Film Review “The Heat”

Starring: Sandra Bullock, Melissa McCarthy and Jane Curtain
Directed by: Paul Feig
Rated: R
Running time: 1 hr 57 mins
20th Century Fox

Our Score: 4 out of 5 stars

FBI Special Agent Sarah Ashburn (Bullock) is a strictly by-the-book person. Confident in her talents, her demeanor doesn’t win her friends among her fellow agents. She’s such a loner that her only friend is her cat, Pumpkin. Check that. Pumpkin is her neighbor’s cat. With a promotion in mind she heads to Boston to help track down a drug trafficker. There she finds herself saddled with a partner, Shannon Mullins (McCarthy). She’s one of Boston’s finest though she’s about as popular with her co-workers as Ashburn. She also has popularity problems with her family. Sadly, her brother Jason (Michael Rapaport) is in prison. Even sadder? She put him there!

A high octane comedy with plenty of firepower, “The Heat” is a buddy film you’d expect to see a couple of A-list actors in. And you do. Only this time, instead of Sly and Arnold or Chris and Jackie or Mel and Danny (ok, you’re probably not going to see Mel and Danny together again) you get Sandy and Missy! And both are at the top of their comedy game here.

It’s almost fitting that in this season of tornadoes Hollywood releases a new film with Melissa McCarthy in a starring role. Since she hit it big with her Oscar nominated turn in “Bridesmaids” she has blown through multiplexes like the F-5 in “Twister.” She is truly a force of nature. Here she is given the chance to take no prisoners and she doesn’t disappoint. Bullock is just as good, especially Shannon begins to school her on the ways of the street. Supporting work by Rapaport and Marlon Wayans is solid. Look for Tom Wilson (Biff from “Back to the Future”) as Officer Mullins’ boss. And what a treat it is to see Jane Curtain on the big screen. One of the greatest comediennes of the past three-plus decades, it’s almost as if she’s passing the torch to one of the greatest new comediennes on the scene.

The script is sharply funny, with the contrasting styles (what is this, “Training Day?,” Bullock asks as McCarthy attempts to bond with a drug dealer) of both leads front and center. First time feature screenwriter Katie Dippold honed her talent writing for “MAD-tv” and “Parks and Recreation.” She apparently caught the studio’s eye as “The Heat 2” has already been announced. Sorry gentlemen, looks like it’s time for the ladies to rule!

Film Review “White House Down”

Starring: Channing Tatum, Jamie Foxx, and Maggie Gyllenhaal
Directed by: Rolland Emmerich
Rated: PG-13
Running Time: 131 minutes
Columbia Pictures

Our Score: 3.5 out of 5 stars

Rolland Emmerich has always been the man behind some of the summer’s biggest and most violent blockbusters. From aliens blowing up world landmarks, Mel Gibson massacring the British and the foaming at the mouth wrath of mother nature, Emmerich has a knack for getting butts in theater seats. He’s now set his sights on destroying and killing every little thing he can get his hands on inside the confines of the President’s home in “White House Down”.

Like any decent action flick, we need the customary character introductions before all hell breaks loose. That’s where we meet President James Sawyer (Jamie Foxx), who idolizes Abraham Lincoln and is hoping to ink one of the biggest Middle East peace deals. Heading up security and Presidential details is Martin Walker (James Woods), who is reaching retirement and seems less than happy with President Sawyer’s foreign policy. We then meet the character that all the women in the audience were gleefully looking forward to, D.C. police officer John Cale (Channing Tatum). He’s a former soldier who’s still trying to put his life together after his divorce. He’s keeping himself busy as security for the speaker of the house, Eli Ralphelson (Richard Jenkins), but this has put a strain on the relationship with his daughter, Emily (Joey King).

But today he’s got a surprise for his daughter, a pass to tour the White House. Which is very low on a lot of preteen girl’s lists, but Emily’s freakish love of politics makes this surprise seem like an early Christmas gift. Before that though, he has an interview for the Presidential secret service. That’s where the audience watches him get turned down and told “You’re just not secret service material”. Of course everyone knows we’re about to spend the next testosterone fueled hour and a half watching John prove his interviewer wrong. The beginning of the movie really dragged its feet trying to establish every single secondary and background character. Trust me, there are way too many to mention in this review. The secondary characters that get the least amount of screen time are actually the most pleasant and fun to watch. Though she’s the most prominent, as secret service agent Carol Finnerty, Maggie Gyllenhaal just kind of occupies the space she’s given. Luckily though, things pick up when a bomb detonates at the Capitol building. As smoke and flames pour out of the Capitol’s dome, a group of paramilitary mercenaries, led by Emil Stenz (Jason Clarke), take over the White House. They systematically go through every room in the place and kill every form of security with deadly precision.

Action movies like this rest on a very thin line. They can be incredibly silly and boring for the audience or they can be a highly entertaining movie that evokes plenty of emotion. Not necessarily tears, but rounds of laughter, applause and cheers. Since it takes place at the White House, there are plenty of light hearted jabs at politicians and pundits. The politics remain right in the middle so that both the red and blue moviegoers can get some laughs in. As an American, it’s more engrossing to watch a movie like this because we’re watching 1600 Pennsylvania Avenue turn from a beacon of national pride to an arcade style shoot em’ up. One of the best action sequences in the film includes the front lawn of the White House becoming host to a death race. The script, by James Vanderbilt, surprisingly keeps the action from being eye rollingly dull and predictable. But he also manages to keep it ridiculous enough to put a smile on theater goers faces, mine being one of them.

I have to admit, Jamie Foxx and Channing Tatum may be one of the more interesting duos to hit the screens in a while. I wouldn’t have suspected it, but the chemistry between the two melds well.. Especially when Jamie Foxx realizes the peaceful commander-in-chief schtick isn’t gonna work and needs to operate a rocket launcher. If you’ve exhausted your other summer movie choices and are looking for a fun, cheesy movie, this is a good filler.

DVD Review “Mickey Mouse Clubhouse: Minnie’s The Wizard of Dizz”

Voices of Bret Iwan, Russi Taylor, Bill Farmer, Tony Anselmo and Tress MacNeille
Studio: Walt Disney Studios Home Entertainment
MPAA Rating: TV-Y
DVD Release Date: June 11, 2013
Run Time: 101 minutes

Our Score: 4 out of 5 stars

Just when you think Disney Junior’s “Mickey Mouse Clubhouse” cannot get any cuter we get the latest special episode from the show’s fourth season “Minnie’s The Wizard of Dizz”.  This is a new double episode musical version of “The Wizard of Oz”, which aired on June 7th on Disney Junior.  I have to admit it is one of my favorite episodes of the show in recent years. I love the mash-up with “The Wizard of Oz”, it is very fun and…did I mention cute.  My daughter is already a big fan of this new special, especially for the fantastic special features (more on that below).  If you have a baby to pre-schooler this is a must purchase for sure! Disney Junior keep these coming please!

Official Premise: Journey to a wondrous land of enchantment and surprises! The classic tale gets a brand-new twist in Minnie’s new full-length adventure: The Wizard Of Dizz. Before you can say, “pink tornado,” Minnie and Pluto end up in the silly but spectacular land of Dizz. It’s an amazing place, with rainbow trees, butterfly bows, and friendly “Chipmunchkins,” but what Minnie wants most is to get home. Together, Minnie and her new friends Scarecrow Goofy, Mickey the Tin Mouse, and Donald the Lion,set off to ask the wonderful Wizard of Dizz to make their dreams come true. But look out! Bad Witch Pete wants Minnie’s magical, sparkly green shoes, and he’s got a few tricks up his sleeve.

This DVD includes a free downloadable “Minnie Bow-Maker” app for your smartphones.  This will go right on the iPad for my daughter to enjoy.  The special features are excellent includes two additional episodes: “The Golden House”  (Episode 88, Season 3)and “Goofy’s Gone” (Episode 93, Season 3).  But wait there is more with the first ten bonus Minnie’s Bow-Toons mini-episodes from its first season including “Leaky Pipes”, “The Pom Pom Problem”, “Trouble Times Two”, “Figaro’s Friend”, “A Shop in the Dark”, “Flower Fix”, “Dance Lessons”, “In Plane Sight”, “Bow-Bot” and “Fashion Emergency”. These episodes are great and I hope they include more of these on future releases.

Blu-ray Review “Wilfred: The Complete Season 2”

Starring: Elijah Wood, Jason Gann
Rated: NR (Not Rated)
Studio: 20th Century Fox
DVD Release Date: June 18, 2013
Run Time: 286 minutes

Season: 3 out of 5 stars
Extras: 2.5 out of 5 stars

After I was exposed to the first season of this show, which I watched straight through in one day, I was super excited for the second season. I have to admit though, I was a little let down. When I interviewed Jason Gann (read here), he said the second season was a different, a little darker but I feel it lost a little bit from the first season. Don’t get me wrong it is still pretty funny and completely out-there.  I have a feeling after interviewing Elijah Wood (read here) for season three that it is coming back with a vengeance.  If you haven’t seen this show, I would recommend checking out the first season before you just into this one but it is still worth checking out.

Official Premise: Elijah Wood and Jason Gann return for another fearlessly funny season of Wilfred…the story of a dog and his man. Following the first season’s cliff-hanger finale, Season Two finds Ryan making a fresh start with a real job and a new girlfriend. But with Wilfred’s help, Ryan discovers he still has a lot to learn about life, including ‘squishy’ viral videos and the ongoing cuteness war between dogs and babies. Get your paws on Season Two — with a shocking season-ending revelation that will change everything.

The Blu-ray presentation is impressive for this season, it is on par with the first season.  As this show is a straight forward black comedy, the 1080p transfer doesn’t blow you away but looks great. Same goes for the DTS-HD Master Audio 5.1 track, which works with the jokes and hilarious dialogue. The special features are a little light even less than the first season Blu-ray.  We get some decent deleted scenes and a blooper reel.  There are is a new short called “Stay” and a featurette “News at Noon with Jenna”.  There is also a fun “Wilfred/Ryan Mash-up” included.  Decent extras but I would have loved to see more specifically with commentary tracks, which I asked for in my review for the first season Blu-ray review (read here).  Oh well, I can hope for season three 😉

 

Related Content

Blu-ray Review “The Kentucky Fried Movie”

Actors: Donald Sutherland, George Lazenby, Bill Bixby
Directors: John Landis
Rated: R (Restricted)
Studio: Shout! Factory
Release Date: July 2, 2013
Run Time: 83 minutes

Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars

Ah, a real spoof. “The Kentucky Fried Movie” is a one of the original spoof before the genre went sour after the “Scary Movie” madness and its spin-offs. Before they hit it big with “Airplane”, the team of David Zucker, Jim Abrahams, and Jerry Zucker delivered this very funny (yet a little dated today) spoof. This film is also directed by the then newcower John Landis (“The Blues Brothers”, “An American Werewolf in London”). Even though the film hasn’t really held up over the years, it still has some  classic funny laughs and fans should enjoy this upgrade from their old VHS and DVD copies.

Official Premise: “The Kentucky Fried Movie” features a lewd, loosely connected collection of skits that spoof blaxploitation films, news shows, porno movies, TV commercials, kung fu flicks and more! This one-of-a-kind film features over 22 gut-bustingly hilarious segments including “Cleopatra Schwartz,” “The Wonderful World Of Sex,” “Catholic High School Girls In Trouble,” “A Fistful Of Yen,” and more!

“”he Kentucky Fried Movie” looks pretty good (not amazing) with its 1080p transfer in 1.85:1 aspect ratio.  But if you remember this film you would know that it was never really made high quality.  Still though the aging comedy still looks good in high-def.  Included for audio is the original DTS-HD Master Audio Mono, fans of the film will enjoy that treat and it works for the most part as well. The Blu-ray extras are good but missing some extras from previously releases. There is a commentary track with director John Landis, writers Jerry Zucker, David Zucker, Jim Abrahams and producer Robert K. Weiss, which is a total laugh fest and easily worth the purchase. “A Conversation With David and Jerry Zucker ” is a chat with the film’s writers on the production and legacy. Lastly there is the Original Trailer included.

 

“Blu-ray Review “The Howling: Collector’s Edition”

Actors: Dee Wallace Stone, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Belaski
Directors: Joe Dante
Rated: R (Restricted)
Studio: Shout! Factory
Release Date: June 18, 2013
Run Time: 91 minutes

Film: 4 out of 5 stars
Extras: 4.5 out of 5 stars

When it comes to “The Howling” it is considered one of the greatest werewolf films. It also features on of the best transformation scenes during its time, along with “An American Werewolf in London”. The practical effects are nothing short of amazing and a must see if you have never experienced it. I miss these days where everything wasn’t CGI.  Believe it or not this film also spawned seven sequels a crappy high school reboot. “The Howling” stars the amazing and lovely Dee Wallace and if you grew up with this film, what guy didn’t have a crush on Elisabeth Brooks? Am I right? Horrorhounds should be very excited with this release and just wait to you see the special features!

Official Premise: From the director of “Gremlins” and “Piranha” comes the ultimate masterpiece of primal terror. Severely traumatized by a near-fatal encounter with a serial killer, TV newscaster Karen White (Dee Wallace) takes time off at a secluded retreat called “The Colony.” But when, after nights of being tormented by bestial, bloodcurdling cries, Karen ventures into the woods seeking answers, she makes a terrifying discovery. Now she must fight not only for her life but for her soul!

Unlike with the recent “Lifeforce” transfer approved and worked on by Tobe Hopper himself, Scream Factory packed the 1080p transfer in 1.86:1 from previously released European Blu-ray. Don’t get me wrong it is still pretty sharp and looks great. “The Howling” includes a brand new DTS-HD Master Audio 5.1 track along with the original mono track as a DTS-HD Master Audio 2.0 track. I have to admit, the 5.1 track is quite epic, especially with the transformation scenes. Pino Donaggio’s score also is complemented very well. I was a little upset that this “Collector’s Edition” is Blu-ray only unlike the recent “Lifeforce” Blu-ray which is a Blu-ray/DVD combo pack. But they make it up with their amazing special features.

There are tons of speicWith “Howlings Eternal with Steven A. Lane” we get some back story from the executive producer. “Cut to Shreds with Editor Mark Goldblatt” gives us the scare techniques used in the film. “Interview with Co-writer Terrence Winkless” gets some insight on the film’s writting process. “Horror’s Hallowed Ground: A Look at the Film’s Locations” is hosted by Sean Clark as he tours the film’s shooting locations. “Making a Monster Movie: Inside The Howling” is a cool behind-the-scenes vintage featurette. “Interview with Stop Motion Animator David Allen” is a look into the special effects. “Unleashing the Beast – The Making of The Howling” is an in-depth feature look into werewolf mythology.

Next up are the commentary tracks, which there are two included. The first is with director Joe Dante, Dee Wallace, Christopher Stone and Robert Picardo. It is not a new track but still great to hear Christopher Stone again (R.I.P). The next audio commentary is with author Gary Brandner, which is a new commentary hosted by Red Shirt Productions’ Michael Felsher. I was not a big fan of this track and definitely still prefer the first over it. Lastly included there are a few Deleted Scenes with Optional Commentary, some Outtakes, a Theatrical Trailer and a Photo Gallery included.

Blu-ray Review “Lifeforce: Collector’s Edition”

Actors: Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, Patrick Stewart
Directors: Tobe Hooper
Rated: R (Restricted)
Studio: Shout! Factory
DVD Release Date: June 18, 2013
Run Time: 101 / 116 minutes

Film: 3.5 out of 5 stars
Extras: 4 out of 5 stars

Based on Colin Wilson’s novel “The Space Vampires”, “Lifeforce” is Tobe Hopper’s first shot a big-budget film. For the most part, the film is visually amazing and still holds up, thanks to Academy Awardwinner John Dykstra (1977 Best Visual Effects, “Star Wars”). Fans can rejoice that this new Blu-ray transfer was actually overseen by Hooper himself, which is pretty cool (more on that below). It also stars the smoking hot, Mathilda May, who looks amazing in HD, especially she is naked for the majority of the film. The final act of “Lifeforce” is where the film really looses me but overall it still holds up for the most part. Also This Blu-ray contains both the theatrical cut and the director approved extended cut. Horrorhounds and fans of this film should be thrilled with this release. Did I mention that Mathilda May is very easy on the eyes?

Official Premise: A mission to investigate Halley’s Comet discovers an even stranger phenomenon: an alien spacecraft! Following a deadly confrontation, the aliens arrive on Earth, where their seductive leader begins a terrifying campaign to drain the lifeforce of everyone she encounters. Her victims, in turn, continue the cycle, and soon the entire planet is in mortal danger. And when the mission’s sole survivor (Steve Railsback) sets out to destroy her, he comes face to face with the most charming – and horrifying – being he’s ever known. Will he be able to destroy the lovely vampiress…or will he become yet another victim of her fatal charm.

Scream Factory delivered this film with a very sharp and clever 1080p transfer with an aspect ratio of 2.35:1. Like I said above, Hooper oversaw this restoration and high definition transfer upgrade. He also states in the commentary track that he personally worked on the color timing in order to get it to his original vision. “Lifeforce” features two audio tracks, a DTS-HD Master Audio 5.1 and 2.0 tracks. Henry Mancini’s kick-ass score, though only in whole on the director’s cut. The theatrical release cut differs with cutting out some of the erotic content and also some slight differences in the music. Also the theatrical cut only packs a pretty weak Dolby Digital 5.1 track.

The special features are equally as impressive as the Blu-ray transfer. There is a commentary with Director Tobe Hooper, moderated Tim Sullivan (director of “2001 Maniacs”). Highly recommended for any fan of this film. There is another commentary track with Make-Up Effects Designer Nick Maley and hosted by Michael Felcher, decent but doesn’t compare to the first. “Dangerous Beauty with Mathilda May” is a great interview with the still stunning actress. “Space Vampires in London with Tobe Hooper” is a feature focusing on the novel. “Carlsen’s Curse with Steve Railsback” has the actor looking into the film. Lastly there is a Vintage Making of Lifeforce, Theatrical Trailers, TV Spot and a Still Gallery included.

3D Blu-ray Review “Upside Down”

Actors: Kirsten Dunst, Jim Sturgess, Timothy Spall
Directors: Juan Solanas
Rated: PG-13 (Parental Guidance Suggested)
Studio: Millennium Entertainment
Release Date: June 25, 2013
Run Time: 103 minutes

Film: 4.5 out of 5 stars
3D: 4 out of 5 stars
Extras: 3.5 out of 5 stars

I am sucker for anything sci-fi and set in an alternate or futuristic reality.  When I read the premise for “Upside Down”, I was instantly hooked.  I thought it was  extremely originally, clever and very thought provoking.  Unfortunately, these kinds of films are not very marketable to the mass. As always Millennium Entertainment has stood up and given this film a proper release.  I have to admit, I was hoping it was going to be good but I thought it was actually pretty amazing. Definitely one of the most visually amazing films I have seen this year! I found myself very engaged with the film, its characters and got swept into the upside down world that was created within the film.  Highly recommend seeing this, especially in 3D!

Our leads, Kirsten Dunst and Jim Sturgess, give great performances, especially Sturgess who really let’s it all out (like usual) for this role. He has been on my radar since “Across the Universe” and has consistently impressed me especially last year with “Cloud Atlas”. The two leads have great chemistry between each other. Since the film is about their forbidden romance, the two of them makes it feel very believable and has your routing for their success. Timothy Spall, who is best known for his role of Peter Pettigrew in “Harry Potter” series is also equally awesome as well in his supporting yet important role..

“Upside Down” talks place in an alternate universe where two intertwined worlds not only exist but also have opposite gravities. Adam (Sturgess), who comes from the lower (class) end of the world, finds the girl of his dreams, Eden, but she is upside down from him. Get it Adam and Eve? After an event happens and they lose touch for 10 years, Adam tries to find a way to win her back even if she is practically in a different world.  The question is posed to our two lovers… “what if love was stronger than gravity?”

Millennium Entertainment  is releasing this film in a 3D + 2D Blu-ray & DVD combo.  I am psyched to see them give this film a 3D Blu-ray release since it is a very visual film and it really lends a lot to the extra dimension. In fact this wasn’t even released theatrical in 3D, which I believe was big mistake. There is a lot of great extras depth added to this film. When I was watching this film I actually believed that I was in this world.  When the world’s turned upside down, I felt like I should be turning my head around. I also couldn’t help but relating back to “Oz The Great and Powerful” which cost $150 million more than this film and looked completely fake as shit.  These visuals were absolutely amazing and deserve the attention.

In terms of quality “Upside Down” also looks great in 2D but just misses the opportunity for the great added depth and visual effect. The 1080p transfers are very impressive.  The 3D transfer tends to feel a little darker but I feel that it only added to the blue-hued futurstic world. The Dolby TrueHD 5.1 audio track is nothing short of epic. I kept thinking to myself when I was watching this film, “who the hell scored this?”, since the scores feels so big. Kudos to Benoît Charest, who also composed “The Triplets of Belleville”. His score is well represented on this Blu-ray.

The special features are quite impressive like the film.  They are also all available in 3D, which is not necessary for their context but still neat.  “The Making Of” is a great look into the production, which is very well done and a must watch if you liked the film. There are a few short Deleted Scenes included and an storyboarded alternate opening, called “History of the World”. Sticking with storyboards, there are about two dozen conceptual drawings including as well as storyboard  from the film’s finale and a few others. Since the film is very visual there are also a new previz shots for the Sage Mountain sequence, the Office and lastly the Final Shot – all with commentary from Juan Solanas takes viewers throughout he process of making a shot.

 

Related Content

Blu-ray Review “Phantom”

Actors: Ed Harris, David Duchovny, William Fichtner
Directors: Todd Robinson
Rated: R (Restricted)
Studio: 20th Century Fox
Release Date: June 25, 2013
Run Time: 98 minutes

Film: 3 out of 5 stars
Extras: 3 out of 5 stars

Who doesn’t love a good submarine thriller? It has been a while since we had a great one, possibly “U-571”.  “Phantom” is not perfect but it does star four-time Academy Award nominee Ed Harris and Golden Globe winner David Duchovny and they are great together. I am surprised that this film didn’t get more exposure based on the cast alone. It was also shot on an actual decommissioned Soviet submarine, which gets some points for authenticity from me. It may not rank up there with “Das Boot” or “The Hunt for Red October” but it does deliver some decent underwater war action and is worth at least a rental for sure. Also another recent good sub project is the short-lived TV series “Last Resort”, which was just released on DVD.

Official Premise: At the height of the cold war, the world holds its breath when a Soviet submarine armed with nuclear missiles goes missing in the Pacific. On board the vessel, the battle-tested captain (Harris) and a rogue KGB agent (Duchovny) are waging a life-and-death game of cat and mouse. With enemy forces closing in and time running out, the captain fights to keep control with nuclear armageddon hanging in the balance.

20th Century Fox has been have a new trend with their combo pack including a Blu-ray and UltraViolet HD digital copy. The film is low budget but has a strong 1080p transfer presentation. It looks sharp, especially with the dark scenes and captures the isolation of being in the sub. The film’s DTS-HD Master Audio 5.1 also delivers the tension and action quite well. I also dug the score quite a bit.  The special features are decent like the film itself. Starting with an audio commentary track with writer/director Todd Robinson and Ed Harris, not terribly over exciting but informative. “Facing the Apocalypse: Making Phantom” is a pretty decent behind-the-scenes look at the production. “The Real Phantom” features the director and historian Kenneth Sewell giving background on the story of the real K-129. “Jeff Rona: Scoring Phantom” is a featurette on the film’s score. Lastly there is music video for the song “An Ocean Away”.

Blu-ray Review “The Dragon Pearl”

Starring: Sam Neill, Li Lin Jin, Louis Corbett, Jordan Chan, Wang Ji, Robert Mammone
Director: Mario Andreacchio
Distributed by: Ketchup Entertainment
Release Date: June 18, 2013
MPAA Rating: PG
Run Time: 95 minutes

Film: 2 out of 5 stars
Extras: 1/2 out of 5 stars

I have to admit plain and simple, I am a sucker for anything with Samn Neill.  But this is not really a not the Sam Neill show, as he just pops in for a few scenes. This family film is currently a Wal-Mart Exclusive until Aug 20, 2013.  As entertaining as the cover art looks though with the very pretty dragon, it is quite underwhelming.  The dragon special effects do look sharp but they are sparsely used like Sam Neill in the film. Kids might enjoy but parents be warned this is lame and bit of a bore.

Official Premise: Josh (Louis Corbett) and Ling (Li Lin Jin) thought they were in for a boring vacation with each of their parents (Sam Neill, Jurassic Park and Wang Ji) at an archaeological dig in China. It turns into an adventure of a lifetime when they discover a mournful dragon trapped deep inside a mystical temple. According to ancient legend, the dragon is missing its life force, a sacred pearl that is hidden away in a secret chamber. Josh and Ling must battle evil forces (and some very skeptical parents) in their heart-stopping journey to return the magical pearl to its rightful owner.

Ketchup Entertainment is releasing this film as a combo pack with a Blu-ray + DVD + Vudu Digital Copy.  The film was shot by award-winning Australian DP, Geoffrey Simpson, so I was very impressed with the 1080p transfer. In fact the locations where the film were shot were the best part of watching this. The DTS-HD MA 5.1 tracks sounds good enough with the occasionally weak action scenes and decent score. Like the film itself, the special feature department is extremely lacking. We only get the film’s trailer here, so don’t expect much in the extra department.

 

Related Content

Film Review “Byzantium”

Starring: Gemma Arterton, Saoirse Ronan, Caleb Landry Jones, Jonny Lee Miller and Sam Riley
Directed By: Neil Jordan
Rated: R
Distributed by: StudioCanal
Running Time: 118 minutes

Our Score: 4 out of 5 stars

It’s been nearly twenty years between Neil Jordan’s gorgeous star-filled adaptation of Anne Rice’s Interview with the Vampire and this new bloodsucker story, an interim which has really seen the genre stretched to its limits. It is with great relief then to report that despite having a sixteen year old lead, Byzantium has much more in common with that 1994 classic than Twilight or any of its pretenders. While not quite reaching the sprawling grandeur of Interview, it manages to create its own lore and is worth a watch for its two powerhouse leading women.

The film follows Clara (Gemma Arterton) and Eleanor (Saoirse Ronan), a mother-daughter vampire team who have been eking out a living on the road for the past two centuries. Unable to create a stable home for themselves as they’re chased by a patriarchal secret society, the two women take drastically divergent approaches to handling their bloodlust. Clara, who we meet in a modern strip club, has grown alongside The Oldest Profession—picking off those who, to her mind, “the world would be a more beautiful place” without—while Eleanor takes a more euthanasic approach. The younger one steals into the rooms of the dying and gently sees them off. Their most recent home base here is the titular Byzantium hotel that Clara commandeers from a lonely client of hers (Daniel Mays) for use as a brothel. As the society in pursuit of the women gets closer, we watch in flashbacks their vampiric origins and how they came to cross these men. All the while Eleanor is trying to rebel against mother Clara by sharing their story with others. Clara never lacks company, while Eleanor is in need of actual connection.

The film’s main strength lies in its cast. Saoirse Ronan is perfect as the perpetual sixteen year old. Despite minimal bloodshed, her interactions with her victims are among the most chilling moments in the film. In one standout scene Eleanor is forced to defend her life story to an incredulous creative writing professor when the assignment was for pupils to write something true. You can sense the centuries old fatigue in Ronan’s youthful face as she calmly lays out to this professor why its impossible for her to prove her immortality in this moment, but one day… It’s a performance that may remind you of Ronan’s icy breakout role in Joe Wright’s Atonement, another character who sought to work out her troubled life through writing. Meanwhile, Arterton’s Clara is just as magnetic. Under the cover of her sexual confidence (and a jaw-dropping wardrobe to match) is layered a much more desperate mother who’s still trying to support her child in the only ways she knows how. Only eight years apart in real life, some of Arterton and Ronan’s best scenes feature all-too-human “mother knows best” type arguments which really sell their relationship. Clara means well, but her growing fear of even her two hundred year old baby going off into the world throws her into a frenzy which makes Arterton increasingly scary while remaining sympathetic. The leading ladies are also given excellent support from the likes of Tom Hollander, Caleb Landry Jones, Jonny Lee Miller and Sam Riley. Riley and Miller greatly boost the somewhat slower flashback sequences as soldiers from whom Clara originally stole the route to immortality from in the 1800s. These scenes are gorgeously shot (by Sean Bobbitt of Shame) but tend to linger more than necessary while the modern scenes hold more forward momentum.

Byzantium is also notable for its casual disregard of some of the more famous vampire “rules.” Daylight isn’t preferred but nor is it deadly, everyone casts reflections and so forth. Most strikingly, it’s fangless, opting instead for a growing thumbnail spike that called to my mind the pointed ring that Tom Cruise’s Lestat used in Interview. Such touches keep the traditional horror aspects—and blood loss— to a minimum and shift the focus instead to the relationships of these immortals to each other. That’s not to say the film isn’t without some shocking gore moments—a decapitation in the first five or so minutes will dispel this notion anyway—but that it’s not the primary focus of the film and it really doesn’t need to be. It’s a haunting, visually beautiful film that while slow at times, warrants revisiting this often seen genre.

Paul Sorvino talks about new his film “Precious Mettle”

Paul Sorvino is probably best known for his authoritative heavy roles, most notably mob boss Paul Cicero in “Goodfellas.” But when he started out on his show business career he had dreams of being a famous opera singer. Classically trained he discovered the acting bug while attending the American Musical and Dramatic Academy in New York City. In 1972 he landed a starring role in the Pulitzer Prize and Tony Award winning drama “That Championship Season.” His work here got him noticed by Hollywood and he soon found himself getting small roles in such films as “The Panic in Needle Park,” “A Touch of Class” and “The Day of the Dolphin.” In 1975 he found himself starring in his own television series, “We’ll Get By,” which was created by Alan Alda.

The first time I saw Mr. Sorvino on screen was in the film, “Oh, God!” As the Reverend Willie Williams (if you watched religious television programming in the 1970s it’s clear that he was based on Ernest Angley), he is the man behind a lawsuit claiming defamation after John Denver’s character tells him that God wants him to stop ripping people off. The next year he starred in director John Avildsen’s follow-up to “Rocky” entitled “Slow Dancing in the Big City.” As a New York City reporter who falls in love with his neighbor, a ballet dancer, he gives one of his greatest on screen performances. He has continued giving great performances in films such as “Reds,” “Dick Tracy,” “Goodfellas,” “Nixon” and Baz Luhrman’s adaptation of “Romeo and Juliet.” He co-starred in the film version of “That Championship Season,” as well as a later television adaptation that he also directed. Besides “Goodfellas” he is probably best known for his two seasons as Sgt. Phil Cerreta on “Law and Order.” And lest you think he gave up on the singing career, you can hear his amazing voice in such films as “The Cooler,” “Repo! The Generic Opera” and “The Devil’s Carnival.”

While in Chicago filming his latest project, the drama “Precious Mettle,” Mr. Sorvino took time out to speak with Media Mikes about his career, justice at the Oscars and the fine art of slicing garlic.

Mike Smith: Let’s get the important question out of the way first, which comes from my wife. Was that really you slicing the garlic so fine in “Goodfellas?”
Paul Sorvino: That’s an interesting question. A lot of people have asked me that. But I’m curious why she thinks it wouldn’t have been me! (laughs)
MS: I think it’s because she’s a great Italian cook and she remarks every time we watch the film that it takes a certain skill to do that.
PS: Tell her that I’m also a sculptor and a pianist. I also play the guitar. My hands are pretty well educated. Indeed that was me.

MS: Can you give us some insight into the character you’re playing in the film you’re currently shooting, “Precious Mettle?”
PS: It’s a wonderful script. The character is very rich. He’s a strong man…a police commander. But he also has a big heart. Without giving too much away I can tell you that it becomes a father/daughter story…a very, very emotional story. I like it because there’s a lot of emotion in it and a lot of tough guy too. And I like playing parts like that.

MS: Is that what attracted you to the film?
PS: It was the overall quality of the script. As a writer and director myself, I don’t just look at a script from the point of view of the role I’m going to play. I look at the totality of the quality of the script. I know if the script is good then we’ll make a good movie. This script is very good so I know we’re making a very good movie. And, again, the role is excellent.

MS: You trained to be an opera singer and have performed in some of your films. Did you ever release and album or CD?
PS: I have and you can probably get it off eBay. It’s called “Paul Sorvino Sings” and I recorded it with the Seattle Symphony as a PBS special. I can also be heard on the cast albums of “Carmalina” and “The Baker’s Wife.” Those are the three recordings you can hear me on. I’ve sung with the New York City Opera. I’ve sung with the Seattle Opera. I’ve done a gala at the Metropolitan Opera. I’ll also be doing a concert tour in Canada in the fall. We start in Montreal in September.

MS: If you had a choice would you rather be singing or acting?
PS: (laughs) Both!

MS: My two favorite performances of yours are, ironically, the first two films I saw you in: Reverend Willie Williams in “Oh, God!” and Lou Friedlander in “Slow Dancing in the Big City.”
PS: You remember those? (laughs) Wow, you go way back.
MS: They’re also two very different roles. One is played for comedy and the other is quite dramatic. Do you have a preference of doing comedy or drama?
PS: Not really. If I’ve done a couple of comedies I’ll try to follow them up with a couple of dramas. I like to do both. I’ve just shot three very serious movies in a row. I’d love to do a comedy next. In fact my next film will be “The Devil’s Carnival 2.” That’s going to be zany! I probably wouldn’t call it a comedy but it’s a very different style.

MS: Besides that project what else do you have coming up?
PS: There’s a project of my own that I want to do called “Marietta’s Song,” which would star my daughter Mira and I would direct and write. It’s based on the story of my mother and I. I’ve always written. I was a copywriter in advertising and became a creative director. In 1985 I wrote the book “How to Become a Former Asthmatic” (NOTE: Mr. Sorvino has battled asthma his whole life and is the founder of the Sorvino Asthma Foundation in New York City). I’ve written many scripts but this one is a true labor of love.

MS: Speaking of Mira, one of the most genuine emotional moments EVER in Academy Award history came when Mira thanked you from the stage after winning the Oscar for her role in “Mighty Aphrodite.” Can you describe what you were feeling at that moment?
PS: Nothing was going through my mind, I can tell you, but my heart….I was just so happy! Happy that justice had been done. She’s a great actress who gave a great performance. Oscar justice is not always done… as we all know, life is not fair. But that night justice was served. My heart was overflowing with pride and happiness. I wasn’t thinking anything but I was feeling all of that. I couldn’t believe that she said that…it was a wonderful time where a billion people saw the wonderful relationship between a father and a daughter that’s very rare to see on television. I was just so proud of my daughter. I’m proud of all my children.

 

Related Content

Antoni Stutz talks about directing his new film “Rushlights”

After a few television appearances and a supporting role opposite Don Johnson in John Frankenheimer’s “Dead Bang,” Antoni Stutz decided to take his talents back behind the camera. He made his feature film directorial debut with the comedy/thriller “You’re Killing Me,” starring Julie Bowen and Traci Lords. This week sees the release of his latest film, the noir-ish drama “Rushlights.” While promoting the film’s release Stutz took the time to sit down with Media Mikes.

Mike Smith: Can you give our readers a brief introduction to “Rushlights?”
Antoni Stutz: “Rushlights” is a story about two young kids from the wrong side of the tracks that travel to a small town in Texas to falsely claim a dead friend’s inheritance. Their claim seems to be going in the right direction at first but it soon turns out that pretty much everybody in this little town has a stake – slash – interest in the estate. It’s also a coming-of-age story, which I think helps separate it from the usual crime story. The choices that you make when you’re in your early 20’s are much more random and impulsive than those of someone who is in their 30’s. They would think things through more. When we got to page 20 while writing the script we had to think, “what would a 20 year old do in this situation?” We’re looking at it from a late-30’s point of view…we had to remember back to when we were 20. It’s a completely different dynamic. And that’s what interested me in the film.

MS: We’re informed at the beginning that the film is based on a true story. How did you come across the tale?
AS: My co-writer (Ashley Scott Meyers) approached me with a story she had seen in a newspaper that took place in Alabama. These two young people went to a small town in Alabama and tried to pull a similar stunt…impersonating someone else and claiming an inheritance. And I realized that ONLY a teenager would come up with an idea like that and think it would work. I also realized that maybe what they did didn’t make them idiots. Maybe what they did made them desperate. And desperate people do desperate things.

MS: You had some success early on as an actor. What made you take your talents behind the camera?
AS: I actually started out behind the camera. I made short films…VHS, digital, High-8, Super-8. I started when I was 14. I came to Los Angeles and I guess I had the right look at the time. I did some commercials, some television. But that wasn’t where my drive was. I was up in Canada for three months with John Frankenheimer and Don Johnson doing “Dead Bang.” It wasn’t a big role but they decided to keep me there even when I wasn’t shooting. So I basically had a three month crash course in filmmaking. To the despair of John Frankenheimer, I should add. I know I got on his nerves. I kept asking “why are you putting the camera there?” Finally he said, “listen, kid, we’re paying you to be in FRONT of the camera, not behind the camera.” I was so naïve that I didn’t really know who he was or what a legend he was (among his films, Frankenheimer directed “Black Sunday,” “Birdman of Alcatraz” and the original “Manchurian Candidate”). He told me that if I shut up and didn’t bother him I could stay on set and watch him. So I basically went to film school for two and a half months. I had also worked with Bob Giraldi and Michael Mann so I had some great exposure. The only problem was that it was a studio environment. Making independent films is a completely different environment.

MS: Have you ever thought about acting again?
To pick up an acting career in my early 40’s…not really. I really enjoy working WITH actors. I think I can bring what experience I have acting to the directing job. But at the same time I’m not excluding it.

MS: You pull double duty on “Rushlights,” as both co-writer and director. Do you prefer one job over the other?
AT: Directing by far. That is where my passion lies in the creative process. Not that I don’t enjoy writing. You have to understand that filmmaking is a little bit like a modern day operetta. You have all of these different art forms. Photography. Acting. Writing. Production design. You name it. And you put it all under one umbrella. There are some things you’re going to be good at and some things you’re not going to be good at. You make sure you take advantage of the things you shine at and you also make sure that you have people that do shine on the things you don’t. It’s a great learning experience to put your ego in the drawer.

MS: Now that “Rushlights” is being released what do you have coming up?
AT: I have two thrillers on my desk. They’re both finished scripts but one is a little more developed than the other. That’s the one I’m favoring. It’s really a hair-raising original story written with bravura and balls. It’s really outside of the box. With a little bit of luck we should be shooting it the middle on next year.

MS: That’s really all I had. Thank you for your time.
AT: And thank you for taking the time to watch the film. I don’t make films for myself. I don’t put it on a shelf and just show it to my friends. I make them for an audience. The most enjoyable time for me on a film is the moment between “action” and “cut.” Second thing is a good Q&A, either with the audience or a critic. I’ve talked with people that really enjoyed the film and I’ve talked with people that were angry with me…”this doesn’t make sense…that doesn’t make sense!” And I’ve realized that this is part of being an artist. If a film I make generates this kind of emotion than I’ve done my job. It’s a dialogue like this that inspires me to get up in the morning, get on the horn, raise money…all of the crazy, insane stuff you have to do to get a film off the ground. When you’re a film buff you’re stuck with an incurable disease. I don’t recommend it for everybody!

 

Related Content

Blu-ray Review “Robot Chicken: DC Comics Special”

Created by: Seth Green, Matt Senreich
Rated: Unrated
Studio: Cartoon Network
Release Date: July 9, 2013
Run Time: 23 minutes

Special: 3.5 out of 5 stars
Extras: 4 out of 5 stars

I will never forget the first time that I saw “Robot Chicken”. I can still watch the first episode and belly-laugh throughout. This Emmy Award winning show has come so far over the last 8 years and 120 episodes. In this latest special no superhero is spared and no one is safe. If you are a fan of this show then this is a no-brainer. But if you have seen this special on TV and wondering why would you purchase this Blu-ray for only a 23 minute episode…well the answer is to get the additional 2+ hours of bonus content! It is easily makes this Blu-ray worth the purchase!

Official Premise: The special, which boasts an all-star cast as well as characters Robot Chicken fans have grown to love, provides a unique take on some of the most iconic superheroes from the DC Comics universe – along with others whose powers can’t really be called “super.” So what happens when Robot Chicken and DC Comics collide — who will survive with their super-dignities intact? NOBODY! In Robot Chicken’s hands, Superman, Batman, Wonder Woman and even Mr. Banjo could end up dead or naked or both or neither.

Like most “Robot Chicken” specials, this one features an all-star cast including series co-creator and executive producer Seth Green as Batman, Robin and the put-upon Aquaman; Neil Patrick Harris as Two-Face; Alfred Molina as Lex Luthor; Nathan Fillion as the Green Lantern; Megan Fox as Lois Lane; series and special writer/voice talent Breckin Meyer as Superman, plus Abe Benrubi, Alex Borstein, Clare Grant, Tara Strong, series co-creator and executive producer Matthew Senreich, series co-head writer/co-executive producer Tom Root, series director Zeb Wells and Kevin Shinick as co-producer, writer and narrator. This special goes all out and it shows!

Like I said this release really shines with its special features. There are two hours of bonus content created by the special’s producers. We get tons of great deleted sketches and outtakes. There are both writers and actors commentary tracks for the special. ”The Making of Robot Chicken DC Comics Special” is a great behind-the-scenes look. “Robot Chicken DC Comics Special’s Aquaman Origin Story” is a fun look at the most hated DC character. “DC Entertainment Tour” is a cool look into the offices. Lastly there are “Stoopid Alter Egos” and “5.2 Questions” to the creators.

DVD Review “Last Resort: The Complete First Season”

Actors: Andre Braugher, Scott Speedman, Daisy Betts, Camille De Pazzis, Dichen Lachman
Directors: Michael Offer
Number of discs: 3
Studio: Sony Pictures Entertainment
DVD Release Date: July 2, 2013
Run Time: 558 minutes

Series: 3.5 out of 5 stars
Extras: 4 out of 5 stars

If you watch the pilot to “Last Resort”, this show will have you hooked. It packs a sharp cast lead by Andre Braugher and Scott Speedman with supporting cast including Dichen Lachman, Daisy Betts, Robert Patrick, Jessy Schram and Sahr Ngaujah. This show was unfortunately canned after its first 13 episodes but that actually worked out for the show better. Even though I would like to have seen more, the show really worked best as a 13-episode arc.  It was tight, sharp and delivered a nice ending. I can easily see myself re-watching this series in the near future. I would recommend this for anything that missed it when it aired on TV or definitely for fans of the show to enjoy it again, plus this DVD is jam packed with great extras.

Official Premise: The U.S. ballistic submarine Colorado sits 500 feet below the Indian Ocean when orders come in to fire nuclear missiles at Pakistan. Captain Marcus Chaplin (Braugher) and XO Sam Kendal (Speedman), both question the legitimacy of the order and ask for confirmation, but instead receive missile fire from another U.S. submarine. Left for dead at the bottom of the ocean, the Colorado finds refuge on an exotic island. As troops come toward the island, the members of the crew must work to clear their name and find out who is involved in a conspiracy of nuclear proportions. The 13 episodes includes are: “Captain”, “Blue on Blue”, “Eight Bells”, “Voluntold”, “Skeleton Crew”, “Another Fine Navy Day”, “Nuke It Out”, “Big Chicken Dinner”, “Cinderella Liberty”, “Blue Water”, “Damn the Torpedoes”, “The Pointy End of the Spear” and “Controlled Flight Into Terrain”.

The special features on this series is actually quite awesome with 13 All-New Featurettes. “Making the Pilot” gives an inside look behind-the-scenes on the first episode. “Profiles in Courage” is a chat with– co-creators and executive producers Shawn Ryan and Karl Gajdusek on the USS Colorado crew members. “Conn Artists” talks about the sets with Production Designer Jim Spencer and Set Decorator Brenda Meyers-Ballard. “Anatomy of an Episode” focuses on the episode “Voluntold” with cast/crew. “Grace Under Fire” has Daisy Betts talking about her role. “Ties That Bind” features the cast chatting about the shows crucial relationship between Christine and Sam.

“Subvirtual” features the Fuse FX team talking about the show’s stunning computer-generated visual effects. “The Buzzard’s Nest” talks about filming the explosive riot scenes in “Big Chicken Dinner.” “Turning Point” looks into the Naval SEAL mission in Pakistan that sets off the chain of events in the series. “The Mole” – Jessica Camacho peels away the layers around Cortez’s undercover role aboard the USS Colorado. “Serrat’s Lair” looks into the building of the estate that serves as Serrat’s island compound. “I, Kylie” has Autumn Reeser reflecting about her role. “Epilogue” has the– cast and crew looking back on their characters and roles.

Copyright: MediaMikes.com © 2013 · Powered by: nGeneYes, Inc. · Login

All logos and images used on this website are registered trademarks of their respective companies. All Rights Reserved. Some of the content presented on our sites has been provided by contributors, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. MediaMikes.com is not liable for inaccuracies, errors, or omissions found herein. For removal of copyrighted images, trademarks, or other issues, Contact Us.