Film Review “Zoolander 2”

Review by Mike Smith
Starring:
Ben Stiller, Owen Wilson and Will Ferrell
Directed by: Ben Stiller
Rated: PG 13
Running time: 1 hr 42 mins
Paramount
Our Score: 2.5 out of 5 stars

The film Zoolander is remembered for a couple of things. First, the awesome “pose” that is called Blue Steel. That is a good thing. It was also the first film to be released after September 11, 2001 in which images of the World Trade Center were digitally removed from the finished film. That’s a bad thing. Something tells me Zoolander 2 is going to be remembered for only one thing. And it ain’t good.

It’s been almost 15 years since we last saw Derek Zoolander. He had just finished building his school “for kids that can’t read good.” As we catch up to him now, he is a pariah, the school collapsing due to poor construction (Derek had the school built out of the same materials used to build the model – including popsicle sticks and rubber cement), killing his wife. He is soon found to be an unfit father and loses custody of his son. A mysterious designer has summoned Derek (Stiller) and Hansel (Wilson) to Rome to model a new line. Hoping it will resurrect their careers they jump at the chance. Sadly it doesn’t. They’d have been better off doing a sequel to a film that no one was asking for a sequel to.

No they wouldn’t.

I find it hard to believe that four people helped write this film. I’m thinking that three of them just wrote “put in awesome cameo here” on their pages. Unlike some films, like Anchorman, where the occasional cameo is not only expected but appreciated, this is like Anchorman 2, where there were so many cameos it took you out of the story. Zoolander 2 gives you, just off the top of my head, Keifer Sutherland, Susan Sarandon, Joe Jonas, Ariana Grande, Billy Zane and Benedict Cumberbatch as a model named “All.” Not that cameos are bad. But when they seem to be the one thing driving the plot – Justin Bieber, Susan Boyle, M.C. Hammer, Tommy Hilfiger and one of the Kardashian gals – it just becomes boring.

Stiller and Wilson give their all (it’s obvious that they enjoy working together), but it’s not enough to save this film. Their fans may like this film. I’d rather send them to the Derek Zoolander School for Actors Who Can’t Read Scripts Good.

Film Review “Deadpool

Review by Mike Smith
Starring: Ryan Reynolds, Ed Skrein and Morena Baccarin
Directed by: Tim Miller
Rated: R
Running time: 1 hr 48 mins
20th Century Fox
Our Score: 4.5 out of 5 stars

Sometimes you know a few minutes into a film what the tone is going to be. Deadpool sets it almost immediately when, during the opening credits, the Producer is identified as: SOME ASSHAT! Thank you, Mr. AssHat, for making one hell of a film.

One of the lesser known (to me anyway) of the Marvel Comic characters (think Spider-man in red without the webs), Deadpool (Reynolds) is a foul-mouthed fool who enjoys his work a little too much. And when I say “foul-mouthed,” I’m talking filthy. He makes Hit Girl in Kick Ass look like Little Miss Sunshine. Known to his friends as Wade Wilson, he earns his money by taking down local bullies. Things are going well for Wade. He’s just found the perfect woman of his dreams (Baccarin) when he learns he has cancer. He is offered a chance for the cure if he becomes part of a mercenary team. Instead he is greatly disfigured by the treatments he receives and decides to just disappear from those that love him (“please don’t make the suit green or animated,” he tells his handlers, pointing fun at Reynold’s last attempt as a hero, “Green Lantern”). If smart-assed sarcasm is your cup of tea, then Deadpool will quench your thirst.

As a character, Deadpool is unlike any “hero” you’ve ever seen. He has no qualms with blowing a bad guys head off with his pair of nine-millimeter pistols or cutting them off with his twin katanas, he’s mixing it up with both the on-screen baddies and the audience. Between breaking the fourth wall and dropping little “inside” quips – when told he needs to go see Professor Charles Xavier he asks, “Stewart or McAvoy?” If I have to explain that comment to you, stop reading now. You don’t want to see this movie.

A superhero film is only as good as the actor playing him and, if ever an actor was meant to play Deadpool, it is Ryan Reynolds. Ever since “Van Wilder” he has spent his career trying to re-capture that “smart-ass” charm. He fits the bill here perfectly. He is surrounded by some strong co-stars, including Skrein as a fellow mercenary and Baccarin who is as tough as she is loving. And I’m sure Stan Lee will agree with me when I say this is his “best cameo EVER!” Throw in a couple of X-men and you’ve got a damn good escape for the weekend.

Film Review “45 Years”

Starring: Charlotte Rampling and Tom Courtenay
Directed by: Andrew Haigh
Rated: R
Running time: 1 hr 35 mins
IFC Films

Our Score: 4 out of 5 stars

I love actors. When placed in the right mouths, words that may seem meaningless become poetry when those mouths open. Two of the best ever, at least in my generation, are Charlotte Rampling and Tom Courtenay. You may remember Rampling as the dishonest love interest of Paul Newman in ‘The Verdict” and Courtenay holding his own against Albert Finney (both men earning Oscar nominations) in “”The Dresser.” Three decades later these two are still at the top of their game in the new film “45 Years.”

Meet Kate (Rampling) and Geoff (Courtenay) Mercer. They are full of excitement as they prepare to celebrate 45 years of marriage. As Geoff was ill when year 40 rolled around, Kate has decided to make this event one for the ages, and the majority of their small town will be at the celebration But as the day approaches Geoff receives a mysterious letter from Switzerland. He learns that the body of Katia, his first love, has been discovered. She disappeared over 50 years ago. Due to the circumstances she is literally frozen in ice, as beautiful as she was the day she disappeared. Even though Geoff feigns a slight interest, it is evident to Kate that the news is effecting him. Investigating on her own, Kate discovers secrets that make her question not only Geoff’s love, but their marriage.

A film this small scale – there are very few cast members – is only as good as its cast and the two veterans deliver in spades. Rampling, still beautiful at 70 — I’m sorry….is that a sexist statement…like I shouldn’t expect her to be beautiful at this age — says as much with her expressions and mannerisms as she does her words. Courtenay is her acting match here, observing small things and affecting small changes in his life. It’s obvious to both that the mystery of Katia is something that will linger for a long time.

The film is slight as far as subject matter is concerned but the two stars keep the pace moving, with Rampling shining in an Academy Award nominated performance. A fine alternative if you’re tired of bears, both grizzlies and pandas.

Film Review “The Choice”

Starring: Benjamin Walker, Teresa Palmer and Tom Welling
Directed by: Ross Katz
Rated: PG 13
Running time: 1 hr 51 mins
Lionsgate Films

Our Score: 3 out of 5 stars

Lonely man making his way through life meets woman with a past. They fall in love. Something bad happens. If you’re thinking to yourself, “this sounds like something Nicolas Sparks would write,” give yourself a prize. And welcome to “The Choice.”

Travis (Walker) is apparently the world’s greatest veterinarian. Even though he lives in Wilmington, North Carolina his practice, which he shares with his father, provides enough money for him to live in a beautiful house on the water, where he barbecues on weekends when he’s not out in his cool boat. One night, during one of his barbecues, he is asked to turn the music down by Gabby (Palmer), a nurse studying for some medical exams. One thing leads to another and soon Travis and Gabby are fishing and boating and spending way too much time out in softly lit rainstorms. Things go well in the friend zone until Gabby’s wealthy M.D. fiancé’ (seriously, is there NOBODY in North Carolina that ISN’T wealthy?) has to go out of town for a month. The fact that he is played by Tom Welling means nothing to the pair and soon they have kindled a hot and heavy romance. Cue the music.

If you’re familiar with Nicolas Spark’s novels then you pretty much know what to expect going in to “The Choice.” What makes this film a notch above other cookie-cutter Sparks adaptations is a strong cast, particularly from the supporting actors. Of the three leads, Walker does the best. I enjoyed him as our 16th President in “Abraham Lincoln: Vampire Hunter,” and he credits himself here. Palmer tries to be the spunky girl but she can’t convince us that she has no interest in Travis. As for Welling…he has gotten HUGE. Too bad they’ve got Henry Cavil to play Superman because Welling looks like he could easily fill out the super-suit now. Supporting work by Tom Wilkinson, as Travis’ father, and Sharon McCormick, as their loyal receptionist, do make the film go by easier than expected. So if you “choose’ to see it with someone, let them know that it could be much worse!

Film Review “Two Rabbits”

Starring: Fernando Alves Pinto and Alessandra Negrini
Directed by: Afonso Poyart
Rated: Not Rated
Running time: 1 hr 41 mins
XLrator Media

Our Score: 4 out of 5 stars

“Nobody is bad. People just go the wrong way sometimes.”

Wisdom and reason, all in ten words. And the driving force behind the new film “Two Rabbits,” a film with so many twists and turns you’ll need to wear a seatbelt while watching it.

The basic story is redemption. The film begins with a horrible car accident which kills a woman and her son while they are walking across the screen. Through flashbacks we meet the people involved: the driver of the car, the woman’s husband, the local crime boss, his attorney and the attorney’s police officer wife. We soon learn that things are not as they seem. The wife, Julia (Negrini), finds mistakes in the police files or removes evidence, allowing her husband Henrique (Neco Villa Lobos) to get his high profile clients off in court. His current client is the evil Maicon (Marat Descartes), who will need all the help he can get if he wishes to be found not guilty. All of these people interact with Edgar (Pinto), a man with a past and, hopefully, a future. As the story progresses, things that seemed clear become blurred and people reveal themselves to be exactly what you DIDN’T think they were.

While director Poyart has written a strong script, one which could stand alongside “The Usual Suspect” as far as twists go, he double downs on the story with some amazing camera work. Portions of the film play like a straight-up thriller, others like a scene taken directly from the video game “Grand Theft Auto.” It’s a curious choice but one that works in Poyart’s hands. Poyart also served as the film’s editor, ensuring that the final vision is his. The cast is equally strong and as the plot slowly unwinds they roll well with the punches.

This is Poyart’s feature film debut as both a writer and director and it should be noted that his work here earned him the director’s gig on this fall’s upcoming mystery “Solace,” which will star Anthony Hopkins and Colin Farrell. I’m predicting no sophomore jinx for this filmmaker.

Writer/Director Justin D. Chambers Releases Advance Trailer for “American Bred”

Writer/director Justin D. Chambers has released an advance trailer for his upcoming film, “American Bred,” which will debut in March at the D.C. International Film Festival. MovieMike got an early peek at the film and loves it. Look for his complete review soon.

 

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Film Review “The Finest Hours”

Starring: Chris Pine, Casey Affleck and Holliday Grainger
Directed by: Craig Gillespie
Rated: PG 13
Running time: 1 hr 57 mins
Walt Disney Pictures

Our Score: 3.5 out of 5 stars

I’ve said it before and I’ll say it again…somewhere on the Walt Disney lot is a small office in which sits a little man not unlike Burgess Meredith in the “Time Enough At Last” episode of “The Twilight Zone” who does nothing but reads all day, looking for stories, new and old, about amazing events that leave the reader feeling good. It took him six decades but he finally found the story behind “The Finest Hours.”

It’s a cold day in February 1952 as the residents of the small town of Chatham, Massachusetts prepare for a storm. Among the locals is phone operator Vivian (Grainger) and her boyfriend Bernie Webber (Pine), who is stationed at the local US Coast Guard station. The townspeople are a little moody as they recently observed the one year anniversary of a horrible boating accident which killed many. Due to the weather conditions, the Coast Guard was not able to perform a rescue, and some in town still hold a grudge. It is when a similar incident arises, and Webber and his men are sent out into the storm, that old memories prove they do not die easily.

Based on a true story, “The Finest Hours” tells the tale of the four enlisted men who risked their lives in an attempt to bring back thirty-two survivors from a horrible accident in which their actual vessel broke in half. Led by Pine and Ben Foster, the brave military men are a strong and determined lot. Self-reminded of their failure the year before, the men go above and beyond to help. On the ship itself, the men are a motley crew of seasoned vets and young rookies. Let by Affleck’s chief mechanic, some are willing to listen while others distrust him. Then there is the ship’s cook who keeps things light by repeatedly singing “Sit Down, You’re Rocking the Boat” from “Guys and Dolls!”

Technically the film is top notch. The special effects are well done and the various period pieces take you back to a time in life when you couldn’t just pick up your cell phone and check in with others. Do save your money and don’t see “The Finest Hours” in 3D. This may very well be the “least” 3D movie of any 3D movie I’ve ever seen. You’d be better served with an umbrella.

Film Review “The 5th Wave”

Starring: Chloe Grace Moretz, Ron Livingston and Liev Schreiber
Directed by: J. Blakeson
Rated: PG 13
Running time: 1 hr 52 mins
SONY Pictures

Our Score: 1 out of 5 stars

The following plea is for Chloe Grace Moretz: “PLEASE FIND A NEW AGENT!”

After a promising career that began with great performances in such films as “Kick Ass,” “Let Me In” and “Hugo,” in the past couple of years she has starred in such stinkers as the remake of “Carrie” and the “I’m not dead, I’m in a coma” film “If I Stay,” which had the distinction of being, in my opinion, the worse film of 2014. Now, apparently, she’s decided to make my job easy by showing up in, what I’m sure will be, among the worse films of 2016.

Cassie Sullivan (Moretz) is your typical youthful high school girl. She likes to hang with her friends and holds a secret crush on the captain of the football team. But she’s also a good girl, coming home from parties before curfew and looking out for her little brother Sam (Zackary Arthur). Then the aliens come. The end! Sorry. Sadly, it isn’t that easy.

A film only in the sense that it’s being shown in theatres, “The 5th Wave” tells the story about what can happen when you reveal the BIG ending 20 minutes into the film and apparently forget what the words “continuity” and “believable” mean. As the title maintains, there are five waves. The first wave has alien craft hovering over various cities. The second takes out all sources of power. Then the Pharaoh declares that all first born male children are to be killed. Not really. Just seeing if you were paying attention.

How do I hate thee, “5th Wave?” Let me count the ways. Let’s begin with the jaw dropping idea that, when there is an imminent alien invasion, we will continue to send out children to school. When there is no more electrical power or running water we will continue to appear freshly shaved and newly bathed. And when the world does come to an end, the only thing worth salvaging will be Slim Jims. Actually, I like the Slim Jim idea. Director Blakeson (who only goes by his first initial, J – and can you blame him? If I was associated with this film I wouldn’t give my full name either) has cobbled together a hodgepodge of bad plot lines and stretched them out for almost two hours.

Sadly, the fault is not all his (or, for all I know, hers). I also blame the three screenwriters who created these horrible tropes. I can’t believe Akiva Goldsman helped write this thing. This is a man who won an Oscar for writing “A Beautiful Mind,” adapted two John Grisham novels for the screen and does great work for Ron Howard. Of course, he also wrote “Batman and Robin” and the upcoming FIFTH “Transformers” film. OK, maybe I can believe it. Speaking of Oscar, if they gave away an award for most continuity errors in one film, this baby would sweep the category. Just off the top of my head, here are three to look for:

1. While heading for a certain destination, Cassie remarks that she is 30 miles from her destination. After walking for a day or so she comes across a sign that tells her she is 43 miles away. At least the sign points her in the right direction. That being said, a couple days later, when she asks how far she is, the answer is now 60 miles.

2. Early in the film Cassie is given a gun, which she later fires until the slide locks, indicating the weapon is empty. Next time you see it, it’s fully loaded.

3. Remember when I said that all power (electrical, gas, etc) has been eradicated? Cassie comes across an abandoned Jeep on her travels and hops in to rest. Thankfully the dome light is working properly so she can see better.

If you’re still interested in the film, you’re a better person than I am. Pays your money and takes your chances. Don’t say I didn’t warn you!

“The Revenant” Leads the Nominations Released for the 88th Annual Academy Awards

Just one year after taking home the awards for Best Picture and Best Director for his film, “Birdman,” Alejandro G. Inarittu finds himself back in the race as his new film, “The Revenant,” led all films nominated today for the 88th Annual Academy Awards with (12) nods, including Best Picture and Best Director. The film also scored nominations for Leonardo DiCaprio for Best Actor and Tom Hardy for Best Supporting Actor.

George Miller’s “Mad Max; Fury Road” follows with (9) nominations, also including Best Picture and Best Director. Other Best Picture nominees, with their total nominations, include “The Martian” (7), “Spotlight” (6), “”The Big Short” and “Bridge of Spies” with (5) each, “Room” (4) and “Brooklyn” (3). “The Big Short,” “Room” and “Spotlight” also earned Best Director nominations.

Joining DiCaprio in the Best Actor race are Bryan Cranston (“Trumbo”), Matt Damon (“The Martian”), Michael Fassbender (“Steve Jobs”) and last year’s Best Actor winner, Eddie Redmayne (“The Danish Girl.”

The Best Actress race includes two previous winners of the award and includes Cate Blanchett (“Carol”), Brie Larson (“Room”), Jennifer Lawrence (“Joy”), Charlotte Rampling (“45 Years”) and Saoirse Ronan (“Brooklyn”).

Along with Hardy, nominees for Best Supporting Actor are Christian Bale (“The Big Short”), Mark Ruffalo (“Spotlight), Mark Rylance (“Bridge of Spies”) and Sylvester Stallone (“Creed”). With this nomination Stallone joins Cate Blanchett, Bing Crosby, Paul Newman, Peter O’Toole and Al Pacino as the only actors to be nominated twice for playing the same character. He was previously nominated as Best Actor in 1977 for playing boxer Rocky Balboa in “Rocky.” He also received a nomination that year for writing the script for the Oscar-winning Best Picture.

Best Supporting Actress is a mixture of veteran actresses and newcomers and include Jennifer Jason Leigh (“The Hateful Eight”), Rooney Mara (“Carol”), Rachel McAdams (“Spotlight”), Alicia Vikander (“The Danish Girl”) and Kate Winslet (“Steve Jobs”).

Joining Inarritu and Miller in the Best Director race are Adam McKay (“The Big Short”), Lenny Abrahamson (“Room”) and Tom McCarthy (“Spotlight”)

Nominees for Best Animated Feature are “Anomalisa,” “Boy and the World,’ ‘Inside Out,’ ‘Shaun the Sheep” and “When Marnie Was There.”

“Star Wars – Episode VII: The Force Awakens” earned (5) nominations, primarily in the technical categories.

For a complete list of nominees go to www.oscars.com. The 88th Academy Awards will be handed out on Sunday, February 28th.

Film Review “13 Hours: The Secret Soldiers of Benghazi”

Starring: John Krasinski, James Badge Dale and Pablo Schreiber
Directed by: Michael Bay
Rated: R
Running time: 2 hrs 24 mins
Paramount

Our Score: 4.5 out of 5 stars

There is a great sketch by Monty Python called “The Bookshop” where a man tries to buy books by authors with familiar names. But instead of Charles Dickens, he’s looking for Charles Dikkens (“Dickens with two k’s, the well-known Dutch author”). This sketch immediately came to mind as I watched “13 Hours: The Secret Soldiers of Benghazi,” which is credited as being directed by “Transformers” helmer Michael Bay. Surely, I thought, it must be Michael Baye (the well-known Dutch filmmaker).

Libya. Since the death of Dictator Muammar Gaddafi, the country has been in turmoil. Rival groups infiltrated and raided the various weapons warehouses that Gaddafi had well stocked and the country has become the 21st Century version of the Wild West. In the town of Benghazi there is a compound that holds 26 members of the C.I.A. They put their safety in the hands of a small group of men, contracted by the US government. Things start going crazy when it’s learned that the US Ambassador to Libya, Chris Stevens, will be visiting and staying at a nearby compound. The date is September 11, 2012.

Inspired by, and based on the stories of, several of the contractors that endured 13 hours of hell, “13 Hours” ranks with “Platoon” as a true depiction of what war really is. As the film begins we meet our heroes: Jack Silva (Krasinski), a real estate agent back for a much needed payday; Tyrone “Rone” Woods (Dale), a grizzled veteran of over a dozen missions hoping to make a better life for himself and Mark “Oz” Geist (Max Martini), a hulking man with a kind heart. With their fellow “brothers” they are prepared for anything and everything. Nothing is easy in Libya. Not going for a ride or taking a short walk. They share their duties with members of 17 Feb, an Islamist group that took up weapons after the fall of Gaddafi in hopes of saving their country. However, in a country where automatic weapons and rocket launchers have replaced vegetables at the outdoor market it’s hard to tell who your friend is and who your enemy is. Especially when your “friends” are “making $28.00 a day and have to bring their own bullets.”

Hats off to the cast. They were instructed by either their real-life counterparts or those that knew them and, like Bradley Cooper’s Chris Kyle in “American Sniper” or Mark Wahlberg’s Marcus Lutrell in “Lone Survivor,” they strive for realism in honoring the men they are playing. In fact one of the men, Glen “Bub” Doherty, was close friends with Brandon Webb, the sniper who trained both Kyle and Lutrell. There are no phony heroics here. War is scary as hell and the cast makes sure that mask of horror is front and center.

While the camaraderie of the men is the message of the film, it is the amazing 13-hour battle which is what you will remember. Each round of fighting, escalating and easing up, only to get steadily worse as the night goes on, is a nail-biting, edge-of-your-seat moment. And kudos to director Bay for not making this a typical “Michael Bay” film. There are no shots of men walking in slow motion through a cloud or fog. In fact, there is very little use of slow motion here at all. Only when he cribs the “money shot” from “Pearl Harbor”, following a mortar shell from the sky and all the way down until it hits its target, does he seem to be going for a little flash. Bay also leaves out a lot of the unnecessary politics that still surround this event. If there is fault to be assigned, there is plenty to go around, and Bay allows you to make up your own mind as to who to point your finger at.

 

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David Bowie, “The Thin White Duke”, Dead at Age 69

David Bowie, who as a singer, arranger, songwriter, producer, actor and painter, influenced countless artists for more than four decades, died yesterday, January 10, two days after his birthday. He was 69.

Born David Robert Jones on January 8, 1947 in South London, Bowie always had a fascination with music and spent his earliest years hoping to achieve fame. At age 15 he joined a band called the Konrads, but left them soon to join the King Bees. His first single, titled “Liza Jane,” was released as being recorded by Davie Jones and the King Bees. It was not a hit. He later left the group and joined two other bands, Mannish Boys and Lower Third.

In 1966, to avoid being confused with Monkee’s singer Davy Jones, he changed his name to David Bowie, taking his last name from the great American 19th century pioneer Jim Bowie, who died during the battle of the Alamo. Jim Bowie pronounced his last name “Boo-ee” but David went with the harder pronunciation. In 1969 a friend and he put together a promotional film, which included snippets from many of his songs, including “Space Oddity,” which would eventually hit the top 5 in England. The film was not released until 1984.

On May 30, 1971, Bowie and his wife, Angie, welcomed a son into the world, Duncan Zowie Haywood Jones, who for the first 12 years of his life, was known as Zowie Bowie! Today Duncan is a highly respected filmmaker (“Moon”). In 1972 Bowie radically changed his image, becoming a “space man” and releasing the album “The Rise and Fall of Ziggy Stardust and the Spiders from Mars.” That same year, singer Ian Hunter told Bowie that he needed one more song for his groups, Mott the Hoople, upcoming album. Legend has it that Bowie sat down on the floor and, in twenty minutes, penned “All the Young Dudes.”

In 1974 he released the album “Diamond Dogs,” which produced two hit singles: the title track and “Rebel, Rebel.” The next year he exploded onto the charts, releasing the album “Young Americans.” The first single from the album, “FAME,” a song he co-wrote with John Lennon, hit number one on the US Charts. Lennon also sang back up on the song. Two other singles, “Golden Years” and the title tune, also charted well. To capitalize on the success, “Space Oddity” was reissued in England and went to number one on the British charts. In 1976 he released the album “Station to Station.” He also left Ziggy Stardust behind and adapted a new persona, taken from the first song on the new album: The Thin White Duke. He also starred opposite Candy Clark in the film, “The Man Who Fell to Earth.”

As the 70’s ended, he moved to Germany, where he did a trio of albums that he would refer to as his “triptych,” : “Low,” “Heroes” and “Lodger.” In 1980 he spent three months on Broadway in the title role of “The Elephant Man,” earning great reviews. The following year he teamed up with Queen to produced the hit song, “Under Pressure.” In 1983 he reached the pinnacle of his success with the release of the album “Let’s Dance,” which produced the hits “Modern Love,” “China Girl” and the title song. He also continued his film career, appearing in 1983’s “The Hunger” and “Merry Christmas, Mr. Lawrence.” Other film roles include the Goblin King in “Labyrinth,” Pontius Pilate in “The Last Temptation of Christ” and inventor Nicoli Tesla in “The Prestige.”

The next three decades were ones of experimentation. In 1989 he formed the group Tin Machine. Following that he began mixing electronic and classical music.

In 2001, he opened The Concert for New York, a benefit for the victims of the 9/11 tragedy, by performing Simon and Garfunkle’s “America” and his song, “Heroes.” He was inducted into the Rock and Roll Hall of Fame in 1996 and in 2006 received a Lifetime Grammy Award.

On January 8, 2016, his 69th birthday, he released his latest album, “Blackstar,” which is already being mentioned as a nominee for the best album of the year.

And the Winners of the 2015 MediaMikes.com Awards Are…

Thank you to all of the fans who either posted their choices or emailed them in. Another great response from our great readers. For the first time we had a category with a tie.

The awards were voted on and chosen by both the readers and staff of MediaMikes.com. (10) random entries have been selected to receive a nice selection of 2015 Movie Swag and they will be notified shortly by email. A big “thank you” to our friends at Allied Integrated Marketing in Kansas City for providing prize items.

And now, the envelopes please:

BEST PICTURE: (tie) “The Revenant” and “Star Wars – Episode VII: The Force Awakens”

BEST DIRECTOR: Ron Howard, “In the Heart of the Sea”

BEST ACTOR: Leonardo DiCaprio, “The Revenant”

BEST ACTRESS: Brie Larson, “Room”

BEST SUPPORTING ACTOR: Mark Rylance, “Bridge of Spies”

BEST SUPPORTING ACTRESS: Rooney Mara, “Carol”

BEST ANIMATED FEATURE: “Inside Out”

BEST ORIGINAL MUSICAL SCORE: John Williams, “Star Wars – Episode VII: The Force Awakens

BEST ORIGINAL SCREENPLAY: Alex Garland, “Ex Machina”

BEST ADAPTED SCREENPLAY: Drew Goddard, “The Martian”

BEST DOCUMENTARY FEATURE: “The Wrecking Crew”

Our Critics Pick Their Best (and Worst) Films of 2015

Now that the calendar has turned over to 2016, some of our critics decided to compile their annual “Best of/Worse of” lists of the films of 2015. You can listen to them list their choices, as well as their reasons, on this week’s “Behind the Mikes” Podcast – http://behindthemikes.podomatic.com/entry/2016-01-03T02_32_33-08_00

Michael Smith

Before I list my favorites, I have an honorary film, “Star Wars – Episode VII: The Force Awakens.” It narrowly missed being a part of my Top 10 but, as the most anticipated film of the year, it delivered everything I wanted and more. My “Best of” choices:

1. The Revenant
2. Bridge of Spies
3. The Connection
4. Creed
5. The Gift
6. Mad Max: Fury Road
7. Sicario
8. Spotlight

9. Here I chose (3) smaller films that didn’t gain a wide release but are still “must sees” in my book:

5-7 – A sweet, May-December romance starring Anton Yelchin and Berenice Marhloe that I called, “cleverly acted by a cast that believes in the material.”

The Looking Glass – A well written, thoughtfully directed character directed film, featuring strong performances by veteran actress Dorothy Tristan, who also wrote the script, and newcomer Grace Tarnow.

Radio America – the story of two men, friends since childhood, who pursue their musical ambitions and learn that sometimes having your dreams come true is costly. Also has a great soundtrack of original music.

10. Straight Outta Compton

Thankfully I was spared many of this years stinkers. My bottom four:
1. Love the Coopers
2. The Last Witch Hunter
3. The Kingsman: The Secret Service
4. Tomorrowland

Jeremy Werner’s Top 10
1. Inside Out
2. Mad Max: Fury Road
3. Sicario
4. Star Wars – Episode VII: The Force Awakens
5. It Follows
6. The Look of Silence
7. Spotlight
8. The Martian
9. Room
10. Carol

And the stinkers:
1. Point Break
2. The Human Centipede 3
3. Hitman: Agent 47
4. The Fantastic Four
5. The Ridiculous Six

Lauren Damon’s Top 7:
1. (tie) Crimson Peak and Ex Machina
2. The Hateful Eight
3. What We Do In the Shadows
4. The Martian
5. Jurassic World
6. Mad Max: Fury Road
7. Cinderella

And Lauren’s terrible 2:
Self/Less
Blackhat

Podcast Contributor Loey Lockerby’s Top 10:
1. Room
2. The Martian
3. Inside Out
4. The Big Short
5. It Follows
6. Ex Machina
7. The Hateful Eight
8. Carol
9. Star Wars – Episode VII: The Force Awakens
10. Mad Max: Fury Road

Loey says they were spared having to watch anything horrible this past year. You can read Loey’s full reviews at www.suchacritic.com

[Editor’s note, an earlier version of this post had Lauren lacking worst picks. She had them.]

Film Review “The Revenant”

Starring: Leonardo DiCaprio, Tom Hardy and Will Poulter
Directed by: Alejandro Gonzalez Inarritu
Rated: R
Running time: 2 hrs 36 mins
20th Century Fox

Our Score: 5 out of 5 stars

As a young man, I often accompanied my parents to the drive-in to see movies I probably wasn’t old enough to see. My dad was a big action and western fan, and my early film memories are filled with flickering images of John Wayne, Clint Eastwood, Steve McQueen, Richard Harris, Sean Connery and others. I can remember attending a double feature of two Richard Harris films, “A Man Called Horse” and “Man in the Wilderness.” I remember very little about them but, since I learned that “The Revenant” tells the same story as “Man in the Wilderness” I thought I’d share.

The time is 1823. America is not even a half-century old. A fur trapping expedition, led by noted trapper Hugh Glass (DiCaprio) comes under attack by Native Americans. Many are injured and the group decides that it’s best to stow its furs, to retrieve later, and head back to their settlement. On the long journey back, Glass stumbles upon two bear cubs. Before he can react he is attacked by the mother and horribly mauled. Too badly injured to move, the leader of the expedition (Domhnall Gleeson – pretty much appearing in every film this holiday season, including “Brooklyn” and “Star Wars – Episode Seven: The Force Awakens”) entices two men, the grizzled John Fitzgerald (Hardy) and the young man, Jim Bridger (Poulter), to stay with Glass until he dies. The men are to give him a proper burial and then rejoin their group. For doing this they will each get a monetary bonus. Also staying behind is Glass’ son with his Native American wife, Hawk (Forrest Goodluck). Of course, one the group leaves those left in charge begin to panic about being in the woods alone in the dead of winter. Fitzgerald, whose head bears the scars of a scalping gone wrong, decides to hurry the process along. He convinces Bridger to abandon Glass in the woods, reasoning that he will soon die anyway. But Fitzgerald is unaware of what Glass told Hawk when the boy was younger: “As long as you can still grab a breath, you fight.”

Beautifully filmed and superbly acted, “The Revenant” is a true epic adventure about one mans will and desire that is literally being carried on the bear-chewed back of Leonardo DiCaprio. With so many outstanding performances behind him, including “What’s Eating Gilbert Grape,” “Gangs of New York” and “The Departed,” and a long future in front of him, I hesitate to call his work here the performance of his career. So I’ll call it the performance of his career SO FAR! Using very little words, DiCaprio manages to convey the pain and agony, both physical and spiritual, that Glass endures with just his eyes. It truly is, in my opinion, the best acting work turned in this past year by an actor. He is matched by Hardy, who also gives a career defining performance here.

With the snow-covered forests as his tapestry, director Inarritu, who won three Oscars last year as the co-writer, director and producer of “Birdman,” paints another masterpiece. The story flows as easily as the water moves down the Missouri river and the violent action on-screen is amplified by the white and pristine backgrounds. This is, in my opinion, the best film of 2015.

 

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Dr. Dilznik and the Last Rekrute Release the First Video from Their New Album

MediaMikes favorite hip-hop duo, Kansas City based Dr. Dilznik and the Last Rekrute, have released the video for the first single off their upcoming album, “SOS – Stuck on Stoopit,” the fourth and final installment of the Stoopit series, scheduled for release this coming Spring.

The song, “Adios Caballos,’ was produced, mixed and mastered by legendary Kansas City producer S.G. and samples the song “Goodbye Horses” by Q Lazzurus, best known for it’s inclusion in the film “The Silence of the Lambs.”

Check out their new video here: