Alfred Hitchcock’s “The Birds” to Invade Omaha

On Friday, November 7th, Film Historian Bruce Crawford will present his 35th Classic Film Tribute by hosting a screening of Alfred Hitchcock’s “The Birds.” Crawford’s special guest that evening will be actress Tippi Hedren, star of the film as well as Hitchcock’s next film, 1964’s “Marnie.”

As with most Classic Film Tributes, artist Nicolosi has designed a commemorative U.S. Postal Envelope honoring the film and it will be unveiled at the event. The envelope will be available for purchase by fans and both Miss Hedren and Nicolosi will autograph it.

Crawford has brought many classic films to Omaha over the years, pairing each one with a special guest star. Recent films (and guests) include “Jaws” with Carl Gottlieb, “Young Frankenstein” with Cloris Leachman, “The Miracle Worker” with Patty Duke and “The Great Escape” with David McCallum.

The screening will be held at the beautiful Joslyn Art Museum, 2200 Dodge Street, Omaha, Nebraska. Tickets are now on sale and available locally at all Omaha Hy Vee Food Store customer service counters. Proceeds from the screening will benefit the Nebraska Kidney Association.

For more information, call 402-932-7200 or visit www.omahafilmevent.com

You Can Be The Kansas City Alamo Drafthouse Movie Host


Media Mikes loves the Alamo Drafthouse. It’s our theatre of choice in Kansas City and where we record our weekly “Behind the Mikes” Podcast. That’s why we’re spreading the word that the Kansas City Alamo Drafthouse is looking for a fun, knowledgeable movie fan to help host their many Girlie Nights and Action Pack Quote-Alongs! Interested movie fans can submit video links of themselves introducing a film, and top contenders will compete for a public vote to take home the gold. Job responsibilities include speaking in front of large crowds, promoting events via social media, and enthusiastically operating a confetti cannon. After all, what’s a party without a mess?

If you think you have what it takes just send a sample video to [email protected]. Video submissions will be accepted through Monday, October 20, 2014 and the winner notified on October 27. Good luck, and tell Ryan we sent you!

 

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Film Review “The Judge”

Starring: Robert Downey, Jr., Robert Duvall
Directed by: David Dobkin
Rated: R
Running time: 2 hours 21 mins
Warner Brothers

Our Score: 5 out of 5 stars

“The Godfather: Part II,” “Network,” “The Natural,” “Falling Down.” What do these films have in common? They all feature performances by Robert Duvall that amazingly were NOT nominated for an Academy Award. I decided some time ago that, in my opinion, Robert Duvall is the greatest film actor of all time. Don’t believe me? Watch “The Great Santini.” Or “The Apostle,” which Duvall also wrote and directed. Then tell me I’m wrong. Those two films earned him two of his six Oscar nominations and he won the Best Actor Oscar for 1983’s “Tender Mercies.” He should earn his seventh nod shortly thanks to his performance in “The Judge.”

Hank Palmer (Downey, Jr) is the stereotypical “fat cat” lawyer. Big house in the suburbs. Drives a Ferrari. And has no problem defending clients who…well, let’s just say that not always guilt free. When an opposing attorney asks him why he never defends an innocent client, Hank replies that “an innocent man can’t afford me.” When his mother passes away, Hank leaves his high-style Chicago lifestyle for a trip back home to small town Indiana. Back to his family. Back to the Judge.

Flawlessly directed and skillfully acted, “The Judge” joins last week’s “Gone Girl” on this year’s short list of worthy Oscar contenders. With no love lost between them, Judge Joseph Palmer (Duvall) and his middle son are like oil and water. When Judge Palmer is involved in a hit and run accident – it doesn’t help that the man killed had once appeared before the judge and held a grudge – Hank must go to the mat to keep his father out of prison. Whether he’s innocent or not!

Duvall and Downey, Jr. are outstanding. Both men would certainly be recognized come Oscar time if I was in charge. Constantly finding just the right thing to say to twist the imaginary knife just a little more, the two bicker more than an old married couple. But, like that couple, there is also a mutual respect and love that they keep hidden in their emotions. As oldest son, Glen, Vincent D’Onofrio tries to be strong, though he still nurses a distrust of Hank and his efforts. Jeremy Strong plays youngest brother Dale, a young man who never goes anywhere without his Super 8 camera, with a gentle sweetness. Vera Farmiga is strong as a woman from Hank’s past while Billy Bob Thornton oozes with oil as the special prosecutor sent to bring Judge Palmer to trial. There isn’t a false note in the bunch. What is most surprising is the way the film is crafted by director Dobkin. A veteran of such comedies as “Shanghai Knights,” “Wedding Crashers” and “Fred Claus,” this is not a film I would expect from him. Though a tad too long, Dobkin manages to keep the film moving, only revealing something new when the time is right. The pace never drags and Dobkin has delivered a first rate dramatic debut!

 

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Win Advance Passes to The Kansas City Premiere of Jason Reitman’s “Men, Women and Children” [ENDED]

Media Mikes has teamed up with Paramount Pictures to give (50) readers a chance to win a pass for (2) to attend the Kansas City premiere of the new film “Men, Women and Children.”

All you have to do is go to http://l.gofobo.us/M150z27Y and register. On October 12, 2014, (50) random entrants will be selected and notified by email. Good luck!

SCREENING INFORMATION
Tuesday, October 14, 2014
7:30 p.m.
Tivoli Cinema
Kansas City, Missouri

Opening Date: Friday, October 17, 2014
Official Website: www.MenWomenChildrenMovie.com
Facebook: www.facebook.com/MWCmovie
Twitter: @MWCMovie #MWC
Rating: Rated R for strong sexual content including graphic dialogue throughout-some involving teens, and for language.

Synopsis:
MEN, WOMEN & CHILDREN follows the story of a group of high school teenagers and their parents as they attempt to navigate the many ways the internet has changed their relationships, their communication, their self-image, and their love lives.

 

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Film Review “The Equalizer”

Starring: Denzel Washington, Chloe Grace Moretz
Directed by: Antoine Fuqua
Rated: R
Running time: 2 hrs 11 mins
Columbia

Our score: 4 out of 5 stars

Robert McCall is a man set in his ways. Dealing with an obvious case of OCD, McCall (Washington, never better) spends his days working at the local home improvement store. The rest of his time is spent either in his apartment, where he constantly times himself while washing dishes or getting dressed or at a local diner, where he arranges the silverware “just right” and brings his own tea. A quiet man, McCall offers advice and help to those that ask. “Progress, not perfection” is his motto. Just your regular, ordinary guy, right?

Sharply directed, and bloody as hell, “The Equalizer” returns Washington to “Training Day” territory, which makes sense since both films share the same director. Robert is a man with a past, one that he’s tried to keep hidden. But when one of his few friends (Moretz, a high class prostitute with dreams of becoming a singer) is hurt he becomes a one man wrecking crew, taking down pretty much every bad guy in Boston in the most violent ways. But the violence is not gratuitous. It’s there to show the man that McCall once was, not the man he is now. His demeanor never changes as he confronts his enemies and dispatches them. “What do you see when you look at me,” McCall is asked by the enforcer of the Russian gangster he has infuriated. “I don’t know,” he replies cooly. “What do you see when you look at ME.”

Washington is surrounded by a cast that compliments his performance. Moretz is vulnerable as the young girl who can only dream of a better life while, on the other side of the spectrum, Marton Csokas (who could easily pass as Kevin Spacey’s taller, older brother) is cool and calculated as the mob’s enforcer. When he and McCall face off verbally it’s like a prizefight that ultimately ends in a draw. Neither man will throw in the towel and their final confrontation is the equivalent of the last round, with each man needing a knockout to win!

There’s not a lot I can say about Denzel Washington that hasn’t been said before. I’ve been a fan of his ever since the film “Carbon Copy” and one of the highlights of my life was getting to speak with him for about 10 minutes in New York City shortly after he received his first Oscar nomination (for “Cry Freedom”). And even though he spelled my name wrong on the autograph he gave me (it’s A-E-L) he has always remained one of my favorite actors. His work here only adds to his already distinguished resume’.

 

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Win Tickets to Kansas City Advance Screening of “The Good Lie” [ENDED]

MediaMikes has teamed up with Warner Brothers to give (50) readers and a guest to attend the upcoming advance screening of the new film “The Good Lie.”

The screening will be held on Tuesday, September 30, at the Cinemark Palace on the Plaza in Kansas City, Missouri. “The Good Lie” is an uplifting story with a Kansas City connection. The film opens on Friday, October 3.

Just go to: http://l.gofobo.us/UQD0OmV8. The first (50) visitors will receive a pass for (2) to this screening. Good luck!

Screening Information
Tuesday, September 30, 2014
Cinemark Palace on the Plaza
7:30 p.m.

SYNOPSIS
A Sudanese refugee is taken in by a straight-talking American woman in their new home in the United States. After their village is destroyed and their parents killed by Northern militia, Sudanese orphans Theo, his siblings and other survivors make a difficult journey to a refugee camp in Kenya. Thirteen years later, the group get the chance to settle in the U.S. They are met in Kansas by Carrie Davis (Reese Witherspoon), who has been charged with finding them jobs. However, seeing how adrift they are in 20th-century America, Carrie endeavors to help them in rebuilding their shattered lives.

 

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Film Review “Ai Weiwei: The Fake Case”

Starring: Ai Weiwei
Directed by: Andreas Johnson
Not Rated
Running time: 1 hour 26 mins
International Film Circuit

Our Score: 5 out of 5 stars

A couple of years ago the film “Ai Weiwei: Never Sorry” gave many their first look at the man often referred to as the most influential artist in the world. Known as much for his politics as his talent, the film followed the career and life of the man before and after his rise to fame. A new documentary, which deals with the after-effects of Ai Weiwei’s “disappearance” courtesy of the Chinese government, has recently been released and it’s just as insightful and powerful as the artist himself.

The film begins as Ai Weiwei returns home after he has been held in confinement charged by the government with tax evasion. After almost 3 months away he is surrounded by journalists who hurl questions at him about his time away. Resignedly, the artist informs them that he “can’t say anything.” Now home, he spends his days quietly, spending time with his son. Whether meeting the neighborhood dog or picking vegetables from the garden, the two are inseparable. It is obvious that being away from his family has taken its toll.

We later sit in on a conversation between Ai Weiwei and his mother. Her husband had also been persecuted by the government and she sees many similarities in the way her husband and son have been treated, with one major difference. “It’s like living on the top of a wave,” she says, noting that if it was 1957 the Chinese government would have “already killed you.” While working on various art projects he quietly talks about his situation. He relates that when you are arrested by the government you are not allowed a lawyer…you cannot contact your family. It is like being kidnapped.

Because of his status, he is often besieged by foreign journalists, looking to get an interview. Not about his art, but about his ideas. They fawn over him, hoping to be the one to get the exclusive. But Ai Weiwei has learned that to say anything too negative could once again cost him his freedom. He is content to work in his studio or relax in his apartment. The view from his high rise windows include the United States Embassy right next door, a reminder of the freedom he longs for in his native country. A freedom he knows can be taken away in the blink of an eye.

Film Review “This Is Where I Leave You”

Starring: Jason Bateman, Tina Fey and Jane Fonda
Directed by: Shawn Levy
Rated: R
Running time: 1 hour 43 mins
Warner Brothers

Our Score: 4.5 out of 5 stars

Meet the Altman family. Judd (Bateman) just came home early to find his wife (Abigail Spencer) in bed with his boss (Dax Shepard). Oldest brother Paul (Corey Stoll) is doing everything and more to get his wife pregnant. Sister Wendy (Fey) is the family sounding board. And youngest brother Phillip (Adam Driver) is still the kid who has never grown up. When their father dies they are summoned by their mother Hilary (Fonda) to “sit Shiva” for seven days in the family home. It may turn out to be the longest week of all their lives.

An incredibly emotional ensemble piece, perfectly matching laughter and tears, “This Is Where I Leave You” is the first official Oscar contender of the fall. As the siblings spend time in the house they grew up in, their memories of their lives, both with and without their father, overtake them. A vulnerable Judd rekindles a friendship with an old flame (a perfectly cast Rose Byrne) while Phillip shows up driving a Porsche carrying his much older girlfriend – and psychiatrist – (Connie Britton). Paul, who helped his dad run the family’s sporting goods business, is appalled that he must now share it with his siblings while Wendy must deal with an old romance with the boy (Timothy Olyphant) across the street, a former shell of himself mentally due to a car accident. “Is it the whole world or just our family,” Judd asks at one point. Overseeing the brood, Mama Hilary (and her newly augmented breasts) does her best to have the answers to all of her children’s questions even though she has no one to help answer hers.

The cast is spot on perfect. Bateman and Stoll deliver as the two voices of reason while Fey shows a very little seen dramatic side. Fonda shows why she has been a star for almost 50 years (“Cat Ballou” came out in 1965). But the scene stealer here is Driver, who I was only familiar with thanks to small roles in “Lincoln” and “Inside Llewelyn Davis” and has a recurring role in the HBO comedy “Girls.” Every time he is on screen you can’t help but be drawn to his energy. Driver has a top-secret role in the upcoming “Star Wars: Episode VII” and my fingers are crossed that he’s playing Han Solo’s son. He has that roguish quality about him (like Harrison Ford did in the first film) that makes it almost impossible to dislike him.

As fall approaches the weather is changing and so are the films. I hope you take the opportunity to spend some time with the Altman family.

Kristian Hanson talks about his new film “Sledge”

In Sledge, Kristian Hanson plays a maniacal serial killer named Adam Lynch who, aside from believing he only exists in a movie or video game, truly believes he’s doing a good thing by slicing and dicing through teenagers. Hanson, who also wrote and directed the film, talked to MediaMikes.com about this fun horror-comedy.

Media Mikes: The film is only a couple of weeks away from release now, are you nervous? Excited? How much is riding on this for you?
Kristian Hanson: There is a part of me that is nervous because I have been promoting and talking about this film for two years now. The thing we said from day one with “Sledge” is that people will either love it or hate it due to the comedy aspect. Our little $800 film is finally going to be available to buy on DVD and rent on Netflix via DVD. As for how much is riding on “Sledge,” to be honest not that much. We say “Sledge” was our “film school” since John and I never went to school for this. “Sledge” was just a fun ride where we learned more then we could ever discuss.

MM: The film is getting good reviews online. Do you take much notice of reviews?
KH: I like to read every review when it pops up to be honest. I like to see what people like and don’t like about the movie. Some people love Adam Lynch (the slasher) and some say they wish he’d just shut up. Some love Alex (Dustin Bowman) and others cannot stand him. I am a movie fan first and everyone has their own opinion and I love to see what people loved or hated about the movie.

MM: How long did it take you to write the script – and when was that?

KH: It took me less than two days to write “Sledge” and it was back in June of 2012. We ended up filming “Sledge” at the end of August 2012 so it was a quick turnaround.

MM: Did you finance the film independently?
KH: Yes John (co-producer John B. Sovie II) and I financed it. Again it cost $800 so it wasn’t anything luxurious when it came to the filming process of trailers or anything. It was just a lot of fun with a whole lot of fake red sticky blood.

MM: The film is part horror, part comedy – did Wes Craven’s work inspire that tonal choice?
KH: Mr. Wes Craven will always be an inspiration with everything I do even if I don’t think about it consciously due to “Nightmare on Elm Street,” “Shocker” and so many other films. However, there are many influences in this regard and the biggest one influencing my sense of humor would actually be Kevin Smith from “Clerks” and now “Tusk” fame. I grew up watching his movies and he definitely helped shape what I find funny.

MM: The film is getting a lot of coverage online. Is the internet an important tool when marketing a smaller horror film like this?
KH: The internet is probably the best thing to have for a small film like this. After our first day of filming we made our first trailer and got it out online and people seemed to really enjoy it. The other side though is, everyone is marketing things constantly so people won’t necessarily look at your trailer or project anymore due to over saturation. That is why you have to be unique and that is what we tried to do with the talking wise ass slasher Adam Lynch.

MM: Sequel idea: “Sledge” goes to the swamp. You can call it “Sludge”!
KH: The sequel is already written and we intend to film it next August at the same time as we filmed the first movie and same location. Your title is funny but it will be called “SledgeD.” It is just another way to make fun of horror films who don’t come up with creative sequel names. We joke that if we made a third one it’ll be called “SledgeD-D!”

Film Review “Dolphin Tale 2”

Starring: Harry Connick, Jr., Ashley Judd and Morgan Freeman
Directed by: Charles Martin Smith
Rated: PG
Running time: 1 hour 47 mins
Warner Brothers

Our Score: 3 out of 5 stars

When we last left Winter the dolphin, she was swimming happily (thanks to her prosthetic tail) and had become an inspiration to handicapped people the world over. But that wasn’t the end of her story.

It’s been three years since Sawyer Nelson (Nathan Gamble) and Winter became national celebrities. The pair spend their days entertaining the many visitors to the Clearwater Marine Hospital (which has now become a mini-aquarium). As the film begins Winter is visited by Bethany Hamilton, the young surfer who lost her arm to a shark a few years ago (and has her own film, “Soul Surfer”). Things seem to be going well. But they’re not. Winter is getting moody. When her tank mate, a much older dolphin named Panama, passes away, the gang at the aquarium face a predicament. Find a new pal to keep Winter company or lose her to a Texas theme park.

The first “Dolphin Tale” film seemingly came out of nowhere and swam its way into the hearts of filmgoers, earning in excess of $70 million during its run. It was a well written story with an important message that families took to heart. And while the new film has its moments, it has some plot holes that keep it from really reaching the same heights as its predecessor, most of them centered on the film’s young cast. But before I go into them, let me clear up a few things. Like the first film, “Dolphin Tale 2” is based on some true events, most of them dealing with the dolphins featured. For fans of the first film, I should point out that there really IS no Sawyer Nelson. Winter was not rescued by a lonely 11-year old boy after washing up on a beach. She was saved after being caught in a fisherman’s net. And while it’s nice to have Sawyer (and Hazel, the 14 year old daughter of the hospital director) hanging out with the dolphins, they are just TOO smart and given way too much responsibility to be believable. If I was a trained marine biologist and my day had to begin by being lectured by a 14 year old on how to do my job I’d find another one in a minute! Just because we see a giant microscope and two thesauruses on Sawyer’s bookcase doesn’t make him Matt Hooper (inside “Jaws” reference). In one scene Hazel picks up Winter’s medical charts and begins diagnosing her blood work. And I’m sorry, but for two kids that work outside IN FLORIDA year round, neither of them can seem to get a tan. Casper the ghost isn’t as white as Hazel.

On the positive side, the film features some fun scenes featuring a nosy pelican and a giant sea turtle, as well as introducing us to a cute baby dolphin named Hope. Director Smith, who also wrote the script, does a good job in moving the film along. Younger children will enjoy the antics of the various animals involved and, like the first film, the end credits, showing handicapped children visiting and interacting with Winter, will bring a tear to your eye and a lump to your throat.

Win Passes to the Kansas City Screening of “The Maze Runner” [ENDED]

Media Mikes has teamed up with 20th Century Fox to give our Kansas City area fans a chance to see the new film “The Maze Runner” before anyone else.  The film, starring Dylan O’Brien, Kaya Scodelario and Thomas Brodie-Sangster, opens nationwide on Friday, September 19.  But you can win the chance to see it early.
All you have to do is go to www.gofobo.com/rsvp and enter the Code: MM5RZH.  Passes will be available through Saturday, September 13 or when they run out.
Screening information:
Tuesday, September 16, 2014
7:30 p.m.
Cinemark Merriam
Merriam, Kansas

Win a DVD of “Louder Than Words” [ENDED]

Media Mikes has teamed up with ARC Entertainment to bring you the new, uplifting film “Louder Than Words,” which will be released on DVD on Tuesday, September 9th.

The film, which stars David Duchovny and Hope Davis, tells the true story of the Fareri family, who turned a personal tragedy (the loss of their youngest daughter to a rare illness) into a goal to build place of hope for other families.

All you need to do is register below and you could win one of two copies of the film on DVD. This giveaway will remain open until September 19th. At the end, two random entries will be chosen and the winners notified by email. Good luck!

 

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“The Godfather” and “The Godfather: Part II” Coming to Kansas City

Talk about how times have changed! In 1972, thanks in part to several members of a pro Italian-American group, Francis Ford Coppola’s film “The Godfather” spent opening day playing to an empty theatre in Kansas City. According to Thomas Gialde, vice president of the Italian-American Unification Council of Greater Kansas City at the time, his group “strongly oppose a kind of prejudice the picture can cause.” He made these comments to reporters in the lobby of the Empire theatre.

Four decades later, the film, as well as it’s Oscar winning sequel, return to the scene of the crime. These days the Empire is better known as the Kansas City Alamo Drafthouse and this Sunday, September 7, the Alamo is presenting a double-feature performance of both films, beginning at 2:00 p.m. Tickets are just $15.00

Nominated for a combined (22) Academy Awards and winner of (9) Oscars, including (2) for Best Picture, “The Godfather” and “The Godfather: Part II” are still considered, forty-years after their release, to among the greatest American films ever made. If you haven’t seen them on the big screen here is your chance!

For more information visit:

http://drafthouse.com/movies/the_godfather_double_feature/kansas_city

www.Facebook.com/AlamoKansasCity

Twitter: @AlamoKC

Bill Smitrovich talks about “The November Man” & “Ted 2”

Bill Smitrovich is best known for his role as Drew Thacher opposite Patti Lapone, Kellie Martin and Chris Burke in the acclaimed television series “Life Goes On.” He also has one of the most recognizable faces on television or the big screen. Roles in “Miami Vice” and “Crime Story” led to work in such films as “Independence Day,” “Air Force One” and “13 Days.” Recently he’s appeared on “The Event,” “CSI: New York” and has just begun a recurring role on “The Last Ship.” He also co-starred in “Ted” and will begin shooting the sequel shortly.

His most recent film is “The November Man,” opposite Pierce Brosnan. We spoke on the phone in conjunction with the film and I found him to be a kind, soft-spoken subject. When we said our goodbyes he asked me to be sure I included his fellow co-stars when I mentioned “Life Goes On.” A true gentleman.

Mike Smith: Can you give us an introduction to your character in “The November Man?”
Bill Smitrovich: He’s a high-level CIA agent who once worked with Peter Devereaux (Brosnan). Devereaux is now in seclusion…in retirement, and I go in and pull him out to help us with an operation that his ex-wife is involved with. And the fun ensues (laughs). He needs to get a name from his ex-wife to complete his investigation but he runs into a lot of things in-between that cause problems.

MS: The film has a great cast and a first class director (Roger Donaldson). Was that what drew you to the project or was there something else?
BS: Absolutely! A lot of things drew me to the project. The role. The script. And particularly Roger, who I had done “13 Days” with. I was delighted to be able to work with him again. He’s such a great director. And the script, which kept getting better, especially afterRoger took a pass through it. And, of course, working with the great Pierce Brosnan. I loved it! We found out that we had so much in common and we’ve remained good friends. We even have our birthday in common (May 16th). Which was also the day I started filming, which is kind of strange. It’s almost divine because this particular filming experience was one of the best I’ve ever been involved with.

MS: Working with Brosnan, did you ever feel like you were double-oh eight (008)? I mean, you were trading shots with James Bond.
BS: I was shaken, but not stirred (laughs). You know, wherever you go with Pierce…all over the world…it’s the same reaction. People just love him. He’s a terrific guy to hang out with, and he’s a terrific actor. Besides Bond he’s done some terrific work on screen. And he’s also a wonderful painter, which I’ll bet you didn’t know.

MS: I was not aware of that! It’s been 20 years since “Life Goes On” left the air. Do you still hear from fans of the show?
BS: Oh yes, from time to time. Thanks to Facebook and social media, you really can’t get away from that. Not that I want to. I run into fans all of the time. Recently I was at Frank Lloyd Wright’s “Falling Water” in Pennsylvania. When we got done with the tour this really nice man came up to me. He was probably in his 50s and he was with his wife. He said, “I didn’t want to bother you during the tour but I just wanted to say that we’ve been fans of yours since “Life Goes On.” It really meant a lot to our family and I hope I’m not bothering you.” I always tell “Life Goes On” fans that they are among the very best fans. They are usually very humble. Very polite. Super compassionate and sincere people. I tell them that they are very nice people. And that they have very good taste! (laughs). “Life Goes On” was a very, very satisfying experience for me in many ways. I would get fan mail from siblings of children with Downs Syndrome. It was very special. The show was groundbreaking and I’m so proud to be a part of that. It’s something I’ll always cherish in my career.

MS: Since it’s been 20 years, do you know of any plans for a reunion film or special?
BS: I don’t think so. I don’t think that’s going to happen, unfortunately. It would have been nice. But with everything, there are often too many obstacles to put it all together. I would have loved to have done it. At one point I thought it would be fun to have a little movie with just Chris and I playing private detectives? We’re both out of work so we come upon the idea of becoming investigators undercover. It would have been funny. Because we would just hire people with handicaps. People that are blind have increased hearing. People in wheelchairs. They would blend in and no one would suspect them of being detectives.

“The November Man,” What else do you have coming up?
BS: I start filming “Ted 2” in September. I’m really excited about that. And “The Last Ship” on TNT. My character just appeared last Sunday and I hope to be on it next season when it gets picked up. The finale’ is coming up. It’s a great one. I’m liking it and people are liking it. I’m glad it’s finding an audience. We have things to do. We’re going to save the world.

Film Review “Life After Beth”

Starring: Aubrey Plaza, John C. Reilly and Dane DeHaan
Directed by: Jeff Baena
Rated: R
Running time: 1 hour 29 mins
A24

Our Score: 4 out of 5 stars

Zac Orfman is in mourning. His girlfriend, Beth Slocum, has died. Bitten by a snake while she went hiking alone, all Zac has now are his memories. And a scarf of hers, given to him by her parents (Reilly and Molly Shannon). His family, especially his older brother, Kyle (Matthew Gray Gubler), are insensitive to his feelings, mocking him for wearing the scarf around his neck. Upset he picks up a tray of Jello and heads over to the Slocum house, hoping to share his grief with those that will understand it. When Mr. Slocum is leery about letting him in he does a little investigating. And in the attic he discovers…Beth?

Not sure if this term has ever been used before so I’m going to call “Life After Beth” a very original “Rom-Zom-Com,” which translates to Romantic Zombie Comedy. Though the Slocums won’t like the word “zombie.” They prefer resurrected. Either way, Beth is back. As played by Plaza, she is unaware of her circumstances, conscious only of the things she knew before she died. Like she has to study for a test. This is how her parents keep her out of sight. When Zac discovers the situation he is sworn to silence, promising to never let Beth know of her circumstances. However, that’s a lot easier to promise than to actually do.

The cast is given some great situations thanks to a sharply written script by director Baena. This could have easily been a parody film or, if you felt for one minute that the cast wasn’t buying in, a disaster. But the actors maintain their characters and the various situations that they find themselves in only become funnier because of their commitment to the subject. DeHaan, who has always played brooding young men shows like “True Blood” and films like “Kill Your Darlings” is quite adept at physical comedy (as is Plaza) and does a fine job here. Reilly and Shannon do their best work together, arguing about what Beth can and cannot do and denying to themselves that something odd has happened. Plaza shines as Beth and her dedication to the role is what makes the film work so well. When Zac meets an old female friend Beth goes into a jealous rage, much worse than usual seeing as that she’s a zombie. As things (and Beth) begin to deteriorate the laughs continue. Yet, while you’re laughing you can’t help but feel sorry for all involved.

That being said, take a chance and go see what is now my favorite ROM-ZOM-COM!