Our Critics Pick the Best (and Worst) Films of 2016

As the year 2016 finally comes to an end it’s time for the film guys (and gals) here at Media Mikes to share our thoughts on the best and worse films that the year had to offer. Since I’ve got the by-line, I’ll go first:

Mike Smith’s Best Films of 2016

1. “Birth of a Nation”
I can’t understand how fickle Hollywood is. It was just a little under a year ago, when the Academy Award nominations were announced, that everyone was up in arms due to the lack of minority representation among the major nominees. When “Birth of a Nation” first opened, it drew raves – including from me – and seemed to be on a collision course with Oscar. Then it was reported that the films co-writer, director and star, Nate Parker, had been accused of rape 20 years ago while in college. I will admit right here that when I did my “Fall Movie Preview” I mentioned the alleged event, even questioning if it will have any effect on the film’s popularity. Obviously the answer is a resounding yes. Sometime ago I read a magazine article about possible Best Picture nominees and the very first line stated that the alleged incident pretty much knocked the film out of the race. Too bad. “Birth of a Nation” is one of the most original and powerful films of this or any year.

2. “Hacksaw Ridge”
Apparently Hollywood found a film that is bulletproof from negative publicity. Directed by everyone’s favorite crazy uncle – you know who he is, the one that really shouldn’t drink and then make phone calls – Mel Gibson, this is the true story of how a soldier can refuse to pick up a weapon but still become a hero.

3. “Weiner”
My father used to tell this joke: A man and his wife have a baby but it’s only a head. Ashamed, the father puts it in a coffee can and puts it on the back porch. 21 years later he picks up the can and takes it with him to the local bar. He orders two beers, drinks one and pours the other into the head’s mouth. Suddenly the head spins around, drops to the floor and begins to grow – arms, legs, body. After a few minutes where once sat a head now stands a beautiful specimen of a man. “Holy shit,” the father exclaims and orders two more beers. He and his son clink glasses and drink. Suddenly the boy falls over, dead. The bartender looks over the bar at the body on the ground and says, “Poor kid. He should have quit while he was ahead!” That is the same advice Anthony Weiner should have taken. Once a growing force in politics, Weiner had to resign his seat in congress after it was discovered that he had texted nude photos of himself to women not his wife. Years later he decides to run for Mayor of New York City. He’s doing well in the polls when – you guessed it – he took that second glass of beer! Caught once again sharing shots of his penis, he withdraws from the race. I just realized that I used the words “growing” and “withdraws” in a story about a guy named Weiner. See what I did there?

4. “Manchester by the Sea”
Normally when I see Casey Affleck on screen I immediately see him in the back of Chuckie’s car in “Goodwill Hunting,” waiting for his lunch and singing out, “I wish I had a double-burger!” He’s always been good in pretty much everything I’ve seen him in since but he NAILS IT with his performance here. With a constant level of sadness just peeking out no matter the situation, he may not be the only Affleck with an Oscar come this February.

5. “Moana”
Dwayne Johnson sings! That is one of the great surprises in this sure-to-be next animated Disney classic. Great songs, fun performances and a strong female character add up to an amazing night at the movies.

Mike Smith’s Worst Film of 2016

No contest here. Say hello to “The 5th Wave.” Allow me to share some of my review:

“A film only in the sense that it’s being shown in theatres, “The 5th Wave” tells the story about what can happen when you reveal the BIG ending 20 minutes into the film and apparently forget what the words “continuity” and “believable” mean.”

Need I say more? But don’t just take my word for it. Here are some more suggestions from the rest of the gang:

Mike Gencarelli’s Best and Worst of 2016

Best:
“A Monster Calls”
“Deadpool”
“Doctor Strange”
“Finding Dory”
“Kubo and the Two Strings”
“Moana”
“The Neon Demon”
“Rogue One: A Star Wars Story”
“The Secret Life of Pets”
“Trolls”

Worst:
“The BFG”
“The Legend of Tarzan”
“Nocturnal Animals”
“Snowden”
“Zoolander 2”

Lauren Damon’s Best Films of 2016

1. “Hunt for the Wilderpeople”
Taika Waititi on my list again! This movie managed to be funny, sweet, original and not to mention shot gorgeously. The main boy (Julian Dennison) was so well cast opposite Sam Neill. Also fell in love with Rachel House who then also turned out to be my favorite crazy grandma in Disney’s Moana (not on my list here, but did enjoy.)

2. “Rogue One: A Star Wars Story”

Ho. Lee. Shit. This movie has Death-Star sized balls in the darkness territory and I felt so proud of Disney for actually letting it be that way. I enjoyed it way more than The Force Awakens because it felt so fresh for the franchise. The third act battle was astounding and their usage of Darth Vader put the biggest grin on my face.

3. “Don’t Think Twice”
Mike Birbiglia’s film about a tight-knit improv troupe that’s split when one of its members ascends to an SNL-type show was full of top comedians (Birbiglia, Chris Gethard, Tammy Sagher, Keegan Michael Key, Kate Micucci and Gillian Jacobs make up the group) doing hysterical improv, but more impressively bringing so much heart and smart observation to this very specific scene and age group. It was equal parts hilarious and heart-breaking.

4. “Deadpool”
I’m so glad this movie exists. Knowing that Ryan Reynolds fought for years to get a Deadpool movie made that gets the character right and to have it turn out this funny and bad-ass just made my nerd heart happy.

5. “Captain America: Civil War”
The Russo brothers here continue to make me excited for their upcoming work on Avengers: Infinity War because Civil War proved that these guys know how to handle a massive cast. This film arguably had the most baggage (i.e. number of movies in the MCU you should be up to speed with going in) but it never felt that way and they managed to seamlessly introduce both Black Panther and a new Spider-man (who I loved! Great job by Tom Holland). The heroic showdown in the German airport is one of my favorite sequences of the year.

Lauren Damon’s Worst Film of 2016

“Jason Bourne”
Most disappointing. I was so incredibly bored, I couldn’t believe it. Muddled action sequences, may-as-well be stock footage of nefarious control rooms, and a backstory that added exactly one sentence of history to the Bourne mythos. Tommy Lee Jones could have been asleep in his role while title character reportedly had only 25 lines of dialogue, just a lazy effort in a franchise I’ve previously loved.

Jeremy Werner’s Best Films of 2016

1. “Swiss Army Man”
Very few movies have the honor or distinction of being wholly unique, but “Swiss Army Man” grabs that honor within minutes of beginning. Surely, it’ll also be the only movie ever that’ll ever explore existentialism through a farting boner corpse.

2. “Zootopia”
After a rough 2016, where some of the ugliest sides of people were brought to the forefront, it’s refreshing to see a sharply written animated movie film highlight tolerance and acceptance. This movie will resonate for years and decades.

3. “Arrival”
A poignant sci-fi flick that simply teaches communication is the main ingredient to understanding one another. But on a deeper level, “Arrival” reveals that we’re not alone in the universe, on a galactic and emotional level.

4. “Manchester by the Sea”
Despite all the emotional gut punches that this movie delivers, it’s final moments offer hope, forgiveness, and that well-deserved light at the end of the tunnel for those who’ve had tragedy and depression consume them.

5. “Hell or High Water”
The neo-western feels trapped in an economic hangover, saying more about it’s themes than any of it’s characters. It’s a bank heist movie with realistic grit and a sour message.

6. “O.J.: Made in America”
Despite being nearly eight hours, this documentary never gets boring in it’s unflinching look at racism in America. The trial of the 20th century has never felt more prevalent as police involved shootings and racial tensions are on the rise in America.

Jeremy Werner’s Worst Films of 2016

1. “Nine Lives”
I’d rather eat an uncleaned box of kitty litter than watch this movie again. Actually, no. I wouldn’t. That’s dangerously unhealthy and potentially life-ending. But I think you get the point. This movie is awful, beyond human words can comprehend.

2. “The Divergent Series: Allegiant”
Back in 2014, I made a journalistic plea to moviegoers to not see “Divergent” so I could be spared anymore suffering. Those cries went unheard and two years later I endured another two-hour cinematic abortion.

3. “Passengers”
Many have noted “Passengers” is Stockholm syndrome in space, but I’d like to point out that “Passengers” is also a sign that victim blaming and rampant sexism is still a concern in the future.

4. “Warcraft”
Somehow “Warcraft” has a 7/10 on IMDB. Somehow this made back twice it’s budget. Somehow the “Ghostbusters” remake was a box office bomb and has a lower IMDB rating. This world sucks. Let’s go to Mars.

5. “Mother’s Day”
“Mother’s Day” is the film equivalent of a hard slap to the face for hard working moms in the world. Moms deserve a movie that loves and supports them, and doesn’t belittle them, like “Mother’s Day” did.

Loey Lockerby’s Best Films of 2016

1. “Hell or High Water”
A near-perfect blend of family drama, heist movie, absurdist comedy & neo-Western.

2. “Moonlight”
Thoughtful, sensitive & beautiful. It tells a long story without dragging it out or pacing it badly. No small feat.

3. “Manchester by the Sea”
I loved every flawed, struggling character. How many tragedies can actually make you feel better by the end?

4. “Arrival”
Tackles serious emotional issues while offering an intelligent sci-fi story & relatable characters. Exactly what this genre does best.

5. “The Witch”
It’s not horror-movie scary, but it’s terrifying in the realistic way it portrays madness & early American religious fanaticism.

Loey says they were spared having to watch anything horrible this past year. You can read Loey’s full reviews here.

Film Review: Free State of Jones

Starring: Matthew McConaughey, Gugu Mbatha-Raw, Mahershala Ali
Directed By: Gary Ross
Rated: R
Running Time: 139 minutes
STX Entertainment

Our Score: 2 out of 5 Stars

American Civil War movies are either critically claimed masterpieces (“Gone with the Wind” or “Glory) or the bane of moviegoers existence (“Gods and Generals” and “Gettysburg”). “Free State of Jones” fall somewhere in between. There’s enough entertainment and magnificent acting to keep it afloat, but too many nauseating history lessons and a lack of narrative to make it watchable. It may get some future use in high schools across the country, but could also be a punishment for a rowdy classroom.

“Free State of Jones” follows Newton Knight (McConaughey) a MacGyver of 19th century America. He’s a nurse as battles wind down, a soldier when war flares up, a farmer at home, a blacksmith and carpenter when the script calls for it, and many other things. Knight watches too many of his friends, family, and countrymen die for a cause he doesn’t believe in. He views the Civil War as a rich man’s war being fought by the poor residents of Mississippi. So he goes AWOL, evading troops on the lookout for the fresh deserter.

Knight goes into hiding in the swamps where he befriends runaway slaves and slowly starts attracting other deserters to his camp. Over time, he collects more slaves and deserters to help form his own militia. Their core belief isn’t anti-Confederate, but more around the belief that no army or government should steal from the people and that the people have a right to what they create with their own bare hands.

The movie takes place from 1862 to 1867, which already has any historian reading that scratching their head. The Civil War ended in 1865. Un-effectively, “Free State of Jones” is like two different movies. One about the small rebellion against Confederate beliefs and the fallout of the Civil War in the South with Knight having to constantly defend the rights of his African American friends.

Narratively, it’s a mess. At no point does the movie blatantly or subliminally promote a unique theme or message. “Free State of Jones” is another; white man comes to save the day for minorities, history lesson from Hollywood. The movie highlights the corrupt system in place after the war, which prevented minorities from voting in the political process. That could be a link or statement of affairs today in this political climate, but I’m not willing to give the creative team behind “Free State of Jones” that much credit.

It’s a well shot movie that captures the essence of war, but McConaughey is the true highlight of the movie. He works well with the emotional and physical toll of war as he progressively becomes older in “Free State of Jones”. But I can’t help but dislike his character for some of the selfish plot points in the movie. It doesn’t help that the movie constantly jumps forward around 80 years into the future where Knight’s relatives are going through a legal battle. It’s another speed bump that slows down the overall pace of the movie.

“Free State of Jones” is definitely a unique tale for the Civil War that highlights the divide in a traditionally proud part of the country. Even today, people still sport Confederate flags and re-enact famous battles. There’s something interesting that can be said about how war can divide even the most patriotic of people. But “Free State of Jones” doesn’t want to talk about that. It seems more obsessed with messages we’ve heard before and reminding us that slavery is still evil.

Film Review: “Captain America: Civil War”

Film Review by Jeremy Werner

Starring: Chris Evans, Robert Downey Jr. and Scarlett Johansson
Directed By: Joe and Anthony Russo
Rated: PG-13
Running Time: 146 minutes
Walt Disney Studios Motion Pictures
Our Score: 5 out of 5 Stars

Warner Bros. worst nightmare has come true. A much better comic book movie has been released with Batman V. Superman: Dawn of Justice still fresh in moviegoers minds. Actually, let me take that statement back. A near-perfect comic book movie has been released a month afterBatman V. Superman: Dawn of Justice, further solidifying Zack Snyder’s cinematic attempt as the shiny turd it is. Warner Bros. executives listen up. Purchase a ticket to Captain America: Civil War and see how comic book movies are really done.

This doesn’t feel like a Captain America movie, but more like a prequel to the next Avengers movie, and that’s perfectly fine. The loss of life and human casualties has finally caught up to the Avengers as the Secretary of State and the United Nations demand authority over the team. Tony Stark/Iron Man (Downey) is soaked in guilt, feeling that he’s done more harm than good. He believes the Avengers need a leash before they gallivant around the world fighting evildoers.

On the flip side of the coin is Captain America (Evans). He believes politics, as well as the looming threat of Hydra’s infiltration, would inhibit their ability to save the world at the drop of a hat. Both sides have their merits, but Captain’s opinion is tossed out the window when Bucky, the Winter Soldier (Sebastian Stan), commits a terroristic act at the U.N. killing dozens. Captain and Tony are at ends after this. Tony wants Bucky taken in and imprisoned, or killed, and Captain rightfully suspects something else is at work.

While Age of Ultron felt overwhelmed with over a dozen characters to juggle, Civil War seems to handle it with a calm demeanor. Even the introductions of Black Panther (Chadwick Boseman) and Spiderman (Tom Holland) are fluid, fun, and properly handled. The additions of a sleepy Ant-Man (Paul Rudd), a conflicted Scarlet Witch (Elizabeth Olsen), a stoic Vision (Paul Bettany) and a handful others never overwhelms the viewer.

For Marvel fans who’ve watched every movie, and possibly every show, their fan service is paid off throughout. As for the villain; He appears to be a little lacking, but upon further inspect, the bad guy says a lot about the fabric of comradery between the Avengers and how easily it can rip. It seems like every Captain America is a game changer. The first prefaced the Avengers assembling. The second movie scrapped S.H.I.E.L.D. to its bare bones. Now Civil War rearranges the chess board after flipping it off the table.

I feel like I say this nearly every time a new Marvel movie is released, but Marvel has seriously outdone themselves once again. Civil War is a near-flawless cinematic experience that neatly packages one of the most pivotal story lines in comic book history. As for what Marvel has up its sleeve before 2018’s release of Avengers: Infinity Wars, is anyone’s guess. But I assure you it’s in good hands. The same directors and writers behind Civil War are piecing together the next Avengers and if this movie is any indication, it’s going to be fantastic, if not a satisfying conclusion to decades of story building. I wish I could tell you more about Civil War, but it’s something you’re just going to have to see for yourselves. Like, right now.