Film Review “End of Watch”

Starring: Jake Gyllenhaal, Michael Pena and Anna Kendrick
Directed by: David Ayer
Rated: R
Running time: 1 hr 41 mins
Open Road Films

Our Score: 3.5 out of 5 stars

A high speed pursuit leads to a deadly shootout with a quartet of gang bangers, captured clearly on the police car’s video camera. Just another day in Los Angeles.

Several weeks later we join police officers Brian Taylor (Gyllenhaal) and Mike Zavala (Pena) as they return to duty. Currently enrolled in college and taking filmmaking as an elective, Taylor introduces himself by way of a monologue he records before starting his shift. The first day back is also going to be the first day of the rest of he and Zavala’s lives, though even they aren’t aware of that fact.

Told in an often startling documentary style, “End of Watch” is a gritty police drama that benefits from another in a string of outstanding performances by both Gyllenhaal and Pena. Writer/director Ayers is no stranger to the police or South Central L.A., having written such tough urban thrillers as “Training Day” and “Harsh Times.” Here he includes the true camaraderie between the officers that is more like brothers than co-workers. “If anything happens to you I will take care of your children” we hear one partner tell another. And they mean it.

The story starts and ends big with a large slow gap in between. Through happenstance both Taylor and Zavala find themselves in situation that puts them I direct contact with members of a Mexican drug cartel beginning to make their move in America. These are easily the two most exciting cops in L.A. as their duty days progress and they find themselves doing things that most police officers do in an entire career. The characterizations are strong, as is the cast. It’s really only the plot, which seems to come and go when the need serves, that keeps this from being an outstanding film.

Ed Asner talks about new film “Let Go” and reflects on career

Even though Mike G. spoke with him last year (click here), I jumped at the chance to speak with one of my favorite actors, Ed Asner. Well known for his work on such series as “The Mary Tyler Moore Show” and “Lou Grant,” my favorite Asner performance showed a side of him that few people familiar with his comic chops would ever expect to see, that of the cruel father Axel Jordache in television’s first mini-series, “Rich Man, Poor Man.” His work earned him one of his seven Emmy Awards (out of a total of seventeen nominations to date). Two more personal reasons excited me about speaking with him: he was born here in Kansas City and one of my colleagues in the critic’s circle, Marie Asner, is married to Mr. Asner’s cousin, Harold. While promoting his new film, “Let Go,” Mr. Asner talked with Media Mikes about his love for acting, sequel talk regarding “UP” and his favorite characters.

Mike Smith: Fill us in on your character in “Let Go.”
Ed Asner: He’s an old con but very incompetent. If you remember “The Gang That Couldn’t Shoot Straight,” he’s the whole gang rolled up in one. But he’s a loveable old turkey – he has character, he has affection and love. He has a beautiful woman that he loves in the film that he stupidly does not pursue because his brother is pursuing her at the same time. He is constantly ignoring the gift horse that is being offered him in life and chooses the harder means of making a living and failing at it, which is choosing to be a stick up man. He’s pretty tragic but funny at the same time.

MS: You’ve won seven Emmys by portraying some of television’s most memorable characters. Obviously there’s Lou Grant, but you’ve also played Axel Jordache in “Rich Man, Poor Man,” Captain Davies in “Roots” among others. Do you have a favorite among them?
EA: I could not never deny the seven years of playing Lou Grant on “The Mary Tyler Moore Show.” It was a joy to share the power of that writing and to delight people with that writing and to be able to carve out a character to execute that writing. Those seven years are a precious package. In terms of one shot characters, the epiphany I had doing Axel Jordache…the feelings and respect I had for that character…that creature… in what I think is one of the most memorable mini-series in history…it gives me great joy to be identified with that man.

MS: Ernest Borgnine worked well into his 80’s because he still loved the process of acting. Is that what keeps you so busy? By my count you have no less than five projects in the works right now.
EA: Ten years ago I would have been happy to be doing just one of those. To have four or five in the can is certainly a pleasure. Acting is the air of my life. It’s my oxygen. Put me in the box if I can’t act.

MS: Any word on a sequel to “UP?”
EA: No. With each passing year “UP” continues to grow in people’s memories. I love the singularity and the fact that it remains a solitary gem all by itself.

MS: When are you coming home? We miss you here.
EA: I was home in June. I did my one man show as FDR for a fund raiser. Apparently you didn’t haul your ass out there, did you? (laughs)

MS: I did not. My son got married in June and to be honest I didn’t know you were in town. I’m going to have to scold Marie next time I see her for not telling me you were here!
EA: Give Marie a big fat kiss for me!

David Denman talks about new film “Let Go” and NBC’s “The Office”

David Denman has come full circle. As a young man in college, his first time before the camera put him on screen with Ed Asner. Now 15 years later he co-stars again with Asner, playing his probation officer, in the new comedy “Let Go.” While in the middle of a busy week of multiple projects Denman took time out to talk to Media Mikes about the late Patrice O’Neal, going to Julliard and what it’s like to play a probation officer (he’s done it twice)!

Mike Smith: What drew you to your role in “Let Go?”
David Denman: I was given the script by my agent and I really responded to the character. I thought there was a real sweetness in his view of the world and what he did on a bigger scale. That’s how it came to be. I just really liked it. I thought it was genuinely quirky and fun. I thought it would be a change and definitely a challenge.

MS: Probation Officer is an unusual profession and one you don’t see on screen a lot. Did you have to do any special research to get a feel for the character?
DD: Not on this job…I had played a parole officer previously and had a couple of conversations . What I learned is that most of the people getting out of jail don’t really get rehabilitated that easily so my character is very cynical about things. When you’re making movies you can do a lot of research and get a lot of different perspectives. And Walter’s perspective is definitely quite different.

MS: How did a California kid wind up at Julliard?
DD: When I was in school I always wanted to do theatre. There was a guy I went to high school with…he was the “professional kid.” He would do commercials. And he would always say, “when I get out of here I’m going to go to Julliard.” I asked him what it was and he told me. He told me that Robin Williams had gone there. Kevin Kline. All of these great actors. I’d never heard of it. I didn’t even know there were schools out there for acting. So when I graduated I went to the American Reparatory Theatre in San Francisco. It was very much like conservatory training, very intensive eight or ten weeks studying a craft I want to do. I applied to Julliard and I did what I had to get in. It was great to do regional theater…to travel and do shows. I went back to California on vacation and booked a job on “ER.” I stayed in California and never went back. That was 15 years ago.

MS: You shared a couple episodes of “The Office” with the late Patrice O’Neal, who just passed away. Do you have any special memories of working with him?
DD: He was a lot of fun. There wasn’t a whole lot of acting going on…he was pretty much his character. It was always fun because he was so quick. He threw a lot of improv into his work. I wasn’t aware he was a stand up comedian until after we started working together. He was really funny. We had a good time.

MS: What are you working on next?
DD: I’m finishing an M. Night Shayamalan movie (“After Earth”) with Will and Jaden Smith and I’m currently shooting an independent movie called “Blue Potato,” which takes place in upstate Maine. It’s a coming of age story that happens over the course of a potato harvest. I play a farmer who becomes a mentor to one of the kids. It was really a great little script and I’m having a lot of fun shooting it. And then I’ll be back on “The Office” in an episode I just shot last week.

Wayne Newton reflects on celebration 50 years in show business

There were many great entertainers that made their mark in Las Vegas. Frank Sinatra. Dean Martin. Even Elvis Presley wowed audiences in Sin City. But when you hear someone talking about Mr. Las Vegas, you know they’re only talking about one man: Wayne Newton.

Celebrating 50 years in show business this year, Mr. Newton has conquered every arena he’s tried his hand in. Best known for his signature song, “Danke Shoen,” as well as hits like “The Summer Wind,” “Daddy Don’t You Walk So Fast,” “Years” and “Red Roses For A Blue Lady,” Newton boasts over 30,000 solo shows in Las Vegas alone.

Fans may have also caught him on television (from “Bonanza” to an appearance on the 5th Season of “Dancing with the Stars,” with many great performances in between) or in such films as “License to Kill,” “The Adventures of Ford Fairlaine” and “Vegas Vacation.”

Now, at the age of 70, Newton is taking his act on the road, giving fans all over the country a taste of his Vegas-style show. He’ll be appearing this Saturday evening, September 15, 2012, at the Prairie

Band Casino in Mayetta, Kansas. While preparing for his upcoming Midwest appearance, Mr. Newton took the time to answer some questions for Media Mikes:

Mike Smith: You’ve achieved a rare career milestone by celebrating 50 years of entertaining. After all of those years do you still approach each show the same?
Wayne Newton: Yes. I never take for granted walking out on those boards. Every audience is new and they deserve the best show that I can possibly give. At my shows, the first song is planned and the rest of the show depends on the audience. What I think that particular audience would like to hear. It keeps it fresh for the audience and all of us on stage. Most of all, the musicians can never sleep during the show (laughs)

MS: You spent the early part of your career opening for such legendary entertainers as Jack Benny, Jackie Gleason and George Burns. Did you have a favorite to work with?
WN: I have been very lucky to have worked with, and learned from, so many incredible talents. Not

only the ones you mentioned but people like Lucille Ball and Bobby Darin. They really took me under their wing and each of them taught me and helped me in so many ways that I could not just pick one. I would not have the career I have without each of them.

MS: You showed off your skills when you appeared on “Dancing with the Stars.” As the show is now going the route of having previous stars return would you consider doing it again?
WN: Do what again? (laughs) Seriously, I loved doing “Dancing With the Stars” and dancing with the amazing Cheryl Burke. I made a lot of incredible friends that I remain close to still today. But it was really difficult. Not the friend part, the dancing part. You have no idea how much hard work goes into it and I don’t know if I would do it again. But then again, they would have to invite me.

MS: You recently lent your voice to the “Fallout: New Vegas” video game. Is this a medium you’d like to get more involved in?
WN: Having never played a video game in my life I found it fascinating. I had voiced animated films in the past but nothing like this…where what I say is decided by the player. Because of that option I had to do so many responses to the same situation. I wasn’t sure how it would turn out until the premiere party for the video. I am more amazed at the response from young people who play the game. It’s made me very popular at my 10 year old daughter’s school!

MS: You’ve had some memorable screen roles in films like “The Adventures of Ford Fairlaine” and “Vegas Vacation.” Did you ever consider making acting a full-time profession? And is there a role you’ve turned down that, in hindsight, you wish you hadn’t?
WN: I love acting and would love to do more of it. I prefer to do roles that are not “Wayne Newton”…roles that give me an opportunity to do things that are so out of character for me. I was able to do that in films like “Ford Fairlaine,” “License to Kill” and “40 West.” And while I don’t regret turning down any roles I am very careful with what roles I choose. I have to find a redeeming quality in any character. Even the villains. And sometimes there just isn’t one. I also have to be careful when I play “myself” because I have to make sure I don’t cross the line of “What Wayne Newton Would or Would Not Do.” (laughs) Referring to myself in the 3rd person can get very confusing. I have to protect “Wayne Newton” even though I truly am “Wayne Newton.”

For more information about Mr. Newton’s appearance this weekend please click here: http://www.pbpgaming.com/wayne-newton/

Alamo Drafthouse Rolling Roadshows Hit Kansas City!


One of my favorite movie moments ever occurred in the summer of 2006. In Dyersville, Iowa, on the same corn surrounded baseball field used in the film, I sat with 3,000 other fans and watched “Field of Dreams” outdoors on the big screen, part of that summers Alamo Drafthouse Rolling Roadshow. As fall approaches, the new Alamo Drafthouse in Kansas City is sponsoring four different outdoor screenings. Imagine watching one of your favorite films under the stars. Now add the bonus fun

Alamo provides with it’s pre-show activities and contests and you’ve got a night to remember. Here is a schedule of the films slated to screen in the next few weeks:

September 14, 2012

Title: PEE WEE’S BIG ADVENTURE
Location: City Market Park
20 E. 5th Street
Kansas City, MO 64106

Time: Gates open at 7:00PM / Movie at 8:00PM

For the young, and the young at heart, the Alamo Drafthouse presents “Pee Wee’s Big Adventure.” When his beloved Schwinn bicycle is stolen, Pee Wee sets out on a zany cross-country journey to get it back. Come early and get in on the pre-screening fun by competing in the Pee Wee Dance Off before the film.

Facebook Event Page

September 15, 2012

Title: SPIRITED AWAY
Location: City Market Park
20 E. 5th Street
Kansas City, MO 64106

Time: Gates open at 7:00PM / Movie at 8:00PM

The Alamo Drafthouse invites you to a beautifully animated, yet mind boggling visual experience, as it presents “Spirited Away.” This Japanese anime cartoon captured the imagination of adults and children alike on it’s way to becoming a critically-acclaimed worldwide box office hit. We’ll re-create one of the film’s memorable moments when we invite audience members to compete in our noodle eating contest prior to the film. Come early and bring a big appetite for fun!

Facebook Event Page

October 12, 2012

Title: PLANES, TRAINS & AUTOMOBILES
Location: National WWI Museum at Liberty Memorial (North Lawn)
100 W. 26th Street
Kansas City, MO 64108
Time: Gates open at 6:00PM / Movie at 7:00PM

The Alamo is ready to tickle your funny bone as it presents the 1987 comedy classic “Planes, Trains and Automobiles.” This powerhouse comedy about two strangers who share a three-day odyssey of road trip misadventures will have you laughing ’til it hurts. Especially when you realize, “Those aren’t pillows!” Well these actually are – if you compete in our pre-show pillow fight!

Facebook Event Page

October 13, 2012

Title: JURASSIC PARK
Location: National WWI Museum at Liberty Memorial (North Lawn)
100 W. 26th Street
Kansas City, MO 64108
Time: Gates open at 6:00PM / Movie at 7:00PM

The Rolling Roadshow series wraps up with a pre-historic crowd pleaser as Alamo Drafthouse presents “Jurassic Park.” What could possibly go wrong at a theme park with real life cloned dinosaurs? Luckily for us, we get to find out! Come out for dinosaurs running amok and trying to take a bite out of everything and everyone in sight. You can take a bite out of the action by joining the Carnivore/Herbivore Eating Contest before the movie!

Facebook Event Page

To view the Alamo Drafthouse Rolling Roadshow promo video click here:

 

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Book Review “The Chappy Ferry Book: Back and Forth Between Two Worlds – 527 Feet Apart”

Written by: Tom Dunlop
Photos by: Alison Shaw
128 pages
Vineyard Stories
Release date: July 1, 2012

Our Score: 5 out of 5 stars

When most people hear the word “Chappaquiddick” I would venture to guess that, if they have any knowledge of history, they think about the night of July 18, 1969. On that night Massachusetts Senator Edward Kennedy drove his car off of the narrow Dike Bridge into Poucha Pond. While Kennedy survived the accident, his passenger, Mary Jo Kopechne, drowned despite several attempts by Kennedy to rescue her. But Chappaquiddick is much more than a place in history. As I have in the past, thousands of people each summer make their way to the tiny island. And we all got there by way of the Chappy Ferry.

From a single row boat at the beginning of the 19th Century to the modern contraption that hauls both people and cars today, the Chappy Ferry has taken people from all walks of life the 527 feet from Edgartown, the main town on Martha’s Vineyard, to the tiny island that boasts less than 150 yearlong residents. Author Tom Dunlop has turned his almost lifelong fascination with the Ferry into an in depth look at how a 90 second voyage can turn into memories that last a lifetime.

Dunlop’s prose is beautifully accompanied by the dazzling photography of Alison Shaw. Many of her shots capture not only the workings of the Ferry but also the beauty of its watery highway. The Ferry has been used by fishermen, beach bathing enthusiasts, people looking to have their car repaired (the only business on the island is a combination general store/service station) and politicians (how do you think Senator Kennedy got his car TO the island. Incidentally, as he was heading to, and missed, the last scheduled ferry of the evening the Senator actually swam back to Edgartown). It’s also been used by Hollywood, co-starring in a key early scene in “Jaws.” And since I mentioned movies, an added bonus to this compendium is a 15 minute DVD entitled, of course, “The Chappy Movie.” The film, narrated by Dick Ebersol , was produced exclusively for the book by John Wilson.

Film Review “The Words”

Starring: Bradley Cooper, Zoe Saldana and Jeremy Irons
Directed by: Brian Klugman and Lee Sternthal
Rated: PG 13
Running time: 1 hr 36 mins
CBS Films

Our Score: 2 out of 5 stars

An author (Dennis Quaid) approaches a podium before a packed house. He announces the title of the book he’s just written, “The Words,” and begins to read a passage. It relates the story of another author, Rory Jansen (Cooper). We meet Rory and his wife, Dora (Saldana) in the back of a limousine, celebrating the publishing of Rory’s book. Almost incredulous to the response at his work Rory tells Dora, “it was just a little book.”
Actually, it was a little book with a big back story. But that story gets jumbled up with the rest of the plot in the new film, “The Words.”

Basically a story told within a story told within a story (which sounds a lot like Joe Pesci in “JFK” lamenting “It’s a mystery wrapped in a riddle inside an enigma!”), “The Words” follows the life of a man who, against his better judgment, takes credit for a hidden manuscript he finds in an old briefcase and passes it off as his. Things go well for him until he is confronted by the “old man” (Irons) who claims authorship of the book. Things get confusing whenever Quaid appears as the audience is never sure if he is the real bogus author or if Cooper even exists. A flashback tale of love and loss only helps to confuse the story more.

Performance wise the film is also all over the map. Cooper really has nothing more to do here then stare off into space, the better to wrestle with his conscience. Quaid manages to show a little bit of his old fashioned charm, especially when trying to seduce an attractive fellow writer (Olivia Wilde). Saldana is solid as Dora as is J.K. Simmons, who has a small part as Rory’s father. The standout is Oscar winner Irons. His stories of the lives he led, both happy and tragic, are delivered with emotion and for that brief time you manage to get lost in the film. Unfortunately the time is, indeed, brief. Blame this on co-directors Klugman and Sternthal, who also shared the scripting duties here. The fact that the duo also shared writing credits with six other people on the latest “Tron” film only serves to make me want to avoid their third film!

Book Review “The Jaws Log: Expanded Edition”

Author: Carl Gottlieb
223 pages
Newmarket Press
Release date: Originally released in 1975 / Expanded Edition – Aug 7, 2012

Our Score: 5 out of 5 stars

One of the most influential books ever written about the daily ins and outs of making a movie, Carl Gottlieb’s “The Jaws Log” is a behind the screen account of the creation of one of the most popular, both critically and at the box office, films of all time: Steven Spielberg’s masterpiece, “Jaws.”

A friend of Spielberg, Gottlieb was hired by the director to work on the script of the film during filming. As Gottlieb was also an actor, with appearances in such films as “M*A*S*H” and the Barbra Streisand comedy “Up the Sandbox,” he was also assigned the role of Amity’s newspaper editor Harry Meadows, a role that was quite sizeable in Peter Benchley’s source novel. The book begins with the conception of the film and ends with the successful sneak previews that “Jaws” enjoyed prior to opening on June 20, 1975. As Gottlieb says in his introduction, “This is how I saw it.”

Having sold over 2 million copies since it was first published (and by the stack of copies on my bookshelf I can honestly say I’m a proud part of those 2 million), “The Jaws Log” has influenced whole generations of filmmakers since its release. Among the directors that have sung it’s praises: Rob Reiner, John Landis, Rod Lurie and Bryan Singer. As someone that was on the set daily, Gottlieb is well equipped to recount and share the inside tales that have captivated fans for almost four decades.

As this is “the Expanded Edition,” originally published shortly after the 25th Anniversary of “Jaws” was celebrated in 2000, the book contains an introduction by Peter Benchley and an additional 25 page “Afterward” by Gottlieb updating many of the stories in the book. If you’ve never read “The Jaws Log” before, you are missing one of the best documents EVER published on the creation of a film. If you’ve only read the 1975 original, prepare to take a trip down memory lane while collecting a whole new array of memories to treasure forever.

Mike’s Behind the Screen: “JawsFEST: The Tribute”

On a movie scale, if the original 2005 “JawsFEST” was the fan equivalent of “Jaws” then the recent “JawsFEST: The Tribute” was more like “Jaws: The Revenge!”

I took some time off between the end of the Fest and writing this because I wanted to make sure that other fans shared some of my feelings about the event.  Some did.  Some didn’t.  Some were pleased.  Some were pissed.  Some were downright angry.    The quotes that I include in this piece are real.  And before I list the Top 5 Reasons “JawsFEST: The Tribute” was not well received I want to point out that this is not an indictment of the people behind the event.  They did what they could with what they had.  In my opinion (and a majority of those I spoke with) there just weren’t enough hands to go around.  There was some fan input (mine included) but a lot of things were either dismissed at the beginning or fell off during the planning stages.  The people in charge were nothing but great to deal with, both as a fan and as a member of the media.  I was proud to have some of my memorabilia on display and even prouder to host one of the “Location Bus Tours.”  That being said, here we go:

  1.  EXPENSIVE! (Part One)

If you’ve ever been to Martha’s Vineyard you know things are just a little bit more expensive than elsewhere.   Never is that statement truer than during the month of August, the busiest (and most expensive) time of the season.  Like the fictional town of Amity, the island needs summer dollars.  The same hotel where I’ve stayed in early June for $145.00 a night was renting for $450.00 a night during the Fest.  My wife and I were lucky to have found a nice 1BR studio to rent for the time we were there, averaging $225 a night.  A little more than what we were used to but it had a kitchen where we could make breakfast before we headed out for our day.  Even still, we spent almost as much on food as our airfare from Kansas City and back cost.  Lunch and dinner routinely came to $30-35.00, including tip.  And this was for what I would call “simple” food:  sandwiches and such.  We did have one “nice” meal which came to about $100 with tip but if you can’t splurge on a romantic dinner while overlooking the water on Martha’s Vineyard when can you?

  1.  EXPENSIVE (Part Two)

From the $295.00 VIP bracelets to the $20.00 programs, it seemed that every time you turned around you were opening your wallet.  Let me be up front here and inform the reader that because of my assistance with the Fest, the fact that I was also there as a member of the media and that I had actually won a free general admission for winning a contest describing my best original 2005 “JawsFest” memory, neither myself or my wife had to pay for our bracelets.  Those that did were disappointed to find that not everyone was checking them.  “I feel so bad for people who paid for the gold bracelets,” said one fan.  “People with red bracelets got into things meant for gold bracelets, people with no bracelets got into things meant for people with bracelets period. Things were sold at outrageous prices and then just handed out for free on the same day.  I’m pretty sure my $50 red bracelet wasn’t worth the free keychain (that wasn’t even like…given to us… we had to go find them) and the foam fin hat that Discovery channel pushed at us.”    Said another, “gold bracelets basically got nothing for their money.  I had an absolutely amazing time but it had nothing to do with “JawsFest.”  If anything, it was in spite of it. The screening was a disaster.   I can’t imagine people that paid $75 for the kayak to the movie + gold bracelet and they had to leave because the movie was bounced. Just seems like everything was very disorganized and very poorly laid out. You want to say ‘Well it was a labor of love, they did what they could.’  Then you realize people were dropping hundreds of dollars on bracelets and then the sympathy goes out the window.  It’s not hard.   Clearly define what you get for the bracelets and then make sure people get it.  One worker said gold (bracelets) got free bags.  Other worker said they didn’t but got a special bag.  A third worker said the special bags were for special bracelets above gold.  No one had a clue what you got and the answer was really nothing.  Red bracelets got a free key chain bottle opener that can’t open bottles.  That’s it.  $50 for a $1 key chain? You could say they got to see the movie in the park but IT WAS IN THE PARK and I was sitting next to people without bracelets.”

In my opinion, the Fest was a cash grab.  Autographs were $20.00 each.  They were free at the 2005 JawsFEST.  Having done many celebrity events in my lifetime I’ve always tried to include the guests signing fee in their appearance fee.  Maybe limit autographs to (2) per person per guest so as not to take advantage.  I have no problem with the celebrity guests charging for their autographs.  For some of them that is how they make their living and I certainly don’t fault them.  For a brief time they were charging $10.00 for admission to the memorabilia display, even though it was advertised as free.  . One woman told me, “the red bracelet got me nothing but $50.00 lighter…it almost seemed like it cost money to breathe the air!”  One of the main problems I saw was that “JawsFEST: The Tribute” was NOT sponsored by the Martha’s Vineyard Chamber of Commerce as 2005’s event was.  It was put on by a private promotional company and the goal in putting on an event is to make money.

One of the questions I’ve been asked constantly is “where did the money go?”  I really don’t know.  I know that money put in the donation cans is earmarked for the SHARK SAVERS organization and that money will continue to be raised into September.  I’ve sent out a couple of emails but haven’t heard if any of the proceeds from the sale of bracelets, T-shirts, etc was going to anything but to offset the cost of the event.  Perhaps if there is a profit some of that money will go to SHARK SAVERS.

  1.  WHERE WAS AMITY?

Another complaint registered by many of the fans who had attended the 2005 event was that Edgartown looked exactly like…Edgartown!  Unlike the original Fest, the sign on the city hall still read “Edgartown,” there were no welcoming banners (Amity Island Welcomes You) and several of the businesses that still had their “Amity” business signs neglected to hang them.

  1.  THE GUEST LIST

Though a final confirmed guest list was posted on line in early June, several earlier promoted appearances never occurred, including Brenda Scheider (widow of Roy) and Virginia Shaw (widow of Robert) and their children.  As I was working on a charity event in Roy Scheider’s memory and had wanted Brenda’s input I was informed that she would not be attending.  But even though these family members were originally listed as attending nothing was posted to say they wouldn’t be.  In fact, if I hadn’t overheard “The Shark is Still Working” director Erik Hollander speaking with her I never would have known that Mr. Shaw’s sister, Joanna, was in attendance.  She was included on the V.I.P. list but it was virtually unknown to “Jaws” fans that she was indeed there.  One fan had hoped to share a tragic coincidence with Brenda Scheider.  Sadly, her father had not only passed away from the same cancer that took Roy Scheider from us all too early, he had been under the care of the same physician and passed away in the same hospital as Roy had.   Tragic, yes, but a tragedy that had touched both of them similarly and one she’d hoped to share.

  1.  THE TRIBUTE?

What happened to “the Tribute” part of “JawsFEST:  The Tribute?”  Fans were promised a “multi-media tribute to Peter Benchley, Roy Scheider and Robert Shaw.”  Due to my past relationship and association with Roy Scheider I had asked to be a part of whatever tribute was being prepared for him.  My understanding was that “the Tribute” was to be presented prior to the outdoor screening of “Jaws.”  The original screening planned for Saturday evening was moved inside the Old Whaling Church due to the threat of rain that evening.  It was re-scheduled for Sunday evening at the park in Oaks Bluff.    Again, from a fan, “there were two guys playing some weird instruments and a poet laureate from the island read a poem about sharks and Wendy Benchley spoke for two minutes. No “tribute” whatsoever.”  Another asked, “(you mean) they couldn’t find some college kid to ‘intern’ and edit together some sort of tribute montage of people who had passed away?”  And a final comment on the screening pretty much summed up the event in total:  “A large group of obnoxious full grown adult men and women were sitting WITH NO RED BRACELETS AT ALL next to us at the film screening. When they were asked to leave the VIP area by the soccer mom security JawsFest 2012 representative, they basically started yelling at her that (and I quote verbatim) “We ain’t goin’ no place!” So what did the JawsFest 2012 rep do? She GAVE them (for FREE) a handful of red bracelets (that I had to pay $50 each for) and told them to “just flash these if anyone else asks to see your bracelets”.  We literally sat there and witnessed this first hand. If that wasn’t a kick in the balls to those of us who played by the rules and trusted that the event planners had this all under control, I don’t know what was.  If it matters to anyone, the woman who gave away the red bracelets (that we had to pay $100 for) was walking around the film screening wearing the JAWSFEST 2012 banner over her shoulders like it was James Brown’s cape. She was also the person I heard yell to the angry fans who DID pay to sit in that area that “Hey, I told them (the non-payers) to leave. What more do you want? Call the police if you want to.” This was the level of professionalism our hard-earned dollars got us. It was essentially an “Amateur Night at the Apollo” free-for-all and we (the fans who actually paid) were footing the bill.”

Ouch!

On the positive side, many of us who have been “Jaws” friends for years got to spend time with each other.  Old friendships were rekindled and new ones fostered.  Which makes sense because Amity, as you know, means friendship.  I was able to put a face to so many people I had only known via the computer and I began new friendships that I hope will last forever.

So where do we go from here?

2015 will mark the 40th anniversary of the release of “Jaws.”  This gives the powers that be, if they are so inclined, to start planning.  One of my friends on the island stated that the original “JawsFest” had “caught lightning in a bottle.”  And he was right.  Everything fell together perfectly.  Maybe it was because the people in charge weren’t planning on a huge turnout.  My understanding is that they had hoped 500 fans would show up, not the 3,000 plus who came from literally all over the world.  And I mean ALL OVER THE WORLD.  I shared a house with fans who had traveled from New Hampshire, California, Kansas, Great Britain and Australia!  Many of us have held our own “Fests” since the first “JawsFest.”  50 of us spent a week at Camp Amity for the exciting “NOFest” of 2006.”  A Tom (“Smallville”) Welling sighting was one of the highlights of RestFest in 2007.”  Even as I write this many fans are already talking about getting together unofficially next year in Amity.  Should the island undertake another “Official ‘Jaws’” event, I’m hoping the Chamber of Commerce will not only be involved but will invite some fans to help plan some of the events.  And hopefully it will be in June, the month the film originally opened and when the rates are a little more reasonable.  It will give us a chance to not only celebrate our favorite film but to celebrate our friendships.  Which is really what “JawsFEST” should be about.

Film Review “Premium Rush”

Starring: Joseph Gordon-Levitt, Dania Ramirez and Michael Shannon
Directed by: David Koepp
Rated: PG 13
Running time: 1 hr 31 mins
Columbia

Our Score: 2 out 5 stars

There are 1500 bicycle messengers on the street in Manhattan every day. At least that is what we’re told in the opening narration of “Premium Rush.” If you’ve ever been to Manhattan (guilty) you can’t help but marvel at how these two-wheeled delivery boys (and girls) risk serious injury to speed through some of the most congested traffic in the world. Wilee (Gordon-Levitt) is one of those delivery boys. A former BMX/trick rider he zooms through the streets on a bike with one speed and no brakes. When a last minute delivery order comes in,with instructions to get the package to Chinatown before a certain time, Wilee jumps at the chance to get the gig. But when he finds himself being chased and harassed though rush hour traffic, for the envelope he’s carrying, he may decide to quit his day-job!

An almost thrilling 90 minutes, “Premium Rush” begins very slowly to set up the speed in which director Keoepp’s cameras speed recklessly through the streets. As the audience goes along for the ride you’ll marvel at how our two wheeled heroes maneuver around cabs and pedestrians to ensure they’re packages arrive, be it rain, sleet, snow or maniac.

The cast is so-so, with Gordon-Levitt having nothing more to do then ride a bike through traffic and antagonize the police. The first cop (Michael Shannon) was apparently told to do a comical yet serious imitation of Christopher Walken, which is a shame because when necessary Shannon is one hell of an actor. Here he bugs his eyes and whines his dialogue as he tries to recover what he thinks is his. He is truly one person to avoid on the streets, this current film included.

There is also a romance and scenes of what may or may not be human trafficking but unless the action is happening on the back of a Schwinn it pretty much is only hinted at on screen. The story is also very reminiscent of a 1986 film entitled “Quicksilver,” which starred Kevin Bacon and Jami Gertz. “Premium Rush” only comes to life when Gordon-Levitt plays “what if” – imagining the outcome on his person depending on which route he takes before he takes it. Clever, yes, but not enough to rescue this package!

Film Review “Hit and Run”

Starring: Dax Shepard, Kristin Bell and Bradley Cooper
Directed by: Dax Shepard and David Palmer
Rated: R
Running time: 1 hr 40 mins
Open Road Films

Our Score: 3.5 out of 5 stars

Charlie Bronson (Shepard) and his girlfriend, Annie, (Bell) lie in bed, making the kind of promises only people in love make. A loud car outside alerts them that they have company. The driver is Randy (Tom Arnold). A U.S. Marshal, Randy can best be described as “clutzy.” One more spilled coffee or accidental discharge of his weapon and he’s going to lose his gig guarding people in the Witness Protection Program. What? You didn’t think Charlie Bronson was his real name, did you?

A collection of car chases and occasionally hilarious one-liners, “Hit and Run” is a promising sophomore project for star Shepard, who not only stars and co-directs but also wrote the script. As a former member of a bank robbery gang who turned state’s evidence for love, Shepard is an appealing lead. He gives a solid performance, as does Bell. Cooper, who apparently had his hair done at the same salon as the Simpson’s Sideshow Bob, has fun in a role much smaller than advertised. Think of him as Eddie Murphy in “Best Defense” – a strategic guest star. The always underappreciated Tom Arnold steals most of his scenes. Why he’s never had a bigger career has always amazed me. The man is funny. As are the various cameo performers, including Kristin Chenowith, David Koechner, Justin Bateman, Sean Hayes and Beau Bridges.

Shepard’s script runs the gambit from maudlin to outrageous. Some of the dialogue is pretty forgettable but a few comments hit dead center on the funny bone. The direction is fine though I did get tired of seeing cars doing donuts in parking lots over and over and over again. Kudos to whoever put the soundtrack together. A great assortment of Lou Rawls, Kool and the Gang, the Dazz Band and, if my ears didn’t betray me, a quick snippet of instrumental music from “Rocky.”

“Top Gun” director Tony Scott dead at 68

Tony Scott who, along with his brother, Ridley, was one of the most successful directors of the past three decades, died yesterday after jumping off a bridge to his death in California. He was 68.

One of three sons born into a military family in Britain, Scott showed an interest in art and painting and pursued that career in college, earning a Masters of Fine Art from the Royal College of Art. After failing to make a successful living painting for a couple of years, he teamed with his brother, Ridley, to form the Ridley Scott Association, where he began directing commercials.

His 1983 feature film debut was “The Hunger,” a vampire romance starring David Bowie, Susan Sarandon and Catherine Deneuve. He followed that film with 1986’s “Top Gun,” which launched Tom Cruise to super-stardom. The next year he directed Eddie Murphy in the hugely successful sequel “Beverly Hills Cop II.”

Other early successes include “True Romance,” “The Last Boyscout” and “Days of Thunder.” He then began a long association with Denzel Washington by directing the actor in “Crimson Tide.” He guided Will Smith, Jon Voight and Marty Kircher through the political thriller “Enemy of the State.” His last four features, “Man on Fire,” “Deja Vu,” “The Taking of Pelham 1,2,3” and “Unstoppable” all co-starred Washington.

 

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Blu-ray Review “Jaws”

Directed by: Steven Spielberg
Starring: Roy Scheider, Robert Shaw and Richard Dreyfuss
MPAA Rating: PG
Distributed by: Universal Home Video
Release date: August 14, 2012
Running time: 2 hour 4 mins

Film: 5 out of 5 stars
Extras: 4.5 out of 5 stars

As someone that considers “Jaws” his favorite film of all time it would be easy for me to review it like this:

“The greatest film ever made!”

The End

But that would not do justice to why I have loved this movie since the first time I saw it on September 21, 1975.

During a night time beach party a young woman and her beau run off towards the surf. Her intention is to go skinny dipping but his over indulgence leaves him passed out at the water’s edge. While swimming she is suddenly attacked by something and pulled, screaming beneath the waves. Thus begins one of the best stories ever to be brought to the screen. Featuring a trio of heroes, “Jaws” allows the audience to identify with each of them as the film progresses. There is police chief Martin Brody, newly arrived to the town of Amity via the streets of New York City. Oceanographer Matt Hooper, a wealthy wise ass with a love for sharks. And Quint (just Quint), the crusty fisherman whose chosen profession came about in part by a horrible tragedy in his past. Due to the often repeated story that “the shark was not working, director Spielberg had to improvise on the set, shooting the film without the shark visible. This decision makes the tension genuine as the audience is lulled into believing every time it hears the ominous notes of John William’s Oscar winning score that the shark is going to appear. However, after a few false alarms, you’re never sure when or where the shark is or will be. The cast delivers award winning performances, most notably Shaw. His lone soliloquy in describing the harrowing tale of the sinking of his ship during World War II is an acting tour de force. Spielberg’s direction is flawless. By placing his camera at the waterline the audience gets to imagine what it would be like to be in an unfamiliar situation. The film earned four Academy Award nominations, including Best Picture, and won three Oscars (Best Musical Score, Best Film Editing and Best Achievement in Sound).

On the technical side, the transfer of “Jaws” is outstanding. I own a 16mm copy of the film and it isn’t as clean and bright as the picture here. Scenes that may have appeared overcast or murky are now vivid and bright. The audio transfer is equally well done. “Jaws” won an Oscar for its soundtrack and all of the original elements are heightened here. When you look at the 1080p transfer for the film, it is completely amazing.  Universal’s complete restoration is one of the best Blu-ray transfers that I have ever seen.  The DTS-HD 7.1 surround track is absolutely pristine.  It includes sounds incredible and include complete clarity and the film sounds better than it ever has.  Besides the Blu-ray disc, this film also includes a DVD copy of the film and a Ultraviolet streaming digital copy.

When it comes to the special features the spotlight of them is the documentary “The Shark Is Still Working”. With an original running time of over three hours, “The Shark is Still Working” is a labor of love created by a quartet of “Jaws” fans. It includes interviews with cast and crew, including the last interviews with the book’s author, Peter Benchley, and co-star Roy Scheider, who also narrates. Edited down to a smooth 100 minutes, the film is a worthy companion to the brilliant Laurent Bouzereau documentary that appeared on the “Jaws” laser disc boxed set. An added plus: both of Media Mikes “Mikes”appear in it, making this disc well worth purchasing. Other new features include The Restoration of “Jaws”, which is a short piece on the restoration of the film. For more on this process, see our interview with the man who directed the restoration, Peter Schade, here. ”The Making of ‘Jaws’” is a very condensed portion of the Bouzereau film. The original documentary ran a minute longer then “Jaws” and it’s a shame Universal didn’t include it here in its entirety. Outtakes including different footage from the estuary attack is included. There is a collection of various deleted scenes, none featuring the shark, most of which were included during the first television showing on ABC in November 1979. There are only a couple of outtakes included, the most recognizable one being where Scheider’s pistol constantly refuses to fire. Other outtakes are included in the various other extras.  “From the Set” is a a short but enjoyable visit to the set on the second day of filming. Includes an on-set interview with Steven Spielberg and the original discovery of Ben Gardner’s boat scene, scrapped when Carl Gottlieb, whose character was along for the ride, accidentally fell overboard. “Jaws” Archives is a collection of storyboards and production photos, as well as marketing items and bits on the phenomenon of the film. Lastly there is the theatrical trailer included for the film. There are other trailers, including a great teaser, featured in the full version of the Bouzereau documentary. Overall a great collection of extras but they lose ½ a star for not featuring the entire “Making of ‘Jaws’” doc.

Noah Wyle reflects on Season Two of TNT’s “Falling Skies”

Noah Wyle is currently playing the role of Tom Mason on TNT’s “Falling Skies”. The series is wrapping up its second season this month, but don’t worry since it has been already renewed for a third season set for Summer 2013. Media Mikes had a chance to chat with Noah again to have his reflect on season two of the show.

Michael Smith: You now have a year under your belt with this character, are you still learning more about the character and finding different ways to perfect him?
Noah Wyle: Yes I sort of feel like I am just getting started you know they aren’t going start with this guy really will extent over three or four years in this slow deconstruction of his intellectual aspects. And his becoming a little bit harder and they’re way having a big of transference with the Weaver character who starts off very militaristic where Tom’s a bit more of a humanist. And then gradually Weaver becomes a lot more vulnerable and a lot more human and Tom gets a lot more practical and a lot harder edged. We sort of continue in that vein hopefully arriving at some sort of synthesis between the two of them as the most effective way of leading this group which isn’t not traditionally military dogmatic style and not exactly touchy feely human but something in between.

MS: Is it a challenge for your trying to act or interact with skitters or any other computer generated elements in the show that aren’t there with you on the set?
NW: I hadn’t done a lot of that kind of work up until this show but it’s a muscle that the more you exercise the better at it you get. And it’s kind of 50 50 between the screen and practical we do a lot of work hack into tennis balls on the end of sticks. But then we also have a really talented puppeteer and a really great skitter suit, for the close up personal interactions with the aliens. I would say the most difficult part is when you’ve got four or five actors in the same frame all having to react to the same thing that’s not there, trying to find a line of continuity and performance can be tricky.

MS: What continues to be the most challenging aspect to you for the series for your character?
NW: It’s kind of an aggregate thing. It’s a tough show to do most of it, it takes place at night, so you go to work around 12 in the afternoon and you work till 5 in the morning. And because we wanted this year to be less focused on any single location have the group be a lot more mobile, it made for some long wet nights as were shooting in mostly practical locations and exteriors.

MS: How did the second season differ for you, compared to the first?
NW: No there were some significant differences, you know we moved the production from Toronto, Canada to Vancouver, so we had allnew crew for the most part, we only had two or three people on staff that were there in season one. We had almost a brand new writing staff certainly a new show runner, so it wasn’t like we were building on internal momentum, we sort of had to start and get to know each other all over again which gave it a different era, just sort of ambiently. And then storytelling wise I thought we really stepped up the notch you know not having to dedicate so much of our screen time to exposition, establishing the world, establishing the characters. Allowed us a little bit more freedom to be creative in flushing out these character arcs and exploring the mythology of the aliens and why they’re here and who they are and how we’d radically misunderstood the situation in season one.

Film Review “Ai Weiwei: Never Sorry”

Starring: Ai Weiwei
Directed by: Alison Klayman
Rated: R
Running time: 1 hr 31 mins
IFC Films

Our Score: 5 out of 5 stars

If you spent any time watching the 2008 Summer Olympics you most probably saw the amazing art work of Chinese artist Ai Weiwei (pronounced “Eye Way-way”), most notably the “Birdsnest” stadium. But it is not only for his art that Weiwei is known. He has been very vocal about his political leanings and his troubles with the Chinese government are well known. And though this film purports to be about the man and his craft, it’s much more than that.

Ai Weiwei is a man whose vision is often achieved with the help of others. “I’m his hands,” explains one sculptor, working on a piece for an upcoming exhibit. As we get to know Weiwei we also get to know those around him, from his friends to his mother to his young son. He is very charismatic and it’s easy to see why those close to him love him.

But even those he is closest to can’t often protect him. After reporting an assault a year ago with no assist from authorities in solving the case, he marches to the local police station, followed by a camera crew, to find out why. Eventually he angers those in charge enough that he is detained for 81 days, only allowed to visit with his mother for one twenty-minute period during that time. When he is released he seems contrite, but soon he returns to his “in your face” ways and attitudes. When his fellow countryman Liu Xiaobo is awarded the 2010 Nobel Peace Prize, an award that was mostly kept from the Chinese people because of Liu’s beliefs, Weiwei is shown celebrating the award, going as far as to mention the prize on Twitter. He shares a favorite saying of Weiwei’s that permeates his character: “Never retreat – – -Re-Tweet!” This allows the outside world to learn of crucial things happening in the country, 140 characters at a time.

A powerful film that teaches us as much about ourselves as it does it’s subject, “Ai Weiwei: Never Sorry,” is a sure bet to be nominated for an Oscar come January 2013.