Image Entertainment Sets Date for Lewis Black’s Live Pay-Per-View and Video on Demand Special “Old Yeller”


The First Ever Live Comedy Special to Air Simultaneously on all PPV and VOD Carriers on August 24, 2013

LOS ANGELES (July 30, 2013) – Image Entertainment, an RLJ Entertainment (NASDAQ: RLJE) brand, has set the date for the Pay-Per-View (PPV) and Video On Demand (VOD) Mega Comedy Event LEWIS BLACK: OLD YELLER – LIVE AT THE BORGATA. This will be the first ever live comedy special to air simultaneously on all cable, satellite and telco platforms including Xfinity, Time Warner Cable, Cox Communications, DirecTV, Dish, Cablevision, Charter Communications, AT&T U-Verse, Verizon FiOS and many others. The show premiers live on Saturday, August 24th at 9:30 PM EDT, followed by replays on those platforms. It is presented in both SD and HD.

In his ninth comedy special, Lewis Black tears into a country that is going nowhere at the speed of light. OLD YELLER weaves the riotous tale of a country that is so strung out on ADD that it can’t see straight. In his rabid attack, Mr. Black even turns on himself—and his entire generation. From cable television to the computer, from Facebook to Twitter, Mr. Black rages about the prison we’ve insanely created for ourselves. He snarls at the country’s failure to find alternative energy sources while creating cell phones out of the realm of science fiction. He mauls our nation’s leaders for their laughably inept handling of social security and health care—and failing to provide help on any level whatsoever. As Mr. Black puts it, “What are you going to do when the Democrats are dumb, the Republicans are stupid and the Tea Party doesn’t even know what day it is?” He takes what makes us crazy and makes it funny. It’s a night of live comedy you won’t forget. . . “but if you do, it’s probably because you’re taking a drug that lowers your cholesterol,” he adds.

The announcement was made today by Image Entertainment’s Chief Acquisition Officer, Bill Bromiley.

“We are proud to be the first to debut this groundbreaking comedy special simultaneously live on all cable and satellite providers,“ said Bromiley. “Audiences will have even more of an opportunity to see for themselves the genius of Lewis’ comedy.”

The deal was negotiated by Bromiley, Jonathan Saba, the executive in charge of production, and Michael Bayer on behalf of Image Entertainment and Jim Gosnell, President and CEO of APA, and Leon Dang on behalf of Lewis Black.

“We are excited to be a part of this comedy special that will utilize a largely untapped mode of distribution for standup,” said Gosnell. “This event will revolutionize the way audiences see live comedy, and there’s no doubt comedians will follow in its footsteps.”

Receiving critical acclaim as a stand-up, actor and author, Lewis Black has performed for audiences throughout Europe, New Zealand, Canada and The United States. In 2012, he performed eight sell-out shows at The Richard Rodgers Theatre on Broadway.

Lewis got his first big break in comedy back in 1996 when he created the segment Back in Black for Comedy Central’s The Daily Show. It became one of the most popular and longest running segments on the show and also created a long and successful relationship with the network. Since then, Lewis has taped four specials for the Comedy Central Presents series, co-created Last Laugh with Lewis Black, presided over Lewis Black’s The Root of All Evil, and continues to perform Back in Black on The Daily Show with Jon Stewart. His popular appearances on Comedy Central helped to win him Best Male Stand-Up at the American Comedy Awards in 2001.

Increased exposure from The Daily Show eventually generated a record deal with Stand Up! Records. His first CD, The White Album, was released in 2000 to much critical acclaim. Lewis followed with eight more, six under the Comedy Central Records label. He has been graced with five Grammy nominations and two wins for his work. The first nomination came in 2006 for Luther Burbank Performing Arts Center Blues, the second in 2009 for Anticipation. In 2007 he won the Grammy for Best Comedy Album for The Carnegie Hall Performance and in 2011, his second for Stark Raving Black. His most recent release, In God We Rust (Comedy Central Records) was nominated for a Grammy.

Lewis filmed two specials for HBO, Black On Broadway and Red, White and Screwed. The latter was nominated for an Emmy in 2007. He had a regular feature for two seasons on Inside the NFL (for which he earned a Sports Emmy) and in 2006 was honored to be asked to participate in Comic Relief. In 2009 Lewis filmed his first feature length concert film, Stark Raving Black at the Fillmore Theatre in Detroit. The film had a limited run in theaters across the US and Canada in the summer of 2010. At the end of the theater run, premium movie channel EpixHD picked up the film for its channel along with the accompanying documentary Basic Black. Both are still aired regularly and can be found in the EpixHD on demand queue. 2011 found him producing his second full length concert, In God We Rust, which also still airs on EpixHD.

In the midst of a rigorous touring schedule, regular TV appearances and movie roles, Lewis has written three best selling books, Nothing’s Sacred (Simon and Schuster, 2005), Me of Little Faith (Riverhead Books, 2008) and I’m Dreaming of a Black Christmas (Riverhead Books, 2010). All garnered critical praise as well commercial success and spent numerous weeks on the New York Times best-seller list.

Image Entertainment recently released The Numbers Station with John Cusack and Malin Akerman; Tomorrow You’re Gone with Stephen Dorff, Michelle Monaghan and Willem Dafoe; and Day of the Falcon with Antonio Banderas, Freida Pinto and Mark Strong. Upcoming features include Evidence with Stephen Moyer and Radha Mitchell; Blood with Paul Bettany, Stephen Graham, Mark Strong and Brian Cox; The Colony with Laurence Fishburne, Bill Paxton and Kevin Zegers; and Paradise with Julianne Hough, Russell Brand, Octavia Spencer and Holly Hunter, written, directed and produced by Diablo Cody.

LOUNA Releases Astounding New Music Video for ‘Business’, an “Oz” Themed Representation of Religious Oppression and Terrorism

‘Behind a Mask’ is in Stores NOW via Red Decade Records and MEG/RED

The world we live in continues spiraling down into violence caused in large part to the religious differences and political oppression that exists throughout our planet. What is not often recognized is that this is a problem not just in America, but all over the world. Religious zealots from Chechniya took nearly 1000 hostages in 2002 in a theater in Moscow resulting in over a hundred deaths. In 2004, over 40 people were killed when a terrorist suicide bomber from Chechniya blew up a subway car in Moscow during rush hour. And now in 2013 terrorists from Chechniya were responsible for the Boston Marathon bombing. We must remember we are all experiencing these tragedies across the globe. The imagery of religious and political struggle is not spoon-fed fantasy on the screen, but is instead a horrifying reality that is taking its toll on lives throughout the world.

Today, Russian rockers LOUNA release their new music video for ‘Business’, to remind fans new and old, that all cultures share in the heartbreak and strife that results when religious intolerance and hatred control the minds and hearts of people. This honest and thought-provoking new music video points out the misfortunes and dangers of religious and political oppression in our world. The video was originally completed in late March and was slated to be released in mid-April, just prior to the release of their new album Behind a Mask. Due to the horrible and unspeakable acts committed in Boston at that exact time, it was decided that it was inappropriate to release this video until the present. Now that there has been some measure of resolution and those responsible are in custody, LOUNA and their management believe that the message of this song and video are more appropriate to present.

LOUNA faces religious zealotry issues in their home country on a continual basis. LOUNA feels Orthodox church has been, and remains, a tyrannical and overreaching institution that is above criticism or reproach and is directly responsible for the loss of freedom of so many people in Russia (most recently their influence and involvement in the incarceration of the members of Pussy Riot). The United States has experienced yet another shameful, religiously motivated act (Boston Marathon bombing) first hand and has overcome that oppression by standing together and fighting back. The band empathizes with the tragedy that took the lives of innocent people and wishes to express their deepest condolences for the senseless loss of life that took place in April. Both Russia and the United States have been the victims of religiously motivated acts of terror, and it is the opinion of LOUNA that it is time for an awakening. It is time for us to stand together.

The new video for ‘Business’ has been unveiled exclusively by CraveOnline.com and is available for viewing now. ‘Business’ pays homage to several of the greatest films in history, and builds upon the symbolism contained within each of them to deliver a consistent and clear message: the reality perceived by the masses is no closer to the truth than two plus two equaling five. In doing so, LOUNA created the most epic and expensive music video in the history of Russia was created. Consisting almost entirely of CGI and filmed at the largest green-screen sound stage in Russia, ‘Business’ is quite simply art. Directed by young filmmakers Oleg Taravkov and Dmitry Zuev, and written and produced by Travis Leake who also wrote the lyrics to the song ‘Business’, this video represents an artistic vision of a world torn apart by religious hatred and intolerance.

In this video you will see two sides, enslaved by opposing yet equally messaged propaganda. There are attacks motivated by intolerance, first using stones as in the ancient times, and then progressing throughout the ages as technology developed. A bomb, a drone strike and finally a suicide bomber. The result is the mutual destruction of both sides and the death of innocent people caught in the crossfire.

Religion is a serious subject even in our modern and sophisticated world. Religious conflict shapes and forms the geopolitical realities that all of us, everywhere in the world share. None of us are untouched by it. LOUNA does not wish to tell anyone what they should believe–or not believe–but merely to consider that the struggle between these two sides will (in all practical reality) never be decided, because it is impossible to decide. The wars that are fought and have been fought between Islam and Christianity are older than any of us, or anyone who is alive today. The killing and bloodshed and hatred and envy and despicable acts that are committed by both sides must end for there to be any hope for peace. There are no innocent participants in the modern war for the hearts and minds of people.

In a band declaration, LOUNA states, “LOUNA would like to welcome you to our vision of the world. The message of the song and the video will likely encounter two types of viewers: those who will embrace it and those who will despise it. Probably no one will be able to watch it and listen to the song and have no opinion one way or the other. The message of the song and the video is a sensitive one, and everyone in LOUNA realizes the real possibility of some cultures in the world declaring holy war against us, and others will denounce it as atheist propaganda. While it is true that we in LOUNA are all atheists, the message of our song and video is nonetheless undeniable and illustrates the chaos and death that result from religious conflict. Our priorities are people, peace, truth and freedom. We are demonstrating the truth and saying what so many in the world think but are too afraid to articulate. We will not be silenced by intimidation or fear.”

LOUNA’s new album, Behind a Mask, was released last week via Red Decade Records and MEG/RED. The album will appeal to fans of a blistering and passionate hard rock sound. North American fans will recognize the album’s clear handiwork— Behind a Mask was mixed by renowned producer/engineer Dan Korneff (Breaking Benjamin, The Pretty Reckless, Papa Roach, My Chemical Romance, Paramore) and mastering duties were handled by the legendary Ted Jensen of Sterling Sound, New York.

LOUNA is:
Lou Gevorkian (vocals)
Vitaly Demidenko (bass)
Rouben Kazariyan (guitar)
Sergey Ponkratiev (guitar)
Leonid “Pilot” Kinzbursky (drums)

For more information on LOUNA, please visit these websites:

www.lounarocks.com
www.reddecaderecords.com

Beyond Dishonor release full length video for “Heisenberg”

Trenton, New Jersey metalcore mainstays BEYOND DISHONOR have released a music video for their first single, entitled “Heisenberg”. The song comes off the band’s upcoming EP, “Generations”, set to drop in June.

Any fan of the hit television drama “Breaking Bad” will immediately recognize that “Heisenberg” is a tribute to the popular show — complete with yellow meth lab suits, greasy cigar-smoking drug kingpins, shady factory laboratories galore and more. Click on the link below to check out the official full length video

Wizard Video Collection Review: "Demoniac (1975)" & "Oasis of the Zombies (1982)"

Charles Band is the man behind both Meda Home Entertainment in the late 70’s and Wizard Video in 1980. He recently cleared out his warehouse and uncovered an amazing bunch of big box Wizard Video Collection that have been stuffed away for over 30 years. Shortly after Wizard Video introduced these over-sized “big VHS box” films with titles like “Zombie”, “I Spit On Your Grave” and “Breeders”, this format was returned since retailers were running out of shelf space. The big VHS box has since become a rare collectible! Well the big box is back thanks to Charles Band and Full Moon as they have uncovered 36 features discovery in his warehouse ranging with quantities from 180 boxes to 420 boxes. If you are a fan of these format and these films this is a sale that you do not want to miss as they are mint condition.

These mint boxes include the original program newly duplicated on VHS in a black clam shell included within their original box. Each original box is numbered and signed by Charles Band himself. Over the next nine months, Charles will be releasing this collectibles for the low price of $50.00.  See below for the full schedule of release.  If you don’t think that is enough also found in the collection were original boxes of the first horror video games on the planet, from Wizard Video’s sister company, Wizard Video Games. The Atari 2600 game boxes for Texas Chainsaw Massacre and Halloween will be released TBD 2013 from Full Moon. I can’t wait to see these get a release and fingers crossed that they are going to even include the game cartridges. Fingers crossed again that I will be able to pay the mortgage still after.

I had the privilege of breaking out the old VCR and review the following big box VHS tapes from Wizard Video Collection including “Demoniac (1975)” and “Oasis of the Zombies (1982)”.  I have to tell you it felt quite good giving the VCR some love. I forgot the need for having to blow into a VCR and adjusting the tracking.  But overall it was a wonderful experience and really brought me back to the good ole VHS days.  Having grown up and worked myself in a mom and pop video story in Long Island, NY, the idea that this format still has a life always makes me smile. “Demoniac (1975)” & “Oasis of the Zombies (1982”) are two classic foreign horror films that Wizard acquired and released back in the day.  I remember seeing these boxes on my video store shelf (and not being allowed to rent). This is a feeling that I am going to miss.

“Demoniac (1975)” Official Premise: A defrocked and defamed Catholic priest (played by director Jess Franco) witnesses a series of staged Black Masses complete with phony human sacrifices that drive him insane and send him on a murderous path of redemption to cleanse the streets of the spirit of Satan. His victims, the cast and audience of the show, meet gruesome fates at the hand of the “Sword of the Lord.”

“Oasis of the Zombies (1982)” Official Premise: Robert, a student at an English university, receives word of his father’s unexpected death and returns home to Africa. While reading his father’s dairies, Robert learns of the obsession that led to his death: $6,000,000 in Nazi gold that remains buried at an oasis in the Sahara desert, protected by the restless, rotting souls who died protecting it. Using his inheritance, Robert bands together with three fellow students to wrest the unclaimed fortune from the dunes of the dead!

So the question poses itself, are these releases worth $50.00? You bet your ass they are! They are signed and are a piece of history. “Oasis of the Zombies” was just released on high-def Blu-ray last month from Kino Video. So it is very funny to have watched both of these in the span of a month.  I have to say that I really preferred the VHS copy.  The film has that grindhouse look and feel and yet it really shines on the classic video format. Since this was reproduced, the films itself both look impressive. The VHS transfers really captured the essence of the way these film are was meant to be seen. Sure it looks great on Blu-ray but who doesn’t love that gritty feel. I look forward to checking out other upcoming releases.

Website: www.Wizardvideocollection.com
For all other Full Mooninformation: www.Fullmoondirect.com
Please check out the Facebook page at: http://bit.ly/WizardVideo

Jessica DiCicco talks about voicing Flame Princess on "Adventure Time" and directing Kovas' music video for "Ice Cream"

Jessica DiCicco is a voice actress best for voicing Flame Princess on “Adventure Time”.  She also various characters like Patches on “Pound Puppies”. She recently stepped behind the character directing Kovas’ latest music video for his song “Ice Cream”.  Media Mikes had a chance to chat with Jessica to chat about her voice work, her love for directing and her plans for visiting fan conventions.

Mike Gencarelli: Tell us about how you ended up voicing Flame Princess on “Adventure Time”?
Jessica DiCicco: It happened like they all do, which is through auditioning. It’s a way of life in this business, you try out for different projects everyday. The funny is that I had a feeling about the Flame Princess audition right away when I first got the email. I had heard of “Adventure Time” but I didn’t know what it was really about. So I did a little research and I watched some YouTube clips. Immediately, I knew this was a show I wanted to be on. I sent the audition and I was very happy when I found out I had booked the role. From the very first script that came in, I thought the show was just so amazing and well written. I knew that I was in for something great.

MG: What do you enjoy most about voicing that character?
JD: I love that she has such a range of emotion. She can go from super sweet to insane and crazy at the drop of a dime. It is so fun to play a character like that.

MG: Can you reflect on the fandom surrounding your character and the show itself?
JD: I have never been a part of such a big show. It has been such an amazing experience. It is very reminiscent for me of “Simpsons Mania”. I remember when “The Simpsons” had just come out, there was so much energy surrounding the show, it truly struck a cord with its audience. I was a huge fan of “The Simpsons” when I was a kid, I would wear my Simpson’s denim jacket, talk on my Bart phone, then go to sleep draped in my Simpson’s bed sheets. The insanity and excitement surrounding “Adventure Time” is reminiscent of that. I was actually at the Annie Awards this year and was presenting with Lucas Grabeel, and Matt Groening also was there. I got the chance to talk to him and it turns out his son is a big fan of “Adventure Time” and even was an intern on the show. I ran my theory by him about how “Adventure Time Mania” is reminiscent of “Simpsons Mania” and he said that he couldn’t agree more. Right from the creator’s mouth! So glad that I ran that by him, it was a very cool moment for me.

MG: How does your work on “Adventure Time” differ from Patches on “Pound Puppies”?
JD: I feel lucky that I get to voice so many different types of characters. It satisfies my desire to act and be creative. Patches is so much fun, he is so cute, fun and playful- he’s a puppy! I love dogs, so I put my love for my own dog, Kody, into that character. The head writer is Bart (Jennett) and he is incredibly talented. The episodes of “Pound Puppies” are so well written, they have so many layers, twists and turns throughout. It is always very fun to work on this show.

MG: How did you get involved directing Kovas’ music video for his song “Ice Cream”?
JD: Directing the video for “Ice Cream” was blast and easily one of my favorite experiences to date. I met Kovas, he is an incredibly talented music producer and also has a solo artist career, and we became quick friends. I listened to his mix tape while it was in the works and that song just inspired me. I am also friends with Jessie Heiman, the “nerd” from the GoDaddy Super Bowl XLVII commercial, he’s the one who made out with Bar Rafaeli [laughs]. We have been friends and have always wanted to work together. I thought it would be so funny to have Jesse be the main thug in a rap video [laughs]. That is what actually inspired the entire “Ice Cream” concept.

MG: What was your biggest challenge directing your first music video?
JD: I am very hard on myself and I like everything to be as good as it can possibly be. Even with my voice-overs, I really try to focus on my characters and have a deep connection with them. So I wanted to apply this to directing. I wanted the characters to be very solid and consistent throughout the entire video. One of the most fun parts of this video was casting it. As soon as it was cast with these incredibly talented people, a lot of it was setting up the scenes and it was such a joy to watch it all unfold. I was also fortunate to work with the best editor of all time, Steve Forner. It was such a great experience. I didn’t realize how truly happy directing makes me and I can’t wait to try this again.

MG: Do you see yourself pursuing more directing gigs in the near future? Film or TV?
JD: I’m actually directing another music video next week! I was actually offered this next video based on my work from “Ice Cream,” which I did just for fun! I’m excited to let this new-found love for directing unfold organically. I am going project by project. But I would like to challenge myself and try and tackle a short film in the near future. So that would happen within the next year hopefully. At this point, it is just a matter of finding an incredible script that inspires me.

MG: Tell us about “Sheriff Callie’s Wild West” coming out on Disney Junior starring Mandy Moore, Lucas Grabeel and yourself?
JD: I am very excited about this show. It’s the first Western musical for preschoolers, and it has been fantastic working with Mandy Moore and Lucas Grabeel. I play a 7-year-old boy cactus named Toby. The songs we sing get stuck in our heads for days, hopefully the kids love it, that way I don’t feel silly for liking it so much [laughs]. It has such a stellar cast in addition to Mandy and Lucas. It also includes Kevin Michael Richardson, Mo Williams, Cree Summer, Carlos Alazraqui, and Gary Anthony Williams.

MG: I know you can’t talk about it but you also have a few video game roles in the works also right?
JD: I wish I could tell you about them at this very moment! I’m so excited about these new roles. Voicing characters in a video game satisfies a whole other part of my creativity. It is very natural acting, very cinematic. So it challenges me in a very different way which is very fun for me.

Fan art by rorpie

MG: Tell us about how you got started with your girl DJ duo called Kittypillaz?
JD: I just started making appearances at conventions and anime cons. I didn’t realize how much fun they were. I went recently with a fellow voice actress, and we decided to also DJ at the con. She is big in the anime world. The first one we just did was Ichibancon, this past January in Charlotte, NC. We just figured to get out there play some good music and have fun with our fans. It was such an amazing experience, I look forward to doing it again!

MG: What else do you have going on that you would like to talk about?
JD: Fans can reach out to me on Facebook and Twitter. Also I love friendship bracelets. So when I make appearances at conventions, I am offering exclusive friendship bracelets for each con, that will only be available at that specific con. Also I am going to have a contest on deviantART for artists to submit the best Flame Princess fan art for the postcard my next exclusive friendship bracelet will come with. I am a huge fan of art and I love all the fan art that people do for “Adventure Time” and any of my characters. I am very excited to incorporate fan art into this project.

Blu-ray Review "TerrorVision / The Video Dead"

Actors: Rocky Duvall, Chad Allen, Roxanna Augesen, Diane Franklin, Mary Woronov, Gerrit Graham
Directors: Ted Nicolaou, Robert Scott
Rated: R (Restricted)
Studio: Scream Factory
Release Date: February 19, 2013
Run Time: 171 minutes

Double Feature: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

This is my first go at reviewing a title from Scream Factory, a division of Shout! Factory.  I grew up as a kid watching both “TerrorVision” and “The Video Dead” and have been fans.  Are they the best thing to ever come out of the 80’s? Probably not but they are fun as well and thanks to Scream Factory, they are on Blu-ray for the first time. Since they are more of an obscure titles, they probably wouldn’t be able to hold their own on individual Blu-ray. These films are plain and simple campy fun and this double feature should be a guilty pleasure for all horror fans.

“TerrorVision” is a very silly movie but it has really delivered a nice cult audience over the years. It is directed by Ted Nicolaou, who is known for his work with the “Supspecies” franchise also. It is co-produced and written by Full Moon’s Charles Band and composed by his brother Richard Band, who are both legends in the horror genre. The film also packs some decent creature effects for a low-budget indie. “The Video Dead” has become another fan favorite in the horror genre and even inspired a hardcore punk band of the same name. It features some solid zombie effects, not “Walking Dead” quality but still decent for 1987.

“TerrorVision” Official Premise: Life will never be the same for the Putterman family in Terrorvision. Stanley Putterman (Gerrit Graham) installs a state-of-the-art satellite dish in his backyard. Through a cosmic accident, a wayward monster’s energy is beamed across galaxies, into the satellite and onto the Puttermans’ television set. The Puttermans don’t notice any changes, only better reception and a strange monster continually appearing on the screen. But when the monster leaps off the screen and into the Puttermans’ living room, terror erupts, as it needs to feed on humans for its survival! Uh Oh!

“The Video Dead” Official Premise: On a quiet, tree-lined street, evil has arrived in a most ordinary way, an old television set. It receives a single channel, one that not only shows the same film over and over a horror film where zombies rise from the grave to kill but also frees the gnarled, evil monsters….and once out, they’re not going back! They like the real world. They’ve already killed five people and want more blood…and a new family is moving into the neighborhood!

I have only ever seen both of these films on VHS (what’s that right?) and television, so the quality of “TerrorVision” on Blu-ray is stunning compared obviously. It is not a perfect transfer and the film itself looks its age, which is almost 30 years old. But Scream Factory’s 1080p transfer is still a pleasure to view and fans of the film should enjoy it. The film also packs a solid DTS-HD Master Audio 5.1 audio track. This works well with creature action and dialogue, which are both well-balanced.

“The Video Dead” also packs a decent high definition transfer. There is some noticeable grain for the film itself but it is acceptable and still impressive.  In fact, the 1080p transfer on “The Video Dead” is a notch better than “Terrorvision” although the can’t be said for its audio tracks.  The DTS-HD Master Audio 5.1 is a bit spotty especially with the dialogue. Luckily thought I think Scream Factory knew this, which is why they also included an DTS-HD MA 2.0 track, which sounds a little more like the film should sound. Fans will most likely prefer this track.

“TerrorVision” runs a little light in the special features department but what it does has works very well.  There is an audio commentary track with Writer/Director Ted Nicolaou and Stars Diane Franklin & Jon Gries. It is very entertainingm, informative and fans should eat it up. “Monster on Demand — The Making of TerrorVision” is an awesome all-new retrospective look into the production. This features tons of great talent including Writer/Director Ted Nicolaou, Stars Diane Franklin, Mary Woronov, Jon Gries, Ian Patrick Williams, Special Make-Up Effects Designer Jon Carl Buechler, Executive Producer Charles Band, Composer Richard Band and others!. If you are a fan of this film this is worth the purchase alone. Lastly there is a Poster & Still Gallery including.

“The Video Dead” comes with some more content but focuses more on commentary on documentaries. The first audio commentary comes from Writer/Producer/Director Robert Scott, Editor Bob Sarles, and Makeup Effects Creator Dale Hall, Jr. Decent track but not amazing.  The second is an commentary track from stars Roxanne Augesen and Rocky Duvall with moderator Chris MacGibbon, Production Manager Jacues Thelemaque, Makeup Effects Creator Dale Hall, Jr. and Makeup Assistant Patrick Denver.  Much better than the first and more interesting. “Pre-Recordead” is an interview with Makeup Effects Creator Dale Hale, Jr. and Makeup Assistant Patrick Denver. Lastly there are some Outtakes, a Behind the Scenes & Poster Still Gallery and wrapping it up with a trailer.

Zelda Williams talks about the film "Noobz" and her love for video games

Zelda Williams is daughter of actor and comedian Robin Williams. She co-stars in the new film “Noobz” alongside Jason Mewes, Blake Freeman, Matt Shively, Moises Arias and Casper Van Dien. She is also known for appearing in Nintendo’s television commercials for the Nintendo 3DS game “The Legend of Zelda: Ocarina of Time 3D”. Media Mikes had a chance to chat with Zelda about how she got involved with the film, her love of gaming and what she has planned next.

Mike Gencarelli: How you were approached to co-star in “Noobz”?
Zelda Williams: It was like any audition really. I met the director and talked with him about what I liked about the character and the idea to get paid to play video games [laughs]. The cast/crew are really a fun group. With them being such gamers as well, it was like looking for a kindred spirit. So it was a lot easier having that aspect in place.

MG: Tell us about preparing for you role of Rickie?
ZW: [laughs] Thankfully it was pretty easy. Pretty much everyone in the film played a more debauched version of themselves in real life. Rickie is sarcastic and silly but pretty much fairly normal, actually. It was interesting to play the straight man to everyone else goofing off. I really enjoyed it. Especially being able to be the chick gamer in it was also quite fun. Otherwise [laughs], there really wasn’t much prep needed.

MG: Being a gamer yourself, what are you currently obsessed with in the video game world?
ZW: I like playing “Assassins Creed”. I don’t play as much when it is the busy season in L.A. because you can just lose yourself. I was one of those people that would play for 8-9 hours and it doesn’t help you be productive. I still loves games though.

MG: Having a father like Robin Williams, do you feel that comedy comes natural?
ZW: No, not at all [laughs] I think I am really happy that I got his wits. I am quick and snappy but funny is a hard gig. I am happy that I don’t have to be the goofy funny one. I am not speaking a mile a minute and expected to make people roll in their seats. There is a lot pressure in that and it is something that I have avoided for a while. Growing up with comedy, I have an enormous amount of respect for it but is not something that I set out to do.

MG: How was it hosting of the live show “The Legend of Zelda: Symphony of the Goddesses”?
ZW: It was wonderful. I met them because of the Nintendo commercials I did and they asked me if I would be interested in hosting. I had no idea that they had a symphony behind this show, besides seeing it at E3 briefly a few years ago. It was fascinating to me but also scary as hell. I have really bad stage fright. But it was really wonderful. Music has such a connection with nostalgia. It was also great to see parents, who are fans of the game, now bringing their kids. Fans were attending all dressed up. People wouldn’t have assumed that when this game originally came out in the 8-bit world that it would played in front of an audience with a full symphony orchestra. It is interesting to look back and just think that they would have had no idea!

MG: I also a big fan of your Nintendo commercials for “The Legend of Zelda”
ZW: It is actually quite funny; doing the Nintendo commercials we actually had the opposite backlash than you would have expected. I really loved working with Nintendo and I think they are such wonderful people. A lot of people loved those commercials. But the gaming community took the other side of it and immediately starting complaining that I was pretending to be named after the game etc. It was very bizarre since half of the community went up in arms about it. But I found it very funny. They are the same people that I don’t think want to see comedians and fun people acting like gaming competitors in “Noobz”. I get it that the gaming community is very elitist but it is just really funny to me.

MG: Are you able to talk about your role in the third season of MTV’s “Teen Wolf”?
ZW: I am not sure I am able to talk about that just yet. I am good friends with Colton (Haynes) and he let that out a little early [laughs]. But next time we talk I will be able to discuss that more.

MG: Can you tell us about your film “Never”?
ZW: “Never” is a wonderful film. Thanks to Kickstarter, it got its post-production funded. I have never had a project do that and I think it is really great. I have a lot of faith done in crowd-funding if it is done properly. The film itself is really different from projects like “Noobz” or “Teen Wolf”. I play a lonely lesbian character living in Seattle, who is in a band. I get to sing three songs in the film. But it is not a musical though; it is more like “Once” where there is a reason why they are singing. But in this film, a straight guy falls in love with her. They become best friends and that’s where things get complicated. So a lot of it has to do with dealing with their friendship and feelings.

MG: What else you have for 2013?
ZW: The rest of 2013 is just working and writing. I am now writing scripts. I am very lucky to have found the team that I did to work with, since they are pushing them along well. Hopefully I will be going into production on one of my scripts soon.

 

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