BAD RELIGION CELEBRATE 40-YEARS BY RELEASING STREAMING SERIES “DECADES”

TICKETS ON SALE DECEMBER 1, 2020 12 PM (PST)

FIRST EPISODE, THE 80’S, TO PREMIERE DECEMBER 12, 2020 2 PM (PST)VIA NOCAP

Bad Religion celebrates their forty years of making music with Decades; a four-episode online streaming event captured live at The Roxy Theatre in Hollywood, California. The band felt it important to commemorate the conclusion of 2020 as a strange moment in history when they reached that 40-year milestone. The celebratory episodes will include live performance footage, exclusive interviews, and a peek at their rehearsals leading up to the taping of Decades. Singer & co-songwriter Greg Graffin discussed their motivation, “I can speak for the whole band when I say that we were so disappointed to not be able to tour this year. It is our fans and all those concerts we play each year that provide the life-force of Bad ReligionDecades allows new fans as well as those who were there at the beginning to get a rich overview of our entire career and witness the changes in songwriting and performance styles at each stage of our evolution.“ Bad Religion will participate in an accompanying live chat during the premiere of each episode. Show specific merchandise will be available for sale on the DecadesNoCap Shows page.

The ’80s – Bad Religion performs songs from How Could Hell Be Any WorseSuffer, and No Control. They discuss what it was like being young punks in a world of Pacman, Reaganomics, and Televangelism. 

The ’90’s – Bad Religion performs songs from Against The GrainGenerator, Recipe For HateStranger Than Fiction, The Gray Race, and No Substance. This decade cemented their position as one of the most influential and prolific bands of our time, but it didn’t come easy or without cost; the band discusses the growing pains and lessons learned. 

The ’00s – Bad Religion performs songs from The New AmericaThe Process of BeliefThe Empire Strikes First, and New Maps of Hell. Returning home and charging forward into a new millennium, Bad Religion continued to awe with their prowess, releasing some of their most beloved material to date.

The ’10s – Bad Religion performs songs from The Dissent of ManTrue North, and Age Of Unreason. The Covid-19 pandemic cut short their plans to tour in support of The Age Of Unreason and are now performing material never seen live before. The band discusses the gratitude they live with every day looking back on 40 years of being Bad Religion and the legacy they are still actively creating. 

No Caps Shows will host Decades; a four-episode package will sell for $40, individual episodes may be purchased for $15. Tickets for Decades will go on sale Tuesday, December 1 at noon PST. Episodes will remain up for sale and viewing through the conclusion of the series and available until 12 AM PST on January 5th.  

Decades episodes will premiere at 2:00 PM Pacific Standard Time.

December 12th: Bad Religion, the ’80s

December 19th : Bad Religion, the ’90s

December 26th: Bad Religion, the ’00s

January 2nd: Bad Religion, the ’10s 

4 Decades 4 Episodes $40 bucksBadreligion.nocapshows.com#BadReligionDecades #BR40 #BRDecades

Enter to Win One of Ten Digital Streaming Codes of “Infidel”

To celebrate the digital release for “Infidel”, Media Mikes would like to give our fans a chance to to win one of 10 digital streaming codes. If you want to win one of these codes, please leave a comment below or email us with your favorite Jim Caviezel film. This giveaway will remain open until December 11th at Noon, Eastern Time. This is open to our readers in US only. One entry per person, per household. All other entries will be considered invalid. Media Mikes will randomly select winners. Winners will be alerted via email.

Don’t miss Jim Caviezel in the pulse pounding contemporary Middle East thriller, Infidel, where an American man is kidnapped and thrown in prison in Iran on spying charges. Infidel, is available now to rent or buy on iTunes, Google Play and more. #infidelmovie

Streaming Film Review: “Leap of Faith: William Friedkin on ‘The Exorcist'”

  • LEAP OF FAITH:  WILLIAM FRIEDKIN ON “THE EXORCIST”
  • Starring:  William Friedkin
  • Directed by: Alexandre O. Philippe
  • Rated:  Not Rated
  • Running time:  1 hr 44 mins
  • Exhibit A Pictures

What is a perfect film?  To me, it is a film that, when you’ve watched it and absorbed what you’ve seen, you can’t find any fault with it.  Not a false note, not a frame you would change.  Perfect films are rare and the list is short.  “Citizen Kane…”  “The Godfather…”  “Chinatown…” and the most terrifying film I’ve seen in my 60 years on Earth, William Friedkin’s “The Exorcist.”  The new documentary, “Leap of Faith: William Friendkin on ‘The Exorcist’,” which airs exclusively beginning November 19 on the Shudder streaming service, takes you on an amazing journey into the making of the film, with the film’s director as your tour guide.

In Mr. Friedkin’s opinion, the majority of religious-themed films from Hollywood  were “sappy.”  Films like “The Ten Commandments”  and “King of Kings” treated God as being “magic.”  To Friedkin, only the 1955 Dutch film “Ordet” really approached religion – the mystery of faith” – in a truthful way.  Friedkin also believe it was fate that put together all of the pieces that became “The Exorcist.” 

We learn how he came to read the novel and how he worked with the book’s author, William Peter Blatty, to bring the book he wrote to the screen.  Friedkin remarks that Blatty’s script for the film omitted key parts in the novel that Friedkin felt were essential to the story.  Friedkin also reveals that several directors, including Stanley Kubrick and Arthur Penn, turned the film down before he was offered the job.  And while I knew that several actors, including Roy Scheider, had begged for the pivotal role of Father Damien Karras, Stacy Keach was actually hired for the part until Jason Miller pleaded with Friedkin for a chance to test for the role.  As much as I love Stacy Keach, when you watch “The Exorcist” now can you see anyone else in the role of Father Karras? 

Director Friedkin confers on-set with Jason Miller and Ellen Burstyn.

“Leap of Faith” contains some amazing archival footage, including footage featuring a possessed Linda Blair speaking with her own voice.  It’s disturbing enough  to hear a 12-year old girl utter the vile dialogue in the gravelly voice of a demon but when you hear those words uttered in Blair’s own soft voice it’s downright chilling.

As “Leap of Faith” progresses you can’t help but think that this is what it must be like to have Da Vinci describe how he created the Mona Lisa.  Nothing is left unmentioned, including a discussion on the many conclusions that moviegoers and critics have drawn from the ending of the film.  To Friedkin, the ending is the film’s only flaw, one he feels he did not fully explain.  Flaw?  Not in my mind.  It’s perfect!

Streaming Review: “Welcome to the Blumhouse Presents ‘Evil Eye'”

  • EVIL EYE
  • Starring: stars Sunita Mani, Sarita Choudhury, Omar Maskati
  • Directed by: Elan Dassani , Rajeev Dassani
  • Rated: Unrated
  • Running time: 1hr 30 mins
  • Blumhouse Productions

Rounding out the initial four films released at part of Amazon’s “Welcome to the Blumhouse” package is twin-brothers Elan and Rajeev Dassani directed “Evil Eye.” Blumhouse once again delivering projects supporting diverse creators with inclusive casts, “Evil Eye” explores a culturally specific thriller that at first glance might seem centered around a practice that a majority of audiences won’t be able to identify with: arranged marriages – but the deeper theme here is one that unfortunately all too many will have experience with… making “Evil Eye” a film that feminists may champion

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Exploring spiritual concepts of reincarnation and karma inject fascinating albeit culturally specific supernatural elements into what’s basically a story of an overprotective mother constantly attempting to virtually connect and intervene in her daughter’s love life in efforts to redirect her perceived fate. Pallavi (Sunita Mani) is a young Indian woman living a modern Americanized lifestyle after her parents return to their home in Delhi, India.  Her superstitious and paranoid mother, Usha (Sarita Choudhury) is in frequent contact and constantly in need of status updates on her daughter’s love life. Concerned that if she doesn’t find a husband before thirty her daughter will be alone forever, Usha goes to great lengths and frequent astrological consultations to attempt matchmaking for Pallavi. When Pallavi finally meets a promising young Indian man, Usha’s husband and family feels she should finally be content but we quickly learn that Usha’s past has forecasted the return of evil doing, taken form in Pallavi’s new love interest, Sandeep (Omar Maskati). 

Usha’s paranoia is soon understood by audiences: she was the victim of long term emotional and physical domestic abuse. Secretly responsible for bringing her abuser to his death, Usha suggests that he has returned, reincarnated as Sandeep.  Observing from across the ocean how he uses his charms, passively controlling and using his resources to convince Pallavi to relocate and quit her job, Usha sees must act quickly to save her daughter when no one believes in her visions.

“Evil Eye” is another installment of “Welcome to the Blumhouse” that’s hard to quantify as horror. While the heart of this film is assuredly one of the greatest horrors for so many people, especially females and parents of females, it is better to go in with appropriate genre expectations for this thriller which has only momentary touches of the supernatural but still succeeds in entertaining as tense and relevant horror-adjacent storytelling.

Streaming Review: “Welcome to the Blumhouse Presents ‘Nocturne'”

  • NOCTURNE
  • Starring: stars Sydney Sweeney, Madison Iseman, Jacques Colimon
  • Directed by: Zu Quirke
  • Rated: Unrated
  • Running time: 1hr 30 mins
  • Blumhouse Productions

After tragedy strikes the student body of a prestigious boarding school, a pair of talented twin musicians return home to visit their parents. Whilst entertaining guests you learn that one of their classmates has died by suicide and, via their parents’ snobby friends inquiries,  that the twins will be going separate ways the following school year. Shy and inexperienced Juliet (Sydney Sweeney) has to hustle to keep up with her more accomplished sister Vivian (Madison Iseman), whom everything seems to come naturally and more abundantly for — multiple suitors, praise from family and teaching staff and, most importantly, a coveted spot at Juilliard. 

When the girls return to school, it is announced that the recently deceased student has opened a highly contested slot at the Senior Concert. Rumors fly that perhaps Juilliard will send scouts and both sisters decide to audition but during her preparation, Juliet finds a notebook left behind by their former classmate, billowing with dark scrawlings and chilling sketches. 

After taking ownership of the notebook, a series of highly uncharacteristic social misadventures reveals that Juliet has seemingly made somewhat of a Faustian deal to propel her musical career towards stardom.

 With a backdrop of unlikable adult figures insisting on managing expectations, railing against the social media narratives of achievable stardom for all, Juliet retorts that she doesn’t even have social media and should be removed from being lumped in with her generation’s  sense of entitlement. But will she be able to resist the temptation as the world starts coming to her oh-so-much more freely?Sydney Sweeney shines here, giving a truly emotional performance.

Despite the supernatural elements at play, there is still very much a reminder of the pain and traumas that so many young girls have to survive while navigating the social hierarchy of high school. Even amongst a very specialized niche population, that “Mean Girls” chapter plays a hard hand between these sisters. I very much enjoyed Nocturne and won’t do it the disservice of suggesting anyone seriously compare it Argento’s “Suspiria” or Luca Guadagnino’s reimagining of it but horror fans would be hard pressed to not notice some at least basic themes pulled from there and I can easily offer it up as a modern companion to the 70s giallo classic.

Streaming Review: “Welcome to the Blumhouse Presents ‘Black Box'”

  • BLACK BOX
  • Starring: Mamoudou Argue, Amanda Christine, Phylicia Rashad
  • Directed by: Emmanuel Osei-Kuff
  • Rated: Unrated
  • Running time: 1 hr 40 mins
  • Blumhouse Productions


Giving a solid swing into the horror universe as part of the first installment of WELCOME TO THE BLUMHOUSE films streaming on Amazon Prime is Director Emmanuel Osei-Kuffour’s “Black Box.”  

When you meet Nolan (Mamoudou Athie) you immediately feel his struggle. He’s a young, widowed father who has lost not only his wife but a majority of crucial memories sustained from the car accident that killed her. It has also seemingly took his “eye” from his successful photography career… which has added just one more stressor to the pile of problems he’s facing in his new life. He routinely forgets to pick up his daughter, Ava (Amanda Christine), from school, traditions they have together and simply struggles to safely and efficiently navigate their daily schedule. 

Becoming emotionally exhausted and worried about the effect it’s having on Ava, Nolan is looking for help to fill in the missing pieces. When Ava’s school threatens to call Protective Services after he forgets to pick her up for a third time, Nolan’s search becomes, simply, an act of desperation.


Reluctantly volunteering to participate in an experimental treatment, Nolan comes to know Dr. Lillian Brooks (Phylicia Rashad). The experiment uses a device they call the Black Box which allows the patient to recapture lost memories by submersing themselves in their own memories of adjacent experiences, hoping they will allow the missing pieces to fill themselves in. The visual process in which you arrive to these adjacent memories will not be unfamiliar to horror fans. Very briefly pulling atmospheric vibes a la Get Out’s The Sunken Place, but to be clear… the similarities end there. Not surprisingly, Nolan’s procedure isn’t without negative side effects and conceptually, I think most adult viewers will have an understood fear of the notion of memory loss, the mechanics involved in medical science should doctors ever want to play around in your brain for who knows what selfish reasons and most of all, imagining the desperation required to make a choice to participate in the above willingly.

Simply put, Black Box feels like a high concept story that might have best been left as an episode of Black Mirror. Or maybe it would’ve faired better expanded into an anthology; Nolan’s story alone doesn’t feel like it properly fills out 100 minutes and simultaneously feels like maybe there’s more behind the lab that viewers would be interested in seeing. Still, the acting is solid, especially from Osei-Kuffour. Atmospherically, this will tick off several boxes if you’re looking for new October horror stories — most notably some amazing physical acting from contortionist Troy James. Remember that with theaters closed, it’s our responsibility as viewers to set the scene and let these films do their job. Phones put away, lights off. Let the quiet and darkness replicate the scares that a movie theater can enhance… for now, at home. 

Streaming Review: “Welcome to the Blumhouse Presents – ‘The Lie'”

  • THE LIE
  • Starring: Joey King, Mireille Enos, Peter Sarsgaard
  • Directed by: Veena Sud
  • Rated: R
  • Running time: 1 hr 37 mins
  • Blumhouse Productions


Amazon’s new series WELCOME TO THE BLUMHOUSE is dropping a series of genre films starting this week. Amongst them is the Parental Horror “The Lie” directed by Veena Sud. 

 
Carefully straddling the lines between horror/thriller and Lifetime drama, “The Lie” explores the limits that two parents push in order to protect their only child after she confesses to a horrible crime.


Recently divorced Rebecca (Mireille Enos) and Jay (Peter Sarsgaard) are trying to find peace and balance in their new separate lives co-parenting fifteen year old, Kayla (Joey King). When Rebecca insists that defiant Kayla attend a weekend ballet retreat, Jay agrees to make the trek through the icy, frigid terrain to get her there. En route, in the middle of nowhere, they find Kayla’s friend Brittany waiting at a bus stop who reveals she’s also headed to the retreat although her dad refused to drive her and has left her to wait for a ride in the  harsh winter air. 


Brittany asks Jay to drive her but almost immediately begins inappropriately flirting with him, causing the girls to reveal their true “frenemy” relationship. Brittany also immediately demands Jay pull over, still very much in the middle of nowhere, so she can pee in the woods. Kayla accompanies her and when they don’t return, Jay starts to become concerned and then hears a scream. 


After finding Kayla sitting alone on the railing of  a rapid-covering bridge, she reveals in a panic that the two had fought and she pushed Brittany over the ledge in a fit of rage. Jay searches the area with no success other than finding her phone and coaches Kayla through the beginning of series of lies that spiral quickly way out of their control.When they return to Rebecca’s she initially resists in corroborating their story but is roped in anyway when Brittany’s father comes over looking for her. 


The hours and days that follow are impossible to look away from. Kayla’s icy, sociopathic behavior is unnerving and infuriating, Jay and Rebecca’s frenzy of lies becomes the proverbial car wreck that you guiltily cannot take your eyes from. This familial trio guides you through the unbearable questions that no parent ever wants to have to ask themselves. 


“The Lie” offers no jump scares, gore or autumnal markings but the terror is very much present. This was a highly worthwhile welcoming to The Blumhouse that will resonate with the over thirty crowd, perhaps enough to question whether the present climate will allow you to handle the anxiety that it delivers.

LAMB OF GOD Announce Two Massive Worldwide Streaming Events

Performing Their Brand New Album and Ashes of the Wake In Full 

Ticketed Livestreams Scheduled for September 18 and September 25 

Pre-show to Feature Band Interviews and Performances from WHITECHAPEL, BLEED FROM WITHIN 

Latest Album, Lamb of God, Available Now

Miss the ferocity, groove and aggression of the one-and-only LAMB OF GOD live? Well, the wait is over.

The mighty LAMB OF GOD will offer fans first-time-ever live performances of the band’s critically acclaimed new album, Lamb of God, and the landmark 2004 album Ashes of the Wake, both performed live in their entirety in the band’s hometown of Richmond, VA. As standalone ticketed events, these performances will be LAMB OF GOD‘s only chance to perform these songs for fans this year – and the band are ready to deliver to the highest degree.

The first stream, scheduled for Friday, September 18, will see the band perform songs from their latest self-titled album, released June 19 via Epic Records, live for the very first time. For the second stream, on Friday, September 25, the band will perform the ground-breaking RIAA certified Gold album, Ashes of the Wake, in its entirety for the first time ever. Both sets will feature encores, including fan favorites as well as songs that haven’t been performed in years.

The streams are scheduled to begin at 5 p.m. EDT/2 p.m. PDT on their respective days. Livestream tickets will be $15 per show or, for a limited time, $20 for both shows and are on-sale now at http://watch.lamb-of-god.com. Streams will be available to watch video-on-demand through 11:59 p.m. EDT on Sunday for fans who purchase a ticket. Additionally, the band will be offering ticket and limited-edition merch bundles plus an exclusive merchandise store available only to ticket holders during the stream.

A pre-show is scheduled to begin at 4 p.m. EDT/1 p.m. PDT before each stream, hosted by Jose Mangin, featuring exclusive interviews with members of the band and opening sets from Bleed From Within (September 18) and Whitechapel (September 25). Bleed from Within will be airing a brand new full production 30 minute set and Whitechapel will air their memorable 2014 hometown performance from Knoxville, TN.

For more information including tickets and merch bundles, visit at http://watch.lamb-of-god.com. 

LAMB OF GOD propelled heavy metal into the new millennium two decades ago with the prophetically titled New American Gospel. They followed with 2003’s As the Palaces Burn, which made the Rolling Stone list of the Top 100 Greatest Metal Albums of All Time. Ashes of the Wake (2004) was the first LAMB OF GOD album to be certified gold by the RIAA, followed by Sacrament (2006), which debuted in Billboard’s Top 10. Wrath (2009) earned the No. 1 spot on Billboard’s Hard Rock, Rock, and Tastemaker charts and was No. 2 on the Billboard 200. Those No. 1 positions were repeated with Resolution (2012). VII: Sturm und Drang (2015) debuted at No. 3 in North America and in the Top 5 in several countries. The single “512” from VII: Sturm und Drang received a Grammy nod for the “Best Metal Performance,” making it LAMB OF GOD’s fifth Grammy nomination.

A true collaboration between all members of the band, LAMB OF GOD’s eighth studio album is an amalgam of each individual’s contributions, blended to create a singular style. Guitarists Mark Morton and Willie Adler fuel the album with a mountain of riffs, taking what Lamb of God are known for, and unbelievably, upping the ante to new levels. The rhythm section of John Campbell, looming large as a rhythmic shadow, and drummer Art Cruz, who makes his studio debut with LAMB OF GOD here on this record, underpin the proceedings with passion, sweat and expansive dynamics. Vocalist D. Randall Blythe is as angry, insightful, and informed as ever. Never one to shrink from facing the darker aspects of our nature head-on, Blythe delivers with no punches pulled, and as only he and Lamb of God can in 2020.

LAMB OF GOD‘s co-headline tour with Megadeth plus special guests Trivium and In Flames has been postponed to 2021. For new dates and tickets visit: http://metaltouroftheyear.com

LAMB OF GOD is:

D. Randall Blythe – Vocals

Mark Morton – Guitar

Willie Adler – Guitar

John Campbell – Bass

Art Cruz – Drums

SHOUT! FACTORY TV ANNOUNCES NORTH AMERICAN STREAMING ACQUISITION OF THE AQUABATS! SUPER SHOW!

Multi-Year Agreement Grants Shout! Factory TV Streaming Rights to Daytime Emmy Award-Winning Comedy Rock Series
Shout! Factory TV, the multi-platform digital streaming arm of Shout! Factory, and The Aquabats! today announce a distribution alliance to bring the fan-favorite musical comedy television series The Aquabats! Super Show! to streaming entertainment platforms in North America. 

The multi-year alliance provides Shout! Factory TV with SVOD, AVOD and linear streaming digital rights in the U.S. and Canada to all episodes of The Aquabats! Super Show!, including the unaired pilot episode and specials.   

Shout! Factory TV plans a timely rollout of The Aqubats! Super Show!, expected later this year on its streaming service. As excitement builds, Shout! Factory TV, in collaboration with The Aquabats!, will announce additional news and activities in forthcoming months. The Aquabats! Super Show! premiered in 2012 on the Hub Network and aired for two seasons. The series was created by Christian Jacobs,Scott Schultz (creators of the series Yo Gabba Gabba!), and Jason deVilliers. Throughout its run, the show received eight multiple Daytime Emmy nominations and one win. Shout! Factory previously released The Aquabats! Super Show!: Season One on DVD in 2013. 

Based on the superhero mythology of The Aquabats!, a real comedy rock band which series co-creator and lead singer Jacobs formed in 1994, The Aquabats! Super Show! follows the comic adventures of a fictionalized version of the band, a musical group of amateur superheroes, as they haphazardly defend the world from a variety of villains and monsters. Styled similarly to the campy aesthetics of 1960s and 1970s children’s television and Japanese tokusatsu, The Aquabats! Super Show! utilizes various mediums of visual styles and special effects, mixing live-action storylines with cartoon shorts, parody advertisements and musical interludes. 

“The Aquabats! are back at Shout! Factory, and we couldn’t think of a better home for Seasons 1 and 2 of The Aquabats! Super Show!,” said Christian Jacobs (The MC Bat Commander).“Take a look at their catalog and you’ll see a lot of the stuff that inspired Super Show! in the first place. We hope our fans enjoy watching The Aquabats! right alongside some of our all-time faves like Kamen Rider and Ultraman Leo, and we look forward to new folks discovering our wacky rock and roll adventures!” 

“As fans first, we’re thrilled to once again be working with The Aquabats!. The Aquabats! Super Show! has a devoted fanbase that has cemented the show as a pop culture phenom. We look forward to not only making it available for more fans to discover via streaming on Shout! Factory TV, but also taking advantage of the digital medium to give current fans new and unique ways to experience the show,” said Gene Pao, Shout’s SVP of Digital Enterprises. “As we actively expand our reach in streaming and digital platforms, acquisitions like this epitomize the fan-driven content we continually produce and pursue.”
About The Aquabats!
The Aquabats!, formed in 1994 in Orange County as a way to have some harmless fun in a music scene that took itself too seriously. Their Paul Frank designed “power belts,” trademark rash guards, black eye masks, “anti-negativity” helmets and onstage antics quickly caught on, earning the group a fiercely loyal following that spans generations. Their line-up and music is continuously evolving, including Blink 182’s Travis Barker as former drummer “Baron Von Tito.” 

In 2012, the band debuted The Aquabats! Super Show!, a live-action musical action comedy television series which aired on the Hub Network. The show received eight multiple Daytime EMMY nominations and one win. 

To date, The Aquabats’ music library includes The Return of the Aquabats (1996), The Fury of the Aquabats! (1997), The Aquabats vs. The Floating Eye of Death (1999), Myths, Legends and Other Amazing Adventures, Vol. 2 (2000), Yo! Check Out This Ride! (EP, 2004) Charge!! (2005), Radio Down! (EP, 2010), Hi-Five Soup! (2011), and 2020’s newest addition – full studio album Kooky Spooky… In Stereo! 

Current members are Christian Jacobs as “The MC Bat Commander” (lead singer), Chad Larson as “Crash McLarson” (bass, vocals), Ian Fowles as “Eaglebones Falconhawk” (guitar), Richard Falomir as “Ricky Fitness” (drums), and James Briggs, as “Jimmy the Robot” (keyboards, woodwinds, vocals). 

About Shout! Factory TV
Shout! Factory TV is a digital entertainment streaming service that brings timeless and contemporary cult favorites to pop culture fans. Shout! Factory TV offers an unrivaled blend of original programming and TV shows and movies curated from major studios, independent producers and its own distinctive entertainment library. The Shout! Factory TV family of channels also includes Mystery Science Theater 3000 and TokuSHOUTsu™, with more to come soon. Shout! Factory TV provides an immersive, high-quality viewing experience across a wide variety of platforms: online at ShoutFactoryTV.com, on smartphone devices, tablets and connected TV, and via apps on the Roku player, Android, Apple TV, and Amazon Fire TV. Shout! Factory TV is also available as a branded channel on Amazon Prime Channels, Comcast Xfinity, Pluto TV, Redbox, Roku Premium Subscriptions, Samsung TV Plus, STIRR, Tubi, Twitch, Vizio and XUMO among others. For more information, please visit ShoutFactoryTV.com.

RAP ICON LIL WAYNE RELEASES NO CEILINGS MIXTAPE ON ALL STREAMING PLATFORMS

Today, multi-platinum, Grammy Award-winning music icon Lil Wayne surprises fans and releases the critically acclaimed No Ceilings mixtape on all digital streaming platforms via Young Money Records/Republic Records. In honor of the late Kobe Bryant, the project features the bonus track “Kobe Bryant,” which Wayne performed as tribute to the NBA legend at this year’s BET Awards.

LISTEN TO NO CEILINGS HERE

Earlier this summer, Wayne also celebrated the 5th anniversary of the Free Weezy Album (FWA) (stream HEREby releasing the project on all digital streaming platforms. Fans can also revisit the inaugural season of his highly successful show – Young Money Radio – on Apple Music (revisit the first season HERE). The 12-episode season featured an all-star lineup of incredible guests, including Dr. Dre, Drake, Birdman, Eminem, Nicki Minaj, Mike Tyson, Twitter CEO Jack Dorsey, Dr. Anthony Fauci, Kevin Hart, Chris Brown, Jamie Foxx, Shaq, Stephen Jackson, Kevin Durant, Mannie Fresh, DJ Khaled, Travis Scott, Deion Sanders, Babyface, Jessie Reyez, Lil Baby and more.

Wayne also dropped the deluxe version of his chart-topping album Funeral (listen HERE), which includes 8 new tracks featuring Lil Uzi Vert, Tory Lanez, Doja Cat, Jessie Reyez, Benny The Butcher and Conway The Machine. Funeral marks Wayne’s 5th No. 1 album on the U.S. Billboard 200 Chart, joining Tha Carter V (2018), Tha Carter IV (2011), I Am Not a Human Being (2010) and Tha Carter III (2008).

The full tracklisting for No Ceilings can be found below:

1. Surf Swag
2. YM Wasted
3. Shoes
4. Broke Up (feat. Fre$h & Gudda Gudda)
5. Banned
6. Throw It In
7. That’s All I Have (feat. Shanell & Tyga)
8. Wayne On Me
9. I’m Good (feat. Lucci Lou)
10. Let Do It
11. I’m Single
12. Kobe Bryant (Bonus)

LIL WAYNE
Lil Wayne rewrote the entire game in his image. The five-time GRAMMY® Award-winning multi-platinum rap icon, Young Money Entertainment founder, acclaimed author, skater, philanthropist, and history-making superstar left an indelible tattoo on the culture. By 2020, he cemented his legacy forever as “one of the best-selling artists of all time,” tallying sales in excess of 100 million records worldwide with 15 million albums and 37 million digital tracks sold in the United States alone. Not to mention, he garnered 11 BET Awards, four Billboard Music Awards, two MTV VMAs, and eight NCAAP Image Awards. Among many milestones, he emerged as “thefirst male artist to surpass Elvis Presley with the most entries on the Billboard Hot 100, logging a staggering 109 entries.

With a discography highlighted by two consecutive #1 debuts on the Billboard Top 200 with 2008’s triple-platinum three-time GRAMMY® Award-winning opus Tha Carter III and its double-platinum 2011 successor Tha Carter IV , he completed the series with Tha Carter V in 2018. Not only did it clinch #1 on the Billboard Top 200, but it also achieved “the second-largest streaming week for an album in history.” Every song on the tracklisting charted on the Billboard Hot 100 as he became “the first artist to debut two songs in the top 5.” It all bulldozed the way for his thirteenth full-length, Funeral , a year later. Simultaneously, Wayne owns and operates Young Money Entertainment as C.E.O. The company ignited the careers of two of the most successful artists ever—Drake and Nicki Minaj. The committed philanthropist founded The One Family Foundation too.

Comparing the Top Streaming Services on the Market Today

The top streaming service is more than a matter of who has the best shows. It’s about the app experience, value for money, and how quickly they release new information. The best streaming service should make it easier for the subscriber to find something new to watch. 

The TV landscape has tremendously changed, thanks to the streaming services. That means every major studio is trying to figure out how to play catch-up even with huge competition leading streaming services listed on Streamingwars.com like Amazon Prime Video and Netflix.

Viewers have subscribed to streaming services in droves, and for a good reason. There’s not much choice when it comes to selecting the best streaming services for your needs, which is suitable for viewers in some respects. However, it can be overwhelming and expensive to make the right decision. 

The best streaming service overall is Netflix, which has grown to be the standard streaming service for many. First of all, Netflix offers an outstanding selection of TV shows, movies, comedy specials, original programming (including Glow, Love Is Blind and Black Mirror).  Netflix practically controls the talk around streaming, with most the great shows and routine success making new series such as “Dead to Me” and “ Tiger.”

What’s more interesting is that you can create up to five different profiles on the same account to make sure your favorite content doesn’t mess up. As you probably know, Netflix is continually removing and adding movies, so you’ll want to check it out to see what’s coming soon. 

The recently-released HBO Max boosts the HBO catalog for shows such as Westworld or Game of Thrones and a ton more movies and some new original shows. Some will turn to the service for the DCEU films – the Justice League Snyder Cut is coming – while others will treasure the family-friendly trove of content, including the Not-Too-Late Show with Elmo and the new Looney Tunes cartoons. However, HBO Max is still not on Fire or Roku TV.

Lately, Disney joined the fray with Disney Plus, which hosts movies and shows from Marvel, Star Wars, and more. Before its release, Disney Plus was among the most awaited streaming services on the market. Disney controls a frightening number of properties, from Star Wars, to Marvels, to Disney’s own animated canon, to The Simpsons (all 30 seasons and counting). 

There’s also the Amazon Prime Video service that is a part of Amazon Prime subscription. For those who do their shopping online, Amazon is a no-brainer. Like Netflix, Amazon Prime Video is a veritable buffet of original programming, television, and movies. Some of the best Amazon shows range from the Man in the High Castle, The Marvelous Mrs. Maisel, Jack Ryan, and Bosch. 

A deal with Viacom – which controls Comedy Central, Nickelodeon, and MTV – made Amazon Prime arguably the best streaming service when it comes to children programming and comedy. The streaming service also provides unlimited access to an extensive collection from HBO’s catalog of classics like “The Wire” and “The Sopranos”.

STEEL PANTHER TO PERFORM THEIR FIRST EVER CONCERT TO SAVE THE WORLD LIVE STREAMING ON JUNE 7th SPONSORED BY MONSTER ENERGY

Proceeds From Ticket Sales To Benefit Heavenly Pets Animal Rescue and Live Nation’s Crew Nation Fund Tickets now available here: https://lnk.to/steelpantherlive

California rock legends and global philanthropists Steel Panther are gearing up for another first in their long and distinguished career. The band is going to be playing their first ever, completely live around the globe, socially distance abiding (band members will be 6’ away from each other too), virtual concert that they are calling the Concert To Save The World. The concert will take place on Sunday, June 7thfrom a sanitized, undisclosed location in Los Angeles that will feature full stage production and use multiple cameras to stream the event live on www.steelpantherrocks.com.

The show will be live at 2:00PM Los Angeles time, 5:00PM New York City time, 10:00PM (22:00) London time, 11:00PM (23:00) Berlin time, 5:00AM (Monday morning) Hong Kong time and 7:00AM (Monday morning) Sydney time. The band will take breaks during the show and interact with the fans live around the globe. Tickets for the virtual concert will cost $15.00 each with proceeds from each ticket sold going to benefit Heavenly Pets Animal Rescue (the location that hosted the band’s recently announced All Day Kitty Cam) and Live Nation’s Crew Nation Fund (benefitting all touring personnel affected by the Covid-19 pandemic).

Any fan who has purchased the band’s latest effect pedal The Butthole Burner prior to the concert will get a free ticket to the event. The band will also be giving away 3 pedals live during the event as well as a guitar, merchandise from longtime sponsor Monster Energy including a year’s supply of Monster, a Jambox, skateboard and other items. The Concert To Save The World is being sponsored by Monster Energy and tickets are available here: https://lnk.to/steelpantherlive 

“This concert is guaranteed to, at the very least, have our microphones plugged in and facing the right direction.,” explains Steel Panther. “We feel like heavy metal hasn’t been represented in any recent broadcasts. It is time to bring spandex and hairspray back to the forefront and ripping guitar solos into your living rooms. Additionally, Steel Panther would like to inform you that it is totally legal to attend this concert naked!” 

Steel Panther has been making headlines with their daily video vignettes helping folks sheltering-in-place know what day of the week it is. A short musical intro gives way to a band member explaining which day it is for their viewers. The series has gained such popularity that various entertainment friends have made cameos as well. Comedy legend George Lopez recorded a special video for Cinco de Mayo and joins a list that includes Corey Taylor of Slipknot/Stone SourScott Ian of AnthraxJason Hook of Five Finger Death Punch, and Joey Fatone of ‘N Sync with more surprises forthcoming. The videos can be seen on all social media platforms.

The band also recently released a music video for their newest single “Let’s Get High Tonight” from their chart-topping album Heavy Metal Rules (https://lnk.to/HeavyMetalRules)The Frankie Nasso directed video puts the heavy metal heroes in various musical styles including a black metal band, a Spanish mariachi band, a boy band, a Baroque classical quartet, and a country/western band. That video can be seen here: https://youtu.be/_l6sbhjm8pk.  

More information for all things Steel Panther can be found at www.steelpantherrocks.com 

ABOUT STEEL PANTHER:  For the uninitiated, Steel Panther was formed in 2000 and is comprised of Michael Starr (lead singer), Satchel (guitarist), Lexxi Foxx (bass) and Stix Zadinia (drums). Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.  Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy – and relatable.”

Streaming Review: “Soul City”

  • Soul City
  • Starring: Omar J. Dorsey and Deneen Tyler
  • Directed by: Coodie & Chike 
  • Not Rated
  • Running Time: 15 minute episodes (3)
  • Topic
  • First Look Media

“In the City of a Million Dreams….Nightmares Come Knocking At Your Door.”


Fans of the horror anthology subgenre have had plenty to feast on these past few years. A resurgence of the format has seen success in Netflix’s Black Mirror, Hulu’s Into The Dark and, most recently, horror-specific streaming service Shudder’s Creepshow. The short run-time format allows for creative risk taking in stories that might be a gamble as a full length feature and, often, the result is evidence of a focused passion for storytelling and intention with little to no room for any unnecessary fluff.


Soul City, a new anthology series from the streaming service Topic, delivers its first season of three psychological horror mini-sodes from creators and directors Coodie and Chike. The season specific landscape set to explore multicultural, urban populations: this inaugural season set in New Orleans. 
Each of the three episodes are a tight fifteen minutes, each succinctly exploring the New Orleans vibe in different ways. An easy time investment to soak in the ambiance of perusing the city and all its gritty corners, haunts within odd street shops, southern religious fanaticism and dark magic. While there is certainly room for Coodie and Chike to grow as directors within the genre, they’re most definitely a welcome addition to the scene where persons of color still remain a minority despite the demand for representation of the genre’s viewership demographics. Soul City is thrilling for providing a platform to showcase New Orleans on screen as a locale that’s perfect for genre lovers to further examine its lush, spooky history. Coodie and Chike’s previous history within the music video sector brings a definitive confidence in visual storytelling that shines in the series especially in its second episode. 

The potential for a revolving city-specific format is intriguing and exciting. Think American Horror Story but regionally based. With New York and Los Angeles so outrageously over-represented on film it’s encouraging to see the possibilities for overlooked cities, domestic and abroad, to be dissected and celebrated for their own unique regional terrors.

SOUL CITY will be premiering on April 30, 2020 exclusively on Topic, the streaming service from First Look Media.

Mill Creek Entertainment Announces the Launch of Moviespree, a New On-demand Streaming Service

Mill Creek Entertainment has established itself as the leading independent home entertainment studio in North America. From special edition Complete TV Series releases including The Shield, Married…With Children, and Roseanne, to special edition SteelBook® release of Mothra and an entire lineup of Retro VHS-style movies on Blu-ray, Mill Creek’s extensive catalog contains both mainstream and cult entertainment offerings that have exceeded performance expectations at retail despite the declining packaged media industry reports.  And now has joined the bandwagon with an all new on-demand streaming service which offers value-priced movie bundles, TV Series, and Premium Entertainment Options. New customers can build a vast digital library and receive an offer to redeem 100 free movies which will be added to their library.

This new streaming alternative gives movie buffs and cord-cutters an exciting new destination to build a digital library. With apps now available on RokuApple TVAmazon Fire TV, and Android devices, movieSPREE is available without long-term contracts, subscription fees or advertisements. movieSPREE has a robust assortment of bingeworthy film and TV bundles, genre-based collections and specially curated compilations including Lonesome Dove, The 10th Kingdom, The Kids in the Hall, Documentary Now!, Benji, Gone in 60 Seconds and over 2500 hours of entertainment. 

Many of Mill Creek Entertainment’s DVD and Blu-ray releases include digital redemption offers which will allow end users to add to their movieSPREE library. Content can be streamed from the movieSPREE apps and website using your phone, tablet, laptop or supported OTT devices. movieSPREE also features exclusive content and offers that do not have a DVD or Blu-ray counterpart or availability on other streaming platforms. Unlike many streaming services, this one doesn’t seem to be much of a gamble. It is a sure win if you are a fan of getting free movies, this is a smart move. If you are looking for a gamble, you can check out the Smart Casino Guide to accompany your time while you are streaming this content and a way to win some extra money!

movieSPREE has collaborated with leading OTT content distribution provider ViewLift to create a cohesive customer experience across web, mobile, and connected devices. ViewLift’s end-to-end distribution and monetization platform provides a comprehensive solution that allows real-time publishing across all movieSPREE apps and sites. 

Last Day to Get 1 Week Free of Full Moon Streaming!

This week is the premiere of Episode 4 of Trophy Heads exclusively on FullMoonStreaming, which means anyone can watch episode 1, 2, 3, 4 with our limited free trial. And this episode is one of the best! With cameos by classic alumni Stuart Gordon, Robin Sydney, Jessica Morris, Amy Paffrath, Jean Louise O’Sullivan, and starring Denice Duff and Jacqueline Lovell playing themselves!