Starring: Lilyan Chauvin, Gilmer McCormick, Toni Nero, Robert Brian Wilson, Eric Freeman, James L. Newman, Elizabeth Cayton, Jean Miller
Directors: Charles E. Sellier, Jr., Lee Harry
MPAA Rating: NR / R
Studio: Starz / Anchor Bay
DVD Release Date: December 4, 2012
Running Time: 85 / 88 minutes

“Silent Night, Deadly Night”: 3.5 out of 5 stars
“Silent Night, Deadly Night: Part 2”: 1 out of 5 stars
Extras: 2.5 out of 5 stars

Christmas is one of my favorite holidays, no question.  But what is Christmas without a little cheesy 80’s slasher horror.  “Silent Night, Deadly Night” has always been a favorite of mine to revisit during the holiday season.  The film has been hated and fought against since it theatrical release date.  It goes in and out-of-print on DVD what seems like every few years.  It has never been given the respect that it deserves.  In this Christmas Survival Double Feature, we get both “Silent Night, Deadly Night” and its absolutely terrible rehash sequel “Silent Night, Deadly Night: Part 2” on one release.   Horror fans will enjoy this release to get into the holiday spirit.

“Silent Night, Deadly Night” comes in its original unrated version, which is the best way to view it. The only issue is that it varies in quality since the uncut footage is not as clean. There is a nice disclaimer before the film starts, which says pretty much “Hey, here is the extra footage you asked for but it ain’t pretty”.  I prefer the extra gore to quality.   “Silent Night, Deadly Night: Part 2” is a really sad excuse for a film.  It spends the first 40 minutes only showing clips from the first film.  Let’s just say they put this film was a double features since no one would buy it solo.

“Silent Night, Deadly Night (1984)”: Years ago, little Billy saw his parents murdered by an escaped killer wearing a Santa Claus costume. The experience left indelible scars on his psyche, made all the worse by his subsequent years languishing in an orphanage, where his life was made a living hell by the cruel and domineering Mother Superior (Lilyan Chauvin, Universal Soldier). With the help of the sympathetic Sister Margaret (Gilmer McCormick, Slaughterhouse-Five, Starting Over), the 18-year-old Billy (Robert Brian Wilson, “Search for Tomorrow”) secures a job at a toy store. But when the store’s regular Santa is injured, Billy is called upon to don the red suit. But as he does, he becomes a ticking time bomb. The traumatic memories of his parents’ murders, combined with the abuse he has suffered at the hands of the Mother Superior, propel him into a state of psychotic rage. Santa Claus is coming to town, and he’s got murder on his mind…

“Silent Night, Deadly Night: Part 2” (1987): Billy’s younger brother Ricky (Eric Freeman) follows in the family tradition of Christmas carnage. Psycho Santa is back…to deck the halls with chunks of bodies!

The special features are nothing spectacular but has a few extras worth checking out.  On “Silent Night, Deadly Night”, there is a audio interview with the director, Charles E. Sellier, Jr.; as well as poster and still gallery and “Santa’s Stocking of Outrage” featurette.  “Silent Night, Deadly Night: Part 2”, besides being an embarrassment of a film, contains an audio commentary from writer/director Lee Harry, Writer Joseph H. Earle and actor James Newman.  Lastly there is a theatrical trailer included, as well as a poster and still gallery. Also if you watch the film on your computer it has a DVD-Rom extra includes the original screenplay to download.

Actors: Will Smith, Tommy Lee Jones, Josh Brolin
Directors: Barry Sonnenfeld
Rated: PG-13 (Parental Guidance Suggested)
Studio: Sony Pictures Home Entertainment
Release Date: November 30, 2012
Run Time: 106 minutes

Film: 3.5 out of 5 stars
Extras: 4 out of 5 stars

“Men in Black” is a fun series.  The first film was very unique in its time.  The second was a bit messy but still tons of fun.  The third film takes the series into a nice direction.  I am not sure if there will be a fourth film but it is much welcomed.   The film seems a little over-budgeted to me but is a hell of a ride and very entertaining.  The 3D on the Blu-ray is good but not stunning.  You can tell that this was converted into 3D for the money. There is a nice about a depth added due to the added third-dimension, there is just no WOW factor from it. The film still works though with or without it though. Josh Brolin is a nice addition to the cast and gives a spot on performances for K (aka Tommy Lee Jones).  I also think this film has real replay value and I look forward to watching it again soon (which is rare with most films I watch).

Official Premise: In “Men in Black 3”, Agents J [Will Smith] and K [Tommy Lee Jones] are back… in time. Agent J has seen some inexplicable things in his 15 years with the Men in Black, but nothing, not even aliens, perplexes him as much as his wry, reticent partner. But when Agent K’s life and the fate of the planet are put at stake, Agent J will have to travel back in time to put things right. J discovers that there are secrets to the universe that Agent K never told him – secrets that will reveal themselves as he teams up with the young Agent K [Josh Brolin] to save his partner, the agency and the future of humankind.

Sony Home Entertainment’s release comes in a three-disc combo pack. There is a Blu-ray 3D, Blu-ray and a DVD included, as well as a Ultraviolet Digital Copy. The 1080p transfer is sharp and impressive, whether you are watching in 3D or 2D. I still will most likely revisit this again in 3D, even though it wasn’t perfect. I liked the depth given to the film and I thin kit is worth it just for that. The real star of this release though is the DTS-HD Master Audio 5.1 surround audio track. It works perfectly with the film’s action and Elfman’s score. My surround sound really needed a nap after this extreme workout.

“Men in Black 3” also marks the debut use of “The Movie Touch”, which is an interactive bonus for those with an iPad. It goes well beyond the concept of a second-screen app. It allows you to watch the movie on their iPad while also navigating numerous bonus behind-the-scenes videos, photos, fun facts, soundtrack music info, multi-angle explorations, an interactive timeline, actor profiles, exclusive content and more. The Movie Touch App is available free from the App Store, here. This is going to be a very cool feature with possibilities going forward with future titles like “Total Recall” and I look forward to see what’s next.

Sony has been really embracing the Blu-ray 3D format. They actually include some 3D special features again after “The Amazing Spider-Man”. They are not show-stopper but still 3D extra nonetheless. “The Case of Boris the Animal: The 3D Models of MIB 3” is an interactive feature that allows you to interact with a 3D display and may learn more the film’s goodies like the Particle Randomizer, the Class 2 Jet Pack, the Archanan Time Jumper, Boris’ Motorcycle, and the Monocycles. There is also a ever-to-short look with Visual Effects Supervisor Corey Turner on “Converting to 3D”. I wish this was much longer but still cool. Lastly there is a 3D trailer for “The Amazing Spider-Man”.

The rest of the special features are on the 2D Blu-ray disc. “Spot the Alien Game” is a cute but not amazing FPS using your remote. Kids might enjoy this more than adults. “Partners in Time: The Making of MIB 3” is a decent length behind-the-scenes feature with cast and crew chatting about everything from production to visual effects. “The Evolution of Cool: MIB 1960’s vs. Today” is nice feature on bringing the series back and its travels through time. “Keeping it Surreal: The Visual FX of MIB 3” focuses solely on the film’s special effects and creature designs. “Scene Investigations” is a detailed focus on specific scenes, including Lunar Prison Escape, Showdown at Mr. Wu’s, J’s Time Jump, and The Motorcycle Chase. Animation Supervisor Spencer Cook and VFX Supervisors Ken Ralston and Jay Redd takes us through “Progression Reels” with a commentary voice over on the design and digital effects. Lastly, there is a very funny gag reel and music video for “Back in Time” by Pitbull included.

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Travis Knight is the CEO/President/Lead Animator of LAIKA, which is the animation studio behind films like “ParaNorman” and “Coraline”. Arianne Sutner is the producer of “ParaNorman”. “ParaNorman” is the latest film from the studio and will be released on Blu-ray/DVD combo pack on November 27th, 2012. Media Mikes had a chance to chat with Travisa and Arianne about their work with stop-motion and what they have planned next.

Mike Gencarelli: Arianne, you’ve been working in stop-motion since “The Nightmare Before Christmas”, what is it that draws you to this medium?
Arianne Sutner: When I was starting out I was always a fan of animation and family movies. I was working in the Bay area and the movie that was happening around that time was “Tim Burton’s The Nightmare Before Christmas”. Part of it also was that you get to work on the project for a long time and it was still very new at the time and very exciting. When I started working in that environment, I just love that you create everything by hand. There were these fantastic stages that you get to work on and also the fact that it was this collaborative process. You really get to feel everything and get very involved. I really fell in love with it. I worked at other places like Pixar, in their beginning and they are making fantastic movies. But it is the experience of working on these movies that I love so much and the kind of people that are drawn to them. I always say that it is really fun and Travis says that I am crazy, which is true. You really get your hands dirty and get to collaborate and with some real great artists.

MG: Travis, How does the LAIKA President & CEO also end up being the lead animator on projects like “Coraline” and “ParaNorman”?
Travis Knight: I have been an artist my entire life. I fell in love with stop-motion, since I was child. Ultimately, I wanted to figure out how it was done before the internet or animation schools etc. So I was just learning by practice. It is something that has been a part of my life for 30 years now. I was an artist long before I was an executive. I have described myself as an artist trying to find his inner-executive. As I have been trying to move the company forward, it was always important to me as I began the process of building the company that I never lose the direct connection with the work because it’s what it is all about. It is why we do this. It is why we got drawn to creating something of great beauty. It is something that is critical to me. I think also to have the head of the studio in the trenches with all the other artists and filmmakers, rolling up my sleeves and getting my hands dirty and being a part of the creative process helps to define the sensibility of what the company is all about. We really are all about finding a beautiful way of telling these classic stories in this extraordinary art form of stop-motion.

MG: Arianne, You took on the role of producer in “ParaNorman”; what was your most challenging aspect?
AS: I think it is to make sure that the script we got was so beautiful, so well picked, so ambitious and overall something that was really special that had various different layers. Also that it was at the same time entertaining and had certain messages that we believed in. We wanted to make sure that it brought to life the way that Chris (Butler) intended it. While also making sure that we met Travis’ standards and to have the best stop-motion animation in the world. I think that was my biggest overall challenge that I was reaching for everyday.
TK: Arianne is fairly humble. She really is like a little marvel. She held the entire production on her shoulders. Every day some new crazy challenge was thrown her way and she handled all them with this amazing grace. The fact that we brought this extraordinary film on time and under budget is a testament to her leadership.

MG: Travis, How does the production on “ParaNorman” differ to “Coraline”?
TK: With “Coraline”, it was the first film that we had done from the ground up. So everything was new. We were forging new ground. In some ways we didn’t know better. We had really grand ambition and wouldn’t accept the fact that we couldn’t do certain things with conventional stop-motion, in the sense of what you can do in this medium. So that meant incorporating technology that wasn’t done before. The natural enemy of stop-motion, this age old craft, is technology. We decided to embrace technology and to bring that forward as part of the process with digital capture systems, 3D photography, laser cutters and rapid prototyping. That way we were able to embrace the machine in a way that hasn’t been done before. It allowed us to expand the scope of the movie. We built on that to an incredible extent for “ParaNorman” and we took it even further than we could have imagined for “Coraline”. I think that process of innovating to tell incredible stories in this medium by fusing those two aspects together, art craft and technology, led us to a place where we can really seize our ambitions and see them realized on the big screen. When you look at the evolution in the visual stylization in the technical execution between “ParaNorman” and “Coraline”, it is fairly remarkable that it happened in only three years.

MG: Why do you think that stop-motion films tend to deal with darker subject matter?
TK: That is an interesting question. We can’t fully appreciate what that means until we see how the thing plays out in the fullness of time. I think when you look at the history of stop-motion film; there is a very small amount of films made in this medium. You can attribute about half of them to two guys, Tim Burton and Henry Selick. They have this dark gothic sensibility. When these guys make the films they want to make…they make them. I think you can look at our films and they don’t have that sensibility. They have this warmer sensibility that is distinctly British but is all very entertaining. So I think you need to look at those two things and see that there is nothing inherently creepy or dark about stop-motion. I think also when you have an inanimate object that is brought to life by the hands of an animator; there is something weird about that. They move is this weird jerky kind of way, which does gives a certain creepy feeling. One of the things that we have been trying to do at LAIKA is to really take the performances in the animation of these stop-motion puppets to an entirely new level and make them feel very human. So that people can connect with these emotional characters on the screen. It is really difficult to do that in stop-motion. I think it was important us to get over that hurdle of making these things creepy. I think you can certainly see with “Coraline” and “ParaNorman” they share some DNA in common. Moving forward, I do think that it is important for us at LAIKA to expand what we do and that is telling different kinds of stories in different kinds of ways. So when you see the next handful of films from our company hopefully they will not look or feel like anything we’ve done before.

MG: What’s next in the cards for LAIKA?
TK: We are very selective on the project that we take on. Currently we do have about ten projects in various forms of development. It is a combination of things that are adaptations of literature and original projects. “Coraline” was an adaptation of a Neil Gaiman novel and “ParaNorman” was an original idea. These things take a long time to make since the pace is graceful. There was about three years between “Coraline” and “ParaNorman”. There will be about two years between “ParaNorman” and our next film. We are trying to truncate the time period, so ultimately we are on an annual release schedule and releasing a film every year. It is a challenge and is difficult to do that but it is something that we are shooting for. But that is path that we are aiming for.

Jordan Galland is the writer/director and producer of the new superhero indie film “Alter Egos”.  He is also known for his film “Rosencrantz and Guildenstern Are Undead”.  Jordan took out sometime to chat with Media Mikes about the new film and what we can expect next.

Mike Gencarelli: How was it going from vampires in “Rosencrantz and Guildenstern Are Undead” to superheros in “Alter Egos”?
Jordan Galland: It’s really fun to work in such a specific genre (Superheroes, vampires) where the rules are so defined that they can have an almost biblical or religious rigidness to them, so that any impulse towards realism, or a deviation from the conventions of that genre results in finding something new, or at least a quirky, comedic take on it.

MG: How did you end up with most of the same cast from “Rosencrantz” in “Alter Egos”?
JG: I wrote the parts for those actors, having met them on the set of my first film. I really wanted to work with them again, and was betting on the fact that maybe they wanted to work with me again too, even if the budget was small and we’d all be sleeping in the same bed. I lucked out, on both accounts.

MG: Having this been your second time directing, what was the biggest challenge this time around?
JG: Biggest challenge was the action sequences, where we didn’t have the time or budget to do it the way I envisioned it. We made compromises, which work, but still. Another big challenge was trying to make the body (in the opening sequence) sink into the ocean. It kept floating back up.

MG: Tell us about the music in the film by Sean Lennon, who appears in the film as Electric Death?
JG: He did the score for Rosencrantz, and I wanted to work with him again. We met through having bands in NYC in the 90’s and ended up playing music together a lot. And in our musical collaborations we often went to film scores as a reference. So we had a certain short hand vocabulary and a familiarity with each other’s tastes… as well as both being fans of the Sci-Fi fantasy genres. Sean’s soundtrack is also out and available now on iTunes, FYI!

MG: How did Kevin Smith end up getting involved with Smodcast Pictures?
JG: Phase 4 films has a deal with Smodcast, where they look for films that they think are suitable to Kevin’s taste; often comic-book type stuff, or comedy that has a conversational naturalism like Clerks. All low-budget, a way for films to get a little extra attention in this cluttered, over-saturated market.

MG: What do you have planned next whether it is music or directing?
JG: I am currently finishing up a new solo record to be released in the late winter / early spring, being produced by Charlie Klarsfeld. And I’ve got two films in development. One’s a new take on a demon possession story. It starts where exorcism films end and is about a girl who’s recovering from demonic possession. The other one is also kind of a horror thriller… like misery Psycho meets Misery, and has an almost a reverse Misery plot where the writer takes the fans hostage. So I’ve been working on those, but not sure when they’re going to get filmed. Hopefully 2013!

Actors: Ashley Greene, Sebastian Stan, Tom Felton
Directors: Todd Lincoln
Rated: PG-13 (Parental Guidance Suggested)
Studio: Warner Home Video
Release Date: November 27, 2012
Run Time: 82 minutes

Film: 2.5 out 5 stars
Extras: 2.5 out of 5 stars

“The Apparition” was given virtually no chance to succeed in theaters.  It was dropped into only a few screens with little to no push.  The film has a decent cast including Ashley Greene (“The Twilight Saga”), Sebastian Stan (“Captain America: The First Avenger”) and Tom Felton (“Harry Potter” series). It is kind of sad since neither Ashley or Tom has really yet to make it on their own outside their now-ended respective franchises.  I thought this film had a few decent spooks but their is no payoff.  I feel like it plays it way to safe with its PG-13 rating and never gets a chance to reach stretch its wings out.

When frightening events start to occur in their home, young couple Kelly (Greene) and Ben (Stan) discover they are being haunted by a presence that was accidentally conjured during a university parapsychology experiment. The horrifying apparition feeds on their fear and torments them no matter where they try to run. Their last hope is an expert in the supernatural, Patrick (Felton), but even with his help they may already be too late to save themselves from this terrifying force.

“The Apparition” comes in a combo pack with a Blu-ray, DVD and Ultraviolet digital streaming copy. Overall the film looks good with its 1080p transfer and its 2.4:1 aspect ratio. It is quite dark but still manages to deliver in high definition. There is also sharp DTS-HD Master Audio 5,1 track, which works with the success and gets a few good jumps. The special features are decent but not overly impressive. “The Dark Realm of Paranormal” looks into the reality behind the supernatural events. Ghost hunter Joshua P. Warren shows us real-life paranormal locations in “Haunted Asheville”. “The Experiment of The Apparition” shows how Warren attempts to show where the movie and the real-life horror meet. Lastly the film’s stars take a look at the experiment from the film in “The Apparition: A Cinematic Specter”.

Channel: The History Channel
Number of discs: 6
Rated: NR (Not Rated)
Studio: A&E Entertainment
DVD Release Date: October 9, 2012
Run Time: 540 minutes

Our Score: 3 out of 5 stars

When it comes to learning about our past, I immediately think about The History Channel.  They always deliver impressive programming and nice DVD releases.  Though this release is not that impressive. Basically out of the 6 discs included, there are only two discs of new programs.  “Planet Egypt” was produced in 2012 and contains four 45 minutes episodes.  This four-part miniseries explores Egypt’s technology, culture, religion, wars and peace over 3,000 years. This is the star of the release and puts the others to shame.  Luckily this release is very cheap running for under $17 dollars on Amazon and it is worth it just for these two discs.  The rest of the extras are still informative and I will hold them as a bonus feature.

Next up on disc 3 and 4 is dated back from 2001, “Egypt: Beyond the Pyramids”.  This four-part series takes the viewers inside Egypt for (then) first-ever-filmed look into sites such as Tomb of Ramses II, the Abydos Boat Graves, and the skeletons at Mendes. Overall this series is decent but feels aged.  Disc 5 includes “Egypt: Engineering an Empire” from 2006, which runs 90 minute. Decent and includes some good information. The sixth disc is basically the dumping ground from the rest of the old specials. “Ancient Egypt: Modern Medicine” is the worst quality of the three but has this certain vintage charm.  “Egypt’s Great Queen” delivers some interesting information about Hatshepsut. “The Great Pyramids of Giza and Other Pyramids” is the oldest dating back to 1997. Lastly, we have the aging special “Ramses’ Egyptian Empire”.

Official Premise: From its unification in approximately 3100 B.C. to its conquest by Alexander the Great in 332 B.C., ancient Egypt was the preeminent civilization in the Mediterranean world. This special 6-disc collectible set headlined by HISTORY’s best-selling programs; including the acclaimed Egypt-focused episode of the Emmy®-winning series ENGINEERING AN EMPIRE, and the highly-rated mini-series PLANET EGYPT, THE ANCIENT EGYPT ANTHOLOGY pays homage to this rich and complex culture and explores it from its very beginnings as a land of disparate peoples, through its dynastic zenith and to its ultimate decline.

Created by Charles M. Shultz
Starring: Bill Melendez, Jeremy Schoenberg, Brad Kesten, Angela Lee, Victoria Vargas, Jeremy Miller, Brett Johnson, Heather Stoneman, Gini Holtzman
Studio: Warner Archive
DVD Release Date: November 20, 2012
MPAA Rating: Not Rated
Running Time: 402 minutes

Our Score: 4 out of 5 stars

Who doesn’t love Peanuts?! “The Charlie Brown & Snoopy Show” originally aired on CBS from September 1983 to October of 1985 for only two seasons. This DVD contains the complete series with all 18 episodes. A few of the episodes started to be released last year on various Peanuts DVDs but this is the first time that they have been released fully and complete on DVD, thanks to Warner Archive.  The episodes are presented in 4X3 full frame and their original aspect ratio of 1.37:1.  The audio included is a decent mono track, which works for the show. This is a nice flashback to the ‘ole Saturday morning cartoon days that I had growing up.

Season 1 consists of the following episodes: “Snoopy’s Cat Fight”; “Snoopy: Team Manager”; “Linus and Lucy”; “Lucy vs. the World”; “Linus’ Security Blanket”; “Snoopy: Man’s Best Friend”; “Snoopy the Psychiatrist”; “You Can’t Win, Charlie Brown”; “The Lost Ballpark”; “Snoopy’s Football Career”; “Chaos in the Classroom”; “It’s That Team Spirit, Charlie Brown”; “Lucy Loves Schroeder”. Season 2 consists of the following episodes: “Snoopy and the Giant”; “Snoopy’s Brother Spike”; “Snoopy’s Robot”; “Peppermint Patty’s School Days” and “Sally’s Sweet Babboo”.  Inside each episode there are numerous shorts, so you get quite of bit of Peanuts goodness throughout the series.  If you are a fan of Charlie Brown and the Peanuts crew then this release is a no-brainer.

Official Premise: Your favorite Peanuts stories come to life in this animated television series. Adapted from the popular comic strip created and written by Charles M. Shultz, “The Charlie Brown and Snoopy Show” is no longer a cartoon relegated to Saturday mornings of the past — now you can watch the gang anytime! With short sketches featuring these classic and much-loved characters, it’s easy to “have a party with Charlie Brown and Snoopy,” as the theme song says. The Charlie Brown and Snoopy Show originally aired in 1983 and 1985 and was nominated for an Emmy Award in 1983

Starring: Kris Lemche, Brooke Nevin, Joey Kern, Danny Masterson, John Ventimiglia
Director: Jordan Galland
Distributor: Phase 4 Films
MPAA Rating: Not Rated
Running Time: 79 minutes

Our Score: 3 out of 5 stars

With a year jam-packed with superheros like “The Avengers” and “The Dark Knight”, “Alter Egos” is the counter-opposite of the spectrum. It is a fun quirky indie dark comedy. It started off and write away it make me think of “The Incredibles”, when the superheros are outlawed.  But this takes its own unique approach to the superhero genre. The film itself I would say lays more on the dark side of the comedy and less of the belly laughs. But there is some good material in this film to entertain.  Overall it might not best film ever but if you got nothing else to do for 80 minutes it is worth checking out.

“Alter Egos” takes place in a variation our world in which super heroes are real but not respected. They have taken care of all crime and since then lost government funding and public support. The film focuses around the superhero, Fridge (Lemche), who is going through his own emotional crisis and leans on his friend and fellow superhero C-Thru (Kern) and a new girl to assist. Though both of them have their own issues as well to deal with.

The film is very smarty written and directed by Jordan Galland, known for his Kris Lemche (“Final Destination 3”) and Joey Kern (“Super Troopers)” plays the main superheros – Fridge and C-Thru (respectively). Both of these get some decent laughs, especially when C-Thru is standing nose to nose with a brick wall. Danny Masterson steals the show though as the asshole cop/superhero reject Jimmy, who’s ability is to turn invisible for only 2.3 secods. The film also has music from Sean Lennon, who also has a quick cameo as well. The great casting overall is one of the main reasons why this film succeeds. The film is available now on VOD, check it!

Starring: Kodi Smit-McPhee, Anna Kendrick, Christopher Mintz-Plasse, Leslie Mann, John Goodman, Casey Affleck
Directors: Sam Fell, Chris Butler
Rated: PG (Parental Guidance Suggested)
Studio: Universal Studios
Release Date: November 27, 2012
Run Time: 93 minutes

Film: 3 out of 5 stars
Extras: 3 out of 5 stars

“ParaNorman” is the latest film from Laika, the studio behind one of my favorite films “Coraline”. This is one of those films that really grow with you with each viewing. I really enjoy this film in 3D and though that it added a lot to the film but we only had the chance to review this in 2D. So I feel that it is still worth checking out but I would recommend this in 3D firstly. I would add a half a star to this in 3D, which is an improvement from my theatrical review. I still feel that some parts are a bit too scary for some kids. I love the little horror Easter eggs spread out all over the film.  Enjoy and see how many you can find?! Overall, this is a decent follow-up feature for Laika but it doesn’t come close to the charm of “Coraline”. I can’t wait to see what they are going to deliver next. If for nothing else, this film deserves to be seen just to dignify how much work was put into it.

Official Premise: From the makers of Coraline comes the story of Norman, a boy who must use his special powers to save his town from a centuries-old curse. In addition to spooky zombies, he’ll also have to take on unpredictable ghosts, wily witches and, worst, of all, clueless grown-ups. But this young ghoul whisperer will soon find his paranormal activities pushed to their otherworldly limits. Featuring the voice talents of Kodi Smit-McPhee, Anna Kendrick, Casey Affleck, Christopher Mintz-Plasse, Leslie Mann, Jeff Garlin and John Goodman, it’s a frightfully funny tale for the whole family.

This releases does come within a very nice combo pack with a Blu-ray, DVD, Digital Copy discs and even Ultraviolet Digital Streaming Copy. The 1080p transfer still looks sharp and really pops with the very colorful film.  Though I still feel that it works better in 3D.  The film itself is actually quite action packed and does comes with a decent DTS-HD Master Audio 5.1 audio track.  The special features are good and worth checking out if you enjoyed the film.  Starting off, there is a very informative commentary track with Director Sam Fell and Writer/Director Chris Butler. Next we have, “Preliminary Animatic Sequences” again with commentary from Director Sam Fell and Writer/Director Chris Butler. “Peering Through the Veil” is a look into the world created for this film including the town and the characters.  Lastly there are seven short featurettes spotlighting Norman and his extraordinarily unusual costars.

Actors: Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway, Tom Hardy
Directors: Christopher Nolan
Rated: PG-13 (Parental Guidance Suggested)
Studio: Warner Bros. Pictures
Release Date: December 4, 2012
Run Time: 165 minutes

Film: 4.5 out of 5 stars
Extras: 4 out of 5 stars

Prior to the release of “The Dark Knight Rises”, there were many questions that were being asked.  Most importantly “Could it actually be better “The Dark Knight”? Well, the answer is no but it is still fantastic and easily one of the best films of the year.  “The Dark Knight” exists in a world entirely of it own.  It is by far the best superhero movie to date, yes even better than “The Avengers”.  “The Dark Knight Rises” does provide a very satisfying ending to a fantastic trilogy from Christopher Nolan.  I am sure some might disagree but I was left very happy with how the events came together in this film.  But I have to give Tom Hardy the coolness award since Bane was easily my favorite part of the film and no, his voice was not a problem for me at all.  In fact, his voice was one of the factors that I loved the most. Speaking of voices, I am also glad that Bale calmed down his Batman voice, so it is not so cowlI saw this film in IMAX and though it is a hard act to follow the Blu-ray presentation is extremely impressive as well.

This releases comes in a three-disc set including two Blu-rays and one DVD.  There is also a Ultraviolet digital  streaming copy included. Warner Bros’ 1080p transfer does look stunning, as I started to say above.  The most important factor is that the switch between traditionally filmed sequences presented at 2.40:1 and 70mm IMAX scenes presented at 1.78:1 are seamless. Though, I was impressed most with the audio on the film.  Literally my surround sound was pumping with this DTS-HD Master Audio 5.1 surround track. I wasn’t a major fan of Hans Zimmer’s score prior to this but I was really digging it on this Blu-ray.  I see myself revisiting this score again now. Overall easily, one of the best Blu-ray presentations of the year!

Before we get to the special features, I would like to quickly mention that Warner Bros has just released the new “The Dark Knight Rises FX” app, which is jam-packed with some really cool features including being able to shoot their own video and have the Camo Tumbler drive through it; put themselves in the Camo Tumbler in a photo. You can also impose yourself into The Dark Knight Rises “RISE” poster and also place the mask from Batman, Bane or Catwoman onto your own photo. This is highly recommended for all fans of the film. The app is free and available now from the App store and is compatible with 4th generation iPod touch devices, iPhone 4, iPad2 and the New iPad. Check it out, here.

The special features are impressive and a really step up from fellow-superhero Blu-ray release “The Avengers”.  Most of the extras of located on the second Blu-ray with the exception of “The Second Screen Experience”, which allows allows you to sync your device with the Blu-ray for additional content. The first feature on the second disc is quite the whooper filed under “Production”, running just over an hour.  It is consisted of twelve featurettes including  “The Prologue: High-Altitude Hijacking,” “Return to the Batcave,” “Beneath Gotham,” “The Bat,” “Batman vs. Bane,” “Armory Accepted,” “Gameday Destruction,” “Demolishing a City Street,” “The Pit,” “The Chant,” “The War on Wall Street” and “Race to the Reactor.”   They feature Christopher Nolan along with cast and crew as they dig deep into the film’s production. “Characters” are broken down in two three featurettes, totally about 30 minutes, including “The Journey of Bruce Wayne,” “Gotham’s Reckoning” (Bane) and “A Girl’s Gotta Eat” (Selina Kyle).  “Reflections” consists of two features including “Shadows & Light in Large Format” which focuses on Wally Pfister role and “The End of a Legend” looks into the end of this trilogy. “The Batmobile” is an awesome piece on of the coolest aspects of Batman…his car, it also runs just sign of an hour. Lastly there are four theatrical trailers summing up this release.

Official Premise: The Dark Knight Rises” is the epic conclusion to filmmaker Christopher Nolan’s Dark Knight trilogy. It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act. But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous, however, is the emergence of Bane, a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again, Batman may be no match for Bane.

“The Dark Knight Rises” available on Blu-ray Combo pack, DVD and for download 12/4!
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Starring: Jennifer Hale, Tress MacNeille, Rob Paulsen, Corey Burton, Holland Taylor, Susanne Blakeslee
Directors: Frank Nissen, John Kafka
Number of discs: 3
Rated: G (General Audience)
Studio: Walt Disney Studios Home Entertainment
Release Date: November 20, 2012
Running Time: 73 / 70 minutes

Cinderella II: Dreams Come True: 2.5 out of 5 stars
Cinderella III: A Twist in Time: 3.5 out of 5 stars
Extras: 2 out of 5 stars

How can you follow up to wonderful and timeless story of “Cinderella”. “Cinderella II: Dreams Come True” is a poor excuse for a sequel to one of the best fairy tale stories ever. The animation really is poor and really shows it’s direct-to-video roots. To be honest, I wouldn’t purchase this if it wasn’t in a combo pack. “Cinderella III: A Twist in Time” is a much better follow-up.  It delivers a really nice twist on the classic story and also packs some really fun songs. This film does make this release worth the purchase and I would just take “Cinderella II”, as a bonus feature.  In terms of delivery, “Cinderella II & III” are presented on one Blu-ray disc, while each film is also available on their own individual DVD. Overall, I would recommend this for probably only hardcore Disney fans!

“Cinderella II: Dreams Come True”: As a newly crowned princess, Cinderella quickly learns that life at the Palace – and her royal responsibilities – are more challenging than she had imagined. In three heartwarming tales, Cinderella calls on her animal friends and her Fairy Godmother to help as she brings her own grace and charm to her regal role and discovers that being true to yourself is the best way to make your dreams come true.

“Cinderella III: A Twist In Time”: Princess Cinderella is living a charmingly perfect life until her stepmother gets her hands on Fairy Godmother’s magic wand. With a wicked spell that turns back the clock, she erases the Prince’s memories of the girl he met at the ball and shatters Cinderella’s happily ever after! Jaq and Gus scurry to save the day before time runs out. But was it all really just a dream in Cinderella’s heart, or will true love triumph over all?

Despite being pretty bad, “Cinderella II: Dreams Come True” still looks the best it ever has on Blu-ray with its 1080p transfer and its 1.66:1 aspect ratio. “Cinderella III: A Twist In Time” also looks fantastic with its 1080p transfer and its 1.78:1 aspect ratio. Both films also sport a nice DTS-HD Master Audio 5.1 surround track. The special features do not add much to this release. There is a feature called “Becoming a Princess” which is included in a two-part feature. The 1st Edition is with “Cinderella II” and 2nd Edition is with “Cinderella III” and both are new features for this release. They takes you through princess school and the process of being transformed into a Disney Princess. “Musical Magic” looks into the songs in the “Cinderella 2”. Lastly, there is a music video for the song “Put It Together”.

Motorhead
“The World is Ours- Vol. 2- Anyplace Crazy as Anywhere Else”
Motorhead Music
Producer: David Pattenden
Music Tracks: 28
DVD Tracks: 28

Our Score: 4.5 out of 5 stars

Motorhead are back with a brand new live CD/DVD/Blu-Ray release titled “The World is Ours- Vol. 2- Anyplace Crazy as Anywhere Else”. The release features 2 audio CD’s and both the DVD and Blu-Ray formats of the concerts featured on the audio discs. Produced by David Pattenden and released via Motorhead Music “The World is Ours- Vol. 2- Anyplace Crazy as Anywhere Else” is jammed packed with one louder goodness from start to finish.

Picking up where the bands 2011 live release “The World is Ours- Vol. 1 Everywhere Further Than Everywhere Else” left off Vol.2 takes things a step further with the big bonus being the 4 disc packaging which includes both standard DVD and HD Blu-Ray formats of the concert footage. The release includes performances from the bands 2011 Wacken Open Air Festival, Sonisphere and Rock in Rio appearances. Though the track listings of Vol. 1 and 2 are quite similar there is still enough different material contained on Vol. 2 to make it worth picking up. A definite nod should be given to mixer Cameron Webb who did a wonderful job with each of the 28 tracks. Songs such as “Iron Fist”, “The Chase is Better Than the Catch” and “Killed by Death” jump out of the speakers making you feel like you are in the front row. Lemmy’s vocals sound crisp and clear which only adds to the listening experience. When it comes to the video portion of the release be prepared to go to 11. Both DVD and Blu-Ray versions of the corresponding shows feature stunning visuals and great camera angles which capture all the non-stop action from both the band and the audiences view points.

Though I would have liked to have seen more in the way of special features in the video portion and possibly a bit more variation in the set lists the release is still a really great package plus I don’t think you can ever go wrong with multiple versions of “Ace of Spades” being included on the same album. If you want the live Motorhead experience without leaving the comfort of your living room “The World is Ours- Vol. 2- Anyplace Crazy as Anywhere Else” is going to be about as close as you can get.

Disc 1 CD Track Listing:
Wacken Open Air Festival
1.) Iron Fist
2.) Stay Clean
3.) Get Back in Line
4.) Metropolis
5.) Over the Top
6.) One Night Stand
7.) Rock Out
8.) The Thousand Names of God
9.) I Know How to Die
10.) The Chase is Better Than the Catch
11.) In the Name of Tragedy
12.) Just ‘Cos You Got the Power
13.) Going to Brazil
14.) Killed by Death
15.) Bomber

Disc 2 CD Track Listing:
Wacken Open Air Festival
1.) Ace of Spades
2.) Overkill
Sonisphere Festival
3.) Iron Fist
4.) I Know How to Die
5.) In The Name of Tragedy
6.) Killed by Death
7.) Ace of Spades
8.) Overkill
Rock in Rio
9.) Stay Clean
10.) Over the Top
11.) The Chase is Better Than the Catch
12.) Going to Brazil
13.) Killed By Death

DVD/Blu-Ray Track Listing:
Wacken Open Air Festival
1.) Iron Fist
2.) Stay Clean
3.) Get Back in Line
4.) Metropolis
5.) Over the Top
6.) One Night Stand
7.) Rock Out
8.) The Thousand Names of God
9.) I Know How to Die
10.) The Chase is Better Than the Catch
11.) In the Name of Tragedy
12.) Just ‘Cos You Got the Power
13.) Going to Brazil
14.) Killed by Death
15.) Bomber
16.) Ace of Spades
17.) Overkill

Sonisphere Festival
1.) Iron Fist
2.) I Know How to Die
3.) In The Name of Tragedy
4.) Killed by Death
5.) Ace of Spades
6.) Overkill

Rock in Rio
1.) Stay Clean
2.) Over the Top
3.) The Chase is Better Than the Catch
4.) Going to Brazil
5.) Killed By Death

Bonus Feature:
Festival Impressions W:O:A

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Noah Hathaway is know best for his film roles in “The Neverending Story” and “Troll” and TV roles in “Battlestar Galatica”. He is returning to film after a long break with his new amazing film “Sushi Girl” playing the role of Fish. Media Mikes had a chance to chat with Noah about his role in this film and what we can expect from the role and what he has planned next.

Mike Gencarelli: After such a long break from TV/film, why did you come back for “Sushi Girl”?
Noah Hathaway: I was living in Amsterdam with my now ex-wife.  I was tattooing, chilling and happy there. I am not crazy about the cold weather but the rest of Amsterdam is pretty awesome. We are talking about possibly going back to LA for pilot season that year but nothing serious.  A couple weeks later I got an email at 3am on Facebook from this producer.  He was asking if I would be interested in doing a movie with Tony Todd, Sonny Chiba and Mark Hamill.  Growing up with the films from Tony and Mark is amazing but when you are a lifelong martial artist and somebody asks you if you want to do a film with the closest living thing to Bruce Lee, I don’t know about you but I say “Yes!” [laughs].  We Skyped a quick couple page audition and I am sure the director wanted to make sure I could still read well.  Literally I was on a plane 6-7 hours later to start shooting.

MG: What did you enjoy most about playing the role of Fish?
NH: I liked that the Fish was kind of the innocent out of everybody.  The rest of them had this hard criminal past or experience, some more than others.  He wasn’t a good guy but still the most innocent out of the group. They gave some room to play around a bit and have some fun with the character.  It is a gangster movie and I love those.  The script was tight and exciting.  It also gives people a chance to get invested in more than just one character.

MG: You role is quite physical; tell us about the make-up effects used?
NH: We probably had about five hours of prosthetics used for a few days after the scene with Andy Mackenzie. Not going to give it away…after the stinky sock scene [laughs]. But they were really great instead of having me come to set; they would come to my hotel room at like 3am, wake me up and start the makeup. Prosthetics are not really my favorite thing but I was able to just nap in the chair.

MG: When we interviewed Mark Hamill, he commented on your “blood-curdling screams”; how did you channel that?
NH: When we were shooting it, the line producer, the camera girl and one of the assistant actually had to leave the set since it was so difficult to watch.  The screams that were coming out of my mouth were so horrid. They just left the set and couldn’t take it. Mark kept getting mad at me saying that I was going to ruin my voice. I said “Yeah, but I will win the Scream award for Best Scream but what do I give a shit”. [laughs] When you say “blood-curdling screams”, everyone was kind of freaked out when I let these out.  They just sounded so real and horrific. I did fuck my throat up for a good couple of months as well, I sounded like a pubescent boy. But it worked great with the ladies [laughs].

MG: How was it collaborating with such a fantastic cast?
NH: It is a weird movie to be involved in where you actually really like the people and want to spend time with the people you just worked with. That is a rarity. You hear so many horror stories with huge celebrities that won’t talk to each other.  We are still hanging out on weekends for BBQ’s. I am having the fight at my house this weekend with Tony, Jimmy (Duval), Andy, probably Mark and a bunch of the other guys including the director Kern (Saxton).  We are planning to just hang out have some drinks and watch the fight…and this is a year and a half later!

MG: I have a really this film is destined to become a instant cult classic; after being involved with “Troll” and “The Neverending Story”; How can you reflect?
NH: I think I have just been lucky that having done some movies that have stood the test of time. I think that this is a cool enough movie that it will do the same thing. It might not make a gazillion dollars but it will be one of those movies that people talk about and watch over and over.  Ten years down the line I can see people saying “Man, remember that fucking scene from “Sushi”?” I think it will be one of those films. I think it all goes back to the quality of the directing and writing and a little bit of everything.

MG: What else do you have planned next?
NH: I did a short film for Tom Holland, who directed the original “Fright Night”.  He is coming out with his “Twisted Tales”, which is like “Twilight Zone”.  So I did the first one, which he thinks is his personal favorite. They are putting it through the festival circuit now and it is called “Boom”.  I play a retired Iraq bomb disposal grunt, who is losing his mind and accuses his wife and best friend of having an affair. I have movie also that I did with Jimmy Duval, that he provided called “Blue Dream” now; it’s had like five titles. So I have got a few things coming out but I am just really excited for “Sushi Girl”.  I have a feeling that people are really going to dig it.

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Starring: Bradley Cooper, Jennifer Lawrence and Robert DeNiro
Directed by: David O. Russell
Rated: R
Running time: 2 hours 2 minutes
The Weinstein Company

Our Score: 4 out of 5 stars

Let’s say you come home early and are surprised to find your wife in the shower. With another man. What would you do? If you’re Pat Solitano, Jr. (Cooper) you beat the hell out of him. Of course you now find yourself out of a job, out of a wife and spending eight months in a mental facility. But now you’re going home, which means things are bound to get better. Right?

Based on the novel “The Silver Linings Playbook” by Matthew Quick, “Silver Linings Playbook” is a sharp and smart mixture of tears and laughter, both happy and sad. The story follows Pat, Jr. as he begins his life while moving back in with his folks; mother Dolores (“Animal Kingdom” Oscar nominee Jacki Weaver) and father Pat Sr. (DeNiro – no introduction needed). Seems pop is a diehard Philadelphia Eagles fan and runs a successful bookmaking racket out of his kitchen. Once home Pat, Jr. begins jogging and reading books his wife, also a teacher, has taught, hoping that when she sees him paying attention to both his mind and his body she will take him back. He is also introduced to Tiffany (Lawrence), a young woman whose policeman-husband recently died. Tiffany also has problems and the two of them become friends while working towards a mutual goal. A goal that is important to both.

Packed with real life moments and sometimes brutal honesty, “Silver Linings Playbook” will, I’m sure, always be remembered as the film in which Bradley Cooper made the jump from former “Sexiest Man Alive” to top notch actor. Even in roles in films that don’t include the word “Hangover” in their title, Cooper has always managed to hide just a little bit behind his smile and blue eyes. But here he is stripped naked, emotionally, and gives a performance that is sure to be on the short list of Oscar nominees this year. Also surprising is the gift of comedy that Lawrence possesses. Having gone from unknown actress to Oscar nominee to “The Hunger Games” in what seemed like a blink of an eye, Lawrence shows herself a master of timing and plays off Cooper brilliantly. DeNiro and Weaver also breathe life into what could have been very clichéd and overdone performances.

Writer/director Russell, whose last film, “The Fighter,” also dealt with some dysfunctional family moments, continues to grow as a storyteller. Here he places his camera directly into the moment, allowing the viewer to experience the characters first hand. The script is solid, with only a few moments that don’t ring true.

Kaitlyn Maher is only 8-years old but she has already accomplished so much. She started at the young age of 4 on TV’s “America’s Got Talent”. She has worked with Disney on “Santa Buddies”, “The Search for Santa Paws”, “Treasure Buddies” and most recently “Santa Paws 2: The Santa Pups”. She has a beautiful voice and gets to sing some really nice songs in her latest film. Media Mikes had a chance to chat with Kaitlyn about her films and spreading the Christmas spirit.

Mike Gencarelli: This is your fourth role in the Disney Buddies series, how did you originally get involved?
Kaitlyn Maher: Lorna Johnson, the casting director, saw me on “America’s Got Talent” when I was 4-years old. From there she cast me for role of Tiny in “Santa Buddies”. Then they liked me and the director, Robert Vince cast me in “The Search for Santa Paws” and so on…

MG: What did you enjoy most about working on “Santa Paws 2: The Santa Pups”?
KM: Everybody was really, really nice. I liked working with the director, Mr. Robert Vince. Cheryl Ladd is very sweet, wonderful and so very nice. I really enjoyed working with her. Also we shot the film in mountains of British Columbia and we were surrounded by mountains and snow.  It was just really pretty.

MG: How does it compare from your role in “The Search for Santa Paws”?
KM: They both are great movies and both share the Christmas spirit. They both share that message to deliver the Christmas spirit to everybody everywhere.

MG: After three Christmas themed film, is it safe to say that it is your favorite holiday?
KM: I love Christmas. It probably is my favorite holiday. I love to share the joy and spirit of Christmas with everyone, especially with those people that are having a rough time. I want to tell them that they are meant to be happy and to keep believing. God loves them and I love them too.

MG: Tell us about the songs in “Santa Paws 2: The Santa Pups”?
KM: They are very inspiring songs. I love all of the songs. They are songs that you can spread the Christmas spirit with everybody. It also makes the movie really fun. It also makes me smile that other people will be able to enjoy these songs as well and it will get into the Christmas spirit. The songs also promote the true meaning of Christmas for everyone.

MG: What do you enjoy most about music?
KM: I just love making people smile and making others feel happy and loved. I also like to make them know that God loves them even if they don’t feel like it.

MG: What do you most about doing voice work in the film “Santa Buddies” and “Treasure Buddies”?
KM: It is a lot of fun going in the studios and recording. It is nice to imagine what it would be like to voice a camel and a puppy in real life. Though I don’t think I look anything like a camel [laughs].

MG: What do you have planned next? How about a new album?
KM: I have a TV show that is coming out in the Spring called “The Goodwin Games” on Fox. Yes, I will also be doing a new CD next year. I am really excited about that. I really want to give people a lot of encouragement and I want make a really inspiring CD.