Blu-ray Review “The Asphyx”

Directed by: Peter Newbrook
Starring: Robert Powell, Robert Stephens, Jane Lapotaire, Alex Scott, Ralph Arliss
MPAA Rated: PG
Distributed by: Redemption Films
Release Date: April 17, 2012
Running Time: 83 minutes

Film: 3.5 out of 5 stars
Extras: 1 out of 5 stars

“The Asphyx” is a decent little-seen British sci-fi/horror film from the early 70’s. It feels like something that should have come out from Hammer and packs an eerie Victorian setting and decent special effects. The spooks in the film are low-key but its story still delivers some creepy aspects. Kudos also needs to go to the widescreen cinematography by Freddie Young, which adds a lot to the films charm. This release includes both the theatrical cut (86 minutes) and an extended version (99 minutes). Fans of 70’s horror should give this little gem a chance and should be plenty surprised.

The film follows Hugo, a well respected turn-of-the-century scientist, who becomes obsessed with a mysterious apparition found in the photographs of his dying subjects. During a family party, Hugo brings his latest invention, a motion picture camera but it ends up capturing the tragic drowning of his wife and son. Hugo believe that he has uncovered The Asphyx, the spirit of the dead from Greek mythology, and will stop at nothing until he gets to the bottom of it.

The extended cut’s quality isn’t as good as the theatrical cut and the film actually carries a disclaimer before it is as well that it “blends HD footage mastered from the 35mm negative with SD footage mastered from a U.S. release print (of inferior quality)”. Despite that, this is one of the best releases, I have seen from Kino and Redemption Films. The film also packs a comparable LPCM 2.0 audio track, also very impressive. Although, the special features do not impress as well as the film does. The only extras are a theatrical trailer and a photo gallery.

DVD Review “The Hidden Face (La Cara Occulta)”

Directed by: Andres Baiz
Starring: Quim Gutierrez, Clara Lago, Martina García
MPAA Rating: R
Distributed by: 20th Century Fox
Release Date: February 28, 2012
Running Time: 90 minutes

Film: 1.5 out of 5 stars
Extras: 0 out of 5 stars

From the box and premise, this film is spun as an supernatural thriller but in fact it is anything far from thrilling. It is actually quite laughable at points. The story is told in two intertwining stories that come together for a supposed twist ending but the twist is way too obvious to be surprising. The only props goes to actor, Quim Gutierrez, who got to get with not one but two beautiful women in the film. I would steer clear of this film unless you are really bored and got nothing else to do.

“The Hidden Face” has one of the stupidest plots of all-time. It focuses on the relationship of conductor (Quim Gutiérrez) and his jealous girlfriend (Clara Lago). She decides to lock herself in a secret panic room in their house to test their love (no idea why, doesn’t make any sense). Of course her plan back fires and ends up not working the way she plans.

The film’s audio is Castilian (similar to Spanish) with English subtitles and comes with a decent Dolby Digital 5.1 track. I will also like to point out that the back cover art, literally gives away a key plot point in the film, if not the only plot point. There are also no special features included at all on this DVD. Overall, I found myself literally pacing waiting for this film to end.

Blu-ray Review “The Terror Experiment”

Directed by: George Mendeluk
Actors: Jason London, Judd Nelson, Robert Carradine, C. Thomas Howell
MPAA Rated: Unrated
Distributed by: Anchor Bay
Release Date: April 10, 2012
Running Time: 82 minutes

Film: 1 out of 5 stars
Extras: 1 out of 5 stars

Whatever you do avoid this film like the plague it is. For a cheesy b-horror film, it is odd that this film can pack a cast like Jason London, Judd Nelson, Robert Carradine, C. Thomas Howell and still is impossible to watch. I watch a lot of cheesy horror films but this one was just unbearable to complete. It is a zombie outbreak film really without the the zombies.  I mean they are really useless zombie, some even just laying around.  Lazy just like the movie itself. The style of shooting was just so erratic and poorly planned, it just became discouraging to watch.

The film follows a terrorist who sets off an explosion in the Federal Building, which unleashes a toxic gas throughout the building.  This deadly virus starts to turn the buildings occupants into aggressive and vicious zombies, reminiscent of “28 Days Later”.   Outside the building the government officials are trying to deal with avoiding this issue from leaking to the public, planning a cover-up. Inside, the survivors need to find a way to escape the building, which is on lockdown, alive and without become infected themselves.

The Blu-ray presentation is watchable but nothing special. It’s 1080p transfer has issues with clarity, but not terrible. The film says it boasts a Dolby TrueHD 5.1 track but only really gives out a Dolby Digital 5.1 track. The special features are also baron of content like the film is. There is only an audio commentary with Executive Producer/Director George Mendeluk. He does a good job of entertaining you but with the film in the background it is just hard to watch.

DVD Review “My Big Break”

Directed by: Tony Zierra
Starring: Wes Bentley, Chad Lindberg, Brad Rowe, Greg Fawcett and Tony Zierra
Distributed by: MBB Group
MPAA Rating: Not Rating
Release Date: July 25, 2011
Running Time: 102 minutes

Our Score: 3.5 out of 5 stars

This documentary is a real honest portrayal of what it takes it make it big in Hollywood. If you are able to get your big break, one minute you are in and one minute you are out. I was aware of all these actors documented in the film prior to watching but, besides Wes Bentley, was unaware of their struggle. Although at times a little crude and raw, this is just such a great inside look into these actors road to success or in some cases lack their of.

“My Big Break” was filmed over 10 years and follows five roommates who are trying to make it big in Hollywood: Wes Bentley, Chad Lindberg, Brad Rowe and Greg Fawcett. With Wes Bentley, it documents his success with “American Beauty”, with Chad Lindberg, it follows his success with “October Sky”, Brad Rowe, with his indie hit “Billy’s Hollywood Screen Kiss” and Greg Fawcett, who was the least lucky in the group. It also focuses on Tony Zierra road to Hollywood himself and his work documenting his roommates over these years.

It is rare for a film to really show this side of an actor’s struggle. It is sometimes a little hard to watch and depressing but it is more importantly REAL. For many struggling actors, the road is not always paparazzi and parties. Overall, this is definitely one-of-a-kind and worth watching if not only to support these actors and their journey. The DVD does not include special features but they are available on the film’s website mybigbreakmovie.com. I will support this decision, especially since this was self-released with the assistance of no major studio.

Blu-ray Review “Don Juan DeMarco”

Directed by: Jeremy Leven
Starring: Marlon Brando, Johnny Depp, Faye Dunaway, Rachel Ticotin, Bob Dishy
MPAA Rating: PG-13
Distributed by: Warner Bros.
Release Date: April 10, 2012
Running Time: 97 minutes

Film: 3.5 out of 5 stars
Extras: 1.5 out of 5 stars

1997 was an odd time for Johnny Depp, he is popular but not yet guaranteed to be bankable. The star of this film really though is Bryan Adams for his song “Have You Ever Really Loved A Woman?”, easily one of the best love songs ever. The film itself has problems but looks great hitting Blu-ray for the first time, thanks to Warner Bros. Since Johnny Depp has become this giant international star, it is a lot easier to watch his earlier films (if that makes sense).

Johnny Depp plays John Arnold DeMarco, a man who believes he is Don Juan, the greatest lover in the world. He examined by psychiatric Dr. Jack Mickler (Brando) in order to cure him of this delusion. During the treatments, it becomes more apparent that this is a medical issue, especially when the Dr. rekindles the romance in his own marriage. Great co-starring cast including Marlon Brando and Faye Dunaway.

The Blu-ray itself looks beautiful with its 1080p transfer. Some of the locations in the film are just breathtaking. The audio packs an impressive DTS-HD Master Audio, which works some amazing with the film’s score. In fact the special features, though very dismal, include an isolated score track which I highly recommend. The only other extra is the music video for Bryan Adams’s “Have You Ever Really Loved A Woman?”. Of course it is great to watch it but it is also easily available right on YouTube in high quality.

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Synopsis: Two time Academy Award winner Marlon Brando (On The Waterfront, The Godfather), Academy Award winner Faye Dunaway (Network) and Johnny Depp (Pirates Of The Caribbean, Blow) deliver tour de force performances in this critically acclaimed romantic comedy. John Arnold DeMarco (Depp) is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler (Brando) to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr. Mickler, who rekindles the romance in his complacent marriage.

Chiller Theatre Expo Spring 2012 Packs a Great Lineup!

The legendary ALICE COOPER will be returning and signing at the Chiller Theatre Expo Spring 2012 edition is coming up on Friday April 27th, Saturday April 28th, & Sunday April 29th.

This years event has many first time convention appearances by some great guests like Dean Cain, Robert Loggia, Parker Stevenson, and Cathy Moriarty!! More info at: http://www.chillertheatre.com/main.htm

April 27-29, 2012
Friday – 6 p.m. – 11 p.m.
Saturday – 11 a.m. – 7 p.m.
Sunday – 11 a.m. – 5 p.m.

Interview with Staind’s Mike Mushok

Mike Mushok is the guitarist for the band Staind. The band is currently part of the Mass Chaos Tour which includes Godsmack and Halestorm. Media Mikes had a chance to be a part of a teleconference with Mike to discuss the tour.

Adam Lawton: In the last couple of years there have been a lot of bands teaming up for multi band headlining tours. Is this a reality of the music business today? And are these larger scale tours something that needs be done in order to survive?
Mike Mushok: In my opinion it’s something we’ve always tried to do. I know we always try to put together the best package we can. I think in this economy it’s tough for people to have extra money to be able to go to a show. It’s kind of a luxury. The more bang for the buck you can give them, I think the more likely chance you have of getting people there and, hopefully, give them the most value for the dollars. That was really the idea for us and we had this record and we were looking to who we could play with. Godsmack was like, “That would be fantastic if those guys wanted to do it.” So, we went and put it together.

AL: How do you think the Staind of 2012 compare with the Staind of 1995 or 1999?
MM: We have a different drummer now so that’s one big difference. I think what we did with this record was to kind of come back to what Staind of ’99 was. That was really the idea behind it, to kind of get a little more aggressive. The reason we started the band was to play more aggressive music. We kind of went on this journey and I think the last record we lost the progress. I enjoy the journey. I love some of the songs on the last record, but I think after completing that we said, “Let’s kind of go back to why we started the band,” and that’s really what the idea was behind the album. Aaron also has a solo thing going on now, so that kind of ties up his time.  It makes it a little more difficult to get all the time we need for STAIND. So, those are really the big differences.

AL: How did drum tech turned band member Sal Giancarelli end up being the new drummer for the band? and how have you seen him change both musically and personality since his promotion?
MM: Sal has been with the band since ’99 and previous to that he was in bands that we used to play with. We always knew he was a great drummer. Even during his career as a drum tech he had other bands that he tried to pursue a career in music with. Being able to be a drum tech was a way of getting out there and kind of getting some of his stuff out there. There were a couple shows where John was sick and Sal filled in. So this wasn’t the first time Sal played with us. Sal just seemed like the perfect fit to go from behind the drums to playing them. He knew all the material and we knew he could more than handle it. Personality-wise he’s the same guy. We had these web-isodes on our website where we made him seem like this big egotistical guy and wanted to name the band after him, it was all a joke. Sal’s the most quiet, down-to-earth guy you’ll ever meet, and he hasn’t changed one bit. Sometimes when you introduce someone else, it’s a whole other personality. We knew his personality. He’s been on the road with us for 12-13 years so he was already part of the family.

AL: Besides the new drummer did anything change on the last album? And are the same problems that were there before this hiatus still there?
MM: No. We made the record basically the same way we always make a record. I’ll come in with a bunch of ideas. We get together and figure out what Aaron likes and wants to sing over, and then pretty much finish them and start tracking. Making the record was pretty tough. I mean, losing John along the way wasn’t easy. We had a deadline to meet for the label. Aaron put up the solo record. As far as problems go, I mean, I don’t know. You play with somebody and you’re around somebody so much there’s always issues. Did they go away? I mean, look, we just deal with them. We’re all adults. We’ve been able to maintain this for a long time and I think that you have to pick your battles. I think between Johnny, Aaron, and I we can say pretty much what we want to each other and realize that the band is what’s important. And that’s why people ask me when we’re doing a record. They thought we were going to break up. No, we knew we had to finish the record and that’s what we wanted to do, but you kind of work through all of those things. It takes people making compromises and being able to admit sometimes when you’re wrong and being able to give in.

AL: “Not Again,” was released last summer. Do you have any plans to release additional singles and any videos from the new album?
MM: No, that’s it. We’re calling it quits. Yeah, there’s a single, “Eyes Wide Open,” is out now, and we’re trying to figure out what’s going to be next. There’s a live video that we did with “Eyes Wide Open” also. So, yeah, we’re on single number two now and I think its top ten or something.

AL: Was there any real thought process or purpose behind making this album self-titled?
MM: Yeah. We really wanted to kind of go back to where we started as far as a band, and I think that was kind of why we ultimately decided on having it self-titled. I mean, there was talk about it being called, “Seven,” because this is the seventh record and that’s what seven demons on the cover kind of represents is that. That’s kind of how we ended up incorporated that. But, no, it was really just about the fact that we kind of got back to playing with the music.

AL: Staind has been together for 15 years or more now. What would you say are the biggest reasons for the band lasting that long?
MM: I think all three of the bands on this tour know that if it wasn’t for the fans, we wouldn’t be here. They allow us to do this. Those are the ones that buy a ticket, come to the show, support the bands, and, I mean, that’s why we’re still around obviously. We do our best to write the best music we can. I know Lzzy and Sully do also and you try to put out the best product that you can and you hope that people like it and want to listen to it and be a part of it. So, we’ve been fortunate so far and, hopefully, we can continue.

XBOX Console & Game Review: Star Wars R2-D2 Console & Kinect Star Wars

Platform: Xbox 360
Release Date: April 3, 2012
Distributed by: LucasArts
Price: $449.00

Star Wars R2-D2 Console: 4 out of 5 stars
Kinect Star Wars: 3 out of 5 stars

A long time ago in a galaxy far, far away…. OK enough of that. The Star Wars Limited Edition Xbox 360 is really well done. When I finally got it and started to open it the nerd in me was very excited. Being a long time Star Wars fan and that my other 360 was broken there was no doubt in me getting this.

It comes with the Xbox 360 Console which is custom themed to R2-D2. The Kinect Sensor is the first white one of its kind on the 360. The wireless controller is gold and themed to C-3PO. The controller is detailed very nicely. A 320GB hard drive is the largest available on the 360. It also comes with two games Kinect Star Wars and Kinect Adventures.

Hooking everything up was pretty easy. Upon turning the 360 on for the first time the console made its first R2-D2 sound. The console will make R2 sounds when you turn it on and off from the console or open and close the tray from the console. If you use the controller to power on/off the console it will not make the R2 sounds.

Now on to the Kinect Star Wars game. It starts off with C-3PO and R2-D2 and recently recovered Jedi Archives. Listening to the two droids go back and forth with each other like they do in the movies gives a good feeling of being immersed into the Star Wars Universe. You have several different modes you can select from.

Campaign Story: The bulk of the content in the game. You are a padawan learner and you go through the Clone Wars. The voices at times do not match with the animation. The voice acting is not the greatest but it is not bad either. When it comes to the lightsaber battles it is almost like a turn based RPG. At first your enemy will attack you and you have to block then once you build enough stamina you go into a lock where your weapons clash together and you have to break the lock by doing one several different options like Force Push, Kick, or Head butt you opponent. After successfully doing so, you can now attack your enemy. This gets repeated until one of wyou go down. Now I must say that the Kinect did capture the movements pretty decently. Also the nerd in me I used my Master Replicas Lightsaber hilt to give it more of a Jedi feeling for me. This did not affect the Kinect at all regarding being able to read my movements. Depending on what hand you use for your Lightsaber the other is used for your force moves. You can force push or grab and toss your enemies around. Not all enemies can be affected by the force. One thing that does ruin the experience is the use of cut scenes. While playing you are constantly put into a cut scene where you have no control over your char. It does this pretty often and does get annoying.

Pod Racing: This is done really well and one of the better mini games available. The controls work great and you have to hold your arms up as if you were in the podracer itself. When you pull your arms back your racer slows down and applies the break. Thrust your arms forward gives you a burst of speed. Turning can be a little bit tricky but once you are used to it you should not have any problems. The story is geared more towards a younger audience but is fun none the less.

Rancor Rampage: You are the rancor and everyone else is your meal. Nom Nom! This mode is very entertaining and a lot of fun. You are a rancor on the loose and you can pretty much destroy anything in your path. You can also eat the poor people that are running around. What is also fun is you can pick up people and throw them, you do get added bonus the farther you can toss them.

Duels of the Fate: This mode takes you through a series of Lightsaber duels. This is pretty slow and not as exciting as one would hope.

Galactic Dance Off: Who of us would not want to dance with Slave Leia!! Well after this you will not be 100% fulfilled. Even though the story line may not make sense it was indeed fun if you can get past that. I mean I can’t see as Leia having fun and smiling while Jaba’s captive. Yes in the game it does seem like she is having a good time, but as I said if you can get past that part the play is fun.

CD Review: “Titanic: Collector’s Anniversary Edition”

Composer/Conductor: James Horner
Release Date: March 26, 2012
Number of Discs: 4
Running Time
Label: Sony Masterworks

Our Score: 5 out of 5 stars

With the commemoration of the 100th anniversary of the Titanic launch and the 15th anniversary and re-release in 3D of James Cameron’s film, I can’t seem you get enough of “Titanic“. It is one of those movies that once you start watching you are hooked. The same goes for the wonderful score by James Horner. I spent countless hours listening to this score on repeat back in ’97 through at least ’99. It has been quite a while since I’ve listened and it still is just amazing. This amazing Collector’s Anniversary Edition is not just the score to “Titanic”. It includes much much more.

Sony Classical is the label behind this amazing 4-CD set with newly remastered versions of both the original and “Back to the Titanic” soundtracks. It also features a previously unreleased disc of period music recorded for the movie by I Salonisti (the 5-piece quintet that appears in the film) and also “Popular Music From The Titanic Era”, which is a new compilation of songs from the early 1900’s. I mean honestly what else can you ask for if you are a fan. Well, there is more…this release also comes packaged with four vintage Titanic luggage stickers and a booklet with previously unseen production photos. This is easily one of composer’s James Horner best pieces of work and it will be recognized for many years to come.

Even if you own the “Titanic” soundtrack already, I mean who doesn’t it sold over 25 million copies worldwide. I would suggest picking this up. It is a wonderful compliment to the film and includes so much new recordings that it is worth it just for the three bonus discs. I really enjoyed the disc of music from I Salonisti, which was recorded for the movie itself but never recorded. I am a big fan of music from that period and this was a great addition to the already amazing score. It really made you feel like you were re-experiencing the movie and the music for the first time.

Interview with Lzzy Hale

Lzzy Hale is the singer of the rock group Halestorm. The bands has a new album out is currently on tour with Staind and Godsmack as part of the Mass Chaos Tour. Media Mikes had a chance to be a part of a teleconference with Lzzy to discuss the tour.

Adam Lawton: When did Halestorm realize they were different or differentiating from the local area bands? And was there ever a time that you wanted to walk away from music?
Lzzy Hale: As far as being discouraged or anything, I mean, this is a crazy business and there’s no real set way to do it. I think a lot of it is learning as you go and you learn a lot about yourself. I think there were a lot of moments that I thought, “Am I really this crazy to do this?” But I think in a lot of ways there’s a fine line between obsession and determination over the course of many years, it’s a little bit more towards the obsession. I think in a lot of those moments now , where I’m like, “Oh, my God, I can’t do it.” It’s just kind of making the decision to put one foot in front of the other. We celebrate the low times as well as the high times. My guys and I do, we have a song on the record called, “Here’s to us,” actually written about that. I mean, my guys and I literally celebrate the low times, like when you think, “Well, guys, we could go home right now. This could all be over tomorrow,” then you literally go and buy a cheap bottle of champagne and write the date on it and say, “I’m just glad we did it with each other.”  We can always go back and play bars and clubs. We would love to do that anyway. It’s never really going to stop. I just think that it’s all about putting one foot in front of the other and we’ve just always had that goal. As far as setting ourselves apart from the local band scene, I mean, we definitely stick out. I started when I was 13; my little brother was 10. I mean, throughout our early years it was always like there’s that  kid band with the chick and the tiny kid on drums, that has always, by the way, looked younger than he was! You can’t stick out more than that! We definitely knew that we were different, but we were very lucky, though. We had a lot of the local bands and a lot of the bands from around the Central Pennsylvania area and on the East Coast who’d give us a chance. We would open up for them and for local bands. We did a mini tour with a couple of them. I owe our first real leg up as a band to all of those bands. It take a village to break a band and to raise a band. I’m literally in awe at all the support we got from you guys. We were little tikes. We want to thank the entire scene there for that.

AL: Who are the influences that helped create the sound and presence you have?
LH: I’ve always been about 10 to 20 years behind when it comes to my interest in music, much to my little friend’s chagrins. So, when I was growing up, I listened to a lot of my parent’s music. It was a lot of 70s and 80s hard rock. Deep Purple and Pink Floyd, anything with  a color basically. Ha! Black Sabbath. I had a very crazy family.  It was very Partridge Family meets Spinal Tap. We always say – when my brother and I started the band, our parents were like, “Sure, absolutely.” So, obviously they are out of their minds. But that really was what influenced me at an early age and also the reason that I kind of dropped piano for a while and started guitar, because you had to kind of say to yourself, “Well, do you want to be Elton John? Or do you want to be Black Sabbath?” The great thing about a lot of those old records, though, is that even now you can still go back to them and learn something new and still be inspired. Those records are definitely responsible for how I identify with HEAVY music. When I was a teen the Spice Girls were what all of my friends wanted to be. I was listening to Alice Cooper. I feel it was the wiser choice.

AL: You started performing when you were about 13. How does the Lzzy of today compare to back when you started? What’s been the biggest change as a musician and what has stayed the same?
LH: I am definitely more confident now than I was at 13. We started out playing anywhere and everywhere. After we started making a name for ourselves you could see that it became my identity and it’s just something that I couldn’t live without. So confidence is a factor from before I was a band member to now, but, some things are different and some things stay the same. In the beginning, you’re in a rock band and you’re having fun because you are just getting a little bit of a taste of it. You don’t care what’s going to happen. We play one club and then that leads to  another club ,that leads to a tour. Now, I still have that fire, but it’s also balanced with a lot of politics and a lot of business sense. In a way it’s just growing, there’s more things I’ve got to think about now like maybe I should sleep a little bit, because I’m got some big gigs coming up. You don’t really have to worry about as a kid. I look back fondly at the early years and I’m lucky to still have that spark and that I love it as much as I ever did. I’m very lucky to have turned something I love into my career. I get to go up on stage rock out with my best friends and with my little brother. I have the best job in the world!

AL: After the success of the bands first CD, what aspects of the new release are you most excited about?
LH: Everything. I’m so proud of this record. I mean, when we made our first record, it’s our first record so we weren’t really sure what we were doing and we weren’t sure who would grab on to it  and who we were actually going to be singing to. So, with this record, we had just a better concept of our fans and a lot of what we did was inspired by them and the feeling that we got during our live shows. Also, the music is bridging the gap between what we do live and what we can do in the studio. This was lost on our last record, so for the people that are geeks about this stuff, we recorded drums to 2″ tape and we hashed out most of the stuff, just the four of us sitting in a room as a band. So, it’s a nice step up from the last record! There more energy and also more intimacy. You’re going to be hearing and tasting a lot of different sides of Halestorm on this record. I’m excited about what people are going to think.

AL: How did “Love Bites” set the tone for the new record? And what was the thought process behind putting out the digital EP in advance of the album?
LH: Yes that was the first song that we wrote and the first song that we recorded for the new record. That particular song was directly inspired by the cover “Slave to The Grind” by Skid Row that we put out a couple months ago. When we recorded it we discovered that, wow, we can actually do a song at this tempo. We should write one like this. We ended recruiting “Love Bites (So Do I). You have to realize that we literally got off tour, had 24 hours to pack, and then got on a plane to L.A., and were in the studio the next day recording this song. We got to record drums for it at Sunset Sound in the Van Halen room! It sounds amazing, It definitely set the tone for the record because we were barely off tour, the amps were still ringing in our ears. There’s a lot of energy that we captured while we were still kind of in that tour mode. Really that one and then the first eight songs that we recorded to be considered for the record were very aggressive and probably the most aggressive that we’ve ever done. They’re very riff heavy and I’m screaming my head off, It’s funny because what happened halfway through was I ended up writing some of the most intimate and personal songs that I’ve ever written, and I was like, “Wow! What a turn.
The finished product ended up being this record that has a very strange duality  to it and showing literally all sides of myself. “Loves Bites” gave us the road map for keeping that sort of live, human element throughout this record.

AL: Are any of the songs on the new record leftover from the last studio album sessions? Or that have been around longer?
LH: It’s kind of all of the above. They aren’t necessarily the same songs from what was considered for last record. Basically that entire time is the cut off and we started anew. However, there were a lot of riffs and small parts that were written around that time that we incorporated into some of the new songs.  “Love Bites” was a song we played on our last tour and that was us kind of testing it out to see how a song like that would go over live. We were listening to a lot of Lamb of God at that time and my guitar player, Joe, had this amazing riff and I kind of turned to him like, “Do you want to do something strange”? I wanted to kind of harness my inner James Hetfield for the bridge/breakdown, and ranted some crazy stuff over his riff. With “Love Bites (So Do I)” we’re trying to do something different that would stick out.

AL: Halestorm are known for having a really awesome support schedule and you have played with some of the biggest names in rock music. Do you guys ever get star struck with some of the people that you’re touring with?
LH: There definitely has been the occasion. I am a girl after all and being surrounded by such handsome men on nearly a daily basis, it’s a great position to be in! You learn so much from all these people and the fact that both STAIND and Godsmack, have had such huge careers and have such experience on the road, I think that to me I’m really looking forward to just watching, listening, and being completely put in my place, because it seems like every time I think, “Well, you know what? I’ve got this. I’m the boss.” And then you play a tour like this and you’re like, “Man, I’ve got to practice.” So, I am star struck. I am amazed every night at what there is to learn from these great bands. I’ve also had the amazing privilege to open for some of my classic idol such as Megadeth, Black Sabbath with Dio, Alice Cooper. They definitely leave me speechless. I’m going to be talking with Pat Benatar soon too. It’s like, “Man, what do I say to these people?”

AL: How did you prepare yourself vocally for this tour?
LH: You do have to prepare yourself for any tour. I mean, you’re going to be singing every night. You’re going to be talking to everybody. To me, it’s about common sense. We’re practicing as a band, then I’m making sure I’m not doing anything too stupid before we start the tour. I will do warm-ups and cool-downs and drink my water, and do a live show. It’s really quite simple on my end.

AL: Are you going to be performing any cover songs on this tour?
LH: Probably not. We might throw in one or two depending on the show, but considering the new album is dropping, we’re going to be playing most of our new stuff!

Philip Klein talks about his book “Lost at Sea: The Hunt for Patrick McDermott”

To most of us, our idea of a private investigator is based on watching such television shows as “The Rockford Files” and “Magnum P.I.” Smooth guys who were able to blend in even though they were the best looking guys in the room. And, in Magnum’s case, they were wearing a loud Hawaiian shirt! Philip Kline has managed to “blend in” for almost three decades. And that’s saying a lot about a man who stands 6’5” tall!

Internationally renowned for his investigative skills, as well as providing protection for some of the country’s biggest celebrities and politicians, Kline and his team undertook a project brought to them by “Dateline: NBC.” The network was curious about the mysterious disappearance of Patrick Kim McDermott, whose claim to fame was being the boyfriend of singer Olivia Newton John. Declared dead by the Coast Guard, as well as investigators hired by Newton John, something in the case file raised a red flag in Mr. Klein.

Klein has authored and just released the book “LOST AT SEA: The Hunt for Patrick McDermott.” In it he recounts the many hours, days and even years it took him to find a man who didn’t want to be found. Mr. Klein recently took the time to speak with MediaMikes about the case.

Mike Smith: How did this case compare to others you’ve had in the past?
Philip Klein: Well you know I do a lot of investigative work and body guard work for some of the most influential people in the United States. I’ve got to tell you, when NBC approached me about this I was kind of skeptical at first. But it turned out to be a real “who done it.” Actually more of a “why did they do it.” It wasn’t really “who” did it because we know…it was the man who was missing. But it was “why” he did it. Most investigators will tell you that the motive is the most important thing of the case. And when we found the motive of this case everything pretty much fell into place pretty quickly.

MS: Since the book has been published have you been contacted by McDermott or any representative? (NOTE: In the book Mr. Klein tracks McDermott to Mexico, where he later negotiates with a representative of Mr. McDermotts )
PK: No we haven’t. And the reason why is that we made a promise that if he provided a DNA sample…what we refer to as “proof of life,” we wouldn’t bother him anymore. His position, through his legal counsel, is that he just wants to be left alone. He has not committed any crimes, there are no warrants for his arrest and there are no, what we call in the business BOLOs, be on the lookout for in his name. So what we did was take a step back and decided that we needed to end the case. We asked his rep to send us a proof of life and we got just that.

MS: I remember in the book that you had agreed to not bother him once the proof of life was provided. I was just curious if maybe you had gotten a phone call or email saying “you were right…that’s exactly what happened!”
PK: (laughs) No, it doesn’t work like that. As much as I’d like it to work like that. I think what happens in the real world is that he is expecting an onslaught of press because the book has been released. And because he’s expecting an onslaught of press he’s probably gone back under. He’s very good. He’s learned the system down in Mexico. He knows how to disappear. He knows how to blend in. That’s what he’s probably done at this point. If I was consulting with him I would tell him that’s what he needs to do at this point.

MS: There almost seemed, not on your part but on your team, to talk directly with Olivia Newton John. Was that an outlet you really wanted to investigate but just didn’t feel it was right?
PK: Well, not necessarily. Well, you may be right in some ways. In every case there is a victim and in this case we considered Olivia Newton John one of the victims. Do we believe that Olivia Newton John knew anything about his disappearance? No. We believe that Patrick McDermott…we know that Patrick McDermott…went to her two weeks before he disappeared. He gave her some flowers and a funny card and said goodbye. They were going to break up. Olivia’s idea of the break up was…she felt that it was going to be a temporary break up. He’d done this before. In the police reports she called it a small “time out.” We believe that McDermott made the decision that that was it. He was going down to Mexico so he said his goodbyes. It’s very unusual that when someone takes off like that they say goodbye to the things they love or that they know that are common to them. And I think in Patrick’s case that he did have fond feelings for Olivia. You don’t date somebody for that long and not have some kind of feelings for them. But in the end I don’t think he wanted to hurt her. He just wanted to go on with his life. Of course Hollywood is a very, very tough place to survive. And I believe he decided he just couldn’t do it anymore. Especially in the fast lane with an “A” list star. He was always the nice looking man on Olivia Newton John’s arm. And so I think he said goodbye to her in the way he knew how to say goodbye. He bought a gun. He emptied his bank accounts down to zero. He got as much money as he could off his credit cards and he took off.

MS: Has the popularity, and the easy access of, the Internet made your job easier or harder? There is so much information out there that often you don’t know what’s true and what’s not.
PK: We have a big sign in our office for all of our investigators to read. It says “Don’t Believe What You Read on the Internet!” The Internet is a great tool, especially for investigators like us. That is one of the things we were able to do, use the Internet. We created what they call a “spider” web site…a trap site…where we could watch the IP addresses come in. One of the things you learn very quickly is that when people are running or trying to hide they’re always looking over their shoulder. So we used that concept and created the website “Find Patrick McDermott.com” We set that up as a “spider” site and we were able to trap IP addresses. We released the web site only to relatives and close friends of McDermott, including the Olivia Newton John camp. Then we sat back and watched. We blocked it from Google. We blocked it from Yahoo. And we just watched it for two weeks. And, sure enough, we started getting hits from Mexico. There’s nobody in Mexico that knew we were doing anything. So we figured at that point that he was down in Mexico. And we also knew the bigger piece of the puzzle…somebody was communicating with him down in Mexico.

MS: Do you know the status of McDermott’s life insurance policy?
PK: The insurance policy was not honored because of our report. We do know that Ms. Nipar (NOTE: Yvette Nipar was Patrick McDermott’s former wife. Despite her claims otherwise she has tried to undermine Mr. Klein’s investigation almost from the beginning. She has even gone so far to write Jeff Bezos, the founder of Amazon.com, a letter asking him not to sell Mr. Klein’s book) was paying the insurance policy and keeping it active. It was a $100,000 life insurance policy. Of course the insurance company has a policy of not releasing any pertinent information except to family members. However when we did send them a formal 1702 notice, a notice saying we wanted to know who was paying the insurance policy and if the policy was active, they did copy Yvette Nipar. I think that was their way of saying, “no, we’re not going to tell you who’s paying on the policy but we’re going to copy our letter to whoever is paying on the policy.” That’s where we got that connection.

MS: I know from your emails with Ms. Nipar regarding your request to test your DNA sample with a sample of her son she refused and told you that the Coast Guard had samples of Mr. McDermott’s DNA. Did they?
PK: We did. And the U.S. Coast Guard advised us that they did not have any DNA. They didn’t understand where she was getting that information from. There was a hat found on the boat. There was also some other items found…fishing tackle, a wallet which was empty…what was missing were his two passports. So we asked them directly “what about this green hat that was supposedly left behind, was there any DNA on it or did you find any DNA in his apartment when you did the search?” There answer was “no, we did not keep any DNA. There was no reason for us to keep any DNA.” That’s always been a confusing thing for us…that the Coast Guard did not keep any DNA. The Los Angeles Police Department had immediately dropped the case. They felt, number one, that there was no foul play. Number two, it wasn’t there jurisdiction. And number three, they felt that he was probably running due to his issues with Ms. Nipar and the amount of money he owed the state of California for child support.

MS: I just pulled up the book’s web site and I see the letter she wrote Jeff Bezos asking him to pull the book.
PK: We were surprised. If you go through that letter you will see that Ms. Nipar results to name calling…she resorts to intimidation. And if you read the book you will notice that this is the same behavior she showed when we were trying to investigate. You’ll also see that she tried to use the Los Angeles Police Department to shut the investigation down. This is atypical of someone that really wants to know what happened to their loved one. It’s totally the opposite of what we’re used to as investigators. Usually when we come in and investigate the family bends over backwards. They give interviews…they say, “look, this is what we know…this is what we have.” They want to share. She has done completely the opposite. In fact, she has attempted to block the investigation at every turn. And once again, when we start talking about the case in the form of a book she begins to start trying to block it again. So all of the investigators in this office raise our eyebrows, as do some of my friends over at the Los Angeles Police Department. They raise their eyebrows and say she’s acting quite abnormal.

MS: One thing that really struck me in the book was when you relate that your father told you the three important things in life: Truth, Honesty and Faith. You then add that there is a difference between truth and honesty. What is that difference?
PK: Well, if I’m putting my investigator hat on, truth and honesty are two different things. You can say the sky is blue, and that’s the truth. But, honestly, if you’re looking at the sky and the sky has clouds in it, you don’t want to just say the sky is blue. Honesty means the sky is blue with some clouds. And I think that sometimes people, when they are scared or trying to give only the half-truth, they’ll stand up and just say the sky is blue. When they perfectly know that it’s blue and white. It’s blue with white clouds. They hold things back. And I saw a lot of that on this case. I’d get the typical Hollywood “yeah, I knew Pat…this is the way he was.” But they’d hold stuff back. And I think people in Hollywood are so shell shocked by the media…so shell shocked by the press and how hungry the press is to get a story…that they sometimes hold things back. Or, if they have something to hide, they hold things back. I think that’s what I was talking about when I mentioned that with my father. There is a huge difference between truth and honesty. The honesty is that the sky is blue with beautiful white clouds. It’s not just blue.

MS: Now that he’s 19 years old, if Chance (Mr. McDermott’s son)were to come to you and say, “Phil, can you show me what you’ve got,” would you share it with him?
PK: You know, that’s a great question! Not only with this case, which is a missing persons case. I do about 100 missing person cases a year. And I can tell you this. For each of the families I always keep what we call “the Box.” It’s the case box. Sometimes there are five or six boxes and sometimes only one box. And I keep them for the family members. Especially the young people so they can go through them when they turn 18 years old. And if Chance McDermott wants to come to our office and if he wants to sit down and dig through all of the evidence…read everything that we did, all the way back to day one when we started with NBC to when we closed with NBC to the writings of the attorneys down in Mexico City…he is perfectly welcome with open arms. And you’d be surprised. Young people come to us often and say, “you know, our parents didn’t really tell us everything Mr. Klein…would you please sit down with me and tell me what this is and show me the documents?” And we show them. We have seen it as a very emotional event…as a very spiritual event. And a very relieving event for these folks. With this case…and I’m NOT calling Ms. Nipar a liar…I’m simply saying that Ms. Nipar is holding stuff back from her son. There’s a reason and a motive for that. Maybe someday she can look him in the eye and tell him that motive.

 

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Blu-ray Review “The Beast (Special Extended Edition)”

Directed by: Jeff Bleckner
Starring: William Petersen, Charles Martin Smith, Karen Sillas
Rated: Unrated
Studio: Timeless Media Group
Release Date: August 4, 2009
Running Time: 180 minutes

Our Score: 2 out 5 stars

Peter Benchley changed my life with “Jaws” and due to that his work will always hold a special place for me. “The Beast” was never my favorite adaption of his work but it is not terrible either. This release though by Timeless Media Group is a bit disappointing and doesn’t even equate to a proper Blu-ray release. I hate to keep putting this down but I feel like it is more of a DVD upscale than a Blu-ray.

“The Beast” stars William L. Petersen (“CSI”) as Whip Dalton in this battle of man against the darkest secrets of the ocean deep. When a large, strange claw is discovered in the small town of Graves Point, marine biologist Dr. Herbert Talley (Ronald Guttman), identifies it as belonging to a rare giant squid. The Dr. and Whip Dalton set out to hunt this beast. What is cool about this release is that it is the full uncut Special Extended Version. It features almost 80 minutes of restored footage from the original TV mini-series release.

The Blu-ray packaging is lame and badly photoshopped. The video resolution only includes an 720p transfer, with an aspect ratio of 1.33:1. I will give this a little bit a leeway since it was made in the 90’s but the standard 4:3 release just eeks me on Blu-ray. The audio is only Dolby Digital 2.0 track, no bad overall but nothing special. To top this off, there are absolutely no special features. All you get is the movie and a scene selection menu.

Blu-ray Review “We Bought a Zoo”

Directed by: Cameron Crowe
Starring: Matt Damon, Scarlett Johansson, Thomas Haden Church, Colin Ford, Elle Fanning
MPAA Rating: PG
Distributed by: 20th Century Fox
Release Date: April 3, 2012
Running Time: 124 minutes

Film: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

Matt Damon can do just about anything. He ranges from kicking ass as Jason Bourne to father who buys a zoo, and he does it really well. Maggie Elizabeth Jones definitely is the cutest thing ever and easily steals the show though. The film is from writer/director Cameron Crowe (“Jerry Maguire”) who really knows how to take a film and make it booth funny/dramatic and also inspiring. Though not the best movie of the year and easily the worst titled film of 2011, this film still has a lot finds a way to warm up your heart. Too cheesy? Oh well, I don’t care…I enjoyed it.

This inspirational true story is based on the memoir by Benjamin Mee. Matt Damon stars as Ben Mee, a man who’s wife recently passed away decided to take his two kids and move into a new house. Of course it happened that where they move just happens to be a zoo. With the help of the zookeeper (Scarlett Johansson), Mee and her family get the zoo from rundown to operational in order to get a fresh start. Notable performances from Thomas Haden Church, Colin Ford and Elle Fanning as well.

The Blu-ray release of “We Bought a Zoo” is fantastic. The 1080p transfer looks great and really sharp picture. The DTS-HD Master Audio 5.1 surround track is subtle but showcases Sigur Ros’ Jonsi score very well. Besides the Blu-ray, this also includes a DVD version of the film and bonus digital copy disc as well. To top it all off this release comes with a free child’s Zoo admission coupon, thanks to the Association of Zoos & Aquariums.

The special features are extremely impressive. There are a crap load of deleted & extended scenes, almost running 40 minutes. Crowe is known for his alternate shots, ever see the extended cut of “Almost Famous”? “We Shot a Zoo” is an amazing 75 minute comprehensive five-part making-of documentary. It covers just about ever aspects of the production. There is an audio commentary from director Cameron Crowe, editor Mark Livolsi, and actor JB Smoove (who if you blink you’ll miss in the movie). It is no the most exciting commentary but I enjoyed Crowe’s comments. “Their Happy Is Too Loud” focuses on the score from Sigur Ros frontman, Jonsi. “The Real Mee” talks about the real Benjamin Mee. There is a Gag Reel included which is also set to inspirational music by Jonsi. Lastly, there is Photo Gallery and Theatrical Trailer included.

Concert Review: Thomas Dolby “Time Capsule Tour” Ridgefield, CT

Thomas Dolby
“Time Capsule Tour”
The Ridgefield Playhouse, Ridgefield, CT
March 31, 2012

Our Score: 5 out of 5 stars

“I keep hearing about artists who have made a big comeback album after 2 years. Try two decades.”

Yes, indeed: it’s been 20 years since Thomas Dolby released his last disc comprised of original material, 1992’s “Astronauts & Heretics”. And it’s been 30 years since the release of his signature hit song, “She Blinded Me With Science”, in 1982.

None of the elapsed decades seemed to make any difference whatsoever at the Ridgefield Playhouse stop of Thomas’ appropriately-named “Time Capsule” tour, though. Throughout the entire show, Dolby more than adequately proved that his abilities as both a musician and a songwriter have not diminished one iota over the course of time that he’s been largely absent from the music scene. And he’s still one hell of a storyteller, both in terms of lyrics and between-song recollections and anecdotes that are full of his distinct British wit and accessible sophistication.

Even though Dolby may be dismissed by most as an 80’s one-hit-wonder, his musical catalog has always showcased a myriad of musical styles and influences – all of which he handles with a degree of mastery that makes each foray its own wonderful little aural journey. The cross-section of songs played in Ridgefield readily displayed this as Dolby bounced from quiet piano ballads (“Love is a Loaded Pistol”) to ethereal jazz crooning (“The Flat Earth”) and even some toe-tappin’ knee-slapping country bluegrass (“The Toad Lickers”).

Unlike his one-man “Sole Inhabitant” tour in 2006 in which he surrounded himself on three sides with an array of techogadgetry and delivered songs entirely synthesized, Dolby brought along a backing band this time around. Comprised of drummer Matt Hector and guitarist Kevin Armstrong (with occasional appearances by opening act bluegrass musicians Aaron Jonah Lewis and Ben Belcher), his musical entourage added the right level of instrumentation to Dolby’s songs – never overpowering the maestro’s keyboards but never slipping too far into the background as to become irrelevant.

The 110-minute, 16-song set concert touched upon all of five of his studio releases, including his most-recent release, “A Map of the Floating City”. There was even time for one mega-obscurity: 1986’s collaboration with Ryuichi Sakamoto, “Field Work”, a song that had never appeared on a Dolby album until the 2009 reissue of his debut disc, “The Golden Age of Wireless”. And, of course, a little bit of “Science” was thrown in for good measure.

It’s refreshing to have Dolby back on the scene performing music that’s every bit as powerful as it was decades ago as well as new material that easily matches the caliber of his earlier work. In a day and age that seems to produce so few virtuoso musicians, Dolby’s “Time Capsule” is a pill that, when taken, reminds us how rich and rewarding pop music can be when prescribed by someone as gifted as he genuinely is. One can only hope that Thomas doesn’t go on another multi-year sabbatical. I’m going to need a refill sooner than that.

To read Dave’s interview with Thomas Dolby, please click here.
To read Dave’s review of Thomas Dolby’s “A Map of the Floating City”, please click here.

For more information about Thomas Dolby, visit www.thomasdolby.com

Book Review “The Walking Dead Chronicles: The Official Companion Book”

Author: Paul Ruditis
Paperback: 208 pages
Publisher: Abrams
Release Date: October 1, 2011

Our Score: 5 out of 5 stars

Hey “Walking Dead” fans, this is the first and only authorized, behind-the-scenes guide to your favorite show.  It focuses on the making of the first season of the Golden Globe–nominated TV show.  “The Walking Dead” is a really rare show, it is not your typically television programming yet millions have latched on and love it.  I couldn’t be happier for the show as it honestly deserves it.  Season one is short with only six episodes but that doesn’t mean that this book isn’t packed with content and interesting aspects of the show.

“The Walking Dead Chronicles” is jam packed with amazing illustrated with never-before-seen unit photography, storyboards, set designs, makeup and visual effects shots, and page-to-screen comparisons of the comic and TV show.   It also features new interviews with series creator Robert Kirkman and executive producer Frank Darabont, as well as the cast and crew. Also included is a detailed episode guide, including excerpts from early drafts and final scripts.  Since this show was original based on Kirkman’s comics, it has a lot of room to grow in the future as the comic is still releasing new issues often. This is honestly the best companion book to one of the best shows on television.

This book is guaranteed to satisfy any fan of the show easily.  Paul Ruditis really did a fantastic job of providing a shit load of information as well as making it a very easy read.  Make sure to also check out the fantastic introduction by the creator Robert Kirkman.  I also recommend highly the foreword from Frank Darabont.  They both start off and end this companion book with a bang. If Abrams is reading this review, I have they are going to be releasing a second volume very soon as the second season just ended.

 

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