Blu-ray Review “Stephen King’s Sleepwalkers”

Directed by: Mick Garris
Starring: Alice Krige, Brian Krause, Mädchen Amick, Ron Perlman
MPAA Rating: R
Distributed by: Image Entertainment
Release Date: September 4, 2012
Running Time: 89 minutes

Film: 3.5 out of 5 stars
Extras: 1/2 out of 5 stars

When you hear Mick Garris and Stephen King in the same sentence, it is very hard to be let down. After directing this film, Mick Garris went on to become Stephen King’s go-to director helming adaptations of “The Stand” (1994), “The Shining” (1997), “Quicksilver Highway” (1997), “Riding the Bullet” (2004), “Desperation” (2006) and “Bag of Bones” (2011). In my eyes he cannot and has not failed yet. “Sleepwalkers” was also the first Stephen King film that wasn’t based on a previously published book.

This film was released in 1992 and let’s just say it definitely shows its age. Luckily, the effects in the film are still sharp and overall entertaining. “Sleepwalkers” was also one of the first movie to use CGI in order to create a morphing effect for the creatures faces. The effects were created by Apogeeus, which at the time was ground-breaking. If you are looking for cameos, this film has more cameos than an Adam Sandler film. Besides the two listed on the cover, Stephen King and Clive Barker, there is also brief appearances from John Landis, Joe Dante, Tobe Hooper and even Mark Hamill. Horror fans will have a blast picking them all out!

Since this film is 20 years old, Image still delivers a very impressive Blu-ray presentation (mostly). The 1080p looks sharp and helps this film not show its age too much. The audio listed on the case specifies a 5.1 track but instead we get its original track in DTS-HD MA 2.0. Luckily though, it sounds damn good as well, especially with the film’s score and music. Lastly if you are looking for vast extras, you will only find a standard definition trailer included. I would overall recommend for all fans of horror and King’s work.

 

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Blu-ray Review “Battleship”

Directed by: Peter Berg
Starring: Taylor Kitsch, Alexander Skarsgård, Brooklyn Decker, Liam Neeson, Tadanobu Asano, Hamish Linklater
MPAA Rating: PG-13
Distributed by: Universal Home Entertainment
Release Date: August 28, 2012
Running Time: 131 minutes

Film: 1 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 4 out of 5 stars

When the reviews and bad press came out surrounding this film, I thought to myself…could it really be that bad? Holy Shit! Yes it was. I am a guy and not even the action in the film could keep my interest. I found myself literally laughing out loud at some (if not all) of the dialogue. I have no idea how they thought that they had a decent movie here at all. Liam Neeson pops in and out every 30-40 minutes and is basically misused, as is Brooklyn Decker who they push to the side. Alexander Skarsgård also let’s just say has a “small” appearance in the film. Taylor Kitsch doesn’t know whether he wants to play the role seriously or comedically. I would normally say if you are looking for a fun time check it out, but I honestly can’t say that about this film. Did I also mention it is almost 2 1/2 hours?

Universal’s Blu-ray on the other hand doesn’t disappoint at all. The film cost well over $200 million dollars, so the special effects and CG work is just fantastic. Even though the “aliens” look like retarded cavemen. The 1080p video presentation looks close to amazing. It is also packed with a surround sound breaking DTS-HD Master Audio 5.1 audio track. I have to admit the one thing I loved in this film was the bass-filled noise when the aliens are showcased, that sounds amazing on the surround track. The release itself is combo pack with the Blu-ray, a DVD disc, a digital copy and also a Ultraviolet digital streaming copy (which I will NOT be adding to my Flixster account). The film is also jam-packed with actual decent special features, which end up being quite more entertaining than the film itself.

The first extra we have is “All Access with Director Peter Berg”, which is a hosted Picture-in-Picture video commentary with interviews, behind-the-scenes featurettes, etc. As much as I am not a fan of Berg, this was decent. There is an interactive “Second Screen Experience” available via your tablet or PC. If you thought the original theatrical ending was bad, the “Alternate Ending Previsualization” is honestly worse. “USS Missouri VIP Tour” is an overview of the actual ships history. “Preparing for Battle” is a cross-over from the game to the film. “All Hands on Deck: The Cast” features Berg talking about the film’s cast. “Engage in Battle” including two location shooting featurettes: “Shooting at Sea” and “All Aboard the Fleet”. “Commander Pete” focusing on the directing style of the genius (sarcasm!) Berg. Lastly, “The Visual Effects” is one of the best features, though sadly it also the shortest.

DVD Review “Battle Circus”

Director:   Richard Brooks
Cast:   Humphrey Bogart, June Allyson, Keenan Wynn, Robert Keith
Distributed by: Warner Archive
MPAA Rating: Not Rated
Running Time: 90 minutes

Our Score: 3.5 out of 5 stars

Humphrey Bogart carries such a presence and always delivers such a great performance.  He is one of the Hollywood legends and this film is no different.  Humphrey Bogart and June Allyson together in the film just work so well. This really represents the classic 50’s MGM productions.  Thanks to Warner Archive, this film is released on DVD for the first time and is also newly remastered.

The film is presented in 4 X 3 full frame and its original aspect ratio of 1.37:1. The audio included is a mono track like most released from Warner Archive. The B&W film looks awesome for a film that was released in 1953 that has has never been on DVD. The only extra that comes on this release though is a trailer.  But nonetheless, all fans of Bogart’s classic films will definitely want to check out this release.

Synopsis: Long before M*A*S*H, there was Battle Circus. Made during the Korean War, this tribute to the indomitable human spirit takes an authentic, almost documentary-like look at the nurses and doctors who operated in the battlefront Mobile Army Surgical Hospitals. Major Jed Webbe (Humphrey Bogart) is a brilliant, hard-bitten Army surgeon with a weakness for women and strong liquor. Fresh from the states arrives Lt. Ruth McCara (June Allyson), a naïve young nurse ready to save the world. The story of their love and heroism, told against the grimly realistic background of pounding artillery and deadly ambushes, forms the core of the film. The title Battle Circus comes from the way the mobile field units can strike their tents, move to a new battle area, then set them up again like circus roustabouts in nothing flat. And, like circus daredevils, these heroes risk life and death on a daily basis.

DVD Review “Born to be Bad”

Directed by: Nicholas Ray
Starring: Joan Fontaine, Robert Ryan, Zachary Scott
Distributed by: Warner Archive
MPAA Rating: Not Rated
Running Time: 90 minutes

Our Score: 2.5 out of 5 stars

Joan Fontaine is such a Hollywood legend and definitely holds a presence on the screen. Thanks to Warner Archive, this film is released on DVD for the first time and is also newly remastered.The film is presented in 4 X 3 full frame and its original aspect ratio of 1.37:1. The audio included is a mono track like most released from Warner Archive.

Fans looking for a glimpse of Nicholas Ray’s earlier works, then you will enjoy this film. I personally didn’t enjoy the film very much, even though Ms. Fontaine is amazing. The film is categorized under Warner’s Film Noir Archive Collection, but I really don’t feel that this film really lands in that category. The real catch this release is an alternate ending with never-before-seen footage. The DVD also comes with a trailer of the film as well.

Synopsis: One of Nicholas Ray’s earliest works is a shockingly stark and unforgiving look at a woman blessed with no restraint whatsoever when it comes to her own ambition. Joan Fontaine plays Christabel Caine, the anti-heroine who has the face of an angel and the heart of a savage. King of Noir Robert Ryan plays the rough-hewn writer who is good enough to share her bed, but not her hand, while Zachary Scott plays the aviator millionaire too much the naïf to escape his fate. Joan Leslie and Mel Ferrer deliver standout performances as the bystanders, one victim, one ambivalent witness, to the wreckage Christabel leaves behind. And now, Born to be Bad is more shocking than ever, thanks to the recently discovered — and never before seen — alternate, extended ending. An ending that transforms the film from biting critique to a dark, sardonic work of joy.

“Once Upon A Time: The Complete First Season” Blu-ray Giveaway [ENDED]

THIS GIVEAWAY HAS ENDED AND WINNERS HAVE BEEN NOTIFIED VIA EMAIL. PLEASE CHECK BACK EACH WEEK FOR NEW GIVEAWAYS!

Available on Blu-ray™ & DVD August 28st!

To celebrate the release of “Once Upon A Time: The Complete First Season”, Media Mikes would like to giveaway 10 copies of this season on Blu-Ray. If you would like to win one of these great prizes, please leave us a comment below or send us an email and let us know your favorite “Once Upon A Time” character. This giveaway will be open until September 14th at Noon, Eastern Time and is only open to residents of the United States. Only one entry per person, per household; all other entries will be considered invalid. Once the giveaway ends, Media Mikes will randomly pick out winners and alert the winners via email.

From the acclaimed writers of LOST, Adam Horowitz and Eddy Kitsis, comes the complete first season of ABC‐TV’s enchanting hit, “Once Upon A Time,’ to stunning high‐definition Blu-Ray™ and DVD on August 28, 2012. The year’s #1 co‐viewed drama on broadcast television, “Once Upon A Time: The Complete First Season,” includes all 22 adventure‐filled episodes of the first season and allows fans to delve deeper than ever before into the mystery and magic of the epic new series with immersive, neverbefore‐seen bonus material that will continue to keep audiences of all ages spellbound ‐‐ including conversations with the cast on their childhood memories of Snow White, deleted scenes, audio commentaries, an exploration of the genesis of this innovative and inspiring series and “The Fairest Bloopers of Them All.”

“Once Upon A Time: The Complete First Season” exciting DVD bonus materials include:

  • “FAIRY TALES IN THE MODERN WORLD” – this exciting feature allows viewers to explore the genesis story of “Once Upon A Time,” as they learn about the creative approach of adapting a world of fairy tales into the wholly original world of the show.
  • “BUILDING CHARACTER” – From start‐to‐finish, following the creation, conceptualization, casting, clothing and filming of the beloved character, Belle, played by Emilie de Ravin, from the ground up.
  •  “WELCOME TO STORYBROOKE” – Ginnifer Goodwin takes audiences on a tour of Storybrooke, Maine, both the town on the show and its real inspiration – a small town outside Vancouver.
  • “THE STORY I REMEMBER… SNOW WHITE” – The show’s actors share their childhood memories of the beloved fairy tale Snow White, illustrated to original storybook graphics.
  • THE FAIREST BLOOPERS OF THEM ALL” – often hilarious outtakes fans won’t want to miss.
  • DELETED SCENES – Nine Deleted Scenes
  •  AUDIO COMMENTARIES – Five insightful episode commentaries including Co‐Creator/Executive Producers Edward Kitsis and Adam Horowitz; writer Jane Epenson; and cast members including Ginnifer Goodwin, Josh Dallas, Robert Carlyle, Lana Parilla and Jennifer Morrison.

In addition to all DVD bonus features, the  Blu-Ray release also includes:

  • “ONCE UPON A TIME: ORIGINS” – Viewers enter into this interactive archive and uncover the rich and diverse historical origins of the world’s favorite fairy tale characters from “Once Upon A Time.” Josh Dallas guides fans to discover how each of these European based tales has evolved over centuries of retellings into the stories known and loved today.

“I Heart Shakey” DVD Giveaway [ENDED]

THIS GIVEAWAY HAS ENDED AND WINNERS HAVE BEEN NOTIFIED VIA EMAIL. PLEASE CHECK BACK EACH WEEK FOR NEW GIVEAWAYS!

To celebrate the release of “I Heart Shakey”, Media Mikes would like to giveaway 4 copies of the film on DVD. If you would like to win one of these great prizes, please leave us a comment below or send us an email and let us know your favorite animal-themed film. This giveaway will be open until September 14th at Noon, Eastern Time and is only open to residents of the United States. Only one entry per person, per household; all other entries will be considered invalid. Once the giveaway ends, Media Mikes will randomly pick out winners and alert the winners via email.

Synopsis: Single father J.T. and his precocious daughter Chandler move from a small town to Chicago with their lovable family mutt Shakey. After missing the fine print in their rental contract, J.T. is forced to find Shakey a new home. Chandler hatches a plan to keep Shakey and teach J.T. a valuable lesson about loyalty and the importance of keeping family together.

The film stars Steve Lemme, Steve Guttenberg, Beverly D’Angelo and is directed by Kevin Cooper.

 

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Marc & Shannon Parker from Parker Brothers Concepts chats about working on Syfy’s “Dream Machines”

Marc & Shannon Parker are the owners of Parker Brothers Concepts, which is located in Melbourne, FL.  They are also the stars on Syfy’s “Dream Machines”.  They have created cars for 50 Cent, WWE’s John Cena and Universal’s recent film “Battleship”.  Media Mikes recently had a chance to visit the shop in our first collaboration with MyGarageShop.com and got a chance to sit down and chat with the guys about the show and their inspiration behind it.

Mike J. Gencarelli: Tell us about the origin of Parker Bros Concepts?
Shannon Parker: It actually happened by accident. We started out just building things just to be building things. To begin with Marc and I talked about just building choppers, just regular bikes. I thought with the economy the way it way, I thought it was a bad idea because there are a lot of chopper builders out there. We only had enough money to build one…
Marc Parker: We didn’t even have enough money to build one [laughs]
SP: We didn’t have quite enough money to build one vehicle. So we talked about it a little bit and I really wanted to do a replica of the Batpod from “The Dark Knight”. I thought if we run out of money or can’t sell it at least I got something I wanted anyway. So we built it and put it out on the internet to get attention to sell it. We put it out there for $100,000 and when we did that it drew all kinds of attention. We weren’t able to sell it right away but it gave us some great attention and a step towards what we should do next. I think the next step we built our Xenon Light Motor Bike. After that we were off and running…

MJG: How did you get involved with SyFy and “Dream Machines”?
MP: Once the Xenon Light Motor Bike hit the internet it started going viral and before we were even done, we got a call from the TV people. At that point we were only in business for a couple of months. A guy named Edwin Zane called us up and asked “How would you like to do a TV show because the stuff you do is really cool?”. The company he was with at the time threw out a couple of numbers to us and at the time went with out gut and didn’t go with it…luckily. Especially now that we know what we know. He left that company and went to another company and pitched us again.
SP: In the meantime, we were getting pitches from other production companies as well but we never felt comfortable. We liked Edwin as a person and felt comfortable with him. Edwin then moved to another production company called Triage, Inc. and we ended up going with him full circle around.
MP: Triage is taking good care of us. It is a good show for them. They are a big enough company that they are able to do what needs to get done but still small enough to where we are important to them. Once we signed up with him then he pitched it to seven-eight networks. Literally the next day, he had four of the networks interested in the show. Syfy stepped up and said the first day “He is a contract we will take it”. No messing around. They are revamping that network right now and our show fits in well with them.

Mike P. Gencarelli: What made you switches from Parker Bros Choppers to Parker Bros Concepts?
SP: It was the show. More than anything, we didn’t want to come across as old school bike builders and that is it.
MP: When we first started, the original idea and name of the business was going to be Parker Bros Concepts but then we thought no one would know what that is. The original thought was choppers sell, the stuff we are building is weird and not sure if it would sell or not. We were probably going to end up building a couple of choppers local and build our way up. Then on the side build the concept and if people like them great and if they don’t we can just keep them. We went with Parker Bros Choppers for the name and then it came around full circle since the stuff we were doing was more important to the TV people. They didn’t want us to look like the Orange County Choppers. We switched it over to concepts.

MJG: What was it like shooting a reality show and working your day to day business?
MP: Oh my God!
SP: It was difficult…
MP: …and a lot different than we thought it was going to be. SP: You think it is just going to be a camera standing there off in the background and shooting but it doesn’t really work that way. There is a lot of interviews. It is a totally different world for us. It was a cool experience but it was pretty difficult to build something when they are asking us to do it over. Sometimes they may not get it the first time or may need a different angle.
MP: Or before you do anything you need to check it first with the showrunner or director and make sure it is something if they want to get on camera or not. Then we need to wait for them to get the cameras ready before we do the work.

MPG: On the show you guys have these ridiculous deadlines. Is that due to the show and now that we know about filming; how does that affect the deadlines?
MP: It kills the deadlines.
SP: Normally you would think the deadline is reality. All of these things were needed for certain events or premieres. It was one of those “have-to” situations. You have to have it done by this time.
MP: In addition all of these projects, like 50 Cent’s car, if 50 came to us normally and said I want this car, wewould say give us a year/year and a half and we will have this car for you. But you can’t build a show around something like that. All of the deadlines came into play since we only have “X” number of months to film “X” number of episodes. So a lot of these we had to cram into a shorter period of time just because of being able to film them.

MPG: Got a funny question, why is the logo on the roof?
MP: It is actually not!
MPG: It’s not? CGI?
MP: On the show they will show the roof two or three times and sometimes it is there and sometimes it is not. They spent a lot of money on this helicopter for one day. One of the shotsthey wanted was a building shot. The building looks kind of plain and didn’t really stand out against everything else on the road. They wanted to use the shot since they spent the money on the helicopter and so they CGIed it up there.

MJG: What was your most challenging project to date?
MP: Filming a TV show [laughs].
SP: I don’t know I think John Cena’s car was very difficult. Trying to figure out all the things that go into it. That was was also weird for us beecause we started out with a frame, since normally we don’t. We had a lot of issues…
MP: …trying to work around it. Sometimes starting from scratch makes it a lot easier on you with the crazy designs we are working with. It is hard to take sometime and make it fit into that design. If you just start from scratch, even though there is a lot more hours into it, it makes the design and the build come together a little easier. The most difficult in my mind was the Shredder from “Battleship”. With the Shredder we really got to showcase what we wanted to do. When we started this show, we threw a bunch of really over-the-top project out there at the network. They had us tone it down a bit but not completely insane.
SP: Like the single man sub-marine.
MP: Yeah we wanted to do a one man attack sub-marine and some flying vehicles. But that was personally the hardest but also my favorite build.

MPG: Besides plans for season two of “Dream Machines”; what do you see yours doing years down the line?
MP: Hopefully, we get to execute our plans from the very beginning. We want to be the go-to guys for Hollywood. We want to be the guys to build the vehicles for the movies and TV shows. Whether we are on TV or not, if we are building these things that is what we are into.

Complimentary Passes to the Orlando, FL Screening for Disney·Pixar’s “Finding Nemo 3D” [ENDED]

ALL PASSES HAVE BEEN DISTRIBUTED AND WINNERS HAVE BEEN EMAILED! THANKS AGAIN!

If you would like to enter for a chance to win tickets to the following advance screening below, please leave a comment below with your favorite “Finding Nemo” character.  Tickets are limited and will be chosen on a RANDOM BASIS on Friday September 7th.  ONLY ONE ENTRY PER PERSON PLEASE! OTHERWISE ALL ENTRIES WILL BE DISREGARDED. The winners will be will notified then via email and will be instructed how to pick up the tickets.  Good luck and hope to see if you at the screening!

Theatre: AMC Downtown Disney
Date:  Saturday, September 8, 2012
Time: 10:00 AM
Format: 3D

FILM: FINDING NEMO 3D (in Disney Digital 3D™)
BANNER: Disney·Pixar
RELEASE DATE: Friday, September 14, 2012
GENRE: 3D Animation/Comedy/Adventure
DIRECTOR: ANDREW STANTON
CO-DIRECTOR: LEE UNKRICH
PRODUCER: GRAHAM WALTERS
MPAA Rating: G
Short attached: Partysaurus Rex (Rated G)

Website and Mobile site:             Disney.com/FindingNemo
Become a fan on Facebook:        Facebook.com/PixarFindingNemo
Follow us on Twitter:                  Twitter.com/PixarFindingNemo

Academy Award®-winning film “Finding Nemo” returns to the big screen for the first time ever in thrilling Disney Digital 3D™In this stunning underwater adventure teeming with memorable comedic characters and heartfelt emotion, “Finding Nemo” follows the momentous journey of an overprotective clownfish named Marlin (voiced by Albert Brooks) and his young son Nemo (voiced by Alexander Gould). When the two are unexpectedly separated in the Great Barrier Reef, Nemo is carried far from his ocean home and deposited in a fish tank in a dentist’s office. Buoyed by the companionship of Dory (voiced by Ellen DeGeneres), a friendly-but-forgetful blue tang fish, Marlin embarks on a dangerous trek and finds himself the unlikely hero of an epic effort to rescue his son––who hatches a few daring plans of his own to return safely home.

Notes:

  • “Finding Nemo” won the 2003 Academy Award® for Best Animated Feature, and was nominated for Original Screenplay, Original Score and Sound Editing. The film was also nominated for a Golden Globe® Award for Best Motion Picture–Comedy or Musical.
  • Andrew Stanton won the Oscar® for directing “Finding Nemo,” and won a second Academy Award® for directing “WALL•E” (2008).
  • Lee Unkrich made his solo directorial debut with “Toy Story 3,” for which he won the Academy Award® for Best Animated Feature in 2011.
  • At the time of its release, “Finding Nemo” was the highest grossing G-rated movie of all time. It remains the fifth highest grossing animated film worldwide.
  • Ellen DeGeneres was nominated for an MTV Movie Award for Best Comedic Performance.
  • In 2008, the American Film Institute named “Finding Nemo” among the top 10 greatest animated films ever made.

 

Chris Olen Ray talks about directing films like “Mega Shark vs Crocosaurus” and working with The Asylum

Chris Olen Ray is known best for his work with The Asylum on films like “Mega Shark vs Crocosaurus”, 2-Headed Shark Attack and the recent “Shark Week”.  Chris took out some time to chat with Media Mikes about his work on these films and his love for the genre.

Mike Gencarelli: Tell us how you became involved working with The Asylum?
Chris Olen Ray: Basically a couple of years ago I was trying to get back into the film industry and the only people to give me a job was The Asylum. I did a lot of line producing for them and the rest is history dude [laughs].

MG: Tell us about how you got involved directing “Mega Shark vs Crocosaurus”?
COR: “Mega Shark” was really cool. I heard about it when I was producing “Mega Python vs. Gatoroid”. I had down two other similar films, “Reptisaurus” and “Megaconda” and they thought it was good enough to give me a show on “Mega Shark”.

MG: Where you happy with the final cut of “Mega Shark vs Crocosaurus”?
COR: Once I edited the film, they really didn’t do much to it. I have done though some after this film, which just have been chopped to shreds [laughs].

MG: Going from a directing a Mega Shark to a 2-Headed Shark, tell us about your experience on “2-Headed Shark Attack”?
COR: “2-Headed Shark Attack” was really fun. We shot it in the Florida Keys with a great cast, Brooke Hogan, Carmen Electra and Charlie O’Connell. The problem with this film was that we were trying to do a combination of CGI with the puppets. Initially in concepts the puppets were really cool but for some those damn teeth would stay in the sharks mouth [laughs]. There was quite a lot of CGI outflow, so to bring in the puppet it helped down a bit. It also gives the actor something else to work with.

MG: You are also directing “Shark Week”, tell us about that film?
COR: That film was very hard to make. Everything that you think could go work, went wrong. I was happy and surprised we were even able to get a movie out of it. I can’t talk about what
happened but whatever you see if better than we thought we had. The concept behind this movie was such a great concept for it to turn out the way it did. I am just hoping people enjoy it.

MG: What do you enjoy most about the creature feature genre?
COR: “Shark Week” was a little more serious tone but with “2-Headed Shark” and “Mega Shark” were a lot more fun. For “Mega Shark vs Crocosaurus”, your coming in on an already popular film and just want to keep it going well.

MG: What would you say has been your most challenging project to date?
COR: “Shark Week” honestly has been the hardest for me. In the 30 years I’ve been in Los Angeles and even talking with my old man, it just so wild. It really has to be my worst experience ever for me.

MG: What do you have planned next?
COR: Recently I’ve being doing these episodes for a project called “Silicon Assassins, which stars Richard Hatch. I also got a new film I am producing for The Asylum as well and just trying to stay busy.

Florian Bellanger talks about judging on the Food Network Series “Cupcake Wars”

Florian Bellanger is one of the judges on the Food Network Series “Cupcake Wars”. He is also the owner of Mad Mac Macaroons. Media Mikes had a chance to chat with Florian about his work on the show and get some cool behind-the-scenes stories.

Mike Gencarelli: Tell us about how you became involved with Food Network Series “Cupcake Wars”?
Florian Bellanger: It is a funny thing. One day I received a message from one of the producers on my Facebook page that they were working on a new show and needed a judge. They sent me a pilot, which they actually still air occasionally. It is the only episode that I am not on board. After they got a decent response from the pilot, Food Network decided to go into production. They wanted someone that was a pastry expert and not from the cupcake world. So I did a few auditions for it and eventually I got the job. The two process took about two months. At the beginning we weren’t sure how the show was going to do, so we only shot eight episodes for season one. We didn’t know that it would be such a success.

MG: Tell us about how you choose your judging style?
FB: When they first hired me they asked “Have your ever watched ‘American Idol’?” I said, sure. They said basically we have a Paula and we are looking for a Simon [laughs]. They asked if I could do a Simon. I told them I could but it would be under some conditions. I don’t want to insult the baker personally. I wasn’t going to tell them that “You are a loser and shouldn’t be here”. Now can I be a tough cookie…yes I can be a tough cookie. Can I insult their food. Of course I can tell them that their food tastes like shit [laughs]. But I won’tattack them personally. The other thing was that I didn’t want the judgings to be staged. I didn’t want an ear piece or anyone telling me what to say or do. I wanted to judge the way I wanted to and speak my mind and be honest. They said that they weren’t looking for that either and were very upfront and honest. We got along very well. 75 episodes to date and I have no regrets at all.

MG: Any fun behind the scenes stories from the show?
FB: Some of my comments don’t make it into the show sometimes, since they were too strong [laughs]. Like “Your cupcake is so small, it looks like a midget cupcake”, they said that they didn’t want to air it so not to upset anyone. I don’t mean anything bad, I just speak my mind and I am French. So sometimes I speak too strong. One day we had a mother and daughter contestant team and they were fighting so bad that the mother walked away right in the middle of the competition. We had a few cooks cut themselves by accident. The cupcakes were covered with blood and that food couldn’t be judged (or eaten), obviously. What you see on TV is really what you get. They really work against the clock. We never stop the clock ever. If they are not done, then they get eliminated…that is it. It is really high pressure environment. We start shooting around 7am in the morning. They have to work and also find time to talk with the cameras as well. It is not only competing, they need to make it into good TV. So there is a nice blend of the TV aspect and the competition aspect. It is a long day for them. For Candace (Nelson) and myself, it is easy. We sit, eat and comment, but we are in the room the whole time.

MG: After each show, the winners always get to go to these parties; why aren’t the judges invited?
FB: Of course since it is TV, they make you think the party is that night. It would be impossible to have the show shoot the same days as the events. On TV, we make it look like they go straight to the parties. They show up at a later date and it makes it more difficult. The winning display is saved but they have to re-bake all of the thousand cupcakes. The day of shooting those cupcakes go to charity. Sometimes the contestants are coming from the East Coast and the party is in Los Angeles. So it is a big of trip sometimes for these contestants.

MG: Tell us about what we can expect from the future of the show?
FB: We just started shooting season seven now, which is pretty cool. Before that we have done seventy-five episodes already. It is amazing. We are shooting another thirteen for season seven. Then probably another thirteen this October. It is doing really well. We are in the top five for the Food Network’s shows, in terms of ratings. Right now Food Network is running thirty-nine episodes a year. I heard but I am not 100% but I hear they want to bring it to fifty-two episodes a year. Which would be one new episodes each week. So that would be very amazing for the show.

Justin Willman talks magic and working on Food Network’s “Cupcake Wars”

Justin Willman is the host of Food Network’s “Cupcake Wars”.  His first passion is magic and currently has a web-series on The Nerdist Channel called “Magic Meltdown” and also has an on-going “Tricked Out Tour”. Media Mikes had a chance to chat with Justin about working on “Cupcake Wars” and get some cool behind-the-scenes stories.

Mike Gencarelli: What do you enjoy most about hosting “Cupcake Wars”?
Justin Willman: I love being a part of the show since it has such a wide fan base. Of course there are the adults that love watching “Cupcake Wars”. It is one of those few shows that has a broad family appeal that parents can watch with their kids since it has a little something for everybody. I really like broad appeal and being able to expand my own fanbase to a really wide one.

MG: How did this opportunity come up for you work on this show?
JW: I was a correspondent on “The Rachel Ray Show” for a couple of years, which was my first regular hosting gig. Through that I was exposed the culinary world. I would cover different food events for her. I never had any connection between the food world before and between you and me…I can’t cook [laughs]. Through that I was able to get into the world and when this audition came along, I was in the right place at the right time.

MG: You seem to have a lot of fun on the show; any cool behind-the-scenes stories?
JW: Let me think here. The show is very dramatic but you can see at times we are having a lot of fun and we really do. I get to hang out with Florian and Candace all day. They are sitting all day, actually they sit and I am standing while they bake. We got to become really close friends and have a lot of fun. I think the one behind-the-scenes nugget that I can give you is that Florian is not intimidating in person as he is on the show. He takes cupcakes very seriously but he is just a big teddy bear.

MG: Did you wear the kilt the whole episode during the Disney/Pixar “Brave” episode?
JW: The whole time! It was one of the most comfortable outfits. I was able to move around very freely. The kilt had a little built in pocket in the front, which was perfect for my phone. When we weren’t rolling I was able to catch up on emails and Angry Birds.

MG: You get to eat any of the cupcakes?
JW: One of my most commonly asked questions is “Do I get to eat the cupcakes”. I don’t on camera. But Candace will rarely finish her own cupcake. usually I get to eat whatever she doesn’t eat. If it is a great cupcake, I have to try it but if it is horrible sometimes I have to try that also just to see.

MG: When can we expect some new episodes of “Cupcake Wars”?
JW: We should be airing news episodes currently every Sunday. Then are shooting now for our seventh season with 13 more episodes coming this Fall!

MG: Tell us about your new series “Magic Meltdown”?
JW: Obviously I have been doing magic since I was 12. It is my first passion and it is what I love doing most. The Nerdist channel, which hosts “Magic Meltdown”, gave me this chance to do this street magic series with a comedic edge to it. It was a chance to finally put out my own brand of comedy magic. It has been great. We have done 6 episodes so far out of 15. New episodes air every Friday.

MG: Tell us about your on-going “Tricked Out Tour”?
JW: Honestly, there is nothing that makes me happier than performing on stage for a live audience. This Fall, I have a couple of tour stops. Next year, I am putting together a whole theater tour, hopefully all over the country. Coming to a theater near you! I hope all the “Cupcake Wars” fans come out and get a chance to meet me in person.

Blu-ray Review “Mother’s Day (1980)”

Directed by: Charles Kaufman
Starring: Nancy Hendrickson, Tiana Pierce, Deborah Luce, Frederick Coffin, Michael McCleery
MPAA Rating: Unrated
Distributed by: Anchor Bay
Release Date: September 4, 2012
Running Time: 90 minutes

Film: 2.5 out of 5 stars
Extras: 2.5 out of 5 stars

I have been a big Troma fan from probably when I was way too young and even was an extra in one of their films, “Terror Firmer” but I was never a huge “Mother’s Day” fan. This was originally released by Troma Entertainment in 1980 and of course back then it shocked critics and developed a huge cult following among horror fans. Darren Lynn Bousman (director of films in the “Saw” series) even helmed the 2012 remake starring Rebecca De Mornay. The film just doesn’t hold up today and even though look and sounds nice on Blu-ray doesn’t really “wow” me. Overall Troma fans can at least rejoice and everyone else can just continue going on with their lives.

“Mother’s Day” follows three young women abducted by homicidal momma’s boys Ike and Addley, while camping. Ike and Addley are goaded by their “Mother” into violent and graphic acts of torture against the three women. While doing everything to stay alive, the three women muster the courage escape, and serve their maniacal abductors some old-fashioned justice! Relating to the films around its time like “The Texas Chainsaw Massacre”, this film will definitely offend the weak of heart!

Since the film is over 30 years old, this film definitely shows its age. It does though feature an all-new HD transfer and looks decent overall with its 1080p resolution and in its original aspect ratio: 1.85:1. The audio track though is impressive sporting its Dolby TrueHD 5.1 goods. The special features on the disc are nothing special really. There is an audio commentary by the director, as well as an interview with behind-the-scenes footage There are also trailers and other sneak peeks. The only new extra is a newly created featurette with Eli Roth (Producer of The Last Exorcism, Grindhouse and Hostel 1 & 2).

Jed Whedon & Maurissa Tancharoen talk about their music project This Girl and “Dr. Horrible” sequel

Jed Whedon & Maurissa Tancharoen are the co-writers behind such amazing projects like “Dr. Horrible’s Sing-a-long Blog” and Fox’s Dollhouse.  They recently released an EP album together under the name of This Girl.  Everyone seriously needs to check out this album, it is very fun and catchy.  They also just recently announced that they will be writing Marvel’s upcoming “S.H.I.E.L.D” TV pilot with “The Avengers” helmer Joss Whedon.  Jed & Maurissa took out a great deal of time to do a song-by-song analysis of their album and also discussed the long-awaited “Dr. Horrible” sequel.

Mike Gencarelli: Tell us how the name This Girl came about?
Jed Whedon: We were trying to present something that wasn’t just us and was trying to put a concept behind it. If you look at the photo shoot we did, it was me pushing Maurissa into the front.  And I think we were just talking and I was like “Hey look at this girl!” and Maurissa said “Hey, that could be the name” [laughs]. So that is how it happened.

MG: How long would you say this album took to complete?
Maurissa Tancharoen: Well it was sort of drawn out over the course of last year. It is a side project to pass the time since we were stuck at home for a long time. I had a rough health year last year. So Jed out of the kindness of his loving-husband heart [laughs], figured to pass the time we should record some songs. We worked on it sporadically over the course of last year. We never pushed to get it done and took our time we it. Right Jed?
JW: Yeah, I would say about a year. We would work on it for a while and then just toy around. When we realized that we were close to being done, then we gave a real push to finish it up.

MG: Tell us the inspiration behind the songs first up “Bombs” Away”
JW: Usually the way we work is music first. We just started building tracks and of course a ton of then never go anywhere. So, I think the general concept of the record was the make something upbeat and fun. Maurissa has a little bit of the R&B background.
MT: [laughs] Yeah, he told me “Let try and make you sing as white as possible.
JW: [laughs] Yeah. Like a androgynous, very vanilla sounding pop record. That was our inital concept.
MT: That was also the concept behind This Girl was that the songs do fall under the indie pop category. But overall they are all over the map. Like “Mr. Electric” is just so different” and “Dangerous” has a little bit of hip-hop and R&B vibe but very subtle. You are this girl on each track basically.

MG: Speaking of “Dangerous”, tell us a little more about that track?
JW: “Dangerous” was our first track. The concept was basically to do a really light vocal about getting your heart ripped out of your chest. The idea was that the music would be so kind and easy-going but the lyrics would be darker.
MT: She is basically a stalker or the quiet voice of the stalker. She is saying take my hard and crush it cause I am watching you and that is all I want.
JW: We had the track and had the idea of a jazz guitar. So I brought my older brother Sam in, he is an amazing guitarist. We recorded for an hour and just riffed on it. The guitar wasn’t meant to be this epic solo. But on one of the takes, I told him to just go crazy with it and that is the one we used.

MG: Next up we have “In Your Dreams”, tell us about that one?
JW: The idea was to make a five song album. We had the five tracks and Maurissa said we should just put it out. I thought let’s just do one more and whatever it is it will end up being our favorite. Your last song always ends up being your favorite.
MT: And it is…it is definitely our favorite.
JW: So, that one was the only one with a chorus before any tracks were laid down.
MT: I just love the story about a guy living a very monotonous life and wanting to be elsewhere.
JW: It is sort of a braggy mean song.
MT: It is a very mean song but again it is sang so gently it tricks you.
JW:  I just love the idea of “Your obsessed with me. You know it. Your pathetic” and then the last line of the chorus is “In your dreams”. Like “Yeah right, you wish”. In general that is something we like to do, which is play the lyrics against the song. It gives it this nice extra layer.

MG: Awesome, I love that song also; next up tell us about where “Second Nature” came from?
JW: That is another one that started with a drum beat feel. We wanted that to be kind of upbeat…
MT: That is also a sad song…all of our songs are sad [laughs].
JW: Yeah [laughs], considering how upbeat we always are.
MT: I guess since we were having a harder year, it came out in the lyrics.
JW: Happy lyrics are boring. Jane Doe is about a girl feeling sorry for herself. The music just grew organically from a general feel and then just sort of evolved.  I know that may seem a bit boring but it is true.
MT: That is the way that Jed has always worked. It is the music first. It is funny when he comes up with the melody. He will sort of half record the melody. It will be a bunch of gibberish and then a line that totally sticks and becomes the actual chorus.

MG: One of my favorites, tell me about “Mr. Electric”?
JW: That was one of the tracks that I had the hardest time with, since it was a hard mix for me.
MT: We almost took it off.
JW: We didn’t like it very much and now of course it’s everyone’s favorite.
MT: It just stuck out and was different from the rest. Up to the very last minute we were going to yank it. It is just unbelievable the response we have gotten about it from fans.
JW: It is basically another dark side of a happy song. I guess it is sort of a 50’s upset, “Mr. Sandman” rip-off. It is about a drug dealer and a girl that keep getting hooked. We also have a cool video concept in mind for it.

MG: “Remains” was previously released a single back in 2009 for “Dollhouse”, tell us about why you chose to close the album with it?
JW: We just wanted to put in on the album. Since we only had one tune out there together, we wanted want to put it on one album. “Remains” is a more genuine track and we  felt like it was a good bridge between “In Your Dreams” and would also work well after “Mr. Electric”.

MG: Any more plans for Jed Whedon and The Willing in the future?
JW: We do have a lot of projects going on right now. If we ever have any downtime, which is where This Girl came from, I will definitely spend time making a new one. That is the plan right now. I hate saying that though since when it comes out in four years people are going to wonder what took so long.

MG: Jed, if your brother can stop making films that gross $1 billion dollars [laughs], where do you guys think that a “Dr. Horrible” sequel lands your timeline?
MT: It is definitely in our timeline.
JW: It is for sure. There are a lot of projects in the works now. Everyone in the world now know how busy Joss is now. We are definitely planning to do it.
MT: We have more of a solid plan to aim to start next year.
JW: Not only do we think we will get it done, we also think it will be pretty great.

photos by kate danson
http://katedansonphotography.com/

Dane DeHaan talks about working on “Lawless”

Dane DeHaan starred as Andrew Detmer earlier this year in the hit film “Chronicle”. He is co-starring with an ensemble cast of Shia LaBeouf, Tom Hardy and Gary Oldman in his new film “Lawless”, playing Cricket Tate. Media Mikes had a chance to chat with Dane about his new role and what we can expect.

Mike Gencarelli: Tell us about the dynamic that your character brings to this film?
Dane DeHaan: I play the role of Cricket Tate. He is the heart of the movie in many ways, like the light at the end of the tunnel. It is a very broodish and violent world that the movie takes place in. They say about Cricket that he “can never hurt a fly”. Well the three brothers have hurt their fair share of files. He soups up the cars and makes the moonshine better. So I would say that Cricket is also the brains behind the operation, as well as the heart.

MG: Did you explore the novel, “The Wettest County In The World” prior to shooting?
DD: Yeah I read the novel. For me, what I got out of the novel most was Cricket physicality. It talks a lot of about how he crouches a lot, which it didn’t necessarily say that in the script. So I got a lot of that from the novel.

MG: It is such a phenomenal cast, tell us about working witheveryone on this film?
DD: It was a dream come true. It has a lot of my favorite piers and my heroes. I got throw in and got to have a good time with them. It was a great experience.

MG: What was your most challenging task working on this film?
DD: The film presented a lot of challenges for me. The way I walked in the movie was physically taxing on my body. Keeping the hope within the movie was challenging to fulfill in that role. When I make a movie, it’s like every day presents its own challenges and I like overcoming those challenges each day. I don’t know it is just one thing sticks out as the hardest.

MG: How was it going from a apex predator (in “Chronicle”) to a moonshine bootlegger (in “Lawless”)?
DD: It was really fun. That is what I look for. I look for the variation and the difference in roles and new ways of challenging myself. They are very different people. Cricket Tate and Andrew Detmer are definitely very different people from very different times and with different sets of problems. I love playing those different spectrums.

Mike’s Behind the Screen: “JawsFEST: The Tribute”

On a movie scale, if the original 2005 “JawsFEST” was the fan equivalent of “Jaws” then the recent “JawsFEST: The Tribute” was more like “Jaws: The Revenge!”

I took some time off between the end of the Fest and writing this because I wanted to make sure that other fans shared some of my feelings about the event.  Some did.  Some didn’t.  Some were pleased.  Some were pissed.  Some were downright angry.    The quotes that I include in this piece are real.  And before I list the Top 5 Reasons “JawsFEST: The Tribute” was not well received I want to point out that this is not an indictment of the people behind the event.  They did what they could with what they had.  In my opinion (and a majority of those I spoke with) there just weren’t enough hands to go around.  There was some fan input (mine included) but a lot of things were either dismissed at the beginning or fell off during the planning stages.  The people in charge were nothing but great to deal with, both as a fan and as a member of the media.  I was proud to have some of my memorabilia on display and even prouder to host one of the “Location Bus Tours.”  That being said, here we go:

  1.  EXPENSIVE! (Part One)

If you’ve ever been to Martha’s Vineyard you know things are just a little bit more expensive than elsewhere.   Never is that statement truer than during the month of August, the busiest (and most expensive) time of the season.  Like the fictional town of Amity, the island needs summer dollars.  The same hotel where I’ve stayed in early June for $145.00 a night was renting for $450.00 a night during the Fest.  My wife and I were lucky to have found a nice 1BR studio to rent for the time we were there, averaging $225 a night.  A little more than what we were used to but it had a kitchen where we could make breakfast before we headed out for our day.  Even still, we spent almost as much on food as our airfare from Kansas City and back cost.  Lunch and dinner routinely came to $30-35.00, including tip.  And this was for what I would call “simple” food:  sandwiches and such.  We did have one “nice” meal which came to about $100 with tip but if you can’t splurge on a romantic dinner while overlooking the water on Martha’s Vineyard when can you?

  1.  EXPENSIVE (Part Two)

From the $295.00 VIP bracelets to the $20.00 programs, it seemed that every time you turned around you were opening your wallet.  Let me be up front here and inform the reader that because of my assistance with the Fest, the fact that I was also there as a member of the media and that I had actually won a free general admission for winning a contest describing my best original 2005 “JawsFest” memory, neither myself or my wife had to pay for our bracelets.  Those that did were disappointed to find that not everyone was checking them.  “I feel so bad for people who paid for the gold bracelets,” said one fan.  “People with red bracelets got into things meant for gold bracelets, people with no bracelets got into things meant for people with bracelets period. Things were sold at outrageous prices and then just handed out for free on the same day.  I’m pretty sure my $50 red bracelet wasn’t worth the free keychain (that wasn’t even like…given to us… we had to go find them) and the foam fin hat that Discovery channel pushed at us.”    Said another, “gold bracelets basically got nothing for their money.  I had an absolutely amazing time but it had nothing to do with “JawsFest.”  If anything, it was in spite of it. The screening was a disaster.   I can’t imagine people that paid $75 for the kayak to the movie + gold bracelet and they had to leave because the movie was bounced. Just seems like everything was very disorganized and very poorly laid out. You want to say ‘Well it was a labor of love, they did what they could.’  Then you realize people were dropping hundreds of dollars on bracelets and then the sympathy goes out the window.  It’s not hard.   Clearly define what you get for the bracelets and then make sure people get it.  One worker said gold (bracelets) got free bags.  Other worker said they didn’t but got a special bag.  A third worker said the special bags were for special bracelets above gold.  No one had a clue what you got and the answer was really nothing.  Red bracelets got a free key chain bottle opener that can’t open bottles.  That’s it.  $50 for a $1 key chain? You could say they got to see the movie in the park but IT WAS IN THE PARK and I was sitting next to people without bracelets.”

In my opinion, the Fest was a cash grab.  Autographs were $20.00 each.  They were free at the 2005 JawsFEST.  Having done many celebrity events in my lifetime I’ve always tried to include the guests signing fee in their appearance fee.  Maybe limit autographs to (2) per person per guest so as not to take advantage.  I have no problem with the celebrity guests charging for their autographs.  For some of them that is how they make their living and I certainly don’t fault them.  For a brief time they were charging $10.00 for admission to the memorabilia display, even though it was advertised as free.  . One woman told me, “the red bracelet got me nothing but $50.00 lighter…it almost seemed like it cost money to breathe the air!”  One of the main problems I saw was that “JawsFEST: The Tribute” was NOT sponsored by the Martha’s Vineyard Chamber of Commerce as 2005’s event was.  It was put on by a private promotional company and the goal in putting on an event is to make money.

One of the questions I’ve been asked constantly is “where did the money go?”  I really don’t know.  I know that money put in the donation cans is earmarked for the SHARK SAVERS organization and that money will continue to be raised into September.  I’ve sent out a couple of emails but haven’t heard if any of the proceeds from the sale of bracelets, T-shirts, etc was going to anything but to offset the cost of the event.  Perhaps if there is a profit some of that money will go to SHARK SAVERS.

  1.  WHERE WAS AMITY?

Another complaint registered by many of the fans who had attended the 2005 event was that Edgartown looked exactly like…Edgartown!  Unlike the original Fest, the sign on the city hall still read “Edgartown,” there were no welcoming banners (Amity Island Welcomes You) and several of the businesses that still had their “Amity” business signs neglected to hang them.

  1.  THE GUEST LIST

Though a final confirmed guest list was posted on line in early June, several earlier promoted appearances never occurred, including Brenda Scheider (widow of Roy) and Virginia Shaw (widow of Robert) and their children.  As I was working on a charity event in Roy Scheider’s memory and had wanted Brenda’s input I was informed that she would not be attending.  But even though these family members were originally listed as attending nothing was posted to say they wouldn’t be.  In fact, if I hadn’t overheard “The Shark is Still Working” director Erik Hollander speaking with her I never would have known that Mr. Shaw’s sister, Joanna, was in attendance.  She was included on the V.I.P. list but it was virtually unknown to “Jaws” fans that she was indeed there.  One fan had hoped to share a tragic coincidence with Brenda Scheider.  Sadly, her father had not only passed away from the same cancer that took Roy Scheider from us all too early, he had been under the care of the same physician and passed away in the same hospital as Roy had.   Tragic, yes, but a tragedy that had touched both of them similarly and one she’d hoped to share.

  1.  THE TRIBUTE?

What happened to “the Tribute” part of “JawsFEST:  The Tribute?”  Fans were promised a “multi-media tribute to Peter Benchley, Roy Scheider and Robert Shaw.”  Due to my past relationship and association with Roy Scheider I had asked to be a part of whatever tribute was being prepared for him.  My understanding was that “the Tribute” was to be presented prior to the outdoor screening of “Jaws.”  The original screening planned for Saturday evening was moved inside the Old Whaling Church due to the threat of rain that evening.  It was re-scheduled for Sunday evening at the park in Oaks Bluff.    Again, from a fan, “there were two guys playing some weird instruments and a poet laureate from the island read a poem about sharks and Wendy Benchley spoke for two minutes. No “tribute” whatsoever.”  Another asked, “(you mean) they couldn’t find some college kid to ‘intern’ and edit together some sort of tribute montage of people who had passed away?”  And a final comment on the screening pretty much summed up the event in total:  “A large group of obnoxious full grown adult men and women were sitting WITH NO RED BRACELETS AT ALL next to us at the film screening. When they were asked to leave the VIP area by the soccer mom security JawsFest 2012 representative, they basically started yelling at her that (and I quote verbatim) “We ain’t goin’ no place!” So what did the JawsFest 2012 rep do? She GAVE them (for FREE) a handful of red bracelets (that I had to pay $50 each for) and told them to “just flash these if anyone else asks to see your bracelets”.  We literally sat there and witnessed this first hand. If that wasn’t a kick in the balls to those of us who played by the rules and trusted that the event planners had this all under control, I don’t know what was.  If it matters to anyone, the woman who gave away the red bracelets (that we had to pay $100 for) was walking around the film screening wearing the JAWSFEST 2012 banner over her shoulders like it was James Brown’s cape. She was also the person I heard yell to the angry fans who DID pay to sit in that area that “Hey, I told them (the non-payers) to leave. What more do you want? Call the police if you want to.” This was the level of professionalism our hard-earned dollars got us. It was essentially an “Amateur Night at the Apollo” free-for-all and we (the fans who actually paid) were footing the bill.”

Ouch!

On the positive side, many of us who have been “Jaws” friends for years got to spend time with each other.  Old friendships were rekindled and new ones fostered.  Which makes sense because Amity, as you know, means friendship.  I was able to put a face to so many people I had only known via the computer and I began new friendships that I hope will last forever.

So where do we go from here?

2015 will mark the 40th anniversary of the release of “Jaws.”  This gives the powers that be, if they are so inclined, to start planning.  One of my friends on the island stated that the original “JawsFest” had “caught lightning in a bottle.”  And he was right.  Everything fell together perfectly.  Maybe it was because the people in charge weren’t planning on a huge turnout.  My understanding is that they had hoped 500 fans would show up, not the 3,000 plus who came from literally all over the world.  And I mean ALL OVER THE WORLD.  I shared a house with fans who had traveled from New Hampshire, California, Kansas, Great Britain and Australia!  Many of us have held our own “Fests” since the first “JawsFest.”  50 of us spent a week at Camp Amity for the exciting “NOFest” of 2006.”  A Tom (“Smallville”) Welling sighting was one of the highlights of RestFest in 2007.”  Even as I write this many fans are already talking about getting together unofficially next year in Amity.  Should the island undertake another “Official ‘Jaws’” event, I’m hoping the Chamber of Commerce will not only be involved but will invite some fans to help plan some of the events.  And hopefully it will be in June, the month the film originally opened and when the rates are a little more reasonable.  It will give us a chance to not only celebrate our favorite film but to celebrate our friendships.  Which is really what “JawsFEST” should be about.