Get Your Vote in For The 2016 Media Mikes Awards and Win Some Great Swag

2016 is coming to a close and you know what that means. It’s time to vote for the 4th Annual Media Mikes Awards. Once again you, the readers, help choose our winners in six categories, with the staff of Media Mikes deciding on others. And, once again, (10) lucky entrants will be randomly chosen to win some great swag.

All you have to do is pick your favorites in the following categories: Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress and Animated Feature. When you have your choices, just email them to MikeS@Mediamikes.com That’s all there is to it. Last year over 3,000 readers submitted their choices.

The voting period runs through Sunday, January 8th, with the winners being announced on January 15th.

Good luck!

Film director Jeff Santo talks about “This Old Cub”

It’s late June, 1972. I’m in my first season of Little League at a park in Morton Grove, a suburb of Chicago. I come to the plate with the bases loaded and when the pitch comes in I swing as hard as I can. I hit it a long way but, because we’re all kids, there is no outfield fence. If I want a grand slam I’m going to have to leg it out. I chug around the bases and as I get to third base my coach yells at me, “Jesus, you run like Santo!” I slide home safely and go home the hero. At home it dawns on me what my coach said. He was referencing Ron Santo, the third baseman of the Chicago Cubs. It also dawned on me that, a), when I wasn’t pitching I played third base and, b), I had been given uniform #10, which was Santo’s number. I took that to be fate and for as long as I played baseball – I stopped at age 54 – I wore #10. My son, Phillip, also wore #10. My grandson, Hudson, who just turned 6 months old, has already worn #10. To say we worship at the church of Santo is an understatement. I’ve carried one of his baseball cards in my wallet for decades and even got him to sign it in 1998.

After a brilliant career, Ron Santo went on to endear himself to new generations of Cub fans by providing commentary on the radio. Ronnie was a homer through and through and some of his best remembered calls are when he let emotions overcome him. What many fans didn’t know was that Ron Santo battled diabetes every day, including when he was playing. However, he was so scared that the team would not think him healthy enough to play that he hid the disease from the public until long after his playing days ended. Despite a brilliant career, Santo was never elected to the Baseball Hall of Fame during his years of eligibility. When I lived in Baltimore I would occasionally strike up a conversation with Brooks Robinson, arguably the greatest third baseman ever. He would agree with me that Santo should be in the Hall of Fame and every year, before the voting, I would write a letter to the voting committee and remind them that if the greatest third baseman of all time thinks Ron Santo should be in the Hall of Fame then he damn well better be. Sadly, they ignored me.

In 2003 Santo’s name was placed on the ballot for the Veteran’s Committee. Even though he placed first in votes, he never received the required amount for induction. Santo’s son, Jeff, a filmmaker, decided to honor his father by producing the documentary film “This Old Cub.” It followed his father as he went to the ballpark, greeted fans and, most importantly, continued to battle diabetes, a disease which eventually claimed both of his legs. The film ends with Ron receiving the news that he had not been voted into the Hall of Fame. Proceeds from the sale of the film are donated to the JDRF and to date over a half-million dollars has been raised.

It was five years ago, on December 5, 2011, that the Golden Era Committee gathered to vote on ten players in their final chance for induction. The only player to earn that honor was Ron Santo, who was elected as a member of the class of 2012. Sadly, just a year earlier, on December 3, 2010, Ron Santo passed away at the age of 70. As I posted on Facebook that day, I cried all the way into work that morning.

After Ron’s induction into the Hall of Fame, Jeff Santo revisited his film and created a “special edition,” which includes a final interview with Ron as well as highlights from the ceremony where his number was retired, the dedication of a statue to him outside Wrigley Field (Phillip and I traveled to Chicago for that event) and, of course, his Hall of Fame induction. Since the Cubs FINALLY won the World Series, I thought I would speak with Jeff about the film in the hopes that new Cub fans will seek it out.

Mike Smith: I have to ask…how big is your dad smiling today?

Jeff Santo: He’s definitely smiling man. We miss him. We miss him everyday. But I could feel him during the postseason. You could just feel his presence. Our family took a trip to Chicago for the World Series and we had an awesome time. It really brought back a lot of memories. For my brother and I Wrigley Field was basically our playground. To go back and see dad’s statue and all of the things they had done with Wrigley. They’ve made it a cathedral. And to see all of the people with their number 10’s on…it was amazing. Our dad is in our hearts all of the time. And especially during the World Series. He was there and we felt that strong presence all of the way through it.

MS: Most people know of your dad because of his baseball career but I thought that the bigger message in “This Old Cub” was his on-going battle with diabetes. How important was fighting that battle to him?

JS: It was right up there with winning the World Series or getting into the Hall. My brother and I can always remember him having to take a shot every day before he went to the ballpark. It was just what he did. We didn’t know it was a debilitating disease that may cause him to lose his legs in the future. Or that he had a 25-year life expectancy. We had no clue about that growing up. We just knew that dad took his shot in the morning and then went out to do his business at the ball park. That was it. Of course I learned more after we grew out of our childhood days. Doing the film…to be able to go back in time to see what he did and what this disease could do to a person. To know all of the adversity he went through and how he fought hard to become the ballplayer he was. That was another level that he rose to. As a son watching your father go through that it’s heartbreaking but then you’re inspired by how he handled it and it just makes you a better person. Being his son I can say that. So in the movie we really wanted to show what he overcame without sentimentalizing it. We wanted to show him as a man and what he did accomplish. I wanted to approach the story as a filmmaker and not just be a son making a film about his father. My dad always said…and I remember this from way back…he accepted having diabetes. If he didn’t accept it he couldn’t have gotten through it. It was like, “I know I have this disease now how do I deal with it?” When he first got it in the minors he wanted to ignore it. He didn’t want to take insulin. But then he had to accept it and ask how could he still maintain the level of play as a ballplayer and get through this and work it out. He had to test himself. He had to see how low he could go before he had to take a candy bar. Back then they didn’t have glucometers to check your blood sugar levels. He took that fight on. “I have this. This is who I am. Let’s go.” It was a part of his life and he always knew it was a part of his life.

MS: The “special edition” of “This Old Cub” includes footage from your dad’s Hall of Fame induction. How bittersweet was that honor?

JS: It was very bittersweet. It was sad not being able to see him on the stage. His wife gave an excellent speech but it was sad not being able to see him there. He so wanted to be up there and we all knew that. It was sad. It was tough going out to Cooperstown I have to tell you. Now the World Series was different. We enjoyed it because so many other people were enjoying it. I think the Hall of Fame was sad because so many other people were sad that he wasn’t there. I know he’s glad he’s there but I think it was ridiculous that he couldn’t get in before he died.

MS: They missed out on a hell of a speech.

JS: They missed out on a hell of a moment! For someone that so appreciated his baseball career and his life. It would have been a great moment. But everyone knows he should have been there and that was gratifying to us.

MS: I used to talk with Brooks Robinson when I lived in Baltimore about your dad and he thought your dad should have been in the Hall.

JS: Brooks is in the film. And that’s exactly what he said. And if someone like that says he should be in…come on! I mean you can’t get any better than Brooks Robinson at third base!

“This Old Cub” is now available in the comfort of your home on Video On Demand. You can also order it here. To learn more about Diabetes or to make a donation to the JDRF, click here.

Film Review: “Rogue One: A Star Wars Story”

Starring: Felicity Jones, Forest Whitaker and Diego Luna
Directed by: Gareth Edwards
Rated: PG-13
Running time: 2 hrs 13 mins
Disney

Our Score: 4 out of 5 Stars

“A long time ago, in a galaxy far, far away…” So begins “Rogue One: A Star Wars Story.” But that is all the film’s opening has in common with episodes I – VII. There is no wordy crawl, giving you a hint at what’s been going on before you sat down in the theater. No, this is Episode III.V – 3.5 – and if you’re even vaguely familiar with the previous seven films, you pretty much know what’s about to take place.

Set 18 years (my guess) after the events of “Episode III,” “Rogue One” is the tale of the band of rebels who risked everything attempting to steal the plans for the original Death Star. The film begins when Galen Orso (the always great Mads Mikkelsen) is taken by the Empire to help complete the Death Star. His young daughter, Jyn (Beau Gadson) is left behind and forced to fend for herself for many years. We meet up with Jyn again as an adult. As portrayed by Felicity Jones, she is a young woman of resolve, one who has continually searched the galaxy for her father. She teams up with Cassian Andor (Diego Luna), a member of the rebellion. When word comes that one of the Empire’s pilots has defected and is telling stories about the Death Star, the duo put together a small group of like-minded people to assist in stealing the battle station’s plans.

As much as I would love to go into more plot details, I fear the good folks at Disney would have me torn apart by a Gundark. And so would you, dear readers. Let’s just say that the film is a well-made addition to the saga. The cast is surely up to the task, with Jones and Luna giving strong performances. The supporting players do just as well but I’ll single out Donnie Yen as Chirrut Imwe, a blind warrior whose devotion to the Force knows no limit. A shout out also to Alan Tudyk as K-2S0, a droid with more than a little attitude.

Written by Oscar nominees Chris Weitz (“About a Boy”) and Tony Gilroy (“Michael Clayton”), the screenplay is a fine combination of dark and funny. Director Edwards, who helmed 2014’s “Godzilla,” keeps the film moving quickly. The special effects, as expected, are beautifully presented. The X- and Y-wings jump off the screen as they zoom by. Another visual triumph concerns the return of a familiar character who is rendered by the same process that was used to feature the 1980’s version of Jeff Bridges in “Tron Legacy.” However, while I found the effects in “Tron” to be quite disconcerting, the effect here is breathtaking.

This is the first “Star Wars” film not to be scored by John Williams and it suffers for it. Though some of Williams’ original music is included, the main composer here is Oscar winner Michael Giacchino (“UP”). The score is not unpleasant, but when it’s followed by Williams’ music, it sadly pales. But if you were going for the music you’d just buy the CD. “Rogue One: A Star Wars Story” is a fine stand-alone film and one that will have you anticipating “Episode VIII,” which is just a short 367 days away!

 

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Theatre Review: “The Book of Mormon”

Music Hall
Kansas City, Missouri

Our Score: 5 out of 5 Stars

If you are a listener to our “Behind the Mikes” podcast (and if not, why aren’t you) you’ll recall that a few weeks ago we were talking about the most recent great original film musical. Not something like “Dreamgirls” or “Les Miserables,” which were translated from the Broadway stage, but a musical written just for the movies. The first one that popped into my mind was 1999’s “South Park: Bigger, Longer and Uncut.” From it’s opening song to it’s grand finale’, the film tells it’s story through virtually every style of music known to man. To say that Trey Parker and Matt Stone are talented would be an understatement. 12 years later, Parker and Stone teamed up with “Avenue Q” co-composer/co-lyricist Robert Lopez and have created one of the most entertaining and inspirational shows in Broadway history. “The Book of Mormon.”

In Utah a group of young men wait patiently. They have all spent months studying to go abroad to spread the word of God through their ministry, the Church of Jesus Christ of Latter Day Saints. Or, as they are more commonly referred to, the Mormons. As each pair of boys is named they learn their destinations. Japan. Norway. France. Exotic places all. Finally, only Elder Price (Gabe Gibbs), the highest regarded person in the group, and Elder Cunningham (Chad Burris), who is pretty much the opposite of Elder Price, are left. They soon find themselves teamed up and heading for beautiful….Africa. Two years in the jungles fighting aids and poverty. Woo hoo!

There isn’t a lot you can say for a musical that contains four letter words, Darth Vader and an image of a Hell that contains both Hitler AND Johnnie Cochran except this: IT’S BRILLIANT! The songs are both clever and catchy and the cast spectacular. Even the story, which many reading this may think mocks the Mormon faith, is uplifting. That’s a trifecta that very few shows ever hit.

As Elder Price, Gibbs brings a wide-eyed youthful joy to the role. He KNOWS that Heavenly Father is on his side. I was surprised to learn that Mr. Burris was actually the understudy for the actor scheduled to play Elder Cunningham. He was both funny and touching in his performance. And, if anyone ever decides to do a bio-pic on the late Chris Farley, I would hope that Burris would get an audition. He brings the kind of energy and innocence to the role as well as Farley ever did in his film performances. Other cast standouts include Bryce Charles (another stand-in) as Nabulungi and Sterling Jarvis as Mafala. The ensemble cast was also spot on, a tribute to the kind of shows that the Broadway Across America consistently bring to Kansas City.

Of course since, according to the show, the Garden of Eden IS located in Jackson County, Missouri, maybe the show got a little nudge from Heavenly Father!

The tour continues on through August 2017. Here are a list of it’s next few destinations:

December 13 – 18, 2016 Fayetteville
December 20 – 31, 2016 Dallas
January 3 – 15, 2017 Houston
January 17 – 22, 2017 Jacksonville
January 24 – 29, 2017 Ft. Meyers
January 31 – February 5, 2017 Greenville

Film Review: “Manchester by the Sea”

Starring: Casey Affleck, Lucas Hedges and Michelle Williams
Directed by: Kenneth Lonergan
Rated: R
Running time: 2 hrs 17 mins
Amazon Studios

Our Score: 5 out of 5 Stars

Lee Chandler (Affleck) is the kind of man who just likes to go about his business. The maintenance man for a group of apartment buildings, his days are spent shoveling snow, fixing leaks and helping tenants unclog their toilets. He doesn’t say much, taking in the world with sad eyes. But when his brother suddenly dies, Lee is forced to not only deal with the fallout from that tragedy but another one from his past as well.

Featuring award-worthy performances from its three leads, “Manchester by the Sea,” is the perfect drama to off-set a multiplex full of Bad Santas and Dwayne Johnson. Lee’s brother, Joe (Kyle Chandler) has died and Lee must return to his old hometown to attend to things. While there he visits his nephew (Hedges) at his ice hockey practice. Several of the players gossip about Uncle Lee, though one maintains that “it never happened.” As the film progresses, we see Lee dealing with being charged with raising his nephew at the same time having to relive some of his past.

The story is told seamlessly by writer/director Lonergan, with modern day easily blending into the past, slowly building up to why everyone in this small town appears to know of Lee. Affleck has steadily grown from the young tag along in “Good Will Hunting” to an actor of great range. His eyes often saying what he won’t with his mouth, Lee’s simple life is anything but simple. As Lee’s former wife, Michelle Williams bares her emotions in a performance sure to break your heart. As the young nephew suddenly left father-less, Hedges equally impresses. All three actors are sure to draw some serious consideration come awards season, as will the film itself. Easily one of the years best!

Film Review: “Moana”

Starring the voices of: Dwayne Johnson, Auli’i Cravalho and Rachel House
Directed by: Ron Clements, John Musker – co-directed by Don Hall and Chris Williams
Rated: PG
Running time: 1 hr 43 mins
Walt Disney Company

Our Score: 5 out of 5 Stars

Say hello to Maui. As voiced by Dwayne Johnson, Maui is a demi-god of great strength, humor and a beautiful singing voice! When her family is in need of help, it falls on the young Moana (Cravalho) to seek out Maui before it becomes too late.

Both brilliant and breathtaking, “Moana” is sure to be the next Disney classic. The characters are beautifully established and the actors behind them are pitch perfect. While much will be made of young Ms. Cravalho – who celebrated her 16th birthday on November 22 – the star here is the man formerly known as “the Rock.” Johnson established his skills for comedy in such films as “Be Cool” and “Pain and Gain,” his performance here is truly award worthy. And what a singing voice! Too bad the film is animated, as I wouldn’t be surprised if he can dance as well.

Like previous Disney animated features, the animation is outstanding. 95% of the film takes place in/on water, and the images on screen – I saw the film in 3D but it’s not necessary to enjoy it – flow by beautifully. Also like previous Disney animated films, there are some cute and funny animal characters that will steal your heart, among them a dimwitted chicken and the cutest piglet you’ve ever seen. Yes, cuter than the REAL Piglet! Other voice talents include Rachel House as Moana’s grandmother and Jermaine Clement as the crab Tamatoa. The songs are all Oscar worthy, with many them written by “Hamilton” scribe Lin Manuel Miranda. When all is said and done, it’s certainly the best way to spend 90 minutes this holiday!

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Film Review: “Loving”

Starring: Joel Edgerton, Ruth Negga and Nick Kroll
Directed by: Jeff Nichols
Rated: PG-13
Running time: 2 hrs 3 mins
Focus Features

Our Score: 3 out of 5 Stars

In April 1967, the United States Supreme Court heard the case of Loving v. Virginia. Years earlier, Richard (Edgerton) and Mildred (Negga) Loving had been arrested, tried and found guilty in the state of Virginia. Their crime? Falling in love.

Based on the true story of the couple whose case made it legal for people of different races to marry each other, “Loving” is propelled by the performances of the two leads. Even though their small group of family and friends seems to accept this odd couple of a white man and a black woman, there are still boundaries. While shopping in a black-owned shop with the pregnant Mildred, Richard gently rubs her stomach. What should be a beautiful moment is meant with a stern gaze from the shopkeeper. One night the police barge into the Loving’s house, catching the couple in bed sleeping. Despite their marriage license, they are taken to jail where Richard is allowed to make bail. He is told that not only can he not bail his wife out but she must wait for the judge to come by in a few days. A deal is made in which the judge, who tells them they are breaking God’s law, agrees not to send them to prison if they leave the state of Virginia. How high is the price of love?

While the film strikes many emotional chords, I was left with more questions than answers. When we first meet Richard and Mildred their relationship has already been established. But what about their early days? How did they meet? How in the hell did they date? Were the nice people we see around them always so supportive? Sure we care about the Lovings and support their fight. But it would have been nice to be there when the battle began.

 

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Film Review “Bleed for This”

Starring: Miles Teller, Aaron Eckhart and Katey Sagal
Directed by: Ben Younger
Rated: R
Running time: 1 hr 56 mins
Open Road
Our Score: 4 out of 5 stars

You have to really have followed boxing in the late 1980s – early 1990s to remember Vinny Pazienza. Billed as “the Pazmanian Devil,” he was a hard fighter who could take a punch and almost always got up off of the mat. “Bleed for This” tells the story of Vinny’s ultimate comeback.

1988. We meet Vinny Pazienza (Teller, in excellent form – and shape) trying hard to make weight. Eventually he makes it to the required 140 lbs but his body is no match for the beating he endures. After losing he collapses from dehydration. Unable to get a decent fight offer, Vinny goes to train with Kevin Rooney (Eckhart), who at one time trained Mike Tyson. However, since Tyson left him for Don King, Rooney has been struggling. He and Vinny connect and, after Rooney suggests that Vinny fight at a weight he is more comfortable with, things begin to roll. But as he reaches the top of the mountain Vinny soon finds himself flat on his back one more time.

Well-paced and well-acted, “Bleed for This” could have gone the way of most sport biographies, which is to introduce the protagonist, watch him win a little than put some horrible event in front of him. Following his greatest victory to date, Vinny suffers a broken neck in a car accident, an injury that pretty much insures that he may never fight again, let alone walk. But fate has different ideas.

This is another in a list of fine performances by Miles Teller, who was so good in last year’s “Whiplash.” Here he captures the ego of Pazienza perfectly, making a man whose boasting should make him unlikable actually become someone to care about. Eckhart, his hairline shaved back, is also strong as Mooney, with both Sagal and Ciarin Hinds excelling as Vinny’s mom and dad. If you’re a fan of a great comeback story, I highly recommend you give “Bleed for This” a try.

FREE PASSES TO THE KANSAS CITY PREMIERE OF “THE SPACE BETWEEN US”

MediaMikes has teamed with STX Entertainment to give (150) readers and their guests the chance to be among the first to see the new film “The Space Between Us.”

The film, starring Asa Butterfield, Britt Robertson and Gary Oldman, will be shown at the B&B Overland Park 16 on Wednesday, November 16th and will begin at 7:00 p.m.

All you have to do is go to http://stxtickets.com/bJYQC98176 and enter the following code: bJYQC98176.
The first (150) to do this will receive a pass for two to the screening.

Good Luck!

The Space Between Us opens theatrically December 16th, view the trailer here.

Film Review: “Christine”

Starring: Rebecca Hall, Tracy Letts and Michael C. Hall
Directed by: Antonio Campos
Rated: R
Running time: 1 hr 55 mins
The Orchard

Our Score: 3.5 out of 5 Stars

There is a saying in the television news business that goes, “If it bleeds – it leads.” Definition – people are drawn to seeing other people suffer. Have you ever watched the news and the anchor looks into the camera and says, with a serious voice, “the video we are about to show you may be disturbing?” And if so, have you ever turned away? So imagine now that you’re watching television on July 15, 1974 and you hear the pretty broadcaster say, “In keeping with Channel 40’s policy of bringing you the latest in ‘blood and guts’, and in living color, you are going to see another first—attempted suicide.” Would you turn away?

The story of television personality Christine Chubbuck, who actually spoke the above words, “Christine” is an in-depth look into a problem that was either misdiagnosed or just ignored: depression. We meet Christine (Rebecca Hall in an award-worthy performance) sitting in front of a camera and “rehearsing” an interview she’d love to have with the disgraced President Richard Nixon. She uses these tapes to study her on-camera “language.” She also uses a pair of hand puppets to express many of the things she’s afraid to voice. Once an important part of Boston news, Christine now finds herself at a little station in Sarasota, Florida, where she went to relieve the stress in her life. Even though she has a crush on the stations anchorman (Michael C. Hall), she doesn’t date and, at age 29, is still a virgin. Her depression is obvious to us, the viewers, but to those around her she just seems put-offish. But with the opportunity to go to Baltimore being dangled in front of her, she begins to change.

I have to admit that I barely remember the incident that made Christine Chubbuck infamous. Television often blurs its reality. That’s why, in the film, Christine continually rails against the set decorator who insists on using artificial flowers. She strives for reality in all things. Ms. Hall gives a thorough and nuanced performance, making Christine both sympathetic and almost unlikable. The supporting cast also acquits itself well, with special mention going to Mr. Hall and the great Broadway star John Cullum as the owner of the news station.

With the success today of so many female television reporters, including Diane Sawyer, Martha Radditz and Katie Couric, it’s hard to remember how tough women had it in the workplace 40 years ago. The fact that one of the characters watches “The Mary Tyler Moore Show” is all we, as the audience, need to see. See you on the news.

Film Review: “Hacksaw Ridge”

Starring: Andrew Garfield, Teresa Palmer and Vince Vaughn
Directed by: Mel Gibson
Rated: R
Running time: 2 hrs 11 mins
Summit Entertainment

Our Score: 5 out of 5 Stars

In the summer of 1979 I joined the U.S. Army and took Basic Training at Fort Jackson, South Carolina. I’d like to think we were tough then…running in the Carolina heat – we were the last training cycle to have to run in boots – running the obstacle course and complaining loudly that, when we got the chance to see a movie on post, we got stuck with “Beyond the Poseidon Adventure!” I mention this because, 37 years before I arrived, another young man took Basic at Fort Jackson. His name was Desmond Doss.

We meet young Desmond (Darcy Bryce) and his brother, Hal (Roman Guerriero) as they run through the beautiful countryside of their Virginia home. Like most boys do, they begin to rough-house, which quickly turns to punches. Egged on by their father, the boys begin to throw haymakers. Sensing he’s going to lose, Desmond picks up a brick and lands it against the side of Hal’s head. We have a winner. Of course this does not sit well with his parents, who warn the young boy that he could have easily killed his brother. Religion is important in the Doss household and the commandments are stressed. To break the one that reads, “Thou shall not kill,” according to Desmond’s mother (Rachel Griffiths), is the worse sin of all. Which seems like an easy rule to remember until Pearl Harbor, when the passive Desmond joins the Army. In doing so he learns he’ll have to fight to the bitter end for his beliefs and his life…against his fellow soldiers.

Based on the life of the only Conscientious Objector – these are people that refuse military service on the grounds of personal or religious beliefs – to win the Medal of Honor during WWII, the film relies on strong performances and brilliant storytelling to tell the story without being heavy-handed. Wanting to serve his country, Desmond (Garfield) joins the Army, having been assured that his CO status will not hinder his basic training experience. Sadly, that is not the case. His fellow soldiers, his drill instructor (an amazing Vaughn) and his unit commander are not pleased with his decision. In their eyes, a soldier who won’t pick up a weapon is a coward…someone they certainly can’t count on in battle. As he is given terrible tasks to perform, as well as almost nightly beatings, Doss continues to push on. He scarcely avoids a courts martial and, after much debate, is allowed to travel to Okinawa with his fellow soldiers. It is there that he shows all that will listen what a true hero is.

The cast, led by Garfield, proves to be up to the task of taking the audience into the middle of a war. All of the young men are able to get across the message of helplessness of having to keep your wits about you when everyone else is unable to do so. Garfield does a fine job, as does Ms. Palmer, who plays Desmond’s soon to be wife, Dorothy. But it is Vince Vaughn, as the company NCO in charge that delivers the most powerful performance. Gone is the snarky smart guy, replaced by a character that is perfectly fleshed out. Think of him as a cross between R. Lee Ermey in “Full Metal Jackson” and Tom Sizemore in “Saving Private Ryan.”

Like the latter Spielberg film, the depiction of war is, indeed, hell. Gibson pulls no punches as he moves his camera among the casualties, filling our eyes with missing limbs and our ears with screams. Gibson has always had a great eye behind the camera and this film only adds to that reputation.

“In peacetime, sons bury fathers,” one man notes in the film, noting that “in times of war, fathers bury their sons.” Such is the price of war. I thank God every day that in my six years in the Army I never had to pick up a weapon in anger. I didn’t have to make that choice. Desmond Doss did. And his choices made him a hero.

 

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Film Review: “Inferno”

Starring: Tom Hanks, Felicity Jones and Ben Foster
Directed by: Ron Howard
Rated: R
Running time: 2 hrs 1 mins
Sony Pictures

Our Score: 2.5 out of 5 Stars

It’s funny that I saw this film the same night the World Series started. The film opens with Bertrand Zobrist (Foster) being chased through some classic Italian streets only to jump to his death from one of the grand towers. Is Bertrand’s story exciting or would I have been better off watching Chicago Cub player Ben Zobrist getting three hits in game one. I’ll let you know in a second.

Based on the latest best-selling novel by Dan Brown, and once again starring Tom Hanks as renown symbologist Robert Langdon, the tale finds Dr. Langdon waking up in a hospital believing that he is in Boston. Imagine his surprise when he discovers that he is in Florence, Italy and has been in the hospital due to having been grazed in the head by a bullet. His wallet and watch are gone but he does find something called a Faraday Pointer which, when activated, produces a map to Dante’s various levels of hell. Intrigued yet?

While I very much enjoyed both “The DaVinci Code” (I gave it 3 ½ stars out of 4 on a website I wrote for long ago) and “Angels and Demons” (3 out of 4 – same site), those films had a lot more action in them. I found “Inferno” quite boring at times, wishing I had paid my money to have someone read the book to me, which would have been more exciting than what was happening on screen. But I don’t blame the cast or the crew. This is the third time Hanks has played Langdon and it’s obvious that he is comfortable in the role. The supporting cast also does well, with Foster’s Bertrand Zobrist popping up through flashbacks to try to keep the story moving. And director Howard, one of my personal favorites, has no trouble keeping the action interesting. When there is action. Unfortunately there are also huge chunks where people just ramble on and on about Dante, hell and where they should be heading to next. Wherever it is, the cast waits and waits on Hanks to divulge the next destination, then gives him a resounding “Of Course!”

If you’re a fan of the series you might enjoy this more than I did. If not, spend your time with BEN Zobrist. Go Cubs!

 

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NYC Metrograph to Host Paul Schrader Retrospect

Here’s some trivia for you. What writer/director, whose scripts include “Taxi Driver,” “Blue Collar,” “Hardcore,” “Raging Bull” and so many others didn’t even SEE a movie until after he turned 18? If you guessed Paul Schrader, give yourself a hand.

To honor a career that has spanned more than four decades, The Metrograph in New York City will be hosting a retrospect beginning this week, with screenings of five of his best known films and highlighted by a screening of his latest film, “Dog Eat Dog,” starring Nicolas Cage and Willem Dafoe. A Q&A with Mr. Schrader will be held immediately after this screening.

The other films chosen for this tribute include “Mishima: A Life in Four Chapters,” “American Gigolo,” “Patty Hearst” and “Affliction.” The retrospect runs from Saturday, October 29 through Tuesday, November 1.

For more information click HERE

“Dog Eat Dog” opens in NYC and LA on November 4 and expands its run on November 11

Film Review: “The Accountant”

Starring: Ben Affleck, Anna Kendrick and J.K. Simmons
Directed by: Gavin O’Connor
Rated: R
Running time: 2 hrs 8 mins
Warner Bros

Our Score: 4 out of 5 Stars

Christian Wolff seems like a normal child. Until you spend time with him. Currently he is sitting at a table, feverishly putting a puzzle together. Suddenly he panics – he only has 999 of the 1000 pieces. When the missing piece is found Chris completes the puzzle. As he inserts the final piece we see that he has completed the puzzle upside down – the image is face-down. All we see is the blank cardboard back. “Is this normal,” Chris’ father asks the man Chris has been brought to meet. His reply: “Define normal.”

A well-crafted thriller, “The Accountant” picks up 20-years after the puzzle incident with young Christian Wolff (Affleck) now a successful C.P.A. With his dented thermos, brought-from-home sandwich and pocket protector, he could be the nerdy guy next door. Except Christian has a secret. One that Ray King (Simmons), head of the US Treasury Department’s Crime Enforcement Division has been trying to solve for years. King enlists the help of Marybeth Medina (Cynthia Addai-Robinson) to discover why Wolff seems to be involved with some very high profile (read: non-law abiding) customers. Meanwhile, Wolff has been also asked to solve a problem. When a corporate accountant for a major robotics company suspects that someone is stealing from the company she asks Christian to take a look at the books, which may or may not have been cooked for years.

Smartly directed, with a nice twist in the story, “The Accountant” rests squarely on the shoulders of Ben Affleck. I love the fact that he is a mathematical savant, giving the audience a chance to wonder what could have happened to Will Hunting had he not followed Skylar to California. Affleck gives Wolff a quiet coolness, never raising his voice or getting agitated. Kendrick’s role is really secondary. She is here to attract Christian to the main plot line of the film, the going-ons at the robotics company. Affleck is aided by several great character actors, including John Lithgow, Jon Bernthal and Jeffrey Tambor. Director O’Connor, who helmed the underrated MMA film “Warrior,” keeps the film moving with strong pacing that never misses a beat.

Concert Review: Elvis Costello w/Larkin Poe

“Elvis Costello Detour Tour”

Elvis Costello w/Larkin Poe
Friday October 7th, 2016
Yardley Hall at Johnson County Community College, Overland Park, KS

Our Score: 3.5 out of 5 Stars

Concert Review by J.R. Deeter

I have to admit I haven’t really listened to Elvis Costello in a long while so when I heard he was having a show at a local “small” venue, I thought it would be cool to check it out, enjoy the hits and see what was new with the man who first caught my attention when I was a radio DJ in the 80’s. Back then “Everyday I Write the Book” and “Allison” were staples of my Top 40 airplay.

The setting for this “Detour Tour” was both simplistic and engaging. Centered around a giant TV screen on which still photos and occasional videos played out moments of time in the life of Costello (including a performance of his fathers 1960’s version of “If I Had A Hammer”) were an easy chair, a few guitars and a borrowed piano from his wife, jazz artist Diana Krall.

Opening act Larkin Poe was an unexpected pleasure. The duo from Atlanta are often described as Southern roots rockers and they do deliver with their bluesy, guitar driven sound. The vocals of Rebecca Lovell and lap steel guitar of sister Megan combined to entertain and for me, the highlight of their set was a smokin’ cover of Black Sabbath’s “War Pigs.” Larkin Poe also serve as backing musicians for Costello for a good portion of his show.

Costello’s performance rolled through several waves, moving at times from guitar to piano and back to guitar. In between, anecdotes and reminiscences were delivered, along with the occasional Trump jab, to an appreciative audience. Many in the audience were surprised to learn that Costello had written several songs for a planned stage musical based on the film “A Face In the Crowd.” Upon divulging this, Costello performed “Blood & Hot Sauce” and “Burn the Paper Down to Ash” featuring vocals by Larkin Poe’s Rebecca Lovell. Top moments for me included the off mike, into the audience version of “Alison” and the rousing, crowd pleasing “Peace, Love and Understanding.” On the downside, no “Veronica” or “Radio Radio.”

Elvis Costello Set List:
1.)New Amsterdam
2.)Poison Moon
3.)Accidents Will Happen
4.)They’re Not Laughing at Me Now
5.)All This Useless Beauty
6.)Everyday I Write the Book
7.)Shipbuilding
8.)Deep Dark Truthful Mirror
9.)No Man’s Woman
10.)Face in the Crowd
11.)Little White Lies
12.)American Without Tears
13.)Watching the Detectives
14.)Alison
Encore
15.)Blame It on Cain
16.)Clown Strike
17.)Burn the Paper Down to Ash
18.)Vitajex
19.)That’s Not the Part of Him You’re Leaving
20.)American Mirror
Encore 2
21.)(The Angels Wanna Wear My) Red Shoes
22.)Jimmie Standing in the Rain
23.)Side By Side
24.)Blood & Hot Sauce
Encore 3
25.)Brilliant Mistake
26.)Down on the Bottom
27.)(What’s So Funny ’bout) Peace, Love and Understanding
28.)Good Year for the Roses

The tour continues through the month. Upcoming dates include:

October 11: Majestic Theater Dallas, Texas

October 13: Austin City Limits Live at the Moody Theater Austin, Texas

October 14: Revention Music Center Houston, Texas

October 15: Saenger Theater New Orleans, Louisiana

October 17: Ryman Auditorium Nashville, Tennessee

October 18: Cobb Energy Centre Atlanta, Georgia