SCORPIONS SHARE NEW SINGLE “ROCK BELIEVER”

19TH ALBUM ROCK BELIEVER OUT FEBRUARY 25, 2022

SCORPIONS have shared the title track for their new album Rock Believer. Listen here.

Commenting on the advance release of the title track of their latest album, due out on February 25, Klaus Meine, both singer and author of the lyrics, says, “Over the years, we’ve heard people say lots of times that rock is dead. But there are still millions of rock believers out there all over the world that prove them wrong. Our fans are the best in the world. We’ll see you someday somewhere out there, because we’re Rock Believers, just like you.”

The song is a fundamental commitment to rock music, composed by a band in the style of their outstanding, globally successful recordings of the 1980s.

Meine says, “The new material sees us return to our roots. We simply wanted to reactivate the original SCORPIONS’ DNA — great riffs, strong melodies. We tried to transport that live feel to the studio with all five of us playing in one room again at last. Having Mikkey Dee in the band is like a shot of fresh energy and real fun.”

Due to the pandemic, the recording sessions planned in America had to be canceled and relocated to Germany.

Matthias Jabs says, “In a way, the situation was a blessing in disguise for us.” The band had already hired a studio in Los Angeles, but their plans were thwarted by fate. Instead, the musicians found themselves stuck at home, three of them only a stone’s throw away from the legendary Peppermint Park Studios in Hanover, and as soon as travel restrictions were relaxed, Pawel Maciwoda and Mikkey Dee were able to join them from Poland and Sweden respectively.

“And everything suddenly felt like it had back in the 1980s, when the five of us rocked together, hanging out at the corner pub in the evenings and talking about our music,” Jabs reminisces.

“We had already started to talk about a new album back in 2018,” recalls Rudolf Schenker.

The new single “Rock Believer”is the album’s exclamation mark and credo. The video will follow on January 18.

The spectacular single cover was designed by Klaus Voormann, Grammy winner (“Best Record Cover 1966”) and also creator of the artwork of the award-winning Beatles album Revolver.

In March and April 2022, the band are set to perform at the Planet Hollywood Resorts & Casino in Las Vegas as part of their residency, followed by a European tour scheduled to kick off with a number of shows in Germany in June 2022, with more concerts around the world in the pipeline.

Listen to the previously released “Peacemaker” here.

Dashboard Confessional announce new album; share first song “Here’s To Moving On”

DASHBOARD CONFESSIONAL LOOK TOWARDS THE FUTURE
WITH “HERE’S TO MOVING ON” – LISTEN

OPTIMISTIC NEW SINGLE HERALDS EAGERLY-AWAITED NINTH STUDIO ALBUM,
ALL THE TRUTH THAT I CAN TELL

EARLY-ALBUMS PRODUCER JAMES PAUL WISNER BACK IN THE FOLD

ALBUM TRAILER STREAMING NOW – WATCH

ALL THE TRUTH THAT I CAN TELL ARRIVES
VIA HIDDEN NOTE RECORDS/AWAL ON FEBRUARY 25

(Photo Credit: Lupe Bustos)

Dashboard Confessional is setting out towards a brighter tomorrow with today’s premiere of an inspiring new single. “Here’s To Moving On” is available now at all DSPs and streaming services. “Here’s To Moving On” heralds the eagerly awaited arrival of the first all-new Dashboard Confessional LP in four years, All The Truth That I Can Tell, due via Hidden Note Records/AWAL on February 25. The album is available to pre-save and pre-order now. An album trailer premieres today via YouTube.

“I think in this song I find myself understanding what brought me to the mat and what it takes to get up off the mat,” says DC founder, frontman, and songwriter Chris Carrabba. “Sometimes what brought you to the mat are outside forces and sometimes it’s you, yourself. Or it can be all those things. But it does seem the only thing that gets you up off the mat isn’t outside forces – it’s always you.”

LISTEN TO “HERE’S TO MOVING ON”
WATCH ALL THE TRUTH THAT I CAN TELL ALBUM TRAILER

All The Truth That I Can Tell will be available in a variety of formats including digital, CD, cassette, standard black vinyl, an exclusive limited edition “Burning Heart” transparent red and black vinyl at the DC official store, a “Cold Night” transparent blue/green vinyl exclusively at participating indie retail, a baby pink vinyl with limited edition “Burning Heart” Flexi disc exclusively at Walmart, a limited edition “Sunshine State” opaque gold nugget vinyl exclusively at Urban Outfitters, and Bandbox will be releasing an exclusive variant of All The Truth That I Can Tell on “Starting to Storm” cloudy dark green vinyl, which is accompanied by the record club’s signature artist fanzine, featuring an interview with Chris Carrabba, his track-by-track guide to the new album, rare photos and much more.

PRE-SAVE/PRE-ORDER ALL THE TRUTH THAT I CAN TELL

Written and recorded pre-Covid, Dashboard Confessional’s ninth studio album, All The Truth That I Can Tell is both a remarkable renewal and fortunate step forward for Chris Carrabba. Having ascended great heights over the past 20 years, Carrabba found himself at a distinct crossroads as the last decade came to an end. Running on fumes, unsure if he’d ever release another album, he waited. The songs eventually came, and though the project might’ve easily come to a screeching halt following a near-fatal motorcycle accident in June of 2020, All The Truth That I Can Tell stands among Carrabba’s finest – both an achievement of vision and a vital burst of artistic clarity, a strikingly potent musical look at Dashboard Confessional through a rediscovered keyhole. For the album’s production, Carrabba tapped James Paul Wisner who produced the band’s first two studio albums, The Swiss Army Romance and The Places You Have Come to Fear the Most.

“Honesty was at the heart of the writing process, at the heart of the recording process, and at the heart of this collection of songs,” Carrabba says. “I had the rare opportunity to be unflinchingly honest. But I think I would have thought in the early days that that would be commonplace. Now, I realize it’s some kind of cycle within your life and there’s great personal reward in accepting that.”

“All The Truth That I Can Tell” Tracklist:
Burning Heart
Everyone Else Is Just Noise
Here’s To Moving On
The Better of Me
Southbound and Sinking
Sleep In
Me and Mine
Sunshine State
Pain Free in Three Chords
Young
All The Truth That I Can Tell

EVERY TIME I DIE SHARE NEW TRACK “PLANET SHIT”

NEW ALBUM RADICAL OUT OCTOBER 22

Photo By: Michael Watson

Buffalo-based hardcore heroes Every Time I Die have unveiled another track in anticipation of their ninth studio album Radical out October 22 via Epitaph. Today, the band unleash “Planet Shit,” which takes an unflinching look at the inevitable social upheaval born of generations of inequity. “I was just calling it like I was seeing it,” expresses vocalist Keith Buckley. The track follows the previously released “Post-Boredom,” “AWOL,” “A Colossal Wreck,” and “Desperate Pleasures.”

Produced and mixed by Will Putney (Acacia Strain, Body Count, The Amity Affliction), Radical is 16 tracks of peak-ETID, alchemized by a swampy summoning of southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing the band as leaders, not followers.

CHECK OUT “PLANET SHIT” NOW
WATCH | LISTEN

While inspired by the unrest and upheaval around the world over the past five years, Radical focuses on humanity, decency, self-worth, and even a bit of spirituality more so than politics.

“I’m dealing with difficult matters this time that isn’t only personal for me but are also universal and more communal experiences,” Keith explains. “The songs are realistic in that they acknowledge that things require a lot of work. But it’s ultimately a very hopeful and uplifting record.”

RADICAL TRACK LISTING
1. Dark Distance
2. Sly
3. Planet Shit
4. Post-Boredom
5. A Colossal Wreck
6. Desperate Pleasures
7. All This And War
8. Thing With Feathers
9. Hostile Architecture
10. AWOL
11. The Whip
12. White Void
13. Distress Rehearsal
14. sexsexsex
15. People Verses
16. We Go Together

Every Time I Die has a handful of tour dates throughout the rest of 2021 including their holiday extravaganza, ‘TID The Season taking place in their hometown of Buffalo, NY on December 10 & 11. The band has also just announced that they will support post-hardcore band Underoath on the road early next year. Tickets are on sale now. For more information, visit https://everytimeidie.net/.

EVERY TIME I DIE TOUR DATES
2021
9/23 Memphis, TN Growlers
9/24 Birmingham, AL Furnace Fest
12/10-11 Buffalo, NY ‘TID The Season

2022
supporting Underoath
2/18 Dallas, TX Southside Ballroom
2/19 Houston, TX Bayou Music Center
2/20 San Antonio, TX The Aztec Theatre
2/23 Phoenix, AZ The Van Buren
2/24 Los Angeles, CA The Wiltern
2/25 Anaheim, CA House of Blues
2/26 San Francisco, CA The Warfield
2/28 Seattle, WA Showbox SODO
3/1 Vancouver, BC The Vogue Theater
3/2 Spokane, WA Knitting Factory
3/4 Salt Lake City, UT The Complex
3/5 Denver, CO The Ogden Theatre
3/7 Minneapolis, MN The Fillmore
3/8 Chicago, IL Radius
3/9 Detroit, MI The Fillmore
3/11 Toronto, ON History
3/12 Cleveland, OH Agora
3/13 Wallingford, CT The Dome
3/14 Boston, MA House of Blues
3/15 Pittsburgh, PA Stage AE
3/17 Brooklyn, NY Brooklyn Steel
3/18 Silver Spring, MD The Fillmore
3/19 Philadelphia, PA The Fillmore
3/20 Sayreville, NJ Starland Ballroom
3/22 Cincinnati, OH ICON
3/23 Charlotte, NC The Fillmore
3/25 Atlanta, GA Tabernacle

Every Time I Die is Keith Buckley (vocals), Jordan Buckley (guitar), Andy Williams (guitar), Steve Micciche (bass), and Clayton “Goose” Holyoak (drums).

BAD RELIGION SHARE “EMANCIPATION OF THE MIND”

Preeminent Los Angeles band Bad Religion have just released “Emancipation Of The Mind,” an outtake from the band’s critically acclaimed 2019 album Age Of Unreason. The track’s upbeat messaging calls for reason and open-mindedness as a new administration is welcomed into the White House today. Bad Religion have always advocated for humanism, reason, and individualism, which has never been more essential.

“I think the song really is a celebration of enlightenment values that can be cultivated through enthusiastic learning and open-mindedness,” says co-songwriter and vocalist Greg Graffin. “So often we’re told what to think. But learning how to think (as opposed to learning what to think) is a true feeling of emancipation from the constraints of indoctrination that are so commonplace in our society.”

LISTEN TO “EMANCIPATION OF THE MIND”

ABOUT BAD RELIGION
Bad Religion,
 formed in 1980 in the suburbs of Los Angeles, has become synonymous with intelligent and provocative West Coast punk rock and are considered one of the most influential and important bands in the genre. Bad Religion has continually pushed social boundaries and questioned authority and beliefs armed only with propulsive guitars, charging drumbeats, thoughtful lyrics and an undying will to inspire and provoke anyone who will listen.

The band’s critically acclaimed 17th studio album Age of Unreason offers a fiery and intensely relevant musical response to the times, with songs that address a myriad of socio-political maladies, including conspiracy theories, racist rallies, Trump’s election, the erosion of the middle class, alternative facts and more. There is a stylistic consistency to the band’s iconic and influential sound – hard fast beats, big hooks and rousing choruses, yet each new song remains distinctive, utilizing composition, melody and lyrics to deliver a unique narrative consistent with the band’s longstanding humanist worldview.

DESCENDENTS SHARE NEW TRACK “THAT’S THE BREAKS”

Today, legendary punk band Descendents share their new track “That’s The Breaks.” The track follows the politically-charged two-song single Suffrage, released ahead of the 2020 general election encouraging voting to take down the Trump administration. In triumph, “That’s The Breaks” serves as a farewell to 45 ahead of the upcoming inauguration.

“Loser.  Big time loser.  Delusional loser. SORE loser.  The time has come.  The time is now.  Just go, go, GO.  I don’t care how. Donald J. Trump, will you please go now!,” adds vocalist Milo Aukerman“What’s it gonna take?  A gazillion dollars? (Oh wait, you already grifted that from supporters)… A get out of jail free card? (Only if our judicial system totally fails us)… A wooden stake through the heart?  Whatever we can do to make you go away, we need to do it.  And I don’t mean just leave the White House, I mean crawl back into your hole of hate and live out the rest of your life as a nobody.  A loser.  Because that’s what you are.  Worst. President. Ever.”

LISTEN TO “THAT’S THE BREAKS”

Formed in 1978 Descendents are Milo Aukerman (vocals), Stephen Egerton (guitar), Karl Alvarez (bass), and Bill Stevenson (drums). They have released seven studio albums, Milo Goes to College (1982), I Don’t Want to Grow Up (1985), Enjoy! (1986), All (1987), Everything Sucks (1996), Cool to Be You (2004), and Hypercaffium Spazzinate (2016).

ATREYU SHARE VIDEO FOR NEW SONG “SAVE US”

 WATCH + LISTEN

OC metalcore mainstays ATREYU have shared the video for the new song “Save Us,” which was produced by John Feldmann.

Watch HERE and Listen HERE.

“‘Save Us’ is not only a reflection of where we are musically, but also a mirror to the world in this ominous moment in time,” the band says. “We chose to pair the powerful message with one of the heavier songs we’ve ever written. This song feels like the anthem that we all need right now. To us, it’s a call to action to light the fire in ourselves. We can begin to make great change — but only if we look inside first.”

With singer Alex Varkatzas recently departing, drummer and clean vocalist Brandon Saller will move into the frontman role. Guitarist Porter McKnight is now handling the harsh vocals, while Kyle Rosa joins the ranks as drummer.

Atreyu are working on their eighth album, which will be released via Spinefarm Records. “Save Us” will appear on the record.

ATREYU ARE:

Brandon Saller — Vocals

Dan Jacobs — Guitars

Travis Miguel — Guitars

Portner McKnight — Bass + Vocals

Kyle Rosa — Drums

BAD RELIGION SHARE “LOSE YOUR HEAD (DEMO VERSION)”

“Lose Your Head” is a fan favorite from Bad Religion’s critically acclaimed 2019 album Age of Unreason.  Today, the band is releasing a demo version of the song, with a faster tempo and alternate lyrics, that provides a unique glimpse into the band’s creative process. 

Co-songwriters Brett Gurewitz and Greg Graffin developed this version of the song at Gurewitz’ home studio in Pasadena California.  When producer Carlos de la Garza was brought on board, he suggested trying a slower version.  The band liked both versions equally so, when they entered Sunset Sound to record Age of Unreason, they decided to work on basic tracks for both and choose later.  It was a close call but ultimately the band chose the slow version which is the one they completed.

This demo version is the result of taking previously unreleased rhythm tracks from the Sunset Sound sessions and combining them with the original home demo recordings to bring the fast version of the song to life. 

Longtime fans will enjoy this rare look into the evolution of a Bad Religion song.

LISTEN TO “LOSE YOUR HEAD (DEMO VERSION)”

ABOUT BAD RELIGION
Bad Religion,
 formed in 1980 in the suburbs of Los Angeles, has become synonymous with intelligent and provocative West Coast punk rock and are considered one of the most influential and important bands in the genre. Bad Religion has continually pushed social boundaries and questioned authority and beliefs armed only with propulsive guitars, charging drumbeats, thoughtful lyrics and an undying will to inspire and provoke anyone who will listen.

The band’s critically acclaimed 17th studio album Age of Unreason offers a fiery and intensely relevant musical response to the times, with songs that address a myriad of socio-political maladies, including conspiracy theories, racist rallies, Trump’s election, the erosion of the middle class, alternative facts and more. There is a stylistic consistency to the band’s iconic and influential sound – hard fast beats, big hooks and rousing choruses, yet each new song remains distinctive, utilizing composition, melody and lyrics to deliver a unique narrative consistent with the band’s longstanding humanist worldview.

Last month, Bad Religionreleased their autobiography, DO WHAT YOU WANT: The Story of Bad Religion, written with their full cooperation and support. It reveals the ups and downs of the band’s 40-year career, from their beginnings as teenagers experimenting in a San Fernando Valley garage dubbed “The Hell Hole” to headlining major music festivals around the world. The book predominantly features the four principal voices of Bad Religion in a hybrid oral history/narrative format: Greg Graffin, Brett Gurewitz, Jay Bentley, and Brian Baker. It also includes rare photos and never-before-seen material from their archives.

THE DAMNED SHARE DETAILS OF FORTHCOMING THE ROCKFIELD FILES EP

BAND SHARES VIDEO FOR FIRST SINGLE “KEEP ‘EM ALIVE” — WATCH
CLIP WAS SHOT FROM THE PERSPECTIVE OF A BUMBLEBEE

In 1980 and 1981, The Damned went to Rockfield for a series of sessions that eventually became The Black AlbumThe Friday 13th EP, and Strawberries. Their time there produced some of The Damned’s greatest musical moments and memorable stories of horses, cows, vampires, rifles, and Lemmy. 

In 2019, The Damned returned to Rockfield studios to record the first new music since 2018’s Top 10 Evil Spirits album.

The new The Rockfield Files EP will be released on October 16 via Search And Destroy Records/Spinefarm/UMG. Pre-orders are live here

Keep ‘Em Alive,” the first single from The Rockfield Files EP, is available now with an accompanying music video shot from the perspective of a bee going about its business. Watch it here

Bees are essential for pollinating crops, and in turn, human survival; 17 species are reportedly endangered in the UK — keep ’em alive! 

During the recording of the EP, the lineup included three out of the four The Damned members that were at the original sessions — David VanianCaptain Sensible, and Paul Gray. There was also Monty Oxymoron on keyboards and Pinch on drums. Unbeknown to the band, this was to be the last recording with the long time drummer Pinch, who departed The Damned after their legendary show at The London Palladium last Halloween. 

For the first time, Tom Dalgety (Royal Blood, Rammstein, Ghost) took over the producer duties for the EP. He also mixed the tracks at his studio in Bath. 

THE ROCKFIELD FILES EP TRACK LISTING:

“Keep ‘Em Alive”

“Manipulator”

“The Spider & The Fly”

“Black Is The Night” 

The EP will be available in Black & Psychedelic Swirl Limited Edition Vinyl.

THE LAWRENCE ARMS SHARE NEW TRACK “LAST LAST WORDS”

SKELETON COAST OUT JULY 17

Today, Chicago bred trio The Lawrence Arms share “Last Last Words” off their forthcoming record Skeleton Coast out July 17 via Epitaph.

The track “is about coming to terms with your own obscurity – but like, in a pretty upbeat way,” says vocalist and guitarist Chris McCaughan. “It’s an escape dream to an edge of the world while being strangely content with some undergrown adulthood. It’s part undercover love song to the sometimes beautiful randomness of the universe and part offbeat, comical reminder to keep rewriting your unknown future. Like so much of the record, the song chases tiny flashes of light in the darkness.”

LISTEN TO “LAST LAST WORDS” NOW

Skeleton Coast was recorded 30 miles east of El Paso, TX at Sonic Ranch Studios with longtime producer Matt Allison. The album contains the elements of the band’s sound that fans have come to love for the past two decades but recontextualizes them in a way that somehow sounds perfectly aligned with this strange time in our collective history. Although it was written and recorded before the Coronavirus upended the world, the band’s seventh studio album sounds eerily prescient as it imagines an apocalyptic future where coyotes croon and wolf packs roam free. “For a band who has been around as long as us, this is about as urgent of a record as we could make,” vocalist and bassist Brendan Kelly explains. “It may be kind of dark but it’s really about searching for light in the darkness and finding it, as small as those moments may seem. That’s sort of where we’re at: Collecting the scraps of things that could make for a bearable existence in dark times.”

SKELETON COAST TRACK LISTING
1. Quiet Storm
2. PTA
3. Belly Of The Whale
4. Dead Man’s Coat
5. Pigeons and Spies
6. Last Last Words
7. Demon
8. Ghostwriter
9. How To Rot
10. Under Paris
11. Goblin Fox Hunt
12. Lose Control
13. Don’t Look At Me
14. Coyote Crown

The Lawrence Arms have never had any agenda apart from just having fun and making good music. Since forming in Chicago in 1999—the trio of bassist/vocalist Brendan Kelly, guitarist/vocalist Chris McCaughan and drummer Neil Hennessy—have made albums that continually challenge the boundaries of their sound. In the process they’ve carved out a distinctive identity in the punk community that’s simultaneously gritty, beautiful, melodic and mutinous

VOLBEAT SHARE NEW ANIMATED VIDEO FOR “LEVIATHAN”

7th STUDIO ALBUM, REWIND, REPLAY, REBOUND, OUT NOW VIA REPUBLIC RECORDS

Multi-platinum Danish rock band Volbeat debut their new animated video for “Leviathan” the latest single off their 7th studio album, Rewind, Replay, Rebound (Republic Records). “Leviathan” was directed and animated by Steven Mertens and is based on a painting by Karsten Sand that originally appeared in the album artwork for Rewind, Replay, Rebound. Watch the new animated video for “Leviathan” here.

The band recently released a live video of “Leviathan” as part of their ongoing “Official Bootlegs” series. The song was recorded last year at the Barclaycard Arena in Hamburg, Germany and  was edited and directed by Brittany Bowman and Shelby Cude with audio mixed by Jacob Hansen. Watch the live video of “Leviathan” here, and previous “Official Bootlegs” here.

VOLBEAT emerged from Copenhagen in 2001. Since then, they’ve tirelessly clawed their way to hard rock’s upper echelon with endless touring, including opening for Metallica, Motorhead and Slipknot, a string of seven beloved full-length albums which have sold 2.5 M copies in the US alone, and eight #1s on the mainstream rock airplaychart. Their 2010 album Beyond Hell/Above Heaven, which features hit singles “A Warrior’s Call” and “Heaven Nor Hell,” has received RIAA Gold Certification. 2013’s Outlaw Gentlemen & Shady Ladies, which includes the Grammy nominated “Room 24” and is also certified Gold, bowed at #9 on the Billboard Top 200 upon release, marking the highest U.S. chart entry for a Danish act since 1997. A distinction that Volbeat topped in 2016 when Seal The Deal & Let’s Boogie debuted at #4. The band also released Let’s Boogie! Live At Telia Parken, a concert film and album documenting their landmark 2017 Copenhagen show in front of 48,250 fans, the largest show a Danish band has ever performed in Denmark.

FAKE NAMES SHARE NEW TRACK “FIRST EVERLASTING”

“FIRST EVERLASTING”

SELF-TITLED DEBUT OUT MAY 8

Today, punk rock supergroup Fake Names share “First Everlasting,” from the band’s forthcoming album. The band – which includes Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Michael Hampton (S.O.A., Embrace, One Last Wish), Dennis Lyxzén (Refused, International Noise Conspiracy, INVSN), and Johnny Temple (Girls Against Boys, Soulside) – will release their self-titled debut record on May 8 via Epitaph.

“It’s a more existential song, about taking a look at yourself and accepting the role you’ve played in your own life,” he Lyxzén about the track. “It’s about growing up and moving forward, and learning from past mistakes and failures.”

LISTEN TO “FIRST EVERLASTING” NOW

In early 2016, Brian Baker and Michael Hampton met up at Hampton’s Brooklyn home to play some guitars and see “if anything shakes out”. Friends since first grade, the two guitarists ended up writing four songs that day, and closed out the session deciding to continue the collaboration and get a band together to play the songs live as soon as possible.

Baker and Hampton recruited Johnny Temple (another elementary school alumni) to play bass. Later that year while Baker and Temple were performing at Chicago’s Riot Fest, they ran into Refused frontman Dennis Lyxzén (also on the bill) and spontaneously asked if he’d be interested in joining their new band. To their amazement, he said yes. The band gelled, and they started to record music that winter.

Co-produced by Hampton and Geoff Sanoff (A Perfect Circle, Jawbox), Fake Names’ self-titled debut gives a nod to early UK Punk and Power Pop as well as the seminal groups from which the members emerged, yet remains modern and pertinent, with infectious melodies and vocal harmonies complementing Lyxzén’s heartfelt vocals and thought-provoking lyrics.

FAKE NAMES TRACK LISTING
1.     All For Sale
2.     Driver
3.     Being Them
4.     Brick
5.     Darkest Days
6.     Heavy Feather
7.     First Everlasting
8.     This Is Nothing
9.     Weight
10.  Lost Cause

Fake Names is Michael Hampton (guitar/vocals), Johnny Temple (bass), Dennis Lyxzén (vocals) and Brian Baker(guitar/vocals).

Old Wounds share their experiences from the 2016 Vans Warped Tour

Old Wounds an up and coming hardcore band from New Jersey are out on the 2016 Vans Warped Tour promoting their newest release “The Suffering Spirit”. Being the bands first time on the tour they are eager to show fans both old and new their unique style of modern hardcore through energetic live performances. Media Mikes had the opportunity to sit down with the band and talk about their experience on the tour and what’s next for the band.

Ryan Albro: What made the band decide to do Warped Tour versus a smaller tour on your own?

Mikey: Our label came to us and offered us a spot on the tour. It’s an incredible opportunity to be given. It’s really a no-brainer. If you bust your ass for nearly 6 years doing this and it comes to a point where somebody is pretty much handing you a slot on Warped Tour, you have to say yes.

RA: Overall how do you like the tour thus far?

Mikey: It’s a lot more fun than I think any of us had anticipated. We had a strong feeling it was going to be good, but it’s been a blast. It’s a very unique time.

Matt: I’m having a great time and I love the food. A lot of us are vegan or don’t eat meat and the catering is really great helping us out with our needs and they make really great food. We made a lot of friends and it’s been a good time for sure.

RA: Who are you excited to see play each day?

Kevin: Every Time I Die and Motionless in White.

Matt: There are two bands that play on the Full Sail Stage with us that I love! two One is called Mother Feather and the other band is called Safe to Say. We’ve made great friends with Like Pacific as well. I usually hang close to our stage so I watch a lot of bands on our stage and those are some of my favorites that play every single day.

RA: Any cool stories from the shows so far?

Mikey: Not so much from this one. It seems every other tour we’ve done though a lot of funny and stupid shit happens.

Matt: One thing that sticks out from this tour is the storm we got in New Orleans. We were loading our stuff out and out of nowhere this crazy monsoon hit. A lot of our stuff got completely soaked. . A lot of our gear was drenched and we had to throw out all the cardboard boxes and stuff for our merch away. Everyone except for Kevin and me was just drenched.

Kevin: I always carry an umbrella around just because I don’t want to get tan.

Matt: That umbrella wouldn’t have done you any good anyway

Mikey: Luckily we didn’t lose anything gear wise. All of our cabs, heads, and guitars were totally fine. We got lucky.

RA: You guys are approaching the end of “The Suffering Spirit” tour cycle, what’s next for the band?

Mikey: We do have a tour about a month and a half after this ends. I can’t say what it is just yet though. We’re in the middle of writing a new album right now so that’s going to take priority. We toured a lot on this record and we really want to get the next record out.

RA: What can you tell us about the new material you’re working on?

Mikey: We have actually been playing one of the new songs in our set each day so we’ll be playing that on the remainder of Warped Tour. That’ll give everyone a taste of what’s to come.

Zak: Now that we have Matt as our second guitar player, the dynamics are definitely a little different. There are more harmonious guitar riffs. It’s definitely a combination of everything we’ve been doing. It’s heavy where it should be and there are melodies where they should be. There’s more of a metal influence for sure.

Kevin: It not going to be something where when you hear it you think “Oh that doesn’t sound like Old Wounds.”

Book Review “Disney Frozen Melt My Heart: Share Hugs with Olaf!”

Age Range: 2 – 5 years
Grade Level: Preschool – Kindergarten
Series: Hugs Book
Board book: 10 pages
Publisher: Reader’s Digest
Release Date: October 7, 2014

Our Score: 4 out of 5 stars

Right from the trailers of “Frozen”, I had a feeling that Olaf was going to be a instant favorite. Of course, I wasn’t wrong. Who didn’t see this movie and just fall in love with Olaf, a lovable snowman who loves hugs! This book is so cute and interactive. You are able to guide Olaf’s plush arms to hugs and pat those he loves. This book has given many hugs and even to myself by order of my two year old.

Official Premise: Olaf loves warm hugs! In this specially shaped board book featuring favorite quotes from Disney’s Frozen, Olaf has two plush arms to interact with every spread. With lots of hugging, patting, blowing kisses and waving, kids ages 2–5 will happily return to this adorable book over and over again!

The book is short but my daughter loves the idea of being able to control Olaf’s arms. The only issue that she had was turn pages where the arms got stuck in the pages but after a few times she was quickly able to figure that out as well. If you love “Frozen”, this yet another very fun companion book to this film. I can’t wait to see what Reader’s Digest comes out with next for this amazing film.

 

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