Film Review “Ice Age: Continental Drift”

Starring the voices of: Ray Romano, John Leguizamo and Denis Leary
Directed by: Steve Martino and Mike Thurmeier
Rated: PG
Running time: 1 hour 34 mins
20th Century Fox

Our Score: 4 out of 5 stars

Of all of the popular series of computer animated films that have come along in the past decade plus, I’ve always felt that the “Ice Age” series was often dismissed. Which is a shame because, along with the “Toy Story” films, I’ve always thought that they featured the most consistent story and writing excellence as well as a perfect vocal cast. And I’m happy to say that the fourth chapter, “Continental Drift,” continues that excellence.

The film begins with Scrat once again trying to protect his treasured acorn. Over the past decade Scrat has become a rodent Gollum, doing whatever he can to protect his “precious!” He has also become the ice age’s very own Wiley E. Coyote, suffering devastating consequences no matter how smart he thinks he is. While Scrat is dealing with his problems, our three main characters, Manny (Romano), Sid (Leguizamo) and Diego (Leary) are dealing with theirs. An unexpected visit from Sid’s sloth family leaves an unexpected present behind: Grandma (Wanda Sykes). Even more unexpected are the changes taking place in the world around them. Changes that will send the three friends, and their new addition, on a journey they won’t long forget.

Rendered with the beauty one would expect from Blue Sky Studios, the film is a virtual travelogue of the world of the past. Cloud covered mountains overlook clear, rushing rivers while the flowers bloom so bright you can almost smell them. And that beauty is also a vital part of the story. The film deals with the formation of the continents, a formation that separates our familiar friends from their loved ones. As they try to find their way home they come across a band of animal pirates, commanded by their simian leader, Captain Gutt (Peter Dinklage). Of course not everyone understands what a baddie the captain is. “Surrender or face my fury,” he demands. “Face your furry what,” asks Sid. Poor Sid.

As usual, the voice actors go above and beyond, breathing believable life into their animated alter egos. In checking back on my reviews of the previous three films, I noticed that I have always continued to praise the work of Ray Romano. And rightly so. He, and his fellow actors, give full and complete performances, which is many times a rarity in animated features. Leary and Leguizamo match Romano line for line. It’s obvious that these actors feel very comfortable in these roles and their familiarity is a plus. Sykes is very funny as Grandma. Like the other actors, she has managed to inject her very distinct personality into the character. Ditto Queen Latifah (Ellie), Jennifer Lopez (Shira the Tiger) and the rest of the vocal cast.

In this day of BIGGER and BETTER, 3D is pretty much standard on films like this. It doesn’t really add much to the story here. In fact, it was much better utilized in the short “Simpsons” cartoon that precedes it. But no matter how you choose to see it, you won’t be disappointed.

Monkees singer Davy Jones dead at age 66.

On February 9, 1964, over 40% of America was tuned into the “Ed Sullivan Show.” There they were treated to an English musical guest that, a few years later, would become one of the biggest teen idols of all time. No, it wasn’t the Beatles (though they were on the show as well). It was 18 year old Davy Jones, who was appearing on the show along with the cast of the musical “Oliver!”

Born on December 30, 1945 in Lancashire, England, Jones began acting at the age of 11 and, in 1961, began appearing in the long running television soap opera “Coronation Street.” That was the first year of the show which is STILL running 51 years later. When his mother passed away he left acting and began training as a jockey. He was 14.

A friend of his trainer recommended Jones to a friend who was looking for young boys to appear in the musical “Oliver!” Jones was hired and soon found himself starring as the Artful Dodger. He later reprised the role when the show came to Broadway, earning a Tony Award nomination. Based on his appearance on the Sullivan show Jones was signed to a contract with Screen Gems. A few television appearances followed as did a few independently released singles.

Being under contract proved helpful for Jones when, in 1965, the studio began a search for “Folk & Roll Musicians-Singers for acting roles in new TV series.” The studio already had Jones in mind. Musicians from all over came to audition. Among those who didn’t make it: Stephen Stills and Harry Nillson. It’s also been rumored that Charles Manson auditioned but later checking showed he was in prison at the time. Along with Mickey Dolenz, Mike Nesmith and Peter Tork, Jones became a part of The Monkees, television’s attempt to cash in on the popularity of the Beatles. The show ran for only two seasons (it won the Emmy for Outstanding Comedy Program in year one) but the band kept recording, in various phases, until 1971. The Monkees sold more then 65 million albums and singles. Jones sang lead on such hits as “Daydream Believer,” “Valerie” and “I Wanna Be Free.”

After the Monkees disbanded Jones continued to act and record. He also reunited with the Monkees for several reunion tours. I saw the band, sans Nesmith, in 1986 and had the good fortune of meeting the band and having several albums signed. I also saw him on stage as Vince Fontaine in a touring production of “Grease.” Younger generations may know Jones from his vocal work on “Spongebob Squarepants” or his appearance in “The Brady Bunch Movie.” In the late 1960s another singer named David Jones decided to change his name to avoid confusion. We know him today as David Bowie.

Jones is survived by his third wife, Jessica, and four daughters.

DVD Review “Dragon Age: Redemption”

Directors: Peter Winther
Starring: Felica Day, Adam Rayner, Doug Jones, Marcia Battise
Rated: Unrated
Distributed by: New Video
Running Time: 90 minutes

Film Score: 3.5 out of 5 stars
Extras: 4.5 out of 5 stars

This six-part web series is based on the BioWare video game series of the same name. The series is created by Felicia Day, who is known best for her work on “The Guild” and “Dr. Horrible’s Sing A-long Blog”. When it comes to web series, when you have her included it is instant magic. If you are fan of this video game series, you will definitely enjoy getting to see this universe coming alive. You can tell that Felicia Day is a fan of this series herself and does not want to let the fans down. The show is definitely low-budget and it shows a little in it’s production but overall it kicks some major ass.

The series follows Tallis (Day), an Elvish assasin, who gets sent on a mission to capture a Qunari mage named Saarebas (Jones) who is wreaking havoc. along the way she meets up with Cairn (Rayner) and Nyree (Battise) to assist her. Even though this is a web series, like I said it has this way bigger feeling. As the six parts only total about an hour, I was left happy but wanting more…sequel in the cards?! Felicia Day is funny, strong and sexy as Tallis. Props also need to go to Doug Jones who always plays a awesome bad guy, just wish he was in it more.

The special features are really the main reason you are buying this DVD, since the episodes are available online. The extras as up to about 45 minutes and are very entertaining. To start there is a great commentary from the series’ director and producer.  There a a bunch of features including “Bringing the Game to Life”, “Costumes”, “Characters” and “Stunts”, which all focus on various aspects of the series’ production. They are very in depth and give great insight. There are a funny blooper reel included, it is a must watch. Also there are trailers for “Dragon Age II and Origins” games and also DLC. All in all, these extras are definitely worth taking the plunge for this DVD purchase.

Etta James dead at age 73

Etta James, whose version of the 1941 standard “At Last” is one of the most popular recordings of all time, died today from complications due to leukemia. She was 73. She passed away just three days after bandleader Johnny Otis, who discovered her, passed away.

Born Jamesetta Hawkins in Los Angeles, she was raised by an almost absentee mother who told the young girl that her father was the famous pool player Minnesota Fats. Years later she met him but he never admitted or denied being her father. Due to her mother’s many problems James was mostly raised by Lula and Jesse Rogers, family friends who owned a rooming house her mother used to live in.

She was performing in a female group known as the Peaches when Otis spotted her, advising her to rearrange her first name and become Etta James. The two co-wrote the hit “Roll With Me, Henry,” which was a reply to the popular Hank Ballard and the Midnighters’ hit, “Work With Me, Annie.” Her first “big” song was the ballad “I’d Rather Go Blind,” which was later covered by such singers as Rod Stewart, B.B. King and Beyonce’, who sang it while portraying James in the film “Cadillac Records.”

In 1960 she signed with Chess Records and released her debut album, “At Last!,” at the end of the year. In 1961 the title track was released as a single, reaching #2 on the Rhythm and Blues chart and #47 on the Billboard Hot 100. “At Last” would become her signature song. She stayed with Chess Records until 1978. In 1993 she was inducted into the Rock and Roll Hall of Fame, becoming one of only thirteen women inducted as a solo performer.

CD Review: Chimaira “The Age of Hell”

Chimaira
“The Age of Hell”
Entertainment One
Producer: Ben Schigel, Mark Hunter, Rob Arnold
Tracks: 12

Our Score: 4 out of 5 stars

Chimaira’s “The Age of Hell” is the 6th studio album from the Cleveland based groove metal band. It is the bands first release on eOne records and is the follow up album to the bands 2009 release titled “The Infection”

“The Age of Hell” seems to be a step in a new direction for Chimaira. This could be the band growing older and progressing as a musical unit or the result of the ever changing tides in the music industry which currently seems to be calling for more stripped back listener friendly albums. I am going to go out on a limb and say it’s probably more so my first observation. “The Age of Hell” is the bands 6th studio album I would hope by now that after such brutal albums as “The Impossibility of Reason” and the bands 2005 self titled album “Chimaira” the band is about out of things to be mad at. Listeners have to remember that eventually a band will change. This could be due in part to age, different influences or different members. I like to look at change as a good thing especially when it comes to music. If Chimaira or any other band for that matter kept making albums that sounded the same as the last would you or I keep buying them? Probably not!

Chimaira’s “The Age of hell” album is a smoothed out metal record with catchy vocal harmonies and synth infused break downs. “The Age of Hell” is less edgier than the bands previous releases however it still provides listeners with plenty of weight and Chimaira charm.

Track Listing:
1.)    The Age of Hell
2.)    Clock Work
3.)    Losing My Mind
4.)    Time is Running Out
5.)    Year of the Snake
6.)    Beyond the Grave
7.)    Born in Blood
8.)    Stoma
9.)    Powerless
10.)   Trigger Finger
11.)   Scapegoat
12.)   Samsara

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“Tales from the Golden Age’ is Now Available on SundanceNow.com

We are exciting to announce that TALES FROM THE GOLDEN AGE is now available to watch on SundanceNow.com.  The final 15 years of the Ceausescu regime were the worst in Romania’s history. Nonetheless, the propaganda machine of that time referred without fail to that period as “the golden age”…
Check out the film that was an Official Selection at the Cannes Film Festival on SundanceNOW.com: http://www.sundancenow.com/film/tales-from-the-golden-age/745
Comic, bizarre, surprising myths abounded, myths that drew on the often surreal events of everyday life under the communist regime.  In these three clips from the film, sneak a peak at some of the characters that exemplify what life was like during an era when food was more important than money, freedom more important than love and survival more important than principles:

SundanceNOW.com is a place for anyone interested in independent films both American and worldwide – from the die-hard fans, who we hope will become active members of our community, to those interested in browsing our extensive list of different genres and sampling something new.

Film Review “The Perfect Age of Rock ‘n’ Roll”

Directed by: Scott Rosenbaum
Starring: Kevin Zegers, Jason Ritter, Peter Fonda, Taryn Manning
Red Hawk Films
MPAA Rating: R
Running Time: 92 minutes

Our Score 3.5 out of 5 stars

Music is a big inspiration in my life and I am always jump at the chance to see a good music road-movie. That is what this film is a good music road-movie. You can tell when you watch the film that it is a real labor of love from director Scott Rosenbaum. He has put many years into this film and that is what makes this film unique. Most music films are cliche but this one makes a stand and stand aside from the others. Great performances only add more to this film…and it is one intense journey through the world of music.

Rock star Spyder (Kevin Zegers) is looking to record his band’s third album and seeks long lost childhood friend, Eric Genson (Jason Ritter) for help. Spyder is struggling and burnt out after the flop of his sophomore album. Eric agrees to help Spyder as long as they do it his way. The guys set out on a cross country journey from Long Island, NY to Los Angeles, CA. Accompanying the band is their manager (Taryn Manning), the legendary August West (Peter Fonda). As they travel along historic Route 66 it makes them realize what their journey truly means and what they are looking for in music and life.

The film is not all fun and games and is quite gritty and intense. It shows the ups but also a whole lot of downs as the group travels. The acting in this film is so key to this film working and it really succeeds. Kevin Zegers is dark and channels his goth rocker quite well. Jason Ritter is emotional and really sells this performance. Peter Fonda aces his character in the film as always as the aged but still cool rocker. I look forward to Scott Rosenbaum next feature to see what he draws up after this successful debut. Music fans keep an eye out for blues legends Pinetop Perkins, Hubert Sumlin and Sugar Blue.

 

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