Starring: Colin Farrell and Russell Crowe
Directed by: Akiva Goldsman
Rated: PG 13
Running time: 1 hour 58 mins
Warner Brothers

Our Score: 1/2 out of 5 stars

“What the hell did I just see?”

That was my first comment to the studio representative after I screened “Winter’s Tale.” Allow me to save you two hours of your life: In 1895 a young man, with his wife and new baby, are attempting to enter the United States. Sadly, because of an illness, they are ordered back to Ireland. They beg to stay or at least leave their baby behind, thinking he would have a better life in the new world. Rebuffed, the father steals a model of a sailing ship and, when no one is looking they lower it, with the baby attached, into the harbor, apparently with the hope that the wooden toy model will carry the baby to Brooklyn. We jump ahead 21 years later to find Peter Lake (Farrell) the baby, now grown up, running from Pearly Soames (Crowe) and his gang. Cornered, Peter makes the acquaintance of a snow-white horse, one that bows and beckons Peter aboard. Once he’s on its back, he heads toward Pearly and his goons, eventually JUMPING OVER the 12 foot gate and flying away. No, seriously.

So begins what I can only imagine a film that read much better on paper. Director Goldsman, making his feature film directorial debut, is an Academy Award winning writer (“A Beautiful Mind”) that ought to know better. This film deals with immortality, chance, Satan and so many incredulous plot devices that wouldn’t pass for muster anywhere, much less New York City! When, in present day New York, Peter is asked to provide two forms of ID and can’t you have to wonder, as I did, how in the hell is he living in a nice apartment with no ID or obvious source of income? I mean this makes surviving a trip in a toy boat in New York Harbor almost believable! Almost.

Sadly the biggest waste here is a very fine performance by Colin Farrell. Equally good, in what amounts to an extended cameo, is Jennifer Connelly. Crowe appears to still be channeling Inspector Javert from “Les Miz,” only with a nasty scar added to his chubby cheeks. By the time of the “big reveal”, and if you’re still reading this you must be somehow intrigued, you’ve hopefully figured out the story. If not, like Peter Lake, you’re on your own!

Actors: Elle Deets, Yuri Lowenthal
Directors: Richard Rich
Rated: PG (Parental Guidance Suggested)
Studio: Sony Pictures Home Entertainment
Release Date: February 25, 2014
Run Time: 83 minutes

Film: 2 out of 5 stars
Extras: 2 out of 5 stars

“The Swan Princess” started back as a 1994 animated fantasy musical film based on the ballet “Swan Lake”. Fast forward to 2014 and we get “The Swan Princess: A Royal Family Tale”, which is the fifth film in the series and which also celebrates the 20th anniversary. The film is cute but the animation is low-grade and it couldn’t keep our attention for the short 80 minutes.

Richard Rich has been behind this series from the beginning and has directed and produced each and everyone of these sequels. He is also behind the sequels in the “Alpha and Omega” series. You have to give him props for keeping it going for five films now but I think it might be time to call it quits on this series. These stories are all stand-alone, so I am sure he can keep it going for twelve movies like “The Land Before Time” but this will probably be the last one I watch.

Official Premise: Shortly after the Royal Family adopts a young girl named Alise, she is taken away into the forest. Princess Odette, Prince Derek and their woodland friends, Jean-Bob the Frog and Speed the Turtle, must work together to find a way to bring her home to the castle.

Sony delivers this film in a two disc combo back with a Blu-ray + DVD and HD Digital Ultraviolet Copy. In terms of special features, there are two bonus Sing-A-Long videos for ““We Wanna Hear From You”” and ““Right Where I Belong””. Also included is a free, sparkly tiara for those little young princesses and a free Shutterfly Photo Book ($29.99 value) for the parents. Honestly, this is worth the purchase alone just for the photo book.

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Starring: Rob Lowe, Will Rothhaar, Ginnifer Goodwin, Michelle Trachtenberg, Jack Noseworthy, Casey Siemaszko
Director: Nelson McCormick
Rated: TV-14
Studio: 20th Century Fox
Release Date: February 11, 2014
Run Time: 87 / 90 minutes

Film: 3 out of 5 stars
Extras: 3 out of 5 stars

“Killing Kennedy” is based on the 2012 non-fiction book of the same title by Bill O’Reilly and Martin Dugard. The film premiered on National Geographic Channel on November 10, 2013. It stars Rob Lowe as President John F. Kennedy, Will Rothhaar as Lee Harvey Oswald, Ginnifer Goodwin as Jacqueline Kennedy, Michelle Trachtenberg as Marina Oswald and Will Rothhaar as Lee Harvey Oswald. Produced by the late Tony Scott (“Unstoppable”) and Ridley Scott (“Prometheus”). I enjoyed the film but I did feel like it had too much a TV movie quality about it. It did have great performances from everyone in the cast. I was interested to see what Lowe could do with JFK and he nailed it.

Official Premise: The film traces the chilling events leading up to the gunshot heard around the world: the assassination of President John F. Kennedy by Lee Harvey Oswald in Dallas in 1963. As John F. Kennedy (Lowe) rises to become U.S. president, a former Marine grows disillusioned with America. But when their paths ultimately cross, the course of history is changed forever in a chilling aftermath.

When “Killing Kennedy” aired on National Geographic, it ran about 88 minutes without commercials. The made-for-TV thriller is presented here with an never-before-seen extended cut, which runs about three minutes extra. Fox delivered this Blu-ray with an HD Digital Ultraviolet copy as well.  The 1080p transfer is solid for a TV movie and a DTS-HD Master Audio 5.1 works well creating the thrilling drama. In terms of special features, there is “Killing Kennedy: An Interview with Author Bill O’Reilly”, which gives good insight into the story. There is also a featurette “The Kennedy Mystique”. Both of these are work checking out for history junkies, no question.

James D’Arcy is known best for playing three roles in the 2012 epic sci-fi film “Cloud Atlas”, directed by Tom Tykwer and The Wachowski’s. He also played the role of Norman Bates in “Hitchcock”. Media Mikes had a chance to chat with James about his role in his new film “After the Dark” and his new A&E TV series “Those Who Kill”.

Mike Gencarelli: How did you get involved with the film “After the Dark”?
James D’Arcy: I woke up to an email from my agent sending me the script. I read the script completely cold and I had no idea what I was about to read at all. There was the moment in the script when I shoot one of the kids in the head, that is when it really got my interest. I thought this was really an unexpected twist. Then when I finished the script, I thought it was challenging, provocative and intelligent. You have to have a brain to watch the film. I was enthusiastic due that those aspects. Then I received a bunch of photographs of where we would be shooting. When I saw the locations, it made much more sense to me. I couldn’t visualize how it would work until I saw the photographs. I was just blown away. Then met with John Huddles and really liked him. He had a lot of great ideas and it just grew from there.

MG: I was wondering about the shooting locations since they were extremely beautiful.
JD: Yeah, it was incredible. The three places we filmed in Indonesia were the Prambanan Temple, Mount Bromo and Belitung Island. When I saw the island, I thought “Oh my God, that looks like a holiday”. It was beautiful. We did have to work unfortunately as well [laughs]. The other two Prambanan Temple and Mount Bromo, I haven’t never seen any place like them before. I had no idea a place like Prambanan even existed before. For Mount Bromo, we actually shot in an active volcano. It was filming on Mars. It was really worth it since these were just such extraordinary places.

MG: What intrigued you most about your character Mr. Zimit
JD: I really didn’t know if he was a good guy or not. I liked that there was this dubious gray area. I liked that he was smart and very charismatic. You just never quite knew where you where with him. He was constantly pulling the rug out from under your feet. I thought he was very complex and not obvious and I appreciated that enormously as an actor.

MG: You provided narration throughout as a few of the scenarios played out; was this done before or after shooting the film?
JD: You have an advantage over me since I haven’t seen the completed film yet. We didn’t record any narration separation. We shot it as part of the scene. I do remember that I was slaving over this very long speech at one point. We actually shot that and I remember thinking that this was most likely going to be used as a voice over. Some of the dialogue we shot twice, once was in the classroom and once was on location, so we never quite knew where the director was going to make the cut.

MG: Since you haven’t see the film, I am not sure you can relate but I loved the score in the film and we also interviewed the composer, Jonathan Davis and Nicholas O’Toole, I felt like the music was another character in the film.
JD: Yeah, I can’t comment much on that. But I have been in movies, where the music does something and becomes a character itself. It doesn’t just enhance what you are already hearing and seeing, it adds this extra layer. That is when music is best in the movies.
MG: Honestly, “Cloud Atlas” is one of those films for me and I loved how well the score was intertwined into the film.
JD: Yes, that score was quite amazing. Tom Tykwer did a phenomenal job.

MG: What can we expect from your upcoming A&E series “Those Who Kill”?
JD: It stars Chloe Sevigny and myself. We are both very damaged human beings with scores to be settled. We shot the whole thing in Pittsburgh, which is an extraordinary location since it allows a lot really artistic shots. It is a very dark and powerful show. It was great being able to take a character over a few hours as opposed to just one feature film. We had a chance to explore. them. I am very excited for this show.

MG: You’ve done roles like Mr. Zimit in “After the Dark”, Thomas Schaeffer in “Those who Kill” and you played three roles in “Cloud Atlas”; do you seek out specific roles when you approach a project?
JD: I do not think that I have ever actively seeked out a role. But when you read a script, you immediately know the ones you have an affinity with. Often, the ones that I have an affinity for are also the ones I am afraid of. I am not sure if I am able do them, which leads me to then investigate and pursue further.

MG: What else do you have in the cards for 2014?
JD: I am filming a movie right now called “Survivor”. It is stars Milla Jovovich, Pierce Brosnan, Angela Bassett, Dylan McDermott and myself. We are shooting in London and Bulgaria. It is an action/thriller. It is really good fun and James McTeigue is directing it. He is just wonderful. I also did a film last year called “Let’s Be Cops”, which is a very broad comedy, even though I am not the funny part of it. Because of the way, the film was shot most of the scenes I were in were more serious but I did get to see the funny stuff and it is quite funny indeed. I think that comes out in the Summer.

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Directed By: Jose Padilha
Starring: Joel Kinnaman, Gary Oldman and Michael Keaton
Rated: PG-13
Running Time: 118 minutes
Metro-Goldwyn-Mayer

Our Score: 3.5 out of 5 stars

Here comes the obligatory comparison of the new “RoboCop” to the beloved ultra violent 1987 version. Sure this 2014 reboot comes up short in a lot of aspects that its 27-year-old sibling nailed. It lacks the wit and slights against our media driven culture. It’s satire of American politics isn’t quite as clever or absurdly funny. Also, the violence has been toned down; so don’t expect bullets to cause human bodies to erupt in blood and limbs to be blown off. And worst of all, you won’t leave the theater with any witty one liners. Despite all that, Padilha’s version is well written and a lot of fun.

While the original dropped us into a decaying, future Detroit, this one dumps us into a seemingly modernized Detroit. Regardless, it still puzzles me why a global company and it’s CEO would set up shop in a city with the country’s worst crime and poverty level. Omnicorp, headed by Raymond Sellars (Keaton), is having some difficulty pushing their crime prevention robots. I mean come on, who wouldn’t want robotic soldiers and goliath sized drones with dual machine guns patrolling the streets to keep America safe? If it’s good enough to keep Iran under our iron fist in 2028, then it’s good enough to help Americans sleep at night. So with the help of Dr. Dennett Norton (Oldman), Sellars plans on selling the American public on something else. They’ll combine a damaged human body with their military-grade robotics, to ease the minds of the public by giving them a robot with a conscience. Enter Detroit policeman Alex Murphy (Kinnaman). He’s barely being kept alive after an attempt on his life via a car bomb by a couple of corrupt cops and an underground crime boss. They’ll take what’s left of Murphy’s body, but mostly his mind, and combine it with the hardware of a killing machine. He’s an instant success at putting a dent in crime, but things go south fast when he begins to investigate his own attempted murder.

This movie changes up the tone and sometimes takes itself a bit too seriously, but some of the emotional depth it employs actually works. With this cast, it’s really hard to go wrong when wringing out some new twists on the characters. Oldman plays a great conflicted doctor with flashes of Commissioner Gordon towards the end. Keaton settles in well as a smug, evil corporate villain. Keaton needs to be in more movies as the protagonist. Samuel Jackson really steals the show as Pat Novak, an obvious poke at Fox News pundits. Jackson must have been the only one to have read this script and realize he needs to plant his tongue in his cheek. His role also proves my theory that he’s contractually obligated to drop at least one F-Bomb, censored or not, in every movie he stars in. As for Kinnaman as RoboCop…he’s alright. He’s not outstanding, but if you’re anticipating Oscar worthy performances, you’re in the wrong movie.

I’m not here to tell you that the original is a classic that should have never been remade. To be honest, there’s no real reason the original can’t be revisited or reimagined. The ‘87 version was alright, but not a groundbreaking masterpiece with a twisted lens on our future. The movie was a guilty pleasure, but it was behind the wheel when driving itself into the ground with sequels and two live action and animated series. It is easy to understand a fan’s concern that this new version could be a lifeless mockery, but the movie really does come off as a fresh product for the rebooted series. While I was hoping for a “Dredd 3D” style reimagining, this reboot kept me entertained and managed to rekindle the absurdity of a RoboCop.

Creator: Leslie Stevens
Starring: Hugh O’Brian, Tony Franciosa, Doug McClure, Burgess Meredith
Distributed by: Warner Archive Collection
Rating: Not Rated
Running Time: 1150 minutes

Our Score: 3 out of 5 stars

Fans of this series have been awaiting this complete series release for a while. Back in 2011, the Warner Archive Collection put out “Probe” on DVD, which is the pilot telefilm for this 1972 NBC series. This 6-Disc set contains all 23-episodes from this short-lived, yet respected series. I am a technology nerd and this show was way ahead of its time with its gadgets and goodies. I think this is probably why this show didn’t last. “Search” had a great cast including Hugh O’Brian, Doug McClure, Tony Franciosa and the great Burgess Meredith. The show was clever and quite sharp and if you are a fan of this show, this is a no-brainer.

Official Premise: Hugh O’Brian, Doug McClure and Tony Franciosa rotate leads as elite high tech espionage operatives for Probe Division of World Securities Corporation in this spy-sensational SF-flavored actioner from Leslie Stevens (creator, The Outer Limits) and Robert Justman (Producer and one of the guiding lights of Star Trek and Star Trek: The Next Generation). Each agent, dubbed a “Probe”, is wired for worldwide surveillance thanks to a Scanner (miniature video camera) and dental/ear implant. Tracking their telemetry and giving real-time mission advice is a team of specialists at Probe Control directed by the brilliant, irascible V.C.R. Cameron (Burgess Meredith).

This show also has a great collection of special guests including Stefanie Powers, Bill Bixby, Mary Ann Mobley, Sebastian Cabot, Barbara Feldon, Mel Ferrer and Joanna Cameron. This series has never been before released on DVD and thanks to Warner Archive, fans of this show can finally own this complete series. The episodes do not have with a brand new restoration but they are still solid within their original aspect ratio of 1.37:1. The episode include a mono track, which works for the DVD. This release from Warner Archive is made to order and will be available only for a limited time. There are no additional special features included on this DVD.

Actors: Frank Welker, Stephanie D’Abruzzo, Grey DeLisle Griffin, Matthew Lillard, John Rhys-Davies
Directors: Jomac Noph
Rated: NR (Not Rated)
Studio: Warner Home Video
Run Time: 45 minutes

Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars

I love “Scooby Doo”, I grew up watching it and now I have a daughter of my own that I can share it with. “Scooby-Doo! Adventures: The Mystery Map” is a unique take on the series since it is done with all puppets. That’s right puppets! I think it works for the most part. I still prefer classic animation but I enjoyed the change. Most importantly, my 20 month old daughter enjoyed this quite a bit. It is short, running 45 minutes, so it also kept her attention the entire time. I would recommend checking this out whether you are an old time “Scooby Doo” fan or if you have kids (for sure).

Official Premise: Get ready to experience the world-famous Scooby-Doo! and Crew like never before in this all-new, original puppet movie! What begins as a routine night for the Gang — which includes the slobbering sleuth and Shaggy eating a triple-extra-large Scooby snack pizza — becomes a mad dash to find the frightening Phantom Parrot, who has a map to pirate Gnarlybeard’s hidden treasure. Scooby sniffs out the map’s clues, which lead him right to a spooky pirate ship. Ruh-roh! What will Gnarlybeard be willing to do to protect his booty? The whole family will love casting off on this mysterious, fun-filled voyage again and again.

There are two bonus cartoons included along with this film. “The Backstage Rage” is the ninth episode of the first season of “Scooby-Doo, Where Are You!”, which first aired back in 1969. The other is “Robopup”, which is the twelfth episode of the first season of “A Pup Named Scooby-Doo” that aired back in 1988. It may be a whole lot of extras but when you have young child that asks for “More” after the film is over, it was nice to have another 45 minutes of episodes to share with her.

Actors: Bruce Dern, Will Forte, June Squibb, Stacy Keach, Bob Odenkirk, Missy Doty
Director: Alexander Payne
Rated: R (Restricted)
Studio: Paramount
Release Date: February 25, 2014
Run Time: 114 minutes

Film: 3 out of 5 stars
Extras: 2.5 out of 5 stars

Alexander Payne’s films are usually quite unique and different than standard film. “Nebraska” looked different right from the start since it is filmed in black and white. Personally, I feel like it is a little too long running nearly two hours. I think this would have been much better running at 90 minutes. It does have some amazing performances from Bruce Dern, Will Forte, June Squibb, Bob Odenkirk. Everyone thinks of Will Forte as just a funnyman and he is quite funny in this but he also has a great dramatic side. This might not be for everyone but I enjoyed it’s subtle aspects.

Official Premise: From Academy Award winner Alexander Payne, the director of Sideways and The Descendants, comes the film that critics are calling “An American Masterpiece.” When a father (Bruce Dern) and his adult son (Will Forte) embark on a journey to claim a million-dollar prize, what begins as a fool’s errand becomes a search for the road to redemption. Discover why Nebraska is “one of those movies I’ll watch for the rest of my life.”

Paramount delivers this combo pack including a Blu-ray + DVD + HD Digital UltraViolet copy. The 1080p transfer is solid and works well with the black and white shot film. I thought that the choice to shoot this film this way really added a lot of character. The audio consists of an interesting choice with it’s DTS-HD Master Audio 3.0 track, this is a different choice but it works well. There is only one special feature included on this release but it does cover a decent amount of ground looking behind-the-scenes. “The Making of Nebraska” looks into the script, cast and characters, locations, shooting in black and white and more. Would have loved to see a commentary track for this film.

Starring: Keri Russell, Matthew Rhys, Maximiliano Hernandez, Noah Emmerich, Margo Martindale
Number of discs: 3
Studio: 20th Century Fox
Release Date: February 11, 2014
Run Time: 572 minutes

Season: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

Last year, I received a lot of emails and press releases from FX for their new show “The Americans”. I didn’t really give it a second look. Then a buddy of mine that never recommends any TV or movies to me says that he was obsessed with this show and I thought “Wait a second, I might need to check this show out”. Well, I am glad I did because is thrilling, smart and comes packed with a fantastic cast. Now that I am hooked on this series, I will be anxiously waiting the second season premiere on February 26, 2014.

Official Premise: Secrets can be deadly in this suspenseful thriller about undercover Russian spies in 1980s Washington, D.C. Philip (Matthew Rhys) and Elizabeth Jennings (Keri Russell) seem to be a typical suburban couple, but they’re actually lethal KGB agents plotting to bring down America. As the Cold War escalates, Philip and Elizabeth must take extreme measures to continue their mission and keep their true identities hidden. But when an FBI agent moves in across the street, they become ensnared in a pulse-pounding game of cat and mouse.

“The Americans” looks really sharp on Blu-ray. I love the cinematography in this show. It is show very well. The 1080p transfers really are awesome for these episodes which transform NYC into Washington D.C. Having worked in both of these locations, I loved trying to figure out where these episodes were shot. The DTS-HD Master Audio 5.1 tracks are also impressive as well. Nathan Barr’s score for this show is great. It is thrilling and adds great tension to the episodes.

There are great special features included for the Blu-ray release. There is an audio commentary track for the season finale, “The Colonel”, with Joseph Weisberg, Joel Fields and Noah Emmerich. I would have loved to see a few more tracks but this episode was great and we get some great info. There are three featurettes going behind-the-scenes into the show with “Executive Order 2579: Exposing the Americans”, “Perfecting the Art of Espionage” and “Ingenuity Over Technology”. There is also a Gag Reel and Deleted Scenes included for this season.

Starring: Catherine Zeta-Jones, Renée Zellweger, Richard Gere, Queen Latifah, John C. Reilly, Lucy Liu
Director: Rob Marshall
Rated: PG-13 (Parental Guidance Suggested)
Studio: Lions Gate
Release Date: February 11, 2014
Run Time: 113 minutes

Film: 5 out of 5 stars
Extras: 3.5 out of 5 stars

Rob Marshall’s award winner musical “Chicago” is a great musical and probably is responsible for bringing the musical back in so many words. The film has an all-star cast including Catherine Zeta-Jones, Renée Zellweger, Richard Gere, Queen Latifah and John C. Reilly. I do not really understand why this film is getting a new “Diamond Edition” Blu-ray right now but is definitely worth checking out. I have seen this show on Broadway and yet the film actually supersedes the play. A must own for any fan of the film.

Official Premise: At a time when crimes of passion result in celebrity headlines, nightclub sensation Velma Kelly (Zeta-Jones) and spotlight seeking Roxie Hart (Zellweger) both find themselves sharing space on Chicago’s famed Murderess Row. They also share Billy Flynn (Gere), the town’s slickest lawyer with a talent for turning notorious defendants into local legends. But in Chicago, there’s only room for one legend!

Lions Gate delivered this Diamond Edition with a brand new, fully restored transfer. They are releasing this film as a combo pack with Blu-ray + DVD + HD Digital UltraViolet copy. I was blown away with this film when I first saw it and it looks stunning on Blu-ray. The Dolby TrueHD 7.1 audio surround track sounds stunning. The songs have never sounded better and really benefit also from this new track. This new transfer and upgraded audio is a perfect reason to pick up this Blu-ray.

In terms of special features, there is some great content. “Chicago in the Spotlight” is a brand new retrospective documentary with cast and crew. I would have been happy with the new transfer and audio track but they even went one step further with this extra content. There is an interesting and informative audio commentary with director Rob Marshall and screenwriter Bill Condon. There is a deleted musical number “Class” performed by Catherine Zeta-Jones and Queen Latifah. Lastly there is featurette focusing on “From Stage to Screen: The History of Chicago”.

Starring: Elijah Wood, John Cusack, Kerry Bishé, Alex Winter
Directed By: Eugenio Mira
MPAA Rating: R
Running Time: 90 minutes

Our Score: 3.5 out of 5 Stars

Elijah Wood is Tom Selznick, a pianist who gets to rare chance to participate in the musical score to his own hostage situation in Eugenio Mira’s Grand Piano. Mira takes a fairly silly setup–think Speed or Phonebooth on a night at the theatre– and turns in a fun, stylish thriller that would not be out of place in The Twilight Zone.

Selznick is a piano prodigy returning to the stage for a concert honoring his mentor after a crippling public failure sent him into hiding five years before. He’s understandably nervous and it seems in a sea of people expecting him to choke again, his only support is his wife watching from the boxes. Everything is going smoothly in preparation for the concert, much to the chagrin of the anxious Selznick. He wouldn’t mind if, for example, his mentor’s flawless custom piano hadn’t been successfully shipped to the venue that evening. But no, it’s all fine until he flips open his sheet music to find scrawled in red ink “PLAY ONE WRONG NOTE AND YOU DIE” (Here is where I half expected Rod Serling to come in smoking for a recap, alas…) Understandably, Selznick views this as a prank until the sniper gets into radio contact and provides some proof. Wood, with his wide expressive eyes and array of nervous ticks, makes for a compelling hostage drawing us in as he grasps the gravity of the situation and then little by little steeling himself as attempts to regain the upper hand and keep everyone safe.

Meanwhile John Cusack is appropriately villainous as the menacing voice on the other end of the phone. He gruffly hints at the bitterness fueling this particular heist but the film wisely avoids backstory in focusing squarely on Selznick’s predicament. Also lending a hand on the side of the baddies is a shady theatre security guard played by Alex Winter who provides the muscle to the distant sniper. He’s great as a twitchy henchman who’s not quite as invested in the concert as Cusack’s caller is.

Taking place almost entirely in the concert hall, Mira composes some gorgeous shots often in the deeps red of the theatre upholstery to pile on the tension. Occasionally the cinematography, and the film itself really, drifts into campy territory but it seems fitting within the structure of this over-the-top cat and mouse setup. After an opening credits sequence that gives a horror house ride-like tour through the inner workings of the eponymous piano, you really don’t expect anything less.

Grand Piano opens theatrically on March 7th

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Animator, Floyd Norman was named a Disney Legend in 2007. His first feature for Disney’s “Sleeping Beauty”. He worked under Walt’s personal supervision on story sequences for “The Jungle Book”. In 1997, Norman moved to Pixar Animation Studios where he joined the story crew for “Toy Story 2” and “Monsters, Inc.”. He continues to work for The Walt Disney Co. as a freelance consultant on various projects. Media Mikes had a chance to chat with Floyd about “The Jungle Book” and working personally with Walt Disney.

Mike Gencarelli: Tell us what it is like to see a film like “The Jungle Book” restored and presented on high definition Blu-ray?
Floyd Norman: It is delightful to know that people still appreciate this film. It continues to amaze us that worked on it nearly 50 years ago that it is still loved by audiences. It seems to have a life of its own and I love that.

MG: Have you seen it yet and if so how do you feel it looks having worked on it?
FN: I do not really see that much of a difference. I know that the film looks clean and pristine. The guys who did the restoration have done a terrific job, so no complaints there.

MG: You worked under Walt Disney’s personal supervision on story sequences including the song “Trust in Me”, tell us about that process?
FN: It was very simple [laughs]. In a way it was simple, yet also very complex. When I began working on this particular sequence, I was handed some rough notes from Larry Clemmons, who was credited on the film for the story. I called him our writer because he has an actual typewriter and that made him a real writer [laughs]. So he wrote me notes about the sequence and for this one it was going to be Mowgli’s meeting with Kaa the Snake. So that is pretty much all I got. We were told that Kaa was going to try and hypnotize him and then funny stuff would happen. So that is what I had to go with “funny stuff was going to happen”. I had to come up with that “funny stuff”. So like I said in one sense it was a very simple job as well as being very complex because we had to figure out what was that funny stuff and how was it going to happen. They just kind of turned you loose and let you do your job.

MG: How long did a scene like that take to complete?
FN: It is difficult to remember. I would say a few weeks, maybe three weeks to completely storyboard that sequence. That was considered normal during that time. I had no real rush because Walt Disney was either in Europe or working on other matters and wasn’t able to review it right away. So I definitely had amble time to work on it.

MG: Did you find that working directly with Walt Disney did you have any creative freedom or did you follow a set path?
FN: Oh no, I found that I had a good deal of creative freedom. Surprisingly more than I ever realized. I initially came in expecting to be told exactly want to do and that was not the case at all. I came in and they said “Here is the sequence and just go do it” [laughs]. So given very little guidance or direction, I just went off and did what I had to do. The good news was that whatever I did, they seemed to like it [laughs]. The main thing, and the most critical, was that Walt liked it. So as long as Walt likes it you are safe [laughs].

MG: Can you compare your work on “The Jungle Book” to some of your other earlier films including “Sleeping Beauty”, “The Sword in the Stone” and “Robin Hood”?
FN: It was actually totally different because on those films, I was actually working on the animation. For “Robin Hood”, I was an animator and didn’t do any storyboard work at all. It was just animation. Having said that, I feel that the story in “Robin Hood” was pretty terrible [laughs]. I can afford to say that because I didn’t story work on “Robin Hood” [laughs]. But I did have a lot to fun animating it. I worked on animation also with “The Sword in the Stone”. The cool thing about that project was that I got to work personally with Milt Kahl, who was acknowledged as being one of the finest Disney animators of all-time. Milt is a giant in the world of animation, so that was a big deal for me. I was still a kid when I worked with Milt; I was only in my 20’s. Milt was a tough guy but it was such a great experience.

MG: Unlike some animators you embraced the digital age by working at Pixar and definitely software for animation; tell how you feel animation has changed?
FN: Oh, there is no doubt that animation has changed. Once again, following in Walt’s philosophy, “You have to embrace change, not run from it”. When I saw what Pixar was doing, I thought that I had to work for these guys. So when the opportunity came for me to go to Pixar in 1997, I was ready to pack up and go. Not everybody was, mind you, Pixar was at that time not a well-known studio. They only had made one film, which was “Toy Story”. I think that you have to move forward as Walt believed “Don’t fight technology. Embrace it and learn how to use it”. That is what Pixar did and they are continuing to do that. Certainly that would have been what Walt would have done as well.

MG: Do you still do any animation for Disney today?
FN: No animation. But I have worked on Disney storybooks from time to time. As I have time I work on Disney projects. Generally, I wait for them to call me. I don’t go looking but every now and then someone will call me. I had the opportunity to work on an electronic device that they were developing. I asked one of the Vice President’s how did they get my name and they said “John Lasseter recommended you”. I do not think that you can do any better than that getting a recommendation from John Lasseter [laughs].

Starring: Clifton Collins, Jr., Clancy Brown, Andre Royo
Director: J.T. Petty
Rated: R (Restricted)
Studio: Lions Gate
Release Date: February 18, 2014
Run Time: 87 minutes

Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars

I can’t apologize I am a sucker for horror films. Make it 3D horror and you really have me locked in. I have been a fan of horror director JT Petty (“The Burrowers”) since his first film “Soft for Digging”, which I remember he personally sent me on a VHS tape in the last 90’s. Top it off with a great cast including Clifton Collins Jr. (“The Boondock Saints II”) and Clancy Brown (“SpongeBob SquarePants”). This film is over-the-top and crazy as hell. Great visuals and If you love unique horror films, I would definitely recommend checking this film out for a fun time.

Official Premise: There are demons so terrible that no mortal man of God could successfully drive them back to Hell. The only option is for the exorcist himself to invite possession and then commit suicide, dragging along the demon to damnation – so the Augustine Interfaith Order of Hellbound Saints – or Hellbenders – was formed. A group of elite, highly-trained exorcists, they live in a constant state of debauchery so they will be ready to go to Hell at any moment. When an infernal Norse demon called Black Surtr escapes into New York City intent on cracking open the gates of Hell, the Hellbenders must use every ounce of their debauchery to battle the demon and save the planet from eternal damnation!

Lions Gate really gave this film the treatment. It delivers a combo pack with a Blu-ray 3D + Blu-ray + HD Digital UltraViolet copy. The 1080p transfer is fantastic and really sharp. The film was shot in state of the art 3D and it really pops off the screen. I thought it was very well done and it really suits the film. Same goes for the DTS-HD Master Audio 5.1 track, which works well the action and the fantastic horror score. There is some decent special features included. There is a great audio commentary with writer/director JT Petty. There are also two behind-the-scenes featurette, “God’s Dirty Work – The Making of Hellbenders” and “Fly on the Wall”

Dichen Lachman is best know for her work in Joss Whedon’s science fiction drama TV show “Dollhouse” as Sierra. She also played Suren in Syfy’s hit series “Being Human”. Her latest film is “Lust for Love”, which is directed by Anton King and reunites her with a lot of cast from “Dollhouse”. Media Mikes had a chance to chat about the film with Dichen and what was it like working with friends.

Mike Gencarelli: How did you get involved to star in “Lust for Love”?
Dichen Lachman: I don’t know if a lot of people know this but Anton (King), the writer/director, and I used to be in a relationship. We moved to LA and were together for a very long time. Anyways, life happens and we went our separate ways. He went off to Vietnam to write scripts. We kept in touch and he ended up sending me “Lust for Love” and I really liked it. It was really fun, clever and quirky. He suggested that maybe we could make it. I thought that would be great but making a movie is very complex. Even though I have been working in the business for so long, I didn’t even know where to begin. All of the cast from “Dollhouse” all became very close friends over the two years we worked together and then on. I was invited into that “Whedon” world through Joss and my work on the show. So, I thought if we did it with our friends it would be fun.

MG: Tell us about funding the film on Kickstarter?
DL: Anton mentioned Kickstarter and we decided to look into that and we were able to raise some of the budget there thanks to the fans. The first and most important part was if our friends even wanted to be involved at all. I always thought that Fran (Kranz) would be great as Astor. I thought that he could bring something that wasn’t on the page. So we asked him to read it and he really liked it and it just grew from there. Our first table read was so much fun and it gave us the energy to keep going. Once we brought on a group of people, who thought it was a fun script, that is when we proceeded with the Kickstarter. If our friends didn’t respond it would have diminished the desire to move forward. Since they enjoyed it so much, we knew we had to do it!

MG: What was it like get back together with your crew from “Dollhouse”?
DL: It was so much fun. We would always hang out together after the show but it felt like we were hanging on to something that we lost. We got so close during our time on “Dollhouse” that it was extremely fun to revisit that place. The feeling that you have when you are on set with friends and collaborating, don’t get me wrong it was extremely difficult making this movie, but it was also very rewarding. Those moments you catch where you are doing a scene and you can’t get through it because you are laughing are wonderful.

MG: Yeah! I was going to ask, when you are working with friends like Fran; do you find it harder to focus especially for the dramatic scenes?
DL: Working with Fran is an experience that every actor should have the privilege of. He is a wonderful actor and person. It is just an extreme amount of fun. It is very difficult to get through a scene with Fran without laughing. There is one scene in the movie when we are sitting on the steps and trying so hard not to laugh. He is just riffing and bringing this life to the character that wasn’t there and because I didn’t read it, it is unexpected and spontaneous. It is so wonderful.

MG: What did you enjoy most about playing Cali?
DL: She was a great character because she is not typical. She is rather resistance to the whole romantic side of things, which I liked. She is also very practical. So acting while also producing on this project was probably one of the hardest things that I have ever done. You are trying to inhabit a character and then at the same time worrying if the caterer is going to arrive on time. I don’t know if that helped my performance since it got me out of my head and just made me do it. I didn’t have the distraction of doing too much acting. She was a really fun character and I liked her relationship with Fran a lot. She is also not a girl’s girl either and I liked that. She was like one of the guys and it was really fun to be in that place.

MG: You mentioned producing, is that something you plan to do more?
DL: I would love to, yeah! I have so much more respect for people that do that job now. It is one of those things that you have to understand every department. It is extremely difficult. We did have an incredible team though, Jack Wylson was so key and worked so hard with the other producers as well in terms of making this flow right. So I would like to do it again but I am not sure I would do it the same way though. I am excited and I hope that this opportunity will help me do more.

MG: I am not really a huge fan of romantic comedies but I was really surprised with this film and enjoyed it a lot!
DL: You can’t imagine how happy that makes me. It is definitely different and quirky. I think for people that ordinarily don’t enjoy rom-coms, there is something about this one that will speak to them.

MG: What can you tell us about your role in The CW’s “The Hundred”?
DL: I can tell you that how it came about because two writers from “Dollhouse”, Liz (Craft) and Sarah (Fain) asked me if I wanted to come play on this show. I said “Of course”. Jason (Rothenberg), the creator, is super talented and such a great writer. I spoke with him recently and he told me that “People have been asking me about your character on the show, make sure that you do not tell anyone about who you are playing” [laughs]. So in terms of that I guess I can’t say much. But I think people are really going to really respond to the show and that everyone involved is really excited about it. It is very dark, especially for The CW. I know they have stuff like “The Vampire Diaries” but this takes it another step further. After the pilot, it takes some really exciting turns, so I would say stick with it. I am very lucky to be a part of it.

Starring: George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Willem Dafoe
Director: Wes Anderson
Rated: PG (Parental Guidance Suggested)
Studio: Criterion Collection
Release Date: February 18, 2014
Run Time: 87 minutes

Film: 5 out of 5 stars
Blu-ray: 5 out of 5 stars
Extras: 5 out of 5 stars

Even since I was a kid, I have been fascinated with the work of Roald Dahl. When I heard that Wes Anderson was going to give his unique approach to the “Fantastic Mr. Fox” story of with stop-motion puppets, I couldn’t have been more excited. The film is so much fun and speaks to both kids and adults. You can see how much work went into each second of the film and it is just amazing. It also includes an amazing voice cast with George Clooney, Meryl Streep, Jason Schwartzman, Willem Dafoe, Michael Gambon and Bill Murray. Every time I watch this film it only get better. Easily my favorites and finally it is given the Blu-ray treatment it deserves thanks to The Criterion Collection. This is a must own for any fan of this film!

Official Premise: “Fantastic Mr. Fox” is the story of a clever, quick, nimble, and exceptionally well-dressed wild animal. A compulsive chicken thief turned newspaper reporter, Mr. Fox settles down with his family at a new foxhole in a beautiful tree directly adjacent to three enormous poultry farms—owned by three ferociously vicious farmers: Boggis, Bunce, and Bean. Mr. Fox simply cannot resist.

When I see that a film is getting a The Criterion Collection release, you know that it is going to be taken care of. With “Fantastic Mr. Fox”, it actually did receive a solid Blu-ray release back in 2010, so I was very curious to see how they were going to one-up that release. Well, I was not let down at all with this new digital master, approved by director Wes Anderson. It has never looked better. The stop-motion animation really strives with the brilliant colors which are presented so beautifully. The DTS-HD Master Audio 5.1 audio also with the fantastic score from Alexandre Desplat. It is well-balanced surround track and also a nice improvement from the previous release. Literally blown-away!

This Criterion Collection comes stocked with one Blu-ray and two DVDs for the film, with all content available in both formats. Now that is a real treat, so you have various options when wanting to watch this. Another great treat included is a a booklet featuring a new essay; a 2002 article on Dahl’s Gipsy House by Anderson; White Cape, a comic book used as a prop in the film; and drawings, original paintings, and other ephemera. I think companies have forgotten what it is like when you used to open a DVD or Blu-ray case and actually find a booklet or pamplet in there. Nowadays, it is bare-bones usually. Thankfully, Criterion holds that tradition and continues to deliver even outside of the film’s presentations.

If you own the 2010 Blu-ray from 20th Century Fox already, be advised that this new Criterion Collection comes stocked with great new extras not available on Blu-ray previously. Firstly, there is a very fun and interesting audio commentary with Wes Anderson. There are storyboard animatics for the entire film, this is a MUST watch! There is great footage of the actors voicing their characters, puppet construction, stop-motion setups, and the recording of the score. There are interviews with cast and crew. I am huge fan of stop-motion animation and I loved watching the puppet animation tests, it is really amazing (and very hard) work!

There is a fantastic photo gallery of puppets, props, and sets. There the Animated awards acceptance speeches. My favorite is an audio recording of author Roald Dahl reading the book on which the film is based. There is gallery of Dahl’s original manuscripts, this was really neat to get to dive into. There is also an interesting and in-depth discussion and analysis of the film. I think this film deserves a good discussion because even though it might be considered a kids film since it is animated, it really isn’t completely. Lastly there is the Stop-motion Sony robot commercial by Wes Anderson rounding out the extras.