GWAR Releases Video For “Viking Death Machine”
Kicks off North American Tour This Saturday

Human Scum! It is now that time of year and your Lords and Masters GWAR will soon awaken from their Antarctic slumber to devastate North America once again. The “Gore, Core, Metal and More” tour will be co-headlined by GWAR, and the mighty Hatebreed! This rolling heavy metal nightmare kicks off October 7th, following an appearance from GWAR at the Rock Allegiance Festival in Camden, NJ on October 6th. A complete list of all dates can be found below.

Before the tour begins, GWARis pleased as a bowl of bloody punch to share with you the new video for their epic song ‘Viking Death Machine,’ taken from their latest opus, 2018’s “The Blood of Gods,” a masterpiece of obscenity chronicling the rise of humanity against their makers, and the massive battle between GWAR and the forces of all that is uptight and wrong with the world. The video was created by Makinita Silva, an Ecuadorian masked Luchador who is also an independent 2-D animator.

Watch the video HERE.

Of the video, Blothar has the following to say: “Humans, are you ready to ride the ‘Viking Death Machine’? Our latest video is a faithful animated schlockumentary depicting my harrowing, blood-drenched defeat of the Load Warriors and the other denizens of Saturday morning raceway hijinx, including all of my fellow bandmates in GWAR. I am delighted to take my rightful place as the King of Cartoon Violence, and champion of the first annual Suck-It-Up-Butter Cup! Watch the video now! It’ll make you shit.”

GWAR & Hatebreed Co-Headline
10/6: Camden, NJ @ Rock Allegiance*
10/7: Buffalo, NY @ Town Ballroom
10/9: Lawrence, KS @ Granda Theater
10/10: Denver, CO @ Summit Music Hall
10/11: Salt Lake City, UT @ The Complex
10/12: Boise, ID @ Revolution Concert House
10/13: Sacramento, CA @ Aftershock Festival*
10/15: Seattle, WA @ Showbox Sodo
10/16: Portland, OR @ Roseland Theater
10/18: Los Angeles, CA @ Belasco Theater
10/19: Tempe, AZ @ The Marquee
10/20: Albuquerque, NM @ Sunshine Theater
10/22: Houston, TX @ Warehouse Live
10/23: Dallas, TX @ Gas Monkey Live
10/24: Tulsa, OK @ Cain’s Ballroom
10/25: Sauget, IL @ Pops
10/26: Madison, WI @ The Sylvee
10/27: St. Paul, MN @ Myth Live
10/28: Peoria, IL @ Monarch Music Hall

*Festival Appearance

GWAR Headline Dates:
10/29: Detroit, MI @ Saint Andrews Hall
10/30: Cleveland, OH @ House of Blues
10/31: New York, NY @ Irving Plaza
11/2: North Myrtle Beach, SC @ House of Blues
11/3: Atlanta, GA @ Masquerade
11/4: Raleigh, NC @ Lincoln Theater
11/6: Stroudsburg, PA @ Sherman Theater
11/7: Clifton Park, NY @ Upstate Concert Hall
11/8: Worcester, MA @ The Palladium
11/9: Baltimore, MD @ Baltimore Soundstage
11/10: Richmond, VA @ The National#

#With Municipal Waste, High on Fire and Toxic Holocaust

12/31: Norfolk, VA @ The Norva

For More Info Visit:
http://www.gwar.net

RAVEN Announce North American Tour!

In between recording a scorching new studio album and a European tour opening for Saxon, NWoBHM legends RAVEN have announced a 27 date North American tour with Extinction AD and Mobile Deathcamp providing support. The tour begins on November 1st in Houston, TX and runs through December 1st in Jonesboro, GA. A complete list of dates can be found below

“We are firing on all cylinders right now in Europe and are looking forward to blasting out a revised headline set with a few surprises!” says frontman and bassist John Gallagher.

RAVEN W/ Extintction A.D. and Mobile Deathcamp
11/1: Houston, TX @ Concert Pub North
11/2: Ft. Worth, TX @ The Rail Club
11/3: El Paso, TX @ Joey’s Badcompany*
11/4: Mesa, AZ @ Club Red
11/6: Fullerton, CA @ The Slidebar
11/7: Los Angeles, CA @ The Whisky
11/8: San Francisco, CA @ Thee Parkside
11/9: Portland, OR @ Hawthorne Lounge
11/10: Seattle, WA @ Tony V’s
11/11: Vancouver, BC @ The Wise Hall
11/12: Spokane, WA @ The Pin
11/14: Salt Lake City, UT @ The Urban Lounge
11/15: Denver, CO @ Hermans Hideaway
11/16: Kansas City, MO @ The Riot Room
11/17: Des Moines, IA @ Vaudeville Mews*
11/18: Sioux Falls, SD @ Bigs Bar
11/19: Minneapolis, MN @ Lee’s Liquor Lounge
11/20: Chicago, IL @ Reggie’s
11/21: Ft Atkinson, WI @ Hijynx
11/23: Westland, MI @ The Token Lounge
11/24: Toronto, ON @ Hard Luck
11/25: Rochester, NY @ The Montage
11/26: Brooklyn, NY @ The Kingsland
11/27: Clifton, NJ @ Dingbatz
11/28: Frederick, MD @ Café 611
11/29: Chesapeaker VA @ The Riffhouse
12/1: Jonesboro, GA @ Furnace 41

*No Mobile Deathcamp

For More Info Visit
www.ravenlunatics.com
https://www.facebook.com/ravenbandofficial/
https://www.facebook.com/steamhammerofficial

Phil Palmer is a legendary session guitarist who has performed on countless albums for acts such as Robbie Williams and George Michael and Bob Dylan. Palmer has also had the distinction of being a member of both Eric Clapton’s band and 80’s hit makers Dire Straits. Palmer is currently on the road touring with Dire Straits Legacy (DSL) a group made up of former Dire Straits members wanting to pay tribute the bands amazing catalog. Media Mikes had the chance to speak with Phil recently about the group’s formation and the bands first tour of the United States in ten years.

Adam Lawton: Can you give us some history as to how you initially became with Dire Straits?

Phil Palmer: I was part of the band during the group’s last world tour between 1991 and 1992. I think we did something around 270 shows. Prior to joining Dire Straits I had been in Eric Clapton’s band for about three years. That time period was quite busy for me as Eric’s group was very active and then I went right over to Dire Straits to play over 200 shows.

AL: What was it like transitioning stylistically from Eric Clapton to Dire Straits?

PP: The main difference I guess was for Eric’s tour we did around three days of rehearsal. It was all very much by the seat of your pants. At that time I think he had the best band in the world. The situation was very fluid and the arrangements would often evolve as we began playing as the environment was very free. When I joined Dire Straits we rehearsed for three months prior to the tour starting. There were quite a few complicated sections and the arrangements were very important to Mark. That was probably the biggest difference. To be in Dire Straits you have to be regimented. Half of my job was to make sure that when Mark decided to be spontaneous with his playing that I stayed out of his way while still providing a supportive role. This was much different than where I had just come from. As a session player those are the types of things I am good at so after the three months of rehearsal and we started playing shows things lightened up a bit. The real important thing was the dynamics which tended to be the hardest thing to get everyone in sync to.

AL: Now how did the Dire Straits Legacy project start out?

PP: This group was born out of a chance meeting really. I had not seen any of the other Dire Straits guys in about ten years or so. There was an idea for us to get together and play the Dire Straits music presented so we all met in Rome and at the start we weren’t really in to the idea. After a nice dinner and a few bottles of wine everyone loosened up to the idea. After that a small show was set up for us just outside of Rome. With very little rehearsal we showed up to a field filled with around ten thousand people waiting to hear us play. We realized then that there was a lot of life left in the Dire Straits band and the only person who was not there that should have been was Mark Knopfler. Most of the original Dire Straits personnel from the tour in 92’ came out for this show and had fun.

AL: With Mark not being involved in the project was there any trepidation on your part to do the project?

PP: Yes. We weren’t sure people were going to accept it without Mark. The surprising thing is it’s the music that shines through. Marks songs and arrangements are so good that people still love it and even after twenty five years of being away the shows go over great! The music is just so interesting that people really love it.

AL: Can you tell us about the current DSL line up?

PP: Steve Ferrone and I have known each other since the Eric Clapton days. He is such a great drummer and to have him involved in this is very cool. His history with Tom Petty speaks for itself. Trevor Horn is a guy who I have worked a lot with over the years and, one day I mentioned to him that we were going to be doing this tour. He said he was interested in being a part of it and jumped on board. It’s interesting to look at the resumes the guys in the band have. It’s just extreme! There so much material that we could pull from each of our careers. The other day we were playing “Owner of a lonely Heart” which Trevor wrote and produced for Yes. That’s a great song to listen to and play. It also gives a slight diversion from the Dire Straits stuff. We really wanted to explore everyone’s talent even if it was outside of Dire Straits. We plan to add a few other songs outside of the Dire Straits set as time goes on.

AL: It has been awhile since the group has been to the United States. Can you tell us about the upcoming shows here and possibly why you have been absent from the U.S. market?

PP: We like playing in the States however this project can be a bit hard to promote. We are playing the music of the Dire Straits however we are not the Dire Straits. We can’t legally use the name so it’s hard for us to explain to people what they are buying tickets to see. That’s really been our main issue. We have a showcase booked in Nashville for all the American promoters and it was basically brought us to the States. We are doing some other gigs because we want to play but everything sort of revolves around this showcase which we hope will generate gigs for 2019. By coming over to the States now in late 2018 we are hoping to get the foot hold we need to make a solid presence for next year.

AL: In 2017 DSL release “3 Chord Trick”. Are any of the songs from that album going to be featured in the set for this run of U.S. shows?

PP: We are going to play a few tracks from that album. We had a lot of fun recording that record. The idea was to record the old way where the band was all in one room and not use any modern equipment. It was a lot of fun and I think the album has a depth that you just don’t hear today. It is quite diverse. There are some Dire Straits moments in there as the nucleolus of the band (Alan Clark and myself) we were inspired by Mark’s music but we didn’t deliberately go out and try to produce a Dire Straits album. We like to think that “3 Chord Trick” is the next stage of our development rather than Dire Straits.

AL: Are there any other projects you are currently working on outside of the Dire Straits Legacy project?

PP: Alan and I have been working with Trevor on a project called “The 80’s Reinvented”. It’s a bunch of classic tracks from that era done in Trevor Horn’s signature style. That’s been a lot of fun! We have been working with a full orchestra and a lot of very special guest performers. Trevor being who he is able to call up just about anyone and ask them to be on his record and they more than likely will do it! It’s great fun.

For more info in Dire Straits Legacy visit www.dslegacy.com

The Iconic Rock Band’s Four Same-Day-Released Solo Albums Come Together To Celebrate Their 40th Anniversary In
A Limited-Edition 4LP Vinyl Box Set Via Casablanca/UMe On October 19

Forty years ago today, each one the four founding members of KISS — Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss — released their respective solo albums all on the same day to much fanfare, chart success, and platinum sales. And now, four decades later, all four of these pioneering albums are celebrated in KISS: The Solo Albums – 40th Anniversary Collection, a limited-edition 180-gram 4LP box set by Casablanca/UMe that’s earmarked for release on October 19.

Preorders commence today, September 18, for the limited run of 2,500 vinyl box sets, available exclusively through KISS’s artist webstore (https://www.shopkissonline.com) and The Sound of Vinyl (https://SOV.lnk.to/KISSSoloAlbumsText). Each heavyweight 180-gram LP features a unique color to match its associated cover art; Gene Simmons appears in red vinyl, Paul Stanley sports purple vinyl, Ace Frehley contains blue vinyl, and Peter Criss is in green vinyl. All four albums are housed together in a deluxe black-matte slipcase that features glossy black images of the four artists’ faces surrounding a silver-foil print of the infamous KISS logo.

Also included in this set are four 12-by-12-inch posters of each album cover, plus an exclusive turntable slipmat that shows all four of artist Eraldo Carugati’s iconic, painted album-cover face images all connected together.

All four of these solo albums served to showcase the wide range of talents of each KISS bandmember.Gene Simmons, co-produced by Simmons and Sean Delaney, features the band’s bassist and co-lead vocalist switching over mainly to acoustic and electric guitar duties for songs that highlight his penchant for Beatlesque melodies, funk, and hard rock. Highlights include a remake of “See You In Your Dreams” (initially found on KISS’ 1976 benchmark album, Rock And Roll Over) and a cover of the 1940 Disney classic from Pinocchio, “When You Wish Upon A Star.” Guest musicians include Aerosmith’s Joe Perry, Cheap Trick’s Rick Nielsen, Bob Seger, Cher, Donna Summer, and Katey Sagal.

Meanwhile, Paul Stanley was co-produced by Stanley and Jeff Glixman and it showcases all-original material and stellar work across the board from the KISS lead vocalist and rhythm guitarist, in addition to lead and acoustic guitar work from longtime KISS axe associate Bob Kulick. The super-catchy track “Hold Me, Touch Me (Think Of Me When We’re Apart)” reached No. 46 on the Billboard Hot 100 Singles chart.

Ace Frehley, produced by Eddie Kramer and Frehley, finds the lead guitarist doing what he does best. Frehley’s foot-stomping cover of “New York Groove,” originally a 1975 hit by the British glam band Hello, peaked at No. 13 on the Billboard Hot 100 Singles chart. Guest musicians include Anton Fig on drums (a sometimes KISS session musician who later became a member of Frehley’s Comet) and bassist Will Lee, both of whom went on to become core members of both of David Letterman’s late-night talk-show house bands led by keyboardist Paul Shaffer.

Finally, Peter Criss was produced by Vini Poncia, a onetime Ringo Starr co-writer who later produced a pair of key KISS albums, 1979’s Dynasty and 1980’s Unmasked. Most of the songs on Peter Criss had been written back in 1971 for the drummer/vocalist’s aptly named pre-KISS band, Lips. The album also boasts a rousing cover of Bobby Lewis’s No. 1 1961 hit single, “Tossin’ And Turnin’,” a song that KISS often wound up playing live during their 1979 Dynasty Tour.

Preorder KISS: The Solo Albums – 40th Anniversary Collection here: https://SOV.lnk.to/KISSSoloAlbumsText

KISS – KISS SOLO ALBUMS [4LP 180g vinyl]

GENE SIMMONS
SIDE A
1. Radioactive
2. Burning Up With Fever
3. See You Tonite
4. Tunnel Of Love
5. True Confessions
SIDE B
6. Living In Sin
7. Always Near You/Nowhere To Hide
8. Man Of 1,000 Faces
9. Mr. Make Believe
10. See You In Your Dreams
11. When You Wish Upon A Star

PAUL STANLEY
SIDE A
1. Tonight You Belong To Me
2. Move On
3. Ain’t Quite Right
4. Wouldn’t You Like To Know Me
5. Take Me Away (Together As One)
SIDE B
6. It’s Alright
7. Hold Me, Touch Me (Think Of Me When We’re Apart)
8. Love In Chains
9. Goodbye

ACE FREHLEY
SIDE A
1. Rip It Out
2. Speedin’ Back To My Baby
3. Snow Blind
4. Ozone
5. What’s On Your Mind?
SIDE B
6. New York Groove
7. I’m In Need Of Love
8. Wiped-Out
9. Fractured Mirror

PETER CRISS
SIDE A
1. I’m Gonna Love You
2. You Matter To Me
3. Tossin’ And Turnin’
4. Don’t You Let Me Down
5. That’s The Kind Of Sugar Papa Likes
SIDE B
6. Easy Thing
7. Rock Me, Baby
8. Kiss The Girl Goodbye
9. Hooked On Rock ’N’ Roll
10. I Can’t Stop The Rain

LITTLE STEVEN AND THE DISCIPLES OF SOUL OFFER SOLIDARITY TO TEACHERS AND THE #REDFORED MOVEMENT WITH “SOULFIRE TEACHER SOLIDARITY TOUR 2018”

PERFORMING IN EVERY STATE TEACHERS HAVE BEEN STRIKING
OR ARE CONSIDERING GOING ON STRIKE
HOSTING PROFESSIONAL DEVELOPMENT EXPERIENCE TO INTRODUCE GROUNDBREAKING TEACHROCK MUSIC CURRICULUM

TICKETS TO NORTH AMERICAN TREK AVAILABLE FREE TO EDUCATORS OF ALL TYPES
DATES BEGIN OCTOBER 18TH IN WILKES BARRE, PA; SHOWS ON SALE NOW

SOULFIRE LIVE! BOX SETS AVAILABLE NOW FOR PRE-ORDER

Little Steven and the Disciples of Soul will show solidarity with and say thank you to hard-working teachers across North America with a landmark headline tour introducing TeachRock, the Rock and Roll Forever Foundation’s free, multimedia, K-12 interdisciplinary curriculum which meets prevailing standards in English Language Arts, Social Studies/History, the Fine and Performing Arts, and also includes STEAM and advisory material. The “Soulfire Teacher Appreciation Tour 2018” begins October 18th at The Kirby Center in Wilkes Barre, PA and then continues into December. All shows on sale now. For complete details and tickets, please visit www.littlesteven.com/on-tour.

The “Soulfire Teacher Solidarity Tour 2018” concerts are free for educators of all types (and a guest) – teachers are invited to sign up at teachrock.org/tour. Each show on the tour will also see Little Steven and his TeachRock staff hosting free professional development workshops designed to engage educators with techniques and content through which they can comfortably use music to inspire students, even if they’ve never touched an instrument. In many locations, the workshop will also count towards continuing education hours and license renewal.

The Little Steven and the Disciples of Soul Teacher Solidarity Tour Professional Development Experience will offer an introduction to the Teachrock.org curriculum, and include material suitable for K-12 teachers of all disciplines, interdisciplinary best practices, and group activities. In addition, the one-hour workshops will see a personal visit from Little Steven, with attendees also receiving a teacher-only edition “Teacher Appreciation Tour” t-shirt, a certificate of attendance, and tickets for the educator and a guest to that evening’s Little Steven and the Disciples of Soul concert.

“This is a little different than the professional development experience you may be used to,” says Little Steven. “This is a rock ‘n’ roll experience.”

Little Steven unveiled the “Soulfire Teacher Solidarity Tour” with a personal video announcement, streaming now at the official TeachRock YouTube channel HERE.

LITTLE STEVEN AND THE DISCIPLES OF SOUL:
SOULFIRE TEACHROCK TOUR 2018

OCTOBER
18 – Wilkes Barre, PA – Kirby Center
20 – Rochester, NY – Kodak Center
23 – Atlantic City, NJ – Hard Rock Hotel & Casino
24 – Pittsburgh, PA – Homestead Music Hall
29 – Wabash, IN – Honeywell Center
31 – Milwaukee, WI – Pabst Theater

NOVEMBER
2 – Burnsville, MN – Ames Center
3 – Green Bay, WI – Meyer Theatre
5 – Chicago, IL – Center
7 – Tulsa, OK – Brady Theater
9 – Detroit, MI – Detroit Music Hall
10 – Peoria, IL – Monarch Theater
12 – Louisville, KY – Mercury Ballroom
14 – Columbus, OH – Newport Music Hall
16 – Northfield, OH – Hard Rock Rocksino
17 – Morgantown, WV – Metropolitan Theatre
26 – Oklahoma City, OK – Tower Theatre
28 – Omaha, NE – Holland Performing Arts Center
30 – Denver, CO – Gothic Theatre

DECEMBER
1 – Salt Lake City, UT – The Depot
3 – Vancouver, BC – Vogue Theatre
5 – Snoqualmie, WA – Snoqualmie Casino
7 – San Francisco, CA – The Fillmore
8 – Stateline, NV – Harrah’s Lake Tahoe
11 – San Diego, CA – House of Blues
12 – Anaheim, CA – House of Blues
14 – Las Vegas, NV – House of Blues
16 – Phoenix, AZ – Van Buren

www.littlesteven.com/on-tour

Steven Van Zandt’s Rock and Roll Forever Foundation is a 501(c)(3) organization that integrates arts throughout K-12 classrooms via rich, standard-aligned lesson plans and hands-on teacher workshops, all delivered to educators and districts at no cost. TeachRock is a standards-aligned arts integration curriculum that uses the history and culture of popular music to engage students in all disciplines. From social studies and language arts to geography, STEAM, general music, and more: TeachRock has engaging and meaningful material for every K-12 classroom, and it’s all shared with teachers and students at no cost. TeachRock is endorsed by the National Council for the Social Studies, the National Association for Music Education, and the National Council for Geographic Education, with partners including Scholastic Inc., PBS, Reelin’ in the Years, ABC News, Rock’s Backpages, New York University’s Steinhardt School, and the Grammy Museum. For lesson plans and additional information, please visit teachrock.org.

“Music will forever be humanity’s most effective and consistent source of inspiration and motivation,” says Little Steven, “and, we have learned, music turns out to be our most solid common ground for establishing communication between teachers and students which is where education begins.”

The “Soulfire Teacher Solidarity Tour” follows the recent release of SOULFIRE LIVE!, a spectacular new live collection recorded last year in North America and Europe during Little Steven’s first world tour in nearly two decades. The 3CD and LP editions feature an exclusive third disc highlighted by superstar guest performances recorded throughout the trek, including Bruce Springsteen, Richie Sambora, Peter Wolf, and Jerry Miller (of Moby Grape). SOULFIRE LIVE! is available now via Wicked Cool/Big Machine/UMe. A unique 7LP vinyl box set and Blu-ray edition of SOULFIRE LIVE! is also on the way and is available to pre-order now.

DOWNLOAD/STREAM SOULFIRE LIVE!
PURCHASE SOULFIRE LIVE! BOX SETS

An epic and electrifying journey through rock ‘n’ roll history led by one of its most passionate practitioners, SOULFIRE LIVE! showcases Stevie Van Zandt’s limitless knowledge, talent, and sheer love for the genre in all its many shapes and guises. Among the album’s many highlights are original songs from throughout Little Steven’s illustrious career – including classics like “Standing In The Line Of Fire” and “I Don’t Want To Go Home” – alongside a number of favorite cover versions like The Electric Flag’s “Groovin’ Is Easy,” Etta James’ “Blues Is My Business,” and James Brown’s “Down And Out In New York City,” the latter two songs also featured on last year’s critically acclaimed SOULFIRE. In addition, SOULFIRE LIVE! includes Van Zandt’s inimitable introductions, detailing each song’s unique history and singular spot in his life and illustrious career.

Little Steven Van Zandt is of course known around the world for his utterly personal songwriting and an ambitious adventurousness that has fueled much of his creative output these past two decades. In addition to his ongoing role as a touring and recording member of The E Street Band, he has also expanded his artistic parameters to include landmark work as an actor on The Sopranos and Lilyhammer as well as host, historian, and rock ‘n’ roll advocate on Sirius XM’s one-and-only “Little Steven’s Underground Garage” (not to mention creator of Sirius XM’s long-running “Outlaw Country” format). Van Zandt has also expanding his musical boundaries to include composing the score for all three seasons of Lilyhammer and additional work as producer and songwriter, lending his distinctive craft to records from an array of international garage rockers.

Related Content

• Ace Frehley Releases New Music Video for “Rockin With the Boys”. New Solo Album Due 10/19
• Bassist Sam Rivers Discusses His New Band SleepKillers and Their Self Titled Debut Album
• Stellar Circuits Vocalist Ben Beddick Discusses the Bands New Album “Ways That Haunt”
• Judas Priest Announce Spring/Summer 2019 North American Tour
• Incite’s Richie Cavalera Discusses Their New Album “Built to Destroy”

BMG to Reissue DIO’s Classic 1996 – 2004 Studio Albums

The entire DIO studio album collection is now complete! BMG and Niji Entertainment Group Inc. have partnered to reissue DIO’s 1996 – 2004 studio albums. Fans will finally be able to enjoy official versions of Angry Machines (1996), Magica (2000), Killing The Dragon (2002), and Master Of The Moon (2004). These titles have sold a quarter of a million copies in the US alone and have been out of print and unavailable for nearly five years. Beginning today, September 14, 2018, all four albums will be available globally on all DSP’s.

The launch date lines up with Julien’s Auctions tribute to one of the most influential heavy metal heroes and forefathers of headbanging music with the “Property from the Estate of Ronnie James Dio” auction, live at the Hard Rock Café in New York today, September 14 and Saturday, September 15.

Wendy Dio says, “I am very excited to be working with BMG, a label that still has a passion for rock music. They will be making the complete DIO catalogue available again with some interesting surprises.”

Now Available Globally at All DSPs:

Angry Machines
Originally released in 1996, DIO’s first independent release
Personnel: Ronnie James Dio (Vocals), Tracy G (Guitars), Jeff Pilson (Bass), Vinny Appice (Drums) & Scott Warren (Keyboards)
Features: “Don’t Tell The Kids” and “Hunter Of The Heart”

Tracklist:
1. Institutional Man
2. Don’t Tell The Kids
3. Black
4. Hunter Of The Heart
5. Stay Out Of The Mind
6. Big Sister
7. Double Monday
8. Golden Rules
9. Dying In America
10. This Is Your Life

Magica
Originally released in 2000
Personnel: Ronnie James Dio (Vocals), Craig Goldy (Guitars), Jimmy Bain (Bass), & Simon Wright (Drums)
Magica hit the charts in the US, Finland, Germany, Sweden and Japan
Features: “Fever Dreams” and “Magica Theme”

Tracklist:
1. Discovery
2. Magica Theme
3. Lord Of The Last Day
4. Fever Dreams
5. Turn To Stone
6. Feed My Head
7. Eriel
8. Challis
9. As Long As It’s Not About Love
10. Losing My Insanity
11. Otherworld
12. Magica (Reprise)
13. Lord Of The Last Day (Reprise)
14. The Magica

Killing The Dragon
Originally released in 2002
Killing The Dragon charted in the US, Sweden, Finland, Germany, Austria, & Japan
Personnel: Ronnie James Dio (Vocals), Doug Aldrich (Guitars), Jimmy Bain (Bass), & Simon Wright (Drums)
Video for the single “Push” features appearance by Tenacious D
Tracklist:
1. Killing The Dragon
2. Along Comes A Spider
3. Scream
4. Better In The Dark
5. Rock & Roll
6. Push
7. Guilty
8. Thrown Away Children
9. Before The Fall
10. Cold Feet

Master Of The Moon
Originally released in 2004, final studio album under the DIO band name
Personnel: Ronnie James Dio (Vocals), Craig Goldy (Guitar), Jeff Pilson (Bass), & Simon Wright (Drums)
Master Of The Moon charted in the US, Finland, Sweden, & Germany
Features: “One More For The Road” and “The Eyes”

Tracklist:
1. One More For The Road
2. Master Of The Moon
3. The End Of The World
4. Shivers
5. The Man Who Would Be King
6. The Eyes
7. Living The Lie
8. I Am
9. Death By Love
10. In Dreams

Jaycee Clark is the vocalist for the Winston-Salem NC based rock band A Light Divided. The band is set to release a brand new album on October 5th titled “Choose Your Own Adventure”. Media Mikes had the chance to speak with Jaycee recently about the band, their new album and their latest single/video “Fear of Heights”.

Adam Lawton: Can you give us some history on A Light Divided and how the band came together?

Jaycee Clark: About ten years ago I started the band with our drummer Adam Smith and a few other people who are no longer in the band. Adam and I have always had our eye on the prize and after a few years we found some other guys who had the same passion we have and who are willing to do whatever it takes to get the band to the next level. Staying out on the road and all that can be a lot to ask somebody so having a group of guys who are down for that just as much as I am is really awesome.

AL: The new album comes out Oct. 5. Can you give us some background on that?

JC: We have worked with producer Kile Odell on all of our releases. When we went in to start work on “Choose Your Own Adventure” things were a little bit different as we had some new members this time around. Things were much more collaborative between the five of us and it wasn’t just one person writing music and another writing lyrics. Everybody had their own say and influences reflected in the process which was great. Ultimately I think this record came out better because of all that. We bounced a lot of ideas off one another and if everyone thought it was cool we went with it. At the end of the day everyone was super stoked with what we had done.

AL: Aside from the collaboration aspect of this album was there anything else that happened differently this time around during the writing/recording process?

JC: I think this record is a lot different than our previous works. Prior to starting work on the record we were sort of feeling boxed in as to what A Light Divided was supposed to sound like. We decided to throw all of that out the window so that we could have a fresh start. We really took our time making something that all of us could be proud of.

AL: Can you tell us about the album’s title “Choose Your Own Adventure”?

JC: There was a little bit of nostalgia we wanted to capture from the book series we grew up reading. With those books you had decisions to make which resulted in different outcomes. I liked that sentiment and related it to real life. For me “Choose Your Own Adventure” means to not be afraid to just take life by the balls and go after the things that make you happy. Every song on this record is about making a choice from removing negative people in your life to stop fighting your inner self. We really took the ideas behind the book series and applied it to real life.

AL: You recently released a video for the song “Fear of Heights”. Can you tell us about that?

JC: It was really important for us to showcase our live performance and who we are as a band. We are very high energy basically all of the time. We love getting on stage and showing the emotion behind each of the songs. We also feel if we are not having fun on stage how will anyone else have fun? We wanted to showcase the type of band we are visually right off the bat. “Fear of Heights” is such an upbeat song that it was a no brainer for us to pick that song as our first single. It is a very guitar driven song with a super catchy chorus. The song gives me a very summer type vibe that makes me think of going to the beach and blasting songs with the windows down. “Fear of Heights” is perfect for that!

AL: Are there plans in place for the band to tour behind the albums release?

JC: We are going to be doing a south east run called the “Chapter 1” tour (laughs). We are very excited about this new album and want to hit the ground running once it is released. This first run is going to be just us headlining the shows as we felt it was important for us to go out alone to show who we are and then let things grow from there. This tour is going to be a game changer for us as before when we toured we could only go out for about ten days or so before we had to get back. With this upcoming run we are going to be out a bit longer and most of us will probably lose our jobs (laughs). We are choosing our own adventure on this run and it is do or die so we are going out there to really do this.

For more info on A Light Divided you can find them on facebook.com/alightdivided and check out the video for “A Fear of Heights” here.

The Boyd Satellite Gallery in conjunction with Art for Arts Sake, is proud to present artist Sean Yseult’s new photography series They All Axed For You. The new photographs serve as both a love letter and birthday gift for the City of New Orleans on the anniversary of it’s Tricentennial. The inspiration for this show began with this love of Nola, and some very strong images Ms. Yseult saw in her dreams. The show is on display October 2nd – October 31st with an Artist’s Reception October 6th.

One image titled Procession depicts Audubon Zoo animals lined up in pairs on a path through the large Live Oaks. In a dream that came to the artist the day after her mother passed away, the two of them were walking through the animals in the park, as though guided by a light.

Another image, Elephants Storming the Mississippi was also dreamt first – elephants slowly and determinedly trudging through the river in a somewhat ominous manner. Once realizing that these images occurred in two of the Artist’s favorite and most iconic spots of New Orleans, this concept became the basis of the show: the beasts of the Audubon Zoo have a day pass and are hanging out in all of Ms. Yseult’s favorite iconic spots. The show is the perfect way to marry her tribute to the Tri Centennial, her favorite locations in New Orleans for settings, and some colorful local characters for models.

In addition, the Boyd Satellite Gallery will be home to some of Ms. Yseult’s colorful design work, through her new Wallpaper Series acting as backdrop to the photos.

Sean Yseult is best known as the bass player from the multi-platinum, twice Grammy-nominated band White Zombie. Sean spent her formative years at the North Carolina School of the Arts studying ballet and earned a BFA in Photography and Design at Parsons School of Design NYC.

Upon White Zombie’s breakup, she moved to New Orleans and began showing her photography. This is Ms. Yseult’s fourth solo art exhibition series. Her previous work has been shown in solo shows in New Orleans, New York City, Los Angeles, and San Francisco, and can be viewed by visiting www.seanyseult.com. In 2010 her autobiographical photo-book I’m In The Band was published (Soft Skull Press). Photos in the 2nd gallery continue the exhibition with Backstage: Rock Shots by Sean Yseult, including the Ramones, Pantera, and the Cramps.

METALLICA …AND JUSTICE FOR ALL (REMASTERED)
DEFINITIVE RE-RELEASE OUT NOVEMBER 2, 2018

PRE-ORDERS FOR 1988 BREAKTHROUGH ALBUM OPEN TODAY

EXPANDED AND DELUXE EDITIONS TO FEATURE PREVIOUSLY UNRELEASED MATERIAL INCLUDING DEMOS, ROUGH MIXES, VIDEO, LIVE ALBUMS, INTERVIEWS, NEVER BEFORE SEEN PHOTOS & MORE
SAN FRANCISCO, CA –

SEPTEMBER 6, 2018 – Today Metallica commemorate the 30th anniversary of the release of their breakthrough fourth album …And Justice For All with the announcement of its definitive reissue, out November 2nd on the band’s own Blackened Recordings.

The re-release of …And Justice For All has been remastered for the most advanced sound quality, as overseen by Greg Fidelman, and will be available in multiple digital and physical configurations. Pre-orders begin today at www.metallica.com where fans can see the full package details and track listing. Pre-orders of all configurations will receive an instant download of “Dyers Eve (Remastered),” while pre-orders of the expanded and deluxe editions will receive an additional instant download of “Eye of the Beholder (Live at Hammersmith Odeon, London, England – October 10th, 1988).”

The …And Justice For All reissue will be available physically as a Standard Double 180 gram LP, Standard CD, 3 CD Expanded Edition, Cassette, Limited Edition Deluxe Box Set and digitally as a Standard album (available to stream and download), an Expanded Edition (available for download only), and a Digital Deluxe Box Set (available for streaming and download). The Expanded Edition will include previously unreleased demos, rough mixes, previously unreleased live tracks, and an expanded booklet of never-before-seen Ross Halfin photos. The one-pressing-only Limited Edition Deluxe Box Set will include the remastered double 180g LP, a “One” picture disc, 3 LPs featuring their iconic performance from Seattle in 1989 remixed by Greg Fidelman, 11 CDs, 4 DVDs, a set of four patches, a Pushead print, a tour laminate, lyric sheets, a download card for all material in the set, and a deluxe 120-page book with never-before-seen photos and never-before told stories from the people who were there.

Click HERE to watch Metallica guitarist Kirk Hammett unbox the reissue.

…And Justice For All was originally released—despite what the internet might tell you— September 7th, 1988, on Elektra Records. Certified 8x Platinum in the United States, …And Justice For All marked a series of firsts for Metallica: The first full length Metallica recording to feature bassist Jason Newsted, the first Metallica album to crack the U.S. Top 10 where it peaked at #6, the band’s first video and top 40 single (“One”), their debut performance on the Grammy Awards, as well as their first Grammy loss (Best Hard Rock/Metal Performance Vocal or Instrumental for …And Justice for All), and first Grammy win (Best Metal Performance for “One”). It also received more widespread critical acclaim than any of its predecessors, with Rolling Stone hailing the album as “a marvel of precisely channeled aggression,” Spin calling it “a gem of a double record,” and ultimately placing in the Village Voice annual Pazz & Jop critics poll of the year’s best reviewed albums.

ANTHRAX TO CELEBRATE THE 30TH ANNIVERSARY OF STATE OF EUPHORIA
Deluxe Anniversary Edition to be Released by Island Records/UMe on October 5

Island Records/UMe will release the 30th anniversary, 2-CD deluxe edition of Anthrax’s fourth studio album, State of Euphoria. The package will consist of two discs: Disc One is the fully-remastered album, all of the B-sides originally released in conjunction with the album, and “Antisocial” recorded live in London at the Hammersmith Odeon in March, 1989; Disc Two, “Charlie’s Archives,” is a real treasure trove for Anthrax fans as it puts you right in the room with the band as the album’s songs evolved. The package also includes a 20-page booklet that will take you right back to the time of the album’s release.

State of Euphoria will also be issued as a 2-LP set on standard black vinyl and limited edition red and yellow colored vinyl. Both versions are available for pre-order here.

The anniversary package was helmed by the band’s drummer and long-time archivist Charlie Benante, who dove into his Anthrax vault to come up with the tapes that show the evolution of the album’s songs. Disc Two takes you through the writing, development and recording process of the album’s songs. The listener is taken into the band’s writing and rehearsal sessions hearing the band members construct the song, deciding what stays and what doesn’t, and then into the studio for the recording of basic tracks. “We recorded everything back then,” said Benante. “We would sit in the rehearsal room with a little two-track machine. record everything we did in rehearsal while we were putting the songs together.” Also pulled from his vault were tapes of the actual recording sessions, all the takes, that also appear on Disc Two.

In addition to the original album’s artwork that includes the Mort Drucker-drawn (Mad Magazine) back cover, the anniversary package includes never before seen personal snapshots of the band members, tour admats/posters, plus two Anthrax magazine covers, all culled from that 1988-1989 period. For the booklet, the band enlisted British journalist Alexander Milas, former editor-in-chief of Metal Hammer, to write the sleeve notes, Shawn Franklin handled editing tracks and Paul Logus mastered the set. Benante also took to social media, inviting fans to tell him what State of Euphoria had meant to them. He was overwhelmed with responses, and many of them are included in the booklet. “I think fans will be really excited when they see their own quotes in the package,” Benante added.

State of Euphoria was produced by Anthrax and Mark Dodson, includes fan-favorites “Antisocial” and “Be All, End All,” and was certified Gold a few months after release.

‘State of Euphoria’ is the album that we always felt we never got to finish properly” said Benante. “We wished we had had a little more time to spend on it. But, having revisited it while putting together this package, I really got to enjoy it again, it took me back to that time when everything was a whirlwind.”

TRACK LISTING

DISC ONE – STATE OF EUPHORIA REMASTER WITH BONUS TRACKS
Be All, End All
Out Of Sight, Out Of Mind
Make Me Laugh
Antisocial
Who Cares Wins
Now It’s Dark
Schism
Misery Loves Company
13
Finale
Antisocial (French) *
Friggin In The Riggin *
Parasite *
Le Sects *
Pipeline *
Antisocial (Live At Hammersmith Odeon)
*BONUS TRACKS

DISC TWO – STATEMENTS OF EUPHORIA (Charlie’s Archives)
Be All, End All
Out Of Sight, Out Of Mind
Make Me Laugh
Antisocial
Who Cares Wins
Now It’s Dark
Schism
Misery Loves Company
Finale

2-CD & 2LP Standard Black Vinyl: https://ume.lnk.to/AnthraxState30
Limited Edition Colored Vinyl: https://UMe.lnk.to/AnthraxState30/artiststore

TENACIOUS D
In
Post-Apocalypto
Six-Part Animated Series Begins on YouTube on September 28, 2018
New Album Out November 2, 2018 On Columbia Records

Acclaimed rock duo and basically everyone’s favorite band ever Tenacious D — comprised of Jack Black and Kyle Gass — will release not one but TWO incredible works this fall. Both are called Post-Apocalypto. Both are amazing. Here’s what you need to know:

Post-Apocalypto – THE SERIES – is an original, six-part animated video series from the minds of Tenacious D. Each frame of every episode was hand-drawn by Jack himself, with every character voiced by Black and Gass. The series begins rolling out on September 28th, 2018, via Tenacious D’s YouTube page, with a new episode every Friday after that.

WATCH THE TEASER FOR POST-APOCALYPTO HERE

All six episodes feature new Tenacious D songs, culminating in a new Tenacious D album — also called Post-Apocalypto — released on November 2, 2018. As each episode goes up, a song from that episode can also be heard via all DSP’s. Produced by John Spiker, and featuring long-time collaborator Dave Grohl on drums, Post-Apocalypto – THE ALBUM – is a genius addition to The D’s already scintillating catalogue of rock greatness.

True to the title, Post-Apocalypto finds Tenacious D thrust into a world of complete and utter destruction following the drop of an atomic bomb. Surviving the attack in classic cinematic fashion (a good old imperishable 1950’s refrigerator), the duo quickly learns that new forms of evil have spawned from the blast. One thing becomes apparent — for humanity to prevail, Tenacious D must save the world.

With unimaginable twists and turns, an insane visit to the White House, a time machine, a space adventure, and the help of some tried and true daddy issues, Post-Apocalypto is as hilarious as it is political, and as brilliant and multi-faceted as its incredible creators. The songs are damn good, too.

Post-Apocalypto (the album) will be available digitally, on CD, and on translucent green vinyl. There is also a limited edition Post-Apocalypto vinyl picture disc that will only be available on the band’s online store; click HERE to learn more.

PRE-ORDER POST-APOCALYPTO NOW.

Tenacious D will be playing sold out shows across the country this fall. Tour dates are below.

The dates are:
10/6/18 San Bernardino, CA @ Cal Jam 18
11/3/18 Brooklyn, NY @ Kings Theatre
11/4/18 Brooklyn, NY @ Kings Theatre
11/5/18 Boston, MA @ House of Blues
11/7/18 Washington, DC @ The Anthem
11/8/18 Philadelphia, PA @ The Fillmore
11/9/18 Pittsburgh, PA @ Stage AE
11/10/18 Columbus, OH @ Express Live! Indoor Pavilion
11/12/18 Detroit, MI @ The Fillmore
11/13/18 Chicago, IL @ Riviera Theatre
11/14/18 Chicago, IL @ Riviera Theatre
12/10/18 Calgary, Canada @ Grey Eagle Resort and Casino
12/11/18 Edmonton, Canada @ Show Conference Centre
12/13/18 Vancouver, Canada @ Queen Elizabeth Theatre
12/14/18 Seattle, WA @ Moore Theatre
12/15/18 Portland, OR @ McMenamins Crystal Ballroom
12/17/18 Oakland, CA @ Fox Theater
12/31/18 Las Vegas, NV @ The Joint

Related Content

• Nothing More Guitarist Mark Vollelunga Talks About the Bands Recent Single “Just Say When”.
• RAVEN Announce North American Tour!
• Claudio Simonetti’s Goblin Announces Additional ‘Suspiria’ North American Tour Dates
• Myrkur Announces “Juniper” EP Out 12/7, Unveils Video for title Track
• The Crown Remnant Guitarist Will Ash Discusses “The Wicked King: Part II”

THE WHITE SWAN Reveal New Single, “Inamorato”
LISTEN HERE

Canadian doomy sludge rockers THE WHITE SWAN are excited to share the second single from their upcoming new EP, “Touch Taste Destroy”, due September 7, 2018. While “sticking to the core thickness and melodic resonance” (The Obelisk) that THE WHITE SWAN are known for, the new track “Inamorato” takes the EP to the next level.

Listen to “Inamorato” now here: https://www.youtube.com/watch?v=uGAuZBhgbN8!

Pre-order “Touch Taste Destroy” on digital download or special limited-edition vinyl here: http://smarturl.it/TheWhiteSwan

THE WHITE SWAN will hit the road this Fall as they embark on a series of headlining dates across Eastern Canada stretching into the Midwest U.S..Catch them at one of the below shows!
8/31 Windsor, ON – Phog Bar
9/5 Champaign, IL – Blips & Chitz (w/StagHorn & Close The Hatch)
9/6 Dayton, OH – Blind Bob’s (w/Close The Hatch)
9/7 Decatur, AL – The Jam Shop (w/Close The Hatch & I Am The Law)
9/8 Murfreesboro, TN – Autograph Rehearsal Studio (w/Close The Hatch & I Am The Law)
9/29 Montreal, QC – Piranha Bar

Stay in touch with THE WHITE SWAN online for new music, shows and more at:
http://www.thewhiteswanband.com/
https://www.facebook.com/thewhiteswanband/
https://www.instagram.com/thewhiteswanband/

FORMER PANIC AT THE DISCO BASSIST DALLON WEEKES
SIGNS HIS ONCE AND FUTURE BAND
I DONT KNOW HOW BUT THEY FOUND ME
TO FEARLESS RECORDS
Fearless Officially Debuts Double A-Side Single:
“Choke” and “Do It All The Time”
Catchy Concoctions of Art Rock, Space Rock and Alternative,
with Swaggering, Charismatic Pop Vocals

Dallon Weekes, long time Panic At The Disco bassist and one of the songwriters/ lyricists behind that band’s certified-Gold release Too Weird To Live, Too Rare to Die!, announces a global recording agreement between his I Dont Know How But They Found Me (IDKhow) project and Fearless Records. First up is today’s official release of the double A-side single “Choke” and “Do It All The Time,” its initial 2017 social media and TuneCore limited release, “Choke” accrued an astounding 5.7-million YouTube hits and 5.3 million Spotify streams, based solely on fan reaction and word of mouth; “Do It All The Time” makes its worldwide debut today.

From the band, “The hard working people at IDKhow are pleased to align with Fearless Records to unearth and uncover the rare and forgotten recordings of I Dont Know How But They Found Me. We look forward to rediscovering this long-forgotten music together and giving IDKhow a second chance. For the first time.”

“I Don’t Know How But They Found Me,” a piece of dialogue from the ’80s classic sci-fi film “Back To The Future,” is a musical entity with a conceptual backstory: a band from the late 1970s/early 1980s that got its start on a popular cable access talent show only to have its songs and music videos completely disappear, and fade into obscurity. And now, thanks to the advent of the Internet, IDKhow is seeing its performances and recordings being rediscovered – for the first time – by a world that finally just might be ready for them.

“I was in the middle of making a record when I came across this series of old cable access talent shows from thirty-something years ago,” Weekes explained. “It was this bizarre, low budget parade of the strangest people, and I couldn’t stop watching it. I wanted to be on this crazy show, which was of course impossible. That’s when the concept of ‘I Dont Know How But They Found Me’ began.

“Do It All The Time,” Weekes’ critique of the very popular “Do What Thou Wilt” philosophy that seems all too common today, is a brand new track, never even performed live, that was recorded in Los Angeles last month. “Choke” was recorded at Weekes’ kitchen table in 2016 and subsequently remastered for today’s release on Fearless. With a nearly non-existent budget, the recording was forged in large part by friends who made necessities like recording equipment available to Weekes. IDKhow live performances followed with Weekes enlisting professional drummer and longtime friend Ryan Seaman to play in secret around Los Angeles. As word got out, the duo would deny any involvement in the band, and would deny it even existed at all. This secret ‘deny everything’ policy quickly made each of their officially unannounced shows near-instant sell-outs. With an initial seeding of the project to Weekes’ half-million Instagram followers, IDKhow has accumulated a combined eight-million+ views on the IDKhow YouTube channel and 7.5-million combined Spotify plays.

Beginning tomorrow, IDKhow makes its first-time appearances at the Reading Festival and then the Leeds Festival, which will be followed by a handful of select headline shows in London, Manchester and Glasgow. Dates are below. A North American tour slated for later this year will be announced shortly.

AUGUST
25 Reading Festival, Reading, UK
26 Leeds Festival, Leeds, UK
28 O2 Academy 2, London, UK (headline/SOLD OUT)
29 Manchester Gorilla, Manchester, UK (headline)
30 King Tuts, Glasgow, UK (headline/SOLD OUT)

LAMB OF GOD Releases Animated Music Video for BURN THE PRIEST Cover of Ministry’s “Jesus Built My Hotrod”

Watch Now via http://jesus.lamb-of-god.com/

Legion: XX Available for Just $7.99 this Week via iTunes!

BURN THE PRIEST | Legion: XX | Out Now
Featuring Covers of Classics by Cro-Mags, Bad Brains, Big Black, Ministry, Melvins, Quicksand and More

RIAA-certified, Billboard chart-topping, five-time Grammy nominated Richmond, VA band LAMB OF GOD recently released their full-length covers album as BURN THE PRIEST, Legion: XX, via Epic Records. The album is a collection of songs reflecting the greatness of the classic punk, hardcore, crossover and noise artists that influenced them in their formative years, released in celebration of BURN THE PRIEST’s upcoming 20th anniversary.

LAMB OF GOD is pleased to reveal a brand new, Heath Bradley-animated video for their BURN THE PRIEST cover of the Ministry hit, “Jesus Built My Hotrod”. Watch the video now here: http://jesus.lamb-of-god.com/

Guitarist Mark Morton says about the track: “This was a benchmark song from the early 90s. We didn’t even originally plan on doing it – producer Josh Wilbur and I learned it real quickly and put it together. It turned out to be one of our favorite songs of the album. It features a side of Randy that people aren’t used to hearing. Nothing was planned, so it felt fun, and we just went for it.”

In conjunction with the video premiere, Legion: XX is now available for a special discounted price via iTunes! Make sure to grab your digital copy of Legion: XX for just $7.99 now via this link – but hurry – this sale price is only valid for one week: https://btp.lnk.to/legionxx/iTunes

While online, make sure to check out BURN THE PRIEST’s two other previously released videos from Legion: XX – for the Accused’s “Inherit The Earth” and Big Black’s “Kerosene”.

LAMB OF GOD may be one of the biggest bands in modern metal, but they will never forget where they came from. Mark Morton (guitar), John Campbell (bass), and Chris Adler (drums) formed the first incarnation of the band, BURN THE PRIEST, in the winter of 1994 after meeting four years earlier as students at Virginia Commonwealth University. Less than a year later, in the summer of 1995, they met vocalist Randy Blythe before adding Chris Adler’s brother, Willie Adler (guitar), prior to transitioning to LAMB OF GOD – and the rest is global metal history.

The tracks on Legion: XX are performed with the unmistakable precision that has kept LAMB OF GOD vital for two decades, but ultimately harks back to the raw, punk-driven sound first explored by four unsuspecting college students and a line cook-turned-vocalist in their beginnings as heavy music giants. Produced with Josh Wilbur at the helm, Legion: XX exhibits BURN THE PRIEST in their true element.

Additional stream/purchasing options for Legion: XX and pick up merch bundles now via http://smarturl.it/LegionXX. At the official store, you can also order a 7″ vinyl version of “Inherit the Earth” featuring a B-side of “In the Meantime” (originally performed by Helmet).

Legion: XX track listing:
1. Inherit The Earth (originally performed by the Accused)
2. Honey Bucket (originally performed by Melvins)
3. Kerosene (originally performed by Big Black)
4. Kill Yourself (originally performed by S.O.D.)
5. I Against I (originally performed by Bad Brains)
6. Axis Rot (originally performed by Sliang Laos)
7. Jesus Built My Hotrod (originally performed by Ministry)
8. One Voice (originally performed by Agnostic Front)
9. Dine Alone (originally performed by Quicksand)
10. We Gotta Know (originally performed by Cro-Mags)

LAMB OF GOD is about to close out their blazing direct support run on Slayer’s final world tour, featuring additional support from Anthrax, Testament and Napalm Death. Tickets and VIP packages are still available now via www.lamb-of-god.com.

REMAINING TOUR DATES
SEPTEMBER
1 Blue Ridge Rock Festival, Concord, VA *Festival
7 Force Fest, Mexico City, Mexico *Festival

Visit http://lamb-of-god.com for dates and information on LAMB OF GOD’s European tour with Slayer, beginning November 1.

ATREYU ANNOUNCE NEW ALBUM IN OUR WAKE OUT OCTOBER 12 VIA SEARCH & DESTROY/SPINEFARM
BAND DROPS TWO NEW SONGS – LISTEN TO “IN OUR WAKE” + “ANGER LEFT BEHIND”

Orange County mainstays Atreyu are pleased to announce their upcoming seventh studio album In Our Wake. The record is due out October 12 via Search & Destroy/Spinefarm.

The band has shared two brand new songs from the album – the title track, which is also a video, and “Anger Left Behind.”

“With this music video, we wanted our long time director friend Sean Stiegemeier and have him come up with something completely unlike anything we’ve done before,” states bassist Porter McKnight, offering some insight into the visual. “We wanted to leave the viewer with a feeling of ‘What the fuck did I just watch!?’ and then play it again to deduce what went down.

“Most of our videos have been story-based or life-based. But with this, we just wanted the subtle thread of humanity’s growth and decline. It starts with water, then earth, nature, cityscapes, then slowly decaying humanity. We have a choice as a species to start giving a shit about ourselves and the world around us, and what we choose to make of this life.”

Following a two-year tour cycle for 2015’s Long Live, Atreyu regrouped in Southern California and started sharing ideas for what would become offering number seven. Ceremoniously, they all agreed it would be the right time to reunite with producer John Feldmann who famously helmed Lead Sails and Paper Anchor.

In Our Wake sees Atreyu once again evolving. The first single and title track hinges on a slow burning, but bombastic percussive buildup before charging ahead with an undeniable chant and fiery fretwork.
“It’s a deep one,” says singer Alex Varkatzas. “We looked up to Chris Cornell and Chester Bennington, and their deaths were fresh during the writing process. It made us think of what we’ll leave in our wake. We have a choice to change the lives of others for the better.”

“The album title In Our Wake comes from the idea that every day we humans have two roads we can go down,” furthers McKnight about the deeper meaning rooted within the album. “Do you choose to inspire, uplift, and enhance each others lives? Or do you prefer to belittle, shit talk, and tear down each other down? With each choice made you leave a ripple that reflects across your community, then onto your city, to your nation, and eventually all across the globe. Who do you leave in your wake?”

“This album is sort of a happy place for Atreyu,” says drummer/singer Brandon Saller. ‘We’ve gone down many roads. We’ve always been a diverse band that tried new things but this is different. This is a whole new level.”

ATREYU ARE:
Alex Varkatzas – Vocals
Brandon Saller – Drums/Vocals
“BIG” Dan Jacobs – Guitar
Travis Miguel -Guitar
Porter McKnight – Bass

Related Content

• Concert Review: FOO FIGHTERS in Kansas City
• Special Edition Vinyl Review: King Diamond “Conspiracy,Them, Abigail, Fatal Portrait”
• Record Store Day Announces Titles for Weekend of Black Friday and Small Business Saturday
• Bonnaroo Music and Arts Festival Reveals 2019 Lineup
• GWAR Announces “Use Your Collusion” Holiday Tour Dates!