Film Review “Licorice Pizza”

Directed by: Paul Thomas Anderson
Starring: Alana Haim, Cooper Hoffman, Sean Penn, Tom Waits, Bradley Cooper, Benny Safdie
Distributed by
United Artists Releasing
Running time: 133 minutes

Our Score: 5 out of 5 stars

Set in the San Fernando Valley in the early 1970s, Paul Thomas Anderson’s latest film Licorice Pizza is so evidently a love letter to the Hollywood time period that Anderson grew up in. The film follows Gary Valentine (Cooper Hoffman, son of the late, great Phillip Seymour Hoffman) who is a charismatic child actor… except he’s now 15, and is slowly losing his childlike edge and looks that got him cast in the first place. Then during picture day at his high school he meets Alana (Alana Haim), an older girl who seems to be a bit aimless in life, by bouncing from job to job and desperately trying to get out of the town she grew up in. Gary quickly falls head over heels in love with Alana, before she quickly humbles him into realizing the age difference between the two. The rest of the film delicately explores a “will they, won’t they, should they?” dynamic that is coded in angst, heartache, and wildly entertaining misadventures.

Just to put my cards on the table right off the bat, Paul Thomas Anderson is my favorite working director today and maybe even of all-time. The man has simply never made anything that hasn’t been an absolute masterpiece in my eyes. So with all of that being said, I was immediately fascinated to hear that his newest film was going to be a coming of age movie.. especially considering his last film was about an egocentric fashion designer in London. And now that I’ve seen it, I can honestly say it’s the type of movie that reminds you why you love movies. Every single second of this film is so infectiously charming and entertaining, all the while being matched with the absolutely insane talent and craft that Paul Thomas Anderson always brings to the table as a director. From amazing tracking shots to lush cinematography and an expertly used soundtrack, this is a film that’s as equally entertaining as it is technically perfected. 

Cooper Hoffman and Alana Haim both give extraordinary performances here, especially considering it’s both of their feature-film debuts. But it’s when they share the screen together and the chemistry simply oozes off the screen. Every moment they spend together, whether it’s getting into trouble together or sharing an intimate conversation with each other, is absolute cinematic magic and reminds you how infectious it is to watch two amazing performers simply work off of one another. There is a whole star-studded supporting cast featured here as well, from Tom Waitts to Sean Penn to Benny Safdie – but Bradley Cooper also nearly steals the whole show with his brief appearance that had me laughing so hard that I cried. 

The film pulls off an incredibly impressive balancing act that works as both a love letter to this certain point in time for Hollywood as well as an extremely tender and emotional coming of age story. I usually think being “accessible” to modern audiences is a bit of an overrated idea, but I think Paul Thomas Anderson truly found a sweet spot with Licorice Pizza, a film that plays so well with an audience but will be an absolute critical and awards darling this time next year. Far and away one of, if not my absolute favorite film of the year so far. 

Film Review: “Ghostbusters: Afterlife”

 

GHOSTBUSTERS: AFTERLIFE

Starring: Carrie Coon, McKenna Grace and Paul Rudd

Directed by: Jason Reitman

Rated: PG 13

Running time: 2 hrs 5 mins

SONY Pictures

 

 In the summer of 1984 I began my career as a movie theatre manager in Baltimore. One of the first films shown in my theatre – “Ghostbusters.” The film has a special place in my heart for this reason and I went into “Ghostbusters: Afterlife” hoping it would not disappoint. It sure didn’t!

 

A man runs horridly through a corn field, careening this way and that, trying to outrun a seemingly invisible enemy. He makes it to his front porch, throws a large switch and relaxes. He’s safe. Right?

 

A great throwback to the 1980s, “Ghostbusters: Afterlife” picks up decades after the events in “Ghostbusters II.” Like “Halloween III: Season of the Witch,” “Jaws 3-D” and 2016’s all-female film – which I enjoyed – the series seems to be ignoring the third films in their respective series. You’ll get no argument from me.

 

Callie (Carrie Coon) and her two childrent, Trevor (the always fun to watch Finn Wolfhard) and his younger sister Phoebe (Grace) have come to a small town in Oklahoma to settle the estate of Callie’s estranged father. While Trevor is mischievous and looking for excitement – in a town that is pretty much befeft of it – Phoebe is very serious and scientific. While Trevor tries to hang with the cool kids, Phoebe investiages the house and finds some odd looking scientific equipment. When she takes it to school her teacher, Mr. Gooberson (Rudd) comments on what a great “replica” she has brought in. Confused by the comment, she asks Mr. G to explain and he fills her in on the massive ghost activity that took place in New York City in the early 1980s. Intrigued by the story, and what she has found, Phoebe begins a search to learn who her grandfather was and why he had all of these amazing toys.

Co-written and directed by Jason Reitman, “Ghostbusters: Afterlife” is just fine as a stand alone story but if you are a fan of the earlier films, you will be overwhelmed by the various “Easter Eggs” Reitman has hidden for you to find. Reitman’s father, Ivan, directed the first two films in the series and services as a producer on this one and it’s obvious he has shared his love for the project with his son.

 

But this is not your father’s “Ghostbusters.” It is a lot darker than the earlier films, and people hoping to introduce their kids to the series should be aware of that. Reitman keeps the pace moving and the visual effects – which I thought were the weak part of the film in  1984 – are spectacular. Or, if you will permit me, “Spooktacular!”

Theatre Review “Tootsie: The Comedy Musical”@ Dr. Phillips Center – Orlando, FL

FAIRWINDS Broadway in Orlando Presents:
Tootsie
November 2–7, 2021
Walt Disney Theater

Our Score: 3.5 out of 5 stars

November 2nd was a big day in Orlando, FL at the Walt Disney Theater at Dr. Phillips Center. It was the return of Broadway to the stage. “Tootsie” is the first Broadway in Orlando production since the pandemic shut everything down. It was a glorious return to the stage at the Walt Disney Theater. The place was packed and the audiences were ready to enjoy some fun Broadway theater. Let’s just say that “Tootsie” did not disappoint its audience.

If you are saying to yourself, “Tootsie”, isn’t that the 1982 movie with Dustin Hoffman…and the answer is yes. They made a musical about it. The show premiered on Broadway in New York back in 2018 and I have to admit it really worked as a musical. The songs were funny and laugh out loud at parts.  In case you are not familiar with the movie the play features a 40-year-old failed actor Michael Dorsey (played by Drew Becker) who plays decides to cross-dress as “Dorothy Michaels” to land a role in a an upcoming musical sequel of “Romeo and Juliet”.

Drew Becker was phenomenal playing both roles with ease and nailing every second of it. In “Tootsie”, the director is played by Adam Du Plessis and he also steals the show with his fantastic dance skills. Props also go to Ashley Alexandra for winning our hearts as Dorsey’s love interest. Payton Reilly honestly, annoyed the hell out of me playing Dorsey’s ex-girlfriend but definitely saving the day was Jared David Michael Grant, playing Dorsey’s best friend. Him and Drew Becker has great chemistry and it really connected on the stage.

The play does have a solid score by 2018 Tony-winner David Yazbek (Dirty Rotten Scoundrels). The song were really fun like I mentioned and definitely had the lady sitting behind me belly-laughing. The show is playing at the Walt Disney Theater from November 2-7, 2021 and if you can get tickets, I would highly recommend. In a time when everyone is worrying about the news, work and struggles of life…it is good to get out and laugh once in a while and “Tootsie” definitely helped in that department!

Blu-ray Review “Respect”

Director: Liesl Tommy
Release date:‎ November 9, 2021
Actors: ‎Jennifer Hudson, Forest Whitaker, Marlon Wayans, Tituss Burgess, Audra McDonald
MPAA rating: ‎PG-13
Running Time: 2h 25m

Film: 3.5 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 3 out of 5 stars

Who doesn’t love the beautiful voice of the Queen of Music, Aretha Franklin?! The film stars Oscar® and Grammy® Award winner and vocal powerhouse Jennifer Hudson (Dreamgirls) as legendary singer. I didn’t know this when watching but Hudson was actually hand selected by Aretha herself for the role. It was a role that Hudson was born to play. She hits every note with love and respect (See what I did there 😉 ) for the late singer.

Official Premise: Following the rise of Aretha Franklin’s career — from a child singing in her father’s church choir to her international superstardom — it’s the remarkable true story of the music icon’s journey to find her voice.

Besides the lovely Hudson, the all-star ensemble cast includes Academy Award® winner Forest Whitaker (Black Panther, The Butler), Marlon Wayans (Sextuplets, Fifty Shades of Black), six-time Tony Award® winner Audra McDonald (Beauty and The Beast, “Private Practice”), Marc Maron (Joker, “Glow”), five-time Emmy Award® nominee Tituss Burgess (“Unbreakable Kimmy Schmidt”), and Grammy® Award winner and Academy Award® nominee Mary J. Blige (Mudbound, Rock of Ages) along with Tony Award® nominees Saycon Sengbloh (“The Wonder Years”, “Delilah”) and Haley Kilgore (“Amazing Stories”). There is no shortage of talent in this film.

As you can image the soundtrack for this film would be very important. Well, this Blu-ray includes a solid Dolby Atmos 7.1 audio track, which perfectly features Jennifer Hudson’s uplifting vocal performances of 17 Aretha Franklin classic songs along with the original song “Here I Am (Singing My Way Home)”. The song sound amazing on this track and deliver the spirit of Franklin perfectly.

The special features include all-new exclusive bonus content including behind-the-scenes featurettes about Jennifer Hudson’s transformation into the Queen of Soul, director Liesl Tommy’s filmmaking process, the creation of the beautiful sets and custom wardrobes, Aretha’s experience at Muscle Shoals, and more taking audiences deeper into the empowering story and world-renowned chart-topping music that has become a global anthem for strength, independence and positivity. If you are a fan of the movie these extras are a solid addition to this release.

Film Review “Eternals”

Directed by: Chloé Zhao
Starring: Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Don Lee, Harish Patel, Kit Harington, Salma Hayek, Angelina Jolie
Distributed by: Walt Disney Studios
Running time: 156 minutes

Our Score: 3 out of 5 stars

There is nothing saying “Eternals” that it is nothing short of epic. The film spans from 5,000 B.C. to Present Day and everything in between…it just doesn’t deliver throughout its already over long 157-minute running time. Chloé Zhao tries to shoot the film as an indie drama but ends up over playing the action scenes, which end up far and few between. I also wanted a bit more of a connection to the MCU. I get it they mention Thanos in the commercials but they really don’t bring everything together fast enough.

There is a lot going on in the “Eternals”. There are no less than 10 main characters, a handful of villains and even Marvel’s first love scenes between two superheroes, hence the PG-13 rating, so parents beware for sure. Even though there is so much packed into this film, there still feels like something is missing. We get to learn a little bit about each of our team of Superheroes but it just doesn’t seem like enough. I wanted more.

Official Premise: Marvel Studios’ Eternals features an exciting new team of Super Heroes in the Marvel Cinematic Universe, ancient aliens who have been living on Earth in secret for thousands of years. Following the events of Avengers: Endgame, an unexpected tragedy forces them out of the shadows to reunite against mankind’s most ancient enemy, the Deviants.

The ensemble cast includes Gemma Chan (Crazy Rich Asians) as Sersi, Richard Madden (Game of Thrones) as Ikaris, Kumail Nanjiani (Silicon Valley) as Kingo, Lia McHugh (The Lodge) as Sprite, Brian Tyree Henry (Godzilla vs. Kong) as Phastos, Lauren Ridloff (The Walking Dead) as Makkari, Barry Keoghan (Dunkirk) as Druig, Don Lee (Train to Busan) as Gilgamesh, with Kit Harington (Game of Thrones) as Dane Whitman, with Salma Hayek (The Hitman’s Wife’s Bodyguard) as Ajak, and Angelina Jolie (Maleficent) as Thena. 

Personally, I have not been aware of actress, Gemma Chan. She was definitely a highlight for the film. I didn’t enjoy her chemistry with Richard Madden though. Kumail Nanjiani is one of my favorite human beings ever and steals every scene he’s in. Brian Tyree Henry gets to break some Marvel ground with the first gay on-screen kiss for a superhero. Love this dude for sure. He is funny as hell. Don Lee kicks some major ass. Where are my Train to Busan fans at?! Salma Hayek is in the movie for a few minutes, which is a shame cause she rules also. Lastly Angelina Jolie tries to fit in as much as she can but she feels like a mom hanging out with her kids friends instead. She doesn’t fit in this movie at all.

The visual effects are impressive, I feel like Marvel out does themselves everything they release a new movie. I had the privilege of watching this film in IMAX and yes it was impressive seeing 26% more of the film on the big screen. If you can see the film on IMAX, I would definitely recommend that for sure. I can’t see this film really wowing anyone on a small phone screen or something like that. I feel like the bigger the better for sure. Be sure to stay through the credits because there are two scenes mid credits and then post credits. I won’t spoil anything but they are fun for Marvel fans but I still was left wanting more from the movie itself.

Film Review – “The Eternals” (SPOILER FREE)

  • ETERNALS
  • Starring:  Gemma Chan, Richard Madden and Selma Hayek
  • Directed by:  Chloe Zhao
  • Rated:  PG 13
  • Running time:  2 hrs 37 mins
  • Walt Disney Pictures

 

In the beginning…..

 

This is how “Eternals,” the latest adventure in the Marvel Cinematic Universe, opens.  Actually it opens in 5,000 B.C. when a group of highly talented costumed individuals show up to protect the local Mesopotamians against a horde of creatures known as Deviants.  That is their mission, and it continues still today.

 

Very busy, but quite entertaining, “Eternals” lets you know it is a part of the MCU  when, after a global earthquake rocks Earth, reporters speculate if it may have been caused by “the blip.”

If you don’t know what I’m talking about, you are about three phases and twenty-three films behind. 

 

The “Eternals” – the group of people, not the film, spend their days protecting the Earth and, as time goes on, attempt to put mankind on the right path.  Some are more zealous than others, trying to gift mankind with a steam engine but being convinced to settle for a common plow.  They all have their own personal lives, with their own personal issues.  But, as we have come to expect from these films, soon they will be called upon to…..sorry, no spoilers!

 Let me say right here that whoever decided to hire the director of “Nomadland” to helm this film was a genius!  This film is over 2 ½ hours long and,  while it is a little “busy,” it is never boring.  The running time is necessary to introduce each character and their little peccadillos.  My personal favorite was Kingo (Kumail Nanjiani) who, because an Eternal never ages, has been able to work as a Bollywood star for decades.

 The rest of the cast is equally impressive, giving life to what could easily be one-dimensional characters.  The script has plenty of great one-liners and the special effects are, as one would expect, breathtaking.  Is there anything that CAN’T be done on screen these days?

 To sum it up, “The Eternals” – the third film in the Fourth Phase of the MCU –is another fine addition to the series that may itself be eternal.

 

 

CD Review: Black Veil Brides “The Phantom Tomorrow”

“The Phantom Tomorrow”

Black Veil Brides
Sumerian Records
Producer: Erik Ron, Co-Producer Jake Pitts
Tracks:

Our Score: 3.5 out of 5 stars

Los Angeles rockers Black Veil Brides will release their 6th studio album “The Phantom Tomorrow” on 10/29/21. The 14-track concept record was produced by Erik Ron (Godsmack) along with Co-Producer Jake Pitts and is being released via Sumerian Records and includes cover artwork by artist Eliran Kantor.

As the follow up to 2018’s “Vale” front-man Andy Biersack and company have crafted a new anthemic concept album titled “The Phantom Tomorrow”. Despite the unknown origins of the red crossed phantom who adorns the album cover created by the band which along with Biersack consists of Jake Pitts, Jeremy “Jinxx” Ferguson, Lonny Eagleton and Christian “CC” Coma let each of the fourteen tracks found on “The Phantom Tomorrow” to set the story for listeners. Tracks like “Scarlet Cross”, “Black Bird” and “The Wicked One” come packed with riff driven verses and anthemic choruses which instantly transport the listener directly into the center of the albums concept while tracks like “Torch”, “Shadows Rise” and “Fall Eternal” paint a broader picture of the story by multi layered instrumentation and operatic like vocalizations which further bolster the albums already robust sound.

Black Veil Brides have laid forth another masterful concept record to accompany their already impressive resume. Though I would have liked to see the band expand on their tonal pallet giving listeners a little more variety it’s that element of familiarity which keeps me coming back time and time again. Black Veil Brides “The Phantom Tomorrow” is a continuation of albums which play to the bands strong suit, a suit which continually keeps them at the fore front of modern rock.

“The Phantom Tomorrow” Track Listing:

1. The Phantom Tomorrow (Introduction)
2. Scarlet Cross
3. Born Again
4. Blackbird
5. Spectres (Interlude)
6. Torch
7. The Wicked One
8. Shadows Rise
9. Fields of Bone
10. Crimson Skies
11. Kill the Hero
12. Fall Eternal

CD Review: Motorhead “Everything Louder Forever” The Very Best of Motorhead

“Everything Louder Forever” The Very Best of Motorhead

Motorhead
BMG
Tracks: 42
Format: 2 CD’s, 2 LP’s, Deluxe 4 LP Fold Out

Our score 3.5 out of 5 stars

Motorhead the loudest, meanest, dirtiest music to smash the 20th and 21st will release a new collection of songs from their storied career titled “Everything Louder Forever” The Very Best of Motorhead on October 29th. The collection is the definitive assembly of Motorhead songs which created a cultural phenomenon and represents for the first time all eras of the band’s recorded history have been represented in one place. The collection features 42 songs spread which are being released via BMG and available on digital, CD and Vinyl formats.

Since the passing of legendary front man Lemmy Kilmister in 2015 there has been a steady flow of compilations and re-releases of the Motorhead catalog. The latest edition to be added to that list is “Everything Louder Forever” The Very Best of Motorhead a 42-track collection of songs from all eras of the bands career. Over the course of two CD’s or 2/4 LP’s (2 LP standard, 4 LP Deluxe) listeners are treated to the most expansive collection of Motorhead songs thus far. From the more well-known tracks like “Overkill”, “Killed by Death” and “Ace of Spades” to lesser-known gems like “Keys to the Kingdom”, “Lost Johnny” and “Choking on Your Screams” each disc features a solid balance with all era’s being mixed evenly across both discs. This was something I really liked about the release as often times compilations are broken down chronologically but with “Everything Louder Forever” you can throw on either disc and get a nice blend of Motorhead stylings. They even went as far to include WWE Superstar Triple H’s theme song “The Game” which I thought was a great and welcomed addition.

“Everything Louder Forever” The Very Best of Motorhead may not offer anything new in the way of unreleased tracks or never before heard live recordings however it does offer a unique and expansive track listing that previous compilations did not include. You get all eras of Motorhead in one place. From Philthy Animal Phil and Fast Eddie to Phil Campbell, Wurzel and Mikkey Dee all members are represented here which something I certainly enjoyed as each member brought a unique style to the band and music. Though the album doesn’t have one definitive mix across the 42 songs causing for some volume and eq changes this is certainly my favorite post Lemmy offering. Included in the package is a cool fold out with a rendering of Lemmy’s Murder One amp on one side and four different group shots of the band along with track listings and member info on the other side which is a nice little edition to the package. If you are looking for the broadest collection of Motorhead material without the need for stacks of LP’s and CD’s requiring frequent changes then “Everything Louder Forever” The Very Best of Motorhead is a must.

“Everything Louder Forever” Track Listing:

Disc 1

1.) Overkill
2.) We Are Motorhead
3.) Snaggletooth
4.) Rock It
5.) Orgasmatron
6.) Brotherhood of Man
7.) In the Name of Tragedy
8.) Bomber
9.) Sacrifice
10.) The Thousand Names of God
11.) Love for Sale
12.) Killed by Death
13.) I’m SO Bad (Baby I Don’t Care)
14.) Smiling Like a Killer
15.) Sharpshooter
16.) Queen of the Damned
17.) Keys to the Kingdom
18.) Cradle to the Grave
19.) Lost Johnny
20.) The Game

Disc 2 Track Listing:

1.) Ace of Spades
2.) Burner
3.) Stone Dead Forever
4.) Bad Woman
5.) Just ‘Cos You Got the Power
6.) Stay Out of Jail
7.) No Class
8.) I Am the Sword
9.) The Chase is Better Than the Catch
10.) God Save the Queen
11.) R.A.M.O.N.E.S
12.) Iron Fist
13.) Rock Out
14.) Dirty Love
15.) Shine
16.) Overnight Sensation
17.) On Your Feet or On Your Knees
18.) I Ain’t No Nice Guy
19.) Sucker
20.) 1916
21.) Choking on Your Screams
22.) Motorhead

Album Review: Every Time I Die “Radical”

“Radical”

Every Time I Die
Epitaph
Producer: Will Putney
Tracks: 16

Our Score: 5 out of 5 stars

Buffalo-based hardcore band Every Time I Die have released their ninth studio album titled “Radical”. Produced by Will Putney (Acacia Strain) and released via Epitaph Records “Radical” is the follow up to the bands 2016 release “Low Teens”. Consisting of 16 brand new tracks which could be described as a swampy summoning of southern rock and coarse poetry and clever wordplay.

Chants of LET’S GO BUFFALO! will undoubtably be raining down across the Queen City on October 22nd however not for its football team but instead for its native sons, hardcore legends Every Time I Die and in celebration of the bands newest studio album simply titled “Radical”. Packed with 16 mind melting tracks the band consisting of vocalist Keith Buckley, Guitarists Andy Williams and Jordan Buckley, Bassist Steve Micciche and drummer Clayton Holyoak put all their cards on the table and swing for the fences with this new album. Opening “Radical” is the track “Dark Distance” which begins with the wail of a warning siren which then fades into the background as the lyrics “Spare all the ones I love and slay the rest” are belted out via Buckley’s signature rasp only seconds before the rest of the band kicks in with a bombastic break down capable of doing mass damage if played in a confined space. As the album progresses listeners are treated to a unique variety of tones, noises and verbiage that is both frantic and thought provoking. Tracks like the catchy “Post-Boredom”, the hauntingly delightful “Desperate Pleasures” and “Distress Rehearsal” are all in your face, riff heavy bangers while tracks like the laid back, sonic landscape titled “Thing With Feathers” and the sludgy bass heavy “White Void” showcase the band stretching their musical legs while not straying to far from the sounds they are synonymous with.

No matter if you’re an early era ETID fan or you are into the more recent releases “Radical” is the album to unite all fans into one joint faction. Mind boggling guitar riffs and overdriven, grindy bass runs mix perfectly with bombastic drum beats and razor like vocals which will captivate listeners while punishing their senses. Don’t be left out in the cold this fall as “Radical” may not the album you want but it’s the album you NEED!

“Radical” Track Listing
1. Dark Distance
2. Sly
3. Planet Shit
4. Post-Boredom
5. Colossal Wreck
6. Desperate Pleasures
7. All This and War
8. Thing With Feathers
9. Hostile Architecture
10. AWOL
11. The Whip
12. White Void
13. Distress Rehearsal
14. SexSexSex
15. People Verses
16. We Go Together

Nintendo Switch Game Review “Nickelodeon All-Star Brawl”

Our Score: 3.5 out of 5 stars

 

In what feels like a weird (yet delightful) mishmash of Super Smash Bros meets Nicktoons Unite comes Nickelodeon All-Star Brawl which is… pretty self explanatory, actually! For no narrative reason, all your favorite Nicktoons, both new and old, are pitted against each other for some good ol’ fighting. There’s really no build-up to these fights or trajectory of difficulty that I could gather while playing the game, but just a lot of fun to be had from having Spongebob smack Nigel Thornberry off a building. Sometimes simplicity truly goes a long way! 


There isn’t a lot of variety when it comes to the fighting locations and the characters are limited to headliners such as Spongebob, Patrick Star, Aang, Reptar (my personal favorite character to play as) etc – but the game does a good job at utilizing each character as you play as them and giving them unique fighting moves that are specific to their characters. I can’t properly articulate how delightful it is to play as Reptar and shoot fireballs at a character like Danny Phantom or Catdog. 


The game doesn’t try to do anything too visually impressive in terms of scope or even just character designs, but honestly, considering that the game is going for nothing more than a nostalgic, Nickelodeon arcade riff on Super Smash, Tekken, Mortal Kombat, etc. it makes sense to keep everything simplistic and not overextend the concept further than it has to go. 


Even with that being said, and how I think the game is a whole lot of fun within the context of what it is – there is a certain ceiling for this game and it isn’t super high by design. Yes, it is really fun to play as these characters and see these wacky character meetups – but there isn’t much more under the surface to make you wanna pick up your Switch to play it again over something else. Once you’ve finished a majority of the fights, played as a majority of the characters, and unlocked some of the secret extras, it might just have you moving on to the next game instead of playing through for a second or third time.


It all depends on what you’re expecting from your brawl games. If you want nothing more than recognizable characters from your childhood to pit against each other, you’ll have a good time and it’ll be a fun addition to your collection. Just don’t expect anything much more than the general concept you’re being sold.

Film Review “No Time To Die”

Directed by: Cary Joji Fukunaga
Starring: Daniel Craig, Rami Malek, Léa Seydoux, Lashana Lynch, Ben Whishaw, Naomie Harris, Jeffrey Wright, Christoph Waltz, Ralph Fiennes
Distributed by
United Artists Releasing
Running time: 163 minutes

Our Score: 4 out of 5 stars

James Bond has been played by several different actors and has been on 25+ on-screen adventures in the course of nearly 60 years, but it has never once felt like his story had closure. Most of the time, actors come and go from the role because that’s the idea of the character – that the story and adventure never ends. No Time to Die shakes things up a bit by definitively putting a cap on Daniel Craig’s tenure as Bond and delivering a true finale for a full circle, five-film arc.

The film opens pretty soon after Spectre, with Bond enjoying retirement with Madeleine Swan (Lea Seydoux) and trying to keep a low profile. But after a riveting action sequence that pulls them back into the action, the film makes a pretty significant time jump that not only seasons Bond even further but makes the world around him change more than he ever expected. The biggest changes are that of the mantle of 007 being taken up by Nomi (Lashana Lynch) and a new villain arising with Safin (Rami Malek) with ties to both James and Madeleine’s past.

I’ve seen every single James Bond film ever produced and particularly have grown up watching Daniel Craig’s ventures since I was pretty young, so perhaps I’m biased when saying that I think he is the quintessential Bond in my eyes. From the genuine grit behind his action to the way he knows not only what to say but how to say it in the most suave way possible – it just doesn’t get better than him, in my opinion; and Craig gives perhaps his best performance as Bond here in his final outing. Yes, he’s delivering one-liners and punching the baddies like there’s no tomorrow, but there’s sincere emotion and nuance in his performance this time around that makes for what is easily the most emotional James Bond movie to date.

Cary Joji Fukunaga takes over directing duties this time around, and it absolutely shows. You can always count on the 007 franchise to deliver top notch action, but Fukunaga goes the extra mile to adding some truly impressive one-shots in there and matches it with absolutely gorgeous cinematography – perhaps the best looking James Bond film, aside from Skyfall? However, it’s evident that the reason why Fukunaga was the guy for the job is how he blends classical spy elements into the story while also balancing really solid character work and a true send off for Bond.

At 163 minutes, No Time to Die spares no expense when it comes to telling its story with various locations and a vast array of characters. While I greatly enjoyed the film, I do think it would have benefitted from a bit of a tighter edit at the end of the day. My only other real gripe here is that I thought Rami Malek’s villain, Savin, was somehow undercooked by the end despite such a long running time. It’s hard to elaborate on why he’s disappointing without diving into spoilers, but it feels like there’s a lot of setup for him and not a ton of payoff for the actual character and his motives.

Even with those gripes in mind, they really feel miniscule when everything is said and done – because what the film needs to get right, it absolutely nails with immense class and bravado for Craig’s final bow. After years of being delayed, the film does not disappoint in the slightest and somehow feels like both the most genuinely big blockbuster we’ve gotten in almost two-years as well as the most ideal and emotional final chapter you could ask for when it comes to that of James Bond.

Film Review “Candyman (2021)”

Directed by: Nia DaCosta
Starring: Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett, Colman Domingo, Tony Todd
Distributed by Universal Pictures
Release date: August 27, 2021
Running time: 91 minutes

Our Score: 2.5 out of 5 stars

I have been a fan of the original 1992 film “Candyman” since its release on home video likely back in 1993. It was a film that scared me growing up. It was suspenseful and gory and I loved it. When I heard that they were making what turned into the “fourth film” in this franchise, I could have been more excited. Bring on “Get Out”, “Us” writer/director Jordan Peele and I thought we were going to have an instant winner here. The rest of this review could offer some spoilers so if you don’t already know that much about this film, I would steer clear…

Official Premise: For as long as residents can remember, the housing projects of Chicago’s Cabrini-Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy (Yahya Abdul-Mateen II; HBO’s Watchmen, Us) and his partner, gallery director Brianna Cartwright (Teyonah Parris; If Beale Street Could Talk, The Photograph), move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials. With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini-Green old-timer (Colman Domingo; HBO’s Euphoria, Assassination Nation) exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio as fresh grist for paintings, unknowingly opening a door to a complex past that unravels his own sanity and unleashes a terrifying wave of violence that puts him on a collision course with destiny.

I must say that I am definitely a Yahya Abdul-Mateen II fan, but here is my rant, if you going to make him Candyman, then make him Candyman. With this new film they hesitated to announce or reveal who was playing the role of Candyman. But when fans found out that original actor Tony Todd, who played the villain in the first three films, was involved that this was going to be an epic sequel. Maybe the film is too smart for me but I was just left saying “What?” when those credits started. I understand what they were trying to achieve with their ending but after hoping to see Todd reprise his role the whole movie, I got to say, I was left very disappointed. With little scares, less gore than the original, I am perfectly content with the first three films.

4K UHD / Blu-Ray Review “The Hitman’s Wife’s Bodyguard”

Directed by: Patrick Hughes
Starring: Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Frank Grillo, Richard E. Grant, Antonio Banderas, Morgan Freeman
Distributed by: Lionsgate
Running time: 100 minutes

Film – 3 out of 5 stars
Blu-Ray – 4 out of 5 stars

The Hitman’s Wife’s Bodyguard is the sequel to the 2017 film The Hitman’s Bodyguard, which was surprisingly a ton of fun due to its fun action sequences and great chemistry with its cast. While the sequel doesn’t necessarily do anything radically different with the formula and it doesn’t quite hit the same heights of entertainment value as the original, it still remains an entertaining time due to the talent and comradery between everyone involved. 


That being said, one thing the film does consistently well is balancing the comedy with action, and with an action-packed movie like The Hitman’s Wife’s Bodyguard it’s imperative that the picture and sound quality on the 4K Blu-Ray is up to standard. Sometimes the color grading with these things can feel a bit off or even the great surround sound of the theatrical experience doesn’t transfer over properly, but in the case of this film, I actually think this is one of the rare ones that surpasses the theatrical experience and adds greater colors/sounds to the mix.


As I previously stated, this film is action-packed so there’s plenty of moments where explosions go off and the characters are caught in the middle of gunfire. All of these moments pop very nicely and genuinely wowed me at points. But the aspect of the Blu-Ray that I was the most impressed by was the audio. The conversion here is so amazing and dynamic that it gave me a newfound appreciation for the sound design in this movie. From the gunfire to the way the music is stitched into the narrative, it’s wildly impressive and this Blu-Ray just elevates it greatly.


Even though the Blu-Ray surpassed my expectations in terms of presentation, I wouldn’t put this up with some of the finest films I’ve watched on the format like Blade Runner 2049 or 2001: A Space Odyssey – but… obviously it was never going to! The Hitman’s Wife’s Bodyguard is genuinely just a ton of fun to watch and played greatly on a rewatch for me, and the quality here genuinely did a lot to elevate the experience. It’s well worth adding to your collection! 

Film Review “The Night House”

Directed by: David Bruckner
Starring: Rebecca Hall, Sarah Goldberg, Evan Jonigkeit, Stacy Martin, Vondie Curtis-Hall
Distributed by: Searchlight Pictures
Release date: August 20, 2021
Running time: 110 minutes

Our Score: 2.5 out of 5 stars

The very first time that I saw the poster for “The Night House”, I knew that I wanted to see it. I knew nothing about the movie besides that Rebecca Hall (“Godzilla vs Kong”) was in it and that it was a horror film. The trailer looks good and suspenseful. The movie unfortunately doesn’t deliver the scares and leaves you pondering at the end. Hall really delivers a solid performance basically holding this entire movie on her shoulders. I was really hoping for some solid scares here but every time something was getting scary I feel like it was pulled back leaving me wanting more.

Official Premise: Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep it together – but then nightmares come. Disturbing visions of a presence in the house calling to her, beckoning her with a ghostly allure. Against the advice of her friends, she begins digging into her husband’s belongings, yearning for answers. What she finds are secrets both strange and disturbing – a mystery she’s determined to unravel

I was a fan of the director David Bruckner who is likely know for his segment “Amateur Night” in 2012’s “V/H/S” as well as 2016’s “Southbound”. He definitely has the horror genre down pat but I just feel like this was played too safe. The ending in particular leaves you with far too many questions and there is not enough answers to make it worth the nearly two hour running time. They could have easily cut back at least 20 minutes from the beginning which dragged a bit getting started. The middle was solid but like I said the ending lost me and didn’t deliver.

I see already that many other critics are getting behind this film calling it a moody film that goes deeper into someone coping with a death of a loved one as well as paranoia. I get that and I see it in the film as well but I feel like it was not fully cashed in on. I did enjoy Ben Lovett’s score, which did create the creepy atmosphere. Lastly I know the film is called “The Night House”, so a lot of the film is dark and takes place at night but a few of the “scares” take place in extremely dark lit scenes that they are almost missed due to the darkness of the scene.

Overall, I am not disappointed that I watched it but it is definitely what I like to call a one-timer. I definitely do not see myself watching this movie again. So if you are looking for some light scares (nothing that will force you to sleep with the lights on though) and a good performance by Hall, you may want to check this out. Otherwise wait till it comes to Netflix.

Film Review – “Stillwater”

STILLWATER

Starring: Matt Damon, Abigail Breslin

Directed by: Tom McCarthy

Rated: R

Running Time: 2 hrs 19 mins

Focus Features

 Matt Damon delivers a performance worthy of being on his career highlight reel as a father trying to free his daughter from a French prison in the controversial drama, “Stillwater.” Directed by American filmmaker Tom McCarthy (“Spotlight,” “Win Win”), “Stillwater” was shot in in the second half of 2019 and was supposed be released in November 2020, but because of the COVID 19 pandemic, it was delayed until this year when it premiered on July 8th at the Cannes Film Festival where it received a standing ovation.

 A small Oklahoma town has been recently demolished by a devastating tornado. Amidst the cleanup effort is laid-off oil worker Bill Baker (Damon) who is also busy trying to pick up the pieces of his family that has been laid waste by tragedy. For the past four years, Bill’s estranged daughter, Allison (Abigail Breslin, “Signs”) has been serving time in a French prison for murdering her roommate. It is a heinous crime she says she did not commit, and Bill is steadfast in his belief in her innocence.

 Despite their troubled past, Bill has been flying to France on a regular basis to visit Abigail in her Marseille prison. When we meet them on this trip, Allison asks Bill to hand deliver a note to her French defense attorney. In it, Allison begs to have her case reopened, but the attorney refuses because the new evidence she presents is hearsay. When Bill has it translated it to him by an English-speaking neighbor, Virginie (Camille Cottin, “Allied”), he learns Allison has zero confidence in him. 

Spurred to investigate on his own to free Allison, Bill enlists the aid of Virginie, a single mother and aspiring actress, to help him with getting around and with translations. However, Bill is a fish out of water and his actions end up putting his life in jeopardy. After taking a step back, Bill settles into a new life in Marseilles that includes living with Virginie and her daughter, which provides a chance to redeem himself as a father figure … that is until a “shocking” opportunity presents itself for him to be a screw-up again. 

It is not shocking that “Stillwater” has been compared to the high-profile case of American student Amanda Knox who in 2007 was arrested in Italy and charged, along with her then boyfriend, of murdering her British roommate. Knox was wrongfully convicted and was not completely exonerated until eight years later. Clearly, the Knox case served as an inspiration to some degree for McCarthy’s film. Knox herself has criticized the film for its quasi depiction of her ordeal. At the very least, “Stillwater” comes across as unimaginative and a little predictable. 

What makes “Stillwater” watchable is the stellar performance by Damon who nails his portrayal of a man with a lot of demons who cannot seem to avoid screwing up. Damon manages to infuse him with a sense of likability even though we should probably be as disgusted with him as Bill’s daughter is. His performance captures the old, male blue-collar mentality of not wearing your emotions on your sleeve, which makes the brief moments of tenderness all the more powerful. 

Overall, if you’re a fan of anything Damon is in, then you will probably enjoy “Stillwater.” If not, then “Stillwater” may not be your cup of tea when it comes to looking for over two hours of cinematic entertainment.