Charred Walls of the Damned’s Richard Christy talks about the bands latest album “Creatures Watching Over the Dead”

Richard Christy may be best known for his work on the Howard Stern radio show however long before his antics made him a regular fixture on the long running show Richard was a heavy metal drummer for bands like Death and Iced Earth. In 2009 Richard formed his latest group Charred Walls of the Damned. The group’s current lineup which along with Christy features Jason Suecof, Steve DiGiorgio and former Judas Priest front man Tim “Ripper” Owens are set to release their fourth studio album titled “Creatures Watching Over the Dead” on September 23rd. Media Mikes had the chance to speak with Richard recently about the new album and its creation, possible tour plans and this year’s hot Halloween trends.

Adam Lawton: Can you give us some background on the new album?

Richard Christy: The new album is called “Creatures Watching Over the Dead”. It has nine songs on it and it’s been five years since the bands second album. I took quite a bit more time with the writing on this one than the previous two. A lot of that has to do with Brian Slagel from Metal Blade Records who is real cool about letting us take our time when getting an album out. He really understands our schedules and knows how busy we are all. Aside from the schedules I wanted to take the extra time because with song writing there is always a learning process. Just like with anything else the more time you spend doing it the better you start to get at it. I went through each song to make it the best I possibly could. I initially ended up writing 24 songs between the last album and this one. I had always heard about bands writing a bunch of material and then picking the best from that and with this album we were able to do that as well. I always do pre-production for the albums so during that time Jason Suecof and I picked what we thought were the best 9 tracks and those are what took in to record. It took about a year to get everything recorded from there.

AL: What type of process did you have for selecting the 9 songs that make the album?

RC: That’s what the great thing is about having Jason as our guitarist and producer. When he hears these songs fresh for the first time he is able to pick the ones pretty quickly that catch his ear. For me it’s hard to choose as I wrote them and am a little too close to the song to be objective. Jason has a great ear for songs and melody. He is also a really great song writer. I told him the ones that catch his ear right away are the ones we should go with and that is kind of how we did it. When we finally got together for pre-production we started tweaking the nine songs a little further so we had them exactly the way we wanted them on the album. By the time we get in the studio we are pretty much set to go which allows things to flow pretty smoothly.

AL: With you doing a majority of the songwriting where do the other members fit in during the creative process for a new album?

RC: The other guys in the band have total creative freedom. I basically give them the blue print and then have them add to it or make changes if they need/want to. I am not a good bass player or singer. I can do enough to get what I am hearing in my head out but with Steve Digiorgio and Tim “Ripper” Owens those guys are great and can just go crazy. When we go in to record the guitars and drums are already done so I tell those guys just go as nuts as you want to go. I love when Steve matches stuff up to my drum fills. When we do the vocals we are generally all there and we work together with Tim. Jason is great with vocal patterns and melodies so usually what happens is if we can’t come up with something better than what I put down on the demo or everyone really likes what I did on the demo we will go with that but, I like to get Tim and Jason’s ideas for the vocals first and then we just pick the best of those ideas.

AL: The album has sort of a dark title however a majority of the vocals are rather positive. Was this something that happened consciously or did those themes develop more naturally over the course of writing?

RC: I guess it’s sort of a conscious thing. I am a pretty positive person. I have tried to write lyrics about more brutal subjects or what’s going on in the news. When I was in Burning Inside I would write about horror movies and things like that but with getting older these days I like to think about things that make me happy. It’s not that these lyrics are about it being a nice sunny day but I try and make the lyrics about stuff I have experienced and also about things that inspire me. I write about a lot of stuff I see just living in New York City and walking the streets there. I find it’s easier for me to write and things flow better when I am writing about something that means a lot to mean. I do try and write things in a way that doesn’t make them sound too happy or cheerful. I want things to sound cool but at the same mean something to me and to other people.

AL: Can you tell us a little about the album art?

RC: Being a huge fan of Halloween I came across this really great photographer by the name of Pumpkin Rot. He has a website called www.pumpkinrot.com where he showcases his photos of these scenes he sets up where he lives in Pennsylvania. One day I saw a cool picture of his and I decided to just email him and ask if we could use that picture for the album art. He was totally cool about it and with the name of the band and that photo I thought it fit very well together. The title of the album actually comes from me staring at that picture trying to come up with a title for it. I also wanted to come up with something that started with the letters CWOTD to fit in with the theme of our previous album titles. I have been asked if there was some sort of deep meaning to the cover but really it’s just a picture that I liked which I came up with a cool sounding title for. (Laughs)

AL: A lot can happen when a band takes an extended amount of time between albums. Were you ever worry about the effects that it could have not only on the band but also your fans?

RC: I don’t think there was anything that difficult for us as we are all a little bit older as are our fans. I also don’t think the extended time between albums is as much of an issue with metal fans in general. For me once you’re a metal head you are always going to be a metal head. If a band that was around in the early eighties comes out with a new album today I would still be in to checking it out. I am very open minded as a metal head. The culture as well as social media has changed a lot since our last record but we are not really a trendy band. We are a band that has aspects of having a modern metal sound but we also have a very classic metal sound to us as well. We try to blend all that together. Because of all that I don’t think we as affected by changes and trends going on. In fact I think it may have helped us. A lot of people weren’t sure if we were still going to be together but I think people are pleasantly surprised that there is a new album coming out. I think also because all the guys in the band myself included have other projects that keep us busy people may have thought we would do just one album and be done but, we are now on our third album with the same line up and people are seeing this is a legitimate thing. I think those five years as helped us. They say absence makes the heart grow fonder.

AL: What does touring look like for this release?

RC: It is something that really depends on our schedule. I am excited because have been asking me a lot about if and when we are going to be playing. It shows me people do want to see us and it’s something that I really want to do. Hopefully it is something we will get to do. Festivals would seem to be the best option for us because of all our different schedules. We played Orion Fest with Metallica for our last album and that was amazing! We did a two week tour run for the first album which was awesome as well. We can’t promise anything just yet as we don’t have anything booked but it’s something we definitely want to do. I am really hoping we get to do some stuff. With all of us living in different places we have to make sure all of the logistics will work for everyone so something can happen.

AL: Knowing that you’re a big fan of Halloween and with the day just around the corner what do you think will be some of this year’s hot trends?

RC: Definitely anything having to do with the show “Stranger Things”. I have watched that series twice now all the way through and can’t stop listening to the soundtrack as well. I have been listening to it since August when it first came out. I think anything having to do with that show is going to be big. Also with this being an election year I think there is going to be a lot of Donald’s and Hillary’s. I have heard that the sales of masks determines the election. I want to say that the last few elections have in fact been determined by who sold the most masks. Pumpkin Beers are going to be big again this year as well as haunted houses. I think you will start to see more of the “extreme” haunted houses where you have to sign a waiver to go in because the actors can touch you and stuff. People seem to always be looking to take things to the next level. Me personally I will just stick to the ones where people jump out at you and that’s it. I don’t need people’s hands in my mouth or something like that. (Laughs)

For more info on Richard Christy and Charred Walls of the Damned be sure to check out www.richardchristy.com

 

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Chart-Topping Rap Duo TWIZTID to Drop New Full-Length Album “The Continuous Evilution Of Life’s ?’s” on January 27, 2017

Chart-Topping Rap Duo TWIZTID to Drop New Full-Length Album The Continuous Evilution Of Life’s ?’s on January 27, 2017

A TWIZTID First: Supporters Exclusively Surprised with New Album Details via The Green Book Re-Issue Booklet, Out Last Friday

PLUS: The Green Book Vinyl Includes Download Card for New Single “Are You Insane Like Me?”

The Continuous Evilution Of Life’s ?’s Pre-Orders Begin Black Friday 2016 via www.TwiztidShop.com

Supporters of 11-time Billboard chart-topping rap duo TWIZTID were treated to a special surprise when opening the booklets of their pre-ordered The Green Book re-issues that were delivered on last Friday’s release date of August 19th – the title and release date of TWIZTID’s upcoming 12th release, entitled The Continuous Evilution Of Life’s ?’s was revealed! The new full-length album will be the duo’s second released via their own Majik Ninja Entertainment label and pre-orders will go live on Black Friday – November 25, 2016 via www.TwiztidShop.com. The Continuous Evilution Of Life’s ?’s will hit stores on January 27, 2017.

TWIZTID recently announced their massive 2016 fall tour, the “Spooktacular Horror Show”, beginning on September 28 in Minneapolis, MN and visiting 30+ cities before coming to a close on Halloween night in Sauget, IL. The “Spooktacular Horror Show” tour will feature special guests Mac Lethal, Zodiac Mprint (Blaze and The R.O.C.), Lex The Hex Master, Menage 2 Sobriety and Godz Of Kaos. See below for currently confirmed “Spooktacular Horror Show” dates.

Tickets and VIP Packages are on sale via www.Twiztid-Shop.com. VIP Packages include a pre-show Meet and Greet with TWIZTID, Zodiac Mprint and Lex The Hex Master. They also include a VIP pass, 24×36 poster, hat pin, Majik Ninja Entertainment sampler, Get Twiztid CD, Mutant Remixed And Remastered CD, TWIZTID live DVD and three black and white 8×10 promotional photos that VIP’s can get signed by TWIZTID at the VIP Meet and Greet.

TWIZTID on the “Spooktacular Horror Show” 2016 Fall Tour

9/28 – Minneapolis, MN @ Cabooze

9/29 – Kansas City, MO @ Riot Room

9/30 & 10/1 – Denver, CO @ The Roxy Theatre

10/2 – Salt Lake City, UT @ The Complex

10/4 – Sacramento, CA @ The Boardwalk

10/6 – Los Angeles, CA @ The Union Nightclub

10/7 – Las Vegas, NV @ LVCS

10/8 – Phoenix, AZ @ The Marquee Theatre

10/9 – Albuquerque, NM @ Sunshine Theater

10/10 – Oklahoma City, OK @ Farmers Market Event Center

10/11 – Houston, TX @ Scout Bar

10/12 – New Orleans, LA @ Southport Hall

10/13 – Marietta, GA @ The 120 Tavern and Music Hall

10/14 – Richmond, VA @ The Broadberry

10/15 – Boonsboro, MD @ Boonsboro Event Center

10/16 – Worcester, MA @ Worcester Palladium

10/17 – Philadelphia, PA @ The Trocadero

10/18 – Clifton Park, NY @ Upstate Music Hall

10/20 – Buffalo, NY @ Vpub at The Villager

10/21 – Morgantown, WV @ Mainstage Morgantown

10/22 – Cleveland, OH @ The Agora Theatre

10/23 – Newport, KY @ Madison Theater

10/24 – Clarksville, TN @ The Warehouse

10/25 – Knoxville, TN @ The Concourse at the International

10/26 – Columbus, OH @ The Alrosa Villa

10/27 – Louisville, KY @ Diamond Pub and Billiards

10/28 – Kokomo, IN @ Front Row Live

10/29 – Chicago, IL @ Portage Theater

10/30 – Detroit, MI @ The Majestic Theatre

10/31 – Sauget, IL @ Pop’s

In addition to the new album details, supporters who bought the The Green Book re-issue vinyl edition were treated to a digital download card featuring the first single off of The Continuous Evilution Of Life’s ?’s, entitled “Are You Insane Like Me?” The track will be available for streaming soon.

The Continuous Evilution Of Life’s ?’s will feature 12 all new tracks, primarily produced by longtime TWIZTID producer Seven. However, the new album features four tracks with a clear hard rock influence – a crossover genre TWIZTID has successfully dabbled in for over a decade. The four aforementioned tracks were produced by famed goth rock frontman Davey Suicide and his keyboardist Needlz. An official tracklisting will be revealed soon.

TWIZTID states, “We’re blessed to still be putting out records… I like to think that’s because we put out good music that continues to entertain and amaze. This new record is another level of our continuous evolution. We are the question marks!”

The Continuous Evilution Of Life’s ?’sproducer Davey Suicide adds, “Needlz and I have been writing songs together for five years now. So when TWIZTID mentioned they wanted to have a rock industrial aesthetic in this album, we were pumped to contribute our musical influences to this.”

 

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DEATH VALLEY HIGH Crafts Industrial for the Masses with New Album “CVLT [AS FVK]”

DEATH VALLEY HIGH Crafts Industrial for the Masses with New Album

CVLT [AS FVK]

Out November 4 via Minus Head Records – Pre-Order Here

Listen to New Single “Warm Bodies” via Alternative Press

Melding New Wave, Goth Pop and Rock-Alternative Influences, CVLT [AS FVK] Fuels Your 90’s Nightmare…

“The new face of Goth Rock” – Outburn Magazine, July 2016

One part Marilyn Manson, another part Deftones and mostly parts all their own, Northern California’s DEATH VALLEY HIGH have crafted true alt-industrial rock for the masses with their new full-length album CVLT [AS FVK], out November 4 via Minus Head Records. The tracks on CVLT [AS FVK] meld traditional goth magic and modern alternative majesty – co-mingling new wave/dance beats, cinematic rock instrumentation and gritty, sensual, macabre-pop hooks.

With one listen it’s clear – with a new movement of industrial on the rise, DEATH VALLEY HIGH stands at the forefront with an offering of the catchiest, most unforgettable songs of their career. Teaming up with producer Ulrich Wild (White Zombie, Deftones), they ignite 12 nocturnal anthems that are impossible to shake and undeniably CVLT [AS FVK].

Pre-order your copy of CVLT [AS FVK] now via Bandcamp. Amazon and iTunes pre-orders are coming soon.

DEATH VALLEY HIGH is wasting no time releasing their first single from CVLT [AS FVK], entitled “Warm Bodies”! Take a listen to this goth-pop earworm, exclusively via Alternative Press, right now: http://www.altpress.com/features/entry/death_valley_high_premiere_new_single

“Warm Bodies” struts along on a creaky synth and deliciously danceable riff. It quickly snaps into an unshakable vampiric declaration, “We need warm bodies.””It doesn’t matter if you’re an animal, a salesman, a preacher or whatever, you need warm bodies,” singer Reyka Osburn explains. “If you look at it from a horror perspective, vampires need warm blood or it tastes rancid. Sex is all about warm bodies. It’s all encompassing. I like that duality.”

The DEATH VALLEY HIGH boys have always incorporated a gothic sensibility, but they fully embrace it on CVLT [AS FVK]. Since the release of 2013’s Positive Euth, DEATH VALLEY HIGH has logged over two years on the road, touring alongside everybody from Mindless Self Indulgence and Crosses to Filter, Orgy and Vampires Everywhere! These experiences left a permanent imprint on the band.

“The tours we’ve done and the fan attention we’ve received made us look inward and ask, ‘What do people respond to about us?’,” Reyka admits. “We could see how the crowd reacted. That definitely had an impact in shaping our next musical evolution. At the same time, we wanted to reinterpret our inspirations and influences in an original way.”

Producer Ulrich Wild originally reached out to the band and the friendship-pairing was instantaneous. The eye-opening process of collaborating with a producer the band was not familiar with prior was an adventure – especially finding the collective voice between the two.

“Ulrich was the perfect producer to capture this time in our musical mutation. He welcomed any Frankenstein ideas we had, and made them work; even if it meant the ideas didn’t come to life the first few times around,” Reyka adds.

He finishes, “We wanted to make an album of songs you feel in your gut and that make you get up and move. This has a take the night back vibe. We’re inviting you to the party.”

Stay tuned for more tracks, videos and beyond coming from DEATH VALLEY HIGH leading up to their November 4 release of CVLT [AS FVK].

Photo by Attic Floc

DEATH VALLEY HIGH online:

www.deathvalleyhigh.com

www.facebook.com/deathvalleyhigh

www.twitter.com/deathvalleyhigh

www.deathvalleyhigh.bandcamp.com

www.minushead.com/bands/death-valley-high

DEATH VALLEY HIGH is:

Reyka Osburn – vocals, guitar

Adam Bannister – drums

Huffy Hafera – bass

Sean Bivins – guitars on CVLT [AS FVK]

Daniel Ka$$hu – full-time guitars (2016-)

Against Me! to release new album titled “Shape Shift With Me”

AGAINST ME! TO RELEASE NEW ALBUM, SHAPE SHIFT WITH ME,
VIA TOTAL TREBLE / INGROOVES ON FRIDAY, SEPTEMBER 16

FULL-LENGTH FOLLOW UP TO THE CRITICALLY ACCLAIMED STUDIO ALBUM,
TRANSGENDER DYSPHORIA BLUES, NOW AVAILABLE FOR
PRE-ORDER ON ITUNES AND AMAZON

FIRST SINGLE, “333,” NOW STREAMING ONLINE

DRUMMER ATOM WILLARD TO BE FEATURED AS GUEST MUSICIAN ON
LATE NIGHT WITH SETH MEYERS THIS WEEK STARTING TONIGHT, JULY 18

LAURA JANE GRACE’S FORTHCOMING MEMOIR, TRANNY: CONFESSIONS OF PUNK ROCK’S
MOST INFAMOUS ANARCHIST SELLOUT, TO BE RELEASED BY
HACHETTE BOOKS ON NOVEMBER 15

FALL NORTH AMERICAN HEADLINE DATES AND TOUR WITH BAD RELIGION
AND DAVE HAUSE ANNOUNCED

STREAM: “333” (FROM SHAPE SHIFT WITH ME)

Celebrated American rock band Against Me! are proud to announce the Friday, September 16 release of its highly anticipated forthcoming full-length album titled Shape Shift With Me. Being released on the band’s label Total Treble (in partnership with INgrooves) and serving as the follow up to the band’s critically acclaimed studio album, Transgender Dysphoria Blues, Shape Shift With Me is now available for pre-order on Amazon (LP, CD) and iTunes where an instant download of the album’s lead single, “333,” is now being offered for those who purchase the album. Stream “333” via YouTube or on Spotify.

Coinciding with the announcement of the new album, drummer Atom Willard will be making nightly appearances this week as part of the 8G Band on Late Night With Seth Meyers. Starting tonight, Monday, July 18, Willard’s guest musician slot can be seen this week through Thursday, July 21 at 12:35/11:35c on NBC.

Additionally, the band has announced its upcoming North American fall tour dates that will both include headline appearances and dates with Bad Religion and Dave Hause. A full listing of dates can be found below with tickets and information on Against Me!’s official website, http://www.againstme.net.

Frontwoman Laura Jane Grace recently announced the release of her upcoming memoir titled TRANNY: Confessions of Punk Rock’s Most Infamous Anarchist Sellout. Set for release on November 15, 2016 through Hachette Books, TRANNY is a searing account of Grace’s search for identity and true self. The highly anticipated book also reveals the struggles and victories that the artist experienced in her quest for gender transition. Written with Noisey editor Dan Ozzi and illuminated by Grace’s never-before-published journal entries reaching back to childhood, TRANNY is an intensely personal and revelatory look inside her struggles with identity and addiction. Grappling with everything from sex, drugs, failed marriages, music, and soul of a punk rock star, this memoir paints a vivid portrait of one of the most revolutionary transgender icons of our time.

Recorded, mixed and engineered by Marc Jacob Hudson (Taking Back Sunday, Saves The Day) at Rancho Recordo, Shape Shift With Me, Against Me!’s seventh full length album, has the distinction of the first album frontwoman Laura Jane Grace has written truly from the heart, with no metaphorical cloaks cast over the lyrics. It’s an album about love, that deceptively complex emotion we all struggle with yet has somehow eluded most of Grace’s songwriting for the past 20 years.

“Tons of people have written about love. But while love is cliché, it’s infinitely relevant,” Grace says. “For me, having always been in a punk band that was expected to be political, I never felt like I had that option to write about feelings in that way. That’s what I ended up being drawn to this time. It’s writing in a way I thought I could never write before, and not giving a shit about expectations.”

As such, Shape Shift With Me is a loose concept album about traveling the world and falling in and out of love, with Grace serving as the narrator. But even though she was opening herself up to new songwriting topics, she knew what her mission was from the start.

“Is there a record that is about relationships from a trans perspective?” she asks rhetorically. “There needs to be more records about trans rights and everything like that, but feeling like I already did that, I wanted to move on to write commentary on living from a trans perspective. I wanted to write the transgender response to the Rolling Stones’ Exile On Main St., Liz Phair’s Exile In Guyville and the Streets’ A Grand Don’t Come For Free. All those records are relationship records. There’s been an infinite amount of records talking about what love means from a cisgender perspective. I wanted to present the trans perspective on sex, love and heartbreak.”

With Grace’s new motivation came a new outlook on the band, as well. Previous albums found the songwriting process to be a largely solitary experience, but she embraced the spirit of collaboration for Shape Shift With Me—so much so that when Cody Votolato of the Blood Brothers sent her some demos of songs he was working on for another project, she became inspired and ended up co-writing “Boyfriend” and “Norse Truth,” two of the album’s most memorable tracks, with him.

“It was just about opening up to whatever comes my way karmically,” Grace says. “Whatever everyone in the band is willing to offer, I just wanted to be open to it. I didn’t want it to be like what it was in the past where it may have felt closed. I want it to be different.”

In a career already full of classic punk records, Shape Shift With Me feels like the definitive Against Me! album—it’s poppy and catchy (“Rebecca,” “Suicide Bomber”), aggressive and in-your-face (“ProVision L-3,” “Dead Rats”), sentimental and longing [Crash,” “All This (And More”)]. Moreover, it’s the culmination of four years of existence as Laura Jane Grace—there’s no going back now, so she might as well embrace it.

“While I’ve always wanted the moon and the stars, I have a certain amount of humbleness,” she admits. “I just want to play shows and make records and write songs. That’s what I’ve always wanted to do. Of course I always want the biggest and best things for those shows and records and songs, but when it comes down to it, I just love doing it. I have no other ambitions or career goals.”

Against Me! will be making the following North American headline appearances as well as touring with Bad Religion and Dave Hause this fall. Dates below with more headline shows to be announced soon.

SEPTEMBER
14 – Grand Rapids, MI – The Stache #
15 – Pittsburgh, PA – Mr. Small’s Theatre #
18 – New Haven, CT – College Street Music Hall #
19 – Boston, MA – Royale #
20 – Portland, ME – Port City Music Hall #
21 – Montreal, QC – Club Soda #
23 – Chicago, IL – Goose Island 312 Block Party
24 – Louisville, KY – Mercury Ballroom #
25 – Indianapolis, IN – Deluxe at Old National Centre #
27 – Northampton, MA – Pearl Street #
28 – Providence, RI – Fete (Lounge) #
30 – Sayreville, NJ – Starland Ballroom *

OCTOBER
01 – Huntington, NY – The Paramount *
03 – New York, NY – Irving Plaza *
04 – New York, NY – Irving Plaza *
05 – Philadelphia, PA – The Fillmore *
06 – Silver Spring, MD – The Fillmore Silver Spring *
08 – Charlotte, NC – The Fillmore Charlotte *
09 – Atlanta, GA – The Buckhead Theatre *
11 – Lake Buena Vista, FL – House of Blues-Orlando *
12 – St. Petersburg, FL – Jannus Landing *
14 – Houston, TX – Warehouse Live *
15 – San Antonio, TX – The Aztec Theater *
16 – Dallas, TX – House of Blues-Dallas *
18 – Kansas City, MO – Arvest Bank Theatre at the Midland *
20 – Salt Lake City, UT – In The Venue *
21 – Las Vegas, NV – The Foundry Hall @ SLS *
24 – Eugene, OR – McDonald Theater *
26 – Seattle, WA – Showbox SoDo *
27 – Portland, OR – Roseland Theatre *
29 – Sacramento, CA – Ace of Spades *
30 – San Francisco, CA – Warfield Theatre *

NOVEMBER
03 – Tempe, AZ – Marquee Theatre *
04 – Hollywood, CA – Hollywood Palladium *

# = headline show
* = w/ Bad Religion, Dave Hause

Shape Shift With Me track listing:
01. ProVision L-3
02. 12:03
03. Boyfriend
04. Crash
05. Delicate, Petite & Other Things I’ll Never Be
06. 333
07. Haunting, Haunted, Haunts
08. Dead Rats
09. Rebecca
10. Norse Truth
11. Suicide Bomber
12. All This (And More)

The Interrupters Kevin Bivona talks about being a part of this years Vans Warped Tour

Kevin Bivona is the guitarist/keyboardist of the ska/punk band The Interrupters. The L.A. based band just released their second full length album titled “Say It Out Loud” via Hellcat Records and are currently out on the Vans Warped tour in support of the release. Media Mikes had the chance to speak with Kevin prior to the bands set in Syracuse, NY about the group’s background, their new album and their relationship with Rancid front man Tim Armstrong.

Adam Lawton: Can you give us some background info on the band?

Kevin Bivona: The Interrupters are from Los Angeles, and are sound is kind of a mixture of ska and punk. We started the band at the end of 2011 and release our first record in 2014 in Hellcat Records. Our second album “Say It Out Loud” just came out in June and we have been touring pretty solid since the release of the first album. This is our first summer out on Warped tour and so far we are having a really great time.

AL: What was that appealed to the band about doing a tour like Warped tour as opposed to a traditional headlining tour?

KB: We had actually planned on doing our own headlining tour. The band has been very fortunate in that we have been able to open for a lot of great bands who have amazing fan bases. We have been out on tour with Rancid, The Mighty Mighty Bosstones and Less Than Jake to name just a few. Through opening for all those bands we felt we had developed a solid enough fan base to go out and do our own headlining tour. We then got the offer to join the Warped tour which was taking place the same time as our newest record was scheduled to come out. We wanted to take that huge opportunity to expand our fan base even more before going out on our own. We were really lucky to get the offer. There is so much variety on this tour and you get to play for people who might not otherwise check out your band so this was just the perfect thing for us as a band.

AL: With Warped tour being one of the few remaining touring festivals in the U.S. What do you feel attributes to the shows staying power?

KB: Warped tour has a very loyal fan base. As that fan base evolves sound does the line up from year to year. If you look back 20 years ago when bands like Bad Religion, Nofx and Rancid were playing it and who could still play it today as they are the godfathers of the tour off of them sprouted all these sub-genres of music who have found a home here on the Warped tour. I think the fact that Warped tour stays current with what’s going on in the various scenes and fans know this that’s why more and more people come out to see the shows each summer. What I am seeing a lot of this summer is parents who bring their kids to the shows who have their own set of bands they want see which is just really cool. Having a multi-generational appeal like Warped tour has is something very rare.

AL: With the band being on the tour all summer who are some of the bands you like to check out each day?

KB: There are so many. I like to see Less Than Jake, Reel Big Fish; Masked Intruder is amazing and really fun to watch. Teenage Bottlerocket and Pepper are a couple others I like as well. I found out about this band Ballyhoo! while being out here and there are great as well.

AL: How did your relationship with Tim Armstrong and Hellcat Records come about and what is it like working with him?

KB: I first met Tim in 2005 after getting the job as the touring keyboard player in The Transplants. While we were out on Warped tour that year Tim had a studio on the bus so him I started working together. Pretty much any project he has going on I try and get on in one way or another be it playing or working behind the console. I have worked on all sorts of projects with Tim from his Tim Timebomb solo stuff to the Jimmy Cliff record. It’s just a lot of working with Tim and he is always down to check out what I have going on as well which is really cool. With The Interrupters I think we definitely have a sound that fits the Hellcat sound and all of us individually and collectively had worked with him before so when we started the band he jumped on board as a producer/collaborator. Tim was super helpful while we nailed down the band’s sound and vibe. Making our second record with him was a lot different than our previous as we had more time together and some shows under our belts. That first record is sort of an introduction to who we are as a band. We had a solid and defined vision of who we are with this second album so it made things much easier I think when it came time to write and record.

AL: You mentioned a headlining tour was in the works after Warped tour wraps up. Can you tell us anymore about that?

KB: We are trying to put all of that together right now. We have never done a headlining tour in the states before so that’s going to be something new. Right now we are focusing all of our energy on these Warped tour shows and then once we wrap up with that in mid August we should have some more concrete plans for the band and the rest of 2016. We want to play as many places as we can in support of this new record.

For more info on The Interrupters you can check out http://www.wearetheinterrupters.com/

Album Review: Poison Headache “Poison Headache”

“Poison Headache”
Poison Headache
Metal Blade Records
Producer: Phil Sgrosso/Taylor Young
Tracks:

Our Score: 3.5 out of 5 stars

“Poison Headache” is the self titled debut album from the band of the same name. Consisting of vocalist/guitarist Andy Kukta, drummer Kyle Rosa and vocalist/guitarist Phil Sgrosso Poison Headache are releasing their 10 track album via Metal Blade Records. If Sgrosso’s name sounds familiar you may have recognized him as the former guitarist of As I Lay Dying and/or from his current band Wovenwar. Along with Taylor Young, Sgrosso also produced the album which is a unique blend of heavy metal stylings.

Infuse early 80’s NY hardcore with guitar driven modern heavy metal and you have the foundation for the debut album from Poison Headache. The group which originally formed and started writing material several years ago after the demise of the band Internal Affairs was initially just for fun however, over time the idea of doing a full album became more real. Over the course of the album you can clearly tell that the records tracks are sort of a meeting of the minds so to speak as both Kukta and Sgrosso’s signature styles shine through at various points. The albums opening track “Sin Eater” along with tracks like “Rot With Me” and “Never Again” lean more to Kukta’s hardcore roots while tracks like “Grey Skies” and “Death’s Design” showcase Sgrosso’s heavy metal back ground. Though the albums cohesiveness is a touch off it was because of this that I kept listening. You never know what is in-store with each subsequent track. This not only made the album fun to listen to but also added to its over all appeal.

Fans of the trio’s previous works and various groups will certainly want to pick up a copy of “Poison Headache”. The album not only showcases the member’s musical roots but blends each member’s uniqueness and what it may lack in cohesiveness it makes up for in raw energy and power.

Track Listing:
1.) Sin Eater
2.) Pity the Backseat
3.) Rot with Me
4.) Conspirator
5.) Gray Skies
6.) Benumbed
7.) Death’s Design
8.) Hail, Colossus
9.) Never. Again.
10.) Discloser

Hardcore legend Harley Flanagan talks about his debut solo album “Cro-Mags”

Punk mainstay Harley Flanagan is often recognized as one of the most influential members of the NY hardcore/punk scene of the early 1980’s. His band the Cro-Mags set the early standard for hardcore which is still followed and recognized to this day. Harley recently released his first solo album titled “Cro-Mags” and Media Mikes had the chance to speak with him recently about the album, his trials and tribulations with his former band and also about his upcoming book.

Ryan Albro: At what moment did you decided it was time to release your first solo album?

Harley Flanagan: I had some ideas in my head that I had been working on and at one point I was fortunate enough to have some studio time made available to me so I decided that I was going to use that time to start laying down some demos. From there one thing led to another and it wound up turning into this album.

RA: What was the writing process like working on a solo album versus previous albums?

HF: It was really the same process as I am the guy who came up with riffs. Back in the old days, I would have be recording them on a cassette player or when I was living with Squatch I used to call up Parris’s house and tell him not to pick up the phone so I could hum riffs on his answering machine. He’d learn the riffs and then we’d meet up later and we’d play them together. Now I sit around the house and record them on my phone. Whenever a riff comes I put it down and I work with it. I had a ton of riffs on my phone and when the studio time became available I went in and just waded through everything and picked out a bunch that I thought had an old school type of feel. I wanted to write a bunch of short songs that just come in, punch you in the face and walk right over you. I actually wrote everything believe it or not on an acoustic. I am actually thinking about releasing an acoustic version online just for fun because that’s how this whole album was originally recorded

RA: What made you decide to name the album Cro-Mags, considering the issues you have with the band?

HF: I basically felt like it was time for me to reclaim something that is rightfully mine. All bullshit aside, my hand has always been extended to those guys and even after all the shit went down at Webster Hall and along with everything else, my hand is still extended. The fact of the matter is that so called band is just John and occasionally Matthew. There’s nobody playing in that so-called band that has ever written a Cro-mags song and the Cro-mags have not written a song since I haven’t been involved. They are like a tribute band doing songs and other covers. This new record sounds more like Cro-Mags than anything anybody’s done since. I’m taking back the name. That magic is never going to be recaptured without everyone being involved. I believe that and I know that and that’s why I’m the sentimental fool that’s always fucking extending my hand to these guys, but obviously it doesn’t mean as much to those guys as it does to me. The good that game out of it far outweighs the bad, but unfortunately there has been a lot of bad. For me that whole interruption in 2012 and then putting out this album and really venting my feelings about that moment has been a real positive thing for me because it has helped me exorcise a lot of those demons.

RA: You also have a book coming out can you tell us about that?

HF: As far back as I can remember people have been telling me I should write a book, at least going back to like the 80’s but, I never really wanted to. Despite being told I have some really great stories it’s just never been something I had the desire to do. When I was going through some particularly tough times in my life I started thinking that in case anything happens I do want my side of the story to get out. I already knew that hardcore had made enough of an impact culturally where there would inevitably be books written and bullshit said and bullshit told. I was like I’m going to get my side of this out and I’m going to tell my story, the actual story. If I don’t I’m going to wind up with some asshole telling my life story the way they perceived it or the way they want it told to serve their purpose. I started writing everything down that I could remember going back as far as I could to my early childhood. Over the years of working on it I kept going back and fact checking and, double checking and, confirming facts with my family members. My mom was helpful with that before she passed away. I did a lot or research on everything. I wrote this book with the intention of it being something that people would want to read and them to see what it was like living in that time period through the eyes of a child, through the eyes of someone that was there growing up in it. There has been a lot of books about punk rock but there haven’t been any written by someone who was 10 years old when this happened. It goes through my whole life. It starts off with the day that Webster Hall went down and then right when that started to erupt it goes back to my early childhood and it retraces everything through as much as I could. Obviously I had to cut a lot of shit out or it would have been like a 10,000 page book but I wound up getting an editor and after everything was written and really narrowed down to the most powerful stuff. People can get a taste of what will be in the book if they check out www.harleyflanagan.com

RA: Lastly, What are your plans for touring in support of the new album?

HF: I have looked into doing some shows and some touring but so far the right show hasn’t come up. I work 6 days a week, I love my job, I love the people I work with and I love being home with my wife and spending as much time with my kids as I can. For me to get out there and tour it has to be the right shows. When the book comes out I will definitely be doing a book tour and, the idea is I would like to try and book shows that coincide with that so I can perhaps do a book thing during the day and maybe a show that same evening in the same city. That way you can kill two birds with one stone while having fun.

Album Review: Jim Breuer and the Loud & Rowdy “Songs From The Garage”

“Songs From The Garage”
Jim Breuer and the Loud & Rowdy
Metal Blade Records
Producer: Rob Caggiano
Tracks: 11

Our score: 2 out of 5 stars

Accomplished comedian Jim Breuer has been mixing his love of heavy metal into his stand up acts for years. Be it through real life stories, impersonations and even adding a live band to portions of his comedy shows. “Songs From The Garage” is the debut music album from the actor/comedian who was a staple on “Saturday Night Live” during the late 90’s. Produced by former Anthrax and current Volbeat guitarist Rob Caggiano the album features 11 tracks which combine in your face guitars and drums with Breuer’s off kilter comedic stylings.

From his portrayal of “Goat Boy” on SNL to his role as the lovable stoner Brian in “Half Baked” Jim Breuer’s comedy is something that I have grown up with so, when I heard he was going to put out an album of actual metal music I couldn’t wait to check it out. Sadly what I found on the albums 11 tracks was a mediocre comedy album with a band playing your typical 80’s style metal in the back ground. There really was just nothing spectacular here. Not even a guest appearance by long time AC/DC front man Brian Johnson on the track “Mr. Rock n Roll” could turn this around for me. Knowing Jim’s love of heavy music and the fact that his backing band consists of Mike Tichy, Joe Vigliotti and Metal Mike Chlasciak (all great players) the two just didn’t mesh well and came off as stale and forced. Aside from a few fun titles like “Raising Teenage Girls” and “Be a Dick 2nite” I just couldn’t find anything that I would listen to more than once.

When a performer crosses mediums it can go one of two ways, either really well or in the case of “Songs From the Garage” really bad. I appreciate the attempt that Breuer and company made on the record however I was torn between the mix of comedic tracks and those that were more serious as it caused me to question the direction of the album. Was it meant to be a serious attempt at a metal record or just another comedy record with musical elements? I think the album would have come off as way more cohesive if that common element was defined clearly. Yes I understand Jim Breuer is a comedian so there will undoubtedly be comedic elements to his works but, knowing his level of musical fandom especially when it comes to rock and heavy metal music it makes me question why he did this the way he did.

Track Listing:
1.) Thrash
2.) Raising Teenage Girls
3.) Old School
4.) Be a Dick 2nite
5.) My Rock n Roll Dream
6.) Mr. Rock n Roll
7.) Who’s Better Than Us?!
8.) Family Warrior
9.) Sugar Rush
10.) Wannabe
11.) The Unexplained

Album Review: Pierce the Veil “Misadventures”

“Misadventures”
Pierce the Veil
Fearless Records
Producer: Dan Korneff
Tracks: 11

Our score: 3.5 out of 5 stars

Post-hardcore heart throb’s Pierce the Veil are back with a brand new studio album titled “Misadventures”. The album which is being released via Fearless Records consists of 11 tracks produced by Dan Korneff (Breaking Benjamin, Paramore) that dig deep into a variety of topics such as self-worth, an individual’s ability to shine and dreams of leaving everything behind for love.

“Misadventures” combines Pierce the Veils energetic, genre blending sound with internal struggles that the bands fan base can surely all relate to. From the albums opening track “Dive In” a track which ungulates back and forth between tempos while a somewhat sinister sample plays in the back ground all while acting as the foundation for what’s to come. Upbeat radio friendly tracks like “Texas Is Forever” and “Circles” were among personal favorites of mine while tracks like “Gold Medal Ribbon” and “Songs For Isabelle” show the band stretching their musicality while not drifting too far from the sound which has made them a common name spoke between cafeteria lunch room tables.

For fans who have worn out their copies of 2012’s “Collide with the Sky” the wait is over as Pierce the Veil’s latest offering showcases the bands progression both personally and professionally while staying true to the sound that got them to where they are today. “Misadventures” is even a great starting point for newer fans of the band as the album is solid incorporation of a number of musical styles which only adds to the albums over all appeal.

Track Listing:

1.) Dive In
2.) Texas Is Forever
3.) The Divine Zero
4.) Floral & Fading
5.) Phantom Power and Ludicrous Speed
6.) Circles
7.) Today I Saw The Whole World
8.) Gold Medal Ribbon
9.) Bedless
10.) Sambuka
11.) Song For Isabelle

Corey Beaulieu of Trivium talks new album and Summer Festivals

Heavy Metal band Trivium released their 7th full length studio album titled “Silence in the Snow” in October of 2015. Since that time the band has been performing at a relentless pace playing to thousands and thousands of fans all across the world. As the summer tour months get closer and closer the band is showing no signs of slowing down. Media Mikes caught up with the bands co-guitarist Cory Beaulieu recently to discuss the latest album, the bands upcoming performance at the inaugural “Rock N’ Derby” event and his thoughts on the changing tour landscape here in the United States.

Adam Lawton: Now that “Silence in the Snow” has been for a few month how do you feel the reception has been not only from a sales stand point but also from live performance reception?

Corey Beaulieu: Every record we put out there is always this quick knee jerk reaction from various places that either love it or think it sucks. A lot of time people build up these expectations in their head of what a record is going to be and if it ends up being something different than they expected there tends to be a negative reaction. There are also people who take their time with a record and really digest it and take it for what it’s worth. A lot of people have come up to us and said they weren’t sure about the album at first but after giving it some time they really like it. The album has been doing great and gotten on radio in a big way. Because of that we have been able to reach new fans that didn’t know who we were. We also have been able to change radio’s perception of who they thought Trivium was. I think there were some out there that thought we were a death metal band from Sweden and weren’t too sure about playing our albums. After meeting us and hearing the new material they have jumped on board and this new exposure here in the States has been really great.

AL: From a player/band stand point is there anything you would want to go back and change about the album?

CB: We spent a lot of time honing in the songs for this album. We knew exactly what type of record we wanted to make and what songs we needed to write. We spent a lot of time jamming and feeling the songs out. We wanted everything to feel very smooth and natural. If something didn’t feel natural we would re-write it. We didn’t stop till every key point we wanted to achieve with the record was done. I don’t think there is anything we would want to change however when you reflect back on a record you look at it and pick out things that you may or may not want to do with the next record. This record is definitely a great step for us and how we plan to do the next one.

AL: How much of the new album has made its way into your live set thus far?

CB: We have been doing a lot of headlining on this album which has allowed us to have longer set times which has been great. So far in the set we have four or five new songs that we have played. We try and balance things out between the newer and older material. Our new drummer has been learning a lot of the older stuff that we haven’t performed in years so to add in some of that stuff along with the new material has been a lot of fun. Each show we have been changing the set list so it’s a little different each night. By doing this we have been able to play a lot more material and we keep working on other songs to add in to the set on different nights and for future tours. I think it would be a lot of fun to be able to play “Breath in the Flames” and “Rise Above the Tides” which are both off the new record so hopefully for the next U.S. run of shows we will be able to debut some of these.

AL: With each album release do you find it harder to fit new material into your sets due to fans wanting to hear a lot of your back catalog?

CB: It seems like every song we rotate in and out fits pretty well. We aren’t switching a real popular one with a more obscure one or anything like that. All of the swaps are pretty equal. I think each of the sets that we play is equally strong regardless. With the internet it seems after you do your first show fans can check out the set list and know what you are playing ahead of time. It’s cool being able to swap sets because people come in not knowing what we are going to be playing that night. That brings back the excitement of not knowing what’s going to be played and makes for a cool surprise. Also with our new drummer learning more and more of our back catalog and by us adding in stuff here and there people will see that we are trying to cover all of our history and by doing that we hope more people will come out to the shows and see what we bring. Every show is different and the excitement that fans want is there each night.

AL: What are your thoughts on the recent climate shift in touring here in the States where we are seeing less multi-city traveling festivals and more single city weekend festivals similar to what have been done in Europe for quite a long time now?

CB: There is definitely more of a Euro style going on as of late. Weekend destination festivals are a model that has worked in Europe for twenty plus years. Traveling festivals like Mayhem and Ozz-fest were great in that they helped break a lot of bands but a lot of those shows took place during the week when a lot of fans were working an unable to attend. With shows shifting to a more weekend based time frame more fans are able to attend. People fly in from all over for these types of shows. Festivals like “Rock on the Range”, “Knot-Fest” and “Rock N Derby” show that this type of model is working here and are very popular.

AL: Outside of the bands appearances at various festivals this summer what other plans does the band have?

CB: “Rock N’ Derby” is actually our last show on this run of shows. After that we have a little time off then we head over to Germany to start a Euro festival run that is four weeks of shows over there. After that we are taking some time off from touring but will be working on other band related work. After that we are looking to finalize a fall headlining tour that will start in September and run through October. There is also potential for us to hit some new territories in the winter months and then wrapping up the album cycle early next year with another possible European run. You never know what else may pop up in between now and then though.

Album Review: Hatebreed “The Concrete Confessional”

“The Concrete Confessional”
Hatebreed
Nuclear Blast
Producer: Chris “Zuess” Harris
Tracks: 13

Our Score: 4 out of 5 stars

The kings of Connecticut hardcore Hatebreed are back with their first new album in three years titled “The Concrete Confessional”. The album which is being released via Nuclear Blast was produced by Chris Harris features 13 brand new tracks from the New Haven natives and serves as the follow up release to the bands 2013 album “The Divinity of Purpose”.

Hatebreed come out swinging with their latest offering “The Concrete Confessional”. Packed with crushing guitar riffs and brilliant break downs there’s very little (if anything) missing from this release. Front-man Jamey Jasta sounds as powerful as ever while the rest of the band consisting of Chris Beattie, Wayne Lozinak, Matt Byrne and, Frank Novinec provide equally impressive performances over the course of the albums 13 aggressive tracks. Songs like the albums opening track “A.D.” and “Us Against Us” hit you square between the eyes pummeling your senses while tracks like “Seven Enemies” and “Slaughtered In Their Dreams” feature a slightly slower pace yet still retain the bands ferocity and drive. From a production standpoint the album has a solid mix that does a great job showcasing the bands signature sound. Despite a lot of the songs being in lower tuning registers tones sound equally audible and lively on both headphones and larger speakers.

If you are looking for something to kick start your senses grab a copy of “The Concrete Confessional” and go to town! From start to finish the album is pure intensity as it will quickly take your adrenaline levels to the extreme. Any fan of hardcore/metal music will want to check this album out as it is truly a solid piece of musical work.

Track Listing:
1.) A.D.
2.) Looking Down the Barrel of Today”
3.) Seven Enemies
4.) In the Walls
5.) From Grace We’ve Fallen
6.) Us Against Us
7.) Something’s Off
8.) Remember When
9.) Slaughtered in Their Dreams
10.) The Apex Within
11.) Walking the Knife
12.) Dissonance
13.) Serve Your Masters

Album Review: Rob Zombie “The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser”

“The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser”
Rob Zombie
Zodiac Swan
Tracks: 12

Our Score: 1.5 out of 5 stars

Master of the macabre Rob Zombie is back with his 6th studio album titled “The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser”. As the follow up to his 2013 release “Venomous Rat Regeneration Vendor” the new album features 12 tracks from the former White Zombie front man which blend his unique brand of 70’s tinged rock and roll with eerie b-movie samplings which seem to permeate from every crack and crevice.

With an album title like “The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser” one would hope for the music to be equally as impressive. Sadly this is not the case as the new album from Rob Zombie is an uneven blend of chaotic, multi layered samples that lack any real musical substance. Over the course of the albums twelve tracks which only clock in at a measly thirty one minutes Zombie’s once unique blend of horror infused rock comes off as stale and tiresome. Despite a few shining moments in the way of tracks like “Well Everybody’s Fucking in a U.F.O.” and “The Hideous Exhibitions of a Dedicated Gore Whore” the album seemed to be absent of any real hook or catchiness and, instead comes off as a scattered mess. Even with such an impressive band behind him consisting of bassist Piggy D, guitarist John 5 and drummer Ginger Fish there still just wasn’t enough musical appeal to warrant a second listen.

Some impressively wordy titles are about all you will find in the latest release from Rob Zombie. With a three year lapse between albums I was certainly hoping for more and, in the case of “The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser” I needed a lot more. The albums lack of focus and its brief runtime really left me unfulfilled. This is easily Zombie’s weakest release however if you’re a long time fan and want it for your collection go for it but, if you are just know checking out Rob’s work I highly recommend skipping this and going to his impressive back catalog.

Track Listing:


1.) The Last of the Demons Defeated
2.) Satanic Cyanide! The Killer Rocks On!
3.) The Life and Times of a Teenage Rock God
4.) Well Everybody’s Fucking in a U.F.O.
5.) A Hearse That Overturns with the Coffin Bursting Open
6.) The Hideous Exhibitions of a Dedicated Gore Whore
7.) Medication for the Melancholy
8.) In the Age of the Consecrated Vampire We All get High
9.) Super-Doom-Hex-Gloom, Pt. 1
10.) In the Bone Pile
11.) Get Your Boots On! That’s the End of Rock and Roll
12.) Wurdalak

 

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Comedian Margaret Cho discusses her new album “American Myth”

Actress/Musician/Comedian Margaret Cho is set to release her second music album titled “American Myth” on April 29th. The album is the follow up to her 2010 debut release “Cho Dependent” which help add musician to the artists already impressive skill set. Media Mikes had the chance to speak with Margaret recently about the new album, her current project with Amazon.com and about just what happened at The Stress Factory on March 26th.

Adam Lawton: Can you give us some background on your new music album “American Myth”

Margaret Cho: I always write music as it’s something I enjoy and is a part of my life. I worked on a majority of the album with Garrison Starr who is a really great artist and someone I have worked with before. She came down to right with me while I was living in Atlanta and I also had a few sketches of songs that I had done on my own. This is the first record where I actually did all the melodies and composed the pieces. I had never done that in the past which made things really exciting. I think the album is really beautiful.

AL: A lot of the song lyrics seem to be very personal. Can you tell us about writing from that perspective?

MC: A lot of the songs on the album deal with loss and compassion. They deal with a lot of human emotions. The songs are very anthemic as I appreciate a good rock anthem. I also did a memorial song on this album titled “Anna Nicole” which is about Anna Nicole Smith. We recently shot a video for this song as well which feature a variety of Anna Nicole impersonators running around a castle. This will be the third video for a song off the new album as I also did videos for “Come With Me” and “Kill My Rapist”. It was a lot of fun running around a castle filled with hundreds of Anna Nicole impersonators.

AL: What was it about releasing a music album that was more appealing than say a new comedy album from your recently aired comedy special?

MC: The stand show album will be coming out as part of the DVD release of the special. That’s something that will generally always come out. The music album is a very different undertaking. It is something that is very personal to me. Stand Up comedy is also very personal but music is a different part of my work.

AL: Over the past few years you have become very involved with bringing attention to homelessness in various cities here in the U.S. Can you tell us how you got involved in that?

MC: The “Be Robin” events are kind of a way for me to honor the life of Robin Williams and to be an advocate for the homeless population. We have events going on all the time in lots of different cities. I can’t always be at the events because of my schedule but we try to have them whenever I have the chance. They end up just being these big, crazy, fun events. There is actually a documentary about this as well which has been sort of a way for us to bring closure to the grief caused from his passing.

AL: What other projects are you currently working on?

MC: I am working on a pilot for Amazon right now called “Highlands”. The show is a comedy/drama about an Asian-American family involved in the marijuana business. I am working with Liz Sarnoff who has worked on “Lost” and “Deadwood”. She is a real genius. We just finished the script and start shooting soon. Everyone at Amazon has been really wonderful as they let the artist be themselves. They have really given a lot of creative freedom to the project which I feel has been priceless.

AL: You have quite a few live dates lined up can you tell us about those and also give us an update on the recent incident that occurred during your show at

MC: I will be in Detroit during the middle of April and then in Nashville at the beginning of May. As for what happened recently at the Stress Factory Comedy Club I speak about a lot of personal things in my shows. I talk about rape and sexual abuse because I feel it’s important to discuss those things. We are living in an age where as a survivor you don’t have to stay silent. That sometimes can be very confrontational to people and an audience. It can be very upsetting. Some jokes are meant to make you laugh while others are to make you think. As comedians we try to wake people up so there is this weird thing when people get angry but that’s part of the great arc of comedy. I am going to be going back to the Stress Factory for a makeup show with those who were there. I want to do a reenactment of what happened and talk to the audience members about why they got upset. (Laughs) It would be fun to bring in Dr. Phil to moderate. I love comedy so much and don’t want to hurt it or the Stress Factory as it is a really important venue in that it’s an independent club owned by comedians. The place is like a dojo and holy to me so I want to invite everyone back and to work this out. We will buy them dinner and drinks and allow them to have a conversation with one another. I think it could be very funny.

Bella D. talks about her new album titled “The Crystal Ceiling”

Bella D. pushes the boundaries of artistic hard rock with a unique signature blend of operatic vocals and intricate steampunk themed storytelling. This blend of interesting styles can be heard on Bella D’s new album titled “The Crystal Ceiling” which will be released on May 13th. Media Mikes had the pleasure of speaking with Bella D. recently about the albums creation, her partnership with drummer Charlie Zeleny and her plans for upcoming live performances.

Ryan Albro: How did you and Charlie Zeleny come together to work on this project?

Bella D.: Charlie went to high School together but we didn’t really know each other. We just saw each other in the hallway kind of thing. We actually met in college as we had a class together and that’s where our friendship started. I did a lot of theater at the time and I got him a lot of jobs as a theater music and stuff. He and I worked in together a lot and then we parted ways for a little while his career went 1 way and my career went another way. When I got the wild hair to finally do this album I knew I really needed a partner to help me with it. It was one of these things where the album became so big that there was no way I was going to be able to do this by myself. After talking with Charlie he asked me to do a video with him which got us back in touch with each other. I told him the idea about the album and he said he might be interested, Charlie wanted to see if we could write a song together before we invested a lot of time in the project so that’s what we did first. We sat down and wrote one song which went very quickly. From there we tried another and so on. All of a sudden things just exploded and the album literally started to take on a life of its own.

RA: Where did the idea for the dystopian, steampunk theme come from?

BD: It came from me. Charlie’s alter ego is very cyberpunk but I have always been very theatrical and I have always been in love with the Victorian age. I wound up discovering steampunk and fell in love with the idea of a very modern world, with modern objects that are all run by clockwork, steam power. There is something very romantic and badass about it at the same time. Steampunk started off as kind of very small niche and now you are starting to see it a lot more.

RA: The majority of great song lyrics generally can be traced back to writers telling very personal stories in the form of song. What was it like for you to tell not only your own incredible story, but to shape it into a hard rock, steampunk fueled album?

BD: Charlie and I worked very closely together on this album. The album is made up of a lot of my experiences which at times was very emotional for me. We all go through these moments where we feel like we’re beaten up, either by life or just by every day conflict. We are all beaten up and we are all fighting against something and the album sort of reflects that battle. It is one of these things that you have to go into full force and swing that sword, shoot the gun, whatever genre you’re fighting whether its fantasy or steampunk or modern cyberpunk. That is the general feel of it. I have gone through a couple really rough patches in life and I really drew from that. That’s where the story came from.

RA: How did you going about selecting the musicians who appeared on the album?

BD: That all comes down to Charlie. I always joke that he has got this little black book, not of women, but of every musician he has ever worked with. I think it rivals the New York City phonebook. He has had a fantastic career and is really amazing at what he does so because of that he has been able to build up some great connections with all of these artists. Charlie reached out to everyone with the idea of what we were doing and they were like that’s insane, I want in. That’s basically all that happened and the even crazier thing is that none of these artists were in the same room with each other at any time. This was all done digitally. Charlie would plug the performances into pro-tools and tweak little things here and there to make everything sound fantastic.

RA: What can you share about the comic book series that’s coming out with the album?

BD: Basically the music and the story coincide with one other. When we wrote the concept album I wrote the lyrics with a story in mind but not in such a way that you’re going to sit down a listen to a recording of a musical. This is a concept album and each song stands on its own 100% but, if somebody really wanted to sit down and listen and actually enjoy the whole concept of it they could. I really wanted to be able to tell my vision with this album. Being a huge comic book fan and knowing how popular comics are right now it made perfect sense to make this something that if people want to know what was going on story wise in the music they could follow along in the book. I worked with a really great artist who I think captured the first portion of the story quite well.

RA: What do you want listeners to take away from the album and your story?

BD: I think the biggest lesson I’d love people to take away from this is an understanding that we all have been there, we all have been that person who’s been struggling and feeling like the world is literally falling apart around them. The biggest message is that you can make it through, but you have to work at it, you have to pick yourself up, you have to have those moments of “yeah this stuff is horrible” but I’m still going, I’m still alive, I’m still breathing and today I’m going to kick its ass.

RA: What are some of the plans you have for live performances of the material?

BD: We are doing a release party at Carroll Place in New York City on May 19th. As far as live performances past that we don’t have anything locked in yet. I am working on getting into Comic Con as I would love to perform there, especially since I am releasing a comic along with the album. We also have two lyrics videos being released online soon and also a full production video of another song. That’s all in the can ready to go, it looks fantastic, we’re just waiting for the release date.

Anvil’s Steve “Lips” Kudlow talks about the album “Anvil is Anvil”

Steve “Lips” Kudlow is the lead singer and guitar player for the band Anvil. After a period of mainstream obscurity the band was thrust back into the spotlight due to the award winning documentary “Anvil! The Story of Anvil”. The group’s 16th and latest studio album “Anvil is Anvil” comes out at the end of February and Media Mikes had the chance to speak with Lips recently about the album’s release.

Adam Lawton: Tell us about the new albums opening track “Daggers and Rum”

Steve Kudlow: I got a call from this guy to be a pirate in a play he was putting together. I thought it sounded like fun so I said sure. He cast me in the role of Captain Snarls and also asked if I could write a song to go along with the play. I ended up becoming super inspired and started writing. I had the music already and was trying to come up with a title. At first I was thinking “Swords and Tequila” (laughs). I knew that wasn’t going to work so I started to think about what I associated with pirates. The first thing I thought was rum, and then I thought about what they used as weapons. That’s sort of how the title came about. I did some more research on pirate music and what are called “shanties” which originated from musical plays. It was sort of mind blowing that I was being asked to make up my own shanty for this play. It was all pretty cool. The song really sounds like it came from a musical play.

AL: Was this one of the first songs you ended up writing for the album?

SK: Yes it actually was. It was the first song I had lyrics for. I had probably written a couple others at the same time and musically this was I think number 3 or 4. In the studio we called all the songs by their numbers and this one was done really early. Despite it being 3rd musically it was the first completed. Interesting enough song 2 as it was known as was actually one of the last ones to be finished.

AL: The album has 12 tracks listed but a 13th track is included as a bonus on some versions. Can you tell us about that?

SK: Truth be told there is no such thing as bonus tracks. We recorded 13 tracks and all 13 tracks are going to be released eventually. Considering 99% of people listen to music free on the internet these days there is really no such thing as bonus tracks because no matter what version of an album you may get it ends up out on the web for everyone. The “bonus” tracks were just additional tracks that needed to be separated for distribution purposes. We did one version of the album for people who pledged money towards its being made which of course is different from the one found in stores. By doing that we also were able to give the fans in Japan that additional pledge track. The Japan version of the album ended up being the pledge version and easily the most obscure.

AL: Do you guys have any special packaging or limited edition versions of the album planned for release?

SK: Most everything is going to be done in digi-packs. We also are going to be releasing the album in a clear double vinyl format which is going to be really cool. What’s great about the vinyl is it will also come with a digital version of the album so fans can put the vinyl away as a collector’s piece.

AL: Being 16 albums in your career as a band how do you go about keeping things fresh and new from album to album?

SK: I don’t think that is something you consciously do. I don’t really think about it in those types of terms. For me it not about wondering how am I going to come up with something but more so how am I NOT going to come up with something. (Laughs) Every time I get to express myself it’s exciting. It’s a hell of a lot of fun to make new songs. You have to make it that way because if it’s not then the end result isn’t probably going to turn out very well. Just have to have fun with and not waste time. Working with Rob (Reiner) he always wants the next part and to be able to keep going so that’s what I mean by not wasting time.

AL: Do you and Rob have the same relationship now as you did when you first started the group in the late 70’s?

SK: Absolutely! Our relationship is actually the most magical aspect of all this. You end up meeting someone and you find out they think the same way as you. I compare it to when people finish each other’s sentences. With Rob and I we finish each other’s riffs. We grew up together and have listened to the same music our entire lives so we have the same mind set on things. We are very in-tune with one another.

AL: How has the addition of Chris Robertson on bass helped the bands dynamics?

SK: Chris has been with band for about 2 years now however this is his first time actually recording with us. We are really blessed to have Chris and things just fell into place with him. At the time when we needed a new bass player we weren’t really out there searching for someone. We had a tour coming up in 3 weeks and we needed someone pretty quick. We had our friend Sal Italiano come on board for the tour and after worked with him and Jon another friend of ours through the “Hope in Hell” album. When it came time to find someone again I asked my friend Jon if he knew any one. He suggested this guy Chris as he was the guy who taught Jon how to play all of our songs. Chris came in and just blew us away. Sal did another tour with us and we had Chris along as part of the road crew. When the tour ended we had a one off show in Germany that we still had to do so I called Sal to confirm everything. While we were talking Sal stated he wasn’t going to be going. There wasn’t much I could say other than ok. Chris joined the band and here we are. Chris has a great sound and style and along with being a killer bass player he is a great back up vocalist. Chris is really great to work with and is honored to be part of Anvil.

AL: What type of tour plans are in place and has there been any more discussions about another Anvil film?

SK: We are currently out on the road in Europe with Udo Dirkschneider. We will be overseas until early April supporting Udo and then after that we will be starting a headlining tour in the U.S. in mid April. That tour is set to run through mid June. As for another film we have about 40 minutes or so of usable footage and it’s something we continue to work on as the band continues to progress.