Starring: Shirley MacLaine, Jessica Lange and Howard Hesseman
Directed by: Andy Tennant
Rated: PG-13
Anchor Bay Entertainment
DVD Release Date: October 4, 2016
Run Time: 86 mins

Film: 3.5 out of 5 Stars
Extras: None

A fun romp with a great cast, “Wild Oats” tells the story of recently widowed Eva (MacLaine) and her best friend Maddie (Lange). After Eva’s husband dies she receives his life insurance payment. However, instead of the expected $50,000.00 the check is mistakenly made out for $5 million. What to do? Most people would return the check. Eva cashes it and she and Maddie embark on a vacation adventure that draws the attention of the media and, of course, the insurance company.

I always read that there aren’t any good roles written for older actresses, but Eva and Maddie are well written and well developed characters. It helps that they are played by two formidable former Oscar winners who exhibit more energy in their performances than actresses 50 years their junior. The supporting cast is equally strong, including Demi Moore as Eva’s daughter, Billy Connolly as Eva’s suitor, Rebecca Da Costa and Judd Hirsch. And Hesseman almost steals the film as the exasperated insurance company agent sent to retrieve their money. And an added bonus here for fans of the television show “Head of the Class,” a program in which Connolly replaced Hesseman.

A small film with big laughs, “Wild Oats” is one you should look for next time you’re at the video store.

Actors: Daniel Radcliffe, Paul Dano, Mary Elizabeth Winstead
Directors: Daniel Scheinert, Daniel Kwan
Rated: R
Studio: A24
Release Date: October 4, 2016
Run Time: 97 minutes

Film: 4 out of 5 stars
Blu-ray: 4.5 out of 5 stars
Extras: 3.5 out of 5 stars

Tired of non-stop superhero movies? Reboots? Sequels? Prequels? Well, luckily there are films out there like “Swiss Army Man”, which is a zany, over the top original fun movie…that nobody saw. People wonder why they never make original movies and the reason is cause NOBODY SEES THEM! This movie was amazing. I loved it. It was so damn weird but at the same time I found myself mesmerized, especially by the performances from Daniel Radcliffe and Paul Dano. A must see movie of the year.

Original Premise: Synopsis: Hank (Paul Dano) is stranded on a deserted island, having given up all hope of ever making it home again. But one day everything changes when a corpse named Manny (Daniel Radcliffe) washes up onshore. The two become fast friends, and ultimately go on an epic adventure that will bring Hank back to the woman of his dreams.

I love the way that this film was shot and the way it looks, so I enjoyed the 1080p transfer quite a bit. Same goes for the extremely impressive Dolby Atmos track (at its core, Dolby TrueHD 7.1). This worked great with the fantastic music by Manchester Orchestra members Andy Hull and Robert McDowell, which works so well in the movie.

Along with the Blu-ray, this release also comes with a digital copy of the film. The special features are decent as well to check out. There is a very fun audio commentary with Writer/Director Daniel Kwan, Writer/Director Daniel Scheinert, Production Designer Jason Kisvarnay, and Sound Mixer/Fartist Brent Kiser…and NO you did not misread that…this film has a fartist. You gotta see the movie to get it.

“Swiss Army Man: Behind the Scenes” is a really fun behind-the-scenes featurette with some candid footage and chats with cast. “Making Manny” follows the making of the dummy with designer Jason Hamer. There is a hour plus Q & A with Filmmakers with Glenn Kiser moderating at the Dolby Institute. Lastly there are nearly 10 minutes of deleted scenes included.

Starring: Nate Parker, Armie Hammer and Jackie Earle Haley
Directed by: Nate Parker
Rated: R
Running time: 2 hrs
Fox Searchlight

Our Score: 5 out of 5 Stars

Haunting.

When people have asked me my opinion of “The Birth of a Nation,” that is the word I’ve used most. The story, the images, the history…

A young boy is surrounded by family and friends. His chest bears what is described as “the mark.” He is told that he is destined to be a prophet and to lead. Born into slavery, the boy is taught to read by the wife of the owner of the cotton plantation he lives on. As “white” books are off limits, he devours the only book he is allowed to hold, the Bible.

Year later, the boy is now the man we know as Nat Turner (Parker). Soon he is leading his fellow slaves in worship. This occupation serves him, and his master’s (Hammer) well when he is hired by neighboring plantation owners to come and preach to their slaves to keep them in-line. Feeling uneasy, but wanting to help out the master who, for the most parts, has been good to him, he addresses the workers, quoting Bible verses that speak about serving your master and being obedient. However, after witnessing the horrific treatment of his brothers, Nat begins to get fiery in the pulpit. No longer does he preach about a God that demands obedience. Now he speaks of a God of love, who is also a God of wrath! A wrath that Nat Turner took upon himself to deliver.

Winner of both the Grand Jury Prize and the Audience Award at this year’s Sundance Film Festival, “The Birth of a Nation” is easily one of the best, and most important, films of the year. Like “12 Years a Slave,” it introduces audiences to a part of history that few choose to remember and many choose to forget. And the credit goes to its star, director and co-writer, Nate Parker who, surrounded by an amazing cast, tells the story of a true American hero whose exploits are often glossed over because of the way they were achieved.

Parker, resembling a young Denzel Washington, is flawless as Turner, often expressing his emotions, be they joy or sadness, more with his eyes then his voice. And, like Washington, he holds the screen with his presence. Hammer also excels as the owner who, when everything boils over, is just as hateful as all the others. As a slave hunter with a penchant for violence, Jackie Earle Haley is pure evil. The supporting cast, including Aja Naomi King as Turner’s wife and Penelope Anne Miller as the mistress of the plantation, also give amazing performances.

Technically the film is beautifully photographed and the musical score by Henry Jackman carries the film along and matches the visuals note for note. But the message here IS the message here. As the film nears its climax a young man exclaims that, “They’re killing black people for no other reason than being black.” Words from 1831 that continue to reverberate in 2016.

Haunting.

Starring: Emily Blunt, Rebecca Ferguson and Haley Bennett
Directed By: Tate Taylor
Rated: R
Running Time: 112 minutes
Universal Pictures

Our Score: 3 out of 5 Stars

Something’s in the water in Westchester County, New York. Megan Hipwell (Bennett) refers to herself as the county whore to her psychologist (Edgar Ramirez), while flirting with him in over-the-top fashion. She’s cheating on her emotionally abusive husband, Scott Hipwell (Luke Evans), presumably with more men than just her psychologist. Her carefree and apathetic nature is used to mask her emotionally fragility. The Hipwell’s next door neighbors are dealing with turmoil of their own, but not within their own marriage. Anna Watson (Ferguson) and Tom Watson (Justin Theroux) are dealing with Tom’s ex-wife, Rachel (Blunt).

Rachel may just as be emotionally damaged as Megan. She takes the train to her non-existent job every day so she can glance at her ex-husband’s home for a brief second. Unknowingly, she also is glancing into the home life of Megan and Scott’s life. In her head, Rachel imagines a happier home than the one that actually exists. Everyone collides and connects in a disgruntled mess when Megan goes missing the same night Rachel goes on an epic bender involving a full fifth of vodka and hotel-sized bottles of other assorted liquors. Rachel begins to include herself in everyone’s lives even more while also being a prime suspect in the criminal investigation behind Megan’s disappearance.

“The Girl on the Train” will most likely be compared to 2014’s “Gone Girl” which is really unfair. “The Girl on the Train” isn’t as smart, witty, or amusingly dark as “Gone Girl”. “The Girl on the Train” is more like a contemporary reimagining of the late 80’s and early 90’s steamy murder skin flicks like “Fatal Attraction” or “Disclosure”. The comparison to “Gone Girl” may be because of the narrative for “The Girl on the Train,” which is very confusing at times. It jumps back and forth between the past and present so much that you begin to mistake who’s telling the story and which story has already happened and which one is still unfolding.

The time jumps are a method by the film to confuse the viewer about who’s responsible for Megan’s disappearance and, as anybody could easily guess, her death. The movie leaves a lot of red herrings, but the movie makes a fatal mistake by establishing from the get-go that when we see things through Rachel’s eyes, she’s an unreliable narrator, ultimately nixing any theories or ideas that come falling out of her brain or her blurred drunken visions.

“The Girl on the Train” is a two-hour version of “48 Hours” that intentionally jumbles up the “who-dun-it” portion of the story. But if you’re a keen observer, you’re going to ultimately guess what’s going on during Rachel’s alcohol fueled hallucinations, Megan’s flashbacks during her psychologist visits, Scott’s recollections and the unsettling calmness of Anna and Tom’s love life. By the time the big twist arrives, the movie isn’t quite sure how to proceed. It ends up over explaining how it all went down and tries to find some resemblance of meaning to end on.

“The Girl on the Train” is carried mainly behind some terrific performances, including Blunt who portrays a struggling alcoholic coping with horrific memories and a failed marriage. If the movie was more memorable, Blunt would surely be an early runner for a best actress Oscar. Bennett’s character, despite not being too relatable or sympathetic, is given meaning and passion through Bennett who once again, may have been in an early running for an Oscar if this movie was better. “The Girl on the Train” isn’t this year’s “Gone Girl” and won’t be a movie you’ll be talking about long after you leave the theater, but is interesting enough to sustain its near two-hour runtime. Folks who regularly watch Investigation Discovery will find plenty to enjoy here and others, like me, may find it’s brooding steaminess oddly charming, but ultimately flawed.

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Director: Takeshi Nozue
Starring: Aaron Paul, Lena Headey, Sean Bean, Jon Campling, Adrian Bouchet, Will Bowden
Rated: PG-13
Studio: Sony Pictures Home Entertainment
DVD Release Date: October 4, 2016
Run Time: 115 minutes

Film: 2 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 2 out of 5 stars

I am a huge fan of “Final Fantasy” and its last film “Final Fantasy VII: Advent Children”. It is a visual marvel that still blows me away each time I watch it.  With “Kingsglaive: Final Fantasy XV”, I found myself just struggling to stay awake while watching. It is slow moving, all over the place and very hard to follow. The story feels like a tangled web and the characters are so similar that I literally had a hard time tracking who was who. I might not be the target audience of this film since I am not really anticipating the new upcoming game “Final Fantasy XV”.  When it comes to  the films technical aspects it is quite impressive. It looks great and when the action kicks in it is epic but it doesn’t kick in enough to make it worth wild.

Official Premise: The magical kingdom of Lucis is home to the sacred Crystal, and the menacing empire of Niflheim is determined to steal it. King Regis of Lucis (Sean Bean) commands an elite force of soldiers called the Kingsglaive. Wielding their king’s magic, Nyx (Aaron Paul) and his fellow soldiers fight to protect Lucis. As the overwhelming military might of the empire bears down, King Regis is faced with an impossible ultimatum – to marry his son, Prince Noctis to Princess Lunafreya of Tenebrae (Lena Headey), captive of Niflheim, and surrender his lands to the empire’s rule. Although the king concedes, it becomes clear that the empire will stop at nothing to achieve their devious goals, with only the Kingsglaive standing between them and world domination.

Easily best part of this film is its technical merits. The 1080p transfer looks outstanding. The fully digital animated feature just looks beautiful. The fight scenes when they are present are breathtaking. The DTS-HD Master Audio 5.1 is also a high note delivering its action to an epic level, unfortunately it doesn’t last long. The special features are lacking like the film. There are four short featurettes included. “A Way with Words: Epic and Intimate Vocals” has the voice cast discussing the film and their character. “To Capture the Kingsglaive: The Process”  looks into the motion capture technology used here. “Fit for the Kingsglaive: Building the World” focuses on the design and environment (in Japanese with English subtitles). The last is a piece of the films score “Emotive Music: Scoring The Kingsglaive” by John R. Graham.

Actors: Martin Sheen
Directors: Thierry Ragobert
Rated: G
Studio: Lionsgate
DVD Release Date: October 4, 2016
Run Time: 93 minutes

Film: 3.5 out of 5 stars
Extras: 2.5 out of 5 stars

Originally released in France in 2003, this film was re-narrated with Martin Sheen (“The West Wing”) and released in the US. I have to admit, I am sucker for all wildlife nature documentaries. This one focus on a capuchin monkey, who is a cutey and wins audiences hearts. Sheen delivers a solid narration as well.

Here is the official Premise of “Amazonia”: After a plane crash, Saï, a capuchin monkey born and raised in captivity, finds himself alone and lost in the wilderness of the Amazon jungle.

In additional the documentary, there is also a digital HD copy included with the DVD and a few bonus features that are working checking out. First, there is an “The Making of Amazonia” featurette, which gives some insight into the production and what it took to get the footage they got. There are also a few fun “Minuscule Bonus Episodes” included as well.

Starring: Zach Galifianakis, Kristin Wiig and Owen Wilson
Directed by: Jered Hess
Rated: PG 13
Running time: 1 hr 34 mins
Relativity Media

Our Score: 3.5 out of 5 Stars

What do you do if you’re a short, dumpy man with a Prince Valiant haircut that is hopelessly in lust with your hot female co-worker? If you’re David Ghantt (Galifianakis) and that co-worker is Kelly Campbell (Wiig), you agree to steal $17 million from your employer. Piece of cake!

Based on a true 1997 event, “Masterminds” has been sitting in the can for a year while the studio went through bankruptcy. The film is extremely funny at times and features a cast of comedic who’s-who. Galifianakis gives Ghantt a quiet dignity, making him appear to be oblivious to those who would take advantage of him. Wiig is equally sweet. Wilson is part of an amazing supporting cast which also includes Kate McKinnon, Jason Sudekis and Leslie Jones. McKinnon, who stole this past summer’s “Ghostbuster” reboot, does the same here as David’s unsmiling fiancé, threatening to withhold consummation if he continues to eat Googoo clusters.

The script has fun with the film’s premise and setting, which is the late 90’s where everyone in the South hangs out, robs banks and hire hitmen. With every instance you can’t help but be amazed how such a stupid group of people could pull off the biggest cash robbery in United States history. As things get crazy, the setting jumps first to Mexico then to North Carolina where the story climaxes. The gags are hit and miss but when they hit they’re pretty amusing.

Quick note – if the filmmakers could have found a gig for Melissa McCarthy this could have been an un-official “Ghostbusters” sequel. But at least it’s funnier than the real “Ghostbusters 2.”

Starring: Mark Wahlberg, Kurt Russell and John Malkovich
Directed By: Peter Berg
Rated: R
Running Time: 107 minutes
Summit Entertainment

Our Score: 4.5 out of 5 Stars

Over six years ago, the Deepwater Horizon explosion triggered the worst environmental disaster in U.S. history. Since then, BP has agreed to the largest corporate settlement in history, to the tune of nearly $19 billion in fines. The economic impact to the Gulf Coast was even higher, with estimates around nearly $25 billion, but it could easily be higher than that. Outside of the financial realm, thousands upon thousands of different animals and even hundreds of people on land suffered adverse health effects. As daunting as those numbers are, nothing cut’s as deep as the loss of a brother, father, or son, that 11 different families experienced on April 20th, 2010.

“Deepwater Horizon” covers the complicated 24 hours that led up to the explosion on the floating football field sized oil rig quite well. The movie mainly follows Mike Williams (Wahlberg), the Chief Engineer for Transocean. Transocean is a foreign property that actually owns the rig. The oil castle is on lease to BP, despite BP’s best attempts to run it like it’s their own. The petroleum palace is over one of the most difficult oil and gas prospects in the Gulf, the Macondo Prospect. Upon Williams’ arrival, the well is about to be filled up with a cement plug. But there’s a problem.

BP, constantly reminding them and the audience that the rig is behind schedule, isn’t concerned about doing the best job of creating or testing the cement plug that’s about to be put in place. They’re ready to clean up and move on to the next vast oil prospect. “Deepwater Horizon” paints the BP officials on-board the rig as nefarious penny pinchers, but in this case the pennies are hundreds of thousands of dollars. After a couple rounds of testing, the cement plug appears to be good enough for BP. , And against the beter judgement of Deepwater Horizon Manager Jimmy Harrell (Russell) and his crew, they go along with it. Sadly I think you know the rest.

While Berg spends every chance he gets making the audience loathe the slimy BP execs, he manages to humanize the people we encounter on the rig. While BP acts like they’re individual cogs to the massive machine that is the Deepwater Horizon, Berg shows them act more like a family unit. Like most co-workers in tight confines, they surely get on each other’s nerves, but the ebb and flow of the environment’s safety keeps them tight. Safety is the biggest component of survival and outside of the jokes, jabs and scowls, this crew ensures everyone stays safe and out of harm’s way.

The absolute panic and mayhem that takes over when the rig finally explodes into a massive fireball is intense to watch. This isn’t like most disaster movies where people complete inhuman feats of heroism to escape, this is blue collar men and women finding a way to survive in a scenario none of them were trained or prepared for. There are plenty of moments where characters express their deep despair at the situation, exclaiming through tears that they’re going to die. The media coverage of this event over half a decade ago was focused more on ecological disaster that it was and is still is today. We never got that human aspect as much and this movie is a tragic window into what happened in the span of a couple of hours.

Berg’s last movie, “Lone Survivor,” was a bone crunching look at how survival isn’t brave or courageous, it’s absolutely terrifying. “Deepwater Horizon” is the exact same, but instead of a warzone populated with soldiers, ordinary folks are dodging flaming debris, shrapnel from exploding metallic piping, and pushing broken bones back into place. Despite what the advertising says, “Deepwater Horizon” isn’t a movie with a hero that comes in and saves the day. These people saved themselves and they don’t feel like heroes, they feel survivor’s remorse. They wonder what they could have done differently to save their friends or stop the explosion.

Berg displays the heartbreaking range of emotions and his cast is able to reflect that without skipping a beat. Because many of us aren’t familiar with the names of those that were lost that day, there’s a decent amount of uneasiness about when someone could die or if they will die. For those who want to know what horror happened the night the Deepwater Horizon rig exploded, this movie captures it to near-perfection.

FOR IMMEDIATE RELEASE

ONE MAN’S MOSTLY TRUE QUEST TO CAPTURE OSAMA BIN LADEN

Available on Blu-ray™ Combo Pack, DVD and On Demand November 15, 2016 

BEVERLY HILLS, Calif. – (Sept. 27, 2016) – Academy Award® winner Nicolas Cage (Leaving Las Vegas, National Treasure) and Russell Brand (Get Him To The Greek), embark on one hell of a holy mission in the hilarious comedy Army of One, the mostly true story of one man’s quest to single- handedly capture Osama Bin Laden. Directed by Emmy Award® winning director Larry Charles (Borat, Bruno, “Curb Your Enthusiasm,” “Seinfeld”) with screenplay by Rajiv Joseph & Scott Rothman, Army of One will arrive on Blu-ray^™ Combo Pack, DVD, and On Demand November 15, 2016 from Anchor Bay Entertainment and on Digital HD November 4, 2016.

Gary Faulkner (Cage) is an ex-con, unemployed handyman, and modern day Don Quixote who receives a vision from God (Brand) telling him to capture Osama Bin Laden. Armed with only a single sword purchased from a home-shopping network, Gary travels to Pakistan to complete his mission. While on his quest, Gary encounters old friends back home in Colorado, the new friends he makes in Pakistan, the enemies he makes at the CIA – and even God and Osama themselves. Wendi McLendon-Covey, Rainn Wilson, and Paul Scheer also star in this hilarious tale of patriotism and one man’s quest for justice.

Army of One Blu-ray™ and DVD include a “Making of Army of One” bonus featurette and will be available for $29.99 SRP and $22.98 SRP, respectively.

To learn more about the film, please visit www.anchorbayentertainment.com.

ABOUT THE WEINSTEIN COMPANY AND DIMENSION FILMS

The Weinstein Company (TWC) is a multimedia production and Distribution Company launched in October 2005 by Bob and Harvey Weinstein, the brothers who founded Miramax Films in 1979. TWC also encompasses Dimension Films, the genre label founded in 1993 by Bob Weinstein. During Harvey and Bob’s tenure at Miramax and TWC, they have received 351 Oscar nominations and won 81 Academy Awards.

Since 2005, TWC and Dimension Films have released such films as VICKY CHRISTINA BARCELONA; THE READER; INGLOURIOUS BASTERDS; SCRE4M; SPY KIDS: THE KING’S SPEECH; UNDEFEATED; THE ARTIST; THE MASTER; SILVER LININGS PLAYBOOK; DJANGO UNCHAINED; SCARY MOVIE 5; LEE DANIELS’ THE BUTLER; PHILOMENA; THE IMITATION GAME; PADDINGTON; WOMAN IN GOLD; SOUTHPAW, CAROL, MACBETH, THE HATEFUL EIGHT, SING STREET, and HANDS OF STONE. Upcoming releases include AMITYVILLE: THE AWAKENING, THE FOUNDER and GOLD.

TWC boasts an active television production division, which garnered twelve Emmy nominations in 2015. TWC Television produces the reality powerhouse Project Runway, with its spin-off series Project Runway All Stars, hosted by Alyssa Milano, Project Runway Jr, featuring supermodel Hannah Davis and fashion critic Kelley Osbourne Under The Gunn, and Threads. Scripted series include John Fusco’sMarco Polo with Netflix, going into its second season, and War & Peace, which debuted on Lifetime, A&E and HISTORY in 2016. Scripted projects in development include Ten Commandments, Daniel Stashower’s The Hour Of Peril and military drama Six. TWC will also launch several new projects in 2016 across several networks, including MTV, Lifetime, and AMC.

ABOUT ANCHOR BAY ENTERTAINMENT

Anchor Bay Entertainment is a leading independent home entertainment company that acquires and releases a wide array of filmed entertainment in the theatrical and home entertainment markets, including STARZ Original series, children’s entertainment, fitness (Anchor Bay Fitness), sports and specialty films on Blu-ray™ and DVD formats. The company has long-term distribution agreements in place for select programming with The Weinstein Company, AMC Networks and Entertainment Studios, among others. Headquartered in Beverly Hills, Calif., Anchor Bay Entertainment (www.anchorbayentertainment.com) is a full service distributor in the North American market. Anchor Bay Entertainment is a Starz (NASDAQ: STRZA, STRZB) business, www.starz.com.

Labor Day has come and gone, and unless you’re dressing up as a ghost, you better not be wearing anything white! With the end of summer comes the beginning of fall and the start of Hollywood’s “Prestige Movie Push!”

We’ll take a look at what the studios hope are their best bets to fill the multiplexes and bring home the Oscars. Once again, a big thank you to our friends at Internet Movie Data Base (IMDB) for some synopsis information. Opening dates noted are subject to change at the whim of the studios. Enjoy!

OCTOBER 7

THE 13th

Documentary
Directed by: Ava DuVernay

The director of “Selma” gives us an in-depth look at the prison system in the United States and how it reveals the nation’s history of racial inequality.

OSCAR CHANCES: Will surely make the short list.

THE BIRTH OF A NATION

Starring: Nate Parker, Armie Hammer
Directed by: Nate Parker

Set against the antebellum South, the film follows Nat Turner, a literate slave and preacher, whose financially strained owner, Samuel Turner accepts an offer to use Nat’s preaching to subdue unruly slaves. As he witnesses countless atrocities – against himself and his fellow slaves – Nat orchestrates an uprising in the hopes of leading his people to freedom.

OSCAR CHANCES: After last year’s #OSCARSOWHITE controversy, the early buzz on this film almost guaranteed a bounty of nominations. However, it was recently revealed that writer/director/star Nate Parker and his co-writer, Jean McGianni Celestin, were accused of raping a fellow college student in 1999. Though Parker was not found guilty and Celestin had his conviction overturned, their alleged victim committed suicide. Not sure how this news will affect the Academy voters.

THE GIRL ON THE TRAIN

Starring: Emily Blunt, Haley Bennett and Justin Theroux
Directed by: Tate Taylor

In the film, being compared to “Gone Girl,” a recently divorced woman
takes the train to work every day and imagines the lives of a young couple she
sees every day. Things get weird when the young wife disappears.

OSCAR CHANCES: Blunt is already getting raves for her performance.

OCTOBER 13

MASCOTS

Starring: Christopher Guest, Parker Posey and Jane Lynch
Directed by: Christopher Guest

Simply described as “a look into the world of competitive mascots,” this is the latest opus from the great Christopher Guest. Sadly, unless I missed it, this is the first of Guest’s films that does not include Eugene Levy.

OSCAR CHANCES: Possible screenplay nod.

OCTOBER 14

THE ACCOUNTANT

Starring: Ben Affleck, J.K. Simmons and Anna Kendrick
Directed by: Gavin O’Connor

A forensic accountant un-cooks the books for illicit clients. What I like about the trailer is that Affleck seems to be a young genius. Maybe this is his chance to play Will Hunting?

OSCAR CHANCES: Maybe.

KEVIN HART: WHAT NOW?

Starring: Kevin Hart
Directed by: Leslie Small and Tim Story

Kevin Hart performs his comedy in front of 50,000 fans.

OSCAR CHANCES: No.

OCTOBER 21

AMERICAN PASTORAL

Starring: Jennifer Connelly, Dakota Fanning and Ewan McGregor
Directed by: Ewan McGregor

In 1968, a hardworking man, who’s been a staple in his quaint community for years, watches his seemingly perfect middle class life fall apart as his daughter’s new radical political affiliation threatens to destroy their family. Based on the novel by Philip Roth.

OSCAR CHANCES: Adapted screenplay?

IN A VALLEY OF VIOLENCE

Starring: John Travolta, Ethan Hawke and Karen Gillan
Directed by: Ti West

A mysterious stranger and a random act of violence drag a town of misfits and nitwits into the bloody cross-hairs of revenge. Ethan Hawke’s second western this season and John Travolta in a cowboy hat for the first time since “Urban Cowboy.” Yee-hah!

OSCAR CHANCES: Sadly Western’s very rarely get recognized.

JACK REACHER: NEVER GO BACK

Starring: Tom Cruise, Cobie Smulders
Directed by: Edward Zwick

Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.

OSCAR CHANCES: Director Zwick has helmed three of my favorite films (“About Last Night,” “Glory” and “Legends of the Fall” but only has an Oscar for co-producing “Shakespeare in Love.” It’s about time this man was recognized, though I don’t think it’s going to be for a Jack Reacher film.

A MONSTER CALLS

Starring: Liam Neeson, Felicity Jones and Sigourney Weaver
Directed by: J.A. Bayona

A boy seeks the help of a tree monster to cope with his single mom’s terminal illness.

OSCAR CHANCES: Visual effects.

TYLER PERRY’S BOO! A MADEA HALLOWEEN

Starring: Tyler Perry
Directed by: Tyler Perry

Madea winds up in the middle of mayhem when she spends a haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls and zombies while keeping a watchful eye on a group of misbehaving teens. I’m scared.

OSCAR CHANCES: I’m going to go out on a limb and say “no”

OCTOBER 28

INFERNO

Starring: Tom Hanks, Felicity Jones
Directed by: Ron Howard

When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot. The second Felicity Jones film in as many weeks.

OSCAR CHANCES: Sorry, Tom, but your nomination this year is coming from “Sully”

NOVEMBER 4

BLEED FOR THIS

Starring: Miles Teller and Aaron Eckhart
Directed by: Ben Younger

The inspirational story of World Champion Boxer Vinny Pazienza who, after a near fatal car crash, which left him not knowing if he’d ever walk again, made one of sport’s most incredible comebacks.

OSCAR CHANCES: Both Robert DeNiro and Hillary Swank won Oscars for portraying boxers so never say never. Hell, Stallone got nominated…TWICE!

DOCTOR STRANGE

Starring: Benedict Cumberbatch, Rachel McAdams and Mads Mikkelsen
Directed by: Scott Derrickson

A neurosurgeon with a destroyed career sets out to repair his hands only to find himself protecting the world from inter-dimensional threats.

OSCAR CHANCES: Visual effects.

HACKSAW RIDGE

Starring: Andrew Garfield and Sam Worthington
Directed by: Mel Gibson

WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people and becomes the first Conscientious Objector in American history to be awarded the Medal of Honor. Mel doesn’t appear in this one but his dead-ringer son, Milo, does.

OSCAR CHANCES: Gibson (Mel, not Milo) already has an Oscar for directing so you never know. I’m sure people have forgotten what all of the hub-bub was about concerning him a few years ago.

LOVING

Starring: Ruth Negga and Joel Edgerton
Directed by: Jeff Nichols

Back in the dark ages, Richard and Mildred Loving, an interracial couple, are sentenced to prison in Virginia in 1958 for getting married. Apparently they had nothing better to do in Virginia at the time.

OSCAR CHANCES: Acting, picture.

TROLLS

Starring the voices of: Anna Kendrick and Justin Timberlake
Directed by: Mike Mitchell and Walt Dohrn

Remember those little plastic things with long hair that you used to put on the end of your pencil? When I was a kid we called them Kewpies but apparently they are Trolls and they have their own movie. Good for them!

OSCAR CHANCES: Maybe best hairstyling?

NOVEMBER 11

ARRIVAL

Starring: Amy Adams, Jeremy Renner and Forest Whitaker
Directed by: Denis Villeneuve

A linguist is recruited by the military to assist in translating alien communications.

OSCAR CHANCES: Picture, director, acting.

SHUT IN

Starring: Naomi Watts and Jacob Tremblay
Directed by: Farren Blackburn

A heart-pounding thriller about a widowed child psychologist who lives in an isolated existence in rural New England. Caught in a deadly winter storm, she must find a way to rescue a young boy before he disappears forever.

OSCAR CHANCES: Unsure, but young Mr. Tremblay should have been nominated last year for “Room.”

USS INDIANAPOLIS: MEN OF COURAGE

Starring: Nicolas Cage and Tom Sizemore
Directed by: Mario Van Peebles

The harrowing true story of the crew of the USS Indianapolis, who were stranded in the Philippine Sea for five days after delivering the atomic weapons that would eventually end WWII. If you saw “Jaws,” this is the tale that Quint tells. Other “Jaws” related facts: this was the original idea for “Jaws 2.” Also: Mario Van Peebles starred in “Jaws the Revenge.”

OSCAR CHANCES: To me it looks like a “made for TV” movie. How about Emmy chances?

NOVEMBER 18

THE EDGE OF SEVENTEEN

Starring: Hailiee Steinfeld, Blake Jenner and Woody Harrelson
Directed by: Kelly Fremon Craig

High-school life gets even more unbearable for Nadine when her best friend, Krista, starts dating her older brother. Is that weird? When I was in high-school I wanted to date my best friend’s older sister. Hopefully Stevie Nicks got some money from this.

OSCAR CHANCES: Nada

FANTASTIC BEASTS AND WHERE TO FIND THEM

Starring: Eddie Redmayne, Jon Voight and Ezra Miller
Directed by: David Yates

The adventures of writer Newt Scamander in New York’s secret community of witches and wizards 70 years before Harry Potter reads his book in school. Even though Harry Potter and his pals are less than 20 years old it seems like they’ve been around forever.

OSCAR CHANCES: Visual effects, music (the great James Newton Howard)

MANCHESTER BY THE SEA

Starring: Casey Affleck and Michelle Williams
Directed by: Kenneth Lonergan

An uncle is forced to take care of his teenage nephew after the boy’s father dies.

OSCAR CHANCES: Both Affleck and Williams have been nominated in the past so I’m not ruling anything out.

NOCTURNAL ANIMALS

Starring: Amy Adams and Jake Gyllenhaal
Directed by: Tom Ford

An art gallery owner is haunted by her ex-husband’s novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale. November is Amy Adams month.

OSCAR CHANCES: Across the board

NOVEMBER 23

ALLIED

Starring: Brad Pitt and Marion Cotillard
Directed by: Robert Zemeckis

In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war. Cotillard isn’t married so maybe we can look forward to reading about “Bradarion” soon.

OSCAR CHANCES: Pitt, Cotilliard and Zemeckis have been there before.

BAD SANTA 2

Starring: Billy Bob Thornton, Kathy Bates and Tony Cox
Directed by: Mark Waters

Fueled by cheap whiskey, greed and hatred, Willie teams up once again with his angry little sidekick, Marcus, to knock off a Chicago charity on Christmas Eve.

OSCAR CHANCES: I thought Billy Bob deserved a nod for the first film but I’m going to say no.

MOANA

Starring the voices of: Dwayne Johnson, Alan Tudyk and Nicole Scherzinger
Directed by: Ron Clements, John Musker, Don Hall and Chris Williams

A young woman uses her navigational talents to set sail for a fabled island. Joining her on the adventure is her hero, the legendary demi-god Maui.

OSCAR CHANCES: Animated feature, original song

RULES DON’T APPLY

Starring: Warren Beatty, Lily Collins and Ed Harris
Directed by: Warren Beatty

An unconventional love story of an aspiring actress, her determined driver, and the eccentric billionaire who they work for. Beatty has been wanting to do a Howard Hughes-based film since the 1970s. Not sure if this is what he had in mind back then but, after a 15-year absence, it’s great to see him both in front of and behind the camera.

OSCAR CHANCES: Only two people have been nominated in the same year for acting, directing, writing and producing the best picture: Orson Welles and Warren Beatty. And Beatty did it TWICE!

NOVEMBER 25

LION

Starring: Dev Patel, Rooney Mara and Nicole Kidman
Directed by: Garth Davis

A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.

OSCAR CHANCES: Many

DECEMBER 2

LA LA LAND

Starring: Ryan Gosling and Emma Stone
Directed by: Damien Chazelle

From the creator of “Whiplash” comes a film about a jazz pianist who falls for an aspiring actress in Los Angeles. And it’s a musical!

OSCAR CHANCES: Early film festival buzz say’s this may be the film to watch (both on screen and at awards time!)

DECEMBER 9

MISS SLOANE

Starring: Jessica Chastain
Directed by: John Madden

An ambitious lobbyist faces off against the powerful gun lobby in an attempt to pass gun control legislation.

OSCAR CHANCES: Actress. Madden directed the Oscar-winning “Shakespeare in Love.”

OFFICE CHRISTMAS PARTY

Starring: Jason Bateman and Jennifer Anniston
Directed by: Josh Gordon and Will Speck

When his uptight CEO sister threatens to shut down his branch, the branch manager throws an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand.

OSCAR CHANCES: Zip

DECEMBER 16

COLLATERAL BEAUTY

Starring: Will Smith and Keira Knightley
Directed by: David Frankel

A tragic event sends a New York ad man on a downward spiral.

OSCAR CHANCES: I’ve already had to apologize to Will Smith twice for doubting he’d get nominated for “Ali” and “The Pursuit of Happyness.” There won’t be a third. Good luck Will.

FENCES

Starring: Denzel Washington and Viola Davis
Directed by: Denzel Washington

An African American father struggles with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life. Based on the August Wilson play.

OSCAR CHANCES: YES!

THE FOUNDER

Starring: Michael Keaton and Patrick Wilson
Directed by: John Lee Hancock

The story of McDonald’s founder, Ray Kroc. You may look at your next hamburger differently. Keaton is said to be so good that they pulled the film from it’s original release date.

OSCAR CHANCES: Keaton

A KIND OF MURDER

Starring: Patrick Wilson and Jessica Biel
Directed by: Andy Goddard

In 1960s New York, Walter Stackhouse is a successful architect married to the beautiful Clara who leads a seemingly perfect life. But his fascination with an unsolved murder leads him into a spiral of chaos as he is forced to play cat-and-mouse with a clever killer and an overambitious detective, while at the same time lusting after another woman. This will be a day of decisions for Patrick Wilson fans.

OSCAR CHANCES: Don’t see any

ROGUE ONE: A STAR WARS STORY

Starring: Felicity Jones, Jimmy Smits and Warwick Davis
Directed by: Gareth Edwards

Or, as I like to call it, “Episode 6.5” The Rebellion makes a risky move to steal the plans to the Death Star, setting up the epic saga to follow. Holy crap! The Death Star, Leia’s family, Darth Vader AND Wicket the Ewok? I’m already in line!

OSCAR CHANCES: Visual effects, make up.

DECEMBER 21

20th CENTURY WOMEN

Starring: Annette Bening, Elle Fanning and Laura Wiggins
Directed by: Mike Mills

The story of three women who explore love and freedom in Southern California during the late 1970s.

OSCAR CHANCES: Can anyone tell me why Annette Bening hasn’t won an Oscar yet? Didn’t think so. Keep your fingers crossed.

ASSASSINS CREED

Starring: Michael Fassbender and Marion Cotillard
Directed by: Justin Kurzel

When Callum Lynch explores the memories of his ancestor Aguilar and gains the skills of a Master Assassin, he discovers he is a descendant of the secret Assassins society. This synopsis seems so crazy considering the cast. I wonder if the two leads made the same mistake Bill Murray did when he thought “Garfield” had been written by one of the Coen brothers!

OSCAR CHANCES: Fassbender elevates everything he’s in so I’m not saying no!

PASSENGERS

Starring: Jennifer Lawrence and Chris Pratt
Directed by: Morten Tyldum

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early. It’s so weird to see Lawrence in a movie at the end of the year NOT directed by David O. Russell. Oh well, there’s always next year.

OSCAR CHANCES: Visual effects, technical stuff

PATRIOTS DAY

Starring: Mark Wahlberg and Michelle Monaghan
Directed by: Peter Berg

An account of Boston Police Commissioner Ed Davis’s actions in the events leading up to the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorists behind it. Sounds better than what I thought it was – knowing Wahlberg is a huge New England Patriot fan I thought it was about a day with Tom Brady. The third film by Wahlberg and director Berg and second this year.

OSCAR CHANCES: Oh yes.

SING

Starring the voices of: Matthew McConaughey and Scarlett Johansson
Directed by: Garth Jennings

A koala named Buster Moon has one final chance to restore his theater to its former glory by producing the world’s greatest singing competition.

OSCAR CHANCES: Animated film….maybe.

DECEMBER 25

GOLD

Starring: Matthew McConaughey and Bryce Dallas Howard
Directed by: Stephen Gaghan

An unlikely pair venture to the Indonesian jungle in search of gold. When he was outrageously thin in “Dallas Buyer’s Club” McConaughey still looked good. In this one he’s bald and….dammit!

OSCAR CHANCES: No sir.

WHY HIM?

Starring: James Franco and Bryan Cranston
Directed by: John Hamburg.

A dad forms a bitter rivalry with his daughter’s young rich boyfriend. Based on a story by Jonah Hill. Somebody needed money.

OSCAR CHANCES: I’m ashamed that I have to include those words with this film.

DECEMBER 28

PATERSON

Starring: Adam Driver
Directed by: Jim Jarmusch

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet.

OSCAR CHANCES: Love Jarmusch. Maybe a witting nod.

Actors: Jared Padalecki, Jensen Ackles, Misha Collins, Mark A. Sheppard
Number of discs: 4
Studio: Warner Home Video
Rated TV-14
Release Date: September 6, 2016
Run Time: 970 minutes

Season: 3.5 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 4 out of 5 stars

“Supernatural” is quite a marvel in terms of television that is going on 12 seasons now and honestly shows no end in sight. This show has a really strong and loyal fan base. This show is not my favorite show on TV but it is hit or miss good if that makes any sense. I like it and enjoy it but some episodes feel like such filler as I have felt with other The CW shows like “The Vampire Diaries”. Season 11 still was action packed and included some pretty epic moments. If you are a fan of this series or if you have never seen it and have about 10,000+ spare minutes to bing and catch up, this show is worth checking out, especially since it is still going strong.

Official Premise: Season Eleven plunges Sam and Dean Winchester (Jared Padalecki and Jensen Ackles) into extreme peril as they face The Darkness, a sinister new menace unleashed upon the Earth. They continue their monster-hunting missions, battling the usual werewolves, black-eyed demons and even a vengeful ghost in a stuffed bunny costume, but with a sharp new focus: destroy The Darkness. Needing all the help they can get, the brothers turn to fallen angel Castiel (Misha Collins); King of Hell Crowley (Mark A. Sheppard); and even an unassuming God (Rob Benedict) – only to come face to face with Lucifer and Crowley’s power-hungry witch-mother, Rowena (Ruth Connell). Strap yourself in for the Winchester’s darkest adventures yet as they journey between Heaven and Hell…

There is a huge amount of special features for all its hardcore fans, spread out over the four discs. The first disc includes the following extras: Audio Commentary track from Director Thomas Wright and Writer Robbie Thompson for the episode “Baby”. There is a featurette “Jensen Ackles on Directing ‘The Bad Seed'”, which features the actor talking about the season and behind the camera. There are also two deleted scenes. The second disc includes an Audio Commentary track with Writer Jenny Klein and Director Richard Speight on the episode “Just My Imagination” and one deleted scene.

The third disc includes only two deleted scenes. Lastly though the fourth disc is jam packed. There is an audio commentary with Actors Rob Benedict and Curtis Armstrong and Writer Robbie Thompson for the episode “Don’t Call Me Shurley”. “On the Set with SPN: The Real Fan Contest” features a day on the set for two fans. “The Winchester Mythology: Shedding Light on the Darkness” looks into the Amara storyline. “Digital Magic: Enhancing the Sets with VFX” looks into the digital effects of the series. There is the Supernatural from 2015 Comic-Con Panel. Lastly there is a gag reel included and two more deleted scenes.

Director: Nicolas Winding Refn
Starring: Elle Fanning, Karl Glusman, Jena Malone, Bella Heathcote, Abbey Lee, Christina Hendricks and Keanu Reeves
Rated: R (Restricted)
Studio: Broadgreen
DVD Release Date: September 27, 2016
Run Time: 117 minutes

Film: 4.5 out of 5 stars
Blu-ray: 4.5 out of 5 stars
Extras: 2 out of 5 stars

Nicolas Winding Refn is a director that is not for everyone but for those that love him really love him. I was a huge fan of “Drive” and his style just speaks to me personally. So when “The Neon Demon” came around I went in completely blind and was absolutely blown away with this film. Elle Fanning is absolutely breathtaking as a person as with her performance. I hardly blinked when she was on screen. Jena Malone, Bella Heathcote, Abbey Lee are defiantly evil and even Christina Hendricks and Keanu Reeves pop in throughout. Reeves in particularly is one hell of a creep and nails it perfectly. Cliff Martinez delivered what is easily my favorite score of the year, which made this film work just so well! I found myself holding my breath and unable to look away at this marvel! If you enjoy something that isn’t a sequel or remake/reboot, this is a must see!

Official Premise: The Neon Demon is a sumptuous horror-thriller, set in the highly competitive and often vicious world of fashion modeling, where the term “eat their own” takes on a decidedly new meaning. When aspiring model Jesse (Fanning) moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will use any means necessary to get what she has.

“The Neon Demon” is literally one of the most beautiful films I have seen. The 1080p transfer is fantastic! I would have loved to see this film get a 4K release! The DTS-HD Master Audio 5.1 surround works absolutely perfectly with my electronic soundtrack by Cliff Martinez (which is also my favorite score of the year). Martinez has scored Refn’s previous films “Drive” and “Only God Forgives”. Unfortunately, the special features are rather light. The audio commentary with Refn and Fanning is a must listen if you like the film but it is only followed by two short featurettes: “Behind the Soundtrack of The Neon Demon (05:08)” and “About The Neon Demon (01:12), way too short to fully get the behind-the-scenes feature.

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Starring: Denzel Washington, Chris Pratt and Ethan Hawke
Directed By: Antoine Fuqua
Rated: PG-13
Running Time: 132 minutes
Columbia Pictures

Our Score: 2.5 out of 5 Stars

“The Magnificent Seven” feels like it comes about two months too late. I may have enjoyed this remake more if my phones weather app read triple digits outside and the theater was still pumping out Arctic air. “The Magnificent Seven” feels like a good fit for the summer line-up, especially with the cast at hand, stunning visuals and exciting action-packed finale. Maybe it’s because I’m gearing up for awards season or my mind is ready to overanalyze, but I was in total critic mode while watching this movie.

This remake of the original (which was also remake) follows familiar beats. Sam Chisolm (Washington) is a bounty hunter that is contracted by a pair of residents from Rose Creek. The town is under the thumb of a ruthless businessman. He’s milking valuable materials from nearby mines, utilizing the populace as slave labor and poisoning the town’s water source. The capitalist, played by Peter Sarsgaard, establishes his cold-heartedness early by killing residents and burning down the Rose Creek church. But not before giving a very ham-fisted speech about how evil he is and how capitalism and our society justify it.

Feeling like it’s his civic duty, Chisolm rounds up some degenerates to save the town. Pratt plays Josh Farrady, a charming alcoholic that gambles and kills those who double cross him. Hawke plays a Civil War sharpshooter, Goodnight Robicheaux, who clearly suffers from PTSD after the War of Northern Aggression. He’s accompanied by a Chinese assassin, Billy Rocks (Byung-hun Lee). Then there’s Red Harvest (Martin Sensmeier), a Comanche warrior, whose appearance is the most random. There’s also Vasquez (Manuel Garcia-Rulfo), a Mexican fugitive and Jack Horne (Vincent D’Onofrio) a murderous man-sized teddy bear that you can’t understand half the time.

The “origin” story takes forever to get moving. The movie is more fascinated about establishing and having fun with its star power, Washington and Pratt, than it is explaining why half the group would join a suicide mission to help protect a town that none of them have heard of. The throwaway montage scenes of training Rose Creek citizens to fight and the predictable action-movie beats could have been trimmed for a much more lean and fluid flick.

The overall charm of the cast is nearly enough to forgive the movie for its storytelling mistakes and unimaginative narrative. When there aren’t guns blasting, explosions going off, or one-liners, the movie is a real drag. I wasn’t emotionally invested enough in the townspeople to care about them being in the path of a murderous tycoon. I also wasn’t emotionally invested enough to feel anything when the body count started to pile up towards the end.

That being said, there’s actually a lot this movie does right. The visuals and action are infectious. A lot of what makes the fighting sequences exciting can be chalked up to the use of real horses, set pieces, and stunts. So much of it appears natural and real that when the use of CGI is required, the computer animation sticks out like a sore thumb. On that level, it’s a successful summer movie that came out towards the end of September.

It’s odd that the movie never appears to pay homage to old Westerns or attempts a style change that may help it carve a new path in a familiar trail. It’s brainless entertainment that has awkwardly shown up at the beginning of Oscar season. “Magnificent Seven” is a stick of dynamite blast half the time, but the other half of the time it’s like watching a tumbleweed blow unenthusiastically in the wind.

Actors: Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell
Directors: Duncan Jones
Format: 3D
Rated: PG-13
Studio: Universal Studios Home Entertainment
Release Date: September 27, 2016
Run Time: 123 minutes

Film: 4 out of 5 stars
3D: 5 out of 5 stars
Blu-ray: 4.5 out of 5 stars
Extras: 4 out of 5 stars

There is no shortage of talent behind this film. It was directed by Duncan Jones (Moon, Source Code) and stars Travis Fimmel (“Vikings,” Maggie’s Plan), Paula Patton (Mission Impossible: Ghost Protocol, Deja Vu), Dominic Cooper (Captain America: The First Avenger, Need for Speed) and Ben Foster (Lone Survivor, 3:10 to Yuma). The film was not a big hit domestically but worldwide it did pull in a pretty penny. I loved it and I would recommend it highly for an action packed wild ride. I hope they continue the series for sure, since it is setup so well for future installment.

Official Premise: The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: Orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, an unlikely group of heroes is set on a collision course that will decide the fate of their families, their people and their home.

If the games fans would have given this movie a chance they would have realized how epic and awesome it is. The visual effects on this film were simply amazing. I LOVED the 3D effects, in fact they were the best that I have seen in a movie since “Edge of Tomorrow” with Tom Cruise. It literally blew me away. The Blu-ray transfer looks outstanding on my TV and the 3D was extremely effect. The colors were also perfectly displayed and delivered a great viewing experience.

The Blu-ray 3D combo pack also comes with a standard Blu-ray and a digital HD copy. The special features are loaded up with over 90 minutes of bonus content, including deleted scenes, an exclusive stop-motion Warcraft comic, and several behind-the-scenes looks at stunts, visual effects, story origins, and more. First up here have “WARCRAFT: Bonds of Brotherhood”, which is an awesome never-before-seen motion comic. “The World of Warcraft on Film: The “World of Warcraft” focuses on the world that is created for the film and how it differs from the game and it focuses on the talent as well as the outstanding VFX.

“Outfitting a World” gives costume designer Mayes Rubeo the spotlight to discuss how the film’s weaponry and armor were created. “The World of MOCAP” discusses the creation of the Orcs. “The World of Stunts” looks deeper into the VFX and fight scenes in the film. Lastly there is a featurette on Madame Tussauds, the original teaser from San Diego Comic-Con in 2013, as well as a few deleted scenes and gag reel included.

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