Starring: Ed Helms, Jake Johnson and Hannibal Buress
Directed By: Jeff Tomsic
Rated: R
Running Time: 100 minutes
Warner Bros. Pictures
“Tag” shouldn’t be as fun as it is. Movies based on games (video or board) don’t necessarily have a great track record. Everything from “Super Mario Bros.” to “Battleship” are shining examples of how Hollywood has no problems picking the low hanging fruit in an effort to make a quick buck. There are only a few films that do an admirable or passable job, like “Clue” and “Rampage” (although my only caveat to “Rampage” is that I have to be in the mood for mindless garbage). So I’m a little shocked to say that “Tag” can join the handful of outliers.
Since nine-years-old, Hogan (Helms), Bob (Jon Hamm), Chilli (Johnson), Kevin (Buress) and Jerry (Jeremy Renner) have been playing tag. About 30 years later, during the month of May, the five adults throw decorum out the window and play the game without respect for one’s personal space, job, or therapy session. However, after all these years, Jerry has managed to avoid ever being the one who is ‘it’. The elusive Jerry overanalyzes every situation he’s in to the point where he’s like a trained assassin when it comes to playing the game, spotting his friends out in public when they’re trying to tag him, mentally mapping out scenarios, or predicting what his friends will do several moves ahead of their plans to ensnare him.
So Hogan, Bob, Chilli and Kevin all agree to team up to finally tag Jerry, as he’s about to get married and quit playing the game altogether. Upon my own first glance at the plot, and a watch of the trailer, I would have easily dismissed this movie as a lazy attempt comedy. But there are several moments that are legitimately funny because of the maximum effort on screen by Helms, Johnson, Buress and Ham. Renner plays his character with an incredible seriousness, effectively being the straight guy of the film in an outlandish scenario. He mainly elicits laughs by calculating escape routes and situations like a computer program.
Buress, who should be in a lot more comedies, steals the scenes he’s in with irreverent observations, and what I imagine is off-script improv that feels fitting, but unstructured to the overall narrative of the film. His character’s persona could actually be fitting in any other comedy, regardless of the film’s circumstances. Ilsa Fisher, playing Anna, the wife of Helms’ character, is equally funny as an essential part of the troupe, taking the game more seriously than anyone else in the film, even Jerry.
“Tag” is one of those ideas that seems like it was destined for failure on its first pitch. A movie about this simplistic juvenile game that we all played as children, where we sometimes made up rules on the spot or ultimately yelled at each other over the inane rules we had just made up, sounds like terrible fodder for summer audiences. But there is a bit of credence to “Tag” because it’s based on a Wall Street Journal article about a group of actual friends who’ve spent one month, over the past couple of decades, playing a game of cross-country tag. “Tag” had the potential of falling short or living up to the calamity of its origin story, much like 2016’s “War Dogs,” but it instead exceeded my set expectations.
There’s a lot of manic energy in “Tag,” sometimes culminating into some funny chase sequences and absurd action pieces. Even moments of subdued silliness play well as our characters come to question the ethics of the game, like when they’re about to waterboard someone who isn’t a part of the game. Those moments of moral questioning also prevent our characters from being viewed as mean-spirited and soulless during their antics. “Tag” shouldn’t work, but it does, thanks to a sometimes witty, yet immature script, and a cast where everyone brings their own unique brand of comedy.
