THE TREATMENT to Release Covers EP as iTunes Premium on July 17th

To celebrate their debut album release, This Might Hurt, in the United States on July 17thTHE TREATMENT will make an exclusive iTunes bundle available – a five song covers EP originally released exclusively in the UK as a 300 copy limited edition.

The covers EP features THE TREATMENT’s interpretations of:

‘Run Run Run’ – Jo Jo Gunne

‘Evil Woman’ – ELO

‘Motor Biking’ – Chris Spedding

‘Lets Work Together’ – Canned Heat

‘Take Me Back Home’ – Slade

The covers EP was produced by Laurie Mansworth, who also produced This Might Hurt.  Three days after the release of This Might Hurt, the band will commence their 43 date opening slot on the Kiss/ Motley Crue tour on July 20th in Bristow, VA.  See all current dates below.

Kiss and Motley Crue tour dates:

Friday, July 20, 2012 Bristow, VA @ Jiffy Lube Live

Saturday, July 21, 2012 Virginia Beach, VA @ Farm Bureau Live

Sunday, July 22, 2012  Raleigh, NC @ Time Warner Cable Pavilion at Walnut Creek

Tuesday, July 24, 2012 @ Atlanta, GA @ Aaron’s Amphitheatre at Lakewood

Wednesday, July 25, 2012 Charlotte, NC @ Verizon Wireless Amphitheatre

Friday, July 27, 2012 West Palm Beach, FL @ Cruzan Amphitheatre

Saturday, July 28, 2012 Tampa, FL @ 1-800-ASK-GARY Amphitheater

Tuesday, July 31, 2012 Pelham, AL @ Oak Mountain Amphitheatre

Wednesday, August 1, 2012 Louisville, KY @ KFC Yum! Center

Friday, August 3, 2012 The Woodlands, TX @ Cynthia Woods Mitchell Pavilion

Saturday, August 4, 2012 Dallas, TX @ Gexa Energy Pavilion

Sunday, August 5, 2012 San Antonio, TX @ AT&T Center

Tuesday, August 7, 2012 Albuquerque, NM @ Hard Rock Pavilion

Wednesday, August 8, 2012 Englewood, CO @ Comfort Dental Amphitheatre

Friday, August 10, 2012 Phoenix, AZ @ Ashley Furniture Home Store Amphitheatre

Saturday, August 11, 2012 Las Vegas, NV @ Mandalay Bay Events Center

Sunday, August 12, 2012 Chula Vista, CA @ Cricket Wireless Amphitheatre

Tuesday, August 14, 2012 Irvine, CA @ Verizon Wireless Amphitheater

Wednesday, August 15, 2012 Mountain View, CA @ Shoreline Amphitheater

Thursday, August 16, 2012 Concord, CA @ Sleep Train Pavilion

Saturday, August 18, 2012 Auburn, WA @ White River Amphitheatre

Sunday, August 19, 2012 Ridgefield, WA @ Sleep Country Amphitheater

Friday, August 24, 2012 Grand Junction, CO @ Rock Jam

Sunday, August 26, 2012 Tulsa, OK @ BOK Center

Monday, August 27, 2012 Maryland Heights, MO @ Verizon Wireless Amphitheater

Wednesday, August 29, 2012 St Paul, MN @ Minnesota State Fair

Friday, August 31, 2012 Cincinnati, OH @ Riverbend Music Center

Saturday, September 1, 2012 Noblesville, IN @ Klipsch Music Center

Sunday, September 2, 2012 Burgettstown, PA @ First Niagara Pavilion

Tuesday, September 4, 2012 Nashville, TN @ Bridgestone Arena

Wednesday, September 5, 2012 Clarkston, MI @ DTE Energy Music Theatre

Friday, September 7, 2012 Tinley Park, IL @ First Midwest Bank Amphitheatre

Saturday, September 8, 2012 Elkhorn (East Troy), WI @ Alpine Valley Music Theatre

Tuesday, September 11, 2012 Allegan,MI @ Allegan County Fair

Wednesday, September 12, 2012 Cuyahoga Falls, OH @ Blossom Music Center

Thursday, September 13, 2012 Toronto, ON @ Molson Canadian Amphitheatre

Saturday, September 15, 2012 Darien Center, NY @ Darien Lake Performing Arts Center

Sunday, September 16, 2012 Mansfield,MA @ Comcast Center

Tuesday, September 18, 2012 Scranton, PA @ Toyota Pavilion at Montage Mountain

Wednesday, September 19, 2012 Camden, NJ @ Susquehanna Bank Center

Friday, September 21, 2012 Holmdel, NJ @ PNC Bank Arts Center

Saturday, September 22, 2012 Wantagh, NY @ Nikon at Jones Beach Theater

Sunday, September 23, 2012 Hartford, CT @ Comcast Theatre

 

For more information on THE TREATMENT, please visit these websites:

www.facebook.com/TheTreatmentOfficial

www.youtube.com/user/TheTreatmentVEVO

www.twitter.com/TheTreatmentUK

www.reverbnation.com/thetreatmentofficial

 

Eve to Adam Extend US Tour Dates with Creed

Eve to Adam has just announced that they will be extending their 2012 tour supporting hard rock legends Creed. The nationwide tour kicked off early this Spring, and will continue through September with additional stops in Nashville, San Antonio, Atlantic City, and more. The full schedule, including Eve to Adam headlining shows, is below.

The New York City band’s latest single, a cover of Alice Cooper’s “School’s Out,” is currently climbing the charts and is even played by Cooper himself on his syndicated radio show. The track is available now on iTunes and streaming in full via Soundcloud. In addition, Eve to Adam’s “Reach” (from their debut album, Banquet for a Starving Dog) is still a top 20 track on the Mainstream Rock charts.

For more on the band, visit their evetoadam.com as well as their Facebook and Twitter.

Tour dates:
7/27 Cherokee, NC – Harrah’s Cherokee Event Center w/ Creed
7/28 Vienna, WV – Fishbone Gill and Grill
7/29 Nashville, TN – Ryman Auditorium w/ Creed
7/30 Little Rock, AR – Juanitas
8/2 Redding, CA – Redding Civic Auditorium w/ Creed
8/3 Lincoln, CA – Thunder Valley Casino w/ Creed
8/8 El Paso, TX – Speaking Rock Entertainment Center w/ Creed
8/10 Pharr, TX – Pharr Entertainment Center w/ Creed
8/11 San Antonio, TX – Sunken Gardens Theater w/ Creed
8/12 Corpus Christi, TX – Concrete Street Amphitheater w/ Creed
8/14 Amarillo, TX – Aztec Music Hall w/ Creed
8/17 Madison, WI – High Noon
8/18 Fargo, ND – Concert Hall at The Venue w/ Creed
8/21 Toledo, OH – Mickey Finns
8/22 Detroit, MI – The Detroit Pub
8/25 Hartford, CT – Up on the Rock
8/27 Bethlehem, PA – Sands Bethlehem Event Center w/ Creed
8/28 Glen Allen, VA – Innsbrook Pavilion w/ Creed
8/30 Melbourne, FL – King Center for the Performing Arts w/ Creed
8/31 Pensacola, FL – Saenger Theatre w/ Creed
9/1 Biloxi, MS – Hard Rock Hotel & Casino w/ Creed
9/5 Durham, NC – Durham Performing Arts Center w/ Creed
9/7 Atlantic City, NJ – House of Blues w/ Creed
9/8 Montclair, NJ – TheWellmont Theatre w/ Creed

“School’s Out on iTunes:http://bit.ly/LlMwcr“School’s Out” on SoundCloud: http://soundcloud.com/evetoadam/schools-out-alice-cooper-cover

Banquet for a Starving Dog on iTunes: http://bit.ly/zzJ4vw

Assets: http://music.totalassault.com/artists/573/Eve_To_Adam/

Official Sites:
www.evetoadam.com
facebook.com/evetoadam
twitter.com/#!/EVETOADAMMUSIC

Jessica Lowndes talks about “The Devil’s Carnival” and “90210”

Jessica Lowndes is known for her role of Adriana on The WB’s “90210”. She also appear in Darren Lynn Bousman’s “The Devil’s Carnival”. Media Mikes had a chance to chat with Jessica and talk about working on “90210” and also her role in the film “The Devil’s Carnival”.

Mike Gencarelli: Can you give us some background on how you got involved with working on “The Devil’s Carnival”
Jessica Lowndes: Darren is a friend of my manager. I actually met him the day I chopped off all of my hair for “90210”. I was obviously a huge fan of his other work already. When I got the script I connected with it right away. I play Tamara who is a girl that wakes up in hell. Everyone there is doomed to relive their faults. I put faith in people too easily and that’s what I have to relive.

MG: Can you tell us about the song you perform in the film?
JL: That song is sort of a sailor song. It kind of reminds me of “Pirates of the Caribbean”. There is something very eerie about it and it gets stuck in your head. Basically my character becomes hypnotized and I start falling for the devil. It’s pretty intense.

MG: What was experience of shooting on such a tight schedule?
JL: It was definitely a lot. I was still shooting season 4 of “90210”. I was doing 12/14 hr. days on “90210” andthen driving to Riverside for night shoots on “Devil’s Carnival”. It was a lot. I did 3 nights and everything was crammedinto those nights. It was freezing cold but everyone there had such a passion for the project. The energy was contagious. We shot at the coolest carnival ever. It was just unreal. Some of the pieces there were so awesome that I wanted them in my home. Everything from the costumes to the prosthetics were great. There was an “Alice in Wonderland” type vibe.

MG: What do you enjoy most about changing into the horror genre?
JL: I like switching it up. “90210” takes up 9 months of my year. This film was something that worked with my schedule. I got to sing and be in front of a whole different demographic. Darren’s fan base is completely different from the people who watch “90210”. I really connected with the role. I think the finished project came out awesome.

MG: Can you reflect on the closing episodes of “90210” this season?
JL: It’s been great! I just finished shooting about two months ago. Adrianna is trying to pursue her music career while trying to keep her relationship with Dixon alive. This gets hard because they are doing music together and Dixon has started going behind her back and doing music without her. She is going to find out about that and its going to be kind of dramatic.

MG: What did you enjoy most about recording your EP and do you have a full length album in the works?
JL: I definitely have a full length album in the works. I have written tons of music. In the past year or two I have worked with a bunch of different producers. I haven’t signed a deal yet so I have been funding everything independently. It’s been great as I wanted to get a good sense of my sound. I can’t wait to show people more. Also I had a new song called “The Other Girl” released timed with the finale of “90210″.

DVD Review “Midnight Son”

Directed by: Scott Leberecht
Starring: Zak Kilberg, Maya Parish, Tracey Walter, Arlen Escarpeta, Kevin McCorkle
MPAA Rating: Unrated
Distributed by: Image Entertainment
Release Date: July 17, 2012
Running Time: 92 minutes

Film: 3.5 out of 5 stars
Extras: 3 out of 5 stars

When it comes to vampires in movies, there is no shortage at all. Hollywood has been mass-market producing films with vampires since the “Twilight” craze. This horror film takes a different approach the genre and is quite unique. I really enjoyed the film the moment it started all the way to the end. It had a great build up in the story and presented the idea of a vampire in a really unique way. The film was also not stingy on the gore, which I enjoyed. Kudos to Scott Leberecht on giving the vampire genre some points back finally.

“Midnight Son” follows the the story of Jacob, a young man with a rare skin disorder that prevents him from being exposed to sunlight. When he meets Mary and falls in love, things change for him. Jacob’s actions become increasingly bizarre as he struggles to cope with the effects of his worsening condition. Forced by the disease to drink human blood, he must control his violent actions as local law enforcement aim their sights on him as a suspect in a series of grisly murders.

The special features are decent for this vampire film. There is a commentary track from Scott Leberecht, Zak Kilberg, Maya Parish and Jo D. Jonz. Therer is also interviews with the cast and crew, short but sweet. There are a few deleted scenes as well, as a trailer included. Overall horror fans should give this flick a look, it almost reminded me of “Near Dark” a bit.

 

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Blu-ray Review “The Faculty”

Directed by: Robert Rodriguez
Starring: Jordana Brewster, Clea Duvall, Laura Harris, Josh Hartnett, Shawn Hatosy
MPAA Rating: R
Distributed by: Echo Bridge Entertainment
Release Date: July 31, 2012
Running Time: 105 minutes

Blu-ray Score: 3.5 out of 5 stars
Extras Score: N/A

“The Faculty” is one of Robert Rodriguez’s unrecognized successes. I remember seeing this film on Christmas Day in 1998 and dragging along my non-horror fan father, who ended up enjoying the film as well. I mean aliens invading your school…who doesn’t think that is mega cool. While the film has its cliches, it is well shot, features a young hot cast and great special effects.

The film takes place at Herrington High, where the kids start realizing that When very creepy things start happening. The student soon find out their biggest fear that their teachers are in fact from another planet. Though as the mind-controlling aliens start spreading from the faculty to the students’ bodies, it’s up to the few select students, a group of loners, leaders, nerds and jocks to save the world from this pending alien invasion.

This Blu-ray release is actually quite impressive. The video resolution looks great with its 1080p transfer. The aspect ratio is slightly altered within its 1.78:1 but looks good. The audio is also very sharp with its DTS-HD Master Audio 5.1 track. There is also a 5.1 DTS track and a 2.0 Stereo track as well. Very impressive sound options here! Echo Bridge really delivered the good with the presentation for this release. Though the downfall is that there are no special features included.

 

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Blu-ray Review “On The Inside”

Directed by: D.W. Brown
Starring: Nick Stahl, Olivia Wilde, Dash Mihok, Pruitt Taylor Vince, Daniel Franzese
MPAA Rating: R
Distributed by: Anchor Bay
Release Date: July 24, 2012
Runing Time: 90 minutes

Film: 3 out of 5 stars
Extras: 1.5 out of 5 stars

I am a sucker for a decent cast. When I saw that “On The Inside” stars Nick Stahl and Olivia Wilde, I thought I would give it a shot. It was a decent surprise overall. It was pretty intense drama, that deals with a lot of trauma. The acting is impressive especially Nick Stahl…where are you? I am huge fan of Olivia Wilde but high notes also need to go to Pruitt Taylor Vince for his role. The film looks a bit of steam towards the end but overall entertains within its tight 90 minutes.

Allen Meneric, college professor (Nick Stahl) is sentenced to a psychiatric hospital after brutal murder a man who he thought raped his girlfriend. While in the hospital he gets chosen for a socialization program, during that he meets fellow inmate (Olivia Wilde). When a fellow inmate and unpredictable psychopath (Dash Mihok) stages a break out, Allen seeks redemption and choses to protect Mia from the violence that is breaking out in the institution.

The film is gritty but the Blu-ray presentation is decent. The 1080p transfer works well with its 1.78:1 ratio. The audio is also impressive with its Dolby TrueHD 5.1 track. The release comes in a two-Disc Blu-ray/DVD Combo, which is also a plus. Unfortunately, the only special feature is an audio commentary track with writer/director D.W. Brown and stars Joanne Baron and Daniel Franzese. Overall, nothing too impressive to listen to either.

Briana Evigan talks about “The Devil’s Carnival” and “Stash House”

Briana Evigan is known best for her role in “Step Up 2: The Streets”.  She has also worked with Darren Lynn Bousman on recent films, “Mother’s Day” and “The Devil’s Carnival”.  Media Mikes had a chance to chat with Briana about working with Darren and also her new film “Stash House”.

Mike Gencarelli: How did you get involved with working with Darren Lynn Bousman?
Briana Evigan: I think for “Devil’s Carnival” he had already had someone else hired. I don’t know if there were some complications that came up or whatever but he called me last minute and luckily everything worked. This has been probably one of my most favorite jobs so far. I hadn’t read the script or heard any of the songs so I just figured it out as we went along.

MG: How did you first meet Darren?
BE: He had given me an offer for a show titled “Fear Itself”. We met doing that in Edmonton and a couple years passed and a role in “Mothers Day” came up so he gave me that and then “Devil’s Carnival” popped up. We have a great relationship and I think we enjoy working with each other. It’s kind of easy and fun.

MG: Can you tell us about the Ms. Merrywood role?
BE: I am a klepto and I have a problem with stealing. I am a jewel thief that wakes up in hell. I guess it is explained as a sort of shoot out that happens but you don’t see that in the movie. I wake in hell and have to deal with the consequences. I have seen the film once and I thought it was a little bit confusing but I can’t wait to see it again. It’s a journey of everyone trying to get out of hell and into heaven.

MG: Can you tell us about the song you perform in the film?
BE: I have always been a musician. To keep that going I have tried to have songs onsoundtracks and make a little extra cash which is fun. This was really cool because I got to perform a song in the actual movie. Yes you are lip syncing but you still are doing it live. I love the song and I am very lucky.

MG: Can you tell us about your work on “Mother’s Day”?
BE: “Mother’s Day” was very different. To be honest I don’t know if I would want to do another film like that. It was a very dark psychological film. Excuse my language but it was a little too fucked up for me. I really enjoyed it and I actually met my boyfriend on that job. When I watched it back was when I thought that I would try and stay away from movies like this one. It’s a very well done film.

MG: Were you aware of the earlier version of the film?
BE: I was but I hadn’t watched it. I was always told not to watch the originals when working on a remake. It was the same with “Sorority Row”. You can unintentionally start copying people.

MG: Can you tell us about your upcoming film “Stash House”?
BE: I am really excited for this film. Sean Farris and I play a married couple that may have gotten married a little bit too early. Sean’s character ends up buying me a house. What he didn’t know was the house is full of heroin which Dolph Lundgren is clearly in charge of. It was great and super cool to work with Dolph.

MG: Can you tell us a little bit about the training you had to do for your role in “Step Up”?
BE: There was a lot of work that went into that. I originally started off as a dancer/musician so I had a backgroundin that. They threw me in with 20 of the best dancers in the world and it looked like I never danced before. I had a month of training. It was really more of learning the routines. The idea was to have everything down so that when it came time to shoot things would be less stressful. There were a lot of hours put in during that month. I remember having to put ice in my bath tub after some of those trainings. It was one of the best experiences in my life.

MG: Do you have any other projects you wanted to talk about?
BE: I have a really awesome project in the works but unfortunately I can’t talk about it just yet as everything isn’t closed up. I am also waiting on a few other things that I really want. Everything looks like it’s going to work out time wise so I will be really excited if everything works out.

 

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Kyra Sedgwick talks about final season of TNT’s “The Closer”

Kyra Sedgwick is known best for her role of Brenda Johnson on TNT’s “The Closer”. The show returns for its final season on Monday, July 9 at 9:00pm on TNT. Kyra took out sometime to chat about the show and reflect on her role and the end of the show.

Mike Gencarelli: Why did you decide it was time put a close to “The Closer” (excuse the pun), Was there an epiphany made you have the decision?
Kyra Sedgwick: No, there really wasn’t an epiphany. I think we were in the middle of shooting, gosh it must have been Season 6 actually, when I started to contemplate the idea of what a Season 8 would look like. It was something that I struggled with for many, many months; almost a year really to make the decision. It felt like time, mostly for me as an artist, time for me to do something else. The idea of doing a Season 8, I think felt daunting to me and overwhelming, and sort of just didn’t feel right. I think as an actor you really kind of just have to follow your instincts. It was a hard decision because you’re putting so many other people out of work and there was just a lot of factors that go into making that kind of decision. But, I feel like it’s wonderful that we get to go out on top, we had enough time to close this out in the right way.

MG: When The Closer was first on six years ago it was paled as sort of a groundbreaking show and Brenda was really kind of a revolutionary female character. What do you guys think will be the legacy of this show after it’s over? How will people remember it?
KS: I mean I see her as a significant and sentinel character in the lexicon of female characters ever played for a long period of time, whether it’s a movie series or a television series. I think we broke a lot of ground and I think that we were able to consistently weave exciting story lines with deep and resonating character arcs. I think that that’s something that’s very hard to do, especially in a procedural. And I think that we accomplished that.

MG: What can we expect from the final six episodes? Will there be humor interlaced? Or a pretty dramatic ending?
KS: I would say it’s a dramatic ending. There’s also really fun romp in the second episode of the final six. And yes, there’s always an element of humor. I don’t think we could do our job as well as we do if we didn’t have an element of humor. There’s always humor within, with any kind of law cops always have humor, but there’s also just the interpersonal, recognizable things about each other that when you’re with a family or a cast a long time. There’s a lot of interpersonal winks and people are still who they are, even in the midst of the most dramatic circumstances. So, there are still a lot of laughs and a lot of good character fun stuff.

MG: As you look back on the series, do you have a favorite episode or a favorite story arc that will stand out in your memory?
KS: That’s always so tough for me. I feel like we have so many years to choose from it’s hard to pull out some favorites. I’m always most intrigued and feel most satisfied by the character arcs. And by those I mean some of the character arcs with Fritz and Brenda. I loved the whole – their courtship, and then when he finally asks her to marry him in that doctor’s office, you know in between tears of realizing that’s she’s suffering from perimenopausal symptoms that have to be operated on. He asked her to marry her in the most inopportune moment, but it’s beautiful and funny and wonderful. I loved the whole cat arc, the getting the cat and her not wanting the cat, and then the cat becoming, you know an intrinsic part of her life, and then the eventual demise of the cat. I loved the parents. I loved the fact that, no matter what age you are when your parents come to visit you’re suddenly that 12-year old kid again who hasn’t learned anything; hasn’t changed at all. And I so appreciated being able to see that side of Brenda. I loved the personal moments with some of her squad when Detective Sanchez’s brother died and she had to be there for him in a very special and different way. Moments when she had to have Gabriel turn in his badge and his gun and – after he beats up the pedophile. I thought that was, you know very difficult for her and he is her favorite. And I loved that personal moment, so those were among my favorites.

Oscar winner Ernest Borgnine dies at age 95

When we started this web site Mike G. and I both had a “wish list” of celebrities we’d like to interview. One of the ones on mine was Ernest Borgnine. Over the years we played cat and mouse, trying to nail down a time when he wasn’t working. I actually came within 20 minutes of speaking with him when he was recalled back to the set of the film he was working on for re-shoots. I can remember receiving an email from his manager a few months ago telling me that, because of my patience and perseverance, he would try to put Ernie and I in touch with each other. Sadly, that conversation will never take place. Mr. Borgnine passed away today from renal failure. He was 95.

Born Ermes Effron Borgnine on January 24, 1917, the son of Charles and Anna, whose families had emigrated to the United States from Italy. Unsure about what career to pursue after graduating high school Borgnine joined the U.S. Navy, where he served for a decade, receiving his discharge in 1945. It was his mother who suggested, because of his personality, that he use his G.I. benefits and study acting. He spent four years working in a local Abingdon, Virginia theatre troupe before making his Broadway debut in 1949 in the show, “Harvey,” which closed shortly after he joined (the show had run for almost five years). He continued to work in NYC until he headed to California, where he made his film debut as the Chinese (!) runner of a gambling club in “China Corsair.”

He continued to work in film and episodic television for the next couple of years. In 1953 he won the role that would establish him as one of the screens most hated characters, Sgt. “Fatso” Judson, in the Oscar winning “From Here to Eternity.” He excelled at playing screen heavies but, in 1955, was cast against type as quiet, lovelorn butcher Marty Piletti in “Marty.” To many Borgnine showed a range they hadn’t imagined. He truly won over his peers because he would go on to win the Academy Award as Best Actor for his performance. He would work steadily for the next six years in film and T.V. until he joined fellow Oscar winners Donna Reed (“The Donna Reed Show”) and Shirley Booth (“Hazel”) in the growing and popular world of television, forgoing his film career to star as Captain Quentin McHale in the naval comedy “McHale’s Navy.”

When the show ended it’s run he returned to the big screen in two major films, 1967’s “The Dirty Dozen” and, two years later, “The Wild Bunch.” In 1972 he was part of an all-star cast featured in the disaster-epic “The Poseidon Adventure.” As policeman Mike Rogo, on honeymoon with his former call girl wife, he gives a virtuoso performance steeped in both macho toughness and devastating heartbreak. SPOILER ALERT: When his wife is killed he breaks down and curses Gene Hackman’s preacher and, through him, God, telling Him, “You took from me the only thing I ever loved in the whole world, my Linda!”

He continued to work steadily for the next four decades, appearing in such television productions as “All Quiet on the Western Front,” “Jesus of Nazareth” and “Hoover,” as well as supporting roles in such shows as “Air Wolf” and “The Single Guy,” as well as such notable films like “Escape From New York,” “The Black Hole,” “Baseketball” and last years spy-drama “RED.” Younger generations will always remember him as the voice of Mermaidman on the animated “Spongebob SquarePants.” I will always remember him as an actor who always amazed and who did what he loved until the day he died. I wish fate would have put us together, even on the telephone. It would have been one of those moments I’d always remember.

Eric McCormack talks about new series TNT’s “Perception”

Eric McCormack is known best for his role on “Will & Grace”. He is starring a new show on TNT called “Perception”, which premiers Monday, July 9 at 10 o’clock pm Eastern on TNT. Media Mikes had a chance to chat with Eric on his new show and what we can expect.

Mike Gencarelli: What drew you to the part? Was it immediately you read the script and went I got to do it or how did it all happen for you?
Eric McCormack: Yes, I was a bit of that on first page where I’m lecturing was a big one for me because I was a big Paper Chase fan from the 70s with John Housman. And the idea of playing not just a neuroscientist not just somebody brilliant, but the fact that he is a teacher, that he has that thing that audience in the palm of his hand and that he’s funny and passionate and finds an interesting way to approach what could be a very dry topic. He finds a very humorous approach and I just love this guy. Then to find out outside of the classroom he is often crippled by symptoms of schizophrenia, I thought that’s a wild combination of the arrogant what becomes with an intellectual and the absolutely let us say crippling conditions that the disease contributes.

MG: What kind of research did you do?
EMC: I did as much as I could. I think it’s crucial that we represent all aspects of this, the neuroscience and also the academia but most importantly the schizophrenia, not to mention the FBI reality which is somebody else job, but with incredible accuracy. We started with Dr. Michael Green at UCLA who is a neuroscience professor with schizophrenia as his expertise. And then I sat down with Elyn Saks, a fascinating woman who wrote a book called The Center Cannot Hold. She is a law professor at USC but she wrote a book about her own schizophrenia, which she completely blew her mind out in the 70s. She was like writing brilliant papers one day and in the hospital strapped down to a bed the next and has such tremendous memory of it that she was able to describe it and some of the passages in her book about what it feels like to break psychotically were absolutely crucial to what I do in the show.

What aspects of your personality or idiosyncrasies did you bring to the role of Daniel?
EMC: What I love about him like I say is that combination of so much confidence and so much crippling fear. And I think if there is anything that I can understand as an actor is, I think it’s that. It’s that idea that sometimes the only way we see is by walking into a room and believing that no one can do that better than us. And yet it’s really just a mask we put on disguising the fact that we’re terrified that we suck and we’reterrified that we’ll never work again. I think understanding that dichotomy is understanding what it must be like to have the drive that says I need to be in front of a classroom or I need to solve this puzzle even though I’m on a crime scene that is absolutely shutting me down. And to have that disguising someone that ultimately would rather be in a laboratory then out to dinner with people is to understand the world that he lives in mixed emotional.

MG: What challenges have you found on taking on the hat of producer as well on this series?
EMC: I am a producer on the show I’m certainly not the producer. I couldn’t produce the whole thing and be in every scene. The guys that created the show Ken Biller and Mike Sussman do a fine job at producing it creatively and there are some great guys producing it physically. My contribution as a producer mainly I wanted to make sure that we all conceived the look and feel of the character and we’re on the same page. I wanted to have a say in the casting and I was certainly in the room for the casting of Rachael, Kelly, and Arjay and I’m really excited how that worked out. Then to say hey, it’s important the tone of the show, whether it be dealing with how do we shoot a hallucination and accurately reflect what schizophrenia can look like or feel like. How do we have a scene where he’s angry but there’s also a comic element? How do we do that and accurately represent how a professional behaves? How would a schizophrenic behave? It’s important that I always have the ability to speak up and to take ownership of that. That’s the main way I produce.

MG: So you’ve work for a while in comedy with “Will & Grace”; what do you enjoy more, the drama or the comedy?
EMC: I love doing both. When I was on “Will & Grace” nothing made me happier than having a big dramatic scene with Debra in the mists of the crazy comedy. Nothing gives me a bigger better thrill than dramatic crime scene in this show where he gets to suddenly say something inappropriate that clearly is going to be funny. I love the mix. I think the magic is in the combination and I’m never happy with just one.

MG: What do find challenging from playing Pierce in this from an acting aspect?
EMC: Like I say it’s a combination of being accurate enough to plot out. Okay in the course of an episode – and we were often shooting two episodes at the same time just for cost reasons, so it was really a lot of work on my part to go, I have to make sure that there is accuracy here in how he behaves situation to situation. But you also want unpredictability, that the fun of the character is that he surprises the people around him and he surprises himself sometimes. And I like sometimes to discover he surprises me. That somehow my reactions might be something I hadn’t thought of. And yet still remain within the realm of being accurate and being sympathetic and being responsible to the mental illness community.

MG: What do you think it is about “Perception” that’s really going to connect with theviewers? And now that you’re on Twitter how is that going to help with the promotion of the show?
EMC: Well, I’m not a natural tweeter. It’s work to make myself tweet everyday. But having work that I’m excited about like the play that last few months when we first got started it was fun to tweet about that. As we’re getting closer now in the next few weeks I’m going to start tweeting a lot about it because I want people to see the show. I’m excited to share that. I never do work just for the sake of doing it. I do it because I want as many people as possible to enjoy it. I think this will be – this is particularly for summer, I think this will be a breath of fresh air. So much of summer programming is sort of fun and silly and reality shows and competition shows. I think this is people love a good mystery solving show, but I love the point of view of this. I think we’ve gotten to the point now where we can’t just see regular cops following regular things because a lot of those shows we now – it’s nice to see coming from the angle of someone with a very extreme point of view on life. And a guy that is a neuroscience professor with schizophrenia is coming at a crime scene from a very, very different perspective, sometimes humorous, sometimes extremely intellectual. Some of the cases that we’re going to tackle are things that wouldn’t necessarily come up on a lot of other shows because there wouldn’t be anybody. They’d have to go to an expert, someone like a Daniel Pierce, to solve it. So, our guy David Eagleman who wrote a book Incognito: The Secret Lives of the Brain, to have him as our resident expert allowed us to come up with some plot lines that are really fun, and for anyone that likes the twists and turns in an hour long mystery there’s going to be some really surprising episodes.

LeVar Burton talks about TNT’s “Perception”, “Reading Rainbow” iPad app and 25th Anniversary of “Star Trek: The Next Generation”

LeVar Burton is a well-known actor who has appeared in shows like “Reading Rainbow”, “Star Trek: The Next Generation” and the mini-series “Roots”. LeVar is currently guest starring in TNT’s new show “Perception”, which premiers Monday July 9th at 10:00 PM Eastern. LeVar took out some time to chat with Media Mikes about TNT’s “Perception”, his new “Reading Rainbow” iPad app and also the 25th Anniversary of “Star Trek: The Next Generation”.

Mike Gencarelli: How did you get attached to TNT’s “Perception”?
LeVar Burton: Ken Biller and Mike Sussman are Star Trek alums and I read the pilot and forced my way in. I love Ken’s writing and I loved his pilot and I called Ken and said, “Is there any way I can be in this?” And he said, “Well, the one character that you’re right for it’s like in a scene in this pilot.” And I said, “Yes, but, you know, I see room there for this guy to grow.” And Ken worked it out. You know, he was thrilled at the prospects. We had a great relationship on Star Trek and I directed a lot of episodes that he wrote and as a fan I just wanted to be in this.

MG: This show is a crime procedural but it also has additional elements to it as well. Can you reflect?
LB: Well, I would say it has a real psychological element to it. I think that Ken’s point of view on the treatment — and I’m going to put this in quotes, “mental illness,” and brain chemistry and how our perceptions literally determine our reality. I think this is a fascinating conversation to have especially in the popular culture medium like television.

MG: How was it been working with Eric McCormack on the show?
LB: I’m a huge Eric McCormack fan, was before meeting him and working with him and even more so now. He totally kills this role, definitely, and I really appreciate the difficulty of what he is so deftly doing in every episode. And he’s just a joy to watch and a marvel to behold. I’m so happy to be working with Eric McCormack. And then on top of being as good as he is, he’s also a real professional. There are a lot of kids who want to be famous these days who come to Los Angeles and say that, you know, they want to be an actor or an actress but really what they want is to be famous. Eric is a real pro, right. He takes what he does seriously, yet he doesn’t take himself as a celebrity seriously, so he’s one of those people who knows, understands what it means to be the number one on the call-sheet. You know what I mean when I say that? Number one on the call-sheet. Eric knows, he knows what it represents. He knows how to do that. People like Scott Bakula, Mark Harmon, they’re guys who know how to be number one on the call-sheet, right. They care about the work and saying good night to everybody when they leave just that their humanity is a part of how they move in the world and it shows up in their inter-personal relationships with cast and crew and it just wonderful when you see that in action.

MG: Your career has been marked by such really important and really iconic roles and a whole slew of awards for “Reading Rainbow”. What do you still want to accomplish at this point in your career as an actor and director? What still keeps you working on every day?
LB: Aside from “Perception”, I’ve really taken a bit of a side-step and as much as the last two years of my life have dedicated and wholly devoted to the “Reading Rainbow” app. We launched it just last week and in 36 hours shot to number one in education. It’s still the number one grossing education app. This really feeds my passion. My mother was an English teacher. My older sister is a teacher. My son is in education. I have cousins, nieces, this is the family business, you know what I’m saying? I did “Reading Rainbow” the television show for 25 years and Rick Berman, the executive producer of “Star Trek”, having produced a children’s television series “The Big Blue Marble”, knew how important the show was to me and knew how important the show was to television. And so, he made it possible for me to do both “Trek” and ‘Reading Rainbow” at the same time. Ken knows it fully well how important “Reading Rainbow” is to me and this is what I feel like I’m really, really supposed to be doing. And the reason why we brought Reading Rainbow back is there is such a need right now. We have fallen so far behind our own expectations as a nation in terms of how we educate our kids and what the outcome of a public school education is these days. And we can’t rely on government to get it done anymore. It has to be a public-private partnership. Our government is brokaye, right? We’ve spent the last decade plus engaged in funding the machineries of war and our kids have been left behind. And, you know, from my point of view that’s just not OKAY.

MG: So with the app out, this is maybe a nice break for you being in a recurring role on television?
LB: It brings a balance to my life because I stepped away from acting after Next Generation and became a full-time director. And then my business partner, (Mark Wolfe) and I decided to re-launch the Reading Rainbow brand. And so that’s been a two-year journey. And now through Perception, I haven’t been on television in, I don’t know what, 10 or 12 years in a series. So I get to return to my first love here. And Ken, as the writer-producer, is committed to giving me notes to play that he knows the public hasn’t seen from me before. So I get to go to work and act and love every minute of that and love the people that I’m working with, Eric and Rachel and just really tremendously talented, quality human beings. My day job right now is continuing that mission of inspiring children who are making decisions as to whether they’re going to be readers or not, to choose the light.

MG: Do you think there’ll be any controversy when a show airs considering it’s like a fully-functioning schizophrenic with a job but doesn’t take any medication?
LB: Well, it’ll be interesting to see if there is, isn’t there? I think the whole idea of mental illness and the stigma that we have associated with it in this country is up for discussion. We are ripe to reevaluate that stigma. And to be able to, as I say, have that conversation begin with a television show, I know the value of that. I watched this nation become transformed in eight nights of television around an issue that goes to the heart of almost everything that happens in this country, in this culture. And that’s the subject of slavery and its legacy on subsequent generations. So I know and appreciate fully what the value of the medium to be an alive part of the evolution of culture. And I just think that we really need to have this conversation in America about how we feel about out-of-balance brain chemistry, just like we needed to have the conversation about racism in America, its roots and its legacy.

MG: You always seem to star in series that thrive on intelligence. How important is intellect and programming to you as an actor?
LB: Oh, my gosh. It’s everything. Unless the story-telling is smart, it’s hard to have impact. I’m really drawn to intelligence and to intelligent story telling. And, you know it when you see it. Even if you can’t define it, you know it when it smacks you in the face, right? And I’ve been really lucky. I’ve been very, very blessed throughout the course of my career. I just am grateful. I’m enormously grateful.

MG: You’ve been on a lot of shows with a lot of big fan bases like “TNG” and Reading Rainbow, obviously. You’re quite interactive with your fans via Twitter, so what are you enjoying most about interacting with them?
LB: Twitter I love because it’s an opportunity for me to have a conversation with people who are from different parts of my life and my career, “Roots” fans and “Star Trek” fans and “Reading Rainbow” fans. I can converse with them absent gatekeepers. I get to say what I want, when I want in a manner that I want 140 characters at a time. And there’s no studio or network or publicist between me and my voice. That’s what I love about it.

MG: Are you going to be going to San Diego Comic-Con and also sort of what’s your take like the fan experience at a Comic-Con versus sort of the insider experience at the Comic-Con?
LB: Definitely, I mean, I will at Comic-Con this year. This is the 25th anniversary of “Star Trek: Next Generation” coming on here, so we are actually doing, not in San Diego but we are doing a sort of a reunion tour where all of the cast is getting back together. We did the first one in Calgary back in April. We have dates coming up in Orlando and Austin and Toronto, I think. So from the inside when two or three and in these cases all of us are together, it’s just a glorious experience because we all remain incredibly close even though we don’t see each other every day like we used to when we were shooting the show. Patrick lives in England, Jonathan is always off working, we’re all doing other stuff with our lives. However, when we’re together there’s just nothing better.

Blu-ray Review “Spawn: Director’s Cut”

Directed by: Mark A.Z. Dippé
Starring: Michael Jai White, John Leguizamo, Martin Sheen
MPAA Rating: R
Distributed by: Warner Home Video
Release Date: July 10, 2012
Running Time: 98 minutes

Film: 3.5 out of 5 stars
Extras: 3.5 out of 5 stars

I have always been a huge “Spawn” fan, even owning an original #1 comic. I always had a special place for this film in my heart even though it has a lot of flaws and some really terrible visual effects. As much as I love “Spawn”, I would have to really recommend this only to the biggest fans of the character. The film is fun but has not aged well at all. I would love to hopefully one day see McFarlane make a sequel/reboot that is a lot darker like the comic. Warner’s Blu-ray release is really a great upgrade from the last DVD release. The 1080p transfer is sharp and clear, especially since most of the film is very dark. The DTS-HD Master Audio 5.1 audio track is also very impressive and sounds great with the film’s action. Nonetheless Warner’s delivers a great Blu-ray presentation and that is worth the purchase alone, especially for its low cost.

The special features included are nothing new for Blu-ray but still impressive. There is an audio commentary from Creator Todd McFarlane, director Mark A.Z. Dippe, producer Clint Goldman and visual effects supervisor Steve “Spaz” Williams. It is decent McFarlane’s track should have been included on its own track. There is a very extensive six-part behind-the-scenes looks into the production, running over 70 minutes. Including a 22-minute documentary called “Making of Spawn”, seven featurettes titled “Todd McFarlane: Chapter and Verse”, five “Scene to Storyboard Comparisons” and more. I’ve always loved this film’s soundtrack, included two music videos for “Trip Like I Do” with Filter & The Crystal Method and “Long Hard Road Out of Hell” with Marilyn Manson & the Sneaker Pimps. Lastly there is a Theatrical Trailer included.

Premise: A government assassin is brought back to life as a black superhero with supernatural How can you avenge betrayal and murder? How can you fight for right in a world so steeped in evil? How can you protect those you love most from all that can do them harm? No man living – or dead – can tell you. But one trapped between both is struggling for an answer that can save the lives of his most beloved, or plunge the world into eternal darkness. The cloak and chains of Spawn explode onto the screen in a deadly tornado of untapped, unwrapped, merciless power.

Buy It 7/10 on Blu-ray™
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Josh Gates chats about Season 5 of Syfy’s “Destination Truth”

Josh Gates is the host of SyFy’s hit show “Destination Truth”. The show is set to premiere Tuesday, July 10, at 8:00 pm with two back-to-back episodes to commence its fifth season. Media Mikes had a chance to chat with Josh about “Destination Truth” and what we can expect from season 5.

Mike Gencarelli: Can you tell, for those of us who don’t know, how you first got involved in the show?
Josh Gates: Sure. I’m like a travel adventure guy I think by birth. I just always loved the idea of travel. I think there’s something in my blood that I’m not a real sit still kind of guy. My mom is from England, my father spent a lot of his career working overseas. And so from a young age I was kind of exposed to travel. And it took me, after college, a little while to figure out how to do that professionally. I was living in Los Angeles, and I would save some money up and I would take a trip, and I would save some money up and I would take a trip. And very coincidentally, as you know, a lot of these things are when it comes to the television world, I knew this producer who was pitching the show to Syfy about a kind of exploration into the unknown kind of format, this Destination Truth show, and they needed a host. I was just returning from Africa and I had just climbed Kilimanjaro. And they met a bunch of people and I walked in and looked really terrible and scruffy and dirty from this trip. And I think that there was this kind of authenticity where they say, “Hey, this is a guy who really loves to travel.” And beyond that, I think they really wanted someone who wasn’t going to just rubber stamp these stories, someone who wasn’t just going to say, “Ghosts are real, Bigfoot’s real.” And so I think the other thing that was a nice marriage between Syfy and I is that I could kind of be a proxy for the viewer and kind of act as a skeptic and approach these stories, you know, with a degree of skepticism. So it was just a good fit. And the rest has been history. And it’s been four or five years of doing a lot of travel and looking into a lot of these really, really amazing stories.

MG: Can you talk about your favorite place you’ve been this season?
JG: This season is great. We went to a bunch of locations we haven’t been to before. So it’s our very first time touching down in places like Sweden, our very first time going tothe Islands of Fiji. So a lot of new locations for me. And I always like that, I’m kind of a shameless competitor, so I always want to go to a new place and check off a new box for a place I’ve never been to before. But for me I think in terms of real highlight locations for me, we went to Guatemala for the first time this year, and one of the things that we try to do on the show is we always want to push ourselves to continue to explore these really iconic historic sites. We’ve been to King Tut’s tomb, we’ve been to Angkor Wat in Cambodia, and we had the opportunity to investigate the Mayan ruins of Tikal. It’s the year of the Maya, it’s a big story this year with the Mayan calendar turning over. And so to be able to go down, deep into the jungles of Guatemala and kind of have free run of the ruins of Tikal, this is one of the biggest most significant Mayan cities. It’s one of the largest ruins in the Americas. It’s – you know, there are thousands and thousands of structures there, and these soaring pyramids that, you know, come up through the jungle canopy. It’s just this incredible place. It was a sort of terrifying location and also just this breathtaking beautiful place. And so I’m really excited to showcase our trip to the ruins of Tikal for our viewers. I think it’s really one of our highlight destinations. I also loved our trip to Vietnam. I’m a huge fan of Southeast Asia. I just love that part of the world. And one of the things I really love is when we’re able to spend a whole hour in one place on the show. So for our season premiere, we spend the whole hour doing this really, you know, back country trek into Vietnam. And it’s a great way to showcase a little bit of the cities of Vietnam, and a lot of the places in country that you don’t see, this really deep wilderness. And so I’m really excited about that as well.

MG: This season tell us about your first follow-up investigation and how you got cameraman Evan to return?
JG: Yes, so this season we’re doing our first ever follow-up investigation. We get all sorts of emails and letters and requests from fans to return to a few different locations that we’ve visited on the show before.
People always want us to go back to the Island of the Dolls in Mexico or to Chernobyl — which I’m not going to go back to — or to this haunted forest in Romania. I think the reason that people really were so interested in that story the first time is that my cameraman Evan had this really terrifying experience there. This is a guy who, he’s a real road warrior. He’s worked on all sorts of different types of shows, he’s not a paranormal guy, he doesn’t believe in ghosts, he’s a skeptic. And we went into this forest that’sreputed to be home to this, you know, dark, paranormal energy. And he was basically blown off his feet by something a couple of years ago on the show. And so we got all these requests to go back and to revisit this location. So we wanted to go back but we knew that we really couldn’t go back if we didn’t have Evan with us. And you know, the thing about Evan is he’s kind of a glutton for punishment. And you know, working on Destination Truth it’s like a hard tour of duty, but all of everyone who works on the show wants to come back and do it again. Evan has a family and he has other projects he’s been working on. And so for the past couple of years he hasn’t been on the show. And he always is like, “Man I’ve got to get back out there, I want to come back out and work with you guys again.” And so I called him and I said, “Evan, I have this great opportunity, we’ll fly you out to do one episode of the show. We miss you, we want to see you.” And he’s like, “Oh great, that sounds terrific.” And then I told him where it was and he wasn’t quite as excited. But he agreed to do it, he came back. He was a great sport. And I of course made him go back to the very same place that he was the last time. And you know, you saw the episode, it’s a pretty thrilling night. Another set of really mysterious things happened to him.

MG: Are five seasons, are you still surprised by the different things you find out?
JG: I am. I’m constantly surprised on the show, you know? I’m surprised by a lot of different things. I think that’s really one of the things that makes the show work. I think if the show were only about, “Are you going to catch a monster at the end of the hour,” it wouldn’t work. I think that there are so many surprises that we have every time we go out there. I’m surprised by the people that we meet, I’m surprised that we’ve met so many reasonable, intelligent people who really have been shaken up by experiences and encounters with the unknown. Whether you’re a skeptic or not you meet these people who really have had some sort of legitimate experience. So I’m always amazed by that. And then my curiosity is always peaked because I want to understand what it is that they have experienced. Beyond that, I’m just also continuously amazed by just the sort of general hospitality of people and by the really interesting different cultures that we get to embed ourselves into. So I think that one of the great things about the show is it’s always full of surprises, you know? And sometimes it’s scary, sometimes it’s funny, but it’s a real adventure and you never quite know where it’s going to take you. And that’swhat keeps it interesting.

MG: Can you walk us through the process of how you decide on the stories? Like who pitches it, and do you have a bunch of people doing research, that type of thing?
JG: We take a map of the world and we get a bucket of darts and then we throw – no that’s not how we do it. We, first and foremost we want to go to places that people are experiencing something, currently experiencing something, that they can’t explain. So we don’t want to go somewhere where there’s a legend of a creature that nobody’s seen for 300 years. So we start by looking through newspapers, looking on the Internet, and working with our contacts that we’ve built up around the world to identify stories in the news that are appropriate for the show. So that’s really the first step. And that yields us a lot of our material. It’s just finding places where these stories are reported. The cool thing about these kind of stories is even if they’re really out there, they always get reported. I mean you even open up like your local newspaper here, and you may see on the bottom of page, you know, D7 or whatever that a lake monster was seen by a group of people. These are the stories that always catch our attention. And we always sort of wonder, “Wow, I wonder what’s really going on there?” So those are the stories that around the world. We also I think keep a mind to, as I was talking about earlier, trying to find some locations that are really going to challenge us and push us. So we want to go to ruins and historic sites and heritage sites, places where we want to take the viewer with us. I feel like part of the show is about investigating the unknown for me, and part of the show is about being a virtual travel agency. And I really want to take our viewers to places that are going to really blow their minds. And so bringing them to places like Tikal and bring them to these heritage sites is a really important thing to us. So this season we’re going to be traveling to, “Kazakhstan and Fiji, and Romania, Belize, the Philippines, really different types of destinations.” And that’s the other thing we try to do is put a good collection of places together that gives the viewers different types of experiences. So one week we might be high up in the Himalayas, the next week we might be on a tropical island somewhere. So we kind of jam all that into the hopper and see if we can make sense of it and create a route for ourselves that makes sense, and to find a group of stories that are different and interesting and adventurous.

MG: There’s quite a lot of reality series, probably a lot more now than when Destination Truth first launched, and a lot of competition out there. How do you distinguish yourself from the others out there?
JG: Well look you’re right, there are a lot of different reality shows out there about some of the things that we do, but also there’s just a lot of programming out there in general about everything. So I think you can’t get too caught up in trying to think your way through differentiating yourself from everybody because everybody is naturally different. There’s just so much programming out there that I think you’d drive yourself crazy. One of the things I likeabout Destination Truth a whole lot, is that I don’t see that exact format anywhere else. And it’s a format that has to do with having fun, there’s a lot of comedy in Destination Truth, there’s a lot of hijinks and misadventure. And it’s, as I said earlier, “It’s a very inviting series. We really want the viewer to feel like they’re out there with us.” There’s a lot of paranormal and now this more sort of crypto programming out there that is very earnest and very serious and very kind of moody. I think what we do is find this great combination on Destination Truth of doing a real serious investigation, but showing all the fun that we have getting to these destinations and getting ourselves in these really out of the way places. And I don’t see that anywhere else. And I think that that’s what makes the show unique. I think that it’s the fact that our crew is really front and center, they’re part of the team. My camera operators, audio technicians, medic; they’re part of the crew. And what you’re seeing is a show where we flip that camera around every minute and show you, not just what’s in front of the camera, not just a host driven vehicle, but a team of people who are out there having a real roughshod adventure. And that’s unique. So for my money, that’s what makes Destination Truth stand on its own.

MG: What would you say if someone has never watched the show, what would they need to know in order to pick up and start watching this season?
JG: I think the great thing about “Destination Truth” is that you can kind of turn it on and you’re at the start of a new adventure every week, You don’t need to have been a fan of the show for years to understand it. Every week we are going to pick up on the trail of some mystery around the world and we’re going to invite the viewer to come with us to get on a plane, to fly around the world and to investigate that mystery. The great thing about the show is that we make that a real open invitation. We want the viewer to feel like they’re right there with us. So the way that we film Destination Truth is we just kind of include it all. If there’s flat tires or bad food or rough lodging or kind of zany people that we meet, we throw them up all on screen so that the viewer doesn’t feel like they’re watching a kind of sanitized, produced effort. We want them to feel like they’re out there with us and show them what it’s really like to have this adventure. So it’s a really inclusive show that way and it’s a lot of fun. I think that’s the other thing about the show that’s unique is that it doesn’t take itself too seriously. The adventure that we go on is often peppered with these really kind of funny experiences and misadventures along the way. And so we always think it’s just a great ride.

Theater Review “The Addams Family” Starlight Theater – Kansas City, MO

THE ADDAMS FAMILY
Starlight Theater
Kansas City, MO
July 3, 2012

Our Score: 3.5 out of 5 stars

I had the chance to see “The Addams Family” while it was in previews in Chicago over Thanksgiving 2009. I didn’t go, which was disappointing since it featured two of my favorite performers, Nathan Lane and Bebe Neuwirth. I had seen both on Broadway several times (in fact, the first time I saw Neuwirth on stage was in a touring production of “A Chorus Line” in 1980) and truly admire their talent. The show moved on to Broadway where it received horrible reviews. Yet, thanks to the star power of the leads, it played for 18 months, closing shop with Roger Rees and Brooke Shields in the lead roles. My understanding is that the audience didn’t enjoy the show because it almost totally dismissed the television show and films that fans were familiar with and based itself around the original cartoons produced by Charles Addams. That would be like remaking “Star Wars” and leaving out Darth Vader!

The production that is currently in Kansas City (other dates can be found at the end of this review) makes good use of some of the best known television bits and is a pretty enjoyable night at the theatre. Before the curtain rises, the familiar Vic Mizzy composed “Addams Family Theme” plays, encouraging the audience to snap-snap their fingers along. The show opens in the family cemetery, where the ghosts of Addams past gather for a yearly celebration. This delivers the best song of the show, sung by the entire company, called “When You’re an Addams.” We learn that young daughter Wednesday (Courtney Wolfson) has met a boy and has fallen in love. She is worried because the boy is “different” – think how Marilyn was “different” on “The Munsters” – and won’t be accepted by her family. Luckily big romantic Uncle Fester (a brilliant Blake Hammond) can spot love when he sees it. He forbids the spirits returning to their resting places until true love is found. Wednesday tells her father, Gomez (Douglas Sills) but begs him not to tell her mother, Morticia (Sara Gettelfinger). Not one to keep a secret from his beloved ‘Tish, Gomez reluctantly agrees. When the young man and his family arrive for dinner the table is set for some ghoulish fun!

I can see where the show may have disappointed earlier. With the exception of “When You’re and Addams” and Morticia’s big second act song, “Just Around the Corner,” there really isn’t anything memorable about the score. Nice music and pedestrian lyrics do not a great musical make. However, when you have a talented cast and some incredible mood setting scenery, the picture the music is trying to paint is a lot clearer. My hats off to the cast for braving Kansas City in July. As the curtain opened it was a steamy 95 degrees where I was sitting. And I wasn’t wearing a costume or make up. The cast was full of energy and in fine voice. Sills, a Tony award nominee for his work in “The Scarlet Pimpernel,” gives Gomez a sentimental side only hinted at by John Astin on television and the late, great Raul Julia in the films. He is a man truly in love with his wife and the slightest hint of betrayal – read: not telling her about Wednesday – cuts him to the quick. Gettelfinger is also strong, again making the role her own. Hammond is spot on as Uncle Fester. He has a great number where he seems to float about the stage while singing to his beloved moon which earned much deserved applause. The rest of the familiar characters – brother Pugsley, wacky Grand-ma-ma and butler Lurch – have a few moments to shine but are mostly background characters. More attention is paid to Lucas (Brian Justin Crum), Wednesday’s bethrothed, and his parents (Martin Vidnovic and Gaelen Gilliland) in the show. There is even a Cousin Itt sighting or two!

All in all, “The Addams Family” is a nice way to spend a couple of hours with some old friends.

The show is currently running in Kansas City through July 8 and then through August in the following cities:

WASHINGTON D.C. – July 10 – 29
PITTSBURGH, PA – July 31 – August 12
ATLANTA, GA – August 14 – 18

The show resumes its tour in Dallas in September. For additional tour dates and more information click here.
http://www.theaddamsfamilymusicaltour.com/

Film Review “Moonrise Kingdom”

Starring: Jared Gilman, Kara Hayward and Bruce Willis
Directed by: Wes Anderson
Rated: PG 13
Running time: 1 hour 34 mins
Focus Features

Our Score: 5 out of 5 stars

Wes Anderson has always managed to amaze me. From early films “Bottle Rocket” and “Rushmore” to the stop motion “Fantastic Mr. Fox,” he has perfected a simple style of filmmaking that is easily recognizable but not easy to replicate. He continues that tradition with his new film, “Moonrise Kingdom.”

As the film begins, in what appears to be the style of an old 16 mm educational film we all remember from school, we are introduced first to the Bishop family. They live in a plain clapboard house on the water in Rhode Island. Mr. Walt Bishop (Bill Murray) is the quiet, reserved father. His wife, Laura (Frances McDormand) is also quiet but hiding something inside. The children consist of three young sons and pre-teen daughter, Suzy (Hayward). A brief tour of the house and surrounding areas concludes by the water, where we are suddenly introduced to a narrator (Bob Balaban), who informs us that the story we are about to see gets pretty intense when, three days from now, a hurricane is going to hit land.

Told as innocently as its 1965 setting, “Moonrise Kingdom” may be Anderson’s most accessible film to date. But it’s still clearly an Anderson film. From the quirky situations the characters find themselves in to the almost slide-show like camera movement, the film is a celebration of a simpler time when young love had a chance if you fought hard enough. Besides the Bishop family we meet some of the other quirky characters of the story. Young Sam (Gilman) is a run-away Khaki Scout whose brief encounter with Suzy a year ago has resulted in the two becoming pen pals with dreams of running off and being together forever. Scoutmaster Ward (Edward Norton) feels bad because he didn’t realize that Sam was a problem child. However, he doesn’t feel bad enough that he doesn’t arm his young charges with hatchets, knives and a bow and arrow when the begin to search for the AWOL Sam. Also involved in the search is Captain Sharp (Willis) the local law. Other characters, played by well known names like Harvey Keitel and Tilda Swinton, also meld seamlessly into the story. But it is Gilman and Hayward, both making their film debuts, that steal the film and hold it together. Whether holding hands overlooking the water or fumbling through their first kisses, the two youngsters are heartbreakingly believable as they learn the good and bad of first love.

The script, by Anderson and Roman Coppola (Francis’ son, Sophia’s brother) is tight and smart while the photography, by Robert Yeohman, jumps off the screen. And a smart soundtrack, comprised of Alexandre Desplat’s original score interspliced with Hank Williams and Benjamin Britten compositions, helps carry the mood.