Film Review: “Teenage Mutant Ninja Turtles: Out of the Shadows”

Starring: Noel Fisher, Jeremy Howard, Pete Ploszek and Alan Ritchson
Directed By: Dave Green
Rated: PG-13
Running Time: 112 minutes
Paramount Pictures

Our Score: 2.5 out of 5 Stars

Let’s be honest. In fact. Let’s be blunt. “Teenage Mutant Ninja Turtles: Out of the Shadows” is garbage. Many expected it to be garbage. I don’t know why you would even expect me to say otherwise when you came here to read this review. So. With that out of the way. The latest “TMNT” is the “Batman V. Superman” of turtle movies. It’s devoid of any plot, meaning, or logic. But just like DC’s misstep, it’s a somewhat entertaining waste of time.

The pizza eating, 90’s slang slinging; ninja turtles are attempting the latest comic book movie trend, overstuffed spectacles. Donatello (Ploszek), Leonardo (Howard), Michelangelo (Fisher) and Raphael (Ritchson) have to save the world in this movie. Without any interesting new villains, the movie falls back on Shredder (Brian Tee). After escaping a bumbling NYPD police force, Shredder is working with a super scientist, played by Tyler Perry (yes, that Tyler Perry), and an intergalactic alien named Krang.

Yep. You read that right. After Shredder escapes from jail, he goes through a time portal and talks with a giant talking snaggletooth brain attached to a robot. Shredder isn’t scared or concerned about traversing dimensions to talk with a slobbering, drooling alien. Instead they chat really quickly about exposition and Shredder goes back to Earth like nothing happened. Sandwiched between the two supervillains are Rocksteady (Stephen Farrelly) and Bebop (Gary Anthony Williams). Has no one in Hollywood learned from “Spiderman 3”?

There’s way too much happening in “Out of the Shadows” for anything to truly make sense. The rest of this review could be all the nagging questions I have. Generally kid’s movies aren’t supposed to have a lot of loose ends and confusing narrative when the target audience needs a little bit more clarification about what exactly is happening. But the CGI spectacle steps in where the script is missing, providing mouth silencing eye candy for the kids. So if you’re in need of a two hour daycare, this might be your best bet.

It’s kind of shocking that the kid’s network, Nickelodeon, would be willing to slap their name on this. There’s not any graphic violence, but “TMNT: Out of the Shadows” still tries really hard to earn its PG-13 rating. Outside of some four letter words, there’s the gratuitous sexualization of “reporter”, April O’Neil (Megan Fox), and the even more gratuitous flirtation of O’Neil by nearly every guy she encounters, including one of the turtles. Of course I don’t have kids and don’t have to worry about what they watch. It just irks me a little that the one female in this movie, who’s a journalist, is never doing her job and is ogled at by someone of a different species.

So what’s actually good about this? Besides being insulting to viewer’s intelligence, it’s amusing. The overused line, “Just turn your brain off,” comes in handy this time. But there are moments that are so disparaging and stupid that you’ll probably just want to leave the brain outside or at home, less it wakes up in a blind rage. This movie does benefit greatly from the viewer ignoring rationale and accepting that its pure popcorn nonsense. The strongest attribute is the turtles, which is ironic that the CGI characters are more human than the wooden actors.

Outside of a few cheesy lines, they’re lovable goofs who want to fit in and be heroes. It’s kind of like watching an Oscar winning actor starring in a bad horror movie, you know they can do better, but you’re still rooting for them because they haven’t sunk to the level of everything and everyone around them. They capture a certain essence about sibling arguments, growing up, and learning to recognize the differences and acceptance of one another.

I’m very conflicted on recommending this movie. I would say your children have to be a certain age and maturity level, but I’d also like to say that if you’re expecting deep storytelling like the Marvel Universe, you apparently don’t know who Michael Bay is. The producer has added all his hallmarks to nearly every aspect. It’d be nice if Bay could be pushed into the shadows so someone with a love for the “TMNT” franchise can make it as good as I keep thinking it can be.

“Think Fast!” Trivia Could Soon Be Heading to a Radio Near You

Will Sterrett, president and CEO of Rockcastle Media Group, has announced the first radio stations that will carry RMG’s first syndicated project, a daily, two-minute trivia feature titled, “Think Fast!”

“Think Fast!,” which Sterrett will also host, will feature wide-ranging trivia from history, sports, entertainment, news, and more.

The following stations have acquired the show, with more on the horizon:

KWIX-AM – Moberly, MO
KWIX-FM – Moberly, MO
KOZX-FM – Cabool, MO
KOKO-AM – Warrensburg, MO
KLOE-AM – Goodland, KS
KRDQ-FM – Colby, KS

“The launch of Rockcastle Media Group and ‘Think Fast!’ is the fulfillment of a dream more than a decade in the making,” said Sterrett, whose career highlights include CNN Radio Network, WLW/Cincinnati, KTRH/Houston, KRLD/Dallas, and KMBZ/Kansas City. “We’re grateful to the stations who have already made ‘Think Fast!’ part of their daily schedules, and look forward to welcoming more affiliates into the Rockcastle Media Group family through top-notch short-form and long-form programming and exemplary service for our affiliates and advertising partners.”

For more information on “Think Fast!” or if you’d like to suggest this program to your local radio station, visit www.RockcastleMedia.com

Kansas City’s Planet Comicon Just Gets Better and Better

Written by Mike Smith
Photos by Dan Lybarger

Once again, Kansas City’s Planet Comicon has come to a close. And once again, over 70,000 people took part in celebrating all things fantastic.

The weekend kicked off Friday night with a performance of “An Evening With Kevin Smith.” Flight delays threatened to keep Smith away but he actually ensured his attendance by jumping on a Southwest Airline flight, the same airline that had deemed him “to fat to fly” in 2010. Smith had avoided the airline since but broke down to ensure his fans would not be disappointed.

Among the celebrity guests in attendance: “I Dream of Jeannie” star Barbara Eden, Draco Malfoy himself, Tom Felton, “American Horror Story” star Denis O’Hare and Edward James Olmos from “Battlestar Galactica.” But the most love was reserved for famed comic book creator Stan Lee, who always seemed to have no less then 200 people lined up at any one time to meet him.

MediaMikes would be remiss if we didn’t think Planet Comicon creator Chris Jackson and his amazing staff for not only their hard work but for the opportunity for some of our winners to win 3-day passes to the event. Can’t wait to do it again next year.

MediaMikes 2016 Summer Movie Preview

Written by Mike Smith

As Memorial Day approaches you can count on two things: a lot of furniture stores will have sales and the multiplexes will be full. It seems like every year “summer” comes early. The first volleys have already been fired, with “Captain America: Civil War” jumping out of the gate and earning an amazing $355 million world wide in its first two weeks. Heck, even a movie based on a PHONE APP has made over $40 million in it’s first week. What’s next? Pull up your popcorn and big box of DOTS and let’s find out. As always, opening dates are subject to change at the whim of the studios. Some synopsis information courtesy of our good friends at the Internet Movie Data Base. If you want a more in-depth look at this summer’s offerings, give a listen to our special edition of the “Behind the Mikes” Podcast here. If you notice a set of initials after a title, that tells you that the film in question is highly anticipated by one of our critics (MG – Mike Gencarelli, LL – Loey Lockerby, MS: Mike Smith, JW – Jeremy Werner)

MAY 27

“Alice Through the Looking Glass”

Starring: Mia Wasikowska and Johnny Depp. Directed by: James Bobin.
-The continuing story of Lewis Carroll’s young heroine. Director Bobin has an extensive background with Ali G and the Muppets.

“X-Men: Apocalypse”

Starring: James McAvoy, Michael Fassbender and Jennifer Lawrence. Directed by: Bryan Singer
-The original big, bad Mutant (Oscar Isaac) visits 1983 to settle some scores.

JUNE 3

“Popstar: Never Stop Never Stopping” JW

Starring: Andy Samberg, Imogen Poots and Bill Hader. Directed by: Akiva Schaffer and Jorma Taccone.
-The Lonely Island guys, who have given “Saturday Night Live” some of it’s best shorts in the last few years, tell the story of a former boy band member trying to remain relevant.

“Teenage Mutant Ninja Turtles: Out of the Shadows”

Starring: Megan Fox and Will Arnett. Directed by: Dave Green
-The Turtles are back and this time they’re bringing Casey Jones with them.

JUNE 10

“The Conjuring 2”

Starring: Vera Farmiga and Patrick Wilson. Directed by: James Wan
-The further adventures of Lorraine and Ed Warren, who seem to have nothing better to do then find places and things that scare us!

“Now You See Me 2”

Starring: Jesse Eisenberg and Woody Harrelson. Directed by: Jon M. Chu
-The Four Horsemen are back, as is apparently everyone from the first movie. And Dave Franco. You’ve been warned.

JUNE 17

“Central Intellegence”

Starring: Kevin Hart and Dwayne Johnson. Directed by: Rawson Marshall Thurber.
-After he reunites with an old pal through Facebook, a mild-mannered accountant is lured into the world of international espionage.

“Finding Dory” MG

Starring the voices of: Ellen Degeneres and Albert Brooks. Directed by: Andrew Stanton and Angus MacLane
-Everyone’s favorite blue tang is lost and her ocean friends set out to find her.

“Swiss Army Man” JW

Starring: Paul Dano and Daniel Radcliffe. Directed by: Dan Kwan and Daniel Scheinert.
-A hopeless man stranded in the wilderness befriends a dead body and together they go on a surreal journey to get home.

JUNE 24

“Free State of Jones”

Starring: Matthew McConaughey and Keri Russell. Directed by: Gary Ross
-As the Civil War rages, a poor farmer from Mississippi leads a group of rebels against the Confederate army.

“Hunt for the Wilderpeople” LL

Starring: Sam Neill and Julian Dennison. Directed by: Taika Waititi
-A national manhunt is ordered for a rebellious kid and his foster uncle who go missing in the wild New Zealand bush.

“Independence Day: Resurgence”

Starring: Bill Pullman and Liam Hemsworth. Directed by: Roland Emmerich
-They’re back. Well, not Will Smith or Randy Quaid, but Judd Hirsch is still around.

“The Shallows” MG

Starring: Blake Lively and Brett Cullen. Directed by: Jaume Collet-Serra
-A mere 200 yards from shore, surfer Nancy is attacked by a great white shark, with her short journey to safety becoming the ultimate contest of wills. I love “Jaws” as much as the next guy…ok, maybe more…so I’m hoping this doesn’t stink.

JULY 1

“The Purge: Election Year” JW

Starring: Frank Grillo and Elizabeth Mitchell. Directed by: James DeMonaco
-After two successful movies, it only makes sense that they would complete the trilogy, promising more bloodshed. This time around you get to see if a U.S. Senator can survive the deadly night.

“The BFG” MS

Starring: Mark Rylance and Ruby Barnhill. Directed by: Steven Spielberg.
-Meet Sophie and her friend, a Big Friendly Giant who is an outcast because he won’t eat children!

JULY 8

“Mike and Dave Need Wedding Dates”

Starring: Adam Devine and Zac Efron. Directed by: Jake Szymanski
-Two brothers need dates for their sister’s wedding and end up running an on-line ad.


“The Secret Life of Pets”
LL, MS

Starring the voices of: Jenny Slate and Lake Bell. Directed by: Chris Renaud and Yarrow Cheney.
-Ever wonder what Baxter and Charlie are up to when you go off to work. Wonder no more!

JULY 15

“Ghostbusters” MG

Starring: Melissa McCarthy and Kristin Wiig. Directed by: Paul Feig
-This time it’s up to the ladies to tell us that they ain’t afraid of no ghosts.

JULY 22

“Absolutely Fabulous: The Movie” LL

Starring: Joanna Lumley and Jennifer Saunders. Directed by: Mandie Fletcher.

Edina and Patsy are still oozing glitz and glamour, living the high life they are accustomed to; shopping, drinking and clubbing their way around London’s trendiest hot-spots. Blamed for a major incident at an uber fashionable launch party, they become entangled in a media storm and are relentlessly pursued by the paparazzi.

“Star Trek Beyond” MS

Starring: Chris Pine and Zachary Qunito. Directed by: Justin Lin

J.J. Abrams has moved on and turned the reins over to multiple “Fast and Furious” director Justin Lin. I’m intrigued that Simon Pegg helped write this film.

JULY 29

“Bad Moms”

Starring: Mila Kunis and Kristen Bell. Directed by: Jon Lucas and Scott Moore
-When three overworked and under-appreciated moms are pushed beyond their limits, they ditch their conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence.

“Jason Bourne”

Starring: Matt Damon and Alicia Vikander. Directed by: Paul Greengrass
-The Jeremy Renner experiment a failure, Damon returns as Jason Bourne, a man who now remembers who he is trying to discover his past.

AUGUST 5

“Suicide Squad” MG JW

Starring: Margot Robbie and Jared Leto. Directed by: David Ayer.
-A secret government agency recruits imprisoned supervillains to execute dangerous black ops missions in exchange for clemency. As much praise as Heath Ledger got for his stamp on the Joker, word is that Leto takes it a notch higher.

AUGUST 12

“Pete’s Dragon”

Starring: Bryce Dallas Howard and Robert Redford. Directed by: David Lowery.
-A retelling of the classic 70’s Disney musical. And no, Redford is NOT the Dragon!

“Sausage Party” MS

Starring the voices of: Paul Rudd and Seth Rogen. Directed by Greg Tiernan and Conrad Vernon.
-An animated movie about one sausage’s quest to discover the truth about his existence. Coming from Seth Rogen and his writing partner, Evan Goldberg, I’m expecting one long 90 minute dick joke!

AUGUST 19

“Ben Hur”

Starring: Jack Huston and Haluk Bilginer. Directed by: Timur Bekmanbetov
-A falsely accused Jewish nobleman survives years of slavery to take vengeance on his Roman best friend, who betrayed him. I’m not big on remakes, but the Chariot Race looks amazing.

“Kubo and the Two Strings” MG

Starring the voices of: Rooney Mara and Charlize Theron. Directed by: Travis Knight
-Kubo lives a quiet, normal life in a small shoreside village until a spirit from the past turns his life upside down by re-igniting an age-old vendetta.

“War Dogs” LL

Starring: Jonah Hill and Miles Teller. Directed by: Todd Phillips
-The true story of two young men, David Packouz and Efraim Diveroli, who won a $300 million contract from the Pentagon to arm America’s allies in Afghanistan. This is the third time that Jonah Hill has played a real person on film, earning Oscar nominations the two previous times. I’m just saying.

AUGUST 26

“Blood Father”

Starring: Mel Gibson and Erin Moriarty. Directed by: Jean-Francois Richet
-An ex-con reunites with his estranged wayward 16-year old daughter to protect her from drug dealers who are trying to kill her.

“Hands of Stone”

Starring: Edgar Ramirez and Robert DeNiro. Directed by: Jonathan Jakubowicz
-The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other’s lives.

Theatre Review: “Matilda” Starlight Theater – Kansas City, Missouri

Matilda the Musical
Starlight Theater
Kansas City, Missouri
May 24, 2015
Our Score: 2.5 out of 5 Stars

Review by Mike Smith

As an owner of a satellite radio one of my guilty pleasures is the “On Broadway” channel. Lots of show tunes, both old and new. One of the shows whose score I’d heard, but hadn’t seen, was the story of the girl who likes to read, “Matilda.” I was happy to learn that it would be kicking off the season this year at Starlight. That being said, I wasn’t as happy when I left the theater.

Based on the classic children’s book by Roald Dahl, “Matilda” tells the story of a young girl born to uninterested parents. Her mother (Darcy Stewart) is upset that her labor has interrupted her goal of dancing in an upcoming contest. Dad (Brandon McGibbon) is a car salesman who is so upset at having a girl he continuously refers to Matilda (a very good Lily Brooks O’Bryant) as a boy. “I’m a girl,” the young lady repeatedly reminds him. They send her off to school, but, as a young child, she is put in the worse class where all she gets for her love of reading is lectures by the school mistress, Miss Trunchbull (David Abelles). Hilarity ensues.

OK, first the good part. The songs are catchy and the young cast members are in good voice and have nailed the choreography. The bad part, especially with the parents, is that their British accents seem forced. And that’s being polite. It’s almost as if they had attended the “Dick Van Dyke School of Accents.” When he played Bert in the film “Mary Poppins,” Van Dyke’s accent was so atrocious – and yes, I know that word rhymes with supercalifragilisticexpialidocious – the book’s author, P.L. Travers – refused to let Walt Disney make a sequel.

If you like watching talented children then go see “Matilda.” If not, read the book.

 

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Win Passes to the Kansas City premiere of “Teenage Mutant Ninja Turtles: Out of the Shadows”

Media Mikes has teamed up with Paramount Pictures to give (40) lucky readers and a guest a chance to be among the first to see the new film “Teenage Mutant Ninja Turtles: Out of the Shadows,” which will be shown on Wednesday, June 1st, 2016 at the Cinemark Merriam Cinema. The show begins at 7:00 p.m.

All you have to do is go to http://www.gofobo.com/wovyr78835 and enter. On May 30, (40) random entries will be chosen and those chosen will receive a pass for (2) to attend the screening. Good luck!

Date: Wednesday, June 1, 2016
Time: 7:00 pm
Place: Cinemark Merriam Cinema, Merriam, Kansas

“Teenage Mutant Ninja Turtles: Out of the Shadows” opens nationwide on Friday, June 3.
Official Site: www.teenagemutantninjaturtlesmovie.com
Facebook: www.facebook.com/TMNT
Twitter: @TMNTMovie #TMNT2

Rating: Rated PG-13 for sci-fi action violence.

Synopsis:
Michelangelo, Donatello, Leonardo, and Raphael return to theaters this summer to battle bigger, badder villains, alongside April O’Neil (Megan Fox), Vern Fenwick (Will Arnett), and a newcomer: the hockey-masked vigilante Casey Jones (Stephen Amell). After supervillain Shredder escapes custody, he joins forces with mad scientist Baxter Stockman (Tyler Perry) and two dimwitted henchmen, Bebop (Gary Anthony Williams) and Rocksteady (WWE Superstar Stephen “Sheamus” Farrelly), to unleash a diabolical plan to take over the world. As the Turtles prepare to take on Shredder and his new crew, they find themselves facing an even greater evil with similar intentions: the notorious Krang.

 

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Film Review: “Neighbors 2: Sorority Rising”

Starring: Seth Rogen, Zac Efron and Rose Byrne
Directed By: Nicholas Stoller
Rated: R
Running Time:   1 hour 35 minutes
Universal Pictures

Our Rating 3.5 out of 5 Stars

Did “Neighbors” need a sequel? Absolutely not. It didn’t even end with a cliffhanger or any storyline that would necessitate the need for a second. But in today’s theater age, profit=sequel. Of course I may further incite the need for a “Neighors 3” with the following statement. Despite the same plot, and a gender swap out, “Neighbors 2: Sorority Rising” is funnier and even more charming than the first.

A couple of years after the events of “Neighbors”, Mac (Rogen) and Kelly (Byrne) are expecting their second child and looking to move into a more spacious home. With the fraternity no longer hosting raging keggers, they find a buyer with no problem. The only problem is escrow. Since I’m not a homeowner, nor have I attempted to buy one yet in my life, I was unsure as to what escrow means. Apparently Mac and Kelly don’t either. It means that the buyers can change their mind in 30 days if there’s something they don’t see fit about the home. Of course this could easily just be a plotline convenience created by the movie.

Coincidentally, the old fraternity house is about to become alive with again with a sorority. Shelby (Chloe Grace Moretz), Beth (Kiersey Clemons) and Nora (Beanie Feldstein) are sick of the generic sororities, at least the typical Greek life tropes the movie portrays. Instead of conformity, forced cheeriness and male degradation, the trio creates their own sorority meant to empower their inner-lioness. Obviously a bunch of screaming girls, hosting their own raging keggers, doesn’t sit well with Mac and Kelly. The rest of “Neighbors 2” is the various hijinks and escalating pranks that happen between the two warring neighbors.

The first “Neighbors”, which I didn’t like, was about the bond of men in college as well as learning to grow up. “Neighbors 2” has the girls at an age of 18, so we can’t really expect them to “grow up”. Instead we get a more meaningful theme of acceptance and empowerment. Even the grossest scene of the movie, the sorority sisters throwing used tampons at Mac and Kelly’s home, is a lesson. Albeit a blood soaked, gross lesson. I know that might be hard to believe, but trust me.

There are the typical cheap laughs that we’ve come to expect from a Rogen comedy. I guess we’re supposed to laugh at Rogen being fat, people getting high, vomit on the face during sex, and other tired jokes. It actually makes the tampon scene feel a lot cleverer in retrospect. It’s socially aware enough to make us feel guilty about laughing or make us actually develop a thought while laughing.

It’s just unfortunate that such an enlightening movie has to hammer home its theme at nearly every chance it can get. It’s nice to see that the five male writers were willing to flip the script and poke fun at the overtly sexual nature of college men who see women as objects. But I think at least a sixth writer, preferably female, could have helped these guys guide their justified moral outrage in funnier, more unique, and in less, obvious ways.

Teddy (Efron) is back as a man-child who still can’t grow up. He serves as the mentor for the sorority at the beginning and switches sides when he’s disowned by the sisterhood. Watching Teddy grow as a person during the movie is most character development an Efron character has ever seen. In that sense, and others, “Neighbors 2” surprised me a lot. I was expecting a lazy rehash, but I have to give credit where credit is due; the six-man writing team realizes that a little empathy for all their characters can go a long way.

Film Review: “Captain America: Civil War”

Film Review by Jeremy Werner

Starring: Chris Evans, Robert Downey Jr. and Scarlett Johansson
Directed By: Joe and Anthony Russo
Rated: PG-13
Running Time: 146 minutes
Walt Disney Studios Motion Pictures
Our Score: 5 out of 5 Stars

Warner Bros. worst nightmare has come true. A much better comic book movie has been released with Batman V. Superman: Dawn of Justice still fresh in moviegoers minds. Actually, let me take that statement back. A near-perfect comic book movie has been released a month afterBatman V. Superman: Dawn of Justice, further solidifying Zack Snyder’s cinematic attempt as the shiny turd it is. Warner Bros. executives listen up. Purchase a ticket to Captain America: Civil War and see how comic book movies are really done.

This doesn’t feel like a Captain America movie, but more like a prequel to the next Avengers movie, and that’s perfectly fine. The loss of life and human casualties has finally caught up to the Avengers as the Secretary of State and the United Nations demand authority over the team. Tony Stark/Iron Man (Downey) is soaked in guilt, feeling that he’s done more harm than good. He believes the Avengers need a leash before they gallivant around the world fighting evildoers.

On the flip side of the coin is Captain America (Evans). He believes politics, as well as the looming threat of Hydra’s infiltration, would inhibit their ability to save the world at the drop of a hat. Both sides have their merits, but Captain’s opinion is tossed out the window when Bucky, the Winter Soldier (Sebastian Stan), commits a terroristic act at the U.N. killing dozens. Captain and Tony are at ends after this. Tony wants Bucky taken in and imprisoned, or killed, and Captain rightfully suspects something else is at work.

While Age of Ultron felt overwhelmed with over a dozen characters to juggle, Civil War seems to handle it with a calm demeanor. Even the introductions of Black Panther (Chadwick Boseman) and Spiderman (Tom Holland) are fluid, fun, and properly handled. The additions of a sleepy Ant-Man (Paul Rudd), a conflicted Scarlet Witch (Elizabeth Olsen), a stoic Vision (Paul Bettany) and a handful others never overwhelms the viewer.

For Marvel fans who’ve watched every movie, and possibly every show, their fan service is paid off throughout. As for the villain; He appears to be a little lacking, but upon further inspect, the bad guy says a lot about the fabric of comradery between the Avengers and how easily it can rip. It seems like every Captain America is a game changer. The first prefaced the Avengers assembling. The second movie scrapped S.H.I.E.L.D. to its bare bones. Now Civil War rearranges the chess board after flipping it off the table.

I feel like I say this nearly every time a new Marvel movie is released, but Marvel has seriously outdone themselves once again. Civil War is a near-flawless cinematic experience that neatly packages one of the most pivotal story lines in comic book history. As for what Marvel has up its sleeve before 2018’s release of Avengers: Infinity Wars, is anyone’s guess. But I assure you it’s in good hands. The same directors and writers behind Civil War are piecing together the next Avengers and if this movie is any indication, it’s going to be fantastic, if not a satisfying conclusion to decades of story building. I wish I could tell you more about Civil War, but it’s something you’re just going to have to see for yourselves. Like, right now.

Film Review “Papa: Hemingway in Cuba”

Starring: Giovanni Ribisi, Joely Richardson and Adrian Sparks
Directed By: Bob Yari
Rated: R
Running Time: 109 minutes
Yari Film Group

Our Score: 2.5 out of 5 Stars

Having to write about Ernest Hemingway is a daunting task, but having to write about “Papa: Hemingway in Cuba” is fairly simple task considering how humdrum it is about its biographical choice. So I’m lucky in the sense that I’m going to be telling you about the latter. I’m not lucky in having to admit I’ve never ready anything by Ernest Hemingway or know that much about the Pulitzer Prize winning author, so I can’t refute anything in this movie or speak about Hemingway with any familiarity.

Ed Myers (Ribisi) is a Boston Globe reporter that became infatuated with writing after reading Ernest Hemingway’s (Sparks) works. He’s too timid to write Hemingway a letter, but a co-worker, behind his back, sends off a letter he’s been mulling over for years. Much to Myers’ surprise, Hemingway responds and gladly picks him up in his own boat off the coast of Florida. From there they head off to Cuba to enjoy drinks, laughs and musings.

The movie follows Myers and Hemingway’s relationship over the course of 1959. The problem that arises from the get-go of the movie is that the film never knows how to settle and focus. The movie reflects on Hemingway’s alcoholism, suicidal tendencies, funding and supplying of Cuban rebels, his possible PTSD, his tumultuous marriage, his writer’s block, and probably more that I’m forgetting. Hemingway was known for saying a lot within a few short words. “Papa: Hemingway in Cuba” barely say anything in 109 minutes.

The most interesting conflict, at least the bit that the actors chomp at, is Hemingway’s alcoholism and his seemingly toxic marriage with Mary (Richardson). Some of the tensest scenes involve Myers and the Hemingway’s. Their conversation goes from passive aggressive jabs to violent outbursts. Because so much happens within one scene, there’s the unshakeable feeling that “Papa: Hemingway in Cuba” may have been better off as a dramatic stage play. The theory is given further credence by presence of Adrian Sparks, a renowned stage actor.

Bob Yari may have not been the man to direct this movie since he only has one other credit to his name. He has produced some magnificent movies, but then he’s credited as the executive producer for the “Agent Cody Banks” movies. My research online yields articles and interviews about how this movie has been in the works for years, but “Papa: Hemingway in Cuba” seems like a passion project without any passion.

Yari doesn’t have the director’s touch. So much of “Papa: Hemingway in Cuba” feels like a TV movie with a few ‘F’ bombs to spice it up. There are transitions that feel like they should be followed by commercials or a spokesman for PBS asking me to donate money. Even the casual viewer will be able to notice awkward cutting in between scenes. It begs the question if Yari was a simple fill-in.

For all its faults, it’s well acted and has a lot of gripping ideas. For those who don’t know much about Hemingway, this could serve as a bridge to learning more about one of America’s greatest authors. If that’s the case, this movie does serve some importance. For Hemingway fans and those familiar with American literature, they’ll be scratching their heads and wondering if Hemingway is turning and tossing in his grave.

Film Review “Mother’s Day”

Starring: Jennifer Aniston, Kate Hudson and Julia Roberts
Directed By: Garry Marshall
Rated: PG-13
Running Time: 118 minutes
Open Road Films

Our Score: 1.5 out of 5 Stars

I typed out, “Are ensemble holiday-related movies doomed to be forever bad?” and realized that I answered my own question with the phrasing, ensemble holiday-related movies. Every time I watch them, I feel like I’m watching sitcom leftovers. So it only makes sense that Garry Marshall, who’s worked on dozens of sitcoms, would make “Mother’s Day”, a sappy, cornball movie. Of course this isn’t Marshall’s first rodeo, but I certainly hope it’s his last.

Like most of these movies, there are too many characters to go over, but they all have one thing in common, they’re dealing with some matriarchal problem. Sandy (Aniston) has to cope with her boys becoming attached to her ex-husband’s new squeeze. Jesse (Hudson) is dealing with avoiding telling her mom that she married an Indian man. Jesse’s sister, Gabi (Sarah Chalke) has the same problem, but instead it’s her inability to show off her life partner. The 81-year-old director surely must have thought a lesbian couple and a white woman marrying someone of a different race was groundbreaking material.

Then there’s Bradley (Jason Sudeikis), who’s dealing with the year anniversary of the loss of his wife. There’s also Kristin (Britt Robertson) who can’t handle that her boyfriend, and the father to her child, is proposing to her. Then Julia Roberts is kind of just floating around in the background as the “popular” HSN host. There are a lot more characters and a lot more actors looking for a paycheck that I’m sure I’m neglecting. Some of them connect and some of them don’t and live in their own personal bubble hell without having to bring anyone else into it.

The only thing this movie is missing is canned laughter or the gratuitous audience applause after someone stands up for themselves. The conflicts are forced, outdated, and their resolutions are equally as audacious to reality. I’ll go ahead and gloss over the fact that there’s obnoxious product placement. I mean, how many eight and 10-year-old siblings are going to get excited about going to IHOP? And don’t forget that any beverage must be drunk, has the label on the outside so that the camera can read it.

At times I did find it sentimental, oddly enough. Maybe it’s because I set my brain to cruise control or because there is a universal feeling that moms do go underappreciated. “Mother’s Day” does kind of touch on that, but it could be by accident. As for all you hard working moms in the world out there, you do deserve a movie that loves and supports you, but “Mother’s Day” is not that movie. Let’s spend Mother’s Day with our mom and stop attending these recycled holiday movies.

Film Review “Green Room”

Starring: Anton Yelchin, Imogen Poots and Patrick Stewart
Directed By: Jeremy Saulnier
Rated: R
Running Time: 94 minutes
A24 Films

Our Score: 2 out of 5 Stars

You’d think killing neo-Nazis would be more fun, or at the very least, more savagely joyful and campy. “Green Room” has the extreme close-ups of graphic violence, like broken bones and lacerations, which we’re accustomed to. We also get to watch characters use multiple tools for stabbing and pit bulls chewing out people’s throats. Sure, that’s not everyone’s cup of tea. But some movies find that gruesome sweet spot and have a lot of fun with it. However, “Green Room” feels devoid of any purpose, in its excessive gore and in its story.

The Ain’t Rights, made up of Pat (Yelchin), Sam (Alia Shawkat), Reece (Joe Cole), and Tiger (Callum Turner), find themselves playing to a room full of tattooed freaks at a white supremacist club. They’re in the middle of nowhere Oregon, playing for some pissed off skinheads, after a series of poor gig scheduling events on their end. Their current predicament isn’t helped by the fact that their setlist starts with a cover of the Dead Kennedy’s song, “Nazi Punks Fuck Off”.

After miraculously escaping their set unharmed, they prepare to leave, but accidentally witness the post-fallout of a murder in their green room. Things deteriorate quickly for the punk quartet and the hate group organizers. Weapons are drawn, hostages are taken, and the neo-Nazi leader is called in to get everything squared away. It’s only after the leader, Darcy Banker (Stewart), arrives that the Ain’t Rights truly recognize the severity of their situation.

Despite Stewart’s performance as a cold and calculating killer, there’s not a lot of tension in this concert version of “Panic Room”. Which is really unfortunate since the band is in the vast and quiet wilderness, with sociopaths at every turn. The setting is there, but the mood is lacking. A lot of it has to do with the fact that the band isn’t necessarily the brightest or most likeable. The band siphons gas because they don’t make enough money and they’re unnecessarily bitter and violent towards people they just met.

Darcy maps out every intricate detail to the neo-Nazi’s clean-up plan, which is constantly evolving and shifting based on the reactions of the band barricaded in his bar. He’s the most interesting of the characters and the movie would have benefitted more following him around a little more. But instead we’re trapped in the green room, listening to poor attempts at exposition, humor, and back story to a handful of dopey characters.

“Green Room” viewers may benefit from beers, pals, and a twisted sense of humor, but that same trio of items may have helped when writing it. Director/Writer Jeremy Saulnier definitely displays his visual prowess and his ability to create ocular terror and Yelchin and gang yam it up and find plenty of scenery to chew up, but it’s simply not enough. Once we get our fill of Nazi symbolism, hidden drug rooms, and knives to the stomach and throat, the “Green Room” is forgettable.

Film Review “The Invitation”

Starring: Logan Marshall-Green, Tammy Blanchard and Michiel Huisman
Directed By: Karyn Kusama
Rated: R
Running Time: 100 minutes
Drafthouse Films

Our Score: 4 out of 5 Stars

How long are you willing to let little inconsistencies nag at you before you passive aggressively leave, or better yet, uncomfortably point them out in a room full of people? “The Invitation” doesn’t necessarily ask that question, but depending on how you’d react in that situation, it’s certainly something to ponder. “The Invitation” us a slow-burning thriller that picks at Will (Marshall-Green), causing him to question himself and everyone around him

Will, and his current squeeze, Kira (Emayatzy Corinealdi) are heading to his ex-wife’s house for a small get together. Will hasn’t seen Eden (Blanchard) in years. Their marriage ended after the accidental death of their son and her inability to cope with the tragic loss. Eden moved on and met David (Huisman), who helped her recover in a unique way. Not only will it be the first time Eden and Will have seen each other in two years, but the first time many of their friends will have seen both of them in the same room.

It’s a relatable circumstance, attempting to reconcile or keep up appearances with a former flame because of mutual friends. But Will starts noticing that the smallest things are amiss. For instance, a bottle of pills in a medicine cabinet, a door that shouldn’t be locked, and a dinner party guest that never arrived. Every time Will, and the audience, is about to burst at the seams, the tension is ratcheted down and the minor irregular is laughed off. The movie does this several times, cranking up Will’s erratic behavior. But is it erratic or justified?

Fans of the horror movie genre might be able to pick up on what’s going on, but not without a lot of fight and sway by “The Invitation”. There’s credence to Will’s paranoia, but credence to everyone seeing Will’s outbursts as irrational inklings. Will could easily be suffering from buried emotions, linked to the death of his son. Or maybe Will’s suspicions are correct and something far more nefarious is afoot. As long as you’re willing to invite “The Invitation” to the inside of your head, you’re going to have an uncomforting blast.

“The Invitation” instinctively knows when to knock us off balance just when we think we’ve got it all figured out. A lot of that can be credited to the director, whose previous theatrical contributions don’t really hint towards the creepy unsettling nature of every shot. Even the actors here put full faith behind their characters, the motivations of their characters, as well as the story. Everyone is on the same page, even when the audience is still trying to piece it all together.

It’s difficult to discuss a movie like this because so much of its tension and story requires you knowing nearly nothing at all. “The Invitation” relies so much on the fear of the unknown, even if you think you know what’s happening. Obviously the disturbing nature of what’s going on won’t happen until the very end, but “The Invitation” is so chillingly effective, you’ll want the end to come as quickly as possible.

 

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Film Review “Criminal”

Starring: Kevin Costner, Ryan Reynolds and Gal Gadot
Directed By: Ariel Vromen
Rated: R
Running Time: 113 minutes
Summit Entertainment

Our Score: 2.5 out of 5 stars

When it comes to groundbreaking scientific advancements, you want the sharpest minds on the case experimenting on the most eligible people. So when doctors plan on transferring the memories from the mind of a dead CIA operative, so that they can acquire highly classified information, they would obviously want the most qualified of human test subjects. In “Criminal”, the best they can do is an murderous inmate.

Jericho (Costner) lacks empathy, has never experienced any human emotion outside of hate and revenge and has killed numerous, if not dozens, of people. His sociopathic tendencies, as he puts it, are because he was thrown from a moving car by his father as a child. The doctors say it disabled the frontal lobe of his brain and doctors say that makes him the “perfect” candidate to accept the memories of undercover agent, Bill (Reynolds). If you’re willing to ignore the irrational set-up, then you might like “Criminal”.

But “Criminal” takes itself too seriously to be enjoyably farcical and its characters are too inherently silly to be earnest. “Criminal” falls flat half the time, but it manages to find a couple of entertaining nuggets when Jericho combines his angry drunken fighting technique with the precise killing method of Bill’s CIA training. It’s rarely there, but Costner in various scenes highlights the carefree nature of a petty thief and the calculating nature of a trained killing machine.

There are actually quite a few other actors that Costner gets to play with, including Bill’s wife played by Gal Gadot, a short tempered higher-up played by Gary Oldman, and a doctor that performs the memory transfer, played by Tommy Lee Jones. All the characters are interesting, but none of them really add much depth to the story or to Jericho. Costner is entertaining enough without us being distracted by the surrounding star power. On the surface it may seem like a waste of talent, but it’s more the case of a movie with unnecessary add-ons.

As the movie goes on, we learn that the CIA wants to find out the location of a master hacker, known as the Dutchman. The government wants to keep the Dutchman out of the hands of the Russians and a rogue anarchist who wants to hit the reset button on society. The plot is vague with details, but gets the point across visually without drowning the audience in tedious exposition, which I’m thankful for. Because of that, the nearly two hour runtime goes unnoticed.

Jericho is the focal point of the movie and “Criminal” attempts to make him sympathetic by showing how he adapts to emotions like love, affection, and genuine human concern for the first time in his life. On paper, he’s a despicable human who still kills people and is obsessed with his own wants and needs, but Costner adds some level of believability to the rehabilitation credence. But that might be because the American public commonly knows him as an Iowa farmer that plays baseball with ghosts.

“Criminal” could have been really fun if it avoided the pitfalls of humanizing its main character. Costner is a decent enough anti-hero without the sappy injunction of his wife. In a different universe, “Criminal” is a good movie. It’s a sci-fi movie instead though. Kevin Costner remains foul-mouthed, learning to show some compassion, but still remaining crass and blood hungry. In this world though, he’s a predictable character stuck in a generic action movie.

Film Review “Demolition”

Starring: Jake Gyllenhaal, Naomi Watts and Chris Cooper
Directed By: Jean-Marc Vallee
Rated: R
Running Time: 100 mins
Fox Searchlight Pictures
Our Score: 4 out of 5 stars

Falling in love with a Jake Gyllenhaal character is proving to be deadly. Last year his wife in Southpaw died, then there’s the ill-fated passenger aboard a train in Source Code and now we have Demolition. Gyllenhaal plays Davis,
whose main squeeze, Julia (Heather Lind), dies right off the bat in Demolition. A fatal car crash takes her young life, sparing Davis. The incident is a blur, which is a testament to how Davis has lived his life up until this point.

There’s a very telling scene at the hospital immediately after the accident, as Davis is awoken from a nap by Julia’s father, Phil (Cooper). Phil’s eyes are bloodshot from crying while Davis’ eyes simply have the remnants of sleep in them. If anything, Phil is more distraught over losing out on a pocket change from the hospital vending machine. But oddly enough he finds comfort when he begins to pen handwritten letters to the vending machine company that cheated  him out of some much needed candy.

His letters detail his adult life descent into apathy towards everything and everyone around him. He casually details his decomposition of his most simplistic of human emotions. Meanwhile, in robotic fashion, Davis watches and skirts around other people mourning the death of Julia. Verbally, he says the right things, but physically, his reactions are lethargic to the whole grieving process. The numbness he feels is the lack of love he had for his wife. He can’t even remember why he even married her in the first place.

Demolition casually, and sometimes very abruptly, takes some very surreal turns to show Davis’ unraveling. The death of his wife turns out to be a rebirth of sorts. Davis reflects on everything he’s done and soon his natural curiosity for life takes over. He socializes with people he would have normally disregarded and dismantles things around him, wondering how they work or simply, what’s on the inside of them.

At times Demolition plays like a fever dream, matching its heavy material with a heavy rock drumming on the soundtrack. The overpowering and sorrowful guitar soundtrack and music video-like sequences are cliché at times. Much like taking replacing a lightbulb with a sledgehammer, Demolition can be a little bit too blunt with its overall meaning about deconstructing life and rebuilding it. But it never takes away from its tragic message about how sometimes our lives are stuck on auto-pilot.

Every performance is spot on, especially Gyllenhaal who is still in a never ending quest for an Oscar, or at the very least, another nomination. Naomi Watts in turn provides a subtle innocence to an emotionally battled mom, Karen, struggling with her feelings over Davis. It’s odd that their sweet, yet non-physical, relationship stems from exchanging messages over a broken hospital vending machine, but their acting and their on-screen magic makes it believable. Judah Lewis plays Karen’s adolescent son, who ends up propelling Gyllenhaal’s character forward while providing his own character study on Chris, a boy struggling to come to terms with who he is.

Demolition is poignant, yet emotionally rejuvenating. It’s a visually entertaining story, with an at-times confusing narrative. It may take a couple of viewings to fully comprehend it’s multi-level message about society, the people in it, and the tendencies that those people have to become emotionally distant from everything. Nearly everyone in Demolition go through some complex changes, especially Davis, and it’s interesting to watch that growth, whether the changes be big or small.

Film Review “Batman v Superman: Dawn of Justice”

Starring: Ben Affleck, Henry Cavilll and Amy Adams
Directed By: Zack Snyder
Rated: PG-13
Running Time: 153 Minutes
Warner Bros. Pictures

Our Score: 2.5 out of 5 Stars

Over the past decade, Marvel has slowly built one of the most highly anticipated cinematic franchises, with each installment garnishing rave reviews and even more acclaim from fans. Through 12 movies, the Marvel Cinematic Universe has meticulously and carefully put all the pieces together, to where millions will turn out this summer and understand nearly every second of “Captain America: Civil War”. Marvel has taken a lot of time and patience to get that point. Warner Bros. and DC apparently don’t have time for that.

Set 18 months after the events of “Man of Steel”, “Batman V. Superman: Dawn of Justice” obviously introduces us to Bruce Wayne (Affleck). His backstory is ubiquitous, so we gloss over his tragic past in a quick sequence of shots and voice over narration on the opening credits. But the draw is when we watch the fight between Superman (Cavill) and General Zod (Michael Shannon) from the end of “Man of Steel”. While people flee from the chaos, Bruce runs into the clouds of debris and crumbling buildings, highlighting why he’s a superhero, even when he’s not the Dark Knight.

The scene is captivating and eerily reminiscent of 9/11, and that’s what it’s supposed to tell us about Batman’s mind set. It also seems to acknowledge many fan concerns from “Man of Steel” about the loss of life during the Superman/Zod beatdown. There’s a lot less careless disregard for civilians in “Batman V. Superman”, but that’s because much of the movie is spent building up to the fight between Batman and Superman. But that’s because it’s what people want to see, obviously. So does the build-up make sense? Kind of. Does it pay off? Sort of.

Since DC is playing catch-up, I believe it’s fair to compare “Batman V. Superman” to the “Avengers”. While Marvel clearly has room to breathe and enjoy what is has, DC appears breathless as it rushes through characters, plots, and ideas. While I did say that Batman’s origins are omnipresent, where Batman is at in his his life is a bit of a mystery. He’s in his 40’s and seemingly has a lot more downtime than previous incantations of Bruce Wayne. But rarely do we truly understand his distrust of Superman, more than we’re just supposed to go along with it. He also seems to have some skeletons in the closet we’re not being told about.

Then there’s the iconic Lex Luthor (Jesse Eisenberg). When he arrives on scene, it’s clear he’s a billionaire playboy, but there are implications that he may just be a sociopath that inherited his father’s money. It’s uncertain whether he’s a genius or someone who’s trying to make too many bizarre religious connections to Superman. His infatuation with Superman, and to some extent Batman, is also never really explained. It’s merely implied that he has some extreme personality disorders.

Because so much of the plot is rushed and skipped over, we’re left having to digest CGI spectacles, and badly worded metaphors uttered by Alfred Pennyworth, Batman’s butler (Jeremy Irons) or Lois Lane, Superman’s squeeze (Adams). There’s too much information, but also too much time spent on inconsequential scenes, like Batman’s bizarre nightmare and Superman’s heart-to-heart on a random snowy mountain with his dead Earth father. “Batman V. Superman” doesn’t feel like a stand-alone movie, more than it just feels like a really long and unnecessary teaser for a “Justice League” movie.

If that’s the case, then the “Justice League” movie better be fantastic because we’ve really had to go through a lot of trouble to get one. That’s not to say “Batman V. Superman” isn’t a decent movie with some good ideas. The casting of Affleck, as well as his performance, is enough to forgive him for “Daredevil”. His portrayal of an aging Batman, focused on his legacy, could create some interesting plot points for later DC films, if they do it right. We also get more of Superman, carried over from “Man of Steel”, as a conflicted man dealing with his powers and who he should be for the people of Earth. While some people don’t like that Superman, I find that Superman more interesting and relatable.

Then of course, there’s Wonder Woman (Gal Gadot), whose appearance was ruined by the theatrical trailers, which is really a shame because her appearance at the end isn’t a complete surprise. Despite that, the attending audience still went nuts as she hacked a few limbs off Doomsday; another character spoiled by the trailer. I do hope that Zack Snyder doesn’t use “Wonder Woman” much like he used the ladies of “Sucker Punch” or we’ll be in for more masturbatory nerd fan service with a really exciting character that’s more than just simple eye candy.

It’s hard to predict where “Batman V. Superman” will fall in the inevitable grand scheme of things. Looking in the crystal ball, there are some interesting directors and writers attached to future DC projects, such as Patty Jenkins, the director of “Monster” and James Wan director of “The Conjuring”. While Jenkins gets to handle the origins of Wonder Woman and Wan gets the handle the origins of Aquaman, it looks like Snyder will still be the man at the helm when it comes to the “Justice League” movie. If “Batman V. Superman” and “Man of Steel” are any sign, DC might want to find someone else, and fast.

 

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