show with this enormous ensemble?
RR: Well I got to tell you, I guess I’m kind of in the business and I’ve done this and I’ve seen all the bells and whistles and I know what goes on. And yet I – like I said I was a fan of the show. And I still on the first day it was just with you Lauren but the third day was when I had a scene with the whole cast and it was a weird feeling. It was a feeling of because first of all I was just like a viewer. I was like, “Wait a minute.” You really get wrapped up in that this is the Braverman family. I’m like, “Well wait a minute. I know it’s not. I know that guy and him. I’ve worked with him and whatever.” But yes I was a little bit – I don’t know if star struck is the word but it was a little surreal that I’m in this world that I’ve just been watching and been wrapped up in. I do still get intimidated by certain things, and I was slightly intimidated on that day because also just on a regular level of this is the first time they’re seeing me I want to not screw up. I want to do well and I want to fit in. You know, they’ve been together and they’ve got their rhythms and the tone and everything, and I want to make sure my character fits into the show and the universe that they’re in. But everybody was nice except for a few. No I’m kidding. No everybody was great and it was fun.

MG: Lauren, do you have any interest in getting behind the scenes at all?
LG: I do for sure. It’s actually more helpful to have someone who is on the inside who knows the show and who knows how we rehearse and how we sort of find the scenes. So yes that would be of interest to me for sure. I think that it would be great to direct an episode.

Summer Glau is known best for her role in TV series like “Firefly” and “Terminator: The Sarah Connor Chronicles”.  Last year, Summer appeared on Syfy’s series “Alphas”, playing the role of Skylar.  She returned again for this second season and hopes to continue in the third season as well.  Media Mikes had a chance to chat with Summer about her role in the show and what we can expect.

Mike Gencarelli: Last season when you were asked to guest star on “Alphas”, did you ever think that it was ever going to be on this scale that it’s developed now through this season?
Summer Glau:  Well I was hopeful. I love doing TV and I really like sticking with a character and getting to watch them evolve and contribute to a story line that continues week after week. So I was hopeful. This season I have been so blessed to come back as much as I have. I have love where Skyler has gone and I would be very excited to come back again next season.

MG: What was it specifically about Skylar that was so fascinating and that attracted to you to the role?
SG: The first thing that attracted me about Skylar was the fact that she was a mother. I’ve talked to Bruce about this before too. It was really exciting for me. I hadn’t – I had not played a mother before. One of the most challenging things about Skylar is that she is a mother but it doesn’t come naturally to her. She – in my mind, in the back story that I’ve created, she’s been on her own for a long time. And she’s used to just fending for herself. When it comes to her child she’s very conflicted because she has all of these new feelings that she’s probably never experienced before about loving something so much more than she loves herself. And caring for something and protecting someone else and making unselfish decisions. For me as an actor it just was a very, very fertile story line for me creatively.

MG: Playing a character that is very handy with gadgets, how has that been for you as an actor?
SG: Well I think I’m a pretty good actor because I really can barely program my garage remote. I’m very gadget challenged. So it’s really fun for me when I put on my Skylar clothes and I go on set, I really pretend like I’m in control and like I know what I’m talking about. The man who puts together most of my props is named (Skylar) too. I spend a lot of time under his supervision and guidance so that he can help me get really comfortable with my inventions so that I can really feel like I have a relationship with them. Because they’re always amazing but it doesn’t always come naturally to me. I’m always amazed. Like I’m on set and they hand it to me and say so this is what you built. And then I always take it apart so I know how to put it together and then we’re practicing that over and over again.

MG: After working on series like “Firefly”, “Terminator” and now Alphas, what really draws you back to the sci-fi genre?
SG: I have always found in sci-fi that the roles for women are really exciting and dynamic and outside the box. In the finale of Alphas is a perfect example. I remember in – Bruce was there too. We were sitting and discussing a scene that involved every – all the girls. I was sitting there looking at the girls and it was so cool to get to do a scene that involved all of us. And I was looking at the girls and we were all four different and our characters are I feel complicated and fleshed out and dynamic and just it made me realize, I’m really happy to be here. I’m really happy to be in a story that creates this opportunity for all four of us actresses.  That’s why I keep coming back to it. I go for the character that I like.

MG: I really liked how Zoe on the show asked you if you were a Terminator in the second to last episode. I thought that was pretty funny.
SG: Yeah, I know. I looked at her and I’m like she doesn’t even know what she’s asking [laughs].

MG: During Comic-Con, Nathan Fillion joked about a possible animated revival of Firefly as a TV series, can you reflect?
SG: Absolutely. I would take any opportunity to get back together with my whole fam and keep telling the story. I think we’d all love that.

MG: Tell us what other projects you have in the works next?
SG: Well I just finished a Christmas movie. That’s the only other thing that I have that is about to come out. Oh and also “Knights of Badassdom”. So I have “Knights of Badassdom” and “Help for the Holidays”, which is going to be on the Hallmark Channel during the 12 Days of Christmas. So that was really, really fun. Yeah. I definitely enjoyed that one.