When It Was Time To Party, We Partied Hard – An Interview With Andrew W.K.

I have been listening to Andrew W.K.’s music since “I Get Wet” was released in 2001. The music has such a positive vibe and energy to it, that I would almost call it “addictive”. Much of the time, people attribute negative connotation to addiction, but I feel in the case of Andrew WK, can you really be faulted by forming a habit for music and messages that bring you up from the darkest places and make you feel alive? Notoriously fan friendly, motivational and a seemingly endless fountain of “life”, Andrew W.K. is someone that I have long waited to meet, and I finally got my chance before his full band performance at the State Theater in St. Petersburg, FL, on January 29th.

Eric Schmitt – When did you decide that your music should take a positive approach in the hard rock and metal genres?
Andrew WK – It’s a great question. Even more so than lyrically or ideologically, the big question for me early on was whether to use major or minor keys. I like all types of music, both major and minor chords, but I was always, in terms of energy, really driven by  chromatic minor music. Like traditional heavy metal, especially very brutal heavy metal. It was very aggressive and I always drew great energy from it’s power. I wanted to do that, but I never felt I could do it as well as the masters. I had this strong feeling, like a pinpoint where I could use this major key, but I didn’t know if people would like it. I had these doubts that it somehow wouldn’t work, or the metal community wouldn’t like it. I remember very clearly coming back from this family trip, where I decided “okay, I’m just going to do it. I’m going to make this music that’s in my head.” I could hear how it sounded, and I just had to believe that I could do it. And it all formed from that, the major key is a cheerful sound, and everything just formed from that cheerful sound.

ES – How have you seen some of the positivity of your music manifest in your fan base and other external areas?
AWK – I never initially thought it would be a positive thing. Music itself makes you feel good. Music of all sorts, even if it’s a sad song, angry song; I don’t think anyone would listen to music to feel physically worse. It has a good feeling – it’s magical really. I feel that any music you put out there has the ability to generate that feeling in people. Certainly, when you can add to that already positive feeling in music, a positive message, or specifically focus on getting motivated and powered up, feeling good about life, then it gets amplified by a billion times! You fuse these two things, cheerful music and positive mindset, and it goes through the roof. So I was really excited and very influenced by people reacting to the music I was putting out early on – finding positivity in it. So I said, “okay, I’m going to commit to this”. A lot of the lyrics aren’t positive in a blatant way, they’re kind of all over the place, so it was really people finding that in it. I definitely wanted to be cheered up myself, so when I saw it was working for other people, it sort of became a team effort. We were using this music and a Party mind-set as a centerpiece to build around.

ES – Describe your mentality when writing music – specifically when piecing together the Wolf, which ventured into more serious territory than “I Get Wet”. For instance, “Never Let Down” is a significantly different song than anything that was on “I Get Wet”.
AWK – Well, there wasn’t a whole lot of rhyme or reason to it. A lot of the songs on the second album, “The Wolf”, were actually written at the same time as the “I Get Wet” songs. Some of them before. I guess I just chose to make the first album, like it will be these types of songs. Then the second album I would open it up to more tempos. But also, I think the first album started this party, then the second album was almost like singing about how that felt. Again, I didn’t intend for it to be that way. A lot of the lyrics and feelings that I got across on the second album were my amazement that any of this was happening, and recognizing it and trying to amplify it. It was “here’s the party starting“, and then “this is what it feels like”.

ES – What factored into you writing the “Party Bible”?
AWK – Being asked, probably first and foremost. Writing a book wasn’t something I planned on, at least right now. But, I had some people that were very supportive. Initially, my book agent, Simon, he said I should make a book. I’ve done writing throughout my work, advice columns and posting stuff, you know? I always liked writing, but a book was a huge undertaking. I, of course, was intimated by the challenges that it implied, but having someone there that believed I could do it was nice. Then several years later, Simon & Schuster actually came through with a book offer. So I started writing it (the Party Bible) and it’s not really an autobiography, more about partying and the stuff we’re talking about now. Hopefully it’ll be done soon, I’ve been writing it for a couple of years. It was definitely harder than I thought it would be.

ES – Do you think we’ll see an “I Get Read” book tour when the “Party Bible” is released?
AWK – (Laughs) That’s a great title for a book tour! Of course, I want to do a book tour and you know, not just do book appearances, but party lectures like I’ve done before, and play some shows. I love touring, so any reason to tour is great. Having the book, of course would be a whole new version of a tour experience.


I had never seen Andrew perform live, and having his full band on hand before trekking down to Miami for ShipRocked 2015 was certainly an added bonus. I’ve always envisioned Andrew WK as the “party guy,” but the interview gave me a glimpse into the intellectual away from the stage. I don’t know if I was still hung up on that aspect, but when the band blasted into “It’s Time to Party,” the State Theater crowd erupted and I was swept up in a tidal wave of emotion and sweaty metal heads. It was the most intense level of fan interaction I have ever seen at a live performance!

Song after song, bodies would fly from every corner of the stage, some being caught by partying revelers, the others falling to the sticky alcohol mess of the floor. But there was no strife, no anger, no machismo – the entire crowd was united under the “Party Banner”. I had never seen anything like it, and I stood my ground 6 feet from the stage so that I could absorb the energy in all its glory.

Sporting 4 guitarists (!), a bassist, drummer and Andrew on keys and vocals, the band was almost militant in it’s musical assault on the crowd. The performance was an unrelenting barrage of good feeling, and the crowd was more than eager to reciprocate. Constantly singing along, invading the stage to dance with band members and raining down applause after each tune! ANYONE that walked into that performance mid-set would have been swept off their feet by the energy – it was that strong! After playing the majority of the “I Get Wet” and “The Wolf” albums, AWK closed the show with the title track from the first album and “Don’t Stop Living In the Red”. It was towards the latter song that my wife, who has never really been a fan of Andrew’s music, was converted. The look in her eyes said it all – She had indeed, Partied Hard!

Crobot discusses touring and their latest album “Something Supernatural”

I first learned about Crobot in September through my wife, who is attending this year’s ShipRocked Cruise, where Crobot is one of the performing bands. She very excitedly forwarded me the link to the band’s video for “No Where to Hide” and informed me that this was the band to watch for. I clicked the link and as the music proceeded, I glanced at my wife and just mouthed out “Wow!”. Mixing in powerful vocals and groove-centric rhythm, “No Where to Hide” immediately grabbed my attention and had me seeking out more songs. It wasn’t long after that night we heard the same tune being belted out on Sirius/XM’s Octane channel. Again, I turned to my wife and just mouthed out “Wow!”.

Oddly enough, the exclamation of “Wow!” has been reiterated on more than one occasion as we spoke with friends that have either seen Crobot live or sampled some of their music. I don’t think that the short reply was one of surprise, rather, an immediate reaction to how the band’s music made them feel. “Wow!” – like watching the Macy’s 4th of July Fireworks display for the first time, or seeing a fighter land a crushing knockout blow. The music is impact, full of soul and jolts your insides with electricity. Crobot’s “No Where to Hide” is not a one-hit wonder or $15 song, though. Seemingly every track on the quartet’s first release “Something Supernatural” resonates with energy and heart. Power titles like “Skull of Geronimo” mix an in your face metal chorus with extreme funk during the verses. While more subtle, infectious tunes like “La Mano de Lucifer” drag your mind into stoner rock territory, until Brandon Yeagley unleashes a skull splitting vocal assault in the chorus.

On November 7th, Crobot made their way to the Local 662 in St. Petersburg, FL, and I was fortunate to grab some of their time before their performance. I initially didn’t know what to expect, as I first ran into Brandon and Jake Figueroa outside of the venue’s entrance. A little bit of small talk at first, the typical hokey “welcome to Florida” speak. But as we were joined by Chris Bishop and Paul Figueroa, the conversation transitioned very rapidly. I remember the first question Paul asked me was “Have you ever played Dungeons and Dragons?”. A short discussion on role playing games quickly dissolved into laughter, and with that, familiarity was set and the interview began.

Eric Schmitt: How did everything come together for the release of “Something Supernatural” and the tour announcement with Volbeat and Anthrax?
Brandon Yeagley: Well, we recorded in November to December of 2013. Feels really good to have it all out there, walk into a record store and see your record on the shelf. It’s pretty awesome. The Anthrax and Volbeat thing we’ve sort of been hearing about for a little while, and that finally solidified too. It’s going to be a great tour for us.
Chris Bishop: It all just sort of happened by chance, too. Announcing the Volbeat tour and our album release. We didn’t plan that – it just turned out that both were on the same day.

ES: A lot of people are currently looking for the lyrics to the songs on “Something Supernatural.” Listening to them (the songs), you can hear that a lot of them seem to tell their own story. Where did the inspiration come from?
BY: In general, it’s a lot of Sci-Fi and Horror flicks growing up as a kid. Listening to Ozzy and Rainbow, Dio, we were fans that grabbed on to that “mystique”. I’m a product of my environment when it comes to that. I look to guys like Neil Fallon of Clutch, probably the best storyteller of our time, I think, as a lyricist. I really take from what he does and put my own spin on that.

ES: So what’s your favorite horror flick?
BY: Army of Darkness. That was always my favorite.
Jake Figueroa: Attack of the Killer Tomatoes.
ES: Ooh! Going old school, there!
CB: I’d say the Notebook. (Laughter)
Paul Figueroa: I’ve gotta go with Aliens. I was really little when I saw it – I saw it before I saw the original Alien. And I saw it on laserdisc, actually. That’s how long ago I saw Aliens. That scared the crap out of me!

ES: Describe the process the band went through when putting together a song like “La Mano de Lucifer”. That’s pretty intricate both lyrically and musically.
CB: There was a lot of different riffs going into that (song). It started with the verse/groove riff going on and we were sitting in Brandon’s kitchen playing acoustics and we came up with the turn-arounds and transitions. Jumping from 3 to 4, our sort of “War Pigs” intro and bridge we wanted to throw in there. We started jamming it and it went from there.
JF: I think it was originally an 8 or 9 minute song. It had 2 bridges, 2 choruses –
CB: If you think that (the song on the album) was progressive, you should have heard the version before!
JF: It was all over the place, like Mars Volta shit.
PF: With crappier drumming. (Laughter)

ES: What do you guys consider the best part and worst part of touring?
JF: Probably waking up after getting drunk.
BY: That’s the worst, no matter what.
JF: For me, that’s the best and the worst! (Laughter) Some mornings it’s the best.
CB: We just keep the party going.
JF: Others it just sucks.
CB: The shitters sometimes suck.
ES: Is that from a shit or piss perspective?
CB: Shit – I can piss anywhere. Well, I can actually shit anywhere now. I’ve shit in some of the sketchiest places known to man cuz I can shit fast. That’s the talent I’ve got.
PF: You do have a talent for that!
ES: So it’s like a Shit n’ Run?
CB: I build it up to where it’s explosive, then I’m out! (Laughter)
PF: In fact, when anybody shits within 5 minutes, it’s called a “Bishop”.
CB: Yep, I’ve got my own shit.
JF: It’s like Superman goes into a phone booth, drops a hot deuce, then comes right out. He walks in there as Superman, shits, and Clark Kent comes walking out. (Laughter)
PF: The worst part for me is when the tour ends. It’s just like “boo!”. At least that’s how I feel. The best part of the tour? I guess when it starts then. I love it!
BY: The best part is definitely sweating and shaking our dicks every night. Worst part, definitely running out of weed.

ES: If Crobot were given a live action TV show, similar to the Scooby Doo cartoon premise, who would you want to play you and why?
CB: Phil Anselmo would play me. Just because we look alike when I shave my head.
JF: I was thinking about this the other day, something similar. I would go with John Leguizamo.
BY: I’m gonna say Rick James. Maybe the dead version. Zombie Rick James. Yeah! Imagine what he’d have to say? AAAAAHHHHH! (Laughter)
JF: (to Paul) You should totally have Daphne from Scooby Doo play you!
PF: Was she the lesbian chick with the glasses?
ES: I think that was Velma.
JF: That’s who I meant! Velma!
PF: Yeah, we’ll go with that. Cartoon Velma in human form.

ES: What are you guys looking forward to with upcoming shows like Kink Festival in Orlando and ShipRocked?
JF: Things like Kink Fest I always look forward to because there’s always a little tent where you can get some free booze and everyone pretty much runs around like a madman.
CB: Meaning Jake usually runs around like a madman. (Laughter)
JF: That’s an odd setting where nobody really complains about it, so I like that.
CB: Definitely ShipRocked is going to be awesome. We have a bunch of other stuff coming up that we can’t announce yet, but ShipRocked is definitely going to be awesome. I went to the Bahamas once when I was like 10 years old, that was the last time I was there. I got all my money stolen on the fucking ship. Well, here’s the story – I went with my friend and his grandmother and she had all the cash together. When she was in the casino, she apparently left her purse and when she came back all of her money was stolen. Maybe she gambled it away, I don’t know.
PF: I’m definitely looking forward to that Volbeat/ Anthrax tour. Those will be the biggest venues we’ve ever played at. I don’t think there’s anything I’m not looking forward to. We just have lots of awesomeness going on.
BY: Yeah, what he said. Tomorrow is going to be awesome!
PF: Actually, tomorrow is going to be awesome. The day after, not so much – we have to drive home.

There is a stark contrast between the personalities of Crobot when they hit the stage from when we were conducting the interview. The shit talk (literally) is gone; replaced by four musicians who love to perform. The set list for the performance mirrors the tracks on “Something Supernatural” and the opener, “Legend of the Space Born Killer” immediately injected a tremendous amount of energy to the crowd of the Local 662. Many of these patrons had not heard or seen Crobot perform live before, but were on their feet grooving along. The front of the stage was inhabited by fans of the band who were not averse to reciting the lyrics and getting down with the constant movement of Chris, Brandon and Jake.

By the time the band had reached their radio hit “No Where to Hide,” the crowd was frenzied by the performance. Musically, vocally and physically, you can’t helped but get caught up in the performance. Crobot seemingly telepathically transmits their passion for the music to its audience, and I have to say, it’s easy to start shouting lyrics, stomping feet and throwing your hands in the air during a chorus. It’s as if we were attending a roadside tent revival, and for that night our God was a dirty funk quartet delivering one of the sickest musical performances ever witnessed. Song after song, beat after beat, lyric after lyric, the crowd remained energized and wanting more.

After their performance, the band exited the stage and headed directly towards their merchandise table. They greeted fans both old an new with the same playfulness exhibited during the performance, taking time to speak and take pictures with everyone. It’s very easy to fall in love with the music and the personalities of the bands’ members, two characteristics that will undoubtedly push Crobot quickly towards success. I honestly left the Local 662 that night feeling like I had just spoke to and witnessed greatness in the making. I can only imagine that this was the feeling people got after interviewing the likes of Black Sabbath and Led Zeppelin early in their careers.

Concert Review: “Redeemer of Souls Tour” with Judas Priest & Steel Panther @ Main Street Armory, Rochester, NY

“Redeemer of Souls Tour”
Judas Priest, Steel Panther
Wednesday, October 1st 2014
Main Street Armory, Rochester, NY

Our score: 4 out of 5 stars

After a 2 year hiatus from the music scene the metal gods themselves Judas Priest are back on the road supporting their latest album release titled “Redeemer of Souls”. The tour kicked off on October 1st in Rochester, NY before a near capacity crowd and though opening night didn’t go as smoothly everyone was hoping for both Priest and opening act Steel Panther were at the top of their games.

As the doors to the vast Main Street Armory opened fans quickly flooded the venue in anticipation of the evening’s events. As the evenings advertised 7:30 start time rolled around and quickly turned in to 7:45, 8:00, 8:15 etc. It wouldn’t be till almost 8:40 that opening act Steel Panther would take the stage. The band which has been taking a lot of heat since it was announced they would be part of the tour initially didn’t win over the Rochester crowd as they took the stage to a sea of boo’s. It was unclear if the late start was the fault of the bands or of the promoter however despite the unpleasant welcome the band shrugged it off and blasted through an 11 song set which touched on each of the bands 4 releases. Vocalist Michael Starr handled his vocal duties like a true veteran and in between songs attempted to regain the crowds trust through the bands normal joking and goofing on one another.  This seemed to work as the band left the stage to cheers and applause the total opposite of how the night began.

After a few minutes a large Judas Priest banner dropped from the rafters signaling that the wait was almost over. After a brief intro the arena was filled with smoke and lights as Rob Halford and company ripped into the song “Dragonaut” which is also the first track off the band newest album. Halford seemed a little unsteady at first and was using a cane however by the end of the first number it appeared as though it was just a prop as he lurked back and forth with ease the rest of the night. The band played a variety of songs from their vast catalog such as “Victim of Changes”, ‘Turbo Lover” and “Love Bites” which hasn’t been in the set since 1986. The band’s sound was tight and well rehearsed with Rob’s signature scream being in top form. The newest member of the band guitarist Richie Faulkner seemed even more comfortable and certainly did his part to elevate the night’s excitement. Before calling it a night the band treated the audience to two encores which were both greeted with deafening roars and devil horns thrown high into the air.

When the night was finally over and the venue was silent it was easy to say that despite a few small setbacks the tours opening night was a success.  Both Priest fans new and old were given everything both bands had and then some as it was a great night of music. If the tour is coming to your area make sure to get your tickets as soon as you can as there are very few bands out there right now who can rival the power and fury of the one and only Judas Priest.

Steel Panther  Set List:
1.) Pussy Whipped
2.) Party Like Tomorrow Is the End of the World
3.) Asian Hooker
4.) Just Like Tiger Woods
5.) Gold Digging Whore
6.) Girl From Oklahoma
7.) Community Property
8.) Eyes of the Panther
9.) 17 Girls in a Row
10.) Death to All but Metal
11.) Party All Day (Fuck All Night)

Judas Priest Set List:
1.) Battle Cry Intro
2.) Dragonaut
3.) Metal Gods
4.) Devil’s Child
5.) Victim of Changes
6.) Halls of Valhalla
7.) Loves Bites
8.) March of the Damned
9.) Turbo Lover
10.) Redeemer of Souls
11.) Beyond the Realms of Death
12.) Jawbreaker
13.) Breaking the Law
14.) Hell Bent for Leather

Encore:
15.) You’ve Got Another Thing Coming
Encore 2
16.) Living After Midnight
17.) Defenders of the Faith

Concert Review: Five Finger Death Punch and Volbeat – Syracuse, NY

Five Finger Death Punch, Volbeat, Hellyeah, Nothing More
Tuesday, September 23rd 2014
War Memorial at Oncenter, Syracuse, NY

Our score: 4.5 out of 5 stars

The haloed halls of the Syracuse War Memorial were rocked by the sonic landscape of not one but 4 great music acts. Headliners Five Finger Death Punch and Volbeat along with special guests Hellyeah and Nothing More made a stop in the home of the Orangemen as part of their fall arena tour which runs through October. Those in attendance were treated to a spectacular night of music as each band gave the crowd everything they had and more.

Starting off the night was up and coming progressive/rock band Nothing More. Though the 4 piece group hailing from San Antonio, TX set was brief the band used their time wisely delivering the best they had to offer to the fans who were still filing through the arena doors. The Chad Gray fronted Hellyeah would blast on to the stage next bathed in bombastic thunder thanks to the drumming styles of Mr. Vinnie Paul. The band has gone through a lineup change since the last time I saw adding bassist Kyle Sanders and guitarist Christian Brady but the two meshed well with the other members resulting in a quality set.

Danish import Volbeat would follow hitting the stage accompanied by a sea praise to which they returned the thanks will a 14 song set that mixed newer songs such as “Doc Holliday” and “The Hangman’s Body Count” with fan favorites like “Hallelujah Goat”, “The Garden’s Tale” and the Dusty Springfield penned “I Only Wanna Be With You” before closing out the set with the always rousing “Still Counting”. The band took time to thank and recognize the crowd several times throughout the night and at one point even welcomed several children to the stage to dance and sing among the members. As the house light went out prior to Fiver Finger Death Punch taking the stage the crowd erupted one more only this time they were even louder as the excitement in the Oncenter was reaching critical mass.

As the band made their way on to the stage several flashes of light went off and it was on. For the next 80 minutes everyone in attendance belonged to the 5 members of Five Finger Death Punch. Singer Ivan Moody captivated the crowd with his lyrics and stage presence while the dual guitar attack of Jason Hook and Zoltan Bathory chugged their way through songs such as “Burn It Down”, “Lift Me Up” and “Bad Company”. During the song “Burn MF” Ivan and company abruptly stopped mid song to address an issue with several bouncers attempting to control a nearby circle pit. Moody assured the staff and concert goers that everyone would take care of one another and then instructed the bouncers to leave the floor area. After a minute or two of hesitation the floor cleared and the band kicked back in without missing a beat. This would be the only incident of the night as everyone held true to their word as the ripped through several more numbers including a two song encore.

Sometimes I get a little nervous when two headliners join forces for package like this. A lot of times what happens is one or both acts cut elements out of their set which great impacts the overall experience sometimes it’s a stage effect or in a lot of cases its material. This packaged proved to be the exception as all the bands on the bill pulled out every available the stops to ensure those who came out this night got their money’s worth. The tour package runs through the end of October so if you haven’t got your tickets for one of the remaining shows I really don’t know what you are waiting for.

Hellyeah Set List:
1.) Hellyeah!
2.) Sangre por Sangre (Blood for Blood)
3.) Demons in the Dirt
4.) War in Me
5.) Moth
6.) Cross to Bier (Cradle of Bones)
7.) You Wouldn’t Know

Volbeat Set List:
1.) Doc Holliday
2.) Hallelujah Goat
3.) Sad Man’s Tongue
4.) Heaven nor Hell/Warrior’s Call
5.) 16 Dollars
6.) Lola Montez
7.) Dead But Rising
8.) I Only Want to Be With You
9.) The Mirror and the Ripper
10.) The Hangman’s Body Count
11.) The Garden’s Tale
12.) Fallen
13.) Pool of Booze, Booze, Booza
14.) Still Counting

Five Finger Death Punch Set List:
1.) Under and Over It
2.) Burn It Down
3.) Hard to See
4.) Lift Me Up
5.) Bad Company
6.) Burn MF
7.) Drum Solo
8.) Remember Everything
9.) Battle Born
10.) Coming Down
11.) Never Enough
12.) Here to Die
Encore:
13.) The Way of the Fist
14.) The Bleeding

Concert Review: The Gaslight Anthem “Get Hurt Fall Tour” Town Ballroom, Buffalo, NY

“Get Hurt Fall Tour”
The Gaslight Anthem, Against Me! Twopointeight
Date: Wednesday, September 17th 2014
Venue: Town Ballroom, Buffalo, NY

Our Score: 4 out of 5 stars

The Gaslight Anthem brought their unique brand of rock to the intimate Town Ballroom in Buffalo, NY on September 17th where they performed to a sold out crowd. The New Jersey based band is currently out on the road in support of their new album titled “Get Hurt”. Also on the bill for the evening was Against Me! and Twopointeight. The night much like the venue was packed full of great music that electrified the audience from the very start.

As the venue quickly neared capacity for the nights sold out show the band Twopointeight promptly took the stage. Hailing from Stockholm, Sweden the 4 piece band played a mixture of punk infused rock that was two parts Bruce Springsteen and two parts Joe Strummer. Vocalist/guitarist Fredrik Georg Eriksson commanded the audience’s attention while he and his group blasted through a fast paced 20 minute set. Next up was Against Me! who continue their relentless line of touring in support of the groups “Transgender Dysphoria Blues” album. Though the bands set was only 45 minutes Laura Jane and the boys packed as much goodness as they could into that time frame. The set was a perfect mixture of new and old with the biggest applauses coming during songs like “I Was a Teenage Anarchist”, “Thrash Unreal” and “True Trans Soul Rebel”. Despite being on the road since January the group still sounded strong and appeared full of energy which the crowd seemed to really enjoy.

The Gaslight Anthem would take the stage to close out the night with an ambitious 2 hr set packed full of TGA classics along with tracks off the group’s newest album “Get Hurt” which was released in August. In between songs front man Brian Fallon playfully interacted with the capacity crowd which acted as the icing on cake. Set highlights included the upbeat “45”, “Helter Skeleton” and “Blue Dahlia”. The band closed out the night with a 4 song encore that included some of the group’s most popular tracks however noticeably missing was the bands cover of The Who classic “Baba O’Riley” which the band has been using recently to end the night. The band will be out on the road both in the States and in Europe through November so if you haven’t already made plans to catch one of the shows I strongly urge you to do so as you won’t want to miss out on a great night of music.

Against Me! Set List:
1.) Pints of Guinness Will Make You Strong
2.) Unconditional Love
3.) New Wave
4.) Walking is Still Honest
5.) Cliché Guevara
6.) FuckMyLife666
7.) Don’t Lose Touch
8.) I Was a Teenage Anarchist
9.) How Low
10.) Transgender Dysphoria Blues
11.) Thrash Unreal
12.) Black Me Out
13.) Paralytic States
14.) True Trans Soul Rebel

The Gaslight Anthem Set List:
1.) Stay Vicious
2.) Biloxi Parish
3.) 1,000 Years
4.) 45
5.) We Came to Dance
6.) Helter Skeleton
7.) Old Haunts
8.) Have Mercy
9.) Rollin’ and Tumblin’
10.) High Lonesome
11.) Underneath the Ground
12.) Howl
13.) Red Violins
14.) Even Cowgirls Get the Blues
15.) Blue Dahlia
16.) Get Hurt
17.) Great Expectations
18.) Mae
19.) Dark Places
Encore:
20.) 1930
21.) Handwritten
22.) Blue Jeans & White T-Shirts
23.) The ’59 Sound

Concert Review: Blake Shelton “Ten Times Crazier Tour 2014”

Blake Shelton with The Band Perry, Dan + Shay & Neal McCoy
“Ten Times Crazier Tour 2014”
Amway Center
Orlando, FL
August 30th, 2014

Our Score: 5 out of 5 stars

Blake Shelton is no question one of the best thing that country music has going for it in recent years. His music is fun, careless and if you don’t like it you can kiss my country music loving ass. The “Ten Times Crazier Tour 2014” is not your regular concert. It features Blake Shelton along with The Band Perry, Dan + Shay & Neal McCoy (who not plays once but three times).  This is a real party. The event started at 6:45pm and went all the way to just past 11pm. Now if you ask me that is one hell of a concert and these fans are really getting their money worth.

The night kicked off with Neal McCoy, who only took stage for 15 minutes and sang some fun cover songs…but don’t worry we didn’t see the last of him and his band. Next up was Dan + Shay, who I did not get to see due to being backstage  meeting up with Blake Shelton! That’s right baby meet and greet! He is one cool (and tall) dude! What I did hear though, there were really stealing the crowd and getting them warmed up. Neal McCoy came out again after that for another 15 minutes before The Band Perry really stole the show.

I have never seen The Band Perry live and not really a huge mega fan. I know (and like) a bunch of their songs but not really a number #1. Well after this performance, I am now a number #1 fan! The Band Perry took the stage and literally tore the roof off the Amway Center. Kimberly Perry is such an amazing performer and has such presence. She is also quite theatrical and dramatic, which really adds to the performance. Of course they song their classics like If I Die Young and Chainsaw, which really drove the crowd into an all out singing fest.

After The Band Perry, Mr. McCoy took the stage once more again singing some amazing classics and keeping the crowd ready when the stage was being set for the main attraction, Blake Shelton. Having met the man, a mere minutes before, it was surreal when he hit the stage and he was belting out his hits literally six rows from my seat (thanks to his management team for the outstanding seats BTW).  What I love about Shelton is that it just seems so effortless for him and yet at the same time, the guy seems like an average Joe who at points honestly seems nervous. He is just a great performer and keeps his audiences attention from the moment he comes. He is funny and also a great storyteller.

The top selling/Grammy winning country singing artist played his hits like “Kiss My Country Ass”,  “Mine Would Be You”, “Some Beach”, “Hillbilly Bone”, “Sure Be Cool If You Did” and “My Eyes”. Also in one of the coolest things that I have ever been a part of, Blake actually recorded the video to his latest single “Neon Light”, which is set to be released on his new album “Bringing Back the Sunshine”, due out September 30th. It was a blast to get to be a part of such an amazing event.

As the night grew later, Shelton went all Acoustic on us and came up to the front of the stage solo only with a guitar and really poured his out with tracks like “Austin”, “Drink On It” and one of my favorites, “Home”, which is of course a Michael Bublé cover. But the mood didn’t end on a quite not as he closed out the night with his biggest hits “Honey Bee” and “Boys ‘Round Here” and brought in the night with fireworks. I do not think that there was one person not singing or screaming those lyrics.

This was no question of the most fun that I have had at a concert in recent years. When I left the Amway Center, my cheeks were killing me and mine and my wife’s voices were shot due to singing for hours straight. I hope Blake and his team realized that Florida has its share of country fans and knows how to tear it up with the best of them! Till next time Mr. Shelton! Thanks for a great night, you sure know how to throw a great party!

The Band Perry Setlist:
Done
Night Gone Wasted
You Lie
All Your Life
I’m a Keeper
Timber (Pitbull feat. Ke$ha cover)
Chainsaw
Fat Bottomed Girls (Queen cover)
Don’t Let Me Be Lonely
If I Die Young
Better Dig Two

Blake Shelton Setlist:
All About Tonight
The More I Drink
She Wouldn’t Be Gone
Doin’ What She Likes
Kiss My Country Ass
Mine Would Be You
Nobody But Me
Some Beach
Ol’ Red (George Jones cover)
Who Are You When I’m Not Looking
Hillbilly Bone
Sure Be Cool If You Did
Neon Light
My Eyes
Over You
(Acoustic)
Austin
(Acoustic)
Drink On It
Home (Michael Bublé cover)
Honey Bee
Boys ‘Round Here
Encore:
Footloose (Kenny Loggins cover)
God Gave Me You

Concert Review: Goo Goo Dolls, Daughtry, Plain White T’s – Tag’s Summer Stage, Big Flats, NY

Goo Goo Dolls, Daughtry, Plain White T’s
Saturday, August 16th 2014
Tag’s Summer Stage, Big Flats, NY

Our score: 2.5 out of 5 stars

The quiet town of Big Flats, NY sprung to life on Saturday, August 16th as New York natives the Goo Goo Dolls made a stop at Tag’s Summer Stage as part of their summer tour which also featured season 5 American Idol finalist Chris Daughtry along with the Plain White T’s. Though the weather was touch and go throughout the night it didn’t stop those in attendance from enjoying the night of music.

Opening up the nights show was Plain White T’s who burst on the music scene a few years back with their hit song “Hey There Delilah”. The group performed an intimate acoustic tinged set that sounded great however with the exception of one or two more well know songs the bands time on stage did little to ignite the crowd’s attention. Daughtry would take the stage next opening up his set with the title track off his newest album “Baptized” and instantly had the crowd in his hand. As the set progressed Daughtry and company treated the crowd to a variety of songs from his current and previous albums including hits like “Feels like Tonight”, “It’s Not Over” and “September” before closing out his set with “Long Live Rock & Roll”. Though the crowd seemed appreciative of the bands performance there were several points during the set where Daughtry seemed to push his voice a little too far past his range making those parts a bit harsh on the ears. Personally I also would have enjoyed hearing a few more of his edgier rock tunes this time around however that did not happen.

As darkness fell on the semi-remote venue the Goo Goo Dolls would take the stage to close out the night with an impressive 21 song set which ran the gambit of the bands 20+ year career. The group opened the set with the song “Dizzy” which gave way to other classic tracks like “Big Machine” and “Slide” before the night was closed out by songs like “Broadway” and “Iris”. I found the band’s sound to be tight and well rehearsed however with the exception of bassist Robby Takac whose energy kept the show interesting the other members seemed to be just going through the motions. It was also a little disheartening to see the absence of vintage Goo songs like “Long Way Down” and “Naked”.  Despite my own feelings toward the nights set those in attendance seemed very appreciative of the bands performance and showed that by large periods of applause after each and every song. If you have never seen any of the bands or you are a seasoned show going fan make your way out to one of the remaining shows for a solid night of music and fun as the tours lineup has a little something for everyone.

Plain White T’s Set List:
1.) American Nights
2.) Helium
3.) The Giving Tree
4.) 1,2,3,4
5.) Should’ve Gone to Bed
6.) Hey There Delilah
7.) Rhythm of Love

Daughtry Set List:
1.) Baptized
2.) Feels like Tonight
3.) Over You
4.) Renegade
5.) Traitor
6.) It’s Not Over
7.) What About Now
8.) Wild Heart
9.) Battleships
10.) Home
11.) September
12.) Waiting for Superman
13.) Long Live Rock & Roll

Goo Goo Dolls Set List:
1.) Dizzy
2.) Big Machine
3.) Slide
4.) Rebel Beat
5.) When the World Breaks Your Heart
6.) Already There
7.) Another Second Time Around
8.) Come to Me
9.) Black Balloon
10.) Stay With you
11.) Here is Gone
12.) Caught in the Storm
13.) Name
14.) January Friend
15.) Bringing on the Light
16.) Better Days
17.) Slow It Down
18.) Broadway
19.) Let Love In
20.) Iris
21.) Give a Little Bit (Supertramp cover)

 

Concert Review: Doyle “Annihilate America Tour 2014”

“Annihilate America Tour 2014”
Doyle, Ashylus, The Isotopes
Date: Friday, August 15th 2014
Venue: Montage Music Hall, Rochester, NY

Our Score: 3.5 out of 5 stars

Former Misfits guitarist Doyle Wolfgang Von Frankenstein kicked off his “Annihilate America Tour” at the intimate Montage Music Hall in Rochester, NY on August 15th and despite several last minute set backs which included being stranded in New Jersey the night before and the band’s drummer quitting several days prior the band simply named “Doyle” proved that nothing was going to stop them from hitting the road in support of their debut release “Abominator” and pulverizing the masses.

Tension was certainly in the air for the tours opening night as band and crew members scurried about the venue after a late arrival due to Doyle and company experiencing last minute transportation issues. Combine that with the group’s drummer Dr. Chud leaving the band only a few short days before and any lesser band would have called it quits even before starting. Thankfully that wasn’t the case. Kicking off the night was Rochester’s own The Isotopes. The 4 piece instrumental act took to the stage donning horn rimmed glasses, green ties and pocket protectors flanked by an impressive light show complete with two lovely go-go dancers. Equally impressive to the bands stage show was their tight sound which seemed to mix 60’s surf music with Iron Maiden like solos and pure punk rock energy.

Though the crowd was still filing in through the venue doors it did little to sway the bands presentation. Up next was the direct support act for the tour Ashylus Hailing from the Pacific Northwest the 5 piece metal-core band quickly elevated the rooms growing excitement as they blasted through songs of their album “Leave Your Mark” which was released earlier this year. After the bands powerful 30 minute set headliners Doyle would take the stage to close out the night. The band consisting of Cancerslug vocalist Alex Story, Bassist Left Hand Graham, Doyle Wolfgang Von Frankenstein and the bands newest member drummer Anthony “Tiny” Biuso.

The band took the stage basked in a red and green glow as Doyle’s signature guitar tone blasted through the towering stack of speakers which flanked both sides of the stage. Before you could blink the band launched in to “Abominator” the title track off the group’s debut album. Doyle pummeled is guitar repeatedly as singer Alex Story belted out lyrics with a guttural growl. The bands set was a perfect mixture of new songs like “Valley of Shadows” and “Headhunter” to Misfits classics such as “Hybrid Moment” and “Where Eagles Dare” and “Last Caress”.

Though the band still had a few kinks to work out as working in a new drummer just days before a tour requires quite a few adjustments however a few small bumps in the road didn’t stop the band from delivering a blistering set that left peoples jaws on the floor from just the sheer impact of the bands volume. Doyle and company proved that they are hell bent on domination and If the same power they brought to the tours opening night continues throughout the rest of the tour then nothing will stand in their way.

Doyle Set List
1.)   Abominator
2.)   Learn to Bleed
3.)   Valley of Shadows
4.)   Where Eagles Dare
5.)   Cemetery Sex
6.)   Headhunter
7.)   Hybrid Moment
8.)   Attitude
9.)   Love Like Murder
10.) Last Caress
11.) Die Die My Darling
12.) Hope Hell is Warm

Concert Review “Rockstar Energy Drink Mayhem Festival” Scranton, PA – August 3rd 2014

“Rockstar Energy Drink Mayhem Festival”
Avenged Sevenfold, Korn, Asking Alexandria, Trivium, Body Count, Cannibal Corpse, Mushroomhead, Suicide Silence, Miss May I, Emmure, Veil of Maya, Upon a Burning Body, Texas Hippie Coalition, Darkest Hour, Ill Nino, Wretched, Islander, King 810, Erimha
Date: Saturday, August 3rd 2014
Venue: Toyota Pavilion, Scranton, PA

Our Score: 3.5 out of 5 stars

The “Rockstar Energy Drink Mayhem Festival” one of the summers most anticipated traveling heavy metal festivals pulled in to the quiet hills of Scranton, PA on August 3rd and completely turned the tables upside down. This summer the festival featured 19 bands spread over 4 stages. Sporting one of the tours biggest main stage line ups to date the tour once again proved why they are the premier package for heavy metal in the summer time.

Though it would be several hours before the main stage festivities engulfed the remote Toyota Pavilion quickly became a bevy of excitement as fans packed the side stage areas to check out several up and coming bands along with an impressive slew of veteran acts. The Victory Records stage was home to some of the most brutal ear splitting music of the day as bands like Ill Nino and Emmure pulverized the crowd’s senses with their brief yet no holds barred approach. Directly to the left of the Victory stage was the Cold Cock Whiskey stage which sported a lineup featuring Suicide Silence, Miss May I and the always entertaining Mushroomhead that evoked a huge response from their chaotic stage show. The masked 9 piece band made several trips over the security barricade which only added to excitement of the bands set which also featured water filled drums and an inflatable killer whale!

Further down the festival grounds was the Head bang for the Highway/Sumerian Records stage which played host to impressive sets by Upon a Burning Body and Veil of Maya before being dominated by the one and only Body Count featuring Ice-T. Ice and his crew dominated the stage with their unique blend of punk/metal/hip hop that had fans from all ages on their feet with their fists in the air.

As night slowly descended on the venue the festivities shifted to the main stage which was instantly ignited by the sounds of Trivium. Front man Matt Heafy commanded the audience’s attention as they barreled through their 7 song set which included the popular “Anthem (We Are The Fire). Next up was UK import Asking Alexandria who received heavy applause from the crowd however did little to impress this concert goer. I’m not sure if it was singer Danny Worsnops incoherent rambling or just his lack luster attitude that made the bands set painful to endure. Quite possibly it was both.

Korn would take the stage next complete with lighted floor and day glow colors adorning the sparse stage set up. The band went through hit after hit and never sounded better. It’s great to see guitarist Brian “Head” Welch back in the fold permanently as it just never seemed right during his time away from the band. The night set was closed out by the band member’s children taking the stage to add a little extra fun to the group’s signature song “Blind” which was immediately concluded by an onstage wedding proposal between two lucky fans.

Closing out the long day of music was Avenged Sevenfold who impressive stage setup consisted of a large skeleton on top of a burning throne which peered out at the audience with an evil grin. The band performed a variety of songs from its catalog including several songs off their latest album “Hail to the King”. Though the band sounded great their performances were overshadowed by their smug facial expressions and lack of interaction with the crowd. Only ever so often did it appear as though the band was having somewhat of a good time. After the brief “leave the stage so people can cheer” moment the band returned for two more songs. The cartoonish “A Little Piece of Heaven” blasted through the mountainous hills before the band brought the night to a close with the fan favorite “Unholy Confessions”.

All in all a long day of music was absorbed by my ears and body.This year’s Mayhem Festival certainly lived up to my expectations and it is was very apparent that the festival shows no signs of slowing down anytime soon leaving me to only dream of what Kevin Lyman and company have in store for next summer.

Trivium Set List:
1.) Black
2.) Built to Fall
3.) Through Blood and Dirt and Bone
4.) Strife
5.) Dying In Your Arms
6.) Anthem (We Are The Fire)
7.) In Waves

Asking Alexandria Set List:
1.) Don’t Pray For Me
2.) Run Free
3.) To The Stage
4.) The Final Episode (Let’s Change the Channel)
5.) Moving On
6.) Killing You
7.) The Death of Me

Korn Set List:
1.) Falling Away From Me
2.) Twist
3.) Got the Life
4.) Did My Time
5.) Spike in My Veins
6.) Hater
7.) Shoots and Ladders
8.) Coming Undone
9.) Here to Stay
10.) Never Never
11.) Freak on a Leash
12.) Blind

Avenged Sevenfold Set List:
1.) Shepherd of Fire
2.) Nightmare
3.) Bat Country
4.) Hail to the King
5.) Almost Easy
6.) Buried Alive
7.) So Far Away
8.) Afterlife
9.) The Means War
10.) A Little Piece of Heaven
11.) Unholy Confessions

Concert Review: Skid Row “United World Rebellion Tour 2014”

“United World Rebellion Tour 2014”
Skid Row, Sakara, the JJ Lang Band, Exit Sky, Methanol
Date: Wednesday, July 9th 2014
Venue: Montage Music Hall, Rochester, NY

Our Score: 3 out of 5 stars

The hard rock band Skid Row kicked off their “United World Rebellion Tour” on July 9th in Rochester, NY in support of their upcoming release titled “”Rise of the Damnation Army, United World Rebellion: Chapter 2. The release is the second of several EP’s the band has planned for release this coming year. Though this was the first night of the US tour run the band seemed tight and ready to take their classic signature sound to the masses.

Montage Music Hall an intimate music venue tucked into one of the bustling side streets of Rochester, NY played host to a bevy of music artists all out to support their own endeavors along with setting the stage for the launch of Skid Row’s “United World Rebellion” Tour. Though the bill featured 5 bands in total the old saying “quality over quantity” seemed to have been ignored. Opening up the night was local act Methanol and though the band seemed well rehearsed they did little to capture the attention of those who came out to the venue early as their stage presence and crowd interaction needed some attention. Exit Sky another local act whose sound could be described as a mix between early Creed and Pearl Jam followed and seemed to garner quite a few cheers from the small crowd in attendance.

Closing out the list of local performers was The JJ Lang Band. The group’s performance was certainly my favorite of the 3 local support acts however; early on in the group’s 30 min set the band experienced some technical difficulties causing the lead singer/guitarist to throw his guitar on the ground in disgust. Though the guitar sound was noticeably thinner from there out I found the vocals to sound much better when that was all that was being focused on by the group’s front man.

The Massachusetts rock band Sakara would take the stage next as direct tour support a spot they will hold throughout this leg of the “United World Rebellion” tour. The band performed a solid set that seemed fairly well received by the crowd on hand who were anxiously awaiting the night’s headliner. After a rather length set change Skid Row would hit the stage helmed by lead vocalist Johnny Solinger who is celebrating his 14th year with the band. Flanked by original members Scotti Hill, Rachel Boland and Dave “Snake” Sabo and the groups newest member drum Rob Hammersmith the band flew through its 90 minute set playing a number of songs from their back catalog including “18 and Life”, “Monkey Business” and the always popular “I Remember You”. The band also performed one or two news songs which fans seemed to enjoy just as much as the older material.

Though it would have been killer to see/hear a 2 hour plus set from Skid Row and fewer local acts overall the show was a pretty decent night of music. Sure there were a few times where Solinger seemed to max out his vocal range however the solid combination of Boland, Sabo, Hill and newcomer Hammersmith provided the perfect support system to keep the night going smoothly and even though a full fledged Skid Row reunion may be just a pipe dream for those of us who grew up with the band the current incarnation of the band is just fine by me and certainly worth going to check out.

Skid Row Set List
1.) Let’s Go
2.) Big Guns
3.) Makin’ a Mess
4.) Piece of Me
5.) 18 and Life
6.) Thick Is the Skin
7.) Riot Act
8.) Darkened Room
9.) Kings of Demolition
10.) Psycho Therapy
11.) I Remember You
12.) Monkey Business
13.) Get the Fuck Out
14.) Slave to the Grind
15.) Youth Gone Wild

Concert Review “Sandy Hackett’s Rat Pack Show” Kansas City, Missouri

Sandy Hackett’s Rat Pack Show
Kauffman Center for the Performing Arts
Kansas City, Missouri
May 27 – June 1, 2014

Our Score: 4 out of 5 stars

Ah, Las Vegas in the 1960s. It still had the lure of mystery and DEFINITELY wasn’t kid friendly. If you were lucky, you could head to the Sands Hotel and take in the hottest show in town featuring a quartet of entertainers whose talents could never be topped. They were known as the Rat Pack – and for a few hours in Kansas City, they were back!

We were greeted by the jovial “voice of God.” And if you’re in Las Vegas who better to portray your deity then Buddy Hackett. As the voice of the late, great comedian comes through the speakers the audience is transported back five decades. The spotlight hits center stage and there they are: Funny man Joey Bishop (Sandy Hackett), the “King of Cool,” Dean Martin (Tom Wallek), the “Candyman,” Sammy Davis, Jr. (Louie Velez) and, of course, the “Chairman of the Board,” Francis Albert Sinatra (Danny Grewen). After a group opening number, entitled “Hello Again,” the audience is treated to some great one liners courtesy of Joey/Hackett. The son of the great Buddy Hackett, the comedy genes run deep in this family. The timing is spot on as is the quick wit, evident when some “Kansas City” themed jokes appear. The rest of the first act relies on the banter between Dean and Sammy as the two trade musical numbers. The act ends with the silhouette of Sammy bathed in light.

Act two welcomes Frank back to the stage. After a great medley of some signature songs (“Come Fly With Me,” “You Make Me Feel So Young,” “Fly Me to the Moon”), Frank takes a quiet moment to think about the one that got away. This brings on an appearance by “Frank’s One Love” (Lisa Dawn Miller, like Hackett a producer of the show) Miller is the daughter of song writing legend Ron Miller, whose songs include “Touch Me in the Morning,” “I’ve Never Been to Me” and “For Once in My Life,” which Frank performs in the show. The rest of the act consists of more laughter and music.

I’m very fortunate (and old) in that I had the great opportunity to see both Frank Sinatra and Sammy Davis, Jr. perform before they passed away. With those memories in my head I naturally compared that experience to the one I had at this show. And I wasn’t disappointed. Grewen has that smooth, clear quality that made Sinatra extraordinary and Velez was spot-on perfect as Sammy Davis, Jr. Ms. Miller belted out her number with gusto, making herself a proud member of the group. If there was any disappointment it came courtesy of Tom Wallek’s Dean. He had the look and the mannerism’s down, but the voice just wasn’t right. During the on stage banter he sounded more like Johnny Carson then Dean Martin. A little quibble maybe, but something that someone like me, who grew up watching, and own on DVD, Martin’s classic television roasts. That being said, “Sandy Hackett’s Rat Pack Show” is a must-see for anyone that wants to recapture those magical days of yesterday!

 

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Concert Review: Slayer – Uptown Theater – Kansas City, Missouri

Slayer
Uptown Theater
05/13/2014
Kansas City, Missouri

Our Score: 4 out of 5 stars

I guess you could say this is Slayer’s way of squeezing out a few pennies before the onslaught of summer tour dates and finishing up their 11th studio album. It’s understandable that a band, especially with the resources at a hand, wouldn’t mind going on a little stint across the U.S., but this is the first time since 1990 that Slayer has toured with Suicidal Tendencies (I was two when that tour tore across the states) and they have Exodus to boot on this trek. If this is what Slayer does for a “short tour”, they need to do it more.

If you’ve never been to Kansas City, then I shall fill you in on the absurd weather that we receive. During the seasonal transition months, it can be stupid muggy or ridiculously brisk. This was one of those Spring/Summer evenings that was quite chilly, so reluctant to say, a bunch of heavily pierced and leather wearing men were ready to pack in like a sardine can into the Uptown Theater and sweat it out. A line outside literally stretched a block as Exodus began it’s sound check. So it’s obvious who people were there to see.

I’ve been a longtime fan of Exodus and they didn’t disappoint. A small collective of hairy men were near the front going insane while die-hard fans rode the barrier wall up front. For three bands that highly respect each other and have a good four to five hours of play time to split amongst them, it’s a bit weird that Exodus would only be allowed a little less than half an hour. Would have loved to see them at least play one new song off their last three albums, but once “Piranha” came on, I was livid with joy that’d they play the first song I heard of theirs many, many years ago.

I don’t know a lot about Suicidal Tendencies and they’re not necessarily high on my list of go to music in the car, but I have a great amount of respect for a band that really helped mold a fluid hardcore/thrash metal sound. These guys must have gotten straight out of a time machine because their energy was through the roof. I didn’t know any of the songs right off the bat, but after the first time hearing the chorus, I couldn’t help but mouth a couple of their violent anthems. I think their youthfulness is bolstered by the new addition, Thomas Pridgen, at drummer. He hasn’t even performed on any of their albums and yet he played with such manic enthusiasm, you’d think he was fighting for a spot in their line-up. Ironically they continued the trend of not playing a single new song on the night.

I’ve lost count of how many times I’ve seen Slayer, but that rush of adrenaline before they get on stage never goes away. Their stage staple is always an upside down cross and yet they find a new way to present it or light it on fire. Gary Holt, who’s replacing Jeff Hanneman, is solid and Paul Bostaph, who’s back in the band for a third time, is also good. Hanneman and Dave Lombardo will definitely be missed and it felt awkward watching a band that only performed songs featuring those two previous members. I can’t tell if it’s a tribute to their contributions or not. Give the fans what they want though, anything before 1990 is classic Slayer.

While I got to hear plenty of songs I’ve never heard before live like “Chemical Warfare”, “At Dawn They Sleep”, and “Black Magic”, I wouldn’t have been upset if they slipped in God Hates Us All or Hate Worldwide. I even heard their newest single “Implode” online and thought that was definitely something they’d shred. Nope, they stuck to their first five albums. I’m still waiting for the day I at least here one song off of Diabolus in Musica. Maybe it’s because I saw the insane energy of Suicidal Tendencies just an hour before, but the energy of Slayer just wasn’t there. The go-to band of the metal community was upstaged at their own headlining show.

Outside of a pair of gentleman, there’s not a single ounce of young blood on this tour. While it’s great to see these guys who are pushing towards their 50’s chug out some old tunes, I would have loved to see some new music. For someone my age, it’s not necessarily nostalgic to hear some of the best 80’s pit music, but I understand it’s what made you popular and it’s what people know. While Slayer is planning on putting out their new album this year, it doesn’t show a lot of promise when they don’t play the single they released before embarking on this tour (and from what I read didn’t play it at Rock on the Range). Are they simply appeasing to fans or worried that they’ve been spent the past two to three decades making garbage? Maybe I’m overthinking it…or maybe I’m worried Slayer’s about to hit a slump.

Exodus Set-List
Bonded by Blood
Piranha
War is My Shephard
Blacklist
The Toxic Waltz
Strike of the Beast

Suicidal Tendencies Set-List
You Can’t Bring Me Down
Trip at the Brain
War Inside My Head
Subliminal
Possessed to Skate
I Saw Your Mommy
Cyco Vision
Pledge Your Allegiance

Slayer Set-List:
Hell Awaits
The Antichrist
Necrophiliac
Mandatory Suicide
Captor of Sin
War Ensemble
Postmortem
Altar of Sacrifice
Jesus Saves
At Dawn They Sleep
Die by the Sword
Hallowed Point
Seasons in the Abyss
Chemical Warfare
Dead Skin Mask
Raining Blood
Black Magic
South of Heaven
Angel of Death

Concert Review “Transgender Dysphoria Blues Tour” Rochester, NY

“Transgender Dysphoria Blues Tour”
Against Me!, Tony Molina, Big Eyes
Date: Saturday, May 10th 2014
Venue: Water Street Music Hall, Rochester, NY

Our Score: 4.5 out of 5 stars

The punk rock group Against Me! made a stop at Rochester, NY’s Water Street Music Hall on Saturday, May 10th in support of their latest album titled “Transgender Dysphoria Blues”. The 4 piece group appeared to be in top form with singer/guitarist Laura Jane Grace at the helm as the group blasted through an hour and fifteen minute set that included songs from the group new album and their sizable back catalog.

Big Eyes a three piece power trio from Seattle, Washington helped kick off the night as they performed a solid 35 minute set playing songs that were a blend of both classic and indie rock. Singer/guitarist Kate Eldridge laid down an impressive performance both on guitar and vocally while the group’s bassist and drummer provided an extremely tight back beat. Next up was the group Tony Molina from San Francisco, California. The group performed a unique blend of melodic punk rock tinged with Black Sabbath like break downs that quickly grabbed my attention. Sadly the rest of the crowd in attendance didn’t seem interested as there were several portions of the bands brief set which could have used immediate attention mainly in the name of feedback suppression which ran ramped in between each number.

After an extended set change Against Me! would take the stage opening with “FuckMyLife666” which set the performance of perfectly by paving the way for songs like “New Wave”, “Don’t Lose Touch” and “Trans Gender Dysphoria Blues”. The bands energy was high throughout the fast pace 75 minute set and though the band paused only briefly to interact with the frenzied crowd those in attendance didn’t mind. At point during the set the band asked the crowd for help as they sang happy birthday to bassist Inge Johansson which everyone seem to really enjoy and then it was immediately back to the set which was closed out shortly after by the song “The Ocean” from the bands “New Wave” album. After some persistent chanting from the crowd Laura Jane returned to the stage for a solo performance of “Baby, I’m an Anarchist” which was followed by full band performances of We “Laugh at Danger (And Break All the Rules)” and the always entertaining “Pints of Guinness Make You Strong”.

Whether you just discovered Against Me! or you are a long time fan you need to get to one of the remaining shows on this tour. The band sounds better than ever and the new material sounds even better live. Also if you want to check out some other cool music then get to the venue early and catch both Big Eyes and Tony Molina sets as I don’t think you will be disappointed.

Against Me! Set List:
1. FuckMyLife666
2. Cliché Guevara
3. New Wave
4. Walking Is Still Honest
5. Unconditional Love
6. I Still Love You Julie
7. True Trans Soul Rebel
8. Don’t Lose Touch
9. I Was a Teenage Anarchist
10. Turn Those Clapping Hand into Angry Balled Fists
11. Pretty Girls (The Mover)
12. Transgender Dysphoria Blues
13. Miami
14. Americans Abroad
15. Dead Friend
16. Osama Bin Laden as the Crucified Christ
17. Thrash Unreal
18. Black Me Out
19. The Ocean
Encore:
20. Baby, I’m an Anarchist
21. We Laugh at Danger (And Break All the Rules)
22. Pints of Guinness Make You Strong

Concert Review: Jimmy Buffett & The Coral Reefer Band “Songs from St. Somewhere” Tour, Tampa, FL

Jimmy Buffett & The Coral Reefer Band
MidFlorida Credit Union Amphitheatre
Tampa, FL
April 19, 2014

It was a rather chilly and on and off rainy night, April 19, 2014 in Tampa, FL but that didn’t mean anything for us hardcore Jimmy Buffett fans. I do not think I have ever been to a concert with as much energy and excitement that this show at the MidFlorida Credit Union Amphitheatre. The last time I saw Jimmy and his band perform was in Orlando, FL at the Amway Center and I have to admit thinking back on it now it just felt so claustrophobic being in that closed arena. Now the MidFlorida Credit Union Amphitheatre was a open arena that really gave Jimmy and the band a chance to open their wings and really soar higher than ever. The band was in fine form at this show. You can honestly just look at Jimmy’s face and know that he is honestly and genuinely having fun. Just plain fun. I may have said this before but the guy seems to really love what he is doing and I swear he only seems to be getting better and better each time I see him.

When you look at this stage, there are literally so many people up there that I didn’t know where to look first. In fact, I counted and including Jimmy his Coral Reefer Band adds up to twelve members. Now the reason why that is unique is that you could literally pick out the role of each person throughout the entire person. If you were listening out for Michael Utley on the keyboards you can clearly hear him jamming. If you were looking out for Mac McAnally (I mean you can’t miss the guy with that hair but…) you can easily pick out his voice on each song. To be that is so very important. You can tell that there was a lot of time put into making sure that each member of the band was equally balanced and sounded just right. Congrats to the sound engineer for this sound because it was an outstanding performance.

What I really loved about this show was that from the moment it started it was just hit song after hit song. We were on our feet literally the entire show. If we got tired after at any point, the excitement of the next song just completely took over and drew us in. Some highlights as usual were “Boat Drinks”, “Come Monday” and “Southern Cross”. Since this is the “Songs From St. Somewhere” tour, we got to hear the new hit song “Too Drunk to Karaoke”, which was just such a blast to hear live. The band’s cover of “All Night Long (All Night)” got such an outstanding response, I looked around at one point during the song and didn’t see a mouth not moving and anyone not dancing like crazy. They not only play the songs that they want to play, they play the songs that fans want to hear and they were right on queue!

The “Songs From St. Somewhere” tour took a break in December but picked up this month to close out the tour. This show actually was one of the last one of the tour before the band (taking only a month off) kicks right back into touring with the new summer tour, “This One’s For You”, which starts in May. So even though that this was the “end of the tour”, you could have easily told me that it was the kick-off because like I said the energy was insane and the band was in rare form. I don’t know how they tour for most of the year and never take a break…but I guess it just goes back to my original statement of how much fun these talented performers are having on the stage.  I hope that it is not too long before they decide to take over the state of Florida again because I already feel the itch to take a trip to Margaritaville again soon!

Set List:
1. Kinja
2. Landfall
3. Brown Eyed Girl
4. Boat Drinks
5. Weather With You
6. Pencil Thin Mustache
7. It’s Five O’Clock Somewhere
8. Son of a Son of a Sailor
9. Rhumba Man
10. Come Monday
11. Too Drunk to Karaoke
12. Cheeseburger in Paradise
13. Cultural Infidel
14. Piece of Work
15. Somethin’ ‘Bout a Boat
16. Southern Cross
17. Volcano
18. Changes in Latitudes, Changes in Attitudes
19. A Pirate Looks at Forty
20. Back Where I Come From
21. One Particular Harbour
22. All Night Long (All Night)
23. Fins
24. Margaritaville

Encores:
25. We Are the People Our Parents Warned Us About
26. Knee Deep
27. Defying Gravity

 

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Concert Review: Thomas Nicholas Band, Mulligan’s Pub – Celebration, FL

Thomas Nicholas Band
Mulligan’s Pub
Celebration, FL
April 23, 2014

Our Score: 5 out of 5 stars

You might recognize Thomas Ian Nicholas from his film roles in the “American Pie” films or the baseball classic “Rookie of the Year”, but he is also a singer/songwriter and has a band, TNB aka Thomas Nicholas Band. I had the privilege of meeting Thom back in 2010 and have become friends over the years. I never really knew he was into music until that time, I was just a fan of his films. Let’s just say that besides being a talented actor…this guy can fucking sing! I have been to tons of concerts and I really haven’t had an experience like when I go to one of Thom’s shows. He not only sings songs from his five albums, he also does a ton of amazing (and spot on) covers. He just got finished touring the UK and if you can get a chance to catch one of his shows, you will not be sorry.

At this particular show, it was a stripped down acoustic solo act but he had such presence behind him that it felt far from a one-man show. Throughout the show he used a looper pedal to add to his songs and I can’t even tell you how amazing it was. I first saw him live last summer and I was blown away then with his performance. This time we brought some friends along and when he looped his guitar and voice on songs like “Security”, our friends literally whipped around to us and were flipping out. He literally sounds like he has a whole band along with him and if you just walked in from outside you would have thought the same.

I am a big believer in inspiration behind music and really getting into a song when listening and you can tell when Thom is up there jamming that he also escapes into his music. With songs like “Heroes Are Human” and “Terrified”, there is so much heart poured out into these songs. His vocal range is really impressive as well especially on his covers of Tom Petty’s “Free Falling”, Weezer’s “Say it Ain’t So” and (my favorite) Foo Fighters’ “Everlong”. Thom if you are reading this bro, you need to get these recorded! This guy also has the endurance of a bull (even while drinking) playing for for nearly three hours with only a short break. I am not just saying this either as a friend, I literally will go out of my way just to catch a show of Thom’s because he is such a talent artist and his shows leave you pumped.

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