4DX Experience & Film Review “Ready Player One”

Directed by: Steven Spielberg
Starring: Tye Sheridan, Olivia Cooke, Ben Mendelsohn, T.J. Miller, Simon Pegg, Mark Rylance
Distributed by: Warner Bros. Pictures
MPAA Rating: PG-13
Running time: 140 minutes

Film: 4.5 out of 5 stars
4DX Experience: 3.5 out of 5 stars
3D: 4 out of 5 stars

“Ready Player One” is easily my most anticipated film of the year. There was a lot riding on this film for me and a lot of anticipation. This is one of the first times that I have read the book before seeing the movie. I never read one of the “Harry Potter” or “The Lord of the Rings” books to date. Ernest Cline’s “Ready Player One” is one of the best books that I have read (not only once but multiple times). The audio book read by “Star Trek: The Next Generation” star Wil Wheaton is highly recommended. That being said, the movie is MEGA different from the book. I am honestly cool with it because I see how and why most changes were made and I am really happy with the film adaptation. In fact, I would say that is my favorite film that I have seen this year…and I say this because as of writing I have already seen the film twice, once in 2D and once in 3D with 4DX experience, which are two very different ways to experience this film. This is a film that gets better with each follow up viewing and I can’t wait to see it again!

I am just so excited and I can’t hold it in anymore, so let’s just start with how much pop culture is filled in this film. BEWARE, this paragraph ONLY has a few Easter Egg SPOILERS, but then again a few are from the trailers. There are nearly 100 Easter Eggs already that already have been found in this film. Some are super hidden and blink and you miss and some are just in your face awesome like visiting The Overlook Hotel from “The Shining” and getting to relive a few scenes with newly created CG footage. This shit was downright terrifying. “The Shining” is easily my favorite horror film of all time and this really left me saying “WOW!” A few of the brief ones that I literally almost lunged out of my chair were Battletoads, Spawn, the RV from “Spaceballs”, Jason Voorhees, the new live-action Ninja turtles, the ship from “Firefly”, Serenity and reference to “Pilotwings”. I really enjoyed the ability to watch the film and just stare in amazement as to how many amazing cameos their were. I felt the same way about “Wreck-it Ralph” when I first saw it and still to today. I am always looking for something new and I have a feeling I will be doing the same with “Ready Player One”,

Here is the film’s official premise: From filmmaker Steven Spielberg comes the action adventure “Ready Player One,” based on Ernest Cline’s bestseller of the same name, which has become a worldwide phenomenon.   In the year 2045, the real world is a harsh place.  The only time Wade Watts (Tye Sheridan) truly feels alive is when he escapes to the OASIS, an immersive virtual universe where most of humanity spends their days.  In the OASIS, you can go anywhere, do anything, be anyone—the only limits are your own imagination.  The OASIS was created by the brilliant and eccentric James Halliday (Mark Rylance), who left his immense fortune and total control of the Oasis to the winner of a three-part contest he designed to find a worthy heir.  When Wade conquers the first challenge of the reality-bending treasure hunt, he and his friends—called the High Five—are hurled into a fantastical universe of discovery and danger to save the OASIS.

Ok, so let’s talk about the different ways, I have experienced this film. First I saw it in 2D on a decent size screen. Let’s end this quick, this is NOT the way to see this movie. This needs to be experienced in IMAX or on the biggest screen possible. Second time, I saw this film it was in 4DX, which is the ultimate movie going experience with motion seats, environmental & water effects. I went with a friend who has never been to 4DX and he said that this was the perfect way to experience this film. I enjoyed the 4DX experience for “Ready Player One” but I didn’t love it. I felt like it was absolutely perfect for a few scenes like the race to the first key, which was like being in a long-ass rollercoaster ride. I enjoyed the 4DX experience for “Pacific Rim: Uprising” much more it just felt like it was always moving. With “Ready Player One” it was more every once in a while I remembered I was in a 4DX experience and I enjoyed it, don’t get me wrong. The 3D definitely added to the experience. When they dived into the Oasis, the 3D depth really kicked in and blew me away.

The cast I have to admit was an odd to me, since I am not that aware of the young stars Tye Sheridan and Olivia Cooke. I enjoyed their avatar characters and the motion capture used to achieve their performances. I also dug Ben Mendelsohn as the baddie. T.J. Miller appeared as avatar only, no real life character (probably due to harassment issues) but he was useless in the movie. Simon Pegg popped up for a minute here and there but definitely delivered the film’s heart as did Mark Rylance, who just blew it out of the park. I hated that he beat Slyvester Stallone (nominated for “Creed”) for Best Supporting Actor in 2015 for his role in “Bridge of Spies” and then even more after “The BFG” but he was simply amazing as James Halliday! Spielberg was smart for bringing he onto this film. He made me smile every time he spoke.

Let’s get on the topic of the director, Steven Spielberg. I originally thought that this film was not right for him as a director. But after seeing the film twice now, I know it was not ruined and he did a real solid job at trying to deliver the most exciting and satisfying adaption he could for the fans. He even threw in nodes to his own films like “Jurassic Park”. He really captured that nostalgic feeling for me. As we are watching the action unfold in “Ready Player One”, the score switches to cues from “Back to the Future” and you get chills up and down following by the audience screaming “Whoa!!!” That is a great feeling in a movie theater and that is how you know when you have a winner on your hands.

I know I haven’t gone into too much detail about how this is different from the book, cause honestly I really don’t care. The movie is different and I still liked it a lot. I also love the book, which is extremely detailed and dives more deep into the pop culture world. I personally learned so much from the book about tons of film, music and TV references. The film is a slimmed down working of the book. The process finding the keys and the opening of the gates are the biggest change that I recall. I know there are a few other major events that doesn’t carry through in the movie but I appreciate how they molded the world in the book into a fun and exciting popcorn flick!  Like I said, I have a feeling that I am not going to stop at two viewings of this film. It’s very likely I will be seeing this at least once more in the theaters, definitely IMAX 3D and seeking out some more Easter Eggs!

 

Related Content

Win Free Tickets to Advance Florida Screenings of “A Quiet Place”

Media Mikes is proud to be hosting advance screenings of the new film “A Quiet Place” in a few markets in FL! Click below to get tickets, first come first serve! Good luck and like always leave a comment here after you’ve seen the film!

MIAMI – AMC SUNSET PLACE 8PM
http://www.gofobo.com/AQPMMMIA43

TAMPA – AMC WESTSHORE 7PM
http://www.gofobo.com/AQPMMTAM43

In the modern horror thriller A QUIET PLACE, a family of four must navigate their lives in silence after mysterious creatures that hunt by sound threaten their survival. If they hear you, they hunt you.

Rating: PG-13 (for terror and some bloody images)
Genre: Drama, Horror, Mystery & Suspense
Directed By: John Krasinski
Written By: Bryan Woods, Scott Beck, John Krasinski
In Theaters: Apr 6, 2018 Wide
Runtime: 90 minutes
Studio: Paramount Pictures

Disney On Ice presents Dare To Dream is Coming to Orlando May 11–13, 2018

Featuring the Box Office Smash Hits Disney’s Moana and Beauty and the Beast!

ORLANDO, FL  — Make unforgettable memories with Mickey, Minnie and all your Disney friends when Disney On Ice presents Dare To Dream comes to Amway Center in Orlando May 11-13, 2018! The ice skating extravaganza features Disney’s Moana for the first time in a live production.

Good seats are still available for Disney On Ice presents Dare To Dream, which was originally scheduled for September 8-10, 2017, but postponed due to Hurricane Irma. Tickets purchased for the September dates will be honored in May for the exact same day of the week and show time.

Celebrate what’s possible as five Disney heroines spark the courage inside us all at Disney On Ice presents Dare To Dream! In her Disney On Ice debut, see how far Moana will go in an action-packed adventure with demigod, Maui, to save her island and discover her true identity. Join Belle as she fearlessly befriends the enchanted castle staff and reveals the Beast’s gentleness. Experience Anna’s devotion to her sister, Elsa, on her life-changing journey to stop an eternal winter. Explore with Rapunzel, Flynn Ryder, Cinderella and friends from around the Disney Kingdom as they find the strength, heart, and determination to make their dreams come true. Hosted by Mickey and Minnie, uncover why no dream is too big when we find the strength to shape our own destiny at Disney On Ice presents Dare To Dream!

Good seats are still available! Since you are fans of Media Mikes, we are happy to share a special discount: Save 20% off select seats with code SAVE20. Not valid on premium VIP seating. Hurry for the best available seats! Code expires May 10, 2018.

Discover your inner hero when Disney On Ice presents Dare To Dream comes to your hometown!

Ticket Prices: Starting from $18. Market pricing applies to all tickets. Rates can fluctuate based on factors that affect supply and demand. Lock in your price and location today!

Show Times:  Friday, May 11, 7:30 p.m.; Saturday, May 12, 11:00 a.m., 3:00 p.m. and 7:00 p.m.; Sunday, May 13, 1:00 p.m. and 5:00 p.m.

Venue: Amway Center, 400 W Church St #200, Orlando, FL 32801

For ticket information, go to DisneyOnIce.com.

To learn more about Disney On Ice, go to DisneyOnIce.com. Stay current on the latest developments through social media:

Facebook:  www.facebook.com/DisneyOnIce

Twitter: www.twitter.com/DisneyOnIce @DisneyOnIce #DisneyOnIce #DareToDream

YouTube: www.youtube.com/DisneyOnIce

Instagram: www.instagram.com/DisneyOnIce @DisneyOnIce

“I am a Feld Entertainment Blogger Ambassador, and in exchange for my time and efforts in attending shows and reporting my opinion within this blog, as well as keeping you advised of the latest discount offers, Feld Entertainment has provided me with complimentary tickets to Feld shows and other exclusive opportunities.”

4DX Experience Review “Pacific Rim: Uprising”

Directed by: Steven S. DeKnight
Starring: John Boyega, Scott Eastwood, Jing Tian, Cailee Spaeny, Rinko Kikuchi, Burn Gorman, Adria Arjona, Zhang Jin and Charlie Day
Distributed by: Universal Pictures
MPAA Rating: PG-13
Running time: 111 minutes

4DX: 4 out of 5 stars
Film: 3 out of 5 stars

Since I was a kid, I have always been a fan of the Kaiju films like “Godzilla”, “Ultraman” and even “Power Rangers”. I loved the first “Pacific Rim”, especially in 3D. The action sequences are outstanding, especially in the water. Unfortunately, my excitement for the sequel has been next to nothing. I blame it on the studio because I am not the only one either. My friend told me because I posted about seeing it, it was the first time he even knew it was coming out (and he LOVED the first film). I see that as a missed opportunity for this film. I called this one a bomb before even seeing it based on how it was being marketed and I wasn’t wrong. Listen, I want to see more films like this in theaters, so I definitely say support it otherwise films “Godzilla” and “King Kong” won’t get made but I would have just liked a little more effort in this film and less trying to setup a new “Cinematic Universe” to make a new franchise.

I was excited to find out that “Pacific Rim: Uprising” was playing in the 4DX experience in one of its ten theaters across the country in Orlando FL. This made the movie feel like a two hour rollercoaster ride. I didn’t love the movie but with the 4DX experience I like it more overall. The fog is my only complaint since it was just one machine in the front of the theater and didn’t add anything. The motion chairs were moving non-stop and I was exhausted by the end of the movie for sure! If you get a chance to see this film and have a way to see it in 4DX I would definitely recommend that experience for sure.

Here is the long winded official premise: John Boyega stars as the rebellious Jake Pentecost, a once-promising Jaeger pilot whose legendary father gave his life to secure humanity’s victory against the monstrous “Kaiju.” Jake has since abandoned his training only to become caught up in a criminal underworld. But when an even more unstoppable threat is unleashed to tear through our cities and bring the world to its knees, he is given one last chance to live up to his father’s legacy by his estranged sister, Mako Mori (Rinko Kikuchi)-who is leading a brave new generation of pilots that have grown up in the shadow of war. As they seek justice for the fallen, their only hope is to unite together in a global uprising against the forces of extinction. Jake is joined by gifted rival pilot Lambert (Scott Eastwood) and 15-year-old Jaeger hacker Amara (Cailee Spaeny), as the heroes of the PPDC become the only family he has left. Rising up to become the most powerful defense force to ever walk the earth, they will set course for a spectacular all-new adventure on a towering scale.

John Boyega gets a chance to shine outside of the “Star Wars” gang but ends up getting lost in the confusion and doesn’t really have a strong arc and no love interest, which I felt he needed. I do not understand why people like Scott Eastwood. I think he is a terrible actor and I roll my eyes every time he is on the screen trying to be tough. there are three returning talent from the first film including Rinko Kikuchi (for 10 seconds), Burn Gorman and Charlie Day. I really dug having Burn and Charlie day back! They made the film more enjoyable to watch. I didn’t like how the rest of the cast was made up with teenagers, it felt like I was watching a Nickelodeon

“Pacific Rim: Uprising” was definitely a different kind of movie from the first. The first kicked off in an epic battle and then filled you in as time went on and I dug that. The sequel starts explaining way too much in the beginning and takes a while to get going. The sequel doesn’t have the heart or the visuals to match the first film but ends up being a fun popcorn flick. Just keep your expectations low and don’t expect it to be like the first film. If their is more films, I want more Charlie Day for sure! Luckily for the 4FX experience which really enhanced my experience watching this film, I ended up leaving the theater excited for more to come. I can’t help it I am sucker for giant monsters and robots!!

Catherine Spencer talks about women’s sport and inequality

Catherin Spencer, the former women’s Rugby team captain has published an article in The Guardian on the subject of the inequality between men’s and women’s sport in general, and in particular about the huge investment gap.

She said that if she had been given a pound for the times she had been asked about the hurdles women in sport face, she would be a rich lady. As it is, she mourned, her bank balance is only that of a retired England Rugby captain – and a women’s rugby captain at that.

Women rugby players had to play for the love of the game

When Spencer held the captaincy, from 2007 to 2011, the players were expected to play for the love of the game. Her team included doctors, teachers, policewomen and veterinary surgeons who spent all of their free time training and playing without any financial reward – unlike today’s lady players who at least are given match fees on a match-by-match basis.

The ex-women’s captain mentioned browsing the BBC Sport website homepage recently. She searched out the women who were featured and came across Serena Williams, and the silver medallists from the British Winter Paralympian team, Jen Kehoe and Menna Fitzpatrick. These three sportswomen were amongst 33 photos of male sports athletes, which highlights the problem nicely.

Lack of media coverage for women’s sports events

Women’s sport doesn’t get anywhere near the same amount of coverage in the media that men’s sport does. The same problem occurs with sponsorships too. It creates a never-ending circle. To attract sponsorships, the sponsors want to know those they sponsor will get plenty of TV publicity. However, the TV companies don’t show much women’s sport because they maintain it doesn’t attract the same size of audience that men’s sporting events do.

Breaking the circle

Of course, from the audience’s side of the coin, they say that they can’t watch women’s sport because it isn’t broadcast enough. And so it goes – round and round in perpetuity. The chain somehow needs to be broken, but how?

Anything is possible given enough application. As Catherine herself reminded us, she captained her team in winning four Six Nations championships, plus getting to the World Cup final, all the while holding down a full-time job.

To break the underinvestment circle, all that is needed is the courage and some dedication. The recent spectacle in women’s international rugby was when France beat England. Not only was the game was seen by over 17,000 spectators (the most ever to witness a women’s test match) but more people than ever also got involved with placing bets on the outcome.

That same day 5,000 spectators watched Twickenham beat Richmond at the Harlequins’ ground. A British record.

Getting the message across

Catherine Spencer is determined to further the cause of equality for women’s sport, even though she has retired from international rugby. She is writing her own book, rather aptly titled, “Mud, Maul, Mascara.” She has also started her own agency and is getting in there amongst the almost men-only-world of after-dinner speaking.

She is doing her bit in an effort to show that women’s sport should be taken seriously and that it has much to offer; a sentiment more and more people are beginning to agree with.

Theatre Review “Waitress” @ Dr. Phillips Center for the Performing Arts – Orlando, FL

Waitress: The Musical
Show dates: Tuesday–Sunday, March 20–25, 2018
Tickets: start at $34.25
Walt Disney Theater at @ Dr. Phillips Center for the Performing Arts
445 South Magnolia Avenue
Orlando, FL 32801

Let me just start my saying that I have never seen or even wanted to see the 2007 film, “Waitress” starring Keri Russell, which this musical version is based on. I wouldn’t have ever even seen the play if it wasn’t for a few of my friends who say the play on Broadway over the last few years and RAVED about it! Suddenly my interest was kicked off and to top it off the musical features music and orchestration by Sara Bareilles. From the opening scene of the “Waitress”, I knew I was hooked.

Here is the official premise of the show: Inspired by Adrienne Shelly’s beloved film, Waitress tells the story of Jenna – a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life.

Like I mentioned “Waitress” features original music and lyrics by 5-time Grammy nominee Sara Bareilles and I really enjoy the music (listening as I type as well). The songs were strong, uplifting and really beautiful. Desi Oakley, who played the lead Jenna, has an outstanding voice. She really blows you away with some of her songs. They have such range and perfectly pitched. Jeremy Morse, who played the role of Ogie, easily stole the show and was extremely funny. He has previously starred in the same role back in 2015 in the American Repertory Theater staging of “Waitress”. Also really dug that there was a live band on the stage in the background throughout most of the show, which blended in so well I forgot they were their sometimes.

Dr. Phillips Center for the Performing Arts delivered another winning show for me. Being from New York originally and missing Broadway a little, shows like this makes me miss it much less. Here is a little tip since I believe I found the perfect seats for this theatre. We were in Row Q in the Left Orchestra and we had perfect seats, it is at the divide, so no one in front of you and plenty of leg room. Definitely will look for these seats again in the future.

“Waitress” has a lot of heart. It plays to your funny bone the first Act and just kicks you in the stomach for the second Act and delivers a great finish. I believe shows like this are important because they feature strong women and have a positive message of love and the beauty of life. I have to admit one thing that after this show I REALLY wanted me some pie! So make sure to not go hungry because this show will leave your mouth watering.Now if you excuse me I am craving some pie and I need to watch the movie finally!

Win Free Tickets to Advance Florida Screenings of “Ready Player One”

Media Mikes is proud to be hosting advance screenings of the new film “Ready Player One” all over Florida! Click below to get tickets, first come first serve! Good luck and like always leave a comment here after you’ve seen the film!

Miami: http://www.wbtickets.com/MMRPOMIA
Orlando: http://www.wbtickets.com/MMRPOORL
Tampa: http://www.wbtickets.com/MMRPOTAM
Jacksonville: http://www.wbtickets.com/MMRPOJAX
West Palm Beach: http://www.wbtickets.com/MMRPOJAX

#ReadyPlayerOne

FACEBOOK (@ReadyPlayerOne) | https://www.facebook.com/readyplayerone/

TWITTER (@ReadyPlayerOne) | https://twitter.com/readyplayerone

INSTAGRAM (@ReadyPlayerOne) | https://www.instagram.com/readyplayerone/

From filmmaker Steven Spielberg comes the science fiction action adventure “Ready Player One,” based on Ernest Cline’s bestseller of the same name, which has become a worldwide phenomenon.

The film is set in 2045, with the world on the brink of chaos and collapse.  But the people have found salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday (Mark Rylance).  When Halliday dies, he leaves his immense fortune to the first person to find a digital Easter egg he has hidden somewhere in the OASIS, sparking a contest that grips the entire world.  When an unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a breakneck, reality-bending treasure hunt through a fantastical universe of mystery, discovery and danger.

Three-time Oscar winner Spielberg (“Schindler’s List,” “Saving Private Ryan”) directed the film from a screenplay by Zak Penn and Ernest Cline.  “Ready Player One” was produced by Donald De Line, Spielberg, Kristie Macosko Krieger and Dan Farah; with Adam Somner, Daniel Lupi, Chris deFaria and Bruce Berman serving as executive producers.

“Ready Player One” stars Tye Sheridan (“X-Men: Apocalypse,” “Mud”), Olivia Cooke (“Me and Earl and the Dying Girl,” “Bates Motel”), Ben Mendelsohn (“Rogue One – A Star Wars Story,” “Bloodline”) and T.J. Miller (“Deadpool,” “Silicon Valley”), with Simon Pegg (the “Star Trek” movies, the “Mission: Impossible” movies) and Oscar winner Mark Rylance (“Bridge of Spies,” “Dunkirk”).

Behind the scenes, Spielberg reunited his creative team from “Bridge of Spies,” including Oscar-winning director of photography Janusz Kaminski (“Schindler’s List,” “Saving Private Ryan”), Oscar-winning production designer Adam Stockhausen (“The Grand Budapest Hotel”), Oscar-winning editor Michael Kahn (“Saving Private Ryan,” “Raiders of the Lost Ark”) and Sarah Broshar (“The Post”), and costume designer Kasia Walicka Maimone (“Moonrise Kingdom”).  The music is by Oscar-nominated composer Alan Silvestri (the “Back to the Future” films, “Forrest Gump”).

Warner Bros. Pictures and Amblin Entertainment present, in association with Village Roadshow Pictures, an Amblin Production, a De Line Pictures Production, a Steven Spielberg Film, “Ready Player One.”

Slated for release beginning Thursday, March 29, 2018, the film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

 

Related Content

Win Free Tickets to Advance Miami FL Screening of “Sherlock Gnomes”

Media Mikes is proud to be hosting advance screenings of the new film “Sherlock Gnomes” in Miami, FL! Click below to get tickets, first come first serve! Good luck and like always leave a comment here after you’ve seen the film!

Miami: http://www.gofobo.com/SGMMMIAMI

When Gnomeo and Juliet first arrive in the city with their friends and family, their biggest concern is getting their new garden ready for spring. However, they soon discover that someone is kidnapping garden gnomes all over London. When Gnomeo and Juliet return home to find that everyone in their garden is missing there’s only one gnome to call SHERLOCK GNOMES. The famous detective and sworn protector of London’s garden gnomes arrives with his sidekick Watson to investigate the case. The mystery will lead our gnomes on a rollicking adventure where they will meet all new ornaments and explore an undiscovered side of the city.

Related Content

Win Free Tickets to Advance Florida Screenings of “Isle of Dogs”

Media Mikes is proud to be hosting advance screenings of the new film “Isle of Dogs” all over Florida! Click below to get tickets, first come first serve! Good luck and like always leave a comment here after you’ve seen the film!

 Here are the links for all markets below. Tampa is the only market in which the film opens on March 28th. The other markets open on April 6th.  All screenings will be held on the same day.

WEST PALM BEACH
http://www.foxsearchlightscreenings.com/IODWPB
Code: IODWPB

TAMPA (opens on 3/28)
http://www.foxsearchlightscreenings.com/IODTPA
Code: IODTPA

MIAMI
http://www.foxsearchlightscreenings.com/IODMIAMI
Code: IODMIAMI

ORLANDO
http://www.foxsearchlightscreenings.com/IODORLANDO
Code: IODORLANDO

ISLE OF DOGS  | Opens in Tampa market MARCH 28, 2018 and in theaters APRIL 6th, 2018 everywhere.

Directed by:        Wes Anderson
Screenplay by:   Wes Anderson
Produced by:      Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
Cast:        F. Murray Abraham, Bob Balaban, Bryan Cranston, Greta Gerwig, Jeff  Goldblum, Scarlett Johansson, Akira Ito, Harvey Keitel, Frances McDormand, Bill Murray, Mari Natsuki, Yojiro Noda, Kunichi Nomura, Ken Watanabe, Edward Norton, Yoko Ono, Koyu Rankin, Live
Schreiber, Fisher Stevens, Tilda Swinton, Akira Takayama, Courtney B. Vance, Frank Wood

Synopsis: ISLE OF DOGS tells the story of ATARI KOBAYASHI, 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture.

 

Related Content

Explore the OASIS Like Never Before In Insight Editions’ “The Art of Ready Player One”

Explore the OASIS Like Never Before In The Art of Ready Player One
Written by Gina McIntyre
Foreword by Steven Spielberg
Introduction by Ernest Cline

On March 29, director Steven Spielberg’s highly anticipated new film Ready Player One hits theaters. Based on Ernest Cline’s best-selling novel of the same name, Ready Player One is a sci-fi adventure set in an expansive virtual reality universe. While the dystopian world lies on the brink of chaos and collapse in 2045, people have found salvation in the OASIS, the virtual reality universe created by James Halliday. When Halliday dies, he leaves his immense fortune in the form of a digital Easter egg hidden somewhere in the OASIS, sparking a contest that grips the entire world. When an unlikely young hero Wade Watts, joins the contest, he embarks on a reality-bending treasure hunt through a fantastical world of action, danger, and mystery.

The Art of Ready Player One (Insight Editions / April 3, 2018 / $45.00) created in partnership with Warner Bros. Consumer Products, delves into the creation of this world, showing how Spielberg realized Cline’s hugely imaginative vision, adding new twists on the original story and populating the OASIS with a vast array of pop culture references and fan-favorite characters. Featuring interviews with key contributors, including Spielberg, Cline, and production designer Adam Stockhausen, this deluxe book showcases the breathtaking designs for each element of the OASIS and the dystopian real-world future of 2045. Featuring a foreword from Spielberg and introduction from Cline, The Art of Ready Player One is an unforgettable journey into the OASIS and the creative minds that brought it to life.

About Ready Player One:
Spielberg directed Ready Player One from a screenplay by Zak Penn and Ernest Cline, based on the book by Cline. The film was produced by Donald De Line, Spielberg, Kristie Macosko Krieger and Dan Farah, with Adam Somner, Daniel Lupi, Chris deFaria and Bruce Berman serving as executive producers. Ready Player One stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Philip Zhao, Win Morisaki, Hannah John-Kamen, with Simon Pegg and Mark Rylance.

Warner Bros. Pictures and Amblin Entertainment present, in association with Village Roadshow Pictures, an Amblin Production, a De Line Pictures Production, a Steven Spielberg Film, Ready Player One. Slated for release on Thursday, March 29, 2018, the film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. This film has been rated PG-13. readyplayeronemovie.com

 

Related Content

The World’s Greatest Pink Floyd Show, BRIT FLOYD, Announces the US Eclipse World Tour 2018!

A Chas Cole for CMP Entertainment presentation

NEW FOR 2018

The World’s Greatest Pink Floyd Show

BRIT FLOYD

Eclipse World Tour 2018

’45 Years of The Dark Side of the Moon’

Performing songs from Pink Floyd’s best-loved and biggest selling albums, The Dark Side of the Moon, Wish You Were Here, Animals, The Wall and The Division Bell plus much much more.

 

Brit Floyd, the world’s greatest Pink Floyd tribute show returns to the stage in 2018 for a very special ’45th Anniversary’ retrospective of Pink Floyd’s iconic 1973 album, The Dark Side of the Moon.

Having sold in excess of 45 million copies and judged by many as the greatest rock album of all time, The Dark Side of the Moon was an ambitious psychedelic masterpiece that redefined rock itself and propelled Pink Floyd and its members to rock immortality.

Each night Brit Floyd will perform classic tracks from The Dark Side of the Moon alongside gems from Wish You Were Here, Animals, The Wall and The Division Bell plus lots more.

The Brit Floyd show has truly become a phenomenon, widely regarded as the world’s greatest live tribute to Pink Floyd. Faithfully recreating the scale and pomp of the final 1994 Division Bell tour, complete with a stunning million dollar light show, large circle screen and arch plus moving lights, lasers, inflatables and theatrics. A Brit Floyd show really is as close as fans will get to experiencing the magnificence of a Pink Floyd show live.

Tickets are on sale now:  http://www.britfloyd.com/tour-dates/225-not-america-2018

 

Web links

www.britfloyd.com

www.facebook.com/britfloydshow

www.youtube.com/britfloydshow

www.twitter.com/britfloyd

Hamilton, 2017 Tony®-winning Best Musical, Leads the 18/19 Fairwinds Broadway in Orlando Season at Dr. Phillips Center for the Performing Arts

 

HAMILTON,

2017 TONY®-WINNING BEST MUSICAL AND
2018 GRAMMY® AWARD WINNER DEAR EVAN HANSEN

and

TONY®-WINNING BEST MUSICAL REVIVAL HELLO, DOLLY!

Starring Broadway Legend Betty Buckley

to anchor

18/19 FAIRWINDS BROADWAY IN ORLANDO SEASON

AT DR. PHILLIPS CENTER FOR THE PERFORMING ARTS

 

Current subscribers may renew their seats for the upcoming season beginning at 10 a.m. Friday, March 9

 

ORLANDO, Fla. (March 9, 2018) — Hamilton will headline the 2018–2019 FAIRWINDS Broadway in Orlando series at the Dr. Phillips Center for the Performing Arts. In addition to Hamilton the season includes the six-time 2017 Tony® and 2018 Grammy® Award winning Best Musical Dear Evan Hansen and the 2017 Tony® Award-winning Best Revival Hello, Dolly! starring Broadway legend Betty Buckley.

The arts center joined Florida Theatrical Association and Broadway Across America today to announce the full line-up.

18/19 FAIRWINDS Broadway in Orlando series:

  • Hello, Dolly! — November 27–December 2, 2018
  • Irving Berlin’s White Christmas The Musical — December 18–December 23, 2018
  • Hamilton — January 22, 2019-February 10, 2019
  • Fiddler on the Roof  March 5 –March 10, 2019
  • Dear Evan Hansen — April 16 –April 21, 2019
  • Anastasia — May 14–19, 2019
  • Come From Away  June 11–16, 2019

The season will also feature the return of audience favorite as a Season Option:

  • Jersey Boys — October 30–November 4, 2018

Subscribers will have first access to purchase tickets for Jersey Boys once they have renewed their seats for the 18/19 season.

“This will be a stand-out season on so many levels,” said Dr. Phillips Center President and CEO Kathy Ramsberger. “Hamilton has become a theatrical phenomenon, and three of the seven shows made their debut on Broadway just last year, so the content is fresh and relevant. The other big benefit is that we’ve had great success securing show performers for special appearances and educational workshops in our local schools, including our own School of the Arts. Extending the arts beyond our facility and into the community is one of our top priorities.”

“We are proud to partner with Dr. Phillips Center and Florida Theatrical Association for what is sure to be a record-breaking season in Orlando! This is going to be an unforgettable season of the best that Broadway has to offer,” said Susie Krajsa, EVP of Presenting for Broadway Across America.

“We’re excited to continue bringing special, one-of-a-kind experiences to our members through our continued support of the FAIRWIINDS Broadway in Orlando series at Dr. Phillips Center,” said FAIRWINDS President and CEO Larry Tobin. FAIRWINDS recently signed a multi-year agreement with the arts center, which includes naming rights to the series.

Current subscribers can renew their seats starting at 10 a.m. Friday, March 9, 2018 through April 13, 2018. Subscribers who renew early before March 23, 2018 can guarantee the lowest price for their subscription by taking advantage of our new loyalty pricing. FAIRWINDS Broadway in Orlando will first send renewal information via email and encourages renewing online for ease and convenience. This electronic communication will be followed up with an invoice and brochure sent via posted mail to all subscribers.

While new subscriptions cannot be offered at this time, interested parties may join the subscription information list to be notified if any subscription seats become available. Groups of 10 or more may begin placing for most shows in the new season beginning March 9, 2018. Group minimums and discounts vary by show. Seating locations for group orders may not be confirmed until later this year.  Group tickets may not be available for Hamilton. For more information, email groups@drphillipscenter.org or call 407.455.5550. Tickets for individual shows in the 2018–2019 season will be made available at a later date.

For more information and to renew a subscription for the 2018–2019 season, visit OrlandoBroadway.com.

 

 

ABOUT THE SHOWS

 

Jersey Boys

October 30–November 4, 2018

Walt Disney Theater

Season Add-On

They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard… and the radio just couldn’t get enough of. But while their harmonies were perfect on stage, off stage it was a very different story — a story that has made them an international sensation all over again.

Go behind the music and inside the story of Frankie Valli and The Four Seasons in the Tony®-winning true-life musical phenomenon, JERSEY BOYS. From the streets of New Jersey to the Rock and Roll Hall of Fame, this is the musical that’s just too good to be true.

FEATURING THE LEGENDARY TOP TEN HITS:

“Sherry” • “Big Girls Don’t Cry” • “Walk Like A Man” • “Can’t Take My Eyes Off You” • “December, 1963 (Oh What A Night)”

 

Hello, Dolly!

starring Betty Buckley

November 27– December 2, 2018

Walt Disney Theater

Tony Award®-winning Broadway legend Betty Buckley stars in HELLO, DOLLY! – the universally acclaimed smash that NPR calls “the best show of the year!” Winner of four Tony Awards® including Best Musical Revival, director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). Breaking box office records week after week and receiving thunderous raves on Broadway, this HELLO, DOLLY! pays tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. Rolling Stone calls it “a must-see event. A musical comedy dream. If you’re lucky enough to score a ticket, you’ll be seeing something historic. Wow, wow, wow, indeed!”

Irving Berlin’s White Christmas The Musical

December 18–December 23, 2018

Walt Disney Theater

This holiday season, discover the perfect gift for everyone on your list.  Start with a timeless tale of joy and goodwill, fill it with classic Irving Berlin songs, top it off with glorious dancing and lots of snow and come see Irving Berlin’s WHITE CHRISTMAS!  It’s a must-see classic in a lavish new musical that the New York Times says to “put on your wish list.”  Irving Berlin’s WHITE CHRISTMAS tells the story of a song-and-dance team putting on a show in a magical Vermont inn and falling for a stunning sister act in the process. The show is full of dancing, laughter and some of the greatest songs ever written. The gift everyone is dreaming of is this merry and bright holiday musical.

 

Hamilton

January 22, 2019–February 10, 2019

Walt Disney Theater

HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary. Featuring a score that blends hip-hop, jazz, blues, rap, R&B and Broadway, HAMILTON is the story of America then, as told by America now.

With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.

Fiddler On The Roof

March 5–March 10, 2019

Walt Disney Theater

 

Tony-winning director Bartlett Sher and the team behind South Pacific, The King and I and 2017 Tony-winning Best Play Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick. The original production won 10 Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer

Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family.

Featuring the Broadway classics “Tradition,” “If I Were a Rich Man,” “Sunrise, Sunset,” “Matchmaker, Matchmaker” and “To Life,” FIDDLER ON THE ROOF will introduce a new generation to this uplifting celebration that raises its cup to joy! To love! To life!

Dear Evan Hansen

April 16 – April 21, 2019

Walt Disney Theater

DEAR EVAN HANSEN is the winner of six 2017 Tony Awards including Best Musical and the 2018 GRAMMY award for Best Musical Theater Album.

A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it.

“One of the most remarkable shows in musical theater history,” says The Washington Post. The New York Times calls DEAR EVAN HANSEN “a gut-punching, breathtaking knockout of a musical” and NBC News says the musical is “an inspiring anthem resonating on Broadway and beyond.”

DEAR EVAN HANSEN features a book by Tony winner Steven Levenson, a score by Grammy, Tony and Academy Award winners Benj Pasek and Justin Paul (La La LandThe Greatest Showman), and direction by four-time Tony nominee Michael Greif (RentNext to Normal).

The Original Broadway Cast Recording of DEAR EVAN HANSEN, produced by Atlantic Records, made an extraordinary debut on the Billboard 200 when released and entered the chart at #8 – the highest charting debut position for an original cast album since 1961—before going on to win the 2018 Grammy for Best Musical Theater Album. A special edition coffee table book authored by Levenson, Pasek, and Paul, Dear Evan Hansen: through the window (Grand Central Publishing / Melcher) is now available, offering an in-depth, all-access look at the musical, including never-before-seen production photos and cast portraits, behind-the-scenes stories, and a fully annotated script by the authors.

 

Anastasia

May 14–19, 2019

Walt Disney Theater

From the Tony Award-winning creators of the Broadway classic Ragtime, this dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

ANASTASIA features a book by celebrated playwright Terrence McNally, a lush new score by Stephen Flaherty (music) and Lynn Ahrens (lyrics) with direction by Tony winner Darko Tresnjak.

 

Come From Away

June 11–16, 2019

Walt Disney Theater

On 9/11, the world stopped. On 9/12, their stories moved us all.

Broadway’s COME FROM AWAY has won Best Musical all across North America. The New York Times Critics’ Pick takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships.

Don’t miss this breathtaking new musical written by Tony nominees Irene Sankoff and David Hein, and helmed by this year’s Tony-winning Best Director, Christopher Ashley. Newsweek cheers, “It takes you to a place you never want to leave!”

 

For more information and to renew a subscription for the 2018–2019 season and Broadway in Orlando, visit OrlandoBroadway.com.

###

 

FAIRWINDS Broadway in Orlando is presented at Dr. Phillips Center for the Performing Arts in partnership with Broadway Across America and Florida Theatrical Association.

Florida Theatrical Association (FTA) is a non-profit civic organization with a volunteer board of trustees established to ensure the continued presentation of quality touring Broadway productions and the promotion of arts education throughout the state of Florida. For more information, visit FloridaTheatrical.org.

BROADWAY ACROSS AMERICA (BAA) is part of The John Gore Organization family of companies, which includes Broadway.com and The Broadway Channel.  Led by 11-time Tony-winning producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Current and past productions include BeautifulCats, Chicago, Dear Evan Hansen, Groundhog Day, Hairspray, Hello, Dolly!, Million Dollar Quartet, On Your Feet!, The Producers, School of Rock and Waitress. Broadway.com is the premier theater website for news, exclusive content and ticket sales. For more information please visit BroadwayAcrossAmerica.com and Broadway.com.

About Dr. Phillips Center for the Performing Arts

Dr. Phillips Center for the Performing Arts is a nonprofit 501(c)3 organization operating the state-of-the-art performing arts center in downtown Orlando, Florida. With its opening in November 2014, the performing arts center launched its vision of Arts for Every Life by being a gathering place for creativity and discovery; a vibrant urban destination where artists, audiences and students come to experience, explore and learn. The two-block community destination features the 2,700-seat Walt Disney Theater, 300-seat Alexis & Jim Pugh Theater, Seneff Arts Plaza, Dr. Phillips Center Florida Hospital School of the Arts, the DeVos Family Room, and other event rental spaces. Future expansion includes Steinmetz Hall, a 1,700-seat acoustical theater, along with rehearsal, classroom, office space and commercial development spaces. The Dr. Phillips Center is a private non-profit collaborating with the City of Orlando, Orange County, the State of Florida and generous donors.

About FAIRWINDS

FAIRWINDS Credit Union, headed by President/CEO Larry Tobin, is the largest financial institution headquartered in Central Florida, with assets of $2.2 billion, more than 177,300 members and over 510 employees. The financial cooperative established in 1949 is open to anyone living or working in Central Florida. Membership also is available to family of members who live outside Orange, Seminole, Volusia, Osceola, Polk, Brevard or Lake counties.

 

Related Content

Film Review “A Wrinkle In Time”

Directed by: Ava DuVernay
Starring: Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Storm Reid, Levi Miller, Zach Galifianakis, Chris Pine.
Distributed by: Walt Disney Studios
MPAA Rating: PG
Running time: 109 minutes

Our Score: 3 out of 5 stars

I have to admit I saw “A Wrinkle in Time” with no previous notion that it was a best selling book series. I had no idea what it was about. I knew it had a stellar cast including Oprah Winfrey, Reese Witherspoon, Mindy Kaling and Chris Pine…and a story of a strong female lead. That was enough for me. This film marks the first film to cost over $100 million to be directed by a woman of color, neAva DuVernay. Now that is an important milestone, unfortunately that doesn’t guarantee that it will be a good movie though. I rarely find myself saying “Damn, I wish this film was longer” but with “A Wrinkle in Time”. I felt like I wanted more. More backstory, more depth with the characters and the magic that they are controlling in the film. Packs a solid heart and delivers beautiful and sometimes trippy visuals but feels rushed and scattered by the end.

Here is Disney’s official one-liner for those who aren’t familiar with the book “From visionary director Ava DuVernay comes Disney’s “A Wrinkle in Time,” an epic adventure based on Madeleine L’Engle’s timeless classic which takes audiences across dimensions of time and space, examining the nature of darkness versus light and, ultimately, the triumph of love. Through one girl’s transformative journey led by three celestial guides, we discover that strength comes from embracing one’s individuality and that the best way to triumph over fear is to travel by one’s own light.”

It’s weird even though Oprah Winfrey has her constant talk show and is everywhere always, I really never really think of her as an actress. She really didn’t do anything special here but I enjoyed her character. Reese Witherspoon personally is not a favorite actress of mine. She is cute in the film and pretty funny, so that was a nice surprise. Mindy Kaling is someone I honestly, can’t stand watching but they used her very well in this film quoting popular quotes of history and culture primarily as her only dialogue. So she ended up being cute and didn’t annoy me as usual. Chris Pine felt like he was channeling his inner Flynn from “TRON”, which is not a bad thing. This guy just rules in anything he does. Storm Reid is easily the winner here. She stole my heart and I really think she has a long career in Hollywood as she grows up. Same goes for Levi Miller. I saw him in “Better Watch Out” last year and I knew he has promise. His character was also well done and very likable.

This film does pack some really solid visuals, my only issue was that it really felt like a green screen. I felt the exact same way about “Oz, the Great and Powerful”. It was kind of a little too CGI for me. Parents be wary, I probably wouldn’t recommend this film for kids under the age of 10 due to content and a few disturbing scenes. I didn’t expect this film to have a dark side like it does but it is intense and definitely adds in a good way for the adults to enjoy but just be weary of the little ones. This is not all pretty colors and rainbows.

So overall,  this isn’t a terrible move by any means. I can’t say that I am disappointed since I had no expectations. But I can definitely say that I have thought about this movie since seeing it and how important of a message it carries despite the fact that it wasn’t perfect. It features a strong female and how she embraces herself in order to save her father. It is a great story overall, I just wish the film didn’t get lost trying to wow so much with the visuals. I would still say that this is worth seeing in theaters at least to catch the whole trippy ride. Just pace yourself for a slow moving, slightly confusing yet heart filled journey.

Orlando Boat Show arrives on March 2, 3 & 4, 2018 at the Orange County Convention Center

Central Florida’s Premier Boat Show!
With 2
0 of Central Florida’s Best Boat Dealers
Representing Over 60 Manufacturers
Bowriders, Pontoon Boats, Ski Boats, Cruisers,
Fishing Boats, Bass Boats and Deck Boats
Marine Electronics, Accessories & Much More!
If You Are Interested In Being A Vendor At The
Show Please Call 386/943-8383 Or Email
contact@orlandoboatshow.com
See Over 60 Great
Booth Vendors!
The boat show in March will be
the best Orlando Boat Show Ever!
Don’t miss this spectacular show!
March 2, 3 & 4, 2018
at the Orange County
Convention Center
South Hall B
Fun for the whole family!
Kids 12 & Under Are Free
Show Hours
Friday – 10am to 8pm
Saturday – 10am to 8pm
Sunday – 10am to 5pm

 

Related Content

Serge Levin talks about his new film Alterscape and Superstrata and talks about new Re-Animator

Last month, I was sitting reading the latest issue of Horrorhound Magazine and I came across their list for the horror films of 2018 and within that listed was a film, I had no idea even existed called ReAnimator: Evolution. The film was said to be a reboot of the franchise and directed by Serge Levin and starring Johnathon Schaech. I knew I had to seek out more information about the film and the director. I found out that it is true; he is working on a new branding of the franchise and the film has been re-titled to Herbert West: Reanimator…but before we get to that, I found out that Serge has been VERY busy with other films!

Turns out Serge is working on finishing two new films before he enters the world of Herbert West. His first film, Alterscape: is a sci-fi/drama that takes a man on a journey that transcends both physical and perceived reality. It is a real trip to watch and it also co-stars Michael Ironside (Scanners). His second film is Superstrata has Paz de la Huerta (Enter the Void) and is currently being edited by Eric Strand, the man behind Donnie Darko and Tomb Raider. Media Mikes had a chance to chat with Serge about his two upcoming movies and also got the scoop on the new re-branding for the Reanimator franchise.

Mike Gencarelli: You wrote and directed the film “Alterscape”; tell us the origin of this project?
Serge Levin: The idea behind Alterscape originated from my fascination with emotions. Due to the nature of my prior work in corporate finance, I was lucky to have traveled, lived, and worked in a few different countries. Through observation and interaction with people of various cultures, I pondered on the stark differences of how emotions are expressed, interpreted, and understood.
I also wanted to explore the relationship between emotions, feelings, and memory. Coincidentally, while waiting for a flight at an airport I came across an intriguing book by Victor S. Johnston Why We Feel: The Science of Human Emotions. Although it was a fairly short flight, I remember devouring the whole book before I landed at my destination. My hunger for the subject matter and the author’s brilliant writing structure made it an easy read, but most importantly connected many dots in the underlying study of emotions and nervous system as a whole.

Thinking back to some stories that my stepfather, Sam Hollis a Vietnam War veteran, has told me when I was younger, and inspired by more literature about Affective Science, the first draft of Alterscape was born.

MG: How was the opening falling from the building scene shot?
SL:  Indeed, the slow motion falling sequence is one of the most important story beats in the film, so I wanted it to really stand out.

Being a huge fan of 80s film era, I loved how the director John McTiernen portrayed the falling sequence with the character named Ponytail, played by Héctor Mercado, in the film Nomads 1986. It was both creepy and surreal. I needed my falling shot to have that abstract and symbolic feel, so I was definitely inspired by what I saw in Nomads.

I wanted to take it even further and actually follow our hero as he plummets from a high-rise, which required more ingenuity and technical assembly. For the sake of art I can’t get into details as to the exact process of how we shot it, although our final execution of the sequence was as close to a real fall as you can make it.

MG: I loved the whole setting of the film. The logo and parts of the score has a cool 80’s vibe. The wormhole was rad with retro feel. I also love old tech like the ancient computers mixed with the new tech; was this all planned?
SL: I appreciate you picking up on these aesthetics because it was definitely intentional. As I already mentioned, I’m inspired by many great films from the 80s and had the urge to bring back some of those vibes, analog tech, and even colors. The story does not take place in the 80s however. We keep it vague although a few visual and dialogue references do imply a more specific time period. Amalgamating retro-tech with very advanced science was also planned from the start. David Cronenberg fans, being one myself, will definitely appreciate our set designs.

MG: Tell us about the film’s visual effects? What was your most challenging task?
SL: The script called for more than 800 visual effect shots of varied complexity. My objective was to do most in-camera with real makeup, physics, and lighting. This old-school method to me seems to convey action with more realism and depth. Obviously, certain sequences required harnessing some of the digital creative tools and applying them in a very neat way. It’s thanks to my very experienced and talented cinematographer, Richard Clabaugh (Prophecy 1 and 2, Phantoms), the process of filming always took into account what and how we would need to tackle the post-production visuals.

You referred to the vortex sequence as being one of the cool-looking visuals. I’d like to add that after we travel through it, we end up in a realm that seems to span to infinity. Actually close to 90% of that composition is actually practical, not digital.

MG: What was it like working with a legend like Michael Ironside?
SL: It was a dream come true. Michael Ironside and Charles Baker, were introduced to me by our producer Jon Keeyes, who had previously worked with both. I’m extremely grateful and honored that my story resonated with such talent.

Michael was an absolute joy to work with and simply be around. It felt like working with a close family member – that’s the kind of energy Michael projected on set. He commands such strong presence, both on screen and off. Growing up watching him, in what are now cult classics of the genre that I am most passionate about, and get to actually work with Michael Ironside, was a real treat.

Overall, I was lucky to have such a talented cast. Everyone was extremely hard working and talented.

MG: I felt a Scanners vibe within the film; was this coincidence or planned with Ironside on board?
SL: Scanners is one of my favorite horror films but I did not expect to have Michael on board until we actually signed. I was overwhelmed with joy when I found out we had a solid confirm. As far as similarities to Scanners I can see where the parallels can be drawn, however the theme, premise, and motivations are very different.

We just had our world premiere at The Philip K. Dick Film Festival in New York, where we won first place (Best Feature), and one of the viewers made a reference to Liquid Sky as well. I am thrilled that our film carries those vibes and homage to the work I consider inspirational.

One day I asked Michael Ironside what he thought of our set design for the lab interiors. Right away he brought up Altered States, yet another film from the 80s.

MG: Your next film, Superstrata, is already in the books; give us a sneak preview?
SL: Superstrata is currently in post-production and I expect to have solid first assembly in a few months. I’m extremely happy with the footage that we shot and with great excitement now focusing on making the best edit.

The story revolves around a man whose psychological condition yields an unexpected side-effect enabling him to experience various quantum realities. Quantum physics and quantum mechanics are a big part of the story, but so is spirituality and the concept of interconnection through love.

Superstrata shall have many neat twists and turns, including an epic passenger jet sequence. With its many layers, stunning cinematography and big production value, it will be an impactful feature. We have awesome cast including: Robert F. Lyons, Jim Meskimen, Paz de la Huerta, and Alex Veadov.

MG: Tell me about about working with the man behind Donnie Darko and Tomb Raider, Eric Strand, and how he got involved to edit this film?
SL: Eric Strand is a veteran of his art. Working with an editor of such experience and caliber is an eye opening learning experience. Eric’s approach is very old-school, using techniques that were bullet-proof for cutting film. Our digital workflow, in my view, adds to Eric’s creative freedom and leverages his proven know-how. Eric and I connected in many ways, including the type of genres we like and the study of Martial Arts.

MG: Alex Veadov appears in both of your upcoming films Alterscape and Superstrata?; tell us about this collaboration?
SL: The first time I saw Alex in a film, it was We Own The Night directed by James Gray. I was blown away by his ability to convey so much emotion simply with his eyes. I believe Alex is one of the most talented actors of our time and have been blessed to work with him on several projects.

Our collaboration started with Alterscape when I reached out to him directly with the script and then bringing him onboard via his agent. When I started working on the Superstrata script, I already had Alex in mind for one of the roles. I’m grateful that he has been receptive to my material and his schedule worked out.

MG: What can you tell me about the planned reboot “Herbert West: Reanimator”
SL: We will be announcing exciting news regarding the Reanimator rebrand very soon. I wouldn’t call it a reboot of the original Re-Animator film, which I love and have tremendous respect for. Our adaptation of H.P. Lovecraft’s original story shall stay true to the underlying material yet accentuate more of its scientific and dark undertones.

MG: Is Johnathon Schaech still involved? When can we expect it?
SL: Johnathon Schaech is a co-writer together with Jon Keeyes. Johnathon is also a very talented actor and I expect to have a full cast confirmed in the near future.

It’s important to note that we are not only producing a new adaptation of a well-known literary work but also incorporating innovative high-tech applications to make this an unprecedented viewing spectacle with ancillary interactive content.